Sol LeWitt

Dates

Born 1928, Hartford, Connecticut

Died 2007, New York, New York

Education

1949, Syracuse University, New York, BFA

2021

Strict Beauty: Sol LeWitt Prints, New Britain Museum of American Art, Connecticut, September 17, 2021–January 9, 2022. Travels to: (Catalogue)

2019

Sol LeWitt: Lines, Forms, Volumes, 1970s to Present, Galleria Alfonso Artiaco, Naples, September 9–November 2, 2019.

Book as System: The Artists’ Books of Sol LeWitt, Printed Matter, Inc., New York, June 28–September 29, 2019.

2018

Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018.

Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019.

By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018.

Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019).

Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018.

Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018.

2017

Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue)

Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017.

One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017.

Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017.

2016

Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016–January 28, 2017.

Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016.

Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016.

2015

Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015.

Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015.

Sol LeWitt: Wall Drawings, Grids on Color, Konrad Fischer Galerie, Düsseldorf, September 3–October 31, 2015.

Sol LeWitt: 17 Wall Drawings 1970–2015, Fundación Botín, Santander, Spain, July 18, 2015–January 10, 2016. (Catalogue)

Sol LeWitt: 40 Years at Annemarie Verna Gallery Part I, Annemarie Verna, Zurich, May 15–July 4, 2015.

Sol LeWitt: Structures and Related Works on Paper, 1968–2005, Barbara Krakow Gallery, Boston, January 31–March 14, 2015.

2014

Redrawing Sol LeWitt Wall Drawing 731, Gallery Onetwentyeight, New York, September 6–October 12, 2014.

Sol LeWitt: Creating Place, Asheville Art Museum, NC, opened on August 9, 2014.

Sol LeWitt: Wall Drawing #370, Metropolitan Museum of Art, New York, June 30, 2014–September 7, 2015 (extended through January 28, 2018).

Sol LeWitt: Your Mind is Exactly at that Line, Art Gallery of New South Wales, Sydney, February 20–August 3, 2014.

Sol LeWitt: Prints, Pace Prints, New York, February 6–March 8, 2014.

Sol LeWitt: Horizontal Progressions, Pace Gallery, 508 West 25th Street, New York, January 24–February 22, 2014. (Catalogue)

2013

Sol LeWitt: The Music Collection, Aldrich Contemporary Art Museum, Ridgefield, September 22, 2013–March 9, 2014.

Sol LeWitt, Paula Cooper Gallery, New York, September 3–October 10, 2013.

Sol LeWitt: Shaping Ideas, Jewish Community Center, New York, August 15–November 12, 2013.

Sol LeWitt: Wall Drawings, Blondeau & Cie, Geneva, May 2–July 13, 2013.

Sol LeWitt: Concrete Block Structure, Rhona Hoffman Galley, Chicago, April 26–June 1, 2013.

Sol LeWitt: Cut, Torn, Ripped, Folded, James Cohan Gallery, New York, January 10–February 9, 2013.

2012

Sol LeWitt: The Artist and His Artists, Museo d’Arte Contemporanea Donnaregina, Naples, December 14, 2012–April 1, 2013. Traveled to: Centre Pompidou-Metz, France, April 19–July 29, 2013. (Catalogue)

Sol LeWitt, Alfonso Artiaco, Naples, November 24, 2012–January 26, 2013.

Sol LeWitt: Pyramides, Galerie Marian Goodman, Paris, November 17, 2012–January 26, 2013.

Sol LeWitt: The Well-Tempered Grid, Williams College Museum, Williamstown, Massachusetts, September 15–December 9, 2012. (Catalogue)

Sol LeWitt: Colors, M-Museum Leuven, Belgium, June 21–October 14, 2012. (Joint catalogue with Sol LeWitt: Wall Drawings from 1968 to 2007)

Sol LeWitt’s Lines in Four Directions in Flowers, Philadelphia Museum of Art, May 24, 2012–Summer 2014.

Sol LeWitt: Wall Drawings from 1968 to 2007, Centre Pompidou-Metz, France, March 7, 2012–July 29, 2013. (Joint catalogue with Sol LeWitt: Colors)

Sol LeWitt, JGM Galerie, Paris, January 20–March 10, 2012.

2011

Sol LeWitt: Structures, 1965–2006, Public Art Fund, City Hall Park, New York, May 24–December 2, 2011. (Catalogue)

Sol LeWitt: Arcs and Lines, Paula Cooper Gallery, New York, May 7–July 1, 2011.

Sol LeWitt: Structures and Drawings, Barbara Mathes Gallery, New York, April 28–June 30, 2011.

Sol LeWitt: Photographic Works 1968–2004, Fraenkel Gallery, San Francisco, February 24–April 30, 2011.

Sol LeWitt: Four Towers Structure, Annemarie Verna Galerie, Zurich, February 19–April 9, 2011.

Sol LeWitt: Structures, Works on Paper, Wall Drawings 1971–2005, L.A. Louver, Venice, California, January 20–February 26, 2011.

2010

Sol LeWitt: 2D + 3D, Walker Art Center, Minneapolis, November 18, 2010–April 24, 2011.

Sol LeWitt: Wall Drawings and Gouaches, Galería Juana de Aizpuru, Madrid, September 14–October 2010.

Sol LeWitt, Gladstone Gallery, Brussels, September 11–October 21, 2010.

REMIX: Sol LeWitt, Albright-Knox Art Gallery, Buffalo, New York, August 6, 2010–February 27, 2011.

Sol LeWitt: A Mercer Union Legacy Project, Mercer Union, Toronto, July 10–August 28, 2010.

Sol LeWitt: Hartford’s Native Son, Wadsworth Atheneum Museum of Art, Hartford, June 12–August 15, 2010.

Sol LeWitt: Scribble Wall Drawing, Albright-Knox Art Gallery, Buffalo, June 1, 2010–December 31, 2011.

Sol LeWitt, Rhona Hoffman Gallery, Chicago, April 9–May 15, 2010. (Brochure)

Sol LeWitt: Gouache on Paper, 1987–2005, L.A. Louver, Venice, California, January 14–February 13, 2010.

2009

Sol LeWitt, Brooke Alexander, New York, October 20, 2009–January 16, 2010.

Sol LeWitt: Seven Wall Drawings, Magasin 3, Stockholm Konsthall, Sweden, October 2, 2009–June 6, 2010.

Sol LeWitt, Pace Prints, New York, September 10–October 22, 2009.

Sol LeWitt: Forms Derived from a Cube, PaceWildenstein, 32 East 57th Street, New York, September 8–October 17, 2009.

Sol LeWitt: Locations, Barbara Krakow Gallery, Boston, September 1–November 10, 2009.

Artist Rooms: Sol LeWitt, Tate Liverpool, May 12–September 13, 2009.

Sol LeWitt: Works on Paper, Paula Cooper Gallery, New York, May 8–June 19, 2009.

Sol LeWitt: Wall Drawing Scribble #15, 2007, Annemarie Verna Gallery, Zurich, April 18–October 3, 2009.

Sol LeWitt: Works on Paper and Structures 1966–2005, Annemarie Verna Gallery, Zurich, April 18–July 11, 2009.

Artist’s Books by Sol LeWitt, Galleria civica d’Arte Moderna, Palazzo Collicola, Spoleto, Italy, April 8–26, 2009. Traveled to: Museo internazionale e biblioteca musica, Bologna, September 15–October 25, 2009; BAS, Instanbul, December 15, 2009–January 12, 2010; Christophe Daviet-Thery Bookstore, Paris, January 16–April 18, 2010; Site Gallery, Sheffield, May 8–May 29, 2010; Intonation Centre of Graphic Arts, Ljubljana, Slovenia, June 10–August 31, 2010. (Catalogue)

2008

Focus: Sol LeWitt, The Museum of Modern Art, New York, December 5, 2008–June 29, 2009.

Sol LeWitt: A Wall Drawing Retrospective, Massachusetts Museum of Contemporary Art, North Adams, November 14, 2008–2043. (Catalogue)

The ABCDs of Sol LeWitt, Williams College Museum of Art, Williamstown, Massachusetts, November 14, 2008–May 17, 2009.

Sol LeWitt, Storm King Art Center, Mountainville, New York, May 14–November 15, 2008. (Catalogue)

Sol LeWitt: Color and Line, Reproduced, Smart Museum of Art, University of Chicago, March 25–June 21, 2008.

Sol LeWitt: Prints, Annemarie Verna Gallery, Zürich, March 7–April 19, 2008.

2007

Sol LeWitt: Selected Editions, Pace Prints, New York, September 29–October 20, 2007.

Sol LeWitt: Scribble Wall Drawings, PaceWildenstein, 32 East 57th Street, New York, September 10–November 3, 2007. (Catalogue)

Sol LeWitt, Paula Cooper Gallery, New York, September 6–October 20, 2007.

Sol LeWitt in Memoriam, Museum of Contemporary Art, Chicago, May 2–August 5, 2007.

Sol LeWitt: Gouaches, Muiler Muiler Gallery, Knokke-Heist, Belgium, March 31–May 13, 2007.

Sol LeWitt at the AMAM, Allen Memorial Art Museum, Oberlin, Ohio, March 9–June 17, 2007.

2006

Sol LeWitt: Wall Drawing and Early Works, Le Case d’Arte, Milan, December 22, 2006–February 1, 2007.

Sol LeWitt: Wall Drawings 1973, Lisson Gallery, London, November 29, 2006–January 20, 2007.

Replication: The Books of Sol LeWitt, New York Art Book Fair, New York, November 17–19, 2006.

Sol LeWitt: Table, Dorfman Projects, New York, September 21–October 21, 2006.

Sol LeWitt Monoprints, Pace Prints, New York, September 7–September 30, 2006.

Sol LeWitt Drawing Series…, Dia: Beacon, Riggio Galleries, Beacon, New York, opened September 16, 2006 [ongoing]. (Brochure)

Sol LeWitt, Adam Gallery, London, April–May 6, 2006. (Catalogue)

Sol LeWitt, Al Galeria, Budapest, April 3–May 19, 2006.

Sol LeWitt: Portfolios—Sets 1971–1984, Barbara Krakow Gallery, Boston, January 28–March 15, 2006.

2005

Sol LeWitt: Structures and Gouaches, Margo Leavin Gallery, Los Angeles, November 12, 2005–January 7, 2006.

Sol LeWitt Gouaches, Galerie Yvon Lambert, Paris, October 27–December 3, 2005.

Sol LeWitt: Wall Drawings and Gouaches, Galleria Studio G7 di Ginevra Grigolo, Bologna, Italy, October 15, 2005–January 31, 2006. (Catalogue)

Sol LeWitt: Gouaches, Paula Cooper Gallery, New York, September 6–October 15, 2005.

Sol LeWitt: Seven basic colors and all their combinations in a square within a square. Wall Drawing for Josef Albers, Josef Albers Museum, Quadrat Bottrop, Germany, September 4–November 20, 2005.

Sol LeWitt: New Wall Drawings, PaceWildenstein, 534 West 25th Street, New York, July 14–August 25, 2005.

Sol LeWitt, Madison Square Park, New York, June 1, 2005–January 31, 2006. (Catalogue)

Sol LeWitt 1 2 3: All Three-Part Variation on Three Different Kinds of Cubes, 1967/2003, Dia: Beacon, Beacon, New York, May 15, 2005–February 2, 2010.

Sol LeWitt: New Wall Drawings, Alfonso Artiaco, Naples, Italy, May 4–June 20, 2005.

Sol LeWitt on the Roof: Splotches, Whirls and Twirls, Metropolitan Museum of Art, Iris and B. Gerald Cantor Roof Garden, New York, April 26–October 30, 2005. (Brochure)

Minimal LeWitt, Alva Gallery, New London, Connecticut, March 22–April 30, 2005.

Sol LeWitt, Galleria Massimo Minini, Brescia, Italy, March 19–May 5, 2005.

Sol LeWitt: Lost Voices, Synagogue Stommeln, Pulheim, Germany, March 13–May 29, 2005. (Catalogue)

Sol LeWitt: Recent Work, Lyman Allyn Museum of Art, New London, Connecticut, March 6–May 16, 2005.

Sol LeWitt: New Work, Galerie Meert Rihoux, Brussels, February 24–April 23, 2005.

Disegni a Matita Sul Muro: Sol LeWitt Al Portico d’Ottavia, Valentina Bonomo Arte Contemporanea, Rome, February 18–April 30, 2005.

Sol LeWitt: Drawings for Projects, Donald Young Gallery, Chicago, February 12–April 9, 2005.

Sol LeWitt and Alvin Lucier: A Collaboration, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, January 21–February 27, 2005.

2004

Sol LeWitt: The Zürich Project, Haus Konstruktiv, Zürich, November 18, 2004–May 1, 2005. (Catalogue)

Sol LeWitt: New Wall Drawing, Collection Lambert, Avignon, France, October 29, 2004–January 9, 2005.

Sol LeWitt: Laumeier Sculpture Park, Laumeier Sculpture Park, St. Louis, Missouri, October 1, 2004–January 16, 2005. (Catalogue)

Sol LeWitt: New Work, Lisson Gallery, London, September 15–October 23, 2004.

Sol LeWitt: New Wall Drawings and Photographs, Frankel Gallery, San Francisco, September 9–October 30, 2004.

Sol LeWitt: Wall, Kunsthaus Graz am Landesmuseum Joanneum, Austria, February 28–May 2, 2004. (Catalogue)

Sol LeWitt: Recent Acquisitions, Rhode Island School of Design Museum of Art, Providence, February 27–May 2, 2004.

Sol LeWitt: Structures 1962–2003, PaceWildenstein, 32 East 57th Street, February 27–March 27, and 534 West 25th Street, New York, February 27–April 17, 2004. (Catalogue)

Sol LeWitt: Wall Drawing, Structure, Gouaches, Annemarie Verna Galerie, Zürich, February 24–May 15, 2004.

Sol LeWitt: Recent Work, Katonah Museum of Art, New York, February 22–May 2, 2004. (Catalogue)

2003

Sol LeWitt: Maquettes 1979–2003, Maiden Land Exhibition Space, New York, December 18, 2003–February 18, 2004.

Sol LeWitt: New Wall Drawings and Gouaches, Rhona Hoffman Gallery, Chicago, December 12, 2003–January 24, 2004.

Sol LeWitt: New Work, Galerie Konrad Fischer, Düsseldorf, November 8, 2003–January 1, 2004.

Sol LeWitt: Brick and Block Outdoor Sculpture, Max Protetch Sculpture Beacon, New York, opened October 25, 2003.

Sol LeWitt: Horizontal Brushstrokes, Livingstone Gallery, The Hague, opened October 25, 2003.

Sol LeWitt: Wall Drawing, Prints, Works on Paper, Galerie Nächst Stephan, Vienna, September 18–November 8, 2003.

Sol LeWitt: New Gouaches, Paula Cooper Gallery, New York, September 6–October 4, 2003.

LeWitt’s LeWitt and Selections from the Collection of Sol and Carol LeWitt, New Britain Museum of American Art, Connecticut, July 23–August 27, 2003.

Sol LeWitt: Wall Drawing for 192 Books, Paula Cooper Gallery, New York, July 17–September 20, 2003.

Sol LeWitt: New Drawings, Margo Leavin Gallery, Los Angeles, June 14–July 12, 2003.

Sol LeWitt: Fotografia, Museo Fundación ICO, Madrid, June 10–July 27, 2003. Traveled to: Tecla Sala, Barcelona, November 27, 2003–January 18, 2004; Camera Austria, Kunsthaus Graz, April 3–May 20, 2004; Collection Lambert, Avignon, October 29, 2004–January 9, 2005; Haags Gemeentenmuseum, The Hague, March 12–June 12, 2005. (Catalogue)

Sol LeWitt: Models for Proposed Dome Structures and Recent Gouaches, Barbara Krakow Gallery, Boston, May 31–July 2, 2003.

Sol LeWitt, Castellani Art Museum, Niagara University, New York, April–July 2003.

Sol LeWitt: Wall Drawing, Kunstammlungen Chemnitz, Germany, March 27–August, 2003.

Sol LeWitt: Wall Drawings, Gouaches, Galleria Alessandra Bonomo, Rome, February 12–August, 2003.

Sol LeWitt: Recent Acquisitions, Addison Gallery of American Art, Andover, Massachusetts, February 1–April 13, 2003.

2002

Sol LeWitt, Nordic Watercolour Museum, Skärhamn, Sweden, November 10, 2002–February 2, 2003. (Catalogue)

Sol LeWitt: Gouaches, Paula Cooper Gallery, New York, October 19–November 30, 2002.

Sol LeWitt Prints: 1982–2001, Saint Joseph College Art Gallery, West Hartford, October 3–November 27, 2002.

Sol LeWitt: New Editions, Pace Prints, New York, September 12–October 12, 2002.

Sol LeWitt: New Wall Drawings, PaceWildenstein, 32 East 57th Street, New York, September 3–October 12, 2002.

Sol LeWitt: Copied Lines, Center for Contemporary Non-Objective Art, Brussels, July 9–October 27, 2002.

Sol LeWitt: L’image de la pensée, Château de Villeneuve, Vence, France, July 5–October 13, 2002. (Catalogue)

Sol LeWitt, Fundación Pedro Barrié de la Maza, Coruña, Spain, June 13–September 15, 2002. (Catalogue)

Sol LeWitt: Drawings, Prints and Books 1968–1988, National Gallery of Australia, Canberra, June 13–August 25, 2002. (Catalogue)

Sol LeWitt, Alfonso Artiaco, Naples, May–September 2002.

Sol LeWitt: Wall Drawings y Gouaches, Galeria Juana de Aizpuru, Madrid, opened April 17, 2002.

Sol LeWitt, Juliana Gallery, Seoul, April 16–May 26, 2002.

Sol LeWitt: Wall Drawing, Philip Alan Gallery, New York, February 7–24, 2002.

Sol LeWitt: Wall Drawing—New Gouaches, Galerie Sfeir Semler, Hamburg, Germany, February 1–March 30, 2002.

Sol LeWitt: Recent Prints, Augen Gallery, Portland, Oregon, January 3–February 23, 2002.

2001

Sol LeWitt, Fundación Proa, Buenos Aires, December 15, 2001–March 2002.

Sol LeWitt New Editions: Distorted Cubes, 2001, Pace Prints, New York, September 12–October 13, 2001.

Sol LeWitt: New Work, Margo Leavin Gallery and Regen Projects, Los Angeles, September 8–October 13, 2001.

Sol LeWitt: Wall Drawings, Galerie Yvon Lambert, Paris, September 7–October 13, 2001.

Sol LeWitt, Untitled (Space) Gallery, New Haven, July 27–September 15, 2001. (Brochure)

Sol LeWitt, Atelier del Bosco di Villa Medici, Rome, June 21–September 10, 2001.

Sol LeWitt: Works on Paper, Galerie Meert Rihoux, Brussels, May 30–July 8, 2001.

Sol LeWitt: New Wall Drawings, Irish Museum of Modern Art, Dublin, May 27 2001–January 27, 2002.

Sol LeWitt: New Wall Drawings, Galerie Thomas Schulte, Berlin, April 22–June 23, 2001.

Sol LeWitt: New Gouaches, Art and Public Gallery, Geneva, Switzerland, April 6–May 5, 2001.

Sol LeWitt: Wall Drawings, Structure, Gouaches, Annemarie Verna Galerie, Zürich, March 19–September 22, 2001.

Sol LeWitt: Wall Drawings and Prints, Springside Chestnut Hill Academy, Philadelphia, opened March 18, 2001.

Sol LeWitt: Incomplete Open Cubes, Wadsworth Atheneum Museum of Art, Hartford, January 26–April 29, 2001. Traveled to: Colby College Museum of Art, Waterville, Maine, July 8–August 26; Cleveland Museum of Art, Ohio, September 23–December 30; Scottsdale Museum of Contemporary Art, Arizona, January 18–April 14, 2002. (Catalogue)

Celebrating 75 Years: A Wall Drawing by Sol LeWitt, Williams College Museum of Art, Williamstown, Massachusetts, January 8, 2001–December 2002.

2000

Sol LeWitt: Sculpture, Paula Cooper Gallery, New York, December 8, 2000–January 13, 2001.

Sol LeWitt New Work: Structure, Wall Drawing, and Gouaches, PaceWildenstein, 32 East 57th Street, New York, December 2, 2000–January 6, 2001.

Sol LeWitt, Works On Paper, Philadelphia, October 6–November 10, 2000.

Sol LeWitt: New Structures, Galerie Tschudi, Glarus, Switzerland, September 19–November 12, 2000.

Sol LeWitt: Riverhouse Editions 1990–1999, The van Straaten Gallery, Chicago, September 14–October 21, 2000.

Sol LeWitt: Works on Paper, Structures, Rhona Hoffman Gallery, Chicago, July 21–August 25, 2000.

Sol LeWitt, Juliana Gallery, Seoul, June 14–July 12, 2000. (Catalogue)

Sol LeWitt: Black Cubes, Konrad Fischer Galerie, Düsseldorf, May 13–June 24, 2000.

Sol LeWitt: Wall Drawings, Palazzo delle Esposizioni, Rome, May 10–August 30, 2000. (Catalogue)

Wall to Wall: A Decade of Prints by Sol LeWitt, Alva Gallery, New London, Connecticut, April 22–May 20, 2000.

Sol LeWitt: A Retrospective, San Francisco Museum of Modern Art, February 19–May 21, 2000. Traveled to: Museum of Contemporary Art, Chicago, July 22–October 22, 2000; Whitney Museum of American Art, New York, December 7, 2000–February 25, 2001. (Catalogue)

Sol LeWitt 1971–1999, Etchings, Screenprints, Woodcuts, Crown Point Press and Refusalon and Helene Fried Associate Galleries, San Francisco, February 10–April 1, 2000.

Sol LeWitt: Sculptures and Gouaches, Barbara Krakow Gallery, Boston, February 5–March 15, 2000.

Sol LeWitt: Gouaches i gravats, Galeria Toni Tàpies Edicions T, Barcelona, January 27–March 31, 2000.

Sol LeWitt, Alfonso Artiaco, Naples, January 2000.

1999

Sol LeWitt: New Wall Drawings, Galerie Pietro Sparta, Chagny, France, December 11, 1999–February 20, 2000.

Sol LeWitt: Circles Arcs and Bands, Rhona Hoffman Gallery, Chicago, October 1–November 27, 1999.

Sol LeWitt: Indoors—Drawings and Models; Outdoors—Concrete Block, P.S. 1 Contemporary Art Center, Long Island City, September 24, 1999–January 2, 2000.

Sol LeWitt: New Work, Paula Cooper Gallery, New York, September 15–November 16, 1999.

Sol LeWitt: Irregular Forms, Galerie Franck + Schulte, Berlin, May 28–September 18, 1999.

Sol LeWitt, Fondazione Volume!, Rome, May 24–August 30, 1999.

Sol LeWitt: New Work (Black and Colors), Institute of Contemporary Art, University of Pennsylvania, Philadelphia, May 21–July 25, 1999.

Sol LeWitt: New Work, Galerie Meert Rihoux, Brussels, May 19, 1999–September 11, 1999.

Sol LeWitt: Bands of Color, Museum of Contemporary Art, Chicago, March 27–August 1, 1999. (Catalogue)

Sol LeWitt: Galerie Yvon Lambert, Paris, France March 13–April 21, 1999.

Sol LeWitt: Neue Gouachen, Galerie Daniel Blau, Munich, March 5–April 9, 1999.

Sol LeWitt Sculpture, Center for Public Sculpture, 590 Madison Avenue, New York, January 15–December 1, 1999.

1998

Sol LeWitt, Galleria Continua, San Gimignano, Italy, 1998.

Sol LeWitt, Liliana Tovar, Stockholm, 1998.

Sol LeWitt: Bands of Lines: A Wall Drawing, Birmingham Bloomfield Art Center, Michigan, opened December 23, 1998.

Sol LeWitt: Wall Works, Alyce de Roulet Wiliamson Gallery, Art Center College of Design, Pasadena, November 1, 1998–January 17, 1999.

Sol LeWitt, Museum Moderner Kunst Landkreis Studio A–Sammlung Konkreter Kunst, Cuxhaven, Germany, October 10, 1998–January 10, 1999. (Catalogue)

Sol LeWitt: New Wall Drawings, PaceWildenstein, 142 Greene Street, New York, September 11–October 11, 1998.

Sol LeWitt: New Wall Paintings, Museum of Contemporary Art, Sydney, July 31–November 22, 1998. (Catalogue)

Sol LeWitt in Italia, Rocca Paolina, Perugia, July 15–September 13, 1998. (Catalogue)

Sol LeWitt: Works on Paper, San Jose Institute of Contemporary Art, July 11–September 5, 1998.

Sol LeWitt, Galleria d’arte Moderna e Contemporanea Palazzo Forti, Verona, July 10–September 13, 1998. (Catalogue)

Sol LeWitt: Flat and Glossy Colors, PaceWildenstein, Los Angeles, July 2–August 29, 1998.

Sol LeWitt: Large Gouaches, Alfonso Artiaco, Naples, July 1–September 15, 1998.

Sol LeWitt: Recent Gouaches, PaceWildenstein, Los Angeles, June 18–August 29, 1998.

Sol LeWitt: Wall Pieces (Drawings 1972–1998 and Maquettes for Large Scale Structures), Lisson Gallery, London, May 21–July 4, 1998.

Sol LeWitt: Photographs & Wall Drawings 1969–1998, Fraenkel Gallery, San Francisco, January 8–February 28, 1998.

1997

Sol LeWitt: Cinque quadri, Ugo Ferranti, Rome, 1997.

Sol LeWitt: Negative Pyramid, Galerie Piece Unique, Paris, 1997.

Sol LeWitt: New Wall Drawing, TZ’Art & Co., New York, 1997.

Sol LeWitt: New Works, Galerie Nächt St. Stephan, Vienna, 1997.

Sol LeWitt: Stars, Hiram Butler Gallery, Houston, 1997.

Sol LeWitt: Wall Drawings, Donald Young Gallery, Seattle, 1997.

Sol LeWitt: Wall Drawings and Prints, Cummings Art Center, Connecticut College, New London, 1997.

Sol LeWitt, Wall Paintings, Ace Gallery, New York, 1997.

Sol LeWitt: Recent Works, Annemarie Verna Gallery, Zürich, December 6, 1997–March 7, 1998.

Sol LeWitt: Works of the 60s and 70s, Ubu Gallery, New York, November 1, 1997–January 3, 1998.

Sol LeWitt, Paula Cooper Gallery, New York, October 23–November 22, 1997.

Sol LeWitt: Tables (1981–1997) & Related Work, A/D, New York, Summer 1997

Sol LeWitt: New Work, Rhona Hoffman Gallery, Chicago, May 2–June 14, 1997.

Sol LeWitt: Drawings and Structures, Montserrat College of Art Gallery, Beverly, Massachusetts, March 10–April 11, 1997. (Brochure)

Sol LeWitt: 100 Cubes, Kunsthaus, Aarau, Switzerland, February 2–April 6, 1997. Traveled to Kärntner Landesgalerie, Klagenfurt, May 14–June 22, 1997; Galerie de la Ville de Prague, Czech Republic, August–September 1997; Kunsthalle Baden-Baden, October 4–November 16, 1997.

Sol LeWitt: New Work; Wall Drawing and Sculpture, Rice University Art Gallery, Houston, January 26–April 13, 1997.

Sol LeWitt: Artist of the Year, Art/Place, Southport, Connecticut, January 2–26, 1997.

1996

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, 1996.

Sol LeWitt: Drawings, Colby College Museum of Art, Waterville, Maine, 1996. (Catalogue)

Sol LeWitt: Large Scale Monoprints, Pace Prints, New York, 1996.

Sol LeWitt: Wall Drawing and Styrofoam Installation, St. Marks Position, New York, 1996.

Two Works by Sol LeWitt, Stedelijk Van Abbemuseum, Eindhoven, the Netherlands, December 8, 1996–February 9, 1997.

Sol LeWitt, Works on Paper, Philadelphia, November 6–December 6, 1996.

Sol LeWitt: Obras Recentes, Dan Galeria, São Paolo, October 23–November 16, 1996.

Sobre o sol e as estrellas: Desenhos de parede de Sol LeWitt / Of Sun and Stars: Sol LeWitt Wall Drawings, XXIII Bienal Internacional de São Paulo, October 5–December 8, 1996. (Catalogue)

Sol LeWitt: Stars, Betsy Senior Gallery, New York, September 12–December 7, 1996.

Sol LeWitt: Drawings and Sculptures, Barbara Krakow Gallery, Boston, September 3–October 16, 1996.

Sol LeWitt: New Wall Drawings, Pier Arts Centre, Stromes Orkney, United Kingdom, July 22–August 31, 1996.

Sol LeWitt Walls, Galerie Franck + Schulte, Berlin, May 9–June 29, 1996.

Sol LeWitt: Prints from the Collection of the Skopje Museum of Contemporary Art, Skopje Museum of Contemporary Art, Macedonia, March–April 1996.

Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de Las Aljajas, Caja de Madrid, February 6–March 30, 1996. (Catalogue)

Sol LeWitt Prints: 1970–1995, The Museum of Modern Art, New York, January 23–May 7, 1996. Traveled to Blaffer Gallery, University of Houston, August 24–October 27, 1996; Cleveland Museum of Art, February 2–March 23, 1997; Detroit Institute of Arts, Michigan, 1997.

1995

Sol LeWitt: Complex Form #3, Williams College Museum of Art, Williamstown, Massachusetts, 1995.

Sol LeWitt: Gouaches, Daniel Weinberg Gallery, San Francisco, 1995.

Sol LeWitt: Obra gràfica, Edicions T Galeria d'art, Barcelona, 1995.

Sol LeWitt: Styrofoam Wall Pieces, Kunstverein Ludwigsburg, Villa Franck, Germany, 1995. (Catalogue)

Sol LeWitt: Wall Drawings, Ludwigsburger Schlossfestspiele, Germany, 1995.

Sol LeWitt: New Gouaches, PaceWildenstein, Los Angeles, November 2–December 2, 1995.

Sol LeWitt: Very Large Gouaches, Gagosian Gallery, New York, October 1995.

Sol LeWitt: 26 Gouaches, Chester Gallery, Chester, Connecticut, September 15–November 11, 1995.

Sol LeWitt: 25 Small Gouache Drawings, Gallery 128, New York, September 13–October 7, 1995.

Sol LeWitt: Structures, Galerie Pietro Spartà, Chagny, France, June 17–October 20, 1995.

Sol LeWitt: Complex Form No. 7, Harn Museum of Art, University of Florida, Gainesville, June 11–September 25, 1995.

Sol LeWitt: New Wall Works, Joseloff Gallery, West Hartford, Connecticut, May 5–August 15, 1995.

Sol LeWitt: Wall Drawings, Kukje Gallery, Seoul, Korea, April 18–May 14, 1995.

Sol LeWitt: Working Drawings, John Weber Gallery, New York, March 26–April 22, 1995. Traveled to: Rhona Hoffman Gallery, Chicago, April 28–June 9, 1995. (Catalogue)

Sol LeWitt: Cinderblock Structures, Ace Gallery, New York, March 23–June 30, 1995.

Sol LeWitt: Wall Drawings 1970–1971, Lawrence Markey, San Antonio, Texas, March–April 1995.

1994

Sol LeWitt, Galeria Juana de Aizpuru, Madrid, 1994.

Sol LeWitt, John Weber Gallery, New York, 1994.

Sol LeWitt: Brushstrokes in Different Colors in Two Directions, Quartet Editions, New York, 1994.

Sol LeWitt 1975–1993, Galerie Natkin-Berta, Paris, 1994.

Sol LeWitt: Recent Works on Paper, Annemarie Verna Galerie, Zürich, 1994.

Sol LeWitt: Testwall, TZ'Art & Co, New York, 1994.

Sol LeWitt Working Drawings, Thomas Segal Gallery, Boston, 1994.

Sol LeWitt Wall Drawings, Art & Public, Geneva, 1994.

Sol LeWitt Wall Drawings, Zerynthia, Contrada Cervinara di Paliano, Italy, 1994.

Sol LeWitt: 25 Years of Wall Drawings, 1969–1994, RENN Espace d’Art Contemporain, Paris, October 8, 1994–February 25, 1995.

Sol LeWitt Wall Work: White Styrofoam on Black & Related Works on Paper, Barbara Krakow Gallery, Boston, September 16–December 21, 1994.

Sol LeWitt: Wall Drawings, The Pace Gallery, 142 Greene Street, New York, January 29–March 12, 1994.

1993

Sol LeWitt, Galeria Tovar, Bogotá, 1993.

Sol LeWitt: New Wall Pieces, Galerie Konrad Fischer, Düsseldorf, 1993.

Sol LeWitt: Œuvres sur papier, Galerie Vega, Liège, Belgium, 1993.

Sol LeWitt: Recent Work, New Britain Museum of American Art, Connecticut, 1993.

Sol LeWitt: Styrofoam Wall Installation (Room), Ace Gallery, Los Angeles, 1993.

Sol LeWitt: Styrofoam Wall Installation (Room), Julian Pretto, New York, 1993.

Sol LeWitt: Wall Drawings from the Collection of Robert and Sana Risman, Francis Colburn Gallery, University of Vermont, Burlington, 1993.

Sol LeWitt: Styrofoam Wall Installation, Gallery Yvon Lambert, Paris, September 11–October 30, 1993.

Sol LeWitt: Drawing, Palacio Revillagigedo, Centro Internacional de Arte, Gijón, Spain, May 16–July 4, 1993.

Sol LeWitt, Galleria Klemens Gasser, Bolzano, Italy, opened May 8, 1993.

Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968–1993, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, April 16–June 13, 1993. (Catalogue)

Sol LeWitt Structures 1962–1993, Museum of Modern Art, Oxford, United Kingdom, January 24–March 28, 1993. Traveled to: Villa Stuck, Munich, April 29–July 18, 1993; Henry Moore Sculpture Trust, Leeds City Art Gallery, United Kingdom, August 12–October 17, 1993; Fruitmarket Gallery, Edinburgh, November 13, 1993–January 9, 1994; Neues Museum Weserburg, Bremen, Germany, March 13–May 29, 1994. (Catalogue)

1992

Sol LeWitt, John Weber Gallery, New York, 1992.

Sol LeWitt: Black Gouaches, Galerie Natkin Berta, Paris, 1992.

Sol LeWitt: Complex Forms: Structures and Prints, Akus Gallery, Eastern Connecticut State University, Willimantic, 1992.

Sol LeWitt Wall Drawings, Butler Gallery, Kilkenny Castle, Kilkenny, Ireland, 1992.

Sol LeWitt: Una Struttura per Esterno, Massimo Minini, Brescia, Italy, December 15 1992–January 30, 1993.

Sol LeWitt: New Wall Drawings, Quint Krichman Projects, La Jolla and San Diego, November 14, 1992–January 30, 1993.

Sol LeWitt: Drawings 1958–1992, Haags Gemeentemuseum, The Hague, October 30–December 13, 1992. Traveled to: Museum of Modern Art, Oxford, January 23–March 28, 1993; Westfälisches Landesmuseum, Muenster, Germany, April 18–June 27, 1993; Henry Moore Sculpture Trust, Leeds City Art Gallery, United Kingdom, August 10–October 17, 1993; Kunstmuseum Winterthur, Switzerland, January 21–March 20, 1994; Centre Georges Pompidou, Paris and Musée de Picardie, Amiens, April 12–June 6, 1994; Fundació Tapiès, Barcelona, June 16–August 7, 1994; Museum of Fine Arts, Boston, September 10–November 20, 1994; Baltimore Museum of Art, Maryland, February 11–April 23, 1995. (Catalogue)

Sol LeWitt: Wall Drawings, Sala Reclade, Bilbao, May 29–September 13, 1992.

Sol LeWitt: New Aquatints, Aldrich Museum, Ridgefield, Connecticut, February 26–May 3, 1992.

Sol LeWitt: Recente gouaches, Galerie Onrust, Amsterdam, February 22–March 21, 1992.

Sol LeWitt, John Weber Gallery, New York, January 4–25, 1992.

1991

Sol LeWitt, Donald Young Gallery, Chicago, 1991.

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf, 1991.

Sol LeWitt: Black Gouaches, Julian Pretto Gallery, New York, 1991.

Sol LeWitt: Structures, Thomas Segal Gallery, Boston, 1991.

Sol LeWitt: Wall Drawings, John Weber Gallery, New York, 1991.

Sol LeWitt: Wall Drawings and Gouaches, Galerie Ressle, Stockholm, 1991.

Sol LeWitt: Wall Drawings No 44, 45, 46, 1970, Galerie Yvon Lambert, Paris, 1991.

Sol LeWitt: Wall Drawings, Structures & Gouaches, John Stoller & Co., Minneapolis, 1991.

Sol LeWitt: Œuvres de 1961 a 1986, Galerie 1900–2000, Paris, December 4–27, 1991.

Sol LeWitt: New Structures, Donald Young Gallery, Seattle, November 21, 1991–January 11, 1992.

Sol LeWitt: Sculptures et gouaches, Galerie Patrick Roy, Lausanne, Switzerland, October–November 1991.

Sol LeWitt: Five Geometric Structures and their Combinations, Graeme Murray Gallery, Edinburgh, October 25–November 2, 1991.

Sol LeWitt: Wall Drawing, Bündner Kunstmuseum Chur, Switzerland, September 21–November 10, 1991.

Sol LeWitt, Gallery Cellar, Nagoya, Japan, July 1991.

Sol LeWitt: Sculture e gouaches, Marilena Bonomo, Bari, Italy, opened May 23, 1991.

Sol LeWitt: Complex Forms, Annemarie Verna, Zürich, May 3–June 1, 1991.

Sol LeWitt: Wall Drawings, Barbara Krakow Gallery, Boston, April 20–May 29, 1991.

Sol LeWitt, Galleria Allessandra Bonomo, Rome, opened April 16, 1991.

Sol LeWitt: New Structures, Lisson Gallery, London, January 11–February 9, 1991.

1990

Sol LeWitt, Galleria Alfonso Artiaco, Pozzuoli, Italy, 1990.

Sol LeWitt, Spazio d'Arte, Naples, 1990.

Sol LeWitt: Complex Forms 1990, Wall Drawings, Gerichtsgebäude E, Frankfurt Am Main, 1990. (Catalogue)

Sol LeWitt: Four Wall Drawings, Zonder Titel, Amsterdam, 1990.

Sol LeWitt: New Structures and Gouaches, Galerie Pierre Huber, Geneva, 1990.

Sol LeWitt: New Wall Drawings, John Weber Gallery, New York, 1990.

Sol LeWitt: Prints, Susan Sheehan Gallery, New York, 1990.

Sol LeWitt: Prints and Related Works, Tomoko Liguori Gallery, New York, 1990.

Sol LeWitt: Recent Prints, Lawrence Oliver Editions, Philadelphia, 1990.

Sol LeWitt: Structures, Galerie Vega, Liège, Belgium, 1990.

Sol LeWitt: Structures & Prints, Galleria Juana de Aizpuru, Seville, Spain, 1990.

Sol LeWitt: Wall Drawings, Galeria Benet Costa, Barcelona, 1990.

Sol LeWitt: Wall Drawings, Galleria Persano, Turin, 1990.

Sol LeWitt: Large Scale Concrete Block Sculpture, Max Protetch Gallery, New York, October 13–November 10, 1990.

Sol LeWitt: Books, Portikus, Frankfurt, October 4–November 4, 1990. (Catalogue)

Sol LeWitt: Opere recenti, pyramids, complex forms, e folding screens, Palazzo Rosari-Spada, Spoleto, Italy, March 31–April 25, 1990. Traveled to: Narni, Auditorium San Domenico, Italy, May 5–30, 1990. (Catalogue)

Sol LeWitt: Recent Works, Touko Museum of Contemporary Art, Tokyo, March 24–May 6, 1990. (Catalogue)

Sol LeWitt: Papiers Déchirés de 1975, Galerie de Poche, Paris, March 5–29, 1990.

Sol LeWitt: New Structures, Rhona Hoffman Gallery, Chicago, March 2–31, 1990.

Sol LeWitt: Wall Drawings and Gouaches, Donald Young Gallery, Chicago, opened March 2, 1990.

Sol LeWitt, American Academy, Rome, January–February 1990.

1989

Sol LeWitt: Incomplete Open Cubes, Galerie Le Gall Peyroulet, Paris, 1989.

Sol LeWitt: Sculpture and Drawings, Daniel Weinberg Gallery, Los Angeles, 1989.

Sol LeWitt: Serigraphies et dessins, Gilbert Brownstone et Cie, Paris, 1989.

Sol LeWitt: 3 recente zeefdrukken, Galerie de Expeditie, Amsterdam, 1989.

Sol LeWitt: Wall Drawings, Galeria 57, Madrid, 1989.

Sol LeWitt: Wall Drawings, Galleria Ugo Ferranti, Rome, 1989.

Sol LeWitt: Wall Drawings, Texas Gallery, Houston, 1989.

Sol LeWitt: Wall Drawings/Works on Paper, Thomas Segal Gallery, Boston, 1989.

Sol LeWitt: Works on Paper, Shea & Beker, New York, 1989.

Sol LeWitt: Wall Drawings, Samuel S.T. Chen Art Center, Central Connecticut State University, New Britain, November 28, 1989–March 12, 1990.

Sol LeWitt: Sculture / Acquarelli, Studio G7, Ginevra Grigolo, Bologna, Italy, November 1989–January 1990.

Sol LeWitt: Wall Drawings y Gouaches, Galeria Juana de Aizpuru, Madrid, opened October 10, 1989.

Sol LeWitt: Prints and Related Works, Brooke Alexander Editions, New York, September 9–October 14, 1989.

Sol LeWitt: A Wall Drawing Exhibition, Lisson Gallery, London, July 17–September 16, 1989.

Sol LeWitt: Wall Drawing, Structures, Prints and Drawings, Spoleto Festival U.S.A, Gibbes Museum of Art & Gaillard Municipal Auditorium, Charleston, South Carolina, May 26–July 2, 1989. (Catalogue)

Sol LeWitt: Complex Form #8, Galleria Bonomo, Bari, Italy, opened April 17, 1989.

Sol LeWitt, Alfonso Artiaco, Pozzuoli/Naples, opened March 19, 1989.

Sol LeWitt: Wall Drawings, Galerie Tanit, Munich, February 16–April 1, 1989. (Catalogue)

Sol LeWitt: Wall Drawings 1984–1989, Kunsthalle Bern, Switzerland, January 27–March 12, 1989. (Catalogue)

1988

Sol LeWitt, Lawrence Oliver Gallery, Philadelphia, 1988.

Sol LeWitt: Cube, John Weber Gallery, New York, 1988.

Sol LeWitt: Drawings, John Weber Gallery, New York, 1988.

Sol LeWitt: Installation and Sculpture, B.R. Kornblatt, Washington, D.C., 1988.

Sol LeWitt: New Structures, John Weber Gallery, New York, 1988.

Sol LeWitt: Structures, Galerie Peter Pakesch, Vienna, 1988.

Sol LeWitt: Structures, Massimo Minini, Brescia, Italy, 1988.

Sol LeWitt: Wall Drawings, Annemarie Verna, Zürich, 1988.

Sol LeWitt: Wall Drawings and Works on Paper, Donald Young Gallery, Chicago, 1988.

Sol LeWitt: Wall Drawings, Des Moines Art Center, Iowa, December 9, 1988–January 22, 1989.

Sol LeWitt: Wall Drawings, Le Case d'arte, Milan, October 6, 1988–February 8, 1989.

Sol LeWitt: Wall Drawings, Kestner-Gesellschaft, Hannover, Germany, September 22–November 27, 1988. (Catalogue)

Sol LeWitt: Forme di Righe in Bianco e Nero, Salone dei Camuccini, Museo Di Capodimonte, Naples, July 12–October 1988.

Sol LeWitt: 12 Recent Works on Paper, Lisson Gallery, London, July 4–September 10, 1988.

Sol LeWitt: Wall Drawings: Continuous Forms with Color and Gouache Superimposed, Wiener Secession, Vienna, May 28–July 3, 1988. (Catalogue)

Sol LeWitt: Wallworks, Williams College Museum of Art, Williamstown, Massachusetts, opened May 7, 1988.

Sol LeWitt Prints: 1970–1986, Walker Art Center, Minneapolis, Spring 1988. Traveled to: New Britain Museum of American Art, Connecticut, Winter 1989; Ezra & Cecile Zilka Gallery, Wesleyan University, Middletown, Connecticut, January 15–March 19, 1989.

1987

Sol LeWitt Structure: 3 x 3 x l, Doris C. Freedman Plaza, New York, 1987.

Sol LeWitt: Wall Drawings, Galerie Ressle, Stockholm, 1987.

Sol LeWitt: Wall Drawings, Graeme Murray Gallery, Edinburgh, 1987.

Sol LeWitt: Wall Drawings, Konrad Fischer Gallery, Düsseldorf, 1987.

Sol LeWitt: Gravures, Gouaches, Dessins, Galerie Vega, Liège, Belgium, December 19, 1987–January 30, 1988.

Works: Sol LeWitt, Hirshhorn Museum and Sculpture Garden, Washington, D.C., December 2, 1987–February 28, 1988. (Brochure)

Drawing Now: Sol LeWitt, Baltimore Museum of Art, October 5–December 5, 1987. (Brochure)

Sol LeWitt: Wall Drawings, Galerie Yvon Lambert, Paris, September 26–October 24, 1987.

Sol LeWitt: Wall Drawings, Alessandra Bonomo, Rome, September 24–October 31, 1987.

Sol LeWitt: Tilted Forms, Wall Drawings, Westfalischer Kunstverein, Munster, June 11–July 26, 1987. (Catalogue)

Sol LeWitt: Wall Drawings, Ugo Ferranti Gallery, Rome, opened May 8, 1987.

Sol LeWitt: Wall Drawings, Cleveland Museum of Art, April 21–June 21, 1987. (Brochure)

Sol LeWitt: Double Pyramids, John Weber Gallery, New York, April 4–25, 1987.

Pick Up the Book, Turn the Page, and Enter the System: Books by Sol LeWitt, Minnesota Center for Book Arts, Minneapolis, February 27–May 22, 1987. (Catalogue)

Sol LeWitt: Open Structures, New Prints, Galleria Marilena Bonomo, Bari, Italy, opened February 25, 1987.

Sol LeWitt: Wall Drawings, Musée d'Art Moderne de la Ville de Paris, February 20–April 20, 1987. (Catalogue)

1986

Sol LeWitt, Galerie Peter Pakesch, Vienna, 1986.

Sol LeWitt, Galleria Mario Pieroni, Rome, 1986.

Sol LeWitt, Marco Noire, Turin, 1986.

Sol LeWitt: Foggia Sculpture, Cassa di Risparmio di Puglia, Italy, 1986.

Sol LeWitt: New Structures, Donald Young Gallery, Chicago, 1986.

Sol LeWitt: Pyramides Aquarelles Sur Papier, Galerie Yvon Lambert, Paris, 1986.

Sol LeWitt: Pyramids, John Weber Gallery, New York, 1986.

Sol LeWitt: Structures: 1978–1986, Annemarie Verna, Zürich, 1986.

Sol LeWitt: Wall Drawings, Institute for Contemporary Art, London, 1986.

Sol LeWitt: Wall Drawings, Magasin, Centre National d'Art Contemporain de Grenoble, France, 1986.

Sol LeWitt: Wall Drawings, Dessins, et Aquarelles, Galerie Vega, Liège, Belgium, 1986.

Sol LeWitt: Works on Paper from the RSM Collection, Contemporary Arts Center, Cincinnati, 1986.

Sol LeWitt: Wall Drawings, Drawing Center, New York, October 4–18, 1986.

Sol LeWitt: Prints 1970–1986, Tate Gallery, London, September 17–November 30, 1986. (Catalogue)

Sol LeWitt: Acquarelle von 1982–1985, Galerie Schiessel, Munich, March–April 1986.

Sol LeWitt: New Wall Drawings, Rhona Hoffman Gallery, Chicago, March 7–29, 1986.

Sol LeWitt: Intervento Su Parete, Spazio immagine, Foligno, Italy, opened February 9, 1986.

Sol LeWitt, Studio G7, Ginevra Grigolo, Bologna, Italy, opened January 18, 1986.

1985

Sol LeWitt, Saatchi Collection, London, 1985.

Sol LeWitt: Diciannove Poliedre in Legno, Fausto Scaramucci, Spoleto, Italy, 1985.

Sol LeWitt: Wall Drawings and Structures, Daniel Weinberg Gallery, Los Angeles, 1985.

Sol LeWitt, Galleria Mario Pieroni, Rome, December 1985.

New Works: Sol LeWitt, Harvard University Art Museums, Cambridge, Massachusetts, October 21–December 22, 1985. (Brochure)

Pyramid: A Wall Drawing by Sol LeWitt, Brooklyn Museum of Art, New York, May 16–September 2, 1985.

Sol LeWitt, Light Gallery, New York, April 18–May 25, 1985.

Sculture di Sol LeWitt a Tecnopolis, Marilena Bonomo, Bari, Italy, January 27–February 27, 1985.

1984

Skulpturen von Sol LeWitt, Konrad Fischer Gallery, Düsseldorf, 1984.

Sol LeWitt: Wall Drawings, Gewad, Ghent, Belgium, 1984.

Sol LeWitt: Wall Drawings and Drawings, Annemarie Verna, Zürich, 1984.

Sol LeWitt: Wall Drawings and Works on Paper, Stedelijk Museum, Amsterdam, 1984. (Catalogue)

Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy, opened November 30, 1984.

Sol LeWitt: Wall Drawings, Lisson Gallery, London, November 9–December 15, 1984.

Sol LeWitt: Drawings, Galerie Yvon Lambert, Paris, September 1984.

Sol LeWitt Sculptures: 1964–1974, Galerie Daniel Templon, Paris, June 14–July 21, 1984.

Sol LeWitt: Wall Drawings, Au Fond de la Cour À Droite, Chagny, France, opened May 12, 1984.

Sol LeWitt: Wall Drawings, Raum für Kunst, Hamburg, March 1984.

Sol LeWitt: Structures, Stedelijk Van Abbemuseum, Eindhoven, March 3–April 15, 1984.

Sol LeWitt: Books 1968–1983, Gallery “A,” Amsterdam, March 2–30, 1984.

1983

Sol LeWitt, Academia del Belle Arti, Perugia, Italy, 1983.

Sol LeWitt, Locus Solus, Genoa, 1983.

Sol LeWitt: Three Portfolios, Brooke Alexander Gallery, New York, 1983.

Sol LeWitt: Wall Drawings, Ugo Ferranti Gallery, Rome, 1983.

Sol LeWitt: Wall Drawings, Aquatints, Woodcuts, Screenprints, Galleriet, Lund, Sweden, 1983.

Sol LeWitt: Piramide, Galleriea Mario Pieroni, Rome, opened December 15, 1983.

Sol LeWitt, Davenport Art Gallery, Iowa, October 9–November 20, 1983.

Sol LeWitt: Star Prints, Matrix Gallery, University Art Museum, Berkeley, California, mid-August–September, 1983.

Sol LeWitt: Drawings, Watercolors and Prints, Lisson Gallery, London, July 15–August 6, 1983.

Sol LeWitt, Musée d'Art Contemporain de Bordeaux, Bordeaux, May 6–August 27, 1983.

1982

Sol LeWitt, Banco Gallery, Brescia, Italy, 1982.

Sol LeWitt, William Aronowitsch Gallery, Stockholm, 1982.

Sol LeWitt, Young/Hoffman Gallery, Chicago, 1982.

Sol LeWitt Wall Drawings, Illinois Institute of Technology, Chicago, 1982.

Sol LeWitt: Drawings, David Bellman Gallery, Toronto, 1982.

Sol LeWitt: Structures, Ugo Ferranti Gallery, Rome, 1982.

Sol LeWitt, Barbara Toll Fine Arts, New York, December 4–23, 1982.

Sol LeWitt: Isometric Drawings, John Weber Gallery, New York, December 4–23, 1982. (Catalogue)

Wall Drawings: Sol LeWitt, Rudiger Schöttle Gallery, Munich, May 27–June 28, 1982.

Sol LeWitt: Wall Drawings, Galleria Marilena Bonomo, Bari, Italy, opened January 29, 1982.

1981

Sol LeWitt, Graphics l and 2, Boston, 1981.

Sol LeWitt, Konrad Fischer Gallery, Düsseldorf, 1981.

Sol LeWitt, Miami-Dade Community College Art Gallery, 1981.

Sol LeWitt, Saman Gallery, Genoa, 1981.

Sol LeWitt, Van Krimpen Gallery, Amsterdam, 1981.

Sol LeWitt: New Structures; Works on Paper, David Bellman Gallery, Toronto, 1981.

Sol LeWitt: Photogrids, Brick Wall, Autobiography, On the Walls of the Lower East Side, University Art Gallery, New Mexico State University, Las Cruces, New Mexico, 1981.

Sol LeWitt: Project—Wall Drawings, Geometric Figures, Max Protetch Gallery, New York, 1981.

Sol LeWitt: Six Geometric Figures, Real Art Ways, Hartford, Connecticut, 1981.

Sol LeWitt: Wall Drawings and Drawings, Daniel Weinberg Gallery, San Francisco, 1981.

Sol LeWitt: Wall Drawings and Drawings, Graeme Murray Gallery, Edinburgh, 1981.

Sol LeWitt Wall Drawings: 1968–1981, Wadsworth Atheneum, Hartford, Connecticut, September 29–November 22, 1981. Traveled to: Wesleyan University Art Gallery, Middletown, Connecticut, October 21–December 20, 1981.

Sol LeWitt, Paula Cooper Gallery, New York, October 10–31, 1981.

Sol LeWitt, Palace of Culture, Warsaw, May 25–June 14, 1981.

Sol LeWitt: Strukturen 1978–80, Annemarie Verna, Zürich, April 4–May 16, 1981.

Sol LeWitt, Mercer Union Art Gallery, Toronto, March 14–April 4, 1981.

Sol LeWitt: Six geometric figures and all their double combinations, Galerie Yvon Lambert, Paris, February 7–14, 1981. (Catalogue)

1980

Sol LeWitt, Ugo Ferranti Gallery, Rome, 1980.

Sol LeWitt: Grids & Color, Rüdiger Schottle, Munich, 1980.

Sol LeWitt: Photogrids, Protetch MacIntosh Gallery, Washington, D.C., 1980.

Sol LeWitt, Larry Gagosian Gallery, Los Angeles and Venice, California, December 1980.

Sol LeWitt: Structures and Wall Drawings, Texas Gallery, Houston, November 6–November 29, 1980.

Sol LeWitt: Statues (A Melodrama), John Weber Gallery, New York, October 20–November 22, 1980.

Sol LeWitt: New Structures, Wall Drawings, Drawings, Young/Hoffman Gallery, Chicago, June 5–July 8, 1980.

Sol LeWitt: All Four-Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, opened March 1, 1980. (Catalogue)

Sol LeWitt: These are 20 drawings all 3 part combinations of six geometric figures, Galleria Marilena Bonomo, Bari, Italy, opened February 7, 1980.

Sol LeWitt, John Weber Gallery, New York, January 1980.

1979

Sol LeWitt, Galerie Yvon Lambert, Paris, 1979.

Sol LeWitt, Konrad Fischer Galerie, Düsseldorf, 1979.

Sol LeWitt, Rosa Esman Gallery, New York, 1979.

The Graphics of Sol LeWitt, New Britain Museum of American Art, Connecticut, September 30–November 11, 1979.

Sol LeWitt: New Structures and Photogrids, Young/Hoffman Gallery, Chicago, June 8–July 14, 1979.

Sol LeWitt: Photogrids, Margo Leavin Gallery, Los Angeles, April 7–30, 1979.

Sol LeWitt: Geometric Structures, Lisson Gallery, London, January 24–February 23, 1979.

1978

Sol LeWitt, Protetch MacIntosh Gallery, Washington, D.C., 1978.

Sol LeWitt: Drawings, Michael Berger Gallery, Pittsburgh, 1978.

Sol LeWitt: Geometric Figures, Rolf Preisig Gallery, Basel, 1978.

Sol LeWitt: Prints and Drawings, John Weber Gallery, New York, 1978.

Sol LeWitt, Hallen für Internationale Neue Kunst, Zürich, June 15–July 19, 1978.

Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy, opened April 4, 1978.

Sol LeWitt: Prints, Brooklyn Museum of Art, New York, February 4–March 4, 1978. (Catalogue)

Sol LeWitt, The Museum of Modern Art, New York, February 3–April 4, 1978. Traveled to: Museum of Contemporary Art, Montreal, September 7–October 22, 1978; Krannert Museum of Art, University of Illinois, Champaign, March 4–April 8, 1979; Museum of Contemporary Art, Chicago, June 8–August 12, 1979; La Jolla Museum of Contemporary Art, California, September 16–November 4, 1979. (Catalogue)

1977

Sol LeWitt, Joslyn Art Museum, Omaha, Nebraska, 1977.

Sol LeWitt, National Gallery of Victoria, Melbourne, Australia, 1977. (Catalogue)

Sol LeWitt, University of North Dakota Art Gallery, Grand Forks, 1977.

Sol LeWitt: Geometric Figures, Galerie Konrad Fischer, Düsseldorf, 1977.

Sol LeWitt: Incomplete Open Cubes, Prints, and Wall Drawings, University Gallery, University of Massachusetts, Amherst, September–October 1977.

Sol LeWitt, Art & Architecture Gallery, Yale School of Art, New Haven, Connecticut, September 5–30, 1977.

Sol LeWitt: In una vecchia torre a Spoleto, Galleria Marilena Bonomo, Bari, Italy, opened June 19, 1977.

Sol LeWitt, Saman Gallery, Genoa, opened June 6, 1977.

Sol LeWitt: Incomplete Open Cubes, Museum of Modern Art, Oxford, United Kingdom, April 24–May 29, 1977.

Sol LeWitt, Art Gallery of New South Wales, Sydney, opened March 19, 1977. (Catalogue)

Sol LeWitt, Lisson Gallery, London, March 12–April 9, 1977.

Sol LeWitt: Structures, John Weber Gallery, New York, March 2–19, 1977.

Sol LeWitt: Geometric Figures within Geometric Figures, Utah Museum of Fine Arts, Salt Lake City, January 22–March 6, 1977.

1976

Sol LeWitt, Galerie T.H. Keller, Kempfenhausen, Germany, 1976.

Sol LeWitt: Geometric Figures, Galerie MTL, Brussels, 1976.

Sol LeWitt: Modular Drawings, Centre d'art contemporain, Geneva, November 1976. (Catalogue)

Sol LeWitt: Wall Drawings, Claire Copley Gallery, Los Angeles, October 12–November 12, 1976.

Sol LeWitt, Wall Drawings, Structures, and Prints, Fine Arts Gallery, University of Colorado, Boulder, October 4–November 12, 1976.

Sol LeWitt: Drawings, Prints, and Cubes, Kornblatt Gallery, Baltimore, September 5–30, 1976.

Sol LeWitt, Gian Enzo Sperone, Rome, June–July 1976.

Sol LeWitt: Incomplete Open Cubes, Kölnischer Kunstverein, Cologne, May 26–August 1, 1976.

Sol LeWitt: Five Structures, Dag Hammarskjöld Plaza Sculpture Garden, New York, March–May 1976.

Sol LeWitt, Visual Arts Museum, New York, March 1–19, 1976.

1975

Sol LeWitt, Aronowitsch Gallery, Stockholm, 1975.

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, 1975.

Sol LeWitt, Saman Gallery, Genoa, 1975.

Sol LeWitt: Incomplete Open Cubes and Wall Drawings, Scottish National Gallery of Modern Art, Edinburgh, 1975.

Sol LeWitt: Lines and Color, Annemarie Verna, Zürich, 1975. Traveled to: Rolf Preisig Gallery, Basel, 1975.

Sol LeWitt: Incomplete Open Cubes, Galleria Peccolo, Livorno, Italy, November 5–30, 1975.

Sol LeWitt, Printmakers' Workshop, Edinburgh, November 1–22, 1975.

Sol LeWitt, Claire Copley Gallery, Los Angeles, October 25–November 20, 1975.

Sol LeWitt: Graphik, 1970–1975, Kunsthalle Basel, October 18–November 23, 1975. (Catalogue)

Sol LeWitt: Incomplete Open Cubes, Kunsthalle Basel, October 1975.

Sol LeWitt: Incomplete Open Cubes, Galleria Sperone, Turin, September–October 1975.

Sol LeWitt: Wall Drawings, Israel Museum, Jerusalem, September 1975.

Sol LeWitt: Incomplete Open Cubes, Stedelijk van Abbemuseum, Eindhoven, the Netherlands, August 8–September 28, 1975.

Sol LeWitt: Wall Drawings, Drawings, and Incomplete Open Cubes, Daniel Weinberg Gallery, San Francisco, April 1975.

Sol LeWitt: Wall Drawings: Matrix 6, Wadsworth Atheneum, Hartford, Connecticut, March–April 1975.

Sol LeWitt: Incomplete Open Cubes, Art & Project, Amsterdam, March 4–15, 1975.

Sol LeWitt, The Location of a Rectangle: Matrix 3, Wadsworth Atheneum, Hartford, Connecticut, January–February 1975.

Lines From Some Points to Other Points - Wall Drawings - Sol LeWitt, Lucio Amelio Modern Art Agency, Naples, opened January 7, 1975.

1974

Sol LeWitt: Fifty Drawings 1964–1974. Organized by the New York Cultural Center. Traveled to: Vancouver Art Gallery, Canada, 1974; Everson Museum of Art, Syracuse, New York, 1975; High Museum of Art, Atlanta, 1975; San Francisco Museum of Modern Art, July 5–August 17, 1975; Mint Museum of Art, Charlotte, North Carolina, 1975; Tyler Museum of Art, Texas, 1975; Arkansas Arts Center, Little Rock, 1976; Illinois State University, Normal, 1976; Winnipeg Art Gallery, Manitoba, Canada, 1976; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1976.

Sol LeWitt, Ace Gallery, Los Angeles, 1974.

Sol LeWitt, Daniel Weinberg Gallery, San Francisco, 1974.

Sol LeWitt, Galerie December, Munster, Germany, 1974.

Sol LeWitt, Galerie Vega, Liege, Belgium, 1974.

Sol LeWitt, Galleria Scipione, Macerata, Italy, 1974.

Sol LeWitt, Rijksmuseum Kröller Muller, Otterlo, the Netherlands, 1974.

Sol LeWitt, Gian Enzo Sperone, New York, December 1974–January 1975.

Sol LeWitt: Prints, Stedelijk Museum, Amsterdam, November 29, 1974–January 1975.

Sol LeWitt: Wall Drawings and Structures: The Location of Six Geometric Figures: Variations of Incomplete Open Cubes, John Weber Gallery, New York, October 26–November 20, 1974. (Catalogue)

Sol LeWitt, Galleria Sperone, Turin, opened June 12, 1974.

Sol LeWitt: Location of Three Geometric Figures, Palais des Beaux Arts, Brussels, May–June 1974.

Sol LeWitt, Lisson Gallery, London, April–May 1974.

Sol LeWitt: The Location of Eight Points, Max Protetch Gallery, Washington, D.C., opened April 6, 1974. (Catalogue)

Sol LeWitt: Incomplete Open Cubes, Galerie Yvon Lambert, Paris, opened February 28, 1974.

1973

Sol LeWitt, Lisson Gallery, London, 1973.

Sol LeWitt, Museum of Modern Art, Oxford, United Kingdom, 1973.

Sol LeWitt, Art & Project, Amsterdam/Galerie MTL, Brussels, November 13–December 8, 1973.

Sol LeWitt: A Wall Drawing, Vehicule Art, Inc., Montreal, November 2–28, 1973.

Sol LeWitt: Six Wall Drawings, Cusack Gallery, Houston, October 4–25, 1973. (Catalogue)

Sol LeWitt: Wall Drawings, Portland Center for the Visual Arts, Oregon, September 16–October 14, 1973. (Catalogue)

Wall Drawings, Drawings and Structures, Galleria L'Attico, Rome, June 15–July 15, 1973.

Sol LeWitt, Galleria Marilena Bonomo, Bari, Italy, May 1973. (Catalogue)

Sol LeWitt, Galleria Toselli, Milan, May 1973.

Sol LeWitt, Rosa Esman Gallery, New York, February 3–28, 1973.

Sol LeWitt, John Weber Gallery, New York, January 27–February 14, 1973.

Cercles & lignes: Sol LeWitt, Galerie Yvon Lambert, Paris, opened January 9, 1973. (Catalogue)

1972

Sol LeWitt, Dayton Art Institute, Ohio, 1972.

Sol LeWitt, Galerie MTL, Brussels, 1972.

Sol LeWitt, Harcus-Krakow Gallery, Boston, 1972.

Sol LeWitt: Arcs, from corners & sides, circles, & grids and all their combinations, Kunsthalle Bern, Switzerland, October 7–November 19, 1972. (Catalogue)

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, September–October 1972.

Sol LeWitt, Art & Project, Amsterdam, opened September 25, 1972.

Sol LeWitt: Lithographs and Wall Drawings, Nova Scotia College of Art & Design, Halifax, June 1972.

Sol LeWitt, Gallery A-402, California Institute of the Arts, Valencia, opened April 1972.

Sol LeWitt: Wall Drawings, Sculpture, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, February 28–March 28, 1972.

1971

Sol LeWitt, Dunkelman Gallery, Toronto, 1971.

Sol LeWitt, Galerie Stampa, Basel, 1971.

Sol LeWitt, Galerie Ernst, Hannover, Germany, December 1971–January 1972.

Sol LeWitt: Structures and Wall Drawings, John Weber Gallery, New York, September 25–October 2, 1971.

Sol LeWitt, Art & Project, Amsterdam, September 7–October 2, 1971.

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, September 3–October 1, 1971.

Sol LeWitt, Informations-Raum 3, Basel, August 24–September 18, 1971.

Sol LeWitt, Galleria Toselli, Milan, July 1971.

Sol LeWitt, Lisson Gallery, London, June 1971. (Catalogue)

Sol LeWitt: Prints and Drawings, Dwan Gallery, New York, May 1–26, 1971.

Sol LeWitt: Wall Drawings, Protetch-Rivkin Gallery, Washington, D.C., opened April 17, 1971.

Sol LeWitt, Art & Project, Amsterdam, opened January 4, 1971.

1970

Sol LeWitt, Dwan Gallery, New York, 1970.

Sol LeWitt, Pasadena Art Museum, California, November 17, 1970–January 3, 1971. (Catalogue)

Sol LeWitt, Galerie Heiner Friederich, Munich, September 1970.

Sol LeWitt, Haags Gemeentemuseum, The Netherlands, July 25–August 30, 1970. (Catalogue)

Sol LeWitt, Lisson Gallery, London, June 15–July 24, 1970.

Sol LeWitt: Wall Drawings, Galleria Sperone, Turin, June 12–28, 1970.

Sol LeWitt, Galerie Yvon Lambert, Paris, June 4–27, 1970.

Sol LeWitt, Wisconsin State University, River Falls, April 14–May 8, 1970.

Sol LeWitt, Art & Project, Amsterdam, opened January 2, 1970.

1969

Sol LeWitt, Galerie Bischofberger, Zürich, 1969.

Sol LeWitt, Galerie Ernst, Hannover, 1969.

Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany, October 26–November 30, 1969. (Catalogue)

Sol LeWitt: Wall Drawings, Dwan Gallery, New York, October 4–30, 1969.

Sol LeWitt, Galleria L'Attico, Rome, May 2–20, 1969.

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, April 22–May 16, 1969.

1968

Sol LeWitt, Ace Gallery, Los Angeles, December 2, 1968–January 11, 1969. (Catalogue)

Sol LeWitt, Galerie Heiner Friederich, Munich, February 13–March 8, 1968.

Sol LeWitt, Galerie Bischofberger, Zürich, February 8–March 14, 1968.

Sol LeWitt, Dwan Gallery, New York, February 3–28, 1968.

Sol LeWitt, Galerie Konrad Fischer, Düsseldorf, January 6–February 3, 1968.

1967

Sol LeWitt, Dwan Gallery, Los Angeles, May 10–20, 1967.

1966

Sol LeWitt, Dwan Gallery, New York, April 1–29, 1966.

1965

Sol LeWitt, John Daniels Gallery, New York, May 4–29, 1965.

2021

On the Bowery, Zürcher Gallery, New York, November 13–December 23, 2021. (Catalogue)

2019

Looking at Words: A Poetry of Shape, From the Collections of Jordan D. Schnitzer and His Family Foundation, Baker Museum, Artis—Naples, Florida, December 1, 2019–April 5, 2020.

Where the River Twists, Wangsim, Taipei, January 18–27, 2019.

Monumental Minimal, Galerie Thaddaeus Ropac, Paris, January 2–April 27, 2019.

2018

Suspension: A History of Abstract Hanging Sculpture. 1918–2018, Palais d’léna, Paris, October 16–28, 2018.

50 Years: An Anniversary, Paula Cooper Gallery, New York, October 10–November 3, 2018.

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria, July 1–November 2018; Kunsthaus Zürich, September 20, 2019–January 5, 2020. (Catalogue)

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

Between the Lines, Yumiko Chiba Associates, Tokyo, June 29–July 28, 2018.

LeWitt, Nevelson, Pendleton Part II, Pace Gallery, Geneva, May 16–July 13, 2018.

Bernd and Hilla Becher: In Dialogue with Carl Andre and Sol LeWitt, Paul Cooper Gallery, New York, March 31–May 5, 2018.

LeWitt, Nevelson, Pendleton, Pace Gallery, Geneva, March 21–May 4, 2018.

Principia Mathematica, Pace Gallery, 32 East 57th Street, New York, February 8–March 17, 2018.

Carl Andre, Dan Flavin, On Kawara, Sol LeWitt: Early Works, Mignoni Gallery, New York, January 16–April 10, 2018.

Overlays, Krakow Witkin Gallery, Boston, January 6–February 10, 2018.

2017

American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15–November 12, 2017.

Delirious: Art at the Limits of Reason 1950–1980, Met Breuer, New York, September 13, 2017–January 14, 2018. (Catalogue).

Sol LeWitt & Liz Deschenes, Fraenkel Galleryt, San Francisco, September 7–October 28, 2017.

I am you, you are too, Walker Center for Art, Minneapolis, September 7, 2017–October 27, 2019.

Sol LeWitt: Instructions for a Pyramid, Galeria OMR, Mexico City, Mexico, August 26–October 21, 2017.

To Distribute and Multiply: The Feibes & Schmitt Gift, The Hyde Collection, Glens Falls, New York, opens on June 10, 2017.

Summer Choices, Crown Point Press, San Francisco, June 6–September 2, 2017.

Sculpture Milwaukee, Downtown Milwaukee, June 1–October 22, 2017.

In Line, Pace Seoul, June 1–August 12, 2017.

Minimal Mostly, R1 Studios, Rochester, New York, May 12–June 30, 2017.

Minimal Art from Marzona Collection, Galerie Thaddaeus Ropac, London, April 28–July 29, 2017. (Catalogue)

A Different Way to Move: Minimalismes, New York, 1960–1980, Carré d’Art Nîmes, France, April 7–September 17, 2017. (Catalogue)

Cholet-New York: François Morellet with Ellsworth Kelly, Sol LeWitt, Fred Sandback, & Frank Stella, Kamel Mennour, Paris, April 27–June 30, 2017.

Booknesses: Artists’ Books from the Jack Ginsberg Collection, University of Johannesburg Art Gallery, Johannesburg, South Africa, March 25–May 5, 2017. (Catalogue)

The supreme rifts… a measured propinquity, Marian Goodman Gallery, London, March 2–April 8, 2017.

Serialities, Hauser & Wirth, New York, February 15–April 8, 2017.

2016

The Serial Attitude, Eykyn Maclean, New York, November 3–December 16, 2016. (Catalogue)

Frank Stella and Sol LeWitt, James Goodman Gallery, New York, November 1–27, 2016.

Liz Deschenes/Sol Lewitt, Miguel Abreu Gallery, New York, September 11–23 October, 2016.

The Sun Placed in the Abyss, Columbus Museum of Art, Ohio, October 7, 2016–January 8, 2017. (Catalogue)

Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue)

Sol LeWitt and Zhang Xiaogang¸ Pace Beijing, September 28–November 19, 2016.

Lucinda Childs / Sol LeWitt, Galerie Thaddaeus Ropac, Paris, September 24, 2016–January 7, 2017.

Sculptures, Matters, Materials, Textures…, Galerie Bernard Ceysson, Luxembourg, September 10–October 16, 2016.

Sol LeWitt and Liz Deschenes, Paula Cooper Gallery, New York, September 8–October 8, 2016.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, June 28–September 5, 2016. (Catalogue)

Blackness in Abstraction, Pace Gallery, 510 West 25th Street, New York, June 24–August 19, 2016. (Catalogue)

Drawing Dialogues: Selections from the Sol LeWitt Collection, The Drawing Center, New York, April 15–June 12, 2016.

Unfinished: Thoughts Left Visible, The Metropolitan Museum of Art, New York, March 18–September 4, 2016. (Catalogue)

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, January 27–March 19, 2016.

Dansaekhwa & Minimalism, Blum & Poe, Los Angeles, January 16–March 12, 2016. Traveled to: Blum & Poe, New York, April 14–May 21, 2016.

Line, Lisson Gallery, London, January 22–March 12, 2016.

Arrangements, Carolina Nitsch, New York, January 21–March 26, 2016.

2015

Equal Dimensions, Barbara Krakow Gallery, Boston, December 12, 2015–January 30, 2016.

Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016. Traveled to: Centre Pompidou, Paris, June 16, 2016–January 2017. (Catalogue)

Essential – The Line, Annemarie Verna Galerie, Zurich, October 24–December 5, 2015.

Artists and Architecture: Variable Dimensions, Pavillon de l’Arsenal, Paris, October 16, 2015–January 16, 2016 (Catalogue).

Black Sun, Fondation Beyeler, Riehen / Basel, Switzerland, October 4, 2015–January 10, 2016.

On the Square Part II, Pace Gallery, 32 East 57th Street, New York, October 1–29, 2015.

Objects and Bodies at Rest and in Motion, Moderna Museet Malmö, September 26, 2015–February 7, 2016. Traveled to: Moderna Museet, Stockholm, March 12–June 12, 2016. (Catalogue)

The Xerox Book, Paula Cooper Gallery, New York, September 12–October 24, 2015.

Carl Andre in His Time, Mnuchin Gallery, New York, September 9–December 5, 2015.

Summer Group Show, Pace Gallery, 32 East 57th Street, New York, July 15–August 21, 2015.

Hello Walls, Gladstone Gallery, New York, June 26–July 31, 2015.

Summer Group Exhibition, Marian Goodman Gallery, New York, June 24–July 24, 2015.

Double Eye Poke, Kamel Mennour, Paris, May 26–July 25, 2015.

Chewing Gum, Pace Hong Kong, 15C Entertainment Building, 30 Queen’s Road Central, May 12–June 3, 2015.

Timely Manoeuvres, Ikkan Art International, Singapore, May 8–June 6, 2015.

Selections from The Kramarsky Collection, David Zwirner, New York, May 5–June 20, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Revolution of the Eye: Modern Art and the Birth of American Television, Jewish Museum, New York, May 1–September 27, 2015.

American Icons: Master Works from the SFMoMA and the Fisher Collection, Galeries nationales du Grand Palais, Paris, April 8–June 22, 2015. Traveled to: Musee Granet, Aix-en-Provence, July 11–October 18, 2015. (Catalogue)

Attention, The Giant Contemporary Artist: Agnes Martin, Sol LeWitt, Joel Shapiro, Frank Stella, Robert Longo, Ellsworth Kelly, Robert Mangold, Sky Art Museum, Seoul, April 4–May 7, 2015.

Proportio, Palazzo Fortuny, Venice, May 9–November 22, 2015.

Magnificent Obsessions: The Artist as Collector, Barbican, London, February 12–May 25, 2015.

Signs/Words, Sperone Westwater, New York, January 15–April 11, 2015.

Carl Andre, Dan Flavin, Sol LeWitt, Paula Cooper Gallery, New York, January 9–February 28, 2015.

2014

Line: Making the Mark, Museum of Fine Arts, Houston, December 12, 2014–March 22, 2015.

By Proxy, James Cohan Gallery, New York, November 20, 2014–January 17, 2015.

One Million Years: System und Symptom, Museum für Gegenwartskunst, Kunstmuseum Basel, October 11, 2014–April 6, 2015.

Art=Text=Art: Works by Contemporary Artists, UB Anderson Gallery, University at Buffalo, Buffalo, New York, September 20, 2014–January 11, 2015.

Wizz Eyelashes, Magasin III, Museum & Foundation for Contemporary Art, Stockholm, September 18, 2014–June 7, 2015.

A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.

The Avant-Garde Collection, Orange County Museum of Art, Newport Beach, California, September 7, 2014–January 4, 2015. (Catalogue)

Off the Wall, New Mexico State University Art Gallery, August 29–December 6, 2014.

Foundation for Art and Preservation in Embassies (FARE) Exhibition, Guild Hall, New York, June 21–July 27, 2014.

Love Story: The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere Vienna, June 15, 2014–October 5, 2014. (Catalogue)

Summer exhibition, Annemarie Verna Galerie, Zurich, June 7–July 5, 2014.

Group show, L.A. Louver, Venice, California, May 8–June 28, 2014.

From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, The Netherlands, March 14–July 13, 2014.

Logical Guesses, Driscoll Babcock Galleries, New York, March 13–April 26, 2014.

Converging Lines: Eva Hesse and Sol LeWitt, Blanton Museum of Art, University of Texas, Austin, February 23–May 18, 2014. Traveled to: Cleveland Museum of Art, April 3–July 31, 2016. (Catalogue)

Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.

Abstract Drawing, Drawing Room, London, February 20–April 19, 2014. (Catalogue)

Authentic Form, Loveland Museum/Gallery, Colorado, January 25–April 20, 2014.

2013

Group exhibition, Massimo De Carlo, London, December 2013–February 2014.

White, Dickinson Gallery, New York, November 4–December 10, 2013.

System/Repetition, Russell Bowman Art Advisory, Chicago, September 6–October 26, 2013.

Under Pressure: Contemporary Prints from the Collection of Jordan D. Schnitzer and his Family Foundation, Utah Museum of Fine Arts, Salt Lake City, September 5, 2013–January 5, 2014. Traveled to: Missoula Art Museum, Montana, February 15–May 31, 2014.

Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington, D.C, September 1, 2013–January 5, 2014. Traveled to: McNay Art Museum, San Antonio, January 28–May 17, 2015. (Catalogue)

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville, Maine, July 13, 2013–June 8, 2014. (Catalogue)

When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, June 1–November 3, 2013. (Catalogue)

Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes, France, May 3–September 15, 2013. (Catalogue)

Striped, Mitterand + Cramer, Geneva, May 3–June 29, 2013.

Edge, Order, Rupture, Galerie Lelong, New York, April 4–May 4, 2013.

Celebrating 20 Years of Neptunstrasse 42, Annemarie Verna Galerie, Zurich, March 14–July 6, 2013.

Winter Group Show, Pace Gallery, 32 East 57th Street, New York, January 7–26, 2013.

Geometric Abstraction, Pace Prints, New York, January 4–February 2, 2013.

2012

The Charm of Quasi-Parallel Lines, Rhona Hoffman Gallery, Chicago, December 14, 2012–January 26, 2013.

Masterpieces from the Berardo Collection, Gary Nader Art Centre, Miami, December 5, 2012–March 30, 2013.

In the Holocene, MIT List Visual Arts Center, Cambridge, October 19, 2012–January 6, 2013.

Carte Blanche, Galerie Patrick Seguin, Paris, October 19–November 24, 2012.

Something Turned Into a Thing, Magazin 3, Stockholm, September 22–December 9, 2012.

Notations: Contemporary Drawing as Idea and Process, Mildred Lane Kemper Art Museum, Washington University, St. Louis, September 14, 2012–January 7, 2013.

Decade: Contemporary Collecting 2002–2012, Albright-Knox Art Gallery, Buffalo, New York, August 21, 2012–January 6, 2013. (Catalogue)

Summer Group Show 2012, The Pace Gallery, 32 East 57th Street, New York, July 30–August 24, 2012.

Paper Band, Jason McCoy Gallery, New York, July 11–August 24, 2012.

Arise, Barbara Krakow Gallery, Boston, June 23–July 28, 2012.

Summer Group Show 2012, The Pace Gallery, 534 West 25th Street, New York, June 22–August 10, 2012.

Sculpted Matter, Paul Kasmin Gallery, New York, June 21–August 17, 2012.

Beyond the Wall, Castello Di Rivoli Museo d’Arte Contemporanea, Turin, Italy, June 5–December 31, 2012.

Mono 2012, Lorraine, Luxembourg, Sarre, June 2–September 9, 2012.

Group exhibition, JGM Galerie, Paris, May 12–June 2, 2012.

Minimalism: Not Strictly Formal, Michael Kohn Gallery, Los Angeles, May 18–June 30, 2012.

Tracing the Grid: The Grid in Art after 1945, Kunstmuseum Stuttgart, May 5–October 7, 2012. (Catalogue)

Auto Biographies, Espace Culturel Louis Vuitton, Paris, March 23–May 20, 2012.

Arcadia in celle: l’art pour la nature, la nature pour l’art, Fondation Maeght, Saint-Paul de Vence, March 31–June 10, 2012. (Catalogue)

Wish You Were Here: The Buffalo Avant-Garde in the 1970s, Albright-Knox Art Gallery, Buffalo, New York, March 30–July 8, 2012.

Lines of Thought, Parasol Unit, London, February 29–May 13, 2012.

Art: The Language of Less, Castellani Art Museum, Niagara University, New York, February 12–July 24, 2012.

Alfred Jensen / Sol LeWitt: Systems and Transformation, The Pace Gallery, 32 East 57th Street, New York, January 13–February 11, 2012.

Color, Carolina Nitsch Project Room, New York, January 10–February 18, 2012.

2011

Light Years: Conceptual Art and the Photograph, 1964–1977, Art Institute of Chicago, December 13, 2011–March 11, 2012.

NOMA 100: Gifts for the Second Century, New Orleans Museum of Art, November 13, 2011–January 22, 2012. (Catalogue)

Multiplicity, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C., November 11, 2011–March 11, 2012.

The Language of Less (Then), Museum of Contemporary Art, Chicago, October 8, 2011–April 8, 2012.

From Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, New York, September 20, 2011–January 8, 2012. Traveled to: Benaki Museum, Athens, May 15–September 2, 2012; Bass Museum of Art, Miami, March 15–July 21, 2013. (Catalogue)

LeWitt, Mangold, Nauman, Serra: Extended Drawing, Bonnefantenmuseum, Maastricht, September 18, 2011–January 15, 2012.

Surface Area, Barbara Krakow Gallery, Boston, September 10–October 15, 2011.

Art=Text=Art, Joel and Lila Harnett Museum of Art, University of Richmond, Virginia, August 17–October 16, 2011.

21 Americans, Bernard Jacobson Gallery, New York, May 7–June 4, 2011.

Locations, Paula Cooper Gallery, New York, April 28–June 11, 2011.

Eva Hesse and Sol LeWitt, Craig F. Starr Gallery, New York, April 12–May 27, 2011. (Catalogue)

Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, March 26–April 30, 2011.

Elemental, Paula Cooper Gallery, New York, March 19–April 16, 2011.

Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, March 13–July 4, 2011.

Contemporary Collecting: The Judith Neisser Collection, Art Institute of Chicago, February 13–May 22, 2011. (Catalogue)

Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, New York, January 23–May 1, 2011.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2011. (Catalogue)

January White Sale, Loretta Howard Gallery, New York, January 13–February 12, 2011.

2010

Image by Image: Film and Contemporary Art, Museum Ostwall im Dortmunder U, Dortmund, Germany, December 18, 2010–April 25, 2011. (Catalogue)

On-Line: Drawing through the Twentieth Century, The Museum of Modern Art, New York, November 21, 2010–February 7, 2011. (Catalogue)

Carl Andre, Dan Flavin, Sol LeWitt, Richard Long, Mario Merz, Gladstone Gallery, New York, September 24–October 23, 2010.

Seriality: Sol LeWitt and Allan McCollum, Armand Bartos Fine Art, New York, September 22–October 22, 2010.

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Post-War American Art: The Novak/O’ Doherty Collection, Irish Museum of Modern Art, Dublin, September 7, 2010–February 27, 2011. (Catalogue)

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, June 25–September 19, 2010. (Catalogue)

Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, June 25–September 19, 2010. (Catalogue)

Sol LeWitt and Marisa Merz, Galleria Alessandra Bonomo, Rome, May 24–October 5, 2010.

Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Brussels, April 3–May 8, 2010.

Sol LeWitt and Adrian Piper: Selected Infinite Extensions Arbitrarily Constrained, Bowery Poetry Club, New York, March 19–May 2, 2010.

With a Probability of Being Seen: Dorothee and Konrad Fischer—Archives of an Attitude, Museu d'Art Contemporani de Barcelona, March 15–October 12, 2010. Traveled to: Museum Kurhaus Kleve, Germany, November 14, 2010–March 20, 2011. (Catalogue)

This That & Then Some, Independent, New York, March 4–7, 2010.

Minimal—Conceptual—Art, Jason Rulnick, Inc., New York, February–March 2010.

The Shape of Abstraction, Boston University Art Gallery, Massachusetts, February 5–March 28, 2010. (Catalogue)

3 x 3: Minimal Sculpture and Painting, L.A. Louver, Venice, California, January 14–February 13, 2010.

Andre, LeWitt, Shapiro, Perry Rubenstein Gallery, New York, January12–February 7, 2010.

Connecticut Group Exhibition, D’Amelio Terras, New York, January 9–February 20, 2010.

Wall and Floor, Galerie Almine Rech, Paris, January 9–February 13, 2010.

On the Square, PaceWildenstein, 32 East 57th Street, New York, January 8–February 13, 2010.

Group show, Paula Cooper Gallery, New York, January 8–30, 2010.

2009

Just What Is It…, ZKM, Museum für Neue Kunst, Karlsruhe, Germany, December 5, 2009–April 11, 2010. (Catalogue)

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

Sol LeWitt, Keith Sonnier, Lawrence Weiner, Leo Castelli Gallery, New York, November 7–December 19, 2009.

Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon, October 24, 2009–January 31, 2010.

Donald Judd and Sol LeWitt: Conceptual Color in Print, de Young Museum, San Francisco, October 17, 2009–March 7, 2010.

Artists in Depth: Liam Gillick, Jenny Holzer, Donald Judd, Sol LeWitt. Museum of Contemporary Art, Chicago, October 17, 2009–January 10, 2010.

Not For Sale, Galería Toni Tàpies, Barcelona, October 1–November 7, 2009.

Beyond Black White and Gray, L & M Arts, New York, September 12–October 10, 2009.

American Printmaking since 1960, Art Gallery Dubrovnik, Croatia, September 9–November 1, 2009.

Spaces/Räume, Annemarie Verna Galerie, Zürich, August 27–October 2, 2009.

In and Out of Amsterdam, The Museum of Modern Art, New York, July 19–October 5, 2009. (Catalogue)

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

Sculpture, Margo Leavin Gallery, Los Angeles, July 11–August 22, 2009.

Through the Lens: Photography from the Lowe Art Museum, University at Miami, Lowe Art Museum, University of Miami, June 27–October 4, 2009. (Catalogue)

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York, July 2–August 21, 2009.

6 Works, 6 Rooms, David Zwirner, New York, June 27–August 12, 2009.

Make It New: Abstract Art from the Collection—Robert Motherwell, Sol LeWitt, and others, Ulrich Museum of Art, Wichita, Kansas, June 13–August 1, 2009.

40th Anniversary Show, Pace Prints, New York, June 1–30, 2009.

The Minimalist Site, Barbara Mathes Gallery, New York, April 23–June 19, 2009.

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, April 22–July 17, 2009. (Catalogue)

The Endless Renaissance, Bass Museum of Art, Miami, April 17–August 16, 2009.

Contemporary Art from the Barron Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York , April 4–July 5, 2009. (Catalogue)

A Mancha Humana/ The Human Stain, Galician Centre for Contemporary Art, Santiago de Compostela, Spain, March 12–May 31, 2009.

The Hand and the Soul: LeWitt, Slutzky, Iliescu, University of Virginia Art Museum, Charlottesville, February 6–April 23, 2009.

New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, January 27–May 24, 2009. (Catalogue)

Classic Contemporary: Lichtenstein, Warhol & Friends, Bellagio Gallery of Fine Art, Las Vegas, January 24–September 7, 2009. (Catalogue)

Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich, Connecticut, January 24–May 24, 2009. (Catalogue)

Sol LeWitt, Agnes Martin, Wes Mills: Drawings, Dickinson Agents and Dealers in Fine Art, New York, January 22–February 27, 2009.

Geometry as Image, Russell Bowman Art Advisory, Chicago, January 16–March 21, 2009.

Opening Lines, New Art Center, Newtonville, Massachusetts, January 12–February 22, 2009.

2008

The Panza Collection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., October 23, 2008–January 11, 2009. (Catalogue)

21: Selections of Contemporary Art at the Brooklyn Museum, Brooklyn Museum, September 19, 2008–August 2, 2009.

Begin Again Right Back Here, White Columns, New York, September 10−October 25, 2008.

Abstract Mash-up, Crown Point Press, San Francisco, September 9–November 11, 2008.

A Year of Drawing 2007–2008, Galerie Lelong, New York, June 12–August 1, 2008.

The Hague Sculpture 2008: Freedom–American Sculpture, Haags Gemeentemuseum, The Hague, The Netherlands, June 6–August 31, 2008. (Catalogue)

ONE More, In Memoriam: Sol LeWitt, Esbjerg Kunstmuseum, Denmark, May 31–August 31, 2008. Traveled to: Thomas Rehbein Gallery, Cologne, January 17–February 28, 2009. (Catalogue)

Summer, Donald Young Gallery, Chicago, May 10–August 15, 2008.

Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, May 1–June 1, 2008. Traveled to: Hauser & Wirth, Zürich, June 1–July 26, 2008.

Sculpture, Texas Gallery, Houston, April 22–May 21, 2008.

To Infinity and Beyond: Mathematics in Contemporary Art, Heckscher Museum of Art, Huntington, New York, April 19–June 22, 2008.

Wonders of Numbers: Art about Mathematics, Heckscher Museum of Art, Huntington, New York, April 12–June 22, 2008.

Styrofoam, Museum of Art, Rhode Island School of Design, Providence, March 14–July 20, 2008. (Brochure)

The Skat Prayers, Vilma Gold, London, March 9–April 13, 2008.

Color Chart: Reinventing Color, 1950 to Today, The Museum of Modern Art, New York, March 2–May 12, 2008. (Catalogue)

Jedermann Collection, Fotomuseum Winterthur, Switzerland, March 1–October 12, 2008.

Exact + Different: Art and Mathematics from Dürer to Sol LeWitt, Museum Moderner Kunst Stiftung Ludwig Wien, MuseumsQuartier, Vienna, February 29–May 18, 2008.

Based on Paper: The Marzona Collection, Middlesbrough Institute of Modern Art, England, February 29–May 11, 2008.

Group Show, Stalke Galleri / Galleri Kirke Sonnerup, Kirke Saaby, Denmark, February 16–March 29, 2008.

How Artist’s Draw: Toward the Menil Drawing Institute and Study Center, The Menil Collection, Houston, February 15–May 18, 2008.

Secular Geometry, Worksonpaper.biz, Philadelphia, February 15–March 31, 2008.

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

Successive Approximation, Perry Rubenstein Gallery, New York, January 10–February 16, 2008.

Carl Andre, Bernd & Hilla Becher, Sol LeWitt, Bridget Riley, Karsten Schubert, London, January 7–March 20, 2008.

2007

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, December 6, 2007–March 2, 2008. (Catalogue)

The Complexity of the Simple, L & M Arts, New York, December 1, 2007–February 2, 2008.

The Panza Collection: An Experience of Color and Light, Albright-Knox Art Gallery, Buffalo, New York, November 16, 2007–February 24, 2008. (Catalogue)

Deconstructed Geometry, Vivian Horan Fine Art, New York, November 8, 2007–January 17, 2008.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York, October 12–November 24, 2007.

Pleasures of Collecting, Part III: Contemporary and Cutting Edge, Bruce Museum, Greenwich, Connecticut, September 29, 2007–January 6, 2008. (Catalogue)

Personal Structures, Galerie Hafenrichter & Flugel, Nuremberg, September 27–November 30, 2007.

30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery, Part One, Marian Goodman Gallery, New York, September 10–October 13, 2007.

Repeat Performances: Seriality and Systems Art Since 1960, Allen Memorial Art Museum, Oberlin College, Ohio, September 4–December 23, 2007.

Summer Show, James Cohan Gallery, New York, July 17–August 10, 2007.

Vermaling Roger en Hilda Matthys- Colle, Museum Dhondt-Dhaenens, Deurle, Belgium, July 1–September 23, 2007.

Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, June 30–October 7, 2007.

Block Party II: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, June 30–August 25, 2007.

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

A Tribute to Brice Marden, Fruehsorge-Galerie fuer Zeichnung, Berlin, June 23–July 28, 2007.

Klio: Eine Kurze Geschichte der Kunst in Euramerika nach 1945, ZKM, Museum fur Neue Kunst & Medienmuseum, Karlsruhe, June 15–October 21, 2007.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York, The Museum of Modern Art, New York, June 13–October 22, 2007. Traveled to: Museu de Arte Contemporânea de Serralves, May 9–June 22, 2008; Museum Wiesbaden, September 28, 2008–January 18, 2009. (Catalogue)

Works from the Collection of Societe Generale Paris, National Museum of Contemporary Art, Bucharest, Romania, June 13–July 15, 2007.

Think with the Senses, Feel with the Mind: Art in the Present Tense, 52nd Biennale di Venezia, Venice, June 10–November 21, 2007. (Catalogue)

Antes y Despues del Minimalismo, Fundacion Juan March, Palma de Mallorca, Spain, May 22–September 8, 2007.

Conceptual Photography 1964–1989, Zwirner & Wirth, New York, May 9–June 23, 2007.

Dump: Postmodern Sculpture in the Dissolved Field, National Museum for Art, Architecture and Design, Olso, May 3–August 19, 2007.

The Happiness of Objects, Sculpture Center, Long Island City, New York, April 29–July 29, 2007.

Connecticut Contemporary, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, April 19–August 12, 2007.

What does the Jellyfish Want, Museum Ludwig, Cologne, March 31–July 15, 2007.

Feedback, Laboral, Centro de Arte y Creacion Industrial, Gijon, Spain, March 30–June 30, 2007.

Black Square: Hommage à Malevich, Hamburger Kunsthalle, Hamburg, March 23–June 10, 2007.

Das Schwarze Quadrat. Hommage an Maleitsch-Grundungsbau, Hamburger Kunstalle, Hamburg, March 23–June 6, 2007.

Pure, Sean Kelly, New York, March 23–April 28, 2007.

Based on Paper: Die Sammlung Marzona, Revolution der Kunst 1960–1975, Kupferstichkabinett, Berlin, March 22–July 15, 2007.

Artisti, parole, immagini dal 1960 al 1968, Fondazione Sandretto Re Rebaudengo, Cirie, Italy, March 18–July  22, 2007.

Return to Cezanne, Collection Lambert, Avignon, March 18–May 20, 2007.

O Debuxo nas Colleccion Publicas de Santiago, CGAC, Santiago de Compostela, Spain, March 13–April 29, 2007.

Commemorating 30 Years: 1986–2006, Rhona Hoffman Gallery, Chicago, March 9–April 7, 2007.

Orthodoxe/Heterodoxe: Choisir sa Ligne, Le 10 Neuf, Centre Regional d’Art Contemporain, Montbelliard, France, March 6–April 7, 2007.

Konceptualna umetnost, Muzej Savremene Umetnosti Vojvodine, Novi Sad, Serbia, March 6–March 20, 2007.

Calzolari / Degottex / LeWitt, L’Or du Temps, Paris, March 1–24, 2007.

L’aura della serialita, Centro de Arte Moderna e Contemporanea della Spezia, La Spezia, Italy, February 25– March 13, 2007.

Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland, Oregon, February 24–March 27, 2007.

Mapping the City, Stedelijk Museum, Amsterdam, February 16–May 20, 2007.

American Master Prints, Alan Cristea Gallery, London, February 12–March 17, 2007.

Ausgerechnet… Mathmatik und Konkrete Kunst, Museum im Kulturspeicher, Wurzburg, Germany, February 2–April 29, 2007.

REALLIFE 1979–1990, Artists Space, New York, January 30–May 12, 2007.

SITEings, Southeast Center for Contemporary Art, Winston-Salem, January 20–July 8, 2007.

Arte Minimal, Galería Elvira González, Madrid, January–February 2007.

Monoprints, Pace Prints, New York, January 5–27, 2007.

2006

Dedica: 1986–2006: 20 Anni della Galleria Alfonso Artiaco, Pan Palazzo Delle Arti Napoli, Naples, December 16, 2006–March 17, 2007.

Responding to Kahn: A Sculptural Conversation, Yale University Art Gallery, New Haven, December 10, 2006–July 9, 2007. (Catalogue)

Posters to Benefit Foundation for Contemporary Arts, Paula Cooper Gallery, New York, December 8–20, 2006.

Winter group show, Barbara Krakow Gallery, Boston, December 2, 2006–January 24, 2007.

Drawing Through It: Works on Paper from the 1970s to Now, David Nolan Gallery, New York, December 1, 2006–January 13, 2007.

Trait, ligne, ecrire l’espace: ouvres du Franc Picardie, Beauvais Galerie Nationale de la Tapisserie, Beauvais, France, November 22, 2006–March 21, 2007.

Outdoor Sculpture, David Zwirner, New York, November 13, 2006–January 27, 2007.

Wrestle, Hessel Museum of Art / CSS Bard, Annandale on Hudson, New York, November 12, 2006–May 27, 2007.

LeWitt x 2: Structure and Line / Selections from the LeWitt Collection, Madison Museum of Contemporary Art, Wisconsin, November 5, 2006–January 14, 2007. Traveled to: Miami Art Museum, February 9–June 3, 2007; Weatherspoon Art Museum, The University of North Carolina, Greensboro, September 9, 2007–January 18, 2008; Austin Museum of Art, Texas, May 24–August 17, 2008. (Catalogue)

Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, November 4–December 17, 2006.

Six Feet Under, Kunstmuseum Bern, Switzerland, November 2, 2006–January 21, 2007.

Busy Going Crazy: Sylvio Perlstein Collection, La Maison Rouge, Paris, October 29, 2006–January 14, 2007.

Elemental Form, L & M Arts, New York, October 19–December 9, 2006. (Catalogue)

Group Sculpture, Rosenbaum Contemporary, Boca Raton, Florida, October 12–November 30, 2006.

Twice Drawn, Frances Young Tang Teaching Museum, Skidmore College, Saratoga Springs, New York, October 7–December 30, 2006.

Second Lodz Biennial, Lodz Art Center, Ukraine, October 6–31, 2006.

Minimalism: On and Off Paper, Vivian Horan Fine Art, New York, September 28–November 17, 2006.

Faster, Bigger, Better, ZKM, Karlsruhe, Germany, September 24, 2006–January 7, 2007.

Minimal: Works on Paper by Flavin, Judd, Kelly, LeWitt, Mangold, Marden, and Martin, Senior & Shopmaker Gallery, New York, September 20–November 22, 2006.

Artists at Work: Instruction Drawings from the Collection of Gilbert and Lila Silverman, Cranbrook Art Museum, Bloomfield Hills, Michigan, September 16–October 29, 2006.

100 Years, 100 Heads: The Century of Modern Sculpture, Wilhelm Lehmbruck Museum, Duisberg, Germany, September 10, 2006–January 28, 2007.

Form and Function: Mathematics and Beyond in Contemporary Art, Noyes Museum of Art, Oceanville, New Jersey, September 9, 2006–January 7, 2007.

Ideal City: Invisible Cities, Offentlicher Raum, Potsdam, September 9–October 29, 2006.

Nothing and Everything, Peter Freeman, Inc., New York, September 7–October 28, 2006. Traveled to: Fraenkel Gallery, San Francisco, November 30, 2006–January 27, 2007. (Catalogue)

A Gallery in Ink, Fraenkel Gallery, San Francisco, September 7–30, 2006.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Kunstmuseum Winterthur, Switzerland, August 26–November 19, 2006. (Catalogue)

The Guggenheim Collection, Kunsthalle, Bonn, Germany, July 21, 2006–January 7, 2007.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Works on Paper from the Collection of Art Enterprises, Ltd., McCormick Gallery, Chicago, July 14–August 19, 2006.

Drawn into the World, Museum of Contemporary Art, Chicago, July 8–October 15, 2006.

Le Noir est Une Couleur: Hommage Vivant à Aimé Maeght, Fondation Marguerite et Aimé Maeght, Saint-Paul, June 30–November 5, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006.

Summer group show, PaceWildenstein, 534 West 25th Street, New York, June 27–August 25, 2006.

Abstract Prints, Mary Ryan Gallery, New York, June 14–August 18, 2006.

Inventory: Works from the Herbert Collection, Kunsthaus Graz, Austria, June 10–September 3, 2006.

I Will Not Make Any More Boring Art: Lithographs, Publications & Ephemera from the Nova Scotia College of Art & Design, Printed Matter, New York, June 3–September 26, 2006.

New Acquisitions: Donald Sulton & Sol LeWitt, Serge Sorokko Gallery, San Francisco, June 1–August 15, 2006.

From Carl Andre to Bruce Nauman: Works from the Friedrich Christian Flick Collection in the Hamburger Bahnhof, Hamburger Bahnhof, Museum für Gegenwart, Berlin. May 19–August 13, 2006.

Strange I’ve Seen That Face Before, Kunst, Gestalt, Phantom, Museum Abteiberg, Monchengladback, Germany, May 7–September 17, 2006.

Galerie Mit Bleistift Fischer, Konrad Fischer Gallerie, Düsseldorf, May 6–June 17, 2006.

Art in the Garden, LongHouse Reserve, East Hampton, New York, April 29–September 19, 2006.

Le Mouvement des Image, Centre Pompidou, Musée national d’art moderne-Centre de creation idustrielle, Paris, April 9, 2006–January 29, 2007. (Catalogue)

Homage to Chillida, Guggenheim Bilbao Museo, April 5–June 11, 2006. (Catalogue)

Sol LeWitt / Mario Merz, Fondazione Merz, Turin, April 1–September 24, 2006.

Group show, Max Lang Gallery, New York, February 23–March 23, 2006.

Crisis of Modernism: The Post-Minimal Rebellion, Milwaukee Art Museum, February 9–May 7, 2006.

Public Space / Two Audiences: Works and Documents from the Herbert Collection, Museu d’Art Contemporani de Barcelona, February 7–May 1, 2006.

Venice 1948–1986: The Art Scene, Peggy Guggenheim Collection, Venice, February 5–May 21, 2006.

Die Künstlersammlung, Kunsthaus Glarus, Switzerland, February 5–May 7, 2006.

The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, January 25–April 17, 2006.

On the Wall, Cleveland State University, January 20–March 11, 2006. (Catalogue)

Wall Drawings: Robert Barry, Daniel Buren, Sol LeWitt, Michael Hue-Williams Fine Art Limited, London, January 19–March 24, 2006.

Line and Surface: Works on Paper, Peter Blum Gallery, New York, January 20–March 25, 2006.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Ryman, Michael Kohn Gallery, Los Angeles, January 13–February 25, 2006.

2005

ex.05.03.06103, Cartin Collection, Hartford, Connecticut, December 16, 2005–January 28, 2006.

Atto Secondo La Collezione, Museo d’Arte Contemporanea, Donnaregina, Naples, opened December 10, 2005.

Camere, RAM Radioartemobile, December 7, 2005–February 2006.

Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, November 2–December 31, 2005.

Robert Barry/Sol LeWitt, Yvon Lambert, Paris, October 27–December 3, 2005.

The Plain of Heaven, Creative Time, 820 Washington Street, New York, October 14–November 20, 2005. (Catalogue)

2D From 3D, Elizabeth Leach Gallery, Portland, Oregon, October 6–November 23, 2005.

Eccentric Modern, The Foundation To-Life, Inc., Mount Vernon, New York, October 1, 2005–Summer 2006.

25 Jahre Galerie Fahnemann, Galerie Fahnemann, Berlin, October 1–December 20, 2005.

Variations on a Theme by Sol LeWitt and Paula Robison, Isabella Stewart Gardner Museum, Boston, September 23–November 13, 2005.

Works on Paper, Marlborough Gallery, New York, September 14–October 15, 2005.

Rainbow: A Painting Show, Sfeir-Semler Gallery, Beirut, September 9–November 12, 2005.

Salon d’Automne, Annemarie Verna Gallery, Zurich, September 7–October 15, 2005.

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

Group show, Barbara Krakow Gallery, Boston, June 18–July 28, 2005.

Summer 2005, Senior & Shopmaker Gallery, New York, June 17–August 19, 2005.

Build: Louis Kahn, Architecture, Sculpture, Silvermine Guild Arts Center, New Canaan, Connecticut, June 17–July 18, 2005.

Private View 1980/2000: Collection Pierre Huber, Musée Cantonal des Beaux Arts de Lausanne, Switzerland, June 12–September 11, 2005.

Patterns and Grids, Pace Prints, New York, June 2–July 8, 2005.

Open Systems: Rethinking Art c. 1970, Tate Modern, London, June 1–September 18, 2005. (Brochure)

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Fred Sandback, Björn Ressle Fine Art, New York, May 5–July 2005.

Elemental, Walker Art Center, Minneapolis, Minnesota, April 17, 2005–April 9, 2008.

L’Art de Vivre, Lehman Maupin, New York, April 15–May 14, 2005.

Sol LeWitt and Robert Mangold: Drawing Into Print, Senior and Shopmaker Gallery, New York, April 8–June 11, 2005.

In Black and White: Master Prints of the Post-War Period, Susan Sheehan Gallery, New York, April 1–June 11, 2005.

Long Playing: Record Covers by Artists, Barbara Krakow Gallery, Boston, March 26–May 4, 2005.

Drawing from the Modern, 1945–1975, The Museum of Modern Art, New York, March 25–August 29, 2005.

Logical Conclusions: 40 Years of Rule Based Art, PaceWildenstein, 534 West 25th Street, New York, February 18–March 26, 2005. (Catalogue)

Conceptual Artists Books from the Van Abbemuseum Collection, Van Abbemuseum, Eindhoven, the Netherlands, January 25–April 15, 2005.

Sets, Series, and Suites: Contemporary Prints, Museum of Fine Arts, Boston, January 19–May 30, 2005. (Catalogue)

2004

Sets, Barbara Krakow Gallery, Boston, December 11, 2004–February 2, 2005.

From Pollock to Marden: Post-War Works on Paper from the Collection of Susan and Larry Marx, Aspen Art Museum, Aspen, Colorado, December 10, 2004–February 6, 2005.

Small: The Object in Film, Video, and Slide Installation, Whitney Museum of American Art, New York, November 18, 2004–February 6, 2005.

Traces: Body and Idea in Contemporary Art, National Museum of Modern Art, Kyoto, November 9–December 19, 2004. Traveled to: National Museum of Modern Art, Tokyo, January 12–February 27, 2005. (Catalogue)

Minimal artists try to make something look like nothing and conceptual artists try to make nothing look like something, or is it the other way around?, Yvon Lambert, New York, November 5–December 18, 2004.

Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, October 31, 2004–April 24, 2005.

Sol LeWitt / Christian Marclay, Collection Lambert en Avignon, October 30, 2004–January 16, 2005.

Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, Essl Collection, Klosterneuburg, Vienna, October 21, 2004–March 6, 2005. (Catalogue)

XXIV Andamenti—Sol LeWitt, Mimmo Paladino, Galleria Nazionale d’Arte Moderna, Rome, opened October 6, 2004. Traveled to: Santa Maria Capua Vetere, Museo Archeologico dell’Antica Capua, Italy, April 14–May 28, 2005.

Arti & Architettura 1900–2000, Palazzo Ducale, Genoa, October 2, 2004–January 9, 2005.

Intuition/(Im)Precision, Galerie Thaddaeus Ropac, Salzburg, October 2–November 10, 2004. (Catalogue)

Living Dust, Norwich Gallery, Norwich School of Art and Design, England, September 30–October, 30, 2004.

Specific Objects: The Minimalist Influence, Museum of Contemporary Art, San Diego, September 26, 2004–January 30, 2005.

Design ≠ Art: Functional Objects From Donald Judd to Rachel Whiteread, Smithsonian Cooper-Hewitt, National Design Museum, New York, September 10, 2004–February 27, 2005. Traveled to: Aspen Art Museum, August 5–October 2, 2005. (Catalogue)

Group exhibition, PaceWildenstein, 534 West 25th Street, New York, September 10–October 9, 2004.

Prints, Nohra Haime Gallery, New York, September 9–October 9, 2004.

Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, September 7–October 16, 2004.

Artists & Prints: Part 3, The Museum of Modern Art, New York, July 20–September 26, 2004.

Group exhibition, Rhona Hoffman Gallery, Chicago, July–August 2004.

Summer exhibition, Annemarie Verna Gallery, Zurich, July 13–August 4, 2004.

Summer 2004, PaceWildenstein, 32 East 57th Street, New York, July 8–September 10, 2004.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Ryman, Lawrence Weiner, Alona Kagan Gallery, New York, July 6–September 30, 2004.

Intra-muros, Musée d’Art Moderne et d’Art Contemporain, Nice, June 26–November 14, 2004. (Catalogue)

Le Opere e i Giorni tre, Certosa di San Lorenzo, Padula, Italy, June 18–September 30, 2004.

Beyond Geometry: Experiment in Form, 1940s–70s, Los Angeles County Museum of Art, June 13–October 3, 2004. Travels to: Miami Art Museum, Florida, November 18, 2004–May 1, 2005. (Catalogue)

Blast from the Past: Prints form the Seventies, Pace Prints, New York, June 10–July 16, 2004.

Woodwork, Anthony Grant Inc., New York, June 9–August 27, 2004.

Sculpture and Form, John Berggruen Gallery, San Francisco, June 3–July 10, 2004.

Art and Utopia. Action Restricted, Museu d’Art contemporani de Barcelona, Spain, June 2–September 12, 2004.

179th Annual Exhibition, National Academy of Design, New York, May 5–June 20, 2004. (Catalogue)

Symmetries: Siah Armajani, Richard Artschwager, Barry Le Va, Sol LeWitt, Senior & Shopmaker Gallery, New York, April 16–June 30, 2004.

An American Odyssey 1945/1980, Circulo de Bellas Artes, Madrid, April 13–May 30, 2004. Traveled to: Domus Artium 2002, Salamanca, June 10–July 31, 2004; “Kiosco Alfonso,” A Coruna, September 2–October 2, 2004; Queensborough Community College/CUNY, Queens, October 24–January 15, 2005. (Catalogue)

Prismes: Donations, acquisitions, dépôts, Chåteau de Villeneuve / Fondation Emile Huges, Vence, April 6–June 6, 2004.

A Minimal Future? Art As Object 1958–1968, Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004. (Catalogue)

Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, March 5–May 19, 2004. (Catalogue)

Sol LeWitt and Chuck Close, Pace Prints, 32 East 57th Street, New York, March 5–April 3, 2004.

Three At Once: Sol LeWitt, RISD Museum of Art, Providence, February 27–May 2, 2004.

Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Connecticut, February 18–June 20, 2004.

The Game Show, James Cohan Gallery, New York, January 9–February 14, 2004.

2003

Temporal Values: From Minimal to Video, ZKM Museum für Neue Kunst, Karlsruhe, Germany, December 20, 2003–April 18, 2004.

Design Excellence: Public Patronage of Architecture and Art, Octagon Museum, American Architectural Foundation, Washington, D.C., December 1, 2003–April 10, 2004.

The Brownstone Collection: Minimal to the Max, Norton Museum of Art, West Palm Beach, November 22, 2003–March 7, 2004.

Minimal to the Max, Norton Museum of Art, West Palm Beach, November 22, 2003–March 7, 2004.

Primary Matters: The Minimalist Sensibility 1959 to the Present, San Francisco Museum of Modern Art, November 8, 2003–January 11, 2004.

Dessins de la Collection Paul Maenz, Frac Picardie, Amiens, France, October 17–December 13, 2003.

The Last Picture Show: Artists Using Photography, 1960–1982, Walker Art Center, Minneapolis, October 11, 2003–January 4, 2004.  Traveled to: UCLA Hammer Museum, Los Angeles, February 8–May 11, 2004; Museo de Arte Contemporánea de Vigo, Spain, May 28–September 19, 2004; Fotomuseum Winterthur, Switzerland, November 26, 2004–February 13, 2005; Miami Art Museum, March 20–June 12, 2005. (Catalogue)

Work Ethic, Baltimore Museum of Art, October 11, 2003–January 12, 2004. Traveled to: Des Moines Art Center, Des Moines, May 15–August 1, 2004.

Ramen Windows, Edams Museum, the Netherlands, September 19–November 2, 2003.

FORM(ATION): Modern and Contemporary Works from the Feibes & Schmitt Collection, Charles R. Wood Gallery, Hyde Collection, Glens Falls, New York, September 9–December 7, 2003.

Large-Scale Sculpture: Andre, Grosvenor, LeWitt, Paula Cooper Gallery, New York, September 6–October 4, 2003.

A simple plan, James Cohan Gallery, New York, September 6–27, 2003.

Unexpected Dimensions: Works from the LeWitt Collection, Davison Art Center, Wesleyan University, Middletown, Connecticut, September 3–October 9, 2003.

Minimalism And More: Contemporary Art from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, August 26–November 16, 2003.

Summer Exhibition, Annemarie Verna Galerie, Zurich, Switzerland, August 21–September 27, 2003.

LeWitt’s LeWitts & Selections from the Collection of Carol and Sol LeWitt, New Britain Museum of American Art, Connecticut, July 23–August 26, 2003.

In Full View, Andrea Rosen Gallery, New York, July 18–September 13, 2003.

Rivington Beach, Gallery 128, New York, July 17–August 23, 2003.

Kingston Sculpture Biennial 5, Kingston, New York, July 12–October 31, 2003.

Summer Travels, PaceWildenstein, 32 East 57th Street, New York, July 7–September 8, 2003.

Sol Lewitt, Tom Doyle, Pamela Stockamore, New Art Gallery, Litchfield, Connecticut, June 28–July 28, 2003.

Back to the Present: Minimalist Works from the Museum's Collection, RISD Museum, Providence, June 27–August 31, 2003.

Out of Line: Drawings, Gallery 128, New York, June 11–July 12, 2003.

Coollustre, Collection Lambert, Avignon, May 25–September 28, 2003.

Flavin, Judd, LeWitt, Serra: Early Works, Zwirner & Wirth, New York, May–June 2003.

Drawings, Donald Young Gallery, Chicago, April 26–May 31, 2003.

Journey to Now: John Kaldor Art Projects and Collection, Art Gallery of South Australia, Adelaide, April 24–July 6, 2003. (Catalogue)

Hand-made Minimal, Peter Freeman, Inc., New York, April 24–June 28, 2003.

Up to now / Tot zo ver, Stedelijk Museum, Amsterdam, April 17–December 31, 2003.

Sol LeWitt and Donald Judd, Mary Ryan Gallery, New York, April 3–May 31, 2003.

Not Exactly Photographs, Fraenkel Gallery, San Francisco, March 6–April 26, 2003.

Sculpture, Barbara Gladstone Gallery, New York, February 15–March 22, 2003.

Drawings, Drawings, Drawings, Margarete Roeder Gallery, New York, February 2003.

Treasures of Modern Art: The Legacy of Phyllis Wattis at SFMOMA, San Francisco Museum of Modern Art, January 30–June 24, 2003.

Contemporary Prints and Photographs from the Bruce Brown Collection, Colby College Museum of Art, Waterville, Maine, January 19–March 23, 2003.

Beter één vogel:, A Bird in the hand…, Gemeentemuseum, The Hague, the Netherlands, January 18–February 23, 2003.

2002

Multiples: An Incomplete Survey, Brent Sikkema, New York, closed December 22, 2002.

An American Legacy, A Gift to New York, Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003. (Catalogue)

Assembly/Line: Works by Twentieth Century Sculptors, Mead Art Museum, Amherst College, Massachusetts, October 18–December 18, 2002.

Structures of Difference: Painting, Sculpture, and Photography of Past 50 Years, Wadsworth Atheneum, Hartford, Connecticut, October 12, 2002–April 13, 2003.

30th Anniversary Exhibition, Carl Schlossberg Fine Arts, Sherman Oaks, California, October 12–November 12, 2002.

Some Chromes, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, October 5, 2002–January 25, 2003.

New Prints, Richard Levy Gallery, Albuquerque, October 4–November 30, 2002.

Trisha Brown: Dance and Art in Dialogue, 1961–2001, Addison Gallery of American Art Philips Academy, Andover, Massachusetts, September 27, 2002–January 5, 2003. Traveled to: Tang Teaching Museum and Art Gallery Skidmore College, Saratoga Springs, New York, February 1–June 1, 2003; Contemporary Arts Museum, Houston, July 12–September 14, 2003; New Museum of Contemporary Art, New York, October 9, 2003–January 25, 2004; Henry Art Gallery, University of Washington, Seattle, March 25–July 18, 2004. (Catalogue)

Print Publishers Spotlight: Pace Prints, Barbara Krakow Gallery, Boston, September 21–October 23, 2002.

The Museum, the Collection, the Director and his Loves, Museum für Moderne Kunst, Frankfurt, September 13, 2002–April 21, 2003.

Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana–Champaign, September 4–November 3, 2002. Traveled to: Arkansas Art Center, Little Rock, November 14, 2002–February 2, 2003; Georgia Museum of Art, Athens, February 7–March 23, 2003; Cincinnati Museum of Art, August 22– November 16, 2003. (Catalogue)

Jo Baer, Dan Flavin, Sol LeWitt, Tony Smith, Paula Cooper Gallery, New York, September 3–October 12, 2002.

Recent Acquisitions, Zwirner & Wirth, New York, Summer 2002.

Criss-Cross, Paesaggio Gallery, West Hartford, Connecticut, July 30–September 7, 2002.

XI Biennale Internazionale di Scultura Città di Carrara, Cararra, Italy, July 27–September 27, 2002.

Judd, LeWitt, Mangold, Martin and Shapiro, PaceWildenstein, 534 West 25th Street, New York, July 11–31, 2002.

Summersault, Gallery 128, New York, July 10–August 24, 2002.

Jim, Jonathan, Kenny, Frances and Sol, Stedelijk Museum Bureau, Amsterdam, June 30–August 18, 2002.

Extra-Ball, Fonds régional d'art contemporain Poitou-Charentes, Hôtel St Simon, Angoulême, France, June 29–August 15, 2002.

Selections, Paesaggio Gallery, West Hartford, Connecticut, June 25–September 7, 2002.

American Spectrum: Paintings and Sculptures From the Smith College Museum of Art, Katonah Museum of Art, New York, June 23–September 15, 2002.

From Pop to Now: Selections form the Sonnabend Collection, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, June 22–September 29, 2002.

Summer, James Cohan Gallery, New York, June 20–August 16, 2002.

Remarks On Color, Sean Kelly Gallery, New York, June 1–July 26, 2002.

American Beauty, Annely Juda Fine Art, London, May 23–July 13, 2002. (Catalogue)

May Fourth 2002, Donald Young Gallery, Chicago, May 4–June 29, 2002.

Drawn from a Family: Contemporary Works on Paper, Colby College Museum of Art, Waterville, Maine, April 28–June 30, 2002. (Catalogue)

Conceptual Art (1965–1975) from Dutch and Belgian Collections, Stedelijk Museum, Amsterdam, April 20–June 23, 2002.

Ad Infinitum, Wynn Kramarsky, New York, Spring 2002.

Jannis Kounellis, Bertrand Lavier, Sol LeWitt, Mario Merz, Robert Morris, Niele Noroni, Lawrence Weiner, Gilberto Zorio, Galerie Pietro Spartà, Chagny, France, opened March 16, 2002.

From the Observatory, Paula Cooper Gallery, New York, March 16–April 20, 2002.

In Between, Museum für Moderne Kunst, Frankfurt, March 11–September 1, 2002.

Thanks to Good Friends: 40 Years of the Friends of the Davison Art Center, Davison Art Center, Wesleyan University, Middletown, Connecticut, March 2–May 26, 2002.

5 Sculptors' Drawings from the 1970's: Richard Artschwager, Barry Le Va, Sol LeWitt, Alan Saret, & Richard Tuttle, Nolan Eckman Gallery, New York, March 1–April 6, 2002.

Acquiring Taste, Real Art Ways, Hartford, Connecticut, February 23–June 30, 2002.

Minimal, Gemeentemuseum, The Hague, the Netherlands, January 26–December 8, 2002.

Hommage aan Enno Develing, Gemeentemuseum, The Hague, the Netherlands, January 26–March 31, 2002.

Defying Distinction: Works from the Addison Collection, Addison Gallery of American Art, Andover, Massachusetts, January 12–April 14, 2002.

Josef Albers, Donald Judd, Sol LeWitt, Brice Marden, Allan McCollum, Fred Sandback, Bill Wheelock, Barbara Krakow Gallery, Boston, January 19–March 13, 2002.

Prints from the 50s, 60s and 70: de Kooning to Warhol, Marlborough, New York, January 8–February 2, 2002.

2001

Noncomposition: Fifteen Case Studies, Wadsworth Atheneum, Hartford, Connecticut, December 22, 2001–June 23, 2002. (Catalogue)

It's a Wild Party and We're Having a Great Time, Paul Morris Gallery, New York, December 13, 2001–January 12, 2002.

Less Than A Thousand, Robert Brown Gallery, Washington, D.C., December 8, 2001–January 26, 2002.

Tom Doyle Bronzes and Sol LeWitt Gouaches, Paesaggio Gallery, West Hartford, Connecticut, December 4, 2001–January 5, 2002.

Four Centuries of Prints and Drawings: Recent Acquisitions, Los Angeles County Museum of Art, November 23, 2001–March 31, 2002.

Sculpture Contemporaine: Œuvres de la Collection Frac-Rhône-Alpes, L’Institut d’Art Contemporain, November 22, 2001–January 20, 2002.

A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., November 18, 2001–April 7, 2002. (Catalogue)

Onnasch: Aspects of Contemporary Art, Museu d’Art Contemporani de Barcelona, November 7, 2001–February 24, 2002. Traveled to: Museu de Arte Contemporânea de Serralves, March 22–June 23, 2002. (Catalogue)

New to the Modern: Recent Acquisitions from the Department of Drawings, The Museum of Modern Art, New York, October 25, 2001–January 8, 2002.

Sculpture, Grant Selwyn Fine Art, New York, October 18–December 1, 2001.

Extra Art: A Survey of Artists’ Ephemera 1960-1999, California College of the Arts, San Francisco, October 12–December 8, 2001.

Watercolor: In the Abstract, The Hyde Collection Art Museum, Glens Falls, New York, September 30–December 9, 2001. Traveled to: Michael C. Rockefeller Arts Center Gallery, SUNY College at Fredonia, New York, January 18–February 22, 2002; Butler Institute of American Art, Youngstown, Ohio, March 10–April 28, 2002; Ben Shawn Gallery, William Patterson University, Wayne, New Jersey, September 6–October 11, 2002; Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, November 3–December 14, 2002.

Change of Scene XX, Museum für Moderne Kunst, Frankfurt, Germany, September 28, 2001–March 3, 2002.

Monet's Legacy: Series, Order and Obsession, Hamburger Kunsthalle, Hamburg, Germany, September 28, 2001–January 6, 2002.

College Proofs: The Riverhouse Editions Collection at the Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, September 28–October 28, 2001. (Catalogue)

Minimalism, Lisa Coscino Gallery, Pacific Grove, California, September 28–October 27, 2001.

Défis, la galerie Vega en Wallonie, Centre d’Art Contemporain, Brussels, September 20–October 27, 2001.

Carl Andre, Sol LeWitt, Joel Shapiro: Sculpture, Paula Cooper Gallery, New York, September 6–October 13, 2001.

Minimal, Zwirner & Wirth, New York, Summer 2001.

Collections d’Artistes, Collection Lambert, Avignon, France, July 1–November 30, 2001.

An Added Dimension: Sculptors as Printmakers, Cincinnati Art Museum, June 30–September 23, 2001.

La percezione dello spazio: Arte Minimal Della Collezione Panza Dal Guggenheim Di New York, Palazzo Forti, Verona, June 29–November 18, 2001.

Space Co-Opted, Andrew Kreps Gallery, New York, June 23–July 27, 2001.

Sammlung Marzona: Kunst am 1968, Kunsthalle Bielefeld, June 17–August 19, 2001.

Ornament and Abstraction, Fondation Beyeler, Basel, June 10–September 23, 2001.

Print Publisher Spotlight: Crown Point Press, Barbara Krakow Gallery, Boston, June 2–July 27, 2001.

Sol LeWitt. Robert Mangold, Richard Serra, Galerie Lelong, Paris, May 31–July 21, 2001.

Drawings, Regen Projects, Los Angeles, May 26–July 21, 2001.

Works on Paper, Grant Selwyn Fine Art, New York, April 5–May 5, 2001.

Minimalennialism, Jim Kempner Fine Art, New York, March 31–May 5, 2001.

Glossalgia, Hellenic American Union Galleries and the Frissiras Museum, Athens, Greece, March 5–April 5, 2001.

The Lenore and Burton Gold Collection of 20th-Century Art, High Museum of Art, Atlanta, March 3–May 27, 2001. (Catalogue)

Celebrating 75 Years–Permanent Change: Contemporary Works from the Williams College Museum of Art, Williams College, Williamstown, Massachusetts, February 24–July 22, 2001.

Under Pressure: Prints from Two Palms. Lyman Allyn Museum of Art, Connecticut College, New London, Connecticut, February 2–April 1, 2001. Traveled to: Schick Art Gallery, Skidmore College, Saratoga Springs, New York, July 12–September 16, 2001; Meadows Museum, Southern Methodist University, Dallas, October 22–December 8. 2001; University Gallery, University of Massachusetts, Amherst, February 2–March 16, 2002; Kent State University Art Gallery, Ohio, September 4–28, 2002; Arthur A. Houghton Jr. Gallery, Cooper Union, New York, January 21–February 21, 2003; Sonoma Museum of Visual Art, Santa Rosa, California, May 21–July 27, 2003. (Catalogue)

Prints and Multiples, Senior & Shopmaker Gallery, New York, February–March 2001.

Objective Color, Yale University Art Gallery, New Haven, Connecticut, February 2–March 25, 2001.

Conceptions: Conceptural Documents 1968–1972, Norwich Gallery, England, January 24–March 3, 2001. Traveled to: City Museum and Art Gallery, Henry Moore Institute Library, Leeds, March 10–April 22, 2001; Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, October 12–December 2, 2001.

Mieux vaut une poule demain qu’un œuf aujourd’hui, Le Fonds régional d’art contemporain de Picardie, Amiens, January 15–April 9, 2001.

2000

Rendez-vous No. 2, Hotel de Caumont, Avignon, opened December 16, 2000.

Do You Hear What We Hear?, Paul Morris Gallery, New York, December 16, 2000–January 21, 2001.

Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, November 18, 2000–March 3, 2001.

Beyond Preconceptions: The Sixties Experiment. Organized by Independent Curators International, New York. Traveled to: National Gallery, Prague, November 2, 2000–January 14, 2001; Centro Recoleta, Buenos Aires, April 2001; Museum of Brazilian Art, Fondaçao Armando Alvarez Penteado, São Paulo, August 2001

Paço Imperial, Rio de Janeiro, September 2001; Harn Museum of Art, University of Florida, Gainesville, June 23–September 29, 2002; Berkeley Art Museum and Pacific Film Archive, University of California, October 26–December 29, 2002. (Catalogue)

Hard Pressed: 600 Years of Prints and Process, Axa Gallery, New York, November 2, 2000–January 14, 2001. Traveled to: Boise Art Museum, Idaho, February 24–May 6, 2001; Museum of Santa Fe, November 2, 2001–January 14, 2002.

Group Show, Grant Selwyn Fine Art, New York, November–December 2000.

Many Colored Objects Placed Side By Side To Form A Row of Many Colored Objects: Works from the Collection of Annick and Anton Herbert, Casino Luxembourg-Forum d’Art Contemporain, October 29, 2000–January 21, 2001.

In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, October 20–November 25, 2000.

The Intuitive Eye: Selections from the Frederick R. Weisman Collection, Fashion Institute of Design and Merchandising, Los Angeles, October 7–December 16, 2000.

Works on Paper 2000, Art in Embassies Program, Residence of the American Ambassador, Slovakia, September 2000–March 2001.

The John Weber Project, Leo Koenig Inc., Brooklyn, September 18–October 17, 2000.

Minimalism Then and Now, Berkeley Art Museum, University of California, September 15, 2000–May 27, 2001.

00: Drawings 2000 at Barbara Gladstone Gallery, Barbara Gladstone Gallery, New York, July 6–August 30, 2000. (Catalogue)

(E COSÍ VIA) (AND SO ON), 99 artisti della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, June 20–September 17, 2000.

Sol LeWitt & Sophie Calle, Donald Young Gallery, Chicago, June 17–August 25, 2000.

Group exhibition, Texas Gallery, Houston, June 13–September 15, 2000.

Other Forms: Works by Participants of Sculpture 2000, Alva Gallery, New London, Connecticut, May 27–June 11, 2000.

Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, New York, May 23–October 1, 2000.

Masters of Contemporary Art from the Chase Manhattan Collection, Queens Museum of Art, New York, May 23–September 30, 2000.

What I Saw and Understood: An Essay in Abstraction, Nicholas Davies Gallery, New York, April 19–June 13, 2000.

Lasting Impressions: Contemporary Prints from the Bruce Brown Collection, Portland Museum of Art, Portland, Maine, April 5–June 4, 2000.

Stephan Anotonakos: Time Boxes 2000, with Richard Artschwager, Daniel Buren, Sol LeWitt, and Robert Ryman, Rose Art Museum, Brandeis University, Waltham, Massachusetts, January 20–March 12, 2000.

1999

A/D: A Decade, A/D Gallery, New York, 1999.

Die Sammlung Paul Maenz, Neues Museum Weimar, 1999.

Generations, Essex Art Center, Connecticut, 1999.

Touring the Frame, Rosamund Felsen Gallery, Santa Monica, 1999.

The Nature of Order, James Cohan Gallery, New York, December 1999–January 29, 2000.

Masterprints, Galerie Nächst St. Stephan, Vienna, Austria, November 24, 1999–January 22, 2000.

Drawings from the 1970’s by Mel Bochner, Sol LeWitt, Robert Mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, October 30–December 11, 1999.

Opening Show, Alva Gallery, New London, Connecticut, October 19–December 19, 1999.

Modern Starts: People, The Museum of Modern Art, New York, October 7, 1999–February 1, 2000.

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

Calendar 2000, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, September 26–December 17, 1999.

Alfred Stieglitz and the Equivalent: Reinventing the Nature of Photography, Yale University Art Gallery, New Haven, Connecticut, September 17–November 28, 1999.

Kunstwerke, Hamburger Bahnhof, Berlin, opened September 15, 1999.

20twenty, Fraenkel Gallery, San Francisco, September 9–November 27, 1999. (Catalogue)

Art in our Time: 1950 to the Present, Walker Art Center, Minneapolis, Minnesota, September 5, 1999–September 2, 2001.

North American Engraving Today: 3 Exponents: Chuck Close, Jim Dine, Sol LeWitt, Galeria IBEU Madureira, Brazil, August 31–September 24, 1999. Traveled to Galeria IBEU Copacabana, Brazil, September 29–October 29, 1999.

Correspondence: Harry Roseman: Sol LeWitt and Italian Goddess from 2 B.C., College Center Gallery, Vassar College, Poughkeepsie, New York, August 23–September 27, 1999.

Exhibition Posters from the 1960s and 70s, Lawrence Markey, New York, July 1999.

Summer ‘99, PaceWildenstein, 142 Greene Street, New York, July 9–30, 1999.

Plain Air, Barbara Gladstone Gallery, New York, July 1–August 1999.

Petits Formats: Working Small, Yoshii Gallery, New York, opened June 19, 1999.

Summer Group Show, Barbara Krakow Gallery, Boston, June 14–July 30, 1999.

Contemporary American Masters: The 1960s, Nassau County Museum of Art, Roslyn Harbor, New York, June 13–September 12, 1999. (Catalogue)

Sculpture in Context, Addison Gallery of American Art, Andover, Massachusetts, May–July 31, 1998.

A Summer Show, Marian Goodman Gallery, New York, May 28–August 1999.

Multiple Configurations: Presenting the Contemporary Portfolio, Busch-Reisinger Museums, Harvard University, Cambridge, Massachusetts, May 13–August 1, 1999.

Wall Drawings, Lance Fung Gallery, New York, May 5–June 19, 1999.

Global Conceptualism: Points of Origin, 1950s-1980s, Queens Museum of Art, New York, April 28–August 29, 1999. Traveled to: MIT List Visual Arts Center, Cambridge, Massachusetts, October 24–December 31, 2000. (Catalogue)

Afterimage: Drawing Through Process, Museum of Contemporary Art, Los Angeles, April 11–August 22, 1999. Traveled to: Contemporary Arts Museum, Houston, May 13–July 16, 2000; Henry Art Gallery, University of Washington, Seattle, July–September 2000. (Catalogue)

The Woodcut Print, Marlborough Gallery, New York, March 16–April 1999.

Art at Work: Forty Years of The Chase Manhattan Collection, Museum of Fine Arts and the Contemporary Arts Museum, Houston, March 3–May 2, 1999.

Drawing Rules, Gallery Joe, Philadelphia, March 1–April 30, 1999.

Decades and Dialogues: Perspectives on the MCA Collection, Museum of Contemporary Art, Chicago, February 27–November 14, 1999.

Wall Works, Paula Cooper Gallery, New York, February 19–March 20, 1999. (Catalogue)

Sol LeWitt: Sculpture and Drawings / Jenny Holzer: Multiples, SCAI The Bathhouse, Tokyo, February 9–March 6, 1999.

Primarily Structural: Minimalist and Post-Minimalist Works on Paper, P.S. 1, Long Island City, New York, February 7–April 3, 1999.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, February 5–March 11, 1999.

The Eclectic Eye: Selections from the Frederick R. Weisman Collections, California Center for the Arts, Escondito, January 15–May 2, 1999.

Alighiero e Boetti, Hanne Darboven, Sol LeWitt, Barbara Gladstone Gallery, New York, January 9–February 6, 1999.

1998

Een keuze uit de eigen collectie: A Choice from the Collection, Van Abbemuseum, Eindhoven, the Netherlands, 1998.

Group Exhibition of Paintings, Drawings and Sculpture, Galerie Lelong, New York, 1998.

Matched Pairs, John Weber Gallery, New York, 1998.

Pieces 2, Gallery 128, New York, 1998.

Sculpture, Rhona Hoffman Gallery, Chicago, 1998.

Tracings: An Exhibition of Wall, Orneau Baths Gallery, Belfast, 1998.

Amnesty International Benefit Drawing Show, Paula Cooper Gallery, New York, December 10–23, 1998.

Konzeptuelle Arbeiten der 1960er bis 1980er Jahre, Galerie Rüdiger Schöttle, Munich, December 5, 1998–January 16, 1999.

Donald Judd, Sol LeWitt, Robert Mangold: Prints, Galerie Franck + Schulte, Berlin, Germany, November 27, 1998–February 6, 1999.

Commission Possible: Walker Art Center, 1980–1998, Walker Art Center, Minneapolis, November 21, 1998–August 1, 1999.

Multiples + Editions, I.C. Editions, New York, October 29–December 12, 1998.

The Object of Geometry, Franklin Parrasch Gallery, New York, October 27–November  25, 1998.

Minimal-Maximal: Die Minimal Art und ihr Einfluss auf die internationale Kunst de 90er Jahre, Neues Museum Weserburg, Bremen, October 11, 1998–January 3, 1999. Traveled to: Kunsthalle Baden-Baden, January 22–March 21, 1999; Centro Galego de Arte Contemporanéa, Santiago de Compostela, April 16–July 1999. (Catalogue)

Photography at Princeton: Celebrating 25 Years of Collecting and Teaching the History of Photography, Art Museum, Princeton University, New Jersey, October 3, 1998–January 4, 1999. (Catalogue)

Sol LeWitt, Robert Mangold, Works on Paper, Philadelphia, opened September 18, 1998.

Sculpture, Paula Cooper, New York, September 8–October 10, 1998.

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

In cinque sensi, Pio Monti, Treia, Marcerata, Italy, opened July 1998.

Summer Group Show, PaceWildenstein, 32 East 57th Street, New York, July 6–August 21, 1998.

Als golfslad op het stand Ad Dekkers in zeijn tijd / Waves Breaking on the Shore: Ad Dekkers in his Time, Stedelijk Museum, Amsterdam, June 20–August 23, 1998. (Catalogue)

Deep Thought, Basilico Fine Arts, New York, June 11–July 31, 1998.

Large Scale Works on Paper, Danese, New York, June 4–July 24, 1998.

Sequences: A portfolio of work by 29 artists, Edition Schellman, New York, opened May 19, 1998.

The Edge of Awareness. Organized by Art for the World, Geneva. Traveled to: World Health Orgination Headquarters, Geneva, May 10–July 12, 1998; United Nations Building, New York, September 13–October 15, 1998; SESC Pompéia, São Paolo, December 7, 1998–January 24, 1999. (Catalogue)

Drawing the Question, Dorsky Gallery, New York, April 29–June 20, 1998. (Brochure)

PAPER + Works on Dieu Donné Paper, The Gallery at Dieu Donné Papermill, New York, April 18–May 29, 1998.

Formulations, Sandra Gering Gallery, New York, April 16–May 23, 1998.

Selections from the Collection of Marne and James DeSilva, Museum of Contemporary Art, San Diego, March–June 1998.

XXè siecle, La Collection 1945–1995, Musée d'Art Moderne, Saint Etienne, France, March 12–June 1, 1998.

100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, February 22–May 24, 1998.

Minimal Art, Bank Brussels Lambert, February 18–May 3, 1998. (Catalogue)

Material Perfection: Minimal Art and Its Aftermath, Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, February 13–April 12, 1998. (Catalogue)

Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, Connecticut, February 10–July 31, 1998.

Artist/Author: Contemporary Artists' Books. Organized by the American Federation of Arts, New York, Traveled to: Weatherspoon Art Gallery, Greensboro, North Carolina, February 8–April 12, 1998; Emerson Gallery, Clinton, New York, August 31–October 18, 1998; Museum of Contemporary Art, Chicago, November 6, 1998–January 3, 1999; Lowe Art Museum, Coral Gables, February 18–April 14, 1999; Western Gallery, Bellingham, Washington, April 30–June 27, 1999; University Art Gallery, Amherst, Massachusetts, University Art Gallery, Amherst, Massachusetts, October 29–December 18, 1999. (Catalogue)

UTZ: A Collected Exhibition, Lennon Weinberg, New York, February 6–March 7, 1998.

Large-Scale Drawings from the Collection of Wynn Kramarsky, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 18–May 24, 1998.

{Defining Structures}, LaSalle Partners at NationsBank Plaza, Charlotte, North Carolina, January 12–October 31, 1998. (Catalogue)

1997

Arte all’arte, Valco d’elsa, Italy, 1997.

Barely Made, Norwich School of Art & Design, Norfolk, 1997.

Color and Paper: von Farben und Papieren, Galerie Nächst St. Stephan, Vienna, 1997.

Margins, Barbara Gladstone Gallery, New York, 1997.

The Power of Words and Signs, Index Gallery, Kyoto, 1997.

Printer’s Choice, Works on Paper, Philadelphia, 1997.

7 x 6: Bochner, Hunt, LeWitt, Mazur, Morris, Plimack, Mangold, Fine Arts Center, University of Massachusetts, Amherst, 1997.

Systematic, Karen McCready Fine Art, New York, 1997.

XLVII Esposizione Internazionale d’Arte, La Biennale di Venezia, Italy, 1997.

Winter group exhibition, PaceWildenstein, 142 Greene Street, New York, December 19, 1997–January 24, 1998.

Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts, December 12, 1997–February 28, 1998. Traveled to: Graphische Sammlung Albertina, Vienna, March 18–May 17, 1998; Kunstmuseum, Winterthur, September 4–November 15, 1998; Kunst-Museum, Ahlen, November 28, 1998–January 24, 1999; Akademie der Kunste, Berlin, February 19–May 2, 1999; The Parrish Art Museum, Southampton, September–November 1999. (Catalogue)

Le Bel Aujour’hui: oeuvres d’une collection privée, Le Nouveau Musée, Institut Frac Rhône Alpes, France, November 21, 1997–February 28, 1998.

Contemporary Tales: Contemporary Bestiary and Animal Painting, Whitney Museum of American Art at Champion, Stamford, Connecticut, November 21, 1997–February 25, 1998.

Roland Dahinden/Sol LeWitt: Collaboration—Sound Sculpture/Wall Drawing, Kuppelsaal, Landesmuseum Joanneum, Graz, Austria, October 5–December 3, 1997.

Progressions, Works on Paper from the LeWitt Collection, Connecticut College, New London, September 27–October 31, 1997.

The Serial Attitude: Paintings, Sculpture and Works on Paper, Addison Gallery of American Art, Philips Academy, Andover, Massachusetts, September 20, 1997–January 8, 1998.

Around, Barbara Krakow Gallery, Boston, September 20–October 20, 1997.

Inaugural Exhibition, Ace Gallery, Mexico, September 9–November 15, 1997.

Lois Beuman Torf Print Collection, Fine Arts Center, University of Massachusetts, Amherst, Massachusetts, September 6–October 17, 1997.

Views From Abroad: European Perspectives on American Art 3—American Realities, Whitney Museum of American Art, New York, July 10–October 5, 1997. (Catalogue)

Structures: Architecture in American Art, 1900–1997, John Berggruen Gallery, San Francisco, July 10–September 1997.

Skulptur Projekte, Münster, Germany, June 22–September 28, 1997. (Catalogue)

Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art, Chicago, June 21, 1997–April 5, 1998.

Thirty-Five years at Crown Point Press, National Gallery of Art, Washington, D.C., June 8–September 1, 1997. Traveled to:  Fine Arts Museums of San Francisco, October 7, 1997–January 4, 1998. (Catalogue)

General Consensus, Barbara Krakow Gallery, Boston, June 7–September 17, 1997.

Music, Gallery 128, New York, April 2–26, 1997.

Minimalist Prints, A.P. Gianni Gallery, Bank of America World Headquarters, San Francisco, March 20–May 13, 1997.

In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, March 16–July 6, 1997. (Catalogue)

Geometric Abstraction, Numark Gallery, Washington, D.C., February–March 15, 1997.

New York on Paper, Baumgartner Galleries, Inc., Washington, D.C., February 7–March 22, 1997.

The Persistence of Vision: Part 2, Barbara Krakow Gallery, Boston, February 1–March 12, 1997.

1996

Alighiero E. Boetti, Hamish Fulton, Sol LeWitt, John Weber Gallery, New York, 1996.

Extended Minimal, Max Protetch, New York, 1996.

Golden Oldies & New Delights, Pace Prints, New York, 1996.

In the flow: Alternate Authorizing Strategies, Franklin Furnace, New York, 1996.

Inaugural Exhibition, Thomas Segal Gallery, Baltimore, 1996.

Minimalism: Works by John Chamberlain, Dan Flavin, Ellsworth Kelly, Donald Judd, Sol LeWitt and Robert Mangold, Lipworth International Arts, Inc., Boca Raton, Florida, 1996.

Sculptor’s Drawings, Pardo View Gallery, New York, 1996.

Sculpture, Galerie Hauser and Wirth, Zurich, 1996.

Traits Sensibles, Museés de Marcon, France, 1996.

Capodimonte in Contemporanea and Prospettiva del passato De Van Gogh ai contemporanei nelle raccolte delo Stedelijk Museum di Amsterdam, Napoli Palazzo di Capodimonte, Naples, December 20, 1996–April 6, 1997. (Catalogue)

Forma Urbis, XXIII Biennale, Gubbio, Italy, November 1996–April 1997.

Limited Edition Artists Books since 1990, Brooke Alexander, New York, November 8, 1996–January 11, 1997.

Sniper’s Nest: Art That Has Lived with Lucy Lippard, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York, October 28–December 22, 1996. Traveled to: Scales Fine Arts Center, Wake Forest University, Winston-Salem, January 15–April 10, 1997; Archer M. Huntington Art Gallery, University of Texas, Austin, June 6–July 20, 1997; Spencer Museum of Art, University of Kansas, St. Lawrence, November 2–December 21, 1997; Museum of Fine Arts, Santa Fe, April 24–September 28, 1998. (Catalogue)

Conceptual Tools, Selections from the LeWitt Collection, Central Connecticut State University, October 10–November 22, 1996.

23rd International Biennial of São Paulo, Brazil, October 5–December 8, 1996.

Blurring the Boundaries: Installation Art 1969–1996, Museum of Contemporary Art San Diego, La Jolla, September 22, 1996–January 29, 1997. Traveled to: Worcestser Art Museum, October 4, 1998–January 1999; Ringling Museum of Art, Sarasota, January 20–May 2, 1999; San Jose Museum of Art, May 14–August 13, 2000. (Catalogue)

Ars Aevi 2,000, Centro per l’Arte Contemporanea Luigi Pecci, Museo d’Arte Contemporaneo Prato, July 26–September 8, 1996. (Catalogue)

Black, Grey & White, Part II, Galerie Bugdahn und Kaimer, Düsseldorf, July 3–August 23, 1996.

Sol LeWitt / El Anatsui, Skoto Gallery, New York, June–July 1996.

Bare Bones, TZ’Art & Co, New York, June 25–September 5, 1996.

Thinking Print: Books to Billboards 1980–1995, The Museum of Modern Art, New York, June 19–September 10, 1996.

Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, National Gallery, Alexandros Soutzos Museum, Athens, Greece, June 10–September 30, 1996. Traveled to: Museu d’Art Contemporani, Barcelona, December 18, 1996–April 6, 1997; Kunstmuseum Bonn, June–September 1997. (Catalogue)

Black, Grey & White, Part I, Galerie Bugdahn und Kaimer, Düsseldorf, May 11–June 29, 1996.

1976–1996 Twenty Years in Boston, Thomas Segal Gallery, Boston, April 20–June 20, 1996.

Black & White, Gallery Seomi, Seoul, April 18–May 4, 1996. (Catalogue)

D’une œuvre l’autre: le livre d’artiste dans l’art contemporain, Musée Royal de Mariemont, Morlanweiz, Belgium, March 22–June 16, 1996. (Catalogue)

Collections de France, Castello di Rivoli, Torin, January 25–April 28, 1996.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, January 20–February 10, 1996.

Retrospktiv II: Sol LeWitt und Richard Tuttle, Annemarie Verna Galerie, Zurich, January 10–February 17, 1996.

1995

Accumulazioni, Zerynthia, Contrada Cervinara di Paliano, Italy, 1995.

Ad Reinhardt, Robert Ryman, Robert Mangold, Richard Serra, Ellsworth Kelly, Sol LeWitt: Editions, One Great Jones, New York, 1995.

Bernd and Hilla Becher, Sol LeWitt, Eadweard Muybridge, August Sander, Offshore Gallery, East Hampton, New York, 1995.

New Publications, Brooke Alexander Editions, New York, 1995.

New Works on Paper, Donald Young Gallery, Seattle, 1995.

RAW Space, Real Art Ways, Hartford, Connecticut, 1995.

Sequence and Narrative, Susan Sheehan Gallery, New York, 1995.

A Summer Show, Marian Goodman Gallery, New York, 1995.

Works on Paper, WP Gallery, Philadelphia, 1995.

Passions Privées, Musée d’Art Moderne de la ville de Paris, December 1995–March 1996. (Catalogue)

From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, December 12, 1995–March 17, 1996. (Catalogue)

In Small Dimensions, Andre Zarre Gallery, New York, December 12, 1995–February 3, 1996.

Being Human, Museum of Fine Arts, Boston, December 5, 1995–June 3, 1996. (Brochure)

Main Stations, Casino Luxembourg, Luxembourg, November 11, 1995–March 3, 1996. (Catalogue)

In Two Worlds: The Graphic Work of Modern Sculptors, Mead Art Museum, Amherst, Massachusetts, October 1995.

1965–1975: Reconsidering the Object of Art, Museum of Contemporary Art, Los Angeles, October 15, 1995–February 4, 1996. (Catalogue)

Revolution in Contemporary Art: The Art of the Sixties, Museum of Contemporary Art, Tokyo, September 30–December 10, 1995.

25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, September 23–October 28, 1995. (Catalogue)

Inside/Outside: From Sculpture to Photography, Laurence Miller Gallery, New York, September 14–October 28, 1996.

1:1 Wandmalerei: Wall Drawings and Wall Paintings, Künstlerwerkstatt Lothringer Strasse, Münich, September 10–October 10, 1995. (Catalogue)

Environmental Sculptures, Kukje Gallery, Seoul, August 22–October 22, 1995. (Catalogue)

Contemporary Drawing: Exploring the Territory, Aspen Art Museum, July 27–September 24, 1995.

Corpus delicti, Museum van Hedendaagse Kunst, Gent, Belgium, July 1–September 3, 1995.

View From Abroad, Whitney Museum of American Art, New York, June 29–October 1, 1995. Traveled to: Stedelijk Museum, Amsterdam, November 17, 1995–January 28, 1996. (Catalogue)

Summer Academy 2, PaceWildenstein, 32 East 57th Street, New York, June 28–September 23, 1995.

45° Nord & Longitude 0: Œuvres de la Collection du capcMusée de la Collection du Frac Aquitaine et de Collections privées, Musée d'art contemporain de Bordeaux, June 24–September 10, 1995. (Catalogue)

Julian's Show, Littlejohn Contemporary, New York, June 14–July 27, 1995.

Adding It Up: Print Acquisitions 1970–1995, The Museum of Modern Art, New York, May 27–September 5, 1995.

Drawings, Structures, Relations, ICP, New York, April 27–June 3, 1995.

Printmaking in America: Collaborative Prints and Presses 1960–1990, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, April 23–June 18, 1995. Traveled to: Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, September 22–December 3, 1995; Museum of Fine Arts, Houston, 1996; National Museum of American Art, Smithsonian Institution, Washington, D.C., May 10–August 4, 1996. (Catalogue)

Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, New York, April 1–May 13, 1995. (Catalogue)

Arte Minimal, Palacio de los Condes de Gabia, Instituto de América de Santa Fe, Centro Damián Bayón, Granada, March–April 1994.

Sol LeWitt and Robert Mangold, Lisson Gallery, London, February 3–March 16, 1995.

Drawn on the Museum, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 22–May 7, 1995.

Carl Andre, Sol LeWitt, Alfonso Artiaco, Pozzuoli/Naples, Italy, January 19–March 1995.

1994

A/D in Santa Fe: Useful Objects Designed by Painters and Sculptors, Laura Carpenter Fine Art, Santa Fe, 1994.

Another Dimension: Paintings by Sculptors, John Weber Gallery, New York, 1994.

Contemporary Abstract American Prints, Addison Gallery of American Art, Andover, Massachusetts, 1994.

Domestic Elegance, Locks Gallery, Philadelphia, 1994.

Minimal Art: A new condensed exhibition presenting early and new works, which questions the common label ‘Minimal Art,’ Hallen für Neue Kunst, Schaffhausen, Switzerland, 1994.

A Painting Show, Marian Goodman Gallery, New York, 1994.

Paper Work, John Weber Gallery, New York, 1994.

Prints and Multiples, Marlborough Graphics, New York, 1994.

Sculpture, Rhona Hoffman Gallery, Chicago, 1994.

Selected Works, Daniel Weinberg Gallery, San Francisco, 1994.

Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland, December 2, 1994–February 5, 1995. (Catalogue)

The Box: From Duchamp to Horn, Ubu Gallery, New York, October 29–December 10, 1994.

A Century of Artists Books, the Museum of Modern Art, New York, October 23, 1994–January 24, 1995. (Catalogue)

Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard Serra, Modern Art Museum, Fort Worth, Texas, October 16–December 31, 1994. (Catalogue)

Mapping, The Museum of Modern Art, New York, October 5, 1994–December 20, 1995.

Prints of Darkness, Fogg Art Museum, Harvard University, Boston, July 16–October 9, 1994.

Installations, Margo Leavin Gallery, Los Angeles, July 16–August 20, 1994.

L'Art à la Plage, Plage des Jumeaux, Plage Nioulargo, La Voile Rouge, Ramatuelle, France July 15–October 9, 1994.

Works on Paper: Selections from the Permanent Collection, Whitney Museum of American Art at Philip Morris, New York, July 14–October 14, 1994.

Some Like it Cool, Barbara Krakow Gallery, Boston, July 9–August 1994.

White Works, The Pace Gallery, 32 East 57th Street, New York, July 8–September 9, 1994.

Measure for Measure, Gallery 128, New York, July 8–30, 1994.

On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany, July 7–September 11, 1994. (Catalogue)

Même si c'est la nuit, Musée d'art contemporain, Bordeaux, June–November 1994.

Traum vom Absoluten / Dream of the Absolute, Galerie Beyeler, Basel, June–September 1994. (Catalogue)

The First Meeting of the Satie Society, Susan Sheehan Gallery, New York, May–July 1994.

From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29–November 27, 1994. (Catalogue)

Dessins 1894–1994, Marc Blondeau, Paris, May 21–July 9, 1994.

30 Years––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

Opera Colonia, Lutz Teutloff Modern Art, Cologne, May 7–July 14, 1994.

Under Development: Dreaming the MCA’s Collection, Museum of Contemporary Art, Chicago, April 30–August 28, 1994.

The Art of Memory: Holocaust Memorials in History, Jewish Museum, New York, March 13–July 31, 1994. Traveled to: Deutsches Historisches Museum, Berlin, September 8–November 13, 1994; Münchner Stadtmuseum, Munich, December 9, 1994–March 5, 1995. (Catalogue)

1969, Jablonka Galerie, Cologne, March 4–April 15, 1994.

For 25 Years: Brooke Alexander Editions, The Museum of Modern Art, New York, January 27–May 17, 1994.

Wall to Wall, Serpentine Gallery, London, January 19–February 27, 1994. Traveled to: Southampton City Art Gallery, England, April 22–June 5, 1994; Leeds City Art Gallery, May 12–July 2, 1994. (Catalogue)

1993

Chester Artists, Chester Gallery, Connecticut, March 1993.

The Collection Grows: Selected Acquisitions 1990–1992, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, 1993.

Crossings: Works by Sol LeWitt and Eva Hesse from the Weatherspoon Collection, Weatherspoon Art Gallery, Greensboro, North Carolina, 1993.

The Director's Anniversary, 1968–1993: A Legacy and a Mandate, Newark Museum, New Jersey, 1993. (Catalogue)

Estrategia del Sentido, Palacio Revillagigedo, Gijón, Spain, 1993. (Catalogue)

Livres Objets & Papiers D'Artistes, Galerie Natkin-Berta, Paris, 1993.

On Paper, Barbara Mathes Gallery, New York, 1993.

On Paper, TZ'Art & Co, New York, 1993.

L'Orage, Galerie Yvon Lambert, Paris, 1993.

Outdoor Sculpture, Max Protetch Gallery, New York, 1993.

Photographic Works of the 1960s and 1970s, Zabriskie Gallery, New York, 1993.

Sculptures and Multiples, Brooke Alexander and Brooke Alexander Editions, New York, 1993.

Selected Wall Works, Edition Schellmann, New York, 1993.

Tables from Two Decades, A/D, New York, 1993.

Das einfache ist das schwierige, Kunsthaus Zug, Zug, Switzerland, November 28, 1993–January 16, 1994.

25 Years: Part I, Paula Cooper Gallery, New York, October 23–November 27, 1993.

In A Classical Vein: Works from the Permanent Collection, Whitney Museum of American Art, New York, October 18, 1993–April 3, 1994.

11th Cleveland International Drawing Biennale, Cleveland Gallery, England, October 16, 1993–January 15, 1994, and Middlesbrough Art Gallery, England, October 16–November 27, 1993.

Construction in Process IV:  My Home is Your Home, Artists’ Museum, Lodz, Poland, October 1–7, 1993.

Rolywholyover A Circus, Museum of Contemporary Art, Los Angeles, September 12–November 28, 1993. Traveled to: Menil Collection, Houston, January 14–April 3, 1994; Solomon R. Guggenheim Museum, New York April 29–August 13, 1994; Art Tower Mito, Japan, November 3, 1994–February 26, 1995; Philadelphia Museum of Art, June 4–July 30, 1995. (Catalogue)

Early Minimal Art Masterworks, John Weber Gallery, New York, September 11–October 9, 1993.

25 Years: A Retrospective, Cleveland Center for Contemporary Art, September 10–November 7, 1993. (Catalogue)

De Verzameling/The Collection, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, September 1993.

Ferragosto: A Reopening Show, Gallery 128, New York, August 5–28, 1993.

Multiple Images: Photographs Since 1965 from the Collection, The Museum of Modern Art, New York, July 15–October 5, 1993.

Maximal Minimalism: Selected Works from the LeWitt Collection, Berkshire Museum, Pittsfield, Massachusetts, June 26–September 12, 1993. Traveled to: Lyman Allyn Art Museum, New London, Connecticut, October 3–November 14, 1993.

American Art in the 20th Century: Painting and Sculpture 1913–1993, Martin-Gropius-Bau, Berlin, May 8–July 25, 1993. Traveled to: Royal Academy and the Saatchi Gallery, London, September 16–December 12, 1993. (Catalogue)

Twenty Years Daniel Weinberg Gallery: A Series of Anniversary Exhibitions, Part I, Daniel Weinberg Gallery, Santa Monica, April 14–June 12, 1993.

PREFAB! Reconsidering the Legacy of the Sixties, Rose Art Museum, Brandeis University, Waltham, Massachusetts, April 1–May 23, 1993.

On the Road: Selections from the Permanent Collection of the Museum of Contemporary Art, San Diego, Contemporary Art Museum, Houston, February 20–May 2, 1993.

Out Of Sight Out Of Mind, Lisson Gallery, London, February 15–April 3, 1993.

European and American Drawings: 1961–1969, Nolan/Eckman Gallery, New York, February 6–March 13, 1993.

Prints from the 1960s and 1970s, Paula Cooper Gallery, New York, January 20–February 20, 1993.

1992

Bochner, Chung, LeWitt, Primo Piano, Rome, 1992.

5 ème Collection: Objets d'Artistes, Centre Georges Pompidou, Paris, 1992.

Jennifer Bartlett—Sol LeWitt: New Prints, Gallery Kuranuki, Osaka, 1992.

Platzverführung 1992–1993, Kultur Region Stuttgart, 1992. (Catalogue)

Pop to Now: Selections from the Permanent Collection and Extended Loans, Williams College Museum of Art, Williamstown, Massachusetts, 1992.

Remote Control: This History, Palm Beach Community College Museum of Art, Florida, 1992.

Sammlung Lafrenz, Neues Museum Weserburg, Bremen, Germany, 1992. (Catalogue)

Show of the Year, John Weber Gallery, New York, 1992.

Twenty-Twenty: Twentieth Anniversary Twentieth Century Works on Paper, Rosa Esman Gallery, New York, 1992.

The Geometric Tradition in American Art 1930–1990, Whitney Museum of American Art, New York, December 9, 1992–February 14, 1993.

Functional Objects by Artists and Architects, Rhona Hoffman Gallery, Chicago, November 20–December 24, 1992.

Series and Sequences: Contemporary Drawings and Prints from the Permanent Collection, National Gallery of Art, Washington, D.C., October 25, 1992–March 14, 1993.

A New American Flag, Max Protetch, New York, opened October 24, 1992.

Books and Portfolios 1957–1992, Marlborough Graphics, New York, September 29–November 28, 1992. (Catalogue)

Selections from the Collection, The Museum of Modern Art, New York, September 9, 1992–February 13, 1993.

Helmut Federle, Hamish Fulton, Sol LeWitt, galerie Franck + Schulte, Berlin, August 12–September 14, 1992.

Special Collections: The Photographic Order from Pop to Now, International Center of Photography, New York, July 31–October 16, 1992. (Catalogue)

De Bonnard à Baselitz: Estampes et livres d’artistes, Bibliothèque Nationale, Paris, July 8–September 13, 1992.

TransForm: BildObjektSkulpture im 20. Jahrhundert, Kunsthalle Basel, June 14–September 27, 1992. (Catalogue)

Reperti: O meio ambiente visto por 18 dos mais renomados artistas do mundo, Museu Nacional de Belas Artes, Rio de Janeiro, June 5–July 5, 1992.

15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, May 8–June 13, 1992.

The Living Object: The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Ohio, March 6–May 25, 1992.

Allegories of Modernism: Contemporary Drawing, The Museum of Modern Art, New York, February 12–May 12, 1992. (Catalogue)

Yvon Lambert Collectionne, Musée d'art moderne de la communauté urbaine de Lille, Villeneuve d'Ascq, Musée des beaux-arts de Tourcoing, France, January 18–April 20, 1992. (Catalogue)

Arte Americana 1930–1970, Lingotto, Turin, January 11–March 31, 1992.

Surface To Surface, Barbara Krakow Gallery, Boston, January 11–February 12, 1992.

1991

Artschwager, Baldessari, Horn, LeWitt, McCollum, Solano, Tuttle, Galeria Weber, Alexander y Cobo, Madrid, 1991.

Directly On and Off the Wall, Palm Beach Community College Museum of Art, Lake Worth, 1991.

Group exhibition, Donald Young Gallery, Seattle, 1991.

A Group Show, Marian Goodman Gallery, New York, 1991.

IIIème Biennale de Sculpture Monte Carlo, 1991, Société des Bains de Mer and the Centre de Presse of the Principality of Monaco, 1991. (Catalogue)

Meta Memphis: Möbel und Gebrauchsobjekte aus den Kollektionen 1989 und 1991, Museum Künstlerkolonie Mathildenhöhe Darmstadt, Germany, 1991.

Prints, John Weber Gallery, New York, 1991.

Recent Acquisitions: Works on Paper, National Museum of American Art, Washington, D.C., 1991.

Sculptors' Drawings, John Stoller & Co., Minneapolis, 1991.

A Selection of Large Scale Sculpture, John Weber Gallery, New York, 1991.

Sol LeWitt, Masami Yokoyama, Victoria Civera, Adam Fuss, Esta Nova, Tokyo, 1991.

Summer Group Exhibition, John Weber Gallery, New York, 1991.

Summer Spotlights, Rosa Esman Gallery, New York, 1991.

Tony Cragg, Sherrie Levine, Sol LeWitt, Jana Sterbak, Rosemarie Trockel, Didier Vermeiren, Bill Viola, Donald Young Gallery, Chicago, 1991.

Twentieth Anniversary Exhibition, John Weber Gallery, New York, 1991.

Without Reality, the Crudeness of Art Would be Unbearable, Graeme Murray Gallery, Edinburgh, 1991.

Drawings, Brooke Alexander, New York, December 21, 1991–January 25, 1992.

A Passion for Art: Watercolors and Works on Paper, Tony Shafrazi Gallery, New York, December 7, 1991–January 26, 1992.

Reprise: The Vera G. List Collection, A Twentieth Anniversary, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island, October 12–November 24, 1991. (Catalogue)

XI Salón de los 16, Palacio De Velázquez, Parque del Retiro, Madrid, September 16–October 31, 1991.

Among Friends: Contemporary Works on Paper from a Collection Formed by Ingeborg and Jan van der Marck, Muskegon Museum of Art, Michigan, September 12–October 20, 1991. Traveled to: Kalamazoo Institute of Arts, November 7, 1991–January 5, 1992; Detroit Institute of Arts, June 21–August 23, 1992; Michael and Barbara Kennos Museum Center, Northwestern Michigan College, Traverse City; Kresge Art Museum, Michigan State University, East Lansing.

Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Federal Plaza, New York, September 11–November 22, 1991. (Catalogue)

LeWitt, Peart, Tinguely: Counterbalance, Hans and Walter Bechtler Gallery, Charlotte, North Carolina, September 6, 1991–March 20, 1992. (Catalogue)

Open Mind: The LeWitt Collection, Wadsworth Atheneum, Hartford, Connecticut, August 1991–February 1992.

Original Copies: International Faxed Art, Lazelle Gallery, Auckland, New Zealand, opened August 13, 1991.

Three Rooms: Magdalena Jetelova, Sol LeWitt, Allan McCollum, Galerie Franck + Schulte, Berlin, June 29–September 22, 1991.

Motion and Document, Sequence and Time: Eadweard Muybridge and Contemporary American Photography, National Museum of American Art, Smithsonian Institution, Washington, D.C., June 28–September 8, 1991. Traveled to: Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, October 18–December 15, 1991; International Center of Photography, New York, February 21–April 26, 1992; Long Beach Museum of Art, July 19–September 6, 1992; Presentation House Gallery, North Vancouver, British Columbia, October 24–December 13, 1992; Henry Art Gallery, University of Washington, Seattle, January 22–March 21, 1993; Wadsworth Atheneum, Hartford, Connecticut, May 16–August 8, 1993; International Museum of Photography, George Eastman House, Rochester, New York, Fall 1993. (Catalogue)

Sol LeWitt, David Rabinowitch, Joel Shapiro, Tony Smith: Sculptures, Dessins, Galerie Pierre Huber, Geneva, June 14–July 27, 1991.

Masterworks of Contemporary Sculpture, Painting and Drawing: The 1930's to the 1990's, Bellas Artes, Santa Fe, May 25–September 3, 1991.

American Abstraction at the Addison, Addison Gallery of American Art, Andover, Massachusetts, April 18–July 31, 1991. (Catalogue)

About Collecting: Four Collectors Four Spaces, Ronny van de Velde, Antwerp, Belgium, April 16–June 1, 1991.

La Revanche de l'Image, Galerie Pierre Huber, Geneva, March–April 1991. (Catalogue)

Arte & Arte, Castello di Rivoli, Turin, March 15–May 31, 1991. (Catalogue)

El Sueño De Egipto: La Influencia del Arte Egipcio en el Arte Contemporáneo, El Centro Cultural/Arte Contemporáneo, AC, Mexico City, February–May 1991. (Catalogue)

Fabro, Flavin, Kounellis, LeWitt, Long, Merz, Nauman, Stein Gladstone / Barbara Gladstone, New York, February–March 1991.

The Political Arm, John Weber Gallery, New York, February 1–23, 1991. (Catalogue)

Selections from the Permanent Collection I, Wexner Center for the Visual Arts, Columbus, Ohio, January 26–February 24, 1991.

Sculpture, Margo Leavin Gallery, Los Angeles, January 12–February 16, 1991.

Children in Crisis: A Benefit Exhibition of Rocking Horses, Lorence Monk Gallery, New York, January 12–February 2, 1991.

Who Framed Modern Art or The Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, January 10–February 16, 1991. (Catalogue)

1990

Andre, Flavin, Judd, LeWitt, Marden, Martin, Morris, Ryman, John Weber Gallery, New York, 1990.

An Artist's Christmas: Holiday Images by American Artists 1880–1990, Midtown Payson Galleries, New York, 1990.

Artists' Furniture, Harcus Gallery, Boston, 1990.

Ausstellung im Bereich Dom-Römer: Zeitgenössische Kunst im städtischen Raum, Fördervereins Schöneres, Frankfurt, 1990–1991. (Catalogue)

The Children's AIDS Project: A Benefit Exhibition, Daniel Weinberg Gallery, Santa Monica, 1990.

The Common Wealth: Twentieth Century American Masterpieces from Virginia Collections, Roanoke Museum of Fine Arts, Virginia, 1990.

Contemporary Master Prints, Susan Sheehan Gallery, New York, 1990.

Contemporary Prints, Tomoko Liguori Gallery, New York, 1990.

Dan Flavin, Donald Judd, Sol LeWitt, Galerie Anselm Dreher, Berlin, 1990.

Le Diaphane, Musée des Beaux Arts, Tourcoing, France, 1990.

Giovanni Anselmo, then and now; Sol LeWitt, Stein Gladstone, New York, 1990.

Judd, LeWitt, Mangold, Martin, Stella, Perry Rubenstein Gallery, New York, 1990.

Lavori Nuovi: Domenico Bianchi, Sol LeWitt, Giulio Paolini, Galleria Ugo Ferranti, Rome, 1990.

Multiples, Hirschl & Adler Modern, New York, 1990.

The New Classicism, The Gallery of the New York School of Interior Design, New York, 1990.

Nuovi Lavori: Alighiero E. Boetti, Sol LeWitt, Mario Schifano, Galleria Alessandra Bonomo, Rome, 1990.

On the Road: From the Collection of the San Diego Museum. Traveled to: J.B. Speed Museum, Louisville, Kentucky; Memorial Art Gallery, Rochester, New York, 1990.

Prigioni D'Invenzione, Convento di S. Domenico, Spoleto, 1990.

Quotations: Part II, Annemarie Verna Gallery, Zurich, 1990.

Sculpture and Drawings, Rosa Esman Gallery, New York, 1990.

Selected Artists From the First 20 Years, Max Protetch Gallery, New York, 1990.

Stripes, Barbara Kornblatt Gallery, Boston, 1990. Traveled to: John C. Stoller & Co., Minneapolis, 1990.

XX Century Sculptures from Arp to Zadkine, Galerie Academia, Salzburg, Austria, 1990.

Andre, Judd, LeWitt, Nonas, Sonnier, Tuttle, Weiner: Drawings/Sculptures, Galerie Hubert Winter, Vienna, December 1990–January 1991.

Object and Content: Meaning in Minimal Art, Dill Hall Gallery, Canberra, November 24, 1990–January 20, 1991.

Beyond The Frame, RubinSpangle, New York, November 17, 1990–January 1, 1991.

Reproduced Authentic, Galerie Via Eight, Barney's New York, Tokyo, November 3–16, 1990. (Catalogue)

Minimalism and Post-Minimalism: Drawing Distinctions, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 27–December 16, 1990. Traveled to: Parrish Art Museum, Southampton, New York, September 22–November 17, 1991.

New Works for New Spaces: Into the Nineties, Wexner Center for the Visual Arts, Columbus, October 6, 1990–January 6, 1991.

Minimalist Vision: Buren, LeWitt, Mangold, Cleveland Center for Contemporary Art, September 1990.

Grids, Vrej Baghoomian Gallery, New York, September 15–October 13, 1990.

Recent Print Acquisitions in Series, Barbara Krakow Gallery, Boston, September 8–October 3, 1990.

Un Choix d'Art Minimal Dans la Collection Panza, Musée d'art Moderne de la Ville de Paris, July 12–November 4, 1990. (Catalogue)

Collection: Christian Boltanski, Daniel Buren, Gilbert & George, Jannis Kounellis, Sol LeWitt, Richard Long, Mario Merz, Musée d'art Contemporain, Bordeaux, June 29–December 30, 1990. (Catalogue)

Minimalism, Nicola Jacobs Gallery, London, June 27–September 1, 1990.

Presencias Dos Mil: Minimal Art, Theospacio Galería de Arte, Madrid, June–September 1990.

Sculpture, Daniel Weinberg Gallery, Santa Monica, June 9–July 14, 1990.

Minimalist Prints, Susan Sheehan Gallery, New York, May–June 1990. (Catalogue)

The Future of the Object: A Selection of American Art; Minimalism and After, Gallery Ronny Van De Velde, Antwerp, Belgium, May 20–July 28, 1990. (Catalogue)

Affinities and Intuitions: Selections from the Gerald S. Elliott Collection of Contemporary Art, Art Institute of Chicago, May 12–July 29, 1990. (Catalogue)

American Masters of the 60's: Early and Late Works, Tony Shafrazi Gallery, New York, May 9–June 23, 1990.

The Grid: (Organization and Idea), Ben Shahn Galleries, William Paterson College, Wayne, New Jersey, April 1990.

Charles Vandenhove: Art and Architecture, Nederlands Architectuur Instituut, Rotterdam, March 3–May 13, 1990.

Minimalism, Galerie Ressle, Stockholm, February 14–March 17, 1990.

Radikal Auf Papier, Aargauer Kunsthaus, Aarau, Switzerland, February 10–March 25, 1990. (Catalogue)

Minimal Works 1969–1989, Loughelton Gallery, New York, January 1990.

Contemporary Illustrated Books: Word and Image 1967–1988, Franklin Furnace Archive, Inc., New York, January 12–February 28, 1990. Traveled to: Nelson-Atkins Museum of Art, Kansas City, Missouri, April 6–June 3, 1990; University of Iowa Museum of Art, Iowa City, February 8–April 7, 1991. (Catalogue)

1989

The Presence of Absence: New Installations. Organized by Independent Curators Inc., New York. Traveled, 1989–1993.

Appropriate Associations: Photography's Curatorial Impulse, Laurence Miller Gallery, New York, 1989.

Directly on the Wall, Laure Genillard Gallery, London, 1989.

Methods of Abstraction, Gallery Urban, New York, 1989.

Prints by Sculptors, Landfall Press, New York and Chicago, 1989.

Selected Prints, Brooke Alexander Editions, New York, 1989.

Summer Group Show, John Weber Gallery, New York, 1989.

Villes Nouvelles; Nouveaux Projets, Centre Pompidou, Paris, 1989.

Wall Objects, Editions Schellmann, New York, 1989.

Works on Paper: 1966–1989, Rhona Hoffman Gallery, Chicago, 1989.

Cross, Blum Helman, New York, December 1989–January 6, 1990.

Sol LeWitt and Gerhard Richter, Galleria Pieroni, Rome, December 29, 1989–February 10, 1990.

Wittgenstein: The Play of the Unsayable, Palais des Beaux-Arts, Brussels, and Weiner Secession, Vienna, December 17, 1989–January 28, 1990. (Catalogue)

L'Art Conceptuel, Une Perspective, Musée d'Art Moderne de la Ville de Paris, November 22, 1989–February 18, 1990. Traveled to: Fundacion Caja de Pensiones, Madrid, 1990; Deichtorhallen, Hamburg, May–July 1990; Musée d’Art Contemporain de Montréal, August 5–October 21, 1990. (Catalogue)

Einleuchten, Die Deichtorhallen, Hamburg, November 11, 1989–February 18, 1990. (Catalogue)

Another Focus: Photographs by Painters and Sculptors, Karsten Schubert Ltd., London, November 1–25, 1989.

Carl Andre, Sol LeWitt, Richard Long, Sharpe Gallery, New York, October 4–28, 1989.

Œuvres Choisies, Galerie Enrico Navarra, Paris, September–October 1989. (Catalogue)

2nd International Istanbul Biennial, Istanbul Foundation for Culture and Arts, September 25–December 31, 1989. (Catalogue)

256 Farben & Basics On Form, Stiftung für konstruktive und konkrete Kunst, September 23, 1989–January 28, 1990. (Catalogue)

Under Pressure: Western Printmaking from the 15th Century to the Present, Center for the Arts, Vero Beach, Florida, September 23–November 12, 1989. (Catalogue)

Floorworks, Temporary Contemporary, Museum of Contemporary Art, Los Angeles, September 16, 1989–February 11, 1990.

Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, New York, July 28–October 15, 1989. (Catalogue)

A Decade of American Drawing: 1980–1989, Daniel Weinberg Gallery, Los Angeles, July 15–August 26, 1989.

Exposition Inaugurale, Musee Temporaire, Fondation Daniel Templon, Frejus, France, July 11–September 10, 1989. (Catalogue)

1 Triennal de dibuix Joan Miro, Fundació Joan Miro, Barcelona, June 15–September 10, 1989.

Modern Masters '89, Helsingin Taidehalli, Helsinki, May 17–July 30, 1989. (Catalogue)

Essential Painting, Nelson Atkins Museum, Kansas City, Missouri, May 5–June 25, 1989.

American Rainbow, Galerie de Poche, Paris, April 17–May 6, 1989.

Made in America, Virginia Beach Center for the Arts, April 5–June 11, 1989. (Catalogue)

Three American Sculptors: Andre, Judd, LeWitt, Northern Center for Contemporary Art, Sunderland, April 4–June 3, 1989.

200 Years of American Painting from the Collection of the Wadsworth Atheneum, Galleries Lafayette, Paris, March 30–April 29, 1989. (Catalogue)

Minimalism, Tate Gallery, Liverpool, March 21, 1989–February 18, 1990.

Structures Ideales, Galerie Pierre Huber, Geneva, March 10–April 1, 1989.

Works on Paper, Paula Cooper Gallery, New York, March 9–April 1, 1989.

Andre, Beuys, Flavin, Kosuth, LeWitt, Serra, Langer & Co. Fine Arts, New York, January 24–February 28, 1989.

Capita Selecta, Van Abbemuseum, Eindhoven, the Netherlands, January 21–March 12, 1989.

1988

Accademia, Bonnefantenmuseum, Maastricht, 1988.

Artschwager, Flavin, Judd, Kounellis, LeWitt, Long, Nauman, Ruckriem, Serra, Donald Young Gallery, Chicago, 1988.

Aycock, Buren, Fulton, Gastini, Goldstein, LeWitt, Smithson, John Weber Gallery, New York, 1988.

Black and White, Marisa del Re Gallery, New York, 1988. (Catalogue)

Escultura, Galería Juana de Aizpuru, Madrid, 1988.

Group exhibition, Annemarie Verna Galerie, Zurich, 1988.

Idea Image: Etchings & Woodblocks, Crown Point Press, New York and San Francisco, 1988.

Minimal et Conceptuel, Galerie Gabrielle Maubrie, Paris, 1988.

Mostra In Progress: Numero Due, Galleria Bonomo, Bari, 1988.

Pyramids/Pyramiden, ICC, Berlin and Galerie Jule Kewenig, Freichen-Bachem, 1988. (Catalogue)

Roman Americans, Sala 1, Rome, 1988.

Sculpture and Works on Paper, Graeme Murray Gallery, Edinburgh, 1988.

Seldom Seen: Suites by Three Minimalists, Genovese Graphics, Boston, 1988.

Sol LeWitt, Susana Solano, Marta Cervera Gallery, New York, 1988.

Works on Paper–Invitational, Shea & Beker Gallery, New York, 1988.

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989. (Catalogue)

Scale (Small), Rosa Esman Gallery, New York, November 29–December 31, 1988.

Abstractions, The Museum of Modern Art, New York, November 17, 1988–March 26, 1989.

Sightings: Drawings with Color, Estudios Norteamericanos, Barcelona, November 16–December 16, 1988. Traveled to: Pratt Institute, New York, June 12–July 17, 1989. (Catalogue)

Collage: Selections from the Permanent Collection, The Museum of Modern Art, New York, November 3, 1988–February 29, 1989.

From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York, October 15–December 31, 1988. Traveled to: Grand Rapids Art Museum, Michigan; Terra Museum of American Art, Chicago; Laumeier Sculpture Park, St. Louis, Missouri; Art Museum at Florida International University, Miami, 1989. (Catalogue)

Carl Andre, Donald Judd, Sol LeWitt, Galleria 57, Madrid, September 20–October 20, 1988.

Linien: Arbeiten auf Papier, Galerie Rolf Ricke, Cologne, September 16–November 5, 1988.

24 Cubes, Fine Arts Center, University of Massachusetts, Amherst, September 10–October 19, 1988.

The Turning Point: Art & Politics in 1968—20th Anniversary Exhibition, Cleveland Center for Contemporary Art, September 9–October 26, 1988. Traveled to: Lehman College Art Gallery, City University of New York, November 10, 1988–January 14, 1989. (Catalogue)

20th Anniversary Group Exhibition, Paula Cooper Gallery, New York, September 6–28, 1988.

Viaggio in Italia, Pinacoteca Comunale di Ravenna, Italy, July 9–September 4, 1988. (Catalogue)

Objects, Lorence-Monk Gallery, New York, July 7–29, 1988.

43rd Biennale di Venezia, Venice, June 26–September 25, 1988.

Zeitlos, Hamburger Bahnhof, Berlin, June 22–September 25, 1988. (Catalogue)

Arakawa, Alfred Jensen, Sol LeWitt, Max Protetch Gallery, New York, June 4–July 15, 1988.

1988: The World of Art Today, Milwaukee Art Museum, May 6–August 28, 1988. (Catalogue)

Het Meubel Verbeeld / Furniture as Art, Museum Boymans-van Beuningen, Rotterdam, April 24–June 5, 1988. (Catalogue)

Rot, Gelb, Blau: die Primärfarben in der Kunst des 20. Jahrhunderts, Kunstmuseum St. Gallen, Switzerland, March 19–May 21, 1988. Traveled to: Museum Fridericianum, Kassel, July–September 1988. (Catalogue)

Works on Paper: Paintings and Prints, B.R. Kornblatt Gallery, Washington, D.C., February 13–27, 1988.

Amerikkalaista nykytaidetta, Sara Hildén Art Museum, Tampere, Finland, February 6–April 10, 1988. Traveled to: Kunstnernes Hus, Oslo, Norway, April 23–May 29, 1988. (Catalogue)

Sculpture, Sperone Westwater, New York, February 6–27, 1988.

Changing Group Exhibition, Paula Cooper Gallery, New York, January 1988.

1987

Boundaries, Sander Gallery, New York, 1987.

Brand New Prints IV, Martina Hamilton Gallery, New York, 1987.

Collection Agnes et Frits Becht, Centre Regional d'Art Contemporain Midi-Pyrenées, France, 1987.

The Great Drawing Show, Michael Kohn Gallery, Los Angeles, 1987.

John Baldessari, Christian Boltanski, James Coleman, Dan Graham, Rebecca Horn, Sol LeWitt, Giulio Paolini, Lawrence Weiner, Marian Goodman Gallery, New York, 1987.

Master American Drawings, Rosa Esman Gallery, New York, 1987.

Not So Plain Geometry, Crown Point Press, New York, 1987.

Octobre des Arts, Musée St. Pierre, Lyons, 1987.

Selections from the John Weber Gallery, New York, Fay Gold Gallery, Atlanta, 1987.

Sol LeWitt and Jack Sal, Opera, Perugia, Italy, 1987. (Catalogue)

Uitnodiging, Bonnefantenmuseum, Maastricht, 1987.

Werkgruppen Arbeiten Auf Papier, Galerie Nächst St. Stephan, Vienna, 1987.

Works on Paper, Texas Gallery, Houston, 1987.

Edinburgh International: Reason and Emotion in Contemporary Art, Royal Scottish Academy, Edinburgh, December 19, 1987–February 14, 1988. (Catalogue)

Lead, Hirschl & Adler Modern, New York, December 3, 1987–January 16, 1988. (Catalogue)

Wall Works, Cornerhouse, Manchester, England, November 14–December 31, 1987. (Catalogue)

Collection Sonnabend, Centro de Arte Reina Sofía, Madrid, October 30, 1987–February 15, 1988. Traveled to: CAPC Musee d'art Contemporain, Bordeaux, May 6–September 25, 1988; Art Cologne, November 10–November 16, 1988; Hamburger Bahnhof, Museum für Gegenwart, Berlin, December 7, 1988–February 26, 1989 (as Museum der Avantgarde: Die Sammlung Sonnabend, New York); Galleria Nazionale d'Arte Moderna, Rome, April 14–October 2, 1989 (as La collezione Sonnabend: Dalla pop art in poi); Museo d'Arte Moderna e Contemporanea, Trento, November 4, 1989–January 7, 1990; Musée Rath, Geneva, January 28–April 16, 1990; Sezon Museum of Art, Tokyo, May 15–June 24, 1990; Miyagi Museum of Art, Sendai, July 3–August 16, 1990; Fukuyama Museum of Art, Hiroshima, September 22–October 14, 1990; The National Museum of Modern Art, Kyoto, January 5-February 11,1991. (Catalogue)

Drawing Now 1: Sol LeWitt and Robert Mangold, Baltimore Museum of Art, October 16–December 6, 1987.

Sol LeWitt/ Mario Merz, Musée Saint-Pierre, Lyon, October 9–November 23, 1987. (Catalogue)

Malerei—Wandmalerei, Grazer Kunstverein, Graz, Austria, September 20–October 26, 1987. (Catalogue)

Meltem, Chateau d'Oiron, France. September 12–October 30, 1987. Traveled to: Magasin, Centre National d'Art Contemporain de Grenoble, July 9–September 11, 1988. (Catalogue)

Primary Structures, Rhona Hoffman Gallery, Chicago, September 11–October 10, 1987.

20th Anniversary Exhibition, Lisson Gallery, London, July 23–September 19, 1987.

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles, July 11–August 22, 1987.

Generations of Geometry: Abstract Painting in America since 1930, Whitney Museum of American Art at Equitable Center, New York, June 17–August 26, 1987.

Skulptur Projekte Münster, Westfälischen Landmuseums für Kunst und Kulturgeschichte, Muenster, June 14–October 4, 1987. (Catalogue)

Aspects of Conceptualism in American Work, Avenue B Gallery, New York, June 4–July 26, 1987. (Catalogue)

Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, und Richard Tuttle aus der Sammlung Dorothy & Herbert Vogel, New York, Kunsthalle Bielefeld, May 3–July 5, 1987. (Catalogue)

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5–May 31, 1979. Traveled to: National Gallery of Art, Washington, D.C., June 28, 1987–February 15, 1988; Centro de Arte Reina Sofia, Madrid, April 6–June 5, 1991; Forte di Belvedere, Florence, July 8–November 1, 1991; Tel Aviv Museum of Art, January 1–April 26, 1992. (Catalogue)

1987 Biennial Exhibition, Whitney Museum of American Art, New York, March 31–July 5, 1987. (Catalogue)

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Bruce Nauman, Richard Serra, Daniel Templon, Paris, March 19–April 25, 1987.

1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, March 13–April 26, 1987.

A Particular Vision: Contemporary Drawings from the John Weber Gallery, Trisolini Gallery, Ohio University, Athens, March 2–27, 1987.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Heath Gallery, Atlanta, January 31–February 21, 1987.

1986

Drawings, Barbara Toll Fine Arts, New York, 1986.

Drawings, Knight Gallery/Spirit Square Center, Charlotte, North Carolina, 1986.

Drawings by Sculptors, Nohra Haime Gallery, New York, 1986.

Hommage à Beuys, Städtische Galerie im Lenbachhaus, Munich, 1986.

Installations and Sculpture, Donald Young Gallery, Chicago, 1986.

Nicola De Maria, Dan Flavin, Jannis Kounellis, Donald Judd, Mario Merz, Sol LeWitt, Giulio Paolini, Richard Tuttle, Annemarie Verna, Zurich, 1986.

Œuvres Inedites, Galerie Roger Pailhas, Marseille, 1986.

Perspectives: 1985–1986 Painting and Sculpture, Fuller Goldeen Gallery, San Francisco, 1986.

Prints by New York Artists, Alex Rosenberg Gallery, New York, 1986.

Prints in Series, Crown Point Press, New York, 1986.

Sculture da Camera, Galleria Marilena Bonomo, Bari, 1986.

Summer Exhibition of Drawings, Pat Hearn Gallery, New York, 1986.

Text/Texture, Ground Zero, New York, 1986.

Thanks for the Memories, Harcus Gallery, Boston, 1986.

Works on Paper: Artschwager, LeWitt, Mangold, Nauman, Donald Young Gallery, Chicago, 1986.

Art Minimal II, Musée d'Art Contemporain de Bordeaux, .December 12, 1986–February 22, 1987. (Catalogue)

Individuals: A Selected History of Contemporary Art, 1945–1986, Museum of Contemporary Art, Los Angeles, December 10, 1986–January 10, 1988. (Catalogue)

The Purist Image, Marian Locks Gallery, Philadelphia, November 1986. (Catalogue)

Inauguration. Daniel Buren, Toni Grand, Jannis Kounellis, Sol LeWitt, Mario Merz, Bruce Nauman, Galerie Roger Pailhas, Marseilles, opened October 15, 1986.

Philadelphia Collects Art Since 1940, Philadelphia Museum of Art, September 28–November 30, 1986. (Catalogue)

The Law and Order Show, John Weber Gallery, New York, September 19–27, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas, Department Art Galleries, Little Rock, September 7–November 16, 1986. Traveled to: University of Alabama, Moody Art Gallery, Tuscaloosa, February 2–27, 1987; Pennsylvania State University, Museum of Art, University Park, March 15–May 10, 1987. (Catalogue)

Lumieres: Perception/Projection—100 Days of Contemporary Art of Montreal, Centre International d'Art Contemporain de Montreal, August 1–November 2, 1986. (Catalogue)

Changing Group Exhibition, Paula Cooper Gallery, New York, June 1986.

Painting and Sculpture Today: 1986, Indianapolis Museum of Art, June 24–August 24, 1986. (Catalogue)

Jardin Secret: La Collection Privée de Quatre Marchands de Tableaux, ARCA, Centre D'Art Contemporain, Marseille, June 23–September 13, 1986. (Catalogue)

Chambres d’amis, Museum van Hedendaagse Kunst, Ghent, Belgium, June 21–September 21, 1986. (Catalogue)

Ooghoogte / Eye Level, Stedelijk Van Abbemuseum, Eindhoven, the Netherlands, June 14–November 9, 1986. (Catalogue)

Wall Works, John Weber Gallery, New York, June 7–28, 1986.

Political Geometries, Hunter College Art Gallery, New York, May 15–June 20, 1986.

Recent Work: Dan Graham; Sol LeWitt, Lisson Gallery, London, May 13–June 5, 1986.

Collection Souvenir, Nouveau Musée, Lyon, France, April 30–September 21, 1986.

Watercolor, Luhring, Augustine, & Hodes Gallery, New York, February 27–April 5, 1986.

Forty Years of Modern Art, 1945–1985, Tate Gallery, London, February 19–March 27, 1986. (Catalogue)

Connecticut Collects: American Art Since 1960, Whitney Museum of American Art, Fairfield County, Stamford, January 29–March 26, 1986.

Mater Dulcissima, Chiesa Dei Cavalieri Di Malta, Siracusa, Italy, January 18–February 19, 1986. (Catalogue)

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, January 12–March 30, 1986. (Catalogue)

1985

Sculptures, Fondation Cartier Pour L'Art Contemporain, Jouy En Josas, France, 1985–1986.

AIDS Benefit Exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, 1985.

Aycock, Biederman, Buren, Haacke, Kendrick, LeWitt, John Weber Gallery, New York, 1985.

La Collection du Stedelijk Van Abbemuseum, Eindhoven, Au Nouveau Musée Le Nouveau Musée, Villeurbanne, France, 1985.

The Door Show, Annina Nosei Gallery, New York, 1985.

Drawing, Marian Goodman Gallery, New York, 1985.

Drawings, Barbara Toll Fine Arts, New York, 1985.

Drawings, Daniel Weinberg Gallery, Los Angeles, 1985.

Experiment Haus Lange—30 Years Across the Art, Museum Haus Esters, Krefeld, 1985.

Group exhibition, Galerie Schellmann & Kluser, Munich, 1985.

Group exhibition, Martina Hamilton Gallery, New York, 1985.

Group exhibition, Ugo Ferranti Gallery, Rome, 1985.

Homework: Painting, Sculpture & Furnishings, Holly Solomon Gallery, New York, 1985.

Œuvres Modernes d'Art Contemporain, Galerie Yvon Lambert, Paris, 1985.

Public Art in the Eighties: Documentation of Selected Projects, Jamie Szoke Gallery, New York, 1985.

A Sculpture Show, Marian Goodman Gallery, New York, 1985.

3 Sculptors: George Creamer, Jene Highstein, Sol LeWitt, Rosa Esman Gallery, New York, 1985.

Collectors' Choice, Rosa Esman Gallery, New York, December 1985–January 1986.

Mario Merz—Sol LeWitt, Galleria Pieroni, Rome, December 1985. (Catalogue)

A Selection of American Minimalists, The Saatchi Gallery, London, December 1985–January 1986.

Vom Zeichnen: Aspekte der Zeichnung 1960–1985, Frankfurter Kunstverein, November 19, 1985–January 1, 1986. Traveled to: Kasseler Kunstverein, January 15–February 23, 1986; Museum Moderner Kunst, Vienna, March 13–April 27, 1986. (Catalogue)

Diversity—New York Artists, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island. November 12–December 6, 1985. (Catalogue)

Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, November 9, 1985–January 5, 1986. (Catalogue)

Contrasts of Form: Geometric Abstract Art 1910–1980, The Museum of Modern Art, New York, October 7, 1985–January 7, 1986.

A Second Talent: Painters and Sculptors Who Are Also Photographers, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 22–December 15, 1985. (Catalogue)

New York 85, Arca, Marseille, July 9–August 31, 1985. (Catalogue)

Process und Konstruktion 1985 in München, Organized by Archives of Contemporary Thought, Kulturreferat der Landeshauptstadt München, and Galerie Brigitte March, June 9–10, 1985. (Catalogue)

Italia Aperta, Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, May 29–July 31, 1985. (Catalogue)

Sculpture, Paula Cooper Gallery, New York, May 4–June 1, 1985.

Modern Art From Friends' Collections, Vassar Art Gallery, Vassar College, Poughkeepsie, New York, April 18–June 2, 1985.

Minimal Art: A Survey of Early and Recent, John Weber Gallery, New York, March 9–30, 1985.

Drawings by Sculptors, Brooke Alexander, New York, March 5–30, 1985.

Dracos Art Center, Dracos Art Center, Athens, March 4–April 18, 1985. (Catalogue)

Art Minimal 1, Musée d'Art Contemporain de Bordeaux, Bordeaux, February 2–April 21, 1985. (Catalogue)

1984

American Sculpture, Donald Young Gallery, Chicago, 1984.

Clearly Stated Drawings, Margarete Roeder Fine Arts, New York, 1984.

Drawings, Barbara Toll Fine Art, New York, 1984.

From the Beginning, Pratt Graphics Center, New York, 1984.

Is this a Natural World? Cirrus Gallery, Los Angeles, 1984.

Peinture Abstraite, Écart, Geneva, 1984.

Prefiguration d'une Collection d'art contemporain à Nimes, Musée des Beaux Arts de Nimes, 1984.

The Private Eye: 20th Century Art from New York and Connecticut Collections, Neuberger Museum, Purchase, New York, 1984.

A Sculpture Show, Marian Goodman Gallery, New York, 1984.

Small Scale Sculpture, Matthews Hamilton Gallery, Philadelphia, 1984.

Svart Pa Vitt: Malerie, Skulptur, Teckning & Grafik, Galeriet, Lund, Sweden, 1984.

From Kliun to Kiefer, Rosa Esman Gallery, New York, December 1984–January 1985.

Ouverture: Arte Contemporanea, Castello di Rivoli, Turin, December 18, 1984–June 15, 1985.

La Grande Parade: Highlights in Painting since 1940, Stedelijk Museum, Amsterdam, December 15, 1984–April 15, 1985. (Catalogue)

Changing Sculpture Exhibition, Paula Cooper Gallery, New York, November 23, 1984–January 4, 1985.

Viewpoint: The Artist as Photographer, Summit Art Center, New Jersey, November 4–December 30, 1984. (Catalogue)

Sculptors' Drawings 1910–1980: Selections from the Permanent Collection. Organized by Whitney Museum of American Art, New York. Traveled to: Visual Arts Gallery, Florida International University, Miami, 1984; Aspen Art Museum, November 15–December 30, 1984; Art Museum of South Texas, Corpus Christi, 1985; Philbrook Art Center; Tulsa, March 31–May 27, 1985. (Catalogue)

From the Collection of Sol LeWitt. Organized by Independent Curators Inc., New York. Traveled to: University Art Museum, California State University, Long Beach, October 16–November 11, 1984; Ackland Art Museum, University of North Carolina, Chapel Hill, January 26–March 3, 1985; Everhart Museum, Scranton, April 27–June 8, 1985; Grey Art Gallery and Study Center, New York University, July 9–August 26, 1985; Museum of Art, Fort Lauderdale, March 5–April 16, 1986; Wadsworth Atheneum, Hartford, Connecticut, 1987. (Catalogue)

Metals, Modules and Paint, Galerie Maeght Lelong, New York, September 18–October 27, 1984.

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Citywide Contemporary Sculpture Exhibition, Downtown Toledo, Toledo Museum of Art, and Crosby Gardens, Toledo, July 15–October 14, 1984. (Catalogue)

Projects: World Fairs, Waterfronts, Parks and Plazas, Rhona Hoffman Gallery, Chicago, June 20–July 31, 1984.

Olympian Gestures, Los Angeles County Museum of Art, June 7–October 7, 1984.

Skulptur im 20. Jahrhundert, Merian-Park of St. Jakob, Basel, June 3–September 30, 1984. (Catalogue)

American Post-War Purism, Marilyn Pearl Gallery, New York, May 31–September 8, 1984.

Legendes, Musée d'Art Contemporain, Bordeaux, France, May 19–September 9, 1984.

Internationale Neue Kunst Aus Der Sammlung Des Migros Genossenschafts-Bundes, Kunsthaus Zurich, May 11–June 17, 1984. (Catalogue)

The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, Williams College Museum of Art, Williamstown, Massachusetts, May 5–July 16, 1984. Traveled to: Museum of Fine Arts, Boston, August 1–October 14, 1984. (Catalogue)

The Skowhegan Celebration Exhibition, Hirschl & Adler Modern, New York, May 1–31, 1984. (Catalogue)

a

Flyktpunkter: Vanishing Points, Moderna Museet, Stockholm, April 14–May 27, 1984. (Catalogue)

The Esman Collection, Williams Center for the Arts, Lafayette College, Easton, Pennsylvania, March 21–April 15, 1984.

American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York, La Jolla Museum of Contemporary Art, March 10–April 22, 1984. Traveled to: Museo Tamayo, Mexico City, May 17–July 29, 1984; North Carolina Museum of Art, Raleigh, September 29–November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, March 30–May 20, 1985. (Catalogue)

The Spirit of Modernism: The Tremaine Collection, Twentieth Century Masters, Wadsworth Atheneum, Hartford, Connecticut, February 26–April 29, 1984. (Catalogue)

Untitled, 1984, Max Protetch Gallery, New York, February 9–March 3, 1984.

Large Drawings, Zilkha Gallery, Wesleyan University, Middletown, Connecticut, January 26–March 9, 1984.

Artists Call Against U.S. Intervention in Central America, Paula Cooper Gallery, New York, January 14–28, 1984.

1983

American Master Drawing from the Collection, Corcoran Gallery of Art, Washington, D.C., 1983.

Artists' Use of Language, Part II, Franklin Furnace, New York, 1983.

Artworks: In the Collection Of, On Loan, New Works, Graeme Murray Gallery, Edinburg, 1983.

Best of Buren, Lavier, LeWitt, Paolini, Rutault, Toroni, Vermeiren, Wasserman, Woodrow, Le Coin de Miroir, Le Consortium, Dijon, 1983.

Drawings-Disegni-Zeichnungen 1, Annemarie Verna, Zurich, 1983.

An Exhibition of Small Paintings, Drawings, Sculptures, & Photographs, Multiples, Inc. New York, 1983.

Painting and Sculpture, Max Protetch Gallery, New York, 1983.

Sculpture: Richard Artschwager, Marcel Broodthaers, Sol LeWitt, Claes Oldenburg, Marian Goodman Gallery, New York, 1983.

17th Biennial of Sculpture, Antwerp, Belgium, 1983.

Sol LeWitt, Cy Twombly: New Works, Ugo Ferranti Gallery, Rome, 1983.

Twentieth Century American Watercolor. Organized by the Gallery Association of New York State. Traveled, 1983.

Vito Acconci, Dara Birnbaum, Hans Haacke, Jenny Holzer, Joseph Kosuth, Sol LeWitt, Bruce Nauman, Lawrence Weiner, Rhona Hoffman Gallery, Chicago, 1983.

Winter Group Show, Protetch McNeil, New York, 1983.

Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle, Annemarie Verna Galerie, Zurich, October 30–November 24, 1983.

Varieties of Sculptural Ideas: Drawings and Maquettes, Max Hutchinson Gallery, New York, December 22, 1983–January 28, 1984.

Changing Exhibition, Paula Cooper Gallery, New York, December 1, 1983–January 31, 1984.

Alighiero Boetti, Sol LeWitt, Giulio Paolini, Galleria Mario Pieroni, Rome, November–December 1983.

The First Show: Painting and Sculpture from Eight Collections 1940–1980, Museum of Contemporary Art, Los Angeles, November 20, 1983–February 19, 1984. (Catalogue)

Art for a Nuclear Weapons Freeze, Margo Leavin Gallery, Los Angeles, October 1983. Traveled to: Fuller Goldeen Gallery, San Francisco; Munson Gallery, Santa Fe, New Mexico; Delahunty Gallery, Dallas; Greenberg Gallery, St. Louis, Missouri; John C. Stoller & Co., Minneapolis; Richard Gray Gallery, Chicago; Barbara Krakow Gallery, Boston; Brooke Alexander Gallery, New York.

Beyond the Plane: American Constructions 1930–1965, New Jersey State Museum, Trenton, October 29–December 31, 1983. Traveled to: Art Gallery, University of Maryland, College Park, January 26–March 18, 1983. (Catalogue)

Ars 83, Art Museum of the Ateneum, Helsinki, October 14, 1983–January 15, 1984.

Master Works of Conceptual Art: Art & Language, Paul Maenz Gallery, Cologne, October 8–November 12, 1983.

The Sculptor as Draftsman: Selections from the Permanent Collection, Whitney Museum of American Art, New York, September 15–November 13, 1983.

Empreinte, Geste, Surface: Le Musée Décalé, Réfectoire des Jacobins, Toulouse, June 10–September 14, 1983. (Cataloogue)

Minimalism to Expressionism: Painting and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of Art, June 2–September 18, 1983.

Gene Baro Collects, Brooklyn Museum of Art, May 7–July 4, 1983.

Big Pictures by Contemporary Photographers, The Museum of Modern Art, New York, April 13–June 28, 1983.

When Art Becomes Book, When Books Become Art, Annemarie Verna Galerie, Zurich, opened March 22, 1983.

Habitats, Clocktower Gallery, New York, March–April 1983.

Concepts in Construction. 1910–1980. Organized by Independent Curators Inc., New York. Traveled to: Tyler Museum of Art, Tyler, February 12–March 27, 1983; Norton Gallery and School of Art, West Palm Beach, June 25–August 14, 1983; Bass Museum of Art, Miami Beach, September 4–October 16, 1983; Cincinnati Art Museum, November 8–December 18, 1983; Alberta College of Art Gallery, Calgary, January 15–February 15, 1984; Norman Mackenzie Art Gallery, University of Regina, Canada, March 2–April 8, 1984; Anchorage Historical and Fine Arts Museum, Anchorage, May 6–June 17, 1984; Long Beach Museum of Art, September 24–November 4, 1984 ; Palm Springs Desert Museum, California, November 15–December 30, 1984; Neuberger Museum, Purchase, New York, January 27–March 31, 1985. (Catalogue)

Drawing Conclusions: A Survey of American Drawings 1958–1983, Daniel Weinberg Gallery, Los Angeles, January 29–February 26, 1983. Traveled to: Daniel Weinberg Gallery, San Francisco, 1983.

Black and White: A Print Survey, Castelli Graphics, New York, January 29–February 26, 1983.

1982

Artists' Books: A Survey 1960–1981, Ben Shahn Center for the Visual Arts, William Paterson College, Wayne, New Jersey, April 1982.

Big Prints. Organized by the Arts Council of Great Britain, London. Traveled to: Southampton Art Gallery, Hampshire, 1982; Dudley Central and Art Gallery, West Midlands; York University Art Gallery; Buddle Arts Centre, Tyne and Wear; Wallsend Gallery, Wallsend Town; Cooper Gallery, Barnsley; Wolverhampton Art Gallery. (Catalogue)

The Crucifix Show, Barbara Gladstone Gallery, New York, 1982.

Geometric Art at Vassar, Vassar College Art Gallery, Poughkeepsie, New York, 1982.

9 x 9, Galerie Hubert Winter, Vienna, 1982.

Photographs by Painters and Sculptors, Daniel Wolf Gallery, New York, 1982.

Post Minimalism, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1982.

Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, May 18–August 31, 1982. (Catalogue)

Russian Revolution to Post Modernism: 10th Anniversary Exhibition, Rosa Esman Gallery, New York, 1982.

Selected Drawings, Ben Shahn Center for the Visual Arts, William Paterson College, Wayne, New Jersey, 1982.

Summer Group Show, John Weber Gallery, New York, 1982.

Summer Group Show, Konrad Fischer Gallery, Düsseldorf, 1982.

Zeitgenössische Kunst Aus Der Sammlung Crex, Kunsthalle Basel, Switzerland, 1982.

Group Exhibition: Painting, Drawing, Sculpture and Prints, Paula Cooper Gallery, New York, December 1, 1982–January 11, 1983.

Minimalism x 4: Carl Andre, Donald Judd, Sol LeWitt, Robert Morris, Whitney Museum of American Art, Downtown Branch, New York, November 17–December 31, 1982.

20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University of New York, Potsdam, October 1–December 1, 1982. Traveled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, April 5–May 5, 1983. (Catalogue)

Sans Titre: 4 Années D'Acquisition, Musée de Toulon, France, July 16–September 30, 1982.

Documenta 7, Kassel, Germany, June 19–September 28, 1982.

74th American Exhibition, Art Institute of Chicago, June 12–August 1, 1982.

New Perspectives, Wave Hill, Riverdale, New York, May 19–October 1, 1982.

Objekt, Skulptur, Installation, Hallen 6, Kampnagel- Fabrik, Hamburg, May 19–31, 1982.

'60–'80: Attitudes, Concepts, Images, Stedelijk Museum, Amsterdam, May 9–July 11, 1982.

A Century of Modern Drawing, The Museum of Modern Art, New York, March 1–16, 1982. Traveled to: British Museum, London, 1982.

Sweet Art Sale Benefit for Franklin Furnace, Ronald Feldman Gallery, New York, February 1982.

1981

Artists' Books, Barnard College Library, New York, 1981.

Artists' Gardens and Parks: Plans, Drawings and Photographs, Hayden Corridor Gallery, Massachusetts Institute of Technology, Cambridge, 1981. Traveled to: Museum of Contemporary Art, Chicago.

Dieci Anni di Attiva, Galleria Marilena Bonomo, Bari, 1981.

Group exhibition, Gloria Luria Gallery, Miami, 1981.

Group exhibition, John Weber Gallery, New York, 1981.

Group exhibition, Visual Arts Gallery, Florida International University, Miami, 1981.

International Biennial of Graphic Art, Ljubljana, Yugoslavia, 1981.

Media Relief, John Weber Gallery, New York, 1981.

New Editions, Multiples Inc., New York, 1981.

Vision #5: Artists' Photographs, Crown Point Gallery, Oakland, 1981. (Catalogue)

Murs, Centre Georges Pompidou, Paris, December 17, 1981–February 8, 1982.

Art for E.R.A., Zabriskie Gallery, New York, November 20–21, 1981.

Through the Summer, Lisson Gallery, London, July 23–September 18, 1981.

Schemes: A Decade of Installation Drawings, Elise Meyer Gallery, New York, June 4–27, 1981. Traveled. (Catalogue)

Carl Andre, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York, June 3–30, 1981.

Mapped Art: Charts, Routes, Regions. Organized by the  Independent Curators Inc., New York. Traveled May 1981–May 1983.

Westkunst: Zeitgenössische Kunst seit 1939, Messehallen, Cologne, May 28–August 16, 1981. (Catalogue)

New Dimensions in Drawing, 1950–1980, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 2–September 6, 1981. (Catalogue)

New Works of Contemporary Art and Music, Fruit Market Gallery, Edinburgh, April 11–May 9, 1981. (Catalogue)

Recent Acquisitions: Drawing, The Museum of Modern Art, New York, March 19–June 2, 1981.

Sculptures and their Related Drawings, Marisa del Re Gallery, New York, March 3–31, 1981.

Mise En Pieces, Mise En Place, Mise Au Point, Maison de la Culture, Chalon-sur-Saone, France, February 7–March 15, 1981, and Le Coin de Miroir, Dijon, February 7–March 8, 1981. (Catalogue)

1980

Group exhibition, Center for Creative Photography, University of Arizona, Tucson, 1980.

International Sculpture Exhibition, Basel, 1980.

The Michael Rea Collection of American Art 1960–1980, McIntosh/Dysdale Gallery, Washington, D.C., 1980.

New Editions: 1980, Multiples Inc., New York, 1980.

Pedagogical Exhibition, State University of New York, Old Westbury, 1980.

Recent Works/Gallery Artists, John Weber Gallery, New York, 1980.

System, Inquiry, Translation, Touchstone Gallery, New York, 1980.

Viewpoint '81: Installations, Cranbrook Academy of Art, Bloomfield Hills, Michigan, 1980–1981. (Catalogue)

Further Furniture, Marian Goodman Gallery, New York, December 9–31, 1980.

Artist and Camera, Mappin Art Gallery, Sheffield, October 25–November 23, 1980.

Five American Artists: Arthur Dove, Milton Avery, Robert Frank, Sol LeWitt, Jennifer Bartlett, Akron Art Institute, Ohio, September–November 1980.

Black and White, Thomas Segal Gallery, Boston, September 13–October 8, 1980.

ROSC 80: The Poetry of Vision, School of Architecture, University College, Dublin, July 27–September 30, 1980. (Catalogue)

Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted, Grey Art Gallery, New York University, July 8–August 22, 1980. (Catalogue)

Forum Design, Institut fur Visuelle Gestaltung, Linz, Austria, June 28–October 5, 1980.

39th Venice Biennale: Art of the Seventies, Venice, June 1–September 30, 1980. (Catalogue)

Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, May 8–June 22, 1980. Traveled to: Rijksmuseum, Kröller-Müller, Otterlo, July 13–September 8, 1980.

Daniel Buren, Sol LeWitt, Richard Long, Fred Sandback, Lisson Gallery, London, May 6–31, 1980.

Explorations in the '70s, Pittsburgh Plan for Art, April 12–May 4, 1980.

The Geometric Tradition in American Painting: 1920–1980, Rosa Esman Gallery and Marilyn Pearl Gallery, New York, April 8–May 17, 1980.

Printed Art: A View of Two Decades, The Museum of Modern Art, New York, February 14–April 1, 1980.

Current/New York: Recent Works in Relief, Joe and Emily Lowe Art Center, Syracuse University, New York, January 27–February 24, 1980.

Objects and Logotypes: Relationships between Minimal Art and Corporate Design, Renaissance Society, Chicago, January 20–February 23, 1980.

Contemporary Drawings & Watercolors, Memorial Art Gallery, University of Rochester, New York, January 19–March 2, 1980.

1979

Alumni Artists’ Exhibition 1979, Joe and Emily Lowe Art Center, Syracuse University, New York, 1979.

Artists' Books, Hopkins Hall Gallery, Ohio State University, Columbus, 1979.

Corners, Elise Meyer Gallery, New York, 1979.

Drawing, Hal Bromm Gallery, New York, 1979.

From Allen to Zucker, Texas Gallery, Houston, August 17–September 28, 1979.

A Great Big Drawing Show, Institute for Art & Urban Resources, P.S. 1, Queens, 1979.

The Grid, Evanston Art Center, Illinois, 1979.

Group exhibition, Ashmolean Museum of Art and Archeology, Oxford, 1979.

Group exhibition, Cornish College of Art, Seattle, 1979.

Group exhibition, John Weber Gallery, New York, 1979.

Group exhibition, Multiples, Inc., New York, 1979.

Group exhibition, Salvatore Ala Gallery, New York, 1979.

Group exhibition, Young Hoffman Gallery, Chicago, 1979.

Parasol Press Publications, Felicity Samuel Gallery, London, 1979.

Re: Figuration: Works on Paper, Max Protetch Gallery, New York, 1979.

Selections/Permanent Collection, Los Angeles County Museum of Art, 1979.

Sculptors' Drawings, Touchstone Gallery, New York, 1979.

Sculptors' Photographs, Hunter Gallery, New York, 1979. Traveled to: Macalester College, Saint Paul, Minnesota.

With a Smile, Marian Goodman Gallery, New York, 1979.

Artists and Books: The Literal Use of Time, Edwin A. Ulrich Museum of Art, Wichita State University, Kansas, November 28, 1979–January 6, 1980.

Supershow, Hudson River Museum, Yonkers, New York, October 20–December 9, 1979. Traveled to: Landmark Center, Saint Paul, Minnesota, January 26–March 9, 1980; Center for Fine Arts, Mesa, Arizona, April 12–June 4, 1980; New Gallery, Cleveland, October 3–31, 1980.

Sol LeWitt and Others, Rosa Esman Gallery, New York, July 6–30, 1979.

Through The Summer, Lisson Gallery, London, June 21–August 1979.

The Decade In Review: Selections from the 1970s, Whitney Museum of American Art, New York, June 19–September 2, 1979.

73rd American Exhibition, Art Institute of Chicago, June 9–August 5, 1979.

Exchanges 1, Henry Street Settlement, New York, May 11–June 8, 1979.

The Minimal Tradition, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, April 29–September 2, 1979. (Catalogue)

New York Now, Phoenix Art Museum, Arizona, April 20–May 27, 1979.

Works on the Wall, Ben Shahn Gallery, William Paterson College, Wayne, New Jersey, March 23–April 6, 1979.

Patterns +, Dayton Art Institute, Ohio, March 16–June 24, 1979.

The Reductive Object: A Survey of the Minimal Aesthetic in the 1960s, Institute of Contemporary Art, Boston, March 7–April 29, 1979.

Recent Acquisitions of American Art, Hirschl & Adler Galleries, Inc., Los Angeles, March 3–31, 1979.

1979 Biennial Exhibition, Whitney Museum of American Art, New York, February 6–April 8, 1979. (Catalogue)

Prospectus: The Seventies, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January–April 15, 1979.

Places to Be: Unrealized Monumental Projects, Rosa Esman Gallery, New York, January 9–February 3, 1979.

Drawings About Drawings Today, Ackland Art Museum, University of North Carolina, Chapel Hill, January 1–March 11, 1979. (Catalogue)

1978

Art is for the Spirit, Paula Cooper Gallery, New York, 1978.

Artists of the Seventies, Yarlow/Salzman Gallery, Toronto, 1978–1979.

Between Sculpture and Painting, Worcester Art Museum, Massachusetts, 1978.

Book Art, New Gallery of Contemporary Art, Cleveland, 1978.

$500 and Under Art Sale, Franklin Furnace Archive, New York, 1978.

Four Major Works, Young Hoffman Gallery, Chicago, 1978.

Geographia, Cenobio Visualita Ass., Milan, 1978.

Group exhibition, InK, Zurich, 1978.

Group exhibition, La Jolla Museum of Contemporary Art, 1978.

Group exhibition, University of Kentucky Art Museum, Lexington, 1978.

Mapped Art: Charts, Routes, Regions, Nobe Gallery, New York, 1978.

New York Now, Mead Art Gallery, Amherst College, Massachusetts, 1978.

Prints from Parasol Press, New Gallery of Contemporary Art, Cleveland, 1978.

Recent Works, John Weber Gallery, New York, 1978.

Grids: Format and Image in 20th Century Art, The Pace Gallery, 32 East 57th Street, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Museum, Ohio, March 24–May 6, 1979. (Catalogue)

Recent Acquisitions: American Prints, The Museum of Modern Art, New York, November 16, 1978–February 20, 1979.

100 New Acquisitions: Prints and Drawings, Brooklyn Museum of Art, October 7, 1978–February 5, 1979.

Summer Show, Lisson Gallery, London, August 1–September 16, 1978.

Painting and Sculpture Today: 1978, Indianapolis Museum of Art, June 15–July 30, 1978.

Works on Paper, Margo Leavin Gallery, Los Angeles, May 25–June 24, 1978.

Artists Books USA, Dalhousie University, Nova Scotia, April 1978. Traveled to: University of California, Irvine; Allen Memorial Art Museum, Oberlin College, Ohio; University of Wisconsin-Stout, Menomonee; Hartford Art School, Connecticut, through March 1980.

The Poetry of Systems, Baxter Art Gallery, California Institute of Technology, Pasadena, February 23–March 25, 1978.

Conceptual Works by Eight Americans, Julian Pretto Gallery, New York, February 5–March 15, 1978.

Aspekte der 60er Jahre: Aus der Sammlung Reinhard Onnasch, Nationalgalerie, Berlin, February 2–April 23, 1978. (Catalogue)

Atypical Works, Julian Pretto Gallery, New York, January 1978.

Drawing the Lines, Montclair Art Museum, New Jersey, January 22–March 19, 1978.

Numerals: 1924–1977, Leo Castelli Gallery, New York, January 7–28, 1978. Traveled to: Yale University Art Gallery, New Haven, February 14–March 26, 1978; University Art Gallery, University of North Dakota, Grand Forks, August 29–September 26, 1978; Minneapolis College of Art and Design, October 4–November 1, 1978; Fine Arts Gallery, University of California, Irvine, November 10–December 10, 1978; Art Museum of South Texas, Corpus Christi, January 5–February 4, 1979; Center for the Visual Arts Gallery, Illinois State University, Normal, February 17–March 16, 1979; Center for the Arts; Muhlenberg College, Allentown, March 30–April 28, 1979; New Gallery of Contemporary Art, Cleveland, May 15–June 15, 1979. (Catalogue)

1977

Collection Exhibition, Ohio State University, Columbus, 1977.

Curator's Choice, Loch Haven Art Center, Orlando, 1977.

Drawings, Daniel Weinberg Gallery, San Francisco, 1977.

Gallery Selections, Hanson-Cowles Gallery, Minneapolis, 1977.

Group exhibition, A Gallery, Yale School of Art, New Haven, Connecticut, 1977.

Group exhibition, John Weber Gallery, New York, 1977.

Group exhibition, Michael Berger Gallery, Pittsburgh, 1977.

Group exhibition, $100 Gallery, New York, 1977.

Group exhibition, Thomas Segal Gallery, Boston, 1977.

Group exhibition, Weatherspoon Art Gallery, University of North Carolina, Greensboro, 1977.

Photo Notations II, Rosa Esman Gallery, New York, 1977.

Selected Prints: 1960–1977, Brooke Alexander Gallery, New York, 1977.

10 Alumni, School of Visual Arts, New York, 1977.

The Word as Image, Museum of Contemporary Art, Chicago, 1977.

Recent Works on Paper by American Artists, Madison Art Center, University of Wisconsin, December 4, 1977–January 15, 1978.

Works from the Collection of Dorothy & Herbert Vogel, University of Michigan Museum of Art, Ann Arbor, November 11, 1977–January 1, 1978.

New York: The State of Art, New York State Museum, Albany, October 8–November 27, 1977. (Catalogue)

Fall 1977: Contemporary Collectors, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 25–December 18, 1977. (Catalogue)

A View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977.

American Drawing: 1927–1977, Minnesota Museum of Art, Saint Paul, Minneapolis, September 6–October 29, 1977.

Etchings of the Twentieth Century, Margo Leavin Gallery, Los Angeles, July 9–August 13, 1977.

Documenta 6, Kassel, June 24–October 2, 1977. (Catalogue)

Prints in Series: Idea into Image, Brooklyn Museum of Art, June 5–July 10, 1977.

Sculpture Paintings Drawings, Young Hoffman Gallery, Chicago, May 20–June 25, 1977.

Words at Liberty, Museum of Contemporary Art, Chicago, May 7–July 3, 1977. (Catalogue)

Early Minimal Work, Sperone, Westwater, Fischer, New York, March 12–April 2, 1977.

1976

Art That Involves Words, Max Protetch Gallery, New York, 1976.

Black and White, Galerie Denise René, New York, 1976.

Collection, University of Kentucky, Lexington, 1976.

Contemporary Abstract Art: Works on Paper, Baltimore Museum of Art, Maryland, 1976.

Critical Perspectives in American Art, 37th Venice Biennale, 1976.

Drawing/Transparence, Cannaviello Studio d'Arte, Rome, 1976. (Catalogue)

Group exhibition, Galerie Paul Maenz, Cologne, 1976.

Group exhibition, Galleria d'Arte Moderna, Bologna, 1976.

Group exhibition, John Weber Gallery, New York, 1976.

Group exhibition, Museum of Modern Art, Oxford, 1976.

Photo Notations, Rosa Esman Gallery, New York, 1976.

Prints, University Art Museum Council, Berkeley, 1976.

Minimal Art Druckgraphik, Kestner Gesselschaft, Hanover, Germany, December 10, 1976–January 23, 1977 (Catalogue)

Choice/Yale Art Students, Yale School of Art, New Haven, Connecticut, October 25–November 26, 1976.

Private Notations: Artists' Sketchbooks II, Philadelphia College of Art. October 23–November 24, 1976.

American Artists: A New Decade, Detroit Institute of Art, July 31–September 19, 1976. Traveled to: Fort Worth Art Museum, Texas, November 14, 1976–January 2, 1977. (Catalogue)

Ambiente/Arte, La Biennale di Venezia, Padiglione centrale ai giardini di Castello, Venice, July 14–October 10, 1976 (Catalogue)

Three Decades of American Art selected by the Whitney Museum of American Art, Seibu Museum of Art, Tokyo, June 18–July 20, 1976. (Catalogue)

A Selection of Works, Daniel Weinberg Gallery, San Francisco, opened May 3, 1976.

Ideas on Paper 1970–1976, Renaissance Society, University of Chicago, May 2–June 6, 1976.

200 Years of American Sculpture, Whitney Museum of American Art, New York, March 16–September 26, 1976. (Catalogue)

Today/Tomorrow: Selected Contemporary Artists, Lowe Art Museum, University of Miami, March 4–April 11, 1976. (Catalogue)

Group exhibition, Paula Cooper Gallery, New York, February 14–March 4, 1976.

Drawing Now, The Museum of Modern Art, New York, January 21–March 9, 1976. Traveled to: Kunsthaus Zurich, October 10–November 14, 1976; Staatliche Kunsthalle, Baden-Baden, November 25, 1976–January 16, 1977; Graphische Sammlung Albertina, Vienna, January 20–February 28, 1977; Tel Aviv Museum, Israel, May–June 1977. (Catalogue)

1975

Color as Language. Organized by The Museum of Modern Art, New York.  Traveled to: Colombia, 1975; Venezuela; Brazil; Uruguay; Mexico.

Graphic Work, Städtisches Museum, Mönchengladbach, Germany, 1975.

Group exhibition, Galerie Aronowitsch, Stockholm, 1975.

Group exhibition, Galerie Bischofberger, Zurich, 1975.

Group exhibition, P.M.J. Self Gallery, London, 1975.

Locate / Order / Measure, University of Colorado, Boulder, 1975.

Two-Man Show, Wadsworth Atheneum, Hartford, Connecticut, 1975.

Prints, Art Gallery of Ontario, Toronto, December 18, 1975–January 18, 1975.

Trompe l’oeil, Galleria Stendahl, Milan, November 13–December 13, 1975.

American Art Since 1945: From the Collection of The Museum of Modern Art, New York. Organized by The Museum of Modern Art, New York. Traveled to: Worcester Art Museum, Massachusetts, October 20–November 30, 1975; Toledo Museum of Art, Ohio, January 10–February 22, 1976; Denver Art Museum, March 22–May 2, 1976; Fine Arts Gallery of San Diego, May 31–July 11, 1976; Dallas Museum of Fine Arts, August 19–October 3, 1976; Joslyn Art Museum, Omaha, October 25–December 5, 1976; Greenville County Museum, South Carolina, January 8–February 20, 1977; Virginia Museum of Fine Arts, Richmond, March 14–April 17, 1977; Bronx Museum of the Arts, May 10–June 30, 1977. (Catalogue)

Painting, Drawing, and Sculpture of the '60s and the '70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, October 7–November 18, 1975. Traveled to: Contemporary Arts Center, Cincinnati, December 17, 1975–February 15, 1976.

Word, Image, Number, Sarah Lawrence Gallery, Bronxville, New York, September 23–October 19, 1975.

Empirica: L’arte tra addizione e sottrazione, Quartiere Fieristico, Rimini, Italy, May 25–June 25, 1975. Traveled to: Museo di Castelvecchio, Verona, July 6–August 30, 1975. (Catalogue)

Functions of Drawing, Rijksmuseum Kröller-Müller, Otterlo, the Netherlands, May 25–August 4, 1975.

Je/Nous, Musée d'Ixelles, Brussels, May 23–July 13, 1975.

USA Zeichnungen 3, Städtisches Museum, Schloss Morsbroich, Leverkusen, Germany, May 15–June 29, 1975.

Drawings, Margo Leavin Gallery, Los Angeles, May 12–June 21, 1975.

Limited Editions: Dated, Numbered, and Signed, Storm King Art Center, Mountainville, New York, April 1975.

Fourteen Artists, Baltimore Museum of Art, April 15–June 1, 1975.

Twentieth Century Drawings, Hathorn Gallery, Skidmore College, Saratoga Springs, New York, February 28–March 17, 1975.

34th Biennial of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., February 22–April 6, 1975. (Catalogue)

1974

Choice Dealers/Dealers’ Choice, New York Cultural Center, 1974.

Group exhibition, Art & Project, Amsterdam, 1974.

Group exhibition, Galleria La Bertesca, Milan, 1974.

Group exhibition, Mount San Antonio College, Walnut, California, 1974.

Group exhibition, MTL Gallery, Brussels, 1974.

Group exhibition, Rolf Preisig, Basel, 1974.

Political Art, Max Protetch Gallery, Washington, D.C., 1974.

Records as Artwork, Galerie Ricke, Cologne, 1974.

2-Man Show, Jared Sable Gallery, Toronto, 1974.

Works on Paper, Diane Stimpson Gallery, Vancouver, 1974.

America on Paper, Galerie Beyeler, Basel, May–June 1974. (Catalogue)

Art Now 74: A Celebration of the American Arts, John F. Kennedy Center for the Performing Arts, Washington, D.C., May 30–June 16, 1974. (Catalogue)

Painting and Sculpture Today: 1974, Indianapolis Museum of Art, May 22–July 14, 1974. Traveled to: Contemporary Art Center, Cincinnati, and Taft Museum, Cincinnati, September 12–October 26, 1974. (Catalogue)

Multiples, Neuen Berliner Kunstvereins, Berlin, May 8–June 15, 1974. (Catalogue)

Kunst—Über Kunst: Werke und Theorien eine Ausstellung in drei Teilen, Kölnischer Kunstverein, Cologne, April 11–May 26, 1974. (Catalogue)

Drawings Show, Margo Leavin Gallery, Los Angeles, April 11–May 9, 1974.

Line as Language: Six Artists Draw, Art Museum, Princeton University, New Jersey, February 23–March 31, 1974. (Catalogue)

Some Recent American Art. Organized by the International Council of The Museum of Modern Art, New York. Traveled to: National Gallery of Victoria, Melbourne, February 12–March 10, 1974; Art Gallery of New South Wales, Sydney, April 5–May 5, 1974; Art Gallery of South Australia, Adelaide, May 31–June 30, 1974; West Australian Art Gallery, Perth, July 26–August 21, 1974; City of Auckland Art Gallery, New Zealand, October 14–November 17, 1974. (Catalogue)

Fifteen American Artists, Galerie Denise René, Paris, January 1974.

1973

Drawings, Cusack Gallery, Houston, 1973.

Drawings: Seventies, Joseloff Gallery, Hartford Art School, Connecticut, 1973.

Group exhibition, Galerie Müller, Stuttgart, 1973.

Group exhibition, John Weber Gallery, New York, 1973.

Group exhibition, Modern Art Agency, Naples, 1973.

Group exhibition, School of Visual Arts, New York, 1973.

15 Artistes Américains, Galerie Denise René, Paris, December 1973–January 1974.

Contemporanea, Parcheggio di Villa Borghese, Rome, November 1973–February 1974. (Catalogue)

American Drawings 1963–1973, Whitney Museum of American Art, New York, May 25–July 22, 1973.

Art in Space: Some Turning Points, Detroit Institute of Art, May 15–June 24, 1973.

Artists’ Books, Moore College of Art, Philadelphia, March 23–April 20, 1973. (Catalogue)

Young American Artists, Gentofte rádhus, Denmark, January 24–February 11, 1973. Traveled to: Aarhus Kunstmuseum, February 18–March 4, 1973; Henie-Onstad Kunstsenter, Oslo, March 18–April 15, 1973; Hamburger Kunsthalle, April 28–June 11, 1973; Moderna Museet, Stockholm, September 15–October 21, 1973. (Catalogue)

Diagrams and Drawings, Kunstmuseum Basel, Switzerland, January 20–March 4, 1973.

3-D Into 2-D, New York Cultural Center, January 20–February 15, 1973.

Works from the Early Sixties, Paula Cooper Gallery, New York, January 20–February 15, 1973.

1972

Prints, University of Rhode Island, Kingston, 1972.

Sculptors’ Drawings, Margo Leavin Gallery, Los Angeles, November 18–December 31, 1972.

Actualité d'un bilan, Galerie Yvon Lambert, Paris, October 30–December 5, 1972.

Group exhibition, Onnasch Galerie, Cologne, June 1972.

Documenta 5, Kassel, Germany, June 30–October 8, 1972. (Catalogue)

Prints for Collectors, The Museum of Modern Art, New York, June 26–September 15, 1972.

420 West Broadway at Spoleto Festival, San Nicolò, Spoleto, Italy, June 23–July 9, 1972.

Summer, Paula Cooper Gallery, New York, June 6–23, 1972.

Group exhibition, John Weber Gallery, New York, May 27–July 29, 1972.

Painting: New Options, Walker Art Center, Minneapolis, April 23–June 4, 1972.

Painting and Sculpture: 1972, Storm King Art Center, Mountainville, New York, April 8–June 11, 1972.

Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 27–March 1, 1972. (Catalogue)

1971

Group exhibition, Bennington College, Vermont, 1971.

Ninth Annual Ljubljana Print Exhibition, Ljublana, Yugoslavia, 1971.

White on White: The White Monochrome in the 20th Century, Museum of Contemporary Art, Chicago, December 18, 1971–January 30, 1972.

Changing Terms, Museum School Gallery, Boston, December 3, 1971–January 14, 1972.

Prints from Halifax, The Museum of Modern Art, New York, October 6–November 12, 1971.

In Another Moment, Gallery SKC, Belgrade, Yugoslavia, September 15–October 3, 1971.

Sonsbeek '71, Arnhem, the Netherlands, June 19–August 15, 1971.

New Directions: Eight Artists, Milwaukee Art Center, June 19–August 8, 1971. (Catalogue)

Situation Concepts, Galerie im Taxispalais, Innsbruck, February 9–March 4, 1971. (Catalogue)

1970

American Drawings, Galerie Yvon Lambert, Paris, 1970.

Group Show, Dwan Gallery, New York, November 28–December 23, 1970.

L’art vivant aux États-Unis, Maeght Fondation, St. Paul-de-Vence, France, July 16–September 30, 1970.

Visions, Projects, Ideas, Midland Group Gallery, Nottingham, England, July 11–August 2, 1970.

Information, The Museum of Modern Art, New York, July 2–September 20, 1970. (Catalogue)

Conceptual Art, Arte Povera, Land Art, Galleria Civica d’Arte Moderna, Turin, June 12–July 12, 1970. (Catalogue)

Projections: Anti-Materialism, La Jolla Museum of Contemporary Art, California, May 15–July 5, 1970.

Using Walls, Jewish Museum, New York, May 13–June 21, 1970.

Between Man and Matter: Tokyo Biennale ‘70, Metropolitan Museum of Art, Tokyo, May 10–30, 1970; Kyoto Municipal Art Museum, June 6–28, 1970; Aichi Prefectural Art Gallery, Nagoya, July 15–26, 1970.

The Drawing Society of New York Regional Exhibition, 1970, Cooper Hewitt Museum of Decorative Arts and Design, Smithsonian Institution, New York, March 9–May 9, 1970.

69th American Exhibition, Art Institute of Chicago, January 17–February 22, 1970.

1969

American Drawings, Galerie Heiner Friedrich, Munich, 1969.

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, 1969.

Some Younger American Painters and Sculptors, Fine Arts Gallery, University of British Columbia, 1969. Traveled to: Krannert Art Museum, University of Illinois, Champaign, 1969.

Plans and Projects as Art, Kunsthalle Bern, Switzerland, November 8–December 7, 1969.

Art by Telephone, Museum of Contemporary Art, Chicago, November 1–December 14, 1969. (Catalogue)

Drawings, Fort Worth Art Museum, Texas, October 28–November 30, 1969.

Konzeption/Conception, Stadtisch Museum, Schloss Morsbroic, Leverkusen, Germany, October 24–November 23, 1969. (Catalogue)

Black and White: Exhibition of Paintings and Constructions, Lafayette College, Easton, Pennsylvania, October 12–27, 1969.

557,087, Seattle Art Museum Pavilion, September 5–October 5, 1969. Traveled to: as 955,000, Vancouver Museum of Art, January 13–February 8, 1970. (Catalogue)

Letters, Long Beach Island New Jersey Foundation of the Arts and Sciences, July 1–25, 1969.

Number 7, Paula Cooper Gallery, New York, May 18–June 17, 1969.

Painting and Sculpture Today! ’69, Indianapolis Museum of Art, May 4–June 1, 1969.

Art of the Real, Tate Gallery, London, April 24–June 1, 1969.

American Contemporary Sculpture, Selection 2, Whitney Museum of American Art, New York, April 15–May 5, 1969.

Carl Andre, Dan Flavin, Don Judd, Sol LeWitt, Robert Morris, Hetzel Union Building Gallery, Pennsylvania State University, University Park, April 6–May 20, 1969.

Between Object and Environment, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, April 2–May 3, 1969.

Young American Artists, Wide White Space Gallery, Antwerp, Belgium, March 1969.

American Sculpture of the Sixties, Grand Rapids Art Museum, Michigan, March 22–May 24, 1969. (Catalogue)

Live in Your Head—When Attitudes Become Form, Kunsthalle Bern, Switzerland, March 22–April 27, 1969. Traveled to: Museum Haus Lange, Krefeld, May 10–June 15, 1969; Institute of Contemporary Art, London, September 28–October 27, 1969. (Catalogue)

The Artist and the Factory, University Gallery, University of Minnesota, Minneapolis, March 19–April 16, 1969.

1968

Kunstmarkt, Kölnischer Kunstverein, Cologne, October 1968.

Benefit for Student Mobilization Committee to End the War in Vietnam, Paula Cooper Gallery, New York, October 22–November 31, 1968.

Earthworks, Dwan Gallery, New York, October 5–30, 1968.

Prospect 68, Kunsthalle Düsseldorf, September 1968.

Art of the Real, The Museum of Modern Art, New York, July 3–May 26, 1968.  Traveled to: Grand Palais, Paris, November 14–December 23, 1968; Kunsthaus, Zurich, January 19–February 23, 1969; Tate Gallery, London, April 22–June 1, 1969. (Catalogue)

Minimal Art, Galerie René Block, Berlin, June–July 1968.

Documenta 4, Kassel, Germany, June 27–October 6, 1968. (Catalogue)

Highlights of the 1967–68 Art Season, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 16–September 15, 1968. (Catalogue)

Sammlung 1968: Karl Ströher, Galerie-Verein München, Neue Pinakothek, and Haus der Kunst, Munich, June 14–August 9, 1968. Traveled to: Kunstverein, Hamburg, August 24–October 6, 1968; Neue Nationalgalerie, Berlin, March 1–April 14, 1969; Städtische Kunsthalle Düsseldorf, April 25–June 17 1969; Kunsthalle Bern, Switzerland, July 12–September 28, 1969. (Catalogue)

Language II, Dwan Gallery, New York, May 25–June 22, 1968.

Minimal Art, Haags Gemeentemuseum, The Hague, the Netherlands, March 23–May 26, 1968. Traveled to: Kunsthalle Düsseldorf, January 17–February 23, 1969; Akademie der Kunst, Berlin, March 23–April 27, 1969. (Catalogue)

Cool Art: 1967, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 7–March 17, 1968. (Catalogue)

1967

Group exhibition. Instituto Torcuato di Tella, Museo de Artes Visuales, Buenos Aires, 1967.

Art in Series, Finch College Museum, New York, November 22, 1967–January 6, 1968.

Opening Exhibition: Normal Art, Lannis Museum of Normal Art, New York, November 12–December 3, 1967.

Language l, Dwan Gallery, New York, June 3–30, 1967.

10, Dwan Gallery, Los Angeles, May 2–29, 1967.

American Sculpture of the Sixties, Los Angeles County Museum of Art, April 28–June 25, 1967. Traveled to: Philadelphia Museum of Art, September 15–October 29, 1967. (Catalogue)

Scale Models and Drawings, Dwan Gallery, New York, January–February 1967.

1966

Abstract Artist's Invitational, Riverside Museum, New York, 1966.

Annual Exhibition 1966: Contemporary Sculpture and Prints, Whitney Museum of American Art, New York, December 16, 1966–February 5, 1967.

Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Works of Art, School of Visual Arts, New York, December 2–23, 1966.

Three-Man Show (with Leo Valledor and Robert Smithson), Park Place Gallery, New York, October 16–November 9, 1966.

10, Dwan Gallery, New York, October 4–29, 1966. (Catalogue)

Art in Process, Finch College Museum, New York, May 11–June 30, 1966.

New Dimensions, Sachs Gallery, New York, May 10–28, 1966.

Primary Structures, Jewish Museum, New York, April 27–June 12, 1966. (Catalogue)

Multiplicity, Institute of Contemporary Arts, Boston, April 16–June 5, 1966.

1965

Group exhibition, John Daniels Gallery, New York, 1965.

Sculpture from All Directions, World House Gallery, New York, 1965.

Young Masters, Graham Gallery, New York, November 20–December 1965.

Box Show, Byron Gallery, New York, February 3–27, 1965.

1964

Group exhibition, Kaymar Gallery, New York, 1964.

Group exhibition, Museum of Contemporary Crafts, New York, 1964.

1963

Group exhibition, St. Mark's Church, New York, May 8–31, 1963.

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Akron Art Museum, Ohio

Albertina, Vienna

Albright-Knox Art Gallery, Buffalo, New York

Allen Memorial Art Museum, Oberlin College, Ohio

Art Gallery of New South Wales, Sydney

Art Gallery of Ontario, Toronto

Art Institute of Chicago, Illinois

Austin Museum of Art, Texas

Ball State University Museum of Art, Muncie, Indiana

Baltimore Museum of Art, Maryland

Birmingham Museum of Art, Alabama

Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale on Hudson, New York

Bonnefantenmuseum, Maastricht, the Netherlands

Brooklyn Museum, New York

CAPC, Musée d'art contemporain de Bordeaux, France

Castellani Art Museum, Niagara University, New York

Castello di Rivoli, Turin

Centro per l'arte contemporanea Luigi Pecci, Prato, Italy

Colby College Museum of Art, Waterville, Maine

Columbus Gallery of Fine Art, Ohio

Crex Collection, Schaffhausen, Switzerland

Dallas Museum of Art, Texas

Daum Museum of Contemporary Art, Sedalia, Missouri

Dayton Art Institute, Ohio

Denver Art Museum, Colorado

Detroit Institute of Art, Michigan

Dia Art Foundation, New York

Essl Museum—Kunst der Gegenwart, Klosterneuburg, Austria

The Farm, Kaipara, New Zealand

Fine Arts Museum of San Francisco, California

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

The Fralin Museum of Art at University of Virginia, Virginia

Maxine and Stuart Frankel Foundation for the Arts, Bloomfield Hills, Michigan

Grenoble Museum, France

Solomon R. Guggenheim Museum, New York

Haags Gemeentemuseum, The Hague, The Netherlands

Hallen für neue Kunst, Schaffhausen, Switzerland

Hara Museum, Tokyo

High Museum of Art, Atlanta

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Hood Museum of Art, New Hampshire

Houston Music Hall Foundation, Texas

The Hyde Collection, Glenn Falls, New York

Indianapolis Museum of Art, Indiana

Israel Museum, Jerusalem

Jewish Museum, New York

Joslyn Art Museum, Omaha, Nebraska

Kaiser Wilhelm Museum, Krefeld, Germany

Kunstmuseum, Basel

Kunstnernes Hus, Oslo

Lock Haven Art Center, Orlando, Florida

Los Angeles County Museum of Art, California

Louisiana Museum, Humlebæk

Magasin III Museum & Foundation for Contemporary Art, Stockholm

Mamco Genève, Switzerland

Massachusetts Institute of Technology, Cambridge

Mercer Union, Toronto

Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

Minneapolis Institute of Art, Minnesota

Moderna Museet, Stockholm

Museum Boymans van Beuningen, Rotterdam, The Netherlands

Museum Moderner Kunst, Vienna

Museum of Art, Carnegie Institute, Pittsburgh

Museum of Contemporary Art, Illinois

Museum of Contemporary Art, San Diego

Museum of Fine Arts, Boston

Museum of Fine Arts, Houston

The Museum of Modern Art, New York

Musee d'Art Moderne et d'Art Contemporain, Nice

Musée d'Art Moderne de Liège, Belgium

Musée d'art moderne et contemporain, Geneva, Switzerland

Musée d'art et d'histoire, Geneva, Switzerland

Musée de Picardie, Amiens, France

Musée des Beaux Arts, Tourcoing, France

Musée national d'Art Moderne, Centre Georges Pompidou, Paris

Museu Colecção Berardo, Lisbon

Nasher Museum of Art, Duke University, Durham, North Carolina

National Gallery of Art, Washington, D.C.

National Gallery of Australia, Canberra

National Gallery of Scotland, Edinburgh

Nelson-Atkins Museum of Art, Kansas City, Missouri

Newark Museum, New Jersey

New Britain Museum of American Art, Connecticut

New Orleans Museum of Art, Louisiana

Newport Harbor Art Museum, Newport Beach, California

Peggy Guggenheim Collection, Italy

Pérez Museum of Art Miami, Florida

Philadelphia Museum of Art, Pennsylvania

Princeton University Art Museum, New Jersey

Proje4i Elgiz Museum of Contemporary Art, Istanbul

Rhode Island School of Design Museum, Providence

2018

“Gallery.” Magazine O, March 2018: 18, illustrated.

“Highlights: Pace Partout” (Pace Gallery exhibition review). Go Out Geneva, 18 April 2018, illustrated.

“’LeWitt, Nevelson, Pendleton Part II’ at Pace, Geneva” (Pace Gallery exhibition review). Artinfo, 22 May 2018. http://ca.blouinartinfo.com/news/story/3050228/lewitt-nevelson-pendleton-part-ii-at-pace-geneva

Machalova, Andrea. “Pace Gallery Arrive à Geneva.” Tribune Des Arts (March 2018): 66, illustrated.

Nields, Annie. “The Not Straight Yellow Line” (Yale University Art Gallery exhibition review). Yale Daily News, 9 March 2018. https://yaledailynews.com/blog/2018/03/09/the-not-straight-yellow-line/

Panarella, Arianna. “Sol LeWitt, infinito dialogo tra arte e architecttura” (Fondazione Carriero exhibition review). il Giornale dell’ Architectura, 28 March 2018. http://ilgiornaledellarchitettura.com/web/2018/03/28/sol-lewitt-infinito-dialogo-tra-arte-e-architettura/

Sheets, Hilarie M. "A Curator With a 3-D Résumé in Every Room." New York Times, 02 May 2018. https://www.nytimes.com/2018/05/02/arts/design/show-us-your-wall-nicholas-baume.html

“Sol LeWitt Between the Lines and Architecture Exhibition” (Fondazione Carriero exhibition review). Floor Nature, 25 January 2018. http://www.floornature.com/sol-lewitt-between-lines-and-architecture-exhibition-13496/

Stoilas, Helen. “Is This the Future of Catalogues Raisonnės?” The Art Newspaper, 29 August 2018. https://www.theartnewspaper.com/news/is-this-the-future-of-catalogues-raisonnes

“Vault: Sol LeWitt Installation at Pace Gallery (2007).” Daily Plinth, 9 September 2018. Online video, 5:22. http://dailyplinth.com/videos/vault-sol-lewitt-installation-at-pace-gallery-2007/

2017

Allen, JD. “A Consortium of The Arts In Northern Berkshires.” WAMC Northeast Public Radio, 5 April 2017. http://wamc.org/post/consortium-arts-northern-berkshires

Bender, Madeline. “LeWitt Wall Drawings Installed at West Campus.” Yale Daily News, 28 March 2017. http://yaledailynews.com/blog/2017/03/28/lewitt-wall-drawings-installed-at-west-campus/

Burke, Siobhan. “Dance in NYC This Week: Abigail Levine at Fridman Gallery.” The New York Times, 21 July 2017: C3, illustrated.

Calero, Sol. “Top Ten: 9—Sol LeWitt: A Wall Drawing Retrospective (MASS MOCA, NORTH ADAMS, MA)” (exhibition review). Artforum 55, no. 8 (April 2017): 118, illustrated.

Crow, Thomas. “’Los Angeles to New York: Dwan Gallery, 1959–1971’” (exhibition review). Artforum 55, no. 10 (Summer 2017): 351–352, illustrated.

Elbaor, Caroline. “Rem Koolhaas Moonlights as Co-Curator of Milan Exhibition Highlighting Sol LeWitt’s Links to Architecture” (Fondazione Carriero exhibition review). Artnet News, 15 November 2017. https://news.artnet.com/exhibitions/sol-lewitt-rem-koolhaas-curator-1148495

Gay, Malcolm. “Mass MoCA Thinks Big with Latest Expansion.” Boston Globe, 20 May 2017. https://www.bostonglobe.com/arts/art/2017/05/20/with-expansion-mass-moca-enters-new-era/1rkr4TX5MX6bAHfEsI58wK/story.html

Glentzer, Molly. “Final Rice Gallery Show, Others Depict Intriguing Meaning in Black Boxes” (exhibition review). Houston Chronicle, 5 May 2017. http://www.houstonchronicle.com/entertainment/arts-theater/article/Final-Rice-Gallery-show-others-depict-intriguing-11125245.php#photo-12853210

Hoinski, Michael. “Think Big.” Texas Monthly, 3 February 2017. http://www.texasmonthly.com/travel/think-big/

Kado, Steve. “Who Cares if You Listen: the Algorithm at 100.” Flash Art 50 (September/October 2017): 76–79, illustrated.

Klaasmeyer, Kelly. “Sol LeWitt Work Is Last Exhibit at Rice Gallery Before the Big Move.” Houston Press, 7 March 2017. http://www.houstonpress.com/arts/sol-lewitt-work-is-last-exhibit-at-rice-gallery-before-the-big-move-9253185

McQuaid, Cate. “Mass MoCA Expands – and Mounts a Standout Set of New Shows.” Boston Globe, 26 May 2017. https://www.bostonglobe.com/arts/art/2017/05/25/mass-moca-expands-and-mounts-standout-set-new-shows/nIiL8LYiq4KeMxGNGe5sbM/story.html

Micchelli, Thomas. “When Art Refuses to Let Go” (exhibition review). Hyperallergic, 22 September 2017. https://hyperallergic.com/401732/delirious-art-at-the-limits-of-reason-met-breuer-2017/

Michalarou, Efi. “Art Cities: Beijing – Sol LeWitt & Zhang Xiaogang” (Pace Beijing exhibition review). Dream Idea Machine, accessed 23 January 2017. http://www.dreamideamachine.com/en/?p=19471

Sebesanu, Kimberly Cionca. “Don’t Miss Sol LeWitt’s Wall Drawing #370!” (Metropolitan Museum exhibition review). MET Museum Blog, 16 October 2017. https://metmuseum.org/blogs/metkids/2017/sol-lewitt-wall-drawing-370

Yang, Zi. “Sol LeWitt and Zhang Xiaogang” (exhibition review). Artforum, accessed 23 January 2017. https://www.artforum.com/picks/id=64397

2016

A.J.R. “Sol LeWitt: Autobiography.” Exit 61 (2016): 128–37, illustrated.

Battaglia, Andy. “Dark Matter at Pace Gallery” (exhibition review). The Wall Street Journal, 26 June 2016. http://www.wsj.com/articles/dark-matter-at-pace-gallery-1466990492

Bourland, Ian. “Blackness in Abstraction” (Pace Gallery exhibition review). Frieze, no. 182 (October 2016): 246, illustrated.

Capps, Kriston. “This Map Shows How Artists Built New York” (Cleveland Museum of Art exhibition review). City Lab, July 2016. http://www.citylab.com/design/2016/07/this-map-shows-how-artists-built-new-york/491867/

“Cardi Gallery Revisits Conceptual Master Sol LeWitt” (exhibition review). Artsy.net, 8 February 2016. https://www.artsy.net/article/artsy-editorial-are-video-games-art

Cohen, Alina. “This Fall, Stripes Are In (at New York Galleries, at Least)” (Paula Cooper Gallery exhibition review). T: The New York Times Style Magazine, 11 September 2016: ST3, illustrated.

“Datebook: Sol LeWitt’s Work Celebrated at Paula Cooper Gallery Locations, New York” (exhibition review). Artinfo, 10 September 2016. http://www.blouinartinfo.com/news/story/1521365/datebook-sol-lewitts-work-celebrated-at-paula-cooper-gallery

Durand, Paul. “Sol LeWitt at Cahiers d’Art Gallery, Paris” (exhibition review). Artinfo, 28 November 2016. http://uk.blouinartinfo.com/news/story/1735029/sol-lewitt-at-cahiers-dart-gallery-paris

“Fine Arts Students Complete Sol LeWitt Wall Drawing Installation on Campus.” Pratt, 15 March 2016. https://www.pratt.edu/news/view/fine-arts-students-complete-sol-lewitt-wall-drawing-installation-on-campus

Gopnik, Blake. “Did Sol LeWitt Wear a Henry Ford Costume?” Artnet News, 15 December 2016. https://news.artnet.com/opinion/sol-lewitt-wear-henry-ford-costume-785210

Holmes, Kevin. “Exhibition Explores the Line as Physical, Sculptural, Codified” (Lisson Gallery exhibition review). The Creators Project, 5 February 2016. http://thecreatorsproject.vice.com/blog/exhibition-explores-the-line-as-physical-sculptural-codified

Huang, Tingting. “New Co-exhibition Marks Return of Renowned Chinese Artist Zhang Xiaogang” (Pace Beijing exhibition review). Global Times, 29 September 2016. http://www.globaltimes.cn/content/1009185.shtml

Larkin, Daniel. “What Abstraction Can Teach Us About Race and Color Black” (Pace Gallery exhibition review). Hyperallergic, 17 August 2016. http://hyperallergic.com/308388/what-abstraction-can-teach-us-about-race-and-the-color-black/

Liang, Xavier. “A Dialogue Beyond Time and Space: Zhang Xiaogang and Sol LeWitt at Pace Beijing” (exhibition review). Artnet News, 2 November 2016. https://news.artnet.com/exhibitions/a-dialogue-beyond-time-and-space-zhang-xiaogang-and-sol-lewitt-at-pace-beijing-730937

Litt, Steven. “Cleveland Museum of Art Needs More Shows Like New Exhibit on Sol LeWitt and Eva Hesse” (exhibition review). Cleveland.com, 5 April 2016. http://www.cleveland.com/arts/index.ssf/2016/04/cleveland_museum_of_art_needs_1.html

“Liz Deschenes and Sol LeWitt at Miguel Abreu Gallery, New York” (exhibition review). Artinfo, 19 October 2016. http://www.blouinartinfo.com/news/story/1639560/liz-deschenes-and-sol-lewitt-at-miguel-abreu-gallery-new-york

Naquin, Par Pierre. “Arne Glimcher, Pace ou la Religion de l’Art.” La Gazette Drouot, no.42, 2 December 2016: 24-7, illustrated.

Neiswanger, Robbie. “Crystal Bridges Fully Embraces Artist’s Concept; 60-foot Artwork Painted on Wall.” Arkansas Online, 28 November 2016. http://www.arkansasonline.com/news/2016/nov/28/crystal-bridges-fully-embraces-artist-s-1/

Pobric, Pac. “Sol LeWitt’s Art Collection Reveals Friendships and Artistic Resonances” (Drawing Center exhibition review). The Art Newspaper, 29 March 2016. http://theartnewspaper.com/news/museums/sol-lewitt-s-art-collection-reveals-friendships-and-artistic-resonances-/

Sargent, Antwaun. “29 Artists Explore Abstractions of the Color Black” (Pace Gallery exhibition review). The Creators Project, 27 July 2016. http://thecreatorsproject.vice.com/blog/29-artists-explore-color-black

Segal, Mark. “Rite of Spring.” The East Hampton Star, 21 April 2016: 5–8, illustrated.

“Sol LeWitt.” Pinault Collection, no.07 (October 2016–March 2017): 114–117, illustrated.

“Sol LeWitt Time-lapse.” The Walker Art Center, 26 May 2016. Online video, 0:30. http://www.walkerart.org/channel/2016/sol-lewitt-time-lapse

“Spencer Museum’s Sol LeWitt Wall Drawing Reinstalled at Capitol Federal Hall.” KU.edu, 10 May 2016. http://today.ku.edu/2016/05/10/spencer-museums-sol-lewitt-wall-drawing-reinstalled-capitol-federal-hall

Tuchman, Phyllis. “Sol LeWitt, Paula Cooper Gallery” (exhibition review). Artforum 55, no. 3 (November 2016): 279–280, illustrated.

Tsui, Enid. “Chinese Artist Zhang Xiaogang Determined to Put Bloodline Series to Bed” (Pace Beijing exhibition review). South China Morning Post, 9 October 2016. http://www.scmp.com/culture/arts-entertainment/article/2026094/chinese-artist-zhang-xiaogang-moves-symbolism-surreal

Zhang, Xiaogang. “A Dialogue Beyond Time and Space: Zhang Xiaogang and Sol LeWitt at Pace Beijing” (exhibition review). Interview with Xavier Liang. Artnet News, 2 November 2016. https://news.artnet.com/exhibitions/a-dialogue-beyond-time-and-space-zhang-xiaogang-and-sol-lewitt-at-pace-beijing-730937

2015

Dunne, Susan. “Creating Sol LeWitt Art Part of University of Hartford Benefit Dinner.” CT Now, 16 April 2015. http://www.ctnow.com/arts-theater/museums/hc-u-of the hartford-sol-le-witt-drawing-0419-20150419,0,1550637.story

Frascina, Francis. “To be a Pilgrim.” Art Monthly, no. 390 (October 2015): 7–10, illustrated.

Grau, Donatien. “Avignon: Eric Mézil on the Collection Lambert.” Flast Art 48, no. 302 (May–June 2015): 50–51, illustrated.

Smith, Jennifer. “Executing the Concepts of Artist Sol LeWitt: A Lesson in Critical Thinking for New York City Teens.” The Wall Street Journal, 2 March 2015. http://www.wsj.com/articles/executing-the-concepts-of-artist-sol-lewitt-a-lesson-in-critical-thinking-for-new-york-city-teens-1425349019

2014

Adams, Shar. “Sol LeWitt: From New York to Central Australia” (Art Gallery of New South Wales exhibition review). The Epoch Times, 5 March 2014. http://www.theepochtimes.com/n3/543591-sol-lewitt-from-new-york-to-central-australia/?photo=3

Banks, Emma. “‘Converging Lines: Eva Hesse and Sol LeWitt’ Show at the Blanton” (exhibition review). Tribeza, May 2014. http://www.tribeza.com/magazine_content/converging-lines-eva-hesse-and-sol-lewitt-show-blanton

Corrigan, Anna. “New York – Sol LeWitt at Pace Gallery Now Through February 22, 2014” (exhibition review). Art Observed, 19 February 2014. http://artobserved.com/2014/02/new-york-sol-lewitt-at-pace-gallery-now-through-february-22-2014/

D’Agostino, Paul. “Embodied and Evoked: Sol LeWitt and Llyn Foulkes on Film.” The L Magazine, 23 April 2014. http://www.thelmagazine.com/newyork/embodied-and-evoked-sol-lewitt-and-llyn-foulkes-on-film/Content?oid=2349936

Fong, Phyllis. “’Converging Lines: Eva Hesse and Sol LeWitt’” (exhibition review). Art News 113, no. 7 (Summer 2014): 106, illustrated.

Fortescue, Elizabeth. “Get Outdoors and Explore Sydney’s City’s Fresh-air Art Gallery.” Herald Sun, 9 August 2014. http://www.heraldsun.com.au/travel/australia/get-outdoors-and-explore-sydneys-citys-freshair-art-gallery

Frost, Andrew. “Sol LeWitt: Your Mind is Exactly That Line – review” (Art Gallery of New South Wales exhibition review). The Guardian, 27 February 2014. http://www.theguardian.com/artanddesign/australia-culture-blog/2014/feb/27/sol-lewitt-your-mind-exactly-that-review-gallery-of-nsw-minimalism

Graves, Jen. “The Second Coming of Sol LeWitt.” The Stranger, 12 March 2014. http://www.thestranger.com/seattle/the-second-coming-of-sol-lewitt/Content?oid=19053944

Hoffman, Jordan. “Sol LeWitt” (film review). The Dissolve, 6 May 2014. http://thedissolve.com/reviews/774-sol-lewitt/

Hubert, Craig. “Documentary Attempts to Demystify Sol LeWitt” (film review). Artinfo, 6 May 2014. http://www.blouinartinfo.com/news/story/1031163/documentary-attempts-to-demystify-sol-lewitt

Macfarlane, Steve. “Sol LeWitt” (film review). Slant Magazine, 6 May 2014. http://www.slantmagazine.com/film/review/sol-lewitt

McDonald, John. “Outside the Box” (Art Gallery of New South Wales exhibition review). The Sydney Morning Herald, 1 March 2014. http://www.smh.com.au/entertainment/art-and-design/outside-the-box-20140227-33iz9.html

Motsinger, Carol. “Asheville Art Museum Presents Sol LeWitt Work” (exhibition preview). Citizen-Times, 3 August 2014. http://www.citizen-times.com/story/life/2014/08/03/asheville-art-museum-presents-sol-lewitt-work/13554523/

Ouirk, Justin. “Hesse & LeWitt: Two Lives and Work Converge in Austin” (Blanton Museum of Art exhibition review). Art Phaire, 9 April 2014. http://www.artphaire.com/hesse-lewitt-two-artists-lives-art-converge-austin/

Plagens, Peter. “Converging Lines: Eva Hesse and Sol LeWitt” (Blanton Museum of Art exhibition review). The Wall Street Journal, 23 April 2014: D5.

Pobric, Pac. “Private universities commission their own collections.” Art Newspaper 24, no. 261 (October 2014): 5, illustrated.

Pope, Nessia. “How the Grid Conquered Contemporary Art.” Artspace Magazine, 12 September 2014. http://www.artspace.com/magazine/art_101/how_the_grid_conquered_contemporary_art

Sabourin, Rachelle. “15 Things to Know About Sol LeWitt.” Complex Art + Design, 22 January 2014. http://www.complex.com/art-design/2014/01/sol-lewitt-art/

Scott, A. O. “An Artist Who Let His Ideas (and Others) Do the Work” (film review). New York Times, 7 May 2014: C5.

“Sol LeWitt at the Met – Wall Drawing #370 Installation: Days 1–3.” Met Media. Online video, 00:38. Accessed 9 June 2014. http://www.metmuseum.org/metmedia/video/collections/modern/sol-lewitt-time-lapse-1

Tibbits, Randy. "'Line: Making the Mark' at the MFAH Gives You Something to Figure Out" (exhibition review). Houston Press, 16 December 2014. http://blogs.houstonpress.com/artattack/2014/12/line_making_the_mark_mfah.php

Van Ryzin, Jeanne Claire. “Blanton Exhibit Explores the Friendship, Mutual Influence of Artists Eva Hesse and Sol LeWitt” (Blanton Museum of Art exhibition review). Austin American-Statesman, 19 March 2014. http://shar.es/BHGbm

Wallace, Ian. “The ABCs of Sol LeWitt’s Art.” Artspace Magazine, 3 July 2014. http://www.artspace.com/magazine/art_101/close-look-sol-lewitt

2013

“Artists Reanimate Sol LeWitt Wall Drawings on Montreal College Campus.” Artinfo, 19 September 2013. http://www.blouinartinfo.com/news/story/960290/artists-reanimate-sol-lewitt-wall-drawings-on-montreal-college?utm_source=BLOUIN+ARTINFO+Newsletters&utm_campaign=9907661adc-Daily+Digest+9.19.13&utm_medium=email&utm_term=0_df23dbd3c6-9907661adc-82809226

Battaglia, Andy. “Celebrating the Minimalist’s Music. Sol LeWit’s Vast Cassette Tape Collection Is on Exhibit, and a Concert Featuring Composer Steve Reich Benefits the Venue.” The Wall Street Journal, 14–15 December, 2013: A22.

Boyle, Katherin. “Sol LeWitt Artwork at National Gallery Collapses as Students Rush to Save It.” The Washington Post, 15 February 2013: illustrated.

Chan, Aleksander. “Two Iconic Sol LeWitt Pieces Added to UT’s Landmark’s Art Collection.” Culture Map Austin, 20 March 2013. http://austin.culturemap.com/newsdetail/03-20-13-two-iconic-sol-lewitt-pieces-added-to-uts-landmarks-art-collection/

Ferro, Shane. “New Day, New Sol LeWitt to Install at Avenues, Chelsea’s Hippest Elementary School.” Artinfo, 17 March 2013. http://blogs.artinfo.com/artintheair/2013/03/17/new-day-new-sol-lewitt-to-install-at-avenues-chelseashippest-elementary-school/

“Galleries—Chelsea: Sol LeWitt” (Paula Cooper Gallery exhibition review). The New Yorker, 23 September 2013: 33.

Heinrich, Will. “Sol LeWitt Paula Cooper Gallery” (exhibition review). New York Observer, 16 September 2013: B6–B7.

Henry, Joseph. “Artists Reanimate Sol LeWitt Wall Drawings on Montreal College Campus.” Artinfo, 19 September 2013. http://www.blouinartinfo.com/news/story/960290/artists-reanimate-sol-lewitt-wall-drawings-on-montreal-college?utm_source=BLOUIN+ARTINFO+Newsletters&utm_campaign=9907661adc-Daily+Digest+9.19.13&utm_medium=email&utm_term=0_df23dbd3c6-9907661adc-82809226

Johnson, Ken. “Sol LeWitt, Paula Cooper Gallery” (exhibition review). The New York Times, 6 September 2013: C29, illustrated.

Kozinn, Allan. “Visual Artists, Choosing To Play By Ear” (Aldrich Contemporary Museum exhibition review). The New York Times, 27 September 2013: C34, illustrated.

Krienke, Mary. “Sol LeWitt, Blondeau & Cie” (exhibition review). Art News 112, no. 7 (Summer 2013): 122, illustrated.

Lagnoado, Caroline. “Circles of Life: Art at JCC in Manhattan Goes ‘Conceptual’ with Sol LeWitt Work” (exhibition review). The Jewish Week, 16 August 2013. http://www.thejewishweek.com/arts/visual-arts/circles-life

“Learning Modern Art in Manhattan.” The Wall Street Journal, 15 March 2013: illustrated.

Mac Adam, Alfred. “Sol LeWitt: Paula Cooper and the Jewish Community Center in Manhattan” (exhibition review). Art News, 112, no. 10 (November 2013): 111, illustrated.

Tully, Kathryn. “Sol LeWitt’s $100 Drawings” (James Cohan exhibition review). Forbes, 1 January 2013. http://www.forbes.com/sites/kathryntully/2013/01/17/sol-lewitts-100-drawings/

Vogel, Carol. “Inside Art: LeWitt’s Reach Extends to Another Lobby.” The New York Times, 5 July 2013: C20, illustrated.

“WMCA Honored for Sol LeWitt Exhibition.” Bennington (Vt) Banner News, 11 May 2013. http://www.benningtonbanner.com/ci_23219967/wcma-honored-sol-lewitt-exhibit

2012

Azimi, Roxana. “Les Galeries Parisiennes à L’Heure Minimaliste” (JGM Galerie exhibition review). Le Quotidien de L’Art, 20 January 2012: 6, illustrated.

Baden, Eric. “Wish You Were Here: The Buffalo Avant-Garde in the 1970s” (exhibition review). Art Papers 36, no. 4 (July/August 2012): 40–41, illustrated.

Cembalest, Robin. “Consequence.” Tablet, 1 February 2012. http://www.tabletmag.com/jewish-arts-and-culture/89861/consequence

“Exposition: La Suprématie du Concept.” (JGM Galerie exhibition review). Art & Décoration (February/ March 2012): 213, illustrated.

Lydiate, Henry. “Contracts & Moral Rights: Authenticating Sol LeWitt.” Art Monthly, no. 358 (July–August 2012): 41.

Quiles, Daniel R. “Conceptual Art and the Photograph, 1964–1977” (exhibition review). The Burlington Magazine 154, no. 1308 (March 2012): 226, fig. 70, illustrated.

Rosboch, Lili. “LeWitt and Jensen” (The Pace Gallery exhibition review). Bloomberg Businessweek, 7 February 2012. http://www.bloomberg.com/news/2012-02-07/genoves-sells-out-lewitt-and-jensen-italian-photos-midtown-galleries.html

“Sol LeWitt Enfin Chez” (JGM Galerie exhibition review). Connaissance de Arts (February 2012): 114, illustrated.

Vaizey, Marina. “Exhibition: The Sculpture Show: Edinburgh.” The Burlington Magazine 154, no. 1311 (June 2012): 438, illustrated.

2011

Budick, Ariella. “Sol LeWitt Structures, 1965–2007.” Financial Times, 17 August 2011. http://www.ft.com/intl/cms/s/2/56053572-c8cf-11e0-a2c8-00144feabdc0.html#axzz1VUArAUhx

Douglas, Sarah. “The Outsiders.” The Art Newspaper 21, no. 229 (November 2011): 49, 51, illustrated.

Finkel, Jori. “New York's Public Art is a Breath of Fresh Air.” Los Angeles Times, 26 June 2011.

“Goings On About Town: Art: Take it Outside.” The New Yorker, 23 May 2011: 10.

Halle, Howard. “Art: Your guide to public art.” Time Out New York, 19–25 May 2011: 49, illustrated.

Hoban, Phoebe. “That Seventies Sensibility.” Art News 110, no. 10 (November 2011): 94, installation view.

“In Sight: The Shortlist.” Art in America, no. 4 (April 2011): 24.

Johnson, Ken. “Sculptural Surprises Grace the Streets.” The New York Times, 19 August 2011: C21, C23, illustrated.

Lakin, Jan. “Matters of Design.” Interior Design Magazine (September 2011): 207–208, illustrated.

Lindquist, Greg. “Sol LeWitt, Barbara Matthes” (exhibition review). Art News 110, no. 8 (September 2011): 108, illustrated.

“Mission Accomplished.” Interior Design Magazine (May 2011): 145–148, illustrated.

Pagel, David. “Art Review: Sol LeWitt at L.A. Louver” (exhibition review). Los Angeles Times, 10 February 2011. http://latimesblogs.latimes.com/culturemonster/2011/02/art-review-sol-lewitt-at-la-louver.html

Priestly, John. “Art=Text=Art, Richmond” (exhibition review). Art Papers 35, no. 6 (November/December 2011): 59, illustrated.

Rammos, Sarah. “Best Neighborhoods: A day in the Financial District.” Time Out New York, 22–28 September 2011: 22, illustrated.

Smith, Roberta. “Art In Review: Sol LeWitt, Arcs and Lines” (Paula Cooper Gallery exhibition review). The New York Times, 3 June 2010: C26, illustrated.

“Sol LeWitt at New York Streets” (City Hall Park exhibition review). Fahrenheit Magazine, 19 November 2011. http://www.fahrenheitmagazine.com/index.php?option=com_k2&view=item&id=3452:sol-lewitt-en-las-calles-de-nueva-york&lang=en

Vogel, Carol. “Inside Art: LeWitt Sculptures Sold.” The New York Times, 4 March 2011: C22.

2010

Bury, Stephen. “Artists’ Books: Sol LeWitt.” Art Monthly, no. 337 (June 2010): 31, illustrated.

Fontanesi, Emaniele. “Reviews: Wall and Floor” (Almine Rech exhibition review). Flash Art 43, no. 271 (March–April 2010): 119, installation view.

Knight, Christopher. “‘Calder to Warhol: Introducing the Fisher Collection @ SFMOMA” (exhibition review). Los Angeles Times, 15 July 2010. http://latimesblogs.latimes.com/culturemonster/2010/07.

2009

Anderson-Spivy, Alexandra. “Art and Idea” (MASS MoCA and Williams College Museum of Art exhibitions review). Artnet.com, http://www.artnet.com/ (accessed 8 January 2009).

Buduick, Ariella. “Logic that Sets a Line Free” (MASS MoCA exhibition review). Financial Times, 26 August 2009: 9, illustrated.

Friedman, Martin. “On Italian Walls: The LeWitt House in Praiano.” Art in America, no. 2 (February 2009): 108–115, illustrated.

A Gathering of the Tribes, no. 12 (2009): 57, illustrated.

“Insight: Outdoor Art in New York (and Beyond).” Art in America (November 2009): 42, illustrated.

Vogel, Carol. “Inside Art: Find Work Online.” The New York Times, 2 January 2009: C30.

Vogel, Carol. “Subway Riders Are Greeted by a Blast of Sol LeWitt Color.” The New York Times, 14 September 2009: C1+, illustrated.

Wallis, Stephen. “Pictures at an Exhibition.” Departures (September 2009): 92–99, illustrated; cover.

Wei, Lilly. “Reviews: National—Sol LeWitt” (MASS MoCA exhibition review). Art News (Summer 2009): 134, illustrated.

2008

Annual Report: Allen Memorial Art Museum, FY 2006–2007 (September 2008): illustrated.

Cotter, Holland. “Now in Residence: Walls of Luscious Austerity” (MASS MoCA exhibition review). The New York Times, 5 December 2008: C25, C32, illustrated.

Falkenstein, Michelle. “International News: Showing ‘Our Best Side’.” Art News 107, no. 7 (Summer 2008): 90–91, illustrated.

Gennochio, Benjamin. “There’s Beauty in Numbers” (Heckscher Museum of Art exhibition review). The New York Times, 8 June 2008: Arts and Entertainment, 10.

Grant, Daniel. “MASS MoCA Show to Feature Old Works with Fresh Paint.” Wall Street Journal, 20 August 2008: D9, illustrated.

“Installation begins on Mass Moca’s Sol LeWitt murals.” The Art Newspaper 27, no. 190 (April 2008): 22.

Klein, Jennie. “Repeat Performances: Seriality and Systems Art Since 1960” (exhibition review). Art Papers (March/April 2008): 65.

McElroy, Steven. “Arts, Briefly: LeWitt Retrospective.” The New York Times, 17 November 2008: C2, illustrated.

Miller, Leigh Anne. “Artworld: LeWitt Writ Large” (MASS MoCA exhibition preview). Art in America (November 2008): 216, illustrated.

Peiffer, Prudence. “The Eye’s Mind: Prudence Peiffer on Sol LeWitt at MASS MoCA” (exhibition preview). Artforum 47, no. 1 (September 2008): 217, illustrated

Rosenberg, Herman. “Amerika is overal.” AD Den Haag Sculptuur (Summer 2008): 19, illustrated.

Scanlan, Joe. “Modest Proposals.” Artforum 46, no. 8 (April 2008): 313–319, illustrated.

“Sol Lewitt (1928–2007).” Contact Sheet, no. 147 (Annual 2008): 58–59, illustrated.

Smith, Roberta. “Art in Review: Begin Again Right Back Here” (White Columns exhibition review). The New York Times, 2 October 2008.

Tannenbaum, Judith. “Styrofoam: From Industrial Inventioin to Artistic Transformation.” Rhode Island School of Design, Museum of Art, no. 29 (Spring 2008): 6, illustrated.

“2007 in Review: Obituaries.” Art in America 2008 Guide (Annual 2008–2009): 61, illustrated.

“2007 in Review: Public Art.” Art in America 2008 Guide (Annual 2008–2009): 56, illustrated.

Wapshott, Nicholas. “Paint by LeWitt’s Number” (MASS MoCA exhibition review). New York Sun, 30 June 2008: 20, illustrated.

2007

“A Big Draw” (PaceWildenstein exhibition review). Gotham (September 2007): 168.

Bochner, Mel and John Baldessari. “Passages: Outside the Box” (obituary). Artforum (Summer 2007): 101–102, illustrated.

Bonami, Francesco. “Isolated Incident” (Venice Biennale exhibition review). Artforum (September 2007): 396.

“Briefing: Retrospective, Sol LeWitt” (obituary). Time, 23 April 2007: 22, illustrated.

Cash, Stephanie. “Report from Colorado: The Hills Are Alive” (Denver Art Museum opening review). Art in America (February 2007): 56–65.

Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts” (exhibition review). New York Sun, 11 June 2007: 15.

“Conceptual painter Sol LeWitt, 78, dies” (obituary). Times Herald–Record, 10 April 2007: 17, illustrated.

“Death of an artist: Sol LeWitt succumbs to cancer in New York” (obituary). Financial Times, 10 April 2007: 2, illustrated.

Deschenes, Liz. “Best of 2007: The Artist’s Artists—‘Sol LeWitt’ (Paula Cooper Gallery, New York).” Artforum (December 2007): 131.

Elbert, David. “Artwork Goes Up … and Up.” Des Moines Register, 14 April 2007.

Finkelstein, Alix. “The Equal Opportunity Artist” (PaceWildenstein and Paula Cooper Gallery exhibition review). New York Sun, 13 September 2007: 19, illustrated.

“Galleries—Uptown: Sol LeWitt” (PaceWildenstein exhibition review). The New Yorker, 24 September 2007: 60, 62.

Garrels, Gary. “National News: A Workman of Ideas” (obituary). Art News 106 (June 2007): 70, illustrated.

Genocchio, Benjamin. “Sculptures Chiseled With Light: Dan Flavin’s Works Inspire and Enchant in an Exhibition Starting With Pieces From the 1960s” (Guild Hall Museum exhibition review). The New York Times, 1 July 2007: Arts and Entertainment, 10, illustrated.

Govan, Michael. “Famous in 2112?” Art News 106 (November 2007): 203, discussed.

Grosz, David. “National News: 50 Drawings, 25 Years.” Art News 106 (January 2007): 54.

Ketcham, Diana. “Illuminating Kahn” (Yale University Art Gallery’s restoration). Art News (March 2007): 114–116, illustrated.

Kimmelman, Michael. “Sol LeWitt, Postwar Artistic Innovator and Master of Conceptualism, Dies at 78” (obituary). The New York Times, 9 April 2007: A15, illustrated.

Krauss, Rosalind. “LeWitt’s Ark.” October (Summer 2007): 111–113, illustrated.

Levin, Kim. “New York Reviews: Sol LeWitt at the Whitney Museum, PaceWildenstein, and Paula Cooper.” Art News 106 (November 2007): 194.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Lippard, Lucy R. “Front Page—Back to Square One: Remembering Sol LeWitt (1928–2007)” (obituary). Art in America (June/July 2007): 47, illustrated.

Litt, Steve. “Links to a Legacy: Oberlin Exhibit Retraces Late Artist’s Conceptual Evolution” (Allen Memorial Art Museum exhibition review). Plain Dealer, 15 May 2007: EI, EX, illustrated.

MacAdam, Barbara A. “Reviews: The Venice Biennale” (exhibition review). Art News 106 (September 2007): 144–145.

Marsh, Joanna. “Appreciation: Gentle Humanity and Penetrating Vision—Remembering Sol LeWitt (1928–2007)” (obituary). American Art: Smithsonian American Art Museum 21 (Fall 2007): 110–111, illustrated.

Masheck, Joseph. “Black Square.” Art Monthly (July–August 2007): 12, illustrated.

McNulty, Timothy. “Carnegie Putting a Fresh Coat on Sol LeWitt’s Wall Drawings, Just as Artist Intended.” Pittsburgh Post Gazette, 21 March 2007.

Morgan, Jessica. “Categorical Imperatives” (Venice Biennale exhibition review). Artforum (September 2007): 391–397.

Reynolds, Jock. “Famous in 2112?” Art News 106 (November 2007): 207, discussed.

Rockburne, Dorothea. “A Tribute to Sol LeWitt.” Brooklyn Rail (May 2007): 19, illustrated.

Saltz, Jerry. “Written on the Wall and in the Wind” (obituary). Artnet.com, 11 April 2007. http://www.artnet.com/magazineus/features/saltz/

Siegel, Katy. “The Buck Stops Here” (Venice Biennale exhibition review). Artforum (September 2007): 388–397.

Sobieski, Elizabeth. “FAPE: The Art of Diplomacy.” The Art Economist, no. 7 (2007): 40–46, illustrated.

Storr, Robert. “Lead by Example: Sol LeWitt’s Exemplary Approach to Art and Life.” Frieze (November–December 2007): 19, illustrated.

Taylor, Kate. “Arts & Letters: A ‘LeWitt’ in Atlantic Yard’s Path.” New York Sun, 25 May 2007: 1, 15, illustrated.

Tupitsyn, Margarita. “Black Square: Hommage à Malevich” (exhibition review). Artforum (September 2007): 465, illustrated.

Vetrocq, Marcia. “The Venice Biennale, all’americana” (exhibition review). Art in America (September 2007): 136–147+.

2006

American Craft (August/September 2006): 10, illustrated.

Bernstein, Fred A. “House Proud: A Contemporary Retreat With a 100-Year-Old Soul.” The New York Times, 12 October 2006: F5, illustrated.

Bonenti, Charles. “New Curator Would Study Artist Lewitt.” berkshireeagle.com, 31 October 2006: http://www.berkshireeagle.com.

Cunningham, Bill. “Evening Hours: Out and About.” The New York Times, 30 July 2006: illustrated.

Drohan, Glenn. “MoCA Milestone: $6M Project to Add New Dimension to Museum.” North Adams Transcript, 27 October 2006.

Feeney, Mark. “Mass MoCA, Yale University Art Gallery Forge Pact.” Boston Globe, 26 October 2006.

Glueck, Grace. “The Enduring Allure of Scratching on Metal” (The Compulsive Line exhibition review). The New York Times, 9 March 2006: E7, discussed.

Kestner, Elizabeth. “Conceptual Art Adorns Zilkha: Up Against the Wall Opens.” The Wesleyan Argus CXLII, no.3, 15 September 2006.

Kimmelman, Michael. “Art/Architecture.” The New York Times, 5 November 2006: 4.

“LeWitt Wall Drawings at Mass MoCA.” artnet.com, 2 November 2006: http://www.artnet.com/

Lynch, Kevin. “Reclusive Artist Lets Work Speak” (Madison Museum of Contemporary Art exhibition review). Madison.com, 17 November 2006: http://www.madison.com/toolbox/.

Mannisto, Glen. “Rough Drafts & Desperate Beauty” (Cranbrook Art Museum exhibition review). Metro Times Detroit, 8 November 2006.

Morgan, Robert. “A Leap into the Unknown: A Conversation with Sol LeWitt.” Sculpture 25, no. 3 (April 2006).

Murray, Kathleen.”LeWitt’s Art Really Does Start with the Concept” (Dia:Beacon exhibition preview). Poughkeepsie Journal, 15 September 2006.

“New Sculpture in the Gardens” (LongHouse Reserve exhibition preview). LongHouse Reserve Newsletter, no. 1 (Spring 2006): 6–7, illustrated.

O’Steen, Danielle. “The Writing on the Walls: Sol LeWitt at Dia:Beacon.” Artinfo.com, October 2007.

Ouroussoff, Nicolai. “A Razor–Sharp Profile Cuts Into a Mile–High Cityscape.” The New York Times, 12 October 2006: illustrated.

Schmerler, Sarah. “The Compulsive Line: Etching 1900 to Now at the Museum of Modern Art, New York” (exhibition review). Art on Paper 10 (July/August 2006): 66–67.

Searle, Adrian. “Second Thoughts.” The Guardian, 7 December 2006.

Sherwin, Skye. “Come to Daddy: Jonathan Monk/Sol LeWitt” (Lisson Gallery exhibition review). Art Review (December 2006): 27.

The Southampton Press, 4 May 2006: B8, illustrated.

Swartz, Anne. “The Sexy Sol LeWitt.” NY Arts Magazine (July 2006).

Topper, Scott. “Art Review: Is This Your Idea of Art? Sol LeWitt Challenges You to Find the Genius in His Simplicity” (Madison Museum of Contemporary Art exhibition review). Madison.com, 1 December 2006: http://www.madison.com/toolbox/.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89, illustrated.

Vogel, Carol. “Inside Art: Sol LeWitt at Mass MoCA.” The New York Times, 27 October 2006: E30.

2005

Ayers, Robert. “Sol LeWitt.” Art News (October 2005): 182.

Baker. “Galleries: Chelsea-Sol LeWitt” Village Voice, 24–30 August 2005: C75.

Carson, Juli. “Five Paragraphs on Sol LeWitt.” ArtUS, no. 8 (May/June 2005): 29–37, illustrated

Church, Amanda. “Sol LeWitt, Paula Cooper Gallery, New York” (exhibition review). Art on Paper 10 (November/December 2005): 77.

Cohen, David. “Arts & Letters–Gallery Going: When the Rule Ruled” (exhibition review). New York Sun, 3 March 2005: 19+.

Cohen, David. “Gallery-Going: Sol LeWitt & Summer Group Show” (exhibition review). New York Sun, 21 July 2005: 17, illustrated.

Cotter, Holland. “Art in Review: ‘Logical Conclusions’” (exhibition review). The New York Times, 18 March 2005: E42.

Ebony, David. “LeWitt’s Six Walls: Ghost of Tilted Arc?” Art in America (January 2005): 158.

Egan, Maura. “Style: Our Town.” The New York Times Magazine, 27 March 2005: 38–39.

Esplund, Lance. “The East Side Braces Itself For the Summer of Sol.” New York Sun, 28 April 2005: 1, 16, illustrated.

Fels, Sophie. “Art: Sol LeWitt, ‘Splotches, Whirls and Twirls’” (exhibition review). Time Out New York, 15–21 September 2005: 105, illustrated.

“Galleries–Chelsea: Sol LeWitt” (PaceWildenstein exhibition review). The New Yorker, 8 & 15 August 2005: 20.

“Galleries–Chelsea: Sol LeWitt at Paula Cooper.” The New Yorker, 26 September 2005: 46.

Gardner, James. “Art Attack: Sol LeWitt.” New York Post, 20 August 2005: 27.

“Goings On About Town–Art: LeWitt Country.” The New Yorker, 8 & 15 August 2005: 12.

“Goings On About Town–Art: LeWitt on Paper.” The New Yorker, 26 September 2005: 32.

Harris, Jane. “The ruling class: Seeking the poetic potential of neutral signs” (exhibition review). Village Voice, 16–22 March 2005: 8.

Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.

Hudson, Suzanne. “Reviews: Sol LeWitt, Metropolitan Museum of Art/Madison Square Park/PaceWildenstein” (exhibition review). Artforum (November 2005): 250–251, illustrated.

Kennedy, Randy. “The Week Ahead, April 24–30: Art” (Metropolitan Museum of Art exhibition preview). The New York Times, 24 April 2005: 31, illustrated.

Kugel, Seth. “Fixed Position: Castles in the Air.” The New York Times, 23 June 2005: G9.

Lassar, Terry J. “Unconventional Art Spaces.” Urban Land (October 2005): 126–129.

LeWitt, Sol. “Stop Making Sense.” Art on Paper (July/August 2005): 54–55.

Lurch, Catkin. “Quadrat in Quadrat.” Frankfurter Allgemeine Zeittug, 22 October 2005.

MacAdam. Barbara A. “Reviews: New York–Logical Conclusions, PaceWildenstein” (exhibition review). Art News 104 (June 2005): 119.

Maine, Stephen. “Review of Exhibitions: Sol LeWitt at the Metropolitan Museum, Madison Square Park and PaceWildenstein” (exhibition review). Art in America (October 2005): 169–170, illustrated.

Morgan, Robert C. “Reviews: Logical Conclusions, PaceWildenstein, New York” (exhibition review). tema celeste 110 (July–August 2005): 69.

Pagel, David. “The Wild Side of Geometry.” Los Angeles Times, 18 November 2005: E24–E25.

Persing, Stephen. “Climbing the Walls for Art.” Art in America (October 2005): 146–151+, illustrated.

Plachy, Sylvia. “Goings On About Town” (Metropolitan Museum of Art exhibition preview). The New Yorker, 25 April 2005: 10, illustrated.

Pohlen, Annelie. “Sol LeWitt: Lost Voices.” Kunstforum, no. 176 (June–August 2005).

Rubenstein, Dan. “Defining Moment.” House & Garden (March 2005): 156–157.

Ryzik, Melena Z. “Nonmemorial: Sol LeWitt’s 25 Towers.” The New York Times, 3 July 2005: AR4.

Thibodeaux, Julianna. “Reviews: National–Indianapolis Museum of Art” (exhibition review). Art News 104 (November 2005): 191–192, illustrated.

Tuchman, Phyllis. “The New York 12: A Guide to Sol LeWitt Wall Drawings in New York City.” Artnet.com, 12 May 2005.

Vogel, Carol. “More Art in a Park: Columns, Not Gates.” The New York Times, 18 March 2005: E38.

Wilder, Matthew. “Sol LeWitt: Margo Leavin Gallery.” Artforum (December 2005).

2004

Baker, Kenneth. “LeWitt’s Wall Art Requires Plenty of Hands.” San Francisco Chronicle, 31 August 2004.

Blum, Andrew. “The White Zone is for Loading and Unloading Art: At the Toronto Airport, Air Canada Shares Space with Richards Serra and Sol LeWitt.” The New York Times, 28 March 2004: 28.

Bonetti, David. “Sol LeWitt.” Post Dispatch, 3 October 2004.

Christofori, Ralf. “Sol LeWitt: Kunsthuas, Graz.” Frieze (June/July/August 2004): 143–144, illustrated.

Cohen, David. “Gallery–Going: Sol LeWitt” (PaceWildenstein exhibition review). New York Sun, 4 March 2004: 19, illustrated.

Genocchio, Benjamin. “LeWitt the Collector, Filling Up a Warehouse.” The New York Times, 1 January 2004: E3.

Godfrey, Mark. “Dimensions Variable.” Frieze (June/July/August 2004): 116–121, illustrated.

Gruber, Samuel D. “At Syracuse University, Undulating Walls Commemorate Vanishing Barriers.” Forward (December 2004).

Henry, Clare. “Sculptors Poles Apart but of Their Age” (PaceWildenstein exhibition review). Financial Times, 3 March 2004: illustrated.

Johnson, Ken. “Three Radicals, Two Generations: Revisiting Sculpture From the 60’s” (PaceWildenstein exhibition review). The New York Times, 12 March 2004: E31.

Karmel, Pepe. “The Year of Living Minimally” (Museum of Contemporary Art exhibition review). Art in America (December 2004): 90–101, 149.

Kimmelmann, Michael. “How Not Much is a Whole World.” The New York Times, 2 April 2004.

Lawrence, Sidney. “Around The Mall: Who is the Artist?” Smithsonian (March 2004): 39–40, illustrated.

McDowell, Edwin. “Once a Store, New Facilities for the New School.” The New York Times, 3 January 2004: 1.

Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum (Summer 2004): 220–228, illustrated.

“RISD to Feature Major Works of Sol LeWitt.” East Side Monthly (March 2004): 39.

Smith, Roberta. “Designers for a Day: Sculptors Take a Turn” (Cooper–Hewitt National Design Museum exhibition review). The New York Times, 10 September 2004: E25, illustrated.

Van Siclen, Bill. “Conceptual Art: It’s the Thought that Counts.” Providence Journal, 4–7 March 2004: 12.

Vogel, Carol. “Sol LeWitt’s College Gift.” The New York Times, 24 December 2004: E42.

Wenman, Neil Robert. “Space Invasion.” The Architects’ Journal, 1 April 2004: 50.

2003

Boettger, Suzan. “Inside the Box Factory.” Artnet.com, 3 June 2003.

Gandee, Charlies. “Heavy Metal.” The New York Times, 13 April 2003: 44.

Kimmelman, Michael. “The Forgotten Godmother of Dia’s Artists.” The New York Times, 11 May 2003: 19.

LeWitt, Sol. “Sol LeWitt.” Interviewed by Saul Ostrow. Bomb Magazine (Fall 2003): 22–29, illustrated.

Milroy, Sarah. “Art That’s Ready for Takeoff.” Globe and Mail, 6 December 2003.

Pillow, Kirk. “Did Goodman’s Distinction Survive LeWitt?” The Journal of Aesthetics and Art Criticism 61, no. 4 (Fall 2003): 365–380.

Pollack, Barbara. “Working on commission.” Art + Auction (October 2003): 108–115, illustrated.

Princenthal, Nancy. “Dia: Beacon The Imperturbables.” Art in America (July 2003): 62–72.

Stickney, John. “What’s Doing in Williamstown.” The New York Times, 8 June 2003: 14.

Vogel, Carol. “University Colors.” The New York Times, 4 April 2003: E36.

2002

“‘American beauty.’ Annely Juda Fine Art” (exhibition review). Art Newspaper (May 2002).

Belcove, Julie L. “Vanity Fair.” W Magazine (September 2002): 474–485.

Bruni, Frank. “Come Back Michelangelo, the Marble Needs You.” The New York Times, 28 August 2002: A4.

Campbell–Johnston, Rachel. “Rachel Campbell–Johnston’s best London exhibitions: ‘American Beauty’: Part One. Annely Juda.” Times London (June 2002).

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25 October 2002: E38.

“Galleries-Uptown: Sol LeWitt” (PaceWildenstein exhibition review). The New Yorker, 23 September 2002: 20.

Glueck, Grace. “Sol LeWitt New Wall Drawings” (PaceWildenstein exhibition review). The New York Times, 13 September 2002: E31.

Keats, Jonathon. “Extra Art at CCAC’s Logan Galleries.” Artweek (February 2002): 19–20.

Kent, Sarah. “American Beauty at Annely Juda” (exhibition review). Time Out London, 26 June–3 July 2002.

Kinsella, Eileen. “Don’t Waste the Deduction.” Art News (September 2002): 128, illustrated.

Kramer, Hilton. “Critics Notebook: Drawing Praise and Criticism” (National Gallery of Art exhibition review). Art & Antiques (April 2002): 84–85.

Landi, Ann. “Interior Motives.” Art News (January 2002): 94–95.

Leffingwell, Edward. “Review of Exhibitions: Sol LeWitt at PaceWildenstein” (exhibition review). Art in America (December 2002): 106.

McKown, Rich. “Cape Museum of Fine Arts/Dennis: Haynes Ownby: Patterns of Thought.” Art New England (February/March 2002): 40.

Morgan, Robert C. “Sol LeWitt: Systemic Art Made Visual.” Sculpture (June 2002): 30–35.

Muchnic, Suzanne. “City Focus. New Directions.” Art News (June 2002): 80–86.

Smith, Roberta. “Retreat From the Wild Shores of Abstraction.” The New York Times, 18 October 2002: B29, B31.

“Working Proof: Sol LeWitt.” Art on Paper (January–February 2002): 76–77.

2001

Bagg, Mary. “Sol LeWitt’s Concepts Become Artistic Reality.” Valley Magazine (2001).

Battista, Carolyn. “Inside Four Walls, A Surge of Creativity.” The New York Times, 12 August 2001.

Birke, Judy. “In Lewitt Exhibit, Thinking Outside the Lines.” New Haven Register, 25 March 2001: G1, G5.

Brenson, Michael. “High Concept” (exhibition review). New York, 1 January 2001: 85.

Calame, Ingrid. “Sol LeWitt at Margo Leavin and Regen Projects” (exhibition review). Art Issues (November/December 2001): 48.

“Creating Perfection: Shaker Objects and Their Affinities.” Sculpture (May 2001): 74.

Dailey, Meghan. “If these walls could talk” (exhibition review). Time Out New York, 4–11 January 2001: 45.

Danto, Arthur C. “A Taste for Desert Landscapes?” The Nation, 5 February 2001: 34–37.

Drohojowska–Philip, Hunter. “Conceptualism by Proxy.” Los Angeles Times, 26 September 2001: F1, illustrated.

Gibson, Eric. “The Gallery: The Minimalist as Maximalist” (exhibition review). Wall Street Journal, 4 January 2001: A16.

Hughes, Robert. “A Beauty Really Bare.” Time, 5 February 2001: 73–74.

Lamy, Frank. “Sol Lewit: Liberte sous Contraintes.” Beaux Arts Magazine (September 2001): 26.

Levin, Kim. “Sol LeWitt: Whitney Museum of American Art, PaceWildenstein, Paula Cooper” (exhibition review). Art News (February 2001): 153.

Lewis, Jo Ann. “There. That’s the Ideal.” Washington Post, 7 January 2001.

LeWitt, Sol. “Interview with Sol LeWitt.” Interview by Andreas Reiter–Raabe. Camera Austria, no. 73 (2001): 21–24.

Meyer, James. “The Mirror of Fashion.” Artforum (May 2001): 135–138.

Missakian, Natalie. “Teens Line Up For Art Exhibit.” New Haven/State, 26 July 2001: A3–4.

Ollman, Leah. “In Two Surprising Exhibitions, LeWitt Starts to Get Emotional.” Los Angeles Times, 21 September 2001: F16, illustrated.

Rothkopf, Scott. “Sol LeWitt: Incomplete Open Cubes” (exhibition review). Artforum (Summer 2001): 177.

Torres, Ana Maria. “Sol LeWitt: Beyond the Wall.” NY Arts 5, no. 12 (January 2001): 35–37.

2000

Artner, Alan. “LeWitt Finds His Muse in a Private Place.” The Chicago Tribune, 18 August 2000: Section 5, 1.

Baker, Kenneth. “LeWitt’s Approachable Concepts: Wall Drawings Sweep Viewers into Ideas.” San Francisco Chronicle, 18 February 2000.

Baker, Kenneth. “Variations on LeWitt Themes.” San Francisco Sunday Examiner & Chronicle, 13 February 2000: 34.

Bernstein, Fred. “Hey Don’t Touch the Wall! It’s a LeWitt.” The New York Times, 2 March 2000: F1, F15.

Bohlen, Celestine. “Step by Step, Sol LeWitt’s Work Climbs the Walls at the Whitney.” The New York Times, 6 December 2000: E1.

Bois, Yve–Alain. “Sum and the Parts.” Artforum (February 2000): 92–97.

Bonetti, David. “The Pure Ideas of LeWitt.” San Francisco Examiner, 18 February 2000: C1, C16.

Brenson, Michael. “What’s His Line?” New York, 11 September 2000: 118–120.

Buskirk, Martha. “Planning for Impermanence.” Art in America (April 2000): 112–119, 167.

Coen, Esther. “Sinfonia di colori ed emozioni.” La Repubblica, 15 May 2000.

Dannatt, Adrian. “Sol LeWitt in retrospect at the San Francisco Museum of Modern Art. From Concept to Completion.” Art Newspaper (March 2000): 47.

Duehr, Gary. “Sol LeWitt.” Arts Media (February/March 2000).

Feiring, Alice. “Wine Shrine: Reviving a Vintage Chapel.” Elle Décor (April 2000): 100.

Gardner, James. “The Minimum & More.” New York Post, 8 December 2000: 1, 42.

Helfand, Glen. “Beauty and the Brain.” San Francisco Bay Guardian, 16 February 2000: 55–57.

Kalina, Richard. “Means and Ends.” Art in America (November 2000): 119–128, illustrated.

Kastner, Jeffrey. “A Playful Geometry Make the Complex So Simple.” The New York Times, 3 December 2000: 33, 37.

Kimmelman, Michael. “Conceptualism, by the Gallon, Covers the Walls” (exhibition review). The New York Times, 8 December 2000: E37, E42.

Knight, Christopher. “LeWitt Turns the Logical into the Spiritual.” Los Angeles Times, 8 March 2000: F1, F14.

Kramer, Hilton. “LeWitt’s Retrospective: Did He Want to Bore Us?” New York Observer, 18 December 2000: 1, 25.

Levin, Kim. “Sol LeWitt” (exhibition review). Village Voice, 19 December 2000.

LeWitt, Sol. “Interview: Sol LeWitt.” New York Examiner (December 2000–January 2001).

Liebmann, Lisa. “Top 10: #2 Sol LeWitt.” Artforum (December 2000): 134.

Littlejohn, David. “On and Off the Wall” (San Francisco Museum of Modern Art exhibition review). Wall Street Journal, 10 March 2000: W16.

Moore, Christopher. “947 Words and One Cube.” The Dartmouth Contemporary (Fall 2000): 13.

Nakamura, Marie–Pierre. “Sol LeWitt: Cercles. Carrés. Cônes. Étoiles.” Art Actuel (March–April 2000): 48–49.

Norden, Linda. “A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums.” Harvard University Art Museums Bulletin, no. 2 (2000): 101–102.

Rosoff, Patricia. “Matters of Fact.” The Hartford Advocate, 28 December 2000: 12–14.

Schjeldahl, Peter. “Less Is Beautiful.” The New Yorker, 13 March 2000: 98–99.

Sherman, Mary. “LeWitt Corners Market on Cubist Artistry.” Boston Sunday Herald, 13 February 2000: 66.

“Time Off: A Week of Diversions. Art: Sol LeWitt: A Retrospective.” Wall Street Journal, 28 February 2000.

Torres, Ana Maria. “Sol LeWitt: Beyond the Wall.” NY Arts 5, no. 12 (2000): 35–37.

1999

Baker, Kenneth. “Making More Out of Minimalism.” San Francisco Chronicle, 31 July 1999: 1C, 10C

Haldane, John. “Sol LeWitt and David Tremlett.” Art Monthly (October 1999).

Johnson, Ken. “Sol LeWitt, Paula Cooper Gallery.” The New York Times, 22 April 1999.

Sozanski, Edward J. “LeWitt's artwork takes shape at ICA.” Philadelphia Inquirer Magazine, 19 May 1999: D1, D7.

Smith, Roberta. “Wall Drawings, Lance Fung Gallery.” The New York Times, 11 June 1999.

Thompson, Cheri. “Sol LeWitt—Twice as Nice.” Art & Antiques (November 1999): 32.

Vogel, Carol. “Inside Art: National Gallery Fills Its Garden.” The New York Times, 19 March 1999: E36.

Vogel, Carol. “Sol LeWitt Throws Curves into a Bastion of the 30’s.” The New York Times, 22 April 1999: E1, E3.

Ward, Frazer. “Sol LeWitt: New Wall Drawings” (PaceWildenstein exhibition review). Documents (Winter 1999): 47–48.

1998

Adams, Brooks. “Anybody Can Do It—And That’s the Point” (PaceWildenstein exhibition review). Interview (June 1998): 50–51.

Bonetti, David. “Wall-to-Wall LeWitt.” San Francisco Examiner, 13 January 1998: C1.

“Goings on About Town: Sol LeWitt” (PaceWildenstein exhibition review). The New Yorker, 5 October 1998.

Kuspit, Donald. “Sol LeWitt/PaceWildenstein” (exhibition review). Artforum (November 1998): 112.

Levin, Kim. “Art: Galleries-Downtown: Sol LeWitt.” Village Voice, 13 October 1998.

Morgan, Robert C. “Jugendstil Meets Sixties Psychodelia Sol LeWitt” (PaceWildenstein exhibition review). Cover 12, no. 6 (1998): 23.

Smith, Roberta. “Art Guide, Galleries: Soho-Sol LeWitt” (exhibition review). The New York Times, 2 October 1998: E38, illustrated.

Smith, Roberta. “Sol LeWitt/PaceWildenstein” (exhibition review). The New York Times, 18 September 1998: E35.

“Sol LeWitt” (PaceWildenstein exhibition review). The New Yorker, 12 October 1998: 19.

1997

Artner, Alan. “Primary Structures.” Chicago Tribune, 6 June 1997.

Baker, Kenneth. “LeWitt Turns Ideas into Art.” San Francisco Sunday Examiner & Chronicle, 12 January 1997.

Camper, Fred. “Monuments of Geometry.” Chicago Reader, 30 May 1997: 30.

Glueck, Grace. “Sol LeWitt Making Waves and Sending a Message.” The New York Times, 24 August 1997: C24.

Gragg, Randy. “The Art of Humility.” Oregonian, 7 December 1997.

Johnson, Ken. “Sol LeWitt: Ubu Gallery.” The New York Times, 14 November 1997: C24.

Kalina, Richard. “Sol LeWitt at Ace.” Art in America 85, no. 11 (November 1997): 122.

Liebmann, Lisa. “Top Ten x 12—The Year in Review: Sol LeWitt at Ace Gallery.” Artforum (December 1997): 83.

Litt, Steven. “Celebrating the Power of Ideas in Art.” Cleveland Plain Dealer, 7 February 1997: F1.

Rossoff, Patricia. “The Building Blocks of Art.” Hartford Advocate, 11 December 1997.

Rush, Michael. “Sol LeWitt Wall Paintings 1997.” Review, 1 June 1997: 17–18

Tucker, Paul Hayes. “Sol LeWitt: Ace.” Art News 96, no. 10 (November 1997): 228.

1996

Canton, Katia. “Sol LeWitt faz ondulacoes na Dan Galeria.” Acontece Especial, 23 October 1996: 3.

Chaimovich, Felipe. “Sol LeWitt Mostra Producao Recente.” Jornal da Tarde, 23 October 1996: 12C.

Cotter, Holland. “El Anatsui and Sol LeWitt.” The New York Times, 5 July 1996: C24.

Kandel, Susan. “LeWitt’s Paintings: A Wall of Color, Concepts.” Los Angeles Times, 5 December 1996.

Kastner, Jeffrey. “LeWitt’s Wisdom: The Grand Old Man of Conceptual Art.” Forward, 15 March 1996.

MacAdam, Barbara A. “Sol LeWitt: A Tale of Two Squares.” Art News 95, no. 5 (June 1996): 102.

Rush, Michael. “Sol LeWitt: More Than an Idea.” Art New England (October/November 1996): 24–25.

Sherman, Mary. “LeWitt Builds Art on Reason.” Boston Sunday Herald, 6 September 1996: 54.

Smith, Roberta. “A Self–Effacing Avowal of Geometry’s Power.” The New York Times, 2 February 1996.

Viegas, Camila. “Dan Galeria recebe guaches de Sol LeWitt.” O Estado de Sao Paulo, 19 October 1996: D13.

1995

Cotter, Holland. “Personal Without Personality.” The New York Times, 6 October 1995: C16.

Dorsey, John. “Sol LeWitt's art sounds stiff and looks sensuous.” The Sun, 12 February 1995: J1.

Gardner, James. “The Passion of Sol LeWitt.” New York Review of Art 2, no. 2 (March–April 1995): 4–5.

MacAdam, Barbara A. “Sol LeWitt: Ace, Lawrence Markey, John Weber.” Art News 94, no. 9 (November 1995): 241.

Raynor, Vivien. “Portraits and Wall Drawings.” The New York Times, 6 August 1995.

Rowlands, Penelope. Art News 94, no. 1 (January 1995): 168.

Russ, Sabine. “Sol LeWitt: New Structures: Ace Gallery.” Zing Magazine (Autumn 1995).

Smith, Roberta. “Touring the Outer Limits of the LeWitt Sensibility.” The New York Times, 7 April 1995: C35.

Stapen, Nancy. “Boston: Sol LeWitt: Museum of Fine Arts.” Art News 94, no. 1 (January 1995): 168.

Turner, Jonathan, “Accumulations, Zerynthia.” Art News 94, no. 9 (November 1995): 254.

1994

Coen, Ester. “Sol LeWitt idee al cubo.” La Republica, 10 July 1994.

Goodman, Jonathan. “Sol LeWitt: Gallery 128.” Art News 93, no.1 (January 1994): 138.

Gutterman, Scott. “Sol LeWitt: Drawings.” Art & Antiques Magazine (November 1994): 97.

Kimmelman, Michael. “The Playful Side of a Usually Austere Artist.” The New York Times, 23 October 1994: 48.

Levin, Kim. “Art: Sol LeWitt” (The Pace Gallery exhibition review). Village Voice, 1 March 1994: 65.

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America 82, no. 10 (October 1994): 90–101.

Schjeldahl, Peter. “Saint Sol.” Village Voice, 15 March 1994: 83.

“Sol LeWitt” (The Pace Gallery exhibition review). The New Yorker, 21 February 1994: 21.

Temin, Christine. “The fine lines of Sol LeWitt.” Boston Globe, 16 September 1994.

1993

Johnson, Ken. “Art and Memory.” Art in America 81, no. 11 (November 1993): 90–99.

Kuspit, Donald. “Sol LeWitt.” Artforum 32, no. 2 (October 1993): 97.

LeWitt, Sol. “Sol LeWitt Interviewed.” Interview by Andrew Wilson. Art Monthly, no.164 (March 1993): 3–9.

Sherman, Mary. “Sol LeWitt: Twenty–Five Years of Wall Drawings, 1968–1993.” Art News 92, no. 9 (November 1993): 170.

Smith, Roberta. “An In–Depth Look at Some Writing on the Wall.” The New York Times, 23 May 1993: 36, 40.

1992

Cotter, Holland. “Sol LeWitt.” The New York Times, 24 January 1992.

De Ferrari, Gabriella. “Sol LeWitt: Artist in Residence.” Architectural Digest (October 1992): 172–179+.

Larson, Kay. “Drawing conclusions.” New York, 2 March 1992: 60–61.

Meyer, James. “Sol LeWitt: John Weber.” Flash Art (March/April 1992): 111.

Pincus, Robert L. “LeWitt's Images Arrive Before He Does.” San Diego Union Tribune, 19 November 1992.

Rimer, Sara. “Collection Priceless Art, Just for the Love of It.” The New York Times, 11 February 1992.

Schwendenwein, Jude. “Silkscreens, Sculptures Show LeWitt's Accessibility.” Hartford Courant, 2 February 1992: G5.

Vogel, Carol. “National is Pledged 2,000–Work Collection.” The New York Times, 8 January 1992.

Zimmer, William. “Large Structures and Prints Reveal Roots of Conceptualism.” The New York Times, 2 February 1992.

1991

Brenson, Michael. “In Connecticut, a Conceptualist’s Nonconceptual Collection.” The New York Times, 9 August 1991.

Gamarekian, Barbara. “Museum restores a Nude to Show.” The New York Times, 16 July 1991.

Gamarekian, Barbara. “Show closing Demanded at Washington Museum.” The New York Times, July 1991.

Hackett, Regina. “Sol LeWitt's art is mind over matter” (Donald Young Gallery exhibition review). Seattle Post-Intelligencer, 26 November 1991: C4, illustrated.

Kimmelman, Michael. “Peering into Peepholes and Finding Politics.” The New York Times, 21 July 1991.

LeWitt, Sol. “A Drawing Page: Cubes: A Project for Artforum by Sol LeWitt.” Artforum 29, no. 9 (May 1991): 101–102.

Masters, Kim. “Artist ‘Flabbergasted’ at Decision to Pull Work.” Washington Post, 15 July 1991.

Masters, Kim. “Artists Protest Museum Director’s Fit of Peek.” Washington Post, 12 July 1991.

Masters, Kim. “Artists Want out of Exhibit.” Washington Post, 16 July 1991.

McNally, Owen. “Sol LeWitt: Idea Man.” Hartford Courant, 4 August 1991.

McNally, Owen. “Sparks Fly Over Removal of LeWitt Artwork.” Hartford Courant, 13 July 1991.

Parachini, Allan. “Photo Show Is Back in Focus.” Los Angeles Times, 16 July 1991.

Ratcliff, Carter. “Collapsing Hierarchies: Photography and Contemporary Art.” Aperture, no. 125 (Fall 1991): 36–41.

Ripley, Deborah. “Prints and Multiples: from Candy to Kool; the Joy of Multiple.” Artscribe, no. 87 (Summer 1991): 29.

Sokolov, Raymon. “Curator’s Chutzpah: Navel Warfare.” Wall Street Journal, 24 July 1991.

Sozanski, Edeward J. “A Senseless Attempt at Censorship.” New Haven Register, 11 August 1991.

Temin, Christine. “Art Work Installed After Director Balks.” Boston Globe, 16 July 1991.

Wallis, Brian. “Peeping Sol?” Art in America 79, no. 9 (September 1991): 29.

1990

Batchelor, David. “Abstract Art Refuses: Notes on LeWitt and Reinhardt.” Artscribe, no. 79 (January/February 1990): 62–67.

Fawcett, Dennis. “Line and Logic: The Art of Sol LeWitt.” New Haven Register, 21 January 1990.

Hapgood, Susan. “Remaking Art History.” Art in America 78, no. 7 (July 1990): 115–122, 181.

Mango, Lorenzo. “E, all'Oratorio di Narni, c'è Sol LeWitt.” Il Piacere dell'Occhio (1990).

Russell, John. “Sol LeWitt” (John Weber Gallery exhibition review). The New York Times, 12 January 1990.

Smith, Roberta. “Minimalism on the March: More and More Less and Less.” The New York Times, 26 January 1990.

“Sol LeWitt.” The New Yorker, 29 January 1990.

1989

Baker, Kenneth. “Sol LeWitt: Lawrence Oliver Gallery” (exhibition review). Artforum (March 1989): 138–140, illustrated.

Bargiacchi, Enzo. “Sol LeWitt: Galleria Massimo Minini/ Le Case d'Arte.” Tema Celeste, no. 19 (January–March 1989): 69–70.

Brüderlin, Markus. “Painting as Architecture.” Flash Art, no. 145 (March/April 1989): 72–77, illustrated.

Campbell, Everett. “Sol LeWitt Structure at New Mexico State University.” Puerto Del Sol (Summer 1989): 2–11; cover.

Chadwick, Susan. “Wall Art: A Fleeting Experience” (Texas Gallery exhibition review). Houston Post, 1 May 1989.

Flash Art, no. 145 (March/April 1989): cover.

Heartney, Eleanor. “Susana Solano/Sol LeWitt.” Art News 88, no. 3 (March 1989): 171.

Kisselgoff, Anna. “American Modern Isn't at Home in Germany.” The New York Times, Sunday, 22 October 1989: 7.

Kutkus-Montividas, Kristina. “Conceptual artist Sol LeWitt Keeps Viewers Wondering” (Spoleto Festival USA exhibition review). Charleston News and Courier, The Evening Post, 4 June 1989: 11D.

Miller-Keller, Andrea. “Le Musée comme oeuvre et artifact.” Les Cahiers du muse national d’art moderne (Spring 1989): 137–138.

Neff, Eileen. “Sol LeWitt: Lawrence Oliver Gallery” (exhibition review). Artforum 27, no. 7 (March 1989): 137–138, illustrated.

Nusbaum, Eliot. “New LeWitt work explores forms” (Des Moines Art Center). Des Moines Sunday Register, 23 July 1989: 9F, illustrated.

Russell, John. “From a Glorious Past to a Conspicuously Bright Furture.” The New York Times, 27 August 1989, illustrated.

Russell, John. “Glory Days for Big Exhibitions Continued.” The New York Times, 24 December 1989.

Zevi, Adachiara. “Sol LeWitt: Un Concettuale informa l’architettura.” L’Architettura 35, no. 4 (April 1989): 292–298.

1988

Archer, Michael. “Wall Works, Cornerhouse” (exhibition review). Artscribe International, no. 68 (March/April 1988): 82.

Bain, Alice. “Walls by LeWitt” (Graeme Murray Gallery exhibition review). The List, 22 January 1988, illustrated.

Faulds, W. Rod. “Celebrating Temporary Art at Williams College.” Chronicle of Higher Education, 25 May 1988: B48, illustrated.

Grant, Daniel. “Cubes and Grids at U Mass Art Center” (exhibition review). Berkshire Eagle, 16 September 1988.

Liebmann, Lisa. Sol LeWitt. Lawrence Oliver Gallery Bulletin (December 1988).

Martin, Mary Abbe. “Sol LeWitt Lets His Art Do The Talking for Shows Opening In Area Saturday” (Minnesota Center for the Book Arts and Walker Art Center exhibitions review). Star Tribune, 26 February 1988: 2E.

Ottmann, Klaus. “Sol LeWitt: John Weber” (exhibition review). Flash Art (October 1988): 133.

“Shaping up to Space” (Graeme Murray Gallery exhibition review). Scotsman, 18 January 1988: 7.

Sherman, Mary. “Sol LeWitt Focuses On Art Of Ideas” (Donald Young Gallery exhibition review). Chicago Sun-Times, 18 March 1988: 33.

1987

Beck, Ernest. “Burghers Block the Blox.” Art News 86, no. 7 (September 1987): 57, illustrated.

Bell, Tiffany. “Magasin: New Life for an Old Building.” Art in America, September 1987: 53–55, illustrated.

Dorsey, John. “Drawings Fracture the Illusion of Simplicity” (Baltimore Museum of Art exhibition review). Baltimore Sun, 7 October 1987: D, illustrated.

Hueck–Ehmer, Britta. “Wall Drawings: Kunstverein Munster.” Das Kunstwerk 40, no. 4–5 (September 1987): 184.

Hübl, Michael. “Essen: Scenes; Münster: Sculptural Projects.” Artnews (October 1987): 200.

Kuspit, Donald. “Sol LeWitt: The Drawing Center” (exhibition review). Artforum (January 1987): 108, illustrated.

Lang, Joel. “Six Words Filling a Headline Space.” Hartford Courant, 28 June 1987: 8–9, 25, illustrated.

Lapham, Lewis. “Notebook: Wall Painting.” Harper’s (October 1987): 12–13.

Lewis, Jo Ann. “At the Hirshhorn, the Joys of the New: LeWitt and Shapiro” (exhibition review). Washington Post, 2 December 1987: B1, illustrated.

McNally, Owen. “Sol LeWitt Decides to Come Home Again.” Hartford Courant, 8 March 1987.

Millet, Catherine. “Les Espaces paradoxaux de Sol LeWitt.” Art Press, no. 111 (February 1987): 28–32.

Nusbaum, Eliot. “Sol LeWitt: Art Explorer” (Des Moines Art Center exhibition review). Des Moines Sunday Register, 12 July 1987: 5C, illustrated.

Reif, Rita. “Art of the Mind’s Eye is the Object of Unusual Auction of Conceptual Works.” The New York Times, 30 April 1987: C25.

Russell, John. “Critic’s Choice” (Weber Gallery exhibition review). The New York Times, 12 April 1987.

Russell, John. “Daniel Buren and Sol LeWitt” (Weber Gallery exhibition review). The New York Times, 10 April 1987: C24.

Small, Michael. “Arts.” People Magazine, 25 May 1987: 43–44, illustrated.

Tuchman, Phyllis. “Sol LeWitt's Dynamic Minimalism.” Newsday, 24 April 1987: 29, illustrated.

Welish, Marjorie, “Sol LeWitt: Idées d'ordre.” Artstudio, no. 6 (Autumn 1987): 84–101.

1986

Artner, Alan G. “LeWitt’s Wall Drawings Weave Visual Music” (Rhona Hoffman Gallery exhibition review). Chicago Tribune, 28 March 1986: 45, illustrated.

“Avant–Garde Art Show Adorns Belgian Homes” (Museum van Hedendaagse Kunst exhibition review). The New York Times, 17 August 1986: 18.

Cotter, Holland. “Sol LeWitt at the Drawing Center.” Art in America (December 1986): 131, illustrated.

Dobbels, Daniel. “Sol LeWitt fait le mur” (Centre National d'Art Contemporain de Grenoble exhibition review). Liberation, 28 July 1986.

Dreher, Thomas. “Sol LeWitt at the Drawing Center.” Art in America 74, no. 12 (December 1986/January 1987): 131.

Guillot, Jacques. “The Best Summer Shows in Europe: Sol LeWitt: Wall Drawings au Magasin.” Galleries Magazine, no. 14 (August/September 1986): 59.

“Les Pyramides de Sol LeWitt.” Decoration Internationale, no. 93 (1986), illustrated.

Marcadé, Bernard. “Sol LeWitt.” Artstudio, no. 1 (Summer 1986): 80–93.

Russell, John. “Sol LeWitt.” The New York Times, 28 March 1986: C6.

Stephens, Suzanne. “An Equitable Relationship?” Art in America 74, no. 5 (May 1986): 116–123, illustrated.

Trini, Tommaso. “LeWitt (Abitare l’Abisso) Merz.” Tema Celeste (May 1986): 22–27, illustrated.

“Promenade Autour de Beaubourg.” Kanal, no. 25, 26 (October/November 1986), illustrated.

Van der Marck, Jan. “Report from Pittsburgh: The Triennial Revived.” Art in America 74, no. 5 (May 1986): 49–55.

1985

Brenson, Michael. “Art: Sol LeWitt Drawing at Brooklyn Museum” (exhibition review). The New York Times, 28 June 1985: C23, illustrated.

Bruno, Piero. “Conceptural, antropologia, graffiti.” Corriere del giorno, 28 December 1985.

Bruno, Piero. “Il trentaduesimo dialog di Oliva e i cubi di Sol LeWitt.” L'Imagine (1985): 8.

“Charlotta Kolik in front of a Sol LeWitt Wall Drawing.” Art News 84, no.7 (September 1985), illustrated.

Conn, Sandra. “Much Ado About Nothing?” Crain’s Chicago Business, 17 June 1985.

D’Elia, Anna. “I Cubi di Sol LeWitt.” La Gazzettta del mezzogiorno, 30 January 1985: 3.

Gimelson, Deborah. “The Tower of Art: The Equitable Life Assurance Society, New York, NY–Art, the Handmaiden of Real Estate.” Art + Auction 8, no. 4 (October 1985): 150–155.

McDonald, Robert. “An Inspired Geometry.” Artweek, 18 May 1985.

“Pyramid.” The Brooklyn Journal, May 1985, illustrated.

Raynor, Vivien. “The Door Show: Annina Nosei Gallery” (exhibition review). The New York Times, 28 June 1985.

Reise, Eine. “Zu Sol LeWitt nach Italien.” New Art in Europe (October/November 1985): 7–9; cover.

Russell, John. “The Best and Biggest in Pittsburgh.” The New York Times, 17 November 1985.

“See a Pyramid at Bklyn Museum” (Brooklyn Museum of Art exhibition review). Flatbush Life, 10 June 1985, illustrated.

Trini, Tommaso. “LeWitt, dall’apparenza all’ apparizione.” Tema Celeste, no. 5 (March 1985): cover.

Wilson, William. “The Art Galleries: La Cienega Area.” Los Angeles Times, 17 November 1985.

1984

Fizzarotti, Santa. “Sol LeWitt: Galleriea Bonomo.” Segno 41 (November 1984): 27–29.

Liebmann, Lisa. “Stubborn Ideas and LeWitty Walls.” Artforum (October 1984): 64–68.

Moorman, Peggy. “New Editions.” Art News 83, no. 3 (March 1984): 80.

Russell, John. “Modern Museums Art on Every City’s List.” The New York Times, 29 April 1984.

Wechsler, Max. “Skulptur im 20. jahrhundert: Merian Park.” Artforum (December 1984).

1983

Armstrong, Richard. “Sol LeWitt.” Artforum 21, no. 7 (March 1983): 70–71, illustrated.

Bell, Jane. “Sol LeWitt” (John Weber and Barbara Toll exhibition review). Art News (March 1983): 166, illustrated.

Field, Richard S. “On Recent Woodcuts.” Print Collectors Newsletter 13, no. 1 (March/April 1983): 1–6.

GCM. “Sol LeWitt: Double Stars, 1983.” Artweek, 17 September 1983: 5, illustrated.

Glueck, Grace. “Art: ‘Habitats,’ a Show By 21 at the Clocktower” (exhibition review). New York Times, 18 March 1983, illustrated.

LeWitt, Sol. “Lines in Four Colors and Four Directions.” Tema Celeste (October 1984).

Moorman, Peggy. “New Editions: Sol LeWitt.” Art News (March 1983): 80, illustrated.

Russell, John. “Illustrated Books Are Making a Comeback.” The New York Times, 28 August 1983, illustrated.

Russell, John. “Journeying back in Time At, Yes, the Whitney” (exhibition review). The New York Times, 19 June 1983: H35.

1982

Caldwell, John. “Sculptors as Printmakers” (Yale University Art Gallery exhibition review). The New York Times, 4 July 1982: 12.

Carlin, John. “Sol LeWitt Wall Drawings: 1968–1981” (Wadsworth Atheneum exhibition review). Art Journal, Spring 1982: 62–64, illustrated.

LeWitt, Sol. “Geometric Forms in Black and White and Color.” A E I O U (December 1982).

Russell, John. “Sol LeWitt” (John Weber exhibition review) The New York Times, 17 December 1982: C34.

1981

Abatt, Corinne. “Fleeting: Paintings Destined for Brief Life” (Cranbrook Academy of Art Museum exhibition review). Eccentric, Birmingham–Bloomfield Edition, 22 January 1981, illustrated.

“L’Art aujourd’hui.” L’Express, 14 February 1981: 78, illustrated.

Barry, Ann. “Sol LeWitt Has a Homecoming in Hartford” (Wadsworth Atheneum exhibition review). The New York Times, 27 September 1981: 33, 36, illustrated.

Blistène, Bernard, “Sol LeWitt: Yvon Lambert/Paris” (exhibition review). Flash Art (March/April 1981): 50, illustrated.

Brown, Susan Rand. “The LeWitt Riddle.” Hartford Courant Magazine, 23 October 1981: 6–14, 18–20, illustrated.

Caldwell, John. “Sol LeWitt and the Walls of the Wadsworth Atheneum” (exhibition review). The New York Times, 26 September 1981: 26, illustrated.

Colby, Joy Hakanson. “Cranbrook’s TKO (temporary knockout).” Detroit News, 8 February 1981.

Hanson, Bernard. “Conceptualists at Wesleyan” (Wadsworth Atheneum exhibition review). Hartford Courant, 8 November 1981.

Hanson, Bernard. “LeWitt Finds Home at Atheneum” (exhibition review). Hartford Courant, 30 August 1981: G2, G3.

Hanson, Bernard. “LeWitt’s Demanding Drawings” (Wadsworth Atheneum exhibition review). Hartford Courant, 4 October 1981, illustrated.

Kramer, Hilton. “Art: Modern Shows off Acquisitions of Drawings.” The New York Times, 20 March 1981.

LeWitt, Sol. “A Project by Sol LeWitt.” Artforum (October 1981): 59–63; cover.

“LeWitt’s Wall Drawings Are Meant to be Erased” (Wadsworth Atheneum exhibition review). New Haven Register, 27 September 1981: 2, 3, illustrated.

Mayo, Alberta, ed. Cenizas, no. 12 (July 1981).

Mays, John Bentley. “Sol LeWitt Takes His Line from Geometry” (David Bellman and Mercer Union exhibition review). Globe and Mail, 14 March 1981: 13, illustrated.

McClurg, Jocelyn, “The Draftsman is Vital Link in LeWitt Plan” (Wadsworth Atheneum exhibition review). Hartford Courant, 18 September 1981: B1, B8, illustrated.

McEnroe, Colin. “Atheneum Buys LeWitt Wall Drawing” Hartford Courant, 25 June 1981: C3, illustrated.

Miro, Marsha. “Cranbrook’s Artists Decorate a Room’s Skin.” Detroit Free Press, 22 February 1981: 6B, illustrated.

Pacquement, Alfred, “Sol LeWitt: Le Developpement Mural du Dessin.” Art Press 46 (March 1981): 13–14.

Phillips, Deborah, C. “New Editions: Sol LeWitt.” Art News (March 1981): 121, illustrated.

Raynor, Vivien. “2 Shows Contrast Social Realism and Conceptualism” (Wadsworth Atheneum exhibition review). The New York Times, 8 November 1981.

Russell, John. “Art Catalogues: Thicker by the Dozen.” The New York Times, 2 April 1981.

Russell, John. “Sol LeWitt” (exhibition review). The New York Times, 17 December 1981: C34.

Smith, Roberta. “Gridlock.” Village Voice, 15–21 July 1981, illustrated.

Stokes, Charlotte. “Must–See Exhibit Soon Gone” (Cranbrook Academy of Art Museum exhibition review). The Eccentric (1981).

Tighe, Mary Ann. “Sol LeWitt Wall Drawing Retrospective, 1968–1981” (Wadsworth Atheneum exhibition review). House and Garden 153, no. 11 (November 1981): 10, 12, illustrated.

“‘Viewpoint ‘81’ Opens” (Cranbrook Academy of Art Museum exhibition review). Oakland Press, 8 February 1981, illustrated.

“Wall Drawings on Display.” Hartford Courant, 28 June 1981.

1980

Celant, Germano. “Venice Sleep and Sparks.” Domus, no. 608 (July/August 1980): 55.

Crossley, Mimi. “Geometric Works of Sol LeWitt” (Texas Gallery exhibition review). The Houston Post, 14 November 1980, illustrated.

Danoff, Michael “Sol LeWitt: A Wall Drawing.” Dialogue 3 (September/October 1980): 55.

“80 Medals: Artist Sol LeWitt and Stonecutter John Benson.” Architecture in America Journal 60, no. 3 (March 1980): 24.

Glueck, Grace. “Downtown: A Roman Folly and a Kitsch Paradise” (John Weber Gallery exhibition review). The New York Times, 11 January 1980.

Larson, Kay. “Sol LeWitt” (John Weber Gallery exhibition review). Village Voice, 28 January 1980.

Miller, Donald. “Beated Brass Shapes a Clever Menagerie.” Pittsburgh Post Gazette (January 1980): 17.

Nordhaus, Jean. “Dance.” Washington Review (February/March 1980).

“On the Walls of the Lower East Side.” Mela (1980): 19–20.

Palmer–Poroner, Bruno. “Where is the New Direction?” Artspeak 1, no. 4, 17 January 1980.

Perlberg, Deborah. “Dance: Lucinda Childs, Philip Glass, and Sol LeWitt” (Brooklyn Academy of Music dance review). Artforum 18, no. 5 (January 1980): 52–53, illustrated.

Russell, John. “Sol LeWitt” (John Weber Gallery exhibition review). The New York Times, 7 November 1980: C20.

“Sol LeWitt: Four-Part Configuration of Six Geometric Figures in Four Colors, I, II, III, IV; Six Geometric Figures and All Their Combinations; Six Geometric Forms.” Print Collector's Newsletter 11, no. 3 (July/August 1980): 102.

Tennant, Donna. “The Artists as Think Tank” (Texas Gallery exhibition review). Houston Chronicle, 23 November 1980, illustrated.

Tilroe, Anna. “Het Geheel Dat Meer is Dan di Vom der Delen.” Avenue (June 1980): 14.

Wooster, Ann-Sargent, “Sol LeWitt's Expanding Grid.” Art in America (May 1980): 143–147.

Zimmer, William. “Building Properly Heated, Inspector Satisfied” (John Weber Gallery exhibition review). Soho Weekly News, 17 January 1980, illustrated.

1979

Artner, Alan G., “MCA's Exhibit Showcases Sol LeWitt's Achievements” (exhibition review). Chicago Tribune, 17 June 1979, illustrated.

Baker, Kenneth. “Less in Less.” Boston Phoenix, 27 March 1979.

Banes, Sally, John Perreault and Tim Page. “Parade Rest: Dance Moves On: Lucinda Childs, Sol LeWitt, Philip Glass” (Brooklyn Academy of Music dance review). Soho Weekly News, 6 December 1979.

Barkley, Alan. “Jackie Winsor and Post-Minimalism.” Vanguard 8, no. 7 (September 1979): 12–17.

Blistène, Bernard, “Sol LeWitt, Niele Toroni—Galerie Yvon Lambert.” Flash Art (October/November 1979).

Dunning, Jennifer. “An Avant-Garde Threesome in Brooklyn” (Brooklyn Academy of Music dance review). The New York Times, 25 November 1979.

“Final Touches at the Museum” (La Jolla Museum of Contemporary Art exhibition review). Los Angeles Times, 14 September 1979, illustrated.

Frank, Peter. “Geometric Figures and Colors.” Village Voice, 3 September 1979.

Garret, Robert. “Take it or Leave it… Minimal Art Still a Child of its Time.” Boston Sunday Herald, 1 April 1979.

Joselit, David. “For Minimalists, the Art is the Object.” Boston Ledger, 23–30 March 1979.

Kologe, Brian R. “Frame an Empty Space and Call it Art.” Christian Science Monitor, 6 April 1979.

Kramer, Hilton. “Art: Whitney Reviews the 70s.” The New York Times, 29 June 1979.

LeWitt, Sol. “On The Walls of the Lower East Side.” Artforum (December 1979): 46–51, illustrated.

Mondadori, Arnoldo and Udo Kultermann, eds. I Contemporanei (1979): 171.

Morgan, Robert C. “Fables, Grids and Swimming Pools: Phototexts in Perspective.” Kansas Quarterly (Fall 1979): 39–43, illustrated.

Pacheco, Richard. “Boston Institute Gives Showcase to Minimalism.” Standard Times, 15 April 1979.

“Review.” Opera House, 29 November–2 December 1979.

Russell, John. “Minimal Art in Ridgefield” (Aldrich Museum of Contemporary Art exhibition review). The New York Times, 20 July 1979.

Russell, John. “Sol LeWitt and Others” (Rosa Esman Gallery exhibition review). New York Times, 6 July 1979.

Saulnier, Par Emmanual. “L’Abstrait dessin.” Opus International, no. 72 (Spring 1979): 28–29.

Schulze, Franz. “When is Good Art Not Art?” Chicago Sunday Times, 8 July 1979.

Taylor, Robert. “60s Minimalism at ICA.” Christian Science Monitor, 6 April 1979.

Wilson, William. “LeWitt Show in La Jolla: ‘Concept Art’” (exhibition review). Calendar, 30 September 1979: 94, illustrated.

1978

Baker, Kenneth. “Energy as Form” (Museum of Modern Art exhibition review). Art in America (May/June 1978): 76–81, illustrated.

Beatty, Frances. “Sol LeWitt at MoMA.” Art/World (February 1978): 4.

Bell, Tiffany. “Sol LeWitt.” Arts Magazine (April 1978): 28.

Castelli, Tommaso. “Nelle Stanze dell'Arte.” Casa Vogue (February 1978): 50.

Dunbar, Jill. “LeWitt: Minimal Maximus.” Villager, 9 February 1978: 4.

Flynn, Barbara. Artforum (April 1978): 61.

Glueck, Grace. “Art People” (Museum of Modern Art exhibition review). The New York Times, 13 January 1978.

Glueck, Grace. “Sol LeWitt's 'Jungle Gym for the Mind.'“ The New York Times, 29 January 1978: D25.

Hess, Thomas. “Sol LeWitt and the Blizzard of Cubes” (Museum of Modern Art exhibition review). New York, 27 February 1978: 64–65, illustrated.

Kingsley, April. “Minimal Art Goes Maximal” (Museum of Modern Art exhibition review). Village Voice, 27 February 1978, illustrated.

Krauss, Rosalind. “LeWitt in Progress.” October, no.6 (Autumn 1978): 46–60, illustrated.

Kuspit, Donald. “Sol LeWitt the Wit.” Arts Magazine (April 1978): 118.

Marzorati, Gerald. “LeWitt Brings Minimalism to MoMA.” The Trib, 31 January 1978: 24.

Masheck, Joseph. “Hard-Core Painting.” Artforum (April 1978): 46.

Muchnic, Suzanne. “'Poetry of Systems' at Cal Tech.” Los Angeles Times, 14 March 1978.

Perreault, John. “Logical Beauty” (Museum of Modern Art exhibition review). Soho Weekly News, 9 February 1978: 21, illustrated.

Pincus–Witten, Robert. “Strategies Worth Pondering: Bochner, Shapiro, Reise, LeWitt.” Arts Magazine (April 1978): 142.

Rubin, David. “Poetry of Systems.” Artweek, 18 March 1978.

Rubinstein, Joel. “The Poetry of Systems.” California TECH, 10 March 1978: 4.

Russell, John. “After Cézanne at the Modern” (Museum of Modern Art exhibition review). The New York Times, 3 February 1978: C1.

Senie, Harriet. “A Breathtakingly Beautiful Exhibition” (Museum of Modern Art exhibition review). New York Post, 11 February 1978: 17.

“Sol LeWitt” (Museum of Modern Art exhibition preview). Museum of Modern Art Members’ Calendar, Winter 1978, illustrated.

Stevens, Mark. “Mind Over Matter” (Museum of Modern Art exhibition review). Newsweek, 13 February 1978: 83–84.

Tallmer, Jerry. “Minimal Lines, Stuff of Sports and Sketchbooks” (Museum of Modern Art exhibition review). New York Post, 28 January 1978: 32, illustrated.

Wooster, Ann–Sargent. “LeWitt Goes to School.” Art in America (May/June 1978): 82.

1977

“Donald Judd and Sol LeWitt: Structures.” Art International 21 (March/April 1977): 32.

Dunbar, Jill. “The Decline and Fall of Conceptual Art.” The Villager, 24 November 1977: 16.

Kuspit, Donald B. “Kuspti/Masheck (cont.).” Art in America (January/February 1977): 5–7.

LeWitt, Sol. “White.” Print Collector’s Newsletter (March–April 1977): 2.

Lubell, Ellen. Arts Magazine (May 1977): 37.

Maskey, Joseph. “Cruciformality.” Artforum (Summer 1977): 56.

Millar, Donald. “Stars of Minimal Art Shine Here.” Pittsburgh Post Gazette, 2 October 1977.

Perreault, John. “Patterns of Thought.” Soho Weekly News, 10 March 1977: 17–19.

“White in Art is White?” Print Collector’s Newsletter (March/April 1977): 1–4.

Wooster, Ann–Sargent. Art News (May 1977): 140.

1976

Adams, Brooks. “‘Sol LeWitt: Graphik 1970–1975.’ Katalog der Siebdrucke, Lithographien, Radierungen, Bucher.” Print Collector's Newsletter (September/October 1976): 121–124.

Caroli, Flavio. “Gli Artisti Americani Sono Bravi Ma L'Europa E Ancora Vitale.” Corriere Della Serra, 4 January 1976: 10.

Chafee, Katherine. “LeWitt Works Shown at C.U.” Straight Creek Journal, 14 October 1976.

Clurman, Irene. “Conceptual Show Takes Up Two Galleries at C.U.” Rocky Mountain News, 17 October 1976.

Foote, Nancy. “Drawing the Line.” Artforum (May 1976): 54.

“Future with a Past: The Scottish National Gallery of Modern Art.” Art Monthly (October 1976): 15.

“Gallery Wall Drawings Called Major Event.” Silver and Gold Record, 19 October 1976: 5.

Geelhaar, Christian. “Sol LeWitt: Das Druckgraphische Werk.” KunstforumInternational 2, no. 16 (Quartal 1976): 208–216.

Gold, Barbara. “Epitome of Sixties Art and Artists.” Baltimore Sun, 12 September 1976.

Harris, R.P. “Boxy Structures.” Baltimore News American, 12 September 1976.

Johnson, Limsoln F. “Minimalist Art Leaves Quite a Bit to the Imagination.” Baltimore Sun, 9 September 1976: B1.

Kutner, Janet. “Visceral Aesthetic of a New Decade's Art.” Arts Magazine (December 1976): 100–102.

LeWitt, Sol. “Books.” Art Rite, no. 13 (Winter 1976/1977): 10

LeWitt, Sol. “The Location of Six Geometric Figures.” Double Page 1 (January 1976).

Lubell, Ellen. Arts Magazine 51, no. 9 (1976).

Masheck, Joseph. “Kuspit's LeWitt: Has He Got Style?” Art in America 64, no. 6 (November/December 1976): 107–111.

McConnell, Gordon. “LeWitt Uncovers Paradoxes of Art.” Boulder Colorado Daily, 15 October 1976.

Mills, James. “LeWitt's Art Concepts Displayed at C.U. Gallery.” Denver Post, 31 October 1976.

Russell, John. “'Drawing Now' One of the Modern's Best.” The New York Times, 24 January 1976.

Smith, Roberta. “Drawing Now (and Then).” Artforum (April 1976): 52.

LeWitt, Sol. “Sol LeWitt, 1977.” Print Collector's Newsletter (September/October 1976): 118.

1975

Alloway, Lawrence. “Sol LeWitt: Modules, Walls, Books.” Artforum 13, no. 8 (April 1975): 38–45; cover.

Bourdon, David. “The New Season: Pier Groups.” Village Voice, 8 September 1975: 122.

“Conventional Wisdom.” Art-Rite, no. 8 (Winter 1975): 17.

Kozloff, Max. “Painting and Anti–Painting: A Family Quarrel.” Artforum (September 1975): 39.

Kuspit, Donald. “Sol LeWitt: The Look of Thought.” Art in America 63, no. 5 (September/October 1975): 42–49.

LeWitt, Sol. “Sol LeWitt.” Extra, no. 3 (January 1975).

Lubell, Ellen. “Sol LeWitt” (exhibition review). Arts Magazine (January 1975): 9.

Macmillan, Duncan. “Sol LeWitt.” Studio International 190, no. 976 (July/August 1975): 78–79.

“Multiples & Objects & Artists' Books: Sol LeWitt.” Print Collector's Newsletter (March/April 1975): 16.

Richard, Paul. “Corcoran's Biennial: The Art of Show Biz.” Washington Post, 21 February 1975: B1.

Smith, Roberta. “Sol LeWitt.” Artforum (January 1975): 60.

Smith, Roberta. “34th Biennial of Contemporary American Painting, Corcoran Gallery of Art” (exhibition review). Artforum (May 1975): 71.

“Sol LeWitt.” Extra (January 1975).

“Sol LeWitt.” Data (November/December 1975): 29.

Young, Joseph E. “Serial Prints.” Print Collector's Newsletter (September/October 1975): 90.

1974

Alloway, Lawrence. “Art Books 1974.” The Nation, 14 December 1974: 632.

Alloway, Lawrence. “Artists as Writers, Part Two: The Realm of Language.” Artforum (April 1974): 30–35.

Barthelme, Donald. “Letters to the Editor.” The New Yorker, 25 February 1974: 34–35.

Bongartz, Roy. “Question: How Do You Buy a Work of Art Like This.” The New York Times, 11 August 1974: Section 2, p. 1.

Bourdon, David. “A Triangle Is Not a Triangle Is Not a Triangle.” Village Voice, 7 November 1974: 44.

Crichton, Fenella. “London Letter.” Art International 18, no. 6 (Summer 1974): 40–42, 62–64.

Gilbert–Rolfe, Jeremy. “Line as Language” (exhibition review). Artforum (June1974): 6.

Hess, Thomas. “Sol LeWitt” (exhibition review). New York, 18 November 1974: 99.

“Line as Language” (exhibition review). Art News (Summer 1974): 113.

Morris, Lynda. “Projekt #7.” Studio International (September 1974).

Perreault, John. “Is Pop Dead?” Village Voice, 14 November 1974: 49.

Rose, Barbara. “More Art Than Money.” Vogue (December 1974): 208.

Russell, John. “Sol LeWitt” (exhibition review). The New York Times, 2 November 1974: 24.

Stezaker, John. “Sol LeWitt at the Lisson Gallery” (exhibition review). Studio International 187 (June 1974).

1973

Battcock, Gregory. “New York.” Art & Artists (June 1973): 51.

Borden, Lizzie. “Sol LeWitt.” Artforum 11, no. 8 (April 1973): 73–77.

Crimp, Douglas. “New York Letter.” Art International 17, no. 4 (April 1973): 57–59, 102–103.

Flash Art 39 (February 1973): 33.

Flash Art 42 (October/November 1973): 4–6.

Frank, Peter, “Judd, LeWitt, Rockburne.” Art News 72, no. 3 (March 1973): 71–72.

Gula, Kasha Linville. “Sol LeWitt at John Weber.” Art in America 61, no. 3 (May/June 1973): 10.

Kraus, Rosalind. “Sense and Sensibility: Reflections on Post '60's Sculpture.” Artforum (November 1973): 43.

LeWitt, Sol. “Sol LeWitt.” Flash Art, no. 41 (June 1973): 2.

Millet, Catherine. “Donald Judd, Sol LeWitt.” Art Press (February 1973): 6.

Peppiatt, Michael. “Paris: Mid–January.” Art International 17, no. 3 (March 1973): 51–53.

Perreault, John. “Circles, Lines, and a Legend.” Village Voice, 8 February 1973: 27.

Pincus–Witten, Robert. “Sol LeWitt: Word–Object.” Artforum 11, no. 6 (February 1973): 69–72.

Stileman, Paul. “New York.” Arts Magazine 47, no. 5 (March 1973): 68–70.

1972

Celant, Germano. “LeWitt.” Casabella, no. 367 (July 1972): 38–42.

Elderfield, John. "Grids." Artforum 10, no.9 (May 1972): 52–59, illustrated.

LeWitt, Sol. “All Wall Drawings.” Arts Magazine 46, no. 4 (February 1972): 39–44; cover.

LeWitt, Sol. “Lines and Lines, Arcs and Arcs, and Lines and Arcs.” Art & Project, no. 60 (1972).

Menno, Filiberto. “Sol LeWitt: Un Sistema della Pittura.” Data, no. 4 (May 1972): 14–21.

1971

Alloway, Lawrence. “Art.” The Nation, 29 March 1971: 113.

Antin, David. “It Reaches a Desert in Which Nothing Can be Perceived but Feeling.” Art News 70, no. 1 (March 1971): 38–41, 66–71.

Baker, Elizabeth. “Editorial.” Art News (May 1971): 25.

Barilli, Renato. “A Propos de l'Exposition de Turin.” Opus International 23 (1971): 11.

Blotkamp, Karel. “Sculpture at Sonsbeek.” Studio International (September 1971): 70.

Davis, Douglas. “The Last International.” Newsweek, 22 February 1971: 6.

Dienst, R.G. “Kolner Kunstmarkt 70.” Das Kunstwerk (January 1971): 51.

Domingo, Willis. “In the Galleries.” Arts Magazine (November 1971): 59–61.

Flash Art (February/March 1971): 10.

Jappe, Georg. “Konrad Fischer Interviewed.” Studio International (February 1971): 68.

Kramer, Hilton. “32 Moore Etchings Inspired by a Skull.” The New York Times, 30 October 1971: 27.

Lebeer, Irmeline and Paul. L'Art Vivant (November 1971): 12.

LeWitt, Sol. “Doing Wall drawings.” Art Now: New York 3, no. 2 (June 1971).

LeWitt, Sol. “Folded Bulletin.” Art & Project, no. 43 (1971).

LeWitt, Sol. “Ten Thousand Lines/ Six Thousand Two Hundred and Fifty–Five Lines.” Art & Project, no. 32 (1971): 4.

Linville, Kasha. “Sonsbeek: Speculations, Impressions.” Artforum (October 1971): 54.

Marandel, J. Patrice. “Lettre de New York.” Art International 14, no. 10 (1971): 72.

Müller, Gregoire. “Primitive Thinking and New Art.” Arts Magazine (February 1971): 39.

“New York Galleries.” Arts Magazine (April 1971): 60.

Pacquement, Alfred. “Sol LeWitt et les systèmes de combinaisons.” Opus International, no. 22 (January 1971): 30–31.

Perreault, John. “Nothing Breathtaking Will Occur Here But...” Village Voice, 7 October 1971: 26.

Pincus–Witten, Robert. “New York.” Artforum (February 1971): 75.

Plagens, Peter. “Los Angeles.” Artforum (February 1971): 88–92.

Richardson, Brenda. “Bay Area Survey.” Arts Magazine (February 1971): 45.

Schjeldahl, Peter. “Sculptors Make it Big Down in Soho.” The New York Times, 3 October 1971: D23.

Schwartz, Therese. “News of the Art World.” Arts Magazine (February 1971): 16.

Shulman, David. “First Person Singular—1: Bay No. 37.” Art Gallery Magazine 14, no. 6 (April 1971): 19–21.

Young, Joseph E. “Los Angeles.” Art International (January 1971): 5.

1970

Ashton, Dore. “Intercultural Gaps on the Côte D'Azur: Maeght Foundation Shows American Art.” Arts Magazine (September/October 1970).

Alloway, Lawrence. “Artists and Photographs.” Studio International (April 1970): 162.

Atkinson, Terry. “From an Art and Language Point of View.” Art and Language 1, no. 2 (February 1970): 25–60.

Baker, Elizabeth C. “Traveling Ideas: Germany, England.” Art News (Summer 1970): 40.

Baker, Kenneth. The Home Forum, 11 February 1970.

Battcock, Gregory. “Documentation in Conceptual Art.” Arts Magazine (April 1970): 42.

Berger, René. “Un Changement Radical.” Art International (Summer 1970).

Blotkamp, Karel. “Dutch Commentary: Drawings in the Netherlands.” Studio International (December 1970): 249.

Bochner, Mel. “Excerpts from Speculation (1967–1970).” Artforum (May 1970): 70.

Borgeaud, Bernard. “Art Aboard: Paris.” Arts Magazine (December 1970/January 1971): 46.

Burnham, Jack. “Alice's Head: Reflections on Conceptual Art.” Artforum (February 1970): 37.

Chandler, John, N. “Drawing Reconsidered.” Arts Canada (October/November 1970).

“Correspondence.” Studio International (March 1970): 89.

“Etcetera.” The Art Gallery (January 1970): 20.

Hannef, Dieter. “Concept Art.” Magazin Kunst 10, no. 38 (Quartal 1970):162.

“La Scultura Americana.” L'Arte Moderna 13, no. 115 (1970).

LeWitt, Sol. “I Am Still Alive, On Kawara.” Studio International 180, no. 924 (July/August 1970): 37.

LeWitt, Sol. “Ruth Vollmer: Mathematical Forms.” Studio International 180, no. 928 (December 1970): 256–257.

Louwrien, Wijers. “Gesprek met Sol LeWitt.” Museumjournaal 15, no. 3 (June 1970): 140.

Millet, Catherine. “L'Art Conceptuel Comme Semiotique de l'Art.” VHlOl (Autumn 1970): 2.

Sharp, Willoughby. “Los Angeles Galleries.” Arts Magazine (Summer 1970): 50.

Shapiro, David. “Mr Processionary at the Conceptacle.” Art News (September 1970).

Smith, Peggy. “Prints and Drawings: Some New Approaches.” Arts Canada (October/November 1970.

Staber, Margit. “Prospect–Kunstmarkt 1969.” Art International (January 1970): 66.

“The Seventies: Post–Objects Art.” Studio International (September 1970).

Von Bonin, Wibke. “Germany: The American Presence.” Arts Magazine (April 1970): 52.

1969

Burton, Scott. “Time on Their Hands.” Art News (Summer 1969): 40.

Constable, Rosalind. “The New Art: Big Ideas for Sale.” New York, 10 March 1969: 46.

Kudielke, Robert. “The Art of the Real.” Das Kunstwerk 22, no. 7–8 (April/May 1969): 51.

Lanes, Jerrold. “New York.” Artforum (December 1969): 71.

Leering, J. and L. Leering–van Moorsel. “Kunst maken in Bergeyk.” Museumjournaal 14, no. 2 (April 1969): 80.

LeWitt, Sol. “Drawing Series 1968 (Fours).” Studio International 177, no. 910 (April 1969): 189.

LeWitt, Sol. “Lines and Combinations of Lines.” Art & Project, no. 18 (1969).

LeWitt, Sol. “Sentences on Conceptual Art.” Art–Language 1, no. 1 (May 1969): 11–13.

Nemser, Cindy. “Sol LeWitt.” Arts Magazine (November 1969): 63.

Perreault, John. “Art off the Wall.” Village Voice, 10 March 1969: 46.

Plagens, Peter. “The Possibilities of Drawing.” Artforum (October 1969): 53.

Ratcliff, Carter. “New York Letter.” Art International (Christmas 1969): 71.

Reinhardt, Carl J. “Painting and Sculpture Today.” Bulletin, Indianapolis Museum of Art, (May 1969): 193.

Reise, Barbara. “Sol LeWitt Drawings 1968–69.” Studio International (December 1969): 222.

Reise, Barbara. “Untitled 1969: A Footnote on Art and Minimal Stylehood.” Studio International (April 1969): 166.

Reuther, Hanna. “Minimal Art.” Das Kunstwerk (February/March 1969): 7.

Shirey David L. “Impossible Art.” Art in America (May/June 1969): 43.

Smithson, Robert. “Aerial Art.” Studio International (April 1969): 180.

Sommer, Ed. “Prospect '68 and Kunstmarkt '68.” Art International (February 1969): 34.

1968

“Ausstellungen in New York.” Das Kunstwerk 20, no. 6–7 (April/May 1968): 23.

Baro, Gene. “American Sculpture: A New Scene.” Studio International (January 1968): 9.

Battock, Gregory. "Art: Don't Spit In the Soup" (Dwan Gallery exhibition review). New York Free Press, 22 February 1968.

Blok, C. “Minimal Art at the Hague.” Art International (May 1968): 18.

Cyr, Don. “A Conversation with Sol LeWitt.” School Arts (May 1968): 38–40.

Cintoli, Claudio. “New York: Un Attegiamento Reductivo.” Cartabiance (Summer 1968): 7.

Chandler, John N. “Tony Smith and Sol LeWitt: Mutations and Permutations.” Art International (September 1968): 17.

Develing, Enno. “Ideologische Kunst: Minimal Art.” Museumjournaal 13, no. 1, 1 January 1968: 49.

Glueck, Grace. “New York Gallery Notes.” Art in America (September/October 1968): 110.

Hutchinson, Peter. “Earth in Upheaval: Earthworks and Landscapes.” Arts Magazine (November 1968): 19.

Kraus, Rosalind. “Sol LeWitt, Dwan Gallery.” Artforum (April 1968): 57.

LeWitt, Sol. Metro, no. 14 (June 1968): 44–45.

Lippard, Lucy R. and John Chandler. “The Dematerialization of Art.” Art International (February 1968): 31–37, illustrated.

Mellow, James R. “New York Letter.” Art International (February 1968): 73.

Mellow, James. “New York Letter.” Art International (April 1968): 65.

Perreault, John. “Art: Long Live Earth.” Village Voice, 17 October 1968: l.

Pleynet, Marcelin. “Peinture et Structuralisme.” Art International (November 1968): 31.

“Reviews and Previews.” Art News (February 1968): 14.

Siegel, Jeanne. “Sol LeWitt: 47 Variations Using Three Different Kinds of Cubes.” Arts Magazine (February 1968): 57.

Smithson, Robert. “A Museum of Language in the Vicinity of Art.” Art International (March 1968): 21.

Tillim, Sidney. “Earthworks and the New Picturesque.” Artforum (December 1968): 43.

Tucker, Marcia. “Sol LeWitt.” Art News 66, no.10 (February 1968): 14.

1967

Bochner, Mel. “Serial Art Systems Solipsism.” Arts Magazine (Summer 1967): 3.

Bochner, Mel. “The Serial Attitude.” Artforum (December 1967): 30–32.

Danieli, Fidel A. “Los Angeles.” Artforum (April 1967): 62.

Graham, Dan. “Models and Monuments.” Arts Magazine (March 1967): 32.

Graham, Dan. “Of Monuments and Dreams.” Art and Artists (March 1967): 26.

LeWitt, Sol. “Paragraphs on Conceptual Art.” Artforum 5, no. 10 (June 1967): 79–83.

LeWitt, Sol. “The Square and the Cube.” Art in America 55, no. 4 (July–August 1967): 54.

Lippard, Lucy R. “Sol LeWitt: Non-Visual Structures.” Artforum (April 1967): 42.

Lippard, Lucy R. and John Chandler. “Visual Art and the Invisible World.” Art International (May 1967): 28.

Michelson, Annette. “10 x 10: Concrete Reasonableness.” Artforum (January 1967): 30.

Morris, Robert. “Notes on Sculpture: Part Three.” Artforum (June 1967): 2.

Perreault, John. “A Minimal Future?” Arts Magazine (March 1967): 26.

“Reviews and Previews.” Art News (February 1967): 60.

Rose, Barbara. “Shall We Have a Renaissance.” Art in America (March/April 1967): 31.

Wechsler, Judith. “Why Scale.” Art News (Summer 1967): 68.

1966

J.A. “Young Masters of Understatement.” Art News (May 1966): 42.

Bochner, Mel. “Art in Process.” Arts Magazine (September/October 1966): 33.

Bochner, Mel. “Primary Structures.” Arts Magazine (May 1966): 42.

Bochner, Mel. “Review: Sol LeWitt.” Arts Magazine (September/October 1966): 33.

Brown, Gordon. “Month in Review.” Arts Magazine (December 1966/January 1967): 49.

LeWitt, Sol. “Serial Project No. 1.” Aspen Magazine 17, no. 5–6 (1966–1967).

LeWitt, Sol. “Ziggurats.” Arts Magazine 41, no. 1 (November 1966): 24–25.

Lippard, Lucy R. “Rejective Art.” Art International (October 1966): 33.

Morris, Robert. “Notes on Sculpture: Part Two.” Artforum (October 1966): 21.

“Reviews and Previews.” Art News (Summer 1966): 13.

Robins, Corinne. “Object, Structure or Sculpture: Where are We?” Arts Magazine (September/October 1966): 61.

Smithson, Robert. “Entropy and the New Monuments.” Artforum (June 1966): 26.

1965

Hoene, Anne. “Sol LeWitt.” Arts Magazine (September/October 1965): 63–64.

Lippard, Lucy R. “New York, Letter.” Art International 9, no. 6 (September 1965): 57–61.

Lippard, Lucy R. “The Third Stream: Painted Structures and Structured Paintings.” Art Voices 4, no. 4 (Spring 1965): 44–49.

Rose, Barbara. “ABC Art.” Art in America (October/November 1965): 57.

2021

Areford, David S. Strict Beauty: Sol LeWitt Prints (exhibition catalogue). New Britain and New Haven: New Britain Museum of American Art; Yale University Press, 2021.

Areford, David S., ed. Locating Sol LeWit. Texts by David S. Areford, Lindsay Aveilhe, Erica DiBenedetto, Anna Lovatt, James H. Miller, Veronica Roberts, Kristen Swenson and John A. Tyson. New Haven: Yale University Press, 2021.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E. Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated.

Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated.

Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated.

LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico Books·Prestel, 2018: 84–87, illustrated.

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated.

Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018

Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018.

2017

The Art Museum. London: Phaidon, 2017: 387, illustrated.

Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated.

Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated.

Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated.

Gross, Béatrice. “Beyond Painting (Over and Over Again): Sol LeWitt’s Late Wall Drawings.” In Cahiers D’Art: 40th Year Revue 2016–2017. Paris: Éditions Cahiers D’Art, 2017: 162–181, illustrated.

Lista, Marcella, Liz Kotz, Corinne Rondeau, et al. A Different Way to Move: Minimalismes, New York, 1960–1980 (exhibition catalogue). Nîmes, France and Berlin: Carré d’Art Nîmes; Hatje Cantz, 2017: 158–165, illustrated.

Minimal Art from Marzona Collection (exhibition catalogue). London: Galerie Thaddaeus Ropac, 2017: 83–83, illustrated.

UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 97–104, illustrated.

2016

Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 188–91, illustrated.

Blackness in Abstraction (exhibition catalogue). Texts by Adrienne Edwards. New York: Pace Gallery, 2016: 35, 37, illustrated.

Credi, Paolo ed. An Invitation to Sol LeWitt. Ravenna, Italy: Danilo Montanari Editore, 2016.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection (exhibition catalogue). Texts by Timothy Rub, Katherine Sachs, Joseph J. Rishel et al. Philadelphia: Philadelphia Museum of Art, 2016: 172–3, illustrated.

The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 6–7, 80–3, illustrated.

Galerie Templon 50 Years. Paris: Galerie Daniel Templon, 2016: 121, 284, 285, 340, 341, illustrated.

Gamwell, Lynn. Mathematics + Art: A Cultural History. Text by Neil deGrasse Tyson. Princeton and Oxford: Princeton University Press, 2016: 316–7, illustrated.

Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 176–9, illustrated.

Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 58, 70–3, 93, pp. 164, 176–80, illustrated.

Julliard, Julie Enckell ed. Nestlé Art Collection. Zurich: JRP|Ringier Kunstverlag AG, 2016: 136–7, illustrated.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 13, 18, 19, illustrated.

The Serial Attitude (exhibition catalogue). Texts by Rachel Schaefer, Susan Wallach and Katie Woods. New York: Eykyn Maclean,2016: illustrated.

“Sol LeWitt.” In Neues Museum Weimar – Die Sammlung Paul Maenz. Ostfildern, Germany: Hatje Cantz Verlag, 1998: 56–62, illustrated.

The Sun Placed in the Abyss (exhibition catalogue). Ohio: Columbus Museum of Art, 2016: p.91, illustrated.

Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 208, illustrated.

Unfinished: Thoughts Left Visible (exhibition catalogue). New York: The Metropolitan Museum of Art, 2016: 232–3, illustrated.

Works on Paper from the Collection of the Sheldon Museum of Art. Edited by Brandon K. Ruud and Gregory Nosan. Lincoln and London: University of Nebraska Press, 2016: 242–243, illustrated.

2015

American Icons: Master Works from the SFMoMA and the Fisher Collection (exhibition catalogue). Text by Sarah Roberts. Paris: Galeries nationales du Grand Palais, 2015: 92–103, illustrated.

Artist Rooms: The First Five Years. London: Tate, 2015: illustrated, cover.

Artists and Architecture: Variable Dimensions (exhibition catalogue). Paris: Pavillon de l’Arsenal, 2015: 154–155, illustrated.

Macel, Christine and Elisabeth Sussman. Collected by Thea Westreich Wagner and Ethan Wagner (exhibition catalogue). Text by Elisabeth Sherman. New York and New Haven: Whitney Museum of American Art; Yale University, 2015: 159, illustrated.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 229, illustrated.

Swenson, Kirsten. Irrational Judgments: Eva Hesse, Sol LeWitt, and 1960s New York. New Haven and London: Yale University Press, 2015.

Sol LeWitt: 17 Wall Drawings 1970–2015 (exhibition catalogue). Santander, Spain: Fundación Botín, 2015.

2014

The Avant-Garde Collection (exhibition catalogue). Texts by Dan Cameron and Fatima Manalili. Newport Beach, Calif.: Orange County Museum of Art, 2014: 57, illustrated.

Beckwith, Naomi. William J. O’Brien (exhibition catalogue). Chicago: Museum of Contemporary Art Chicago, 2014: 22, illustrated.

Formes Simples (exhibition catalogue). Metz and Paris: Éditions du Centre Pompidou-Metz; Fondation d’entreprise Hermès, 2014: 33, illustrated.

George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 134, illustrated.

Love Story – The Anne & Wolfgang Titze Collection (exhibition catalogue). Vienna: Verlag für modern Kunst Nürnberg, 2014: 30, 31, 172–7, illustrated.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

Rinehart, Richard and Jon Ippolito. Re-Collection: Art, New Media, and Social Memory. Boston: The MIT Press, 2014: 5, illustrated.

Roberts, Veronica, ed. Converging Lines: Eva Hesse and Sol LeWitt (exhibition catalogue). Texts by Lucy R. Lippard, Veronica Roberts and Kirsten Swenson. Austin; New Haven: Blanton Museum of Art and Yale University Press, 2014.

Sol LeWitt: Horizontal Progressions (exhibition catalogue). New York: Pace Gallery, 2014.

Stout, Katharine. Contemporary Drawing: From the 1960s to Now. London: Tate Publishing, 2014: 19, illustrated.

Usher, Shaun. Letters of Note: An Eclectic Collection of Correspondence Deserving of a Wilder Audience. San Francisco: Chronicle Books, 2014.

2013

Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 335, 352, 354, 357, illustrated.

Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013: 161–162, illustrated.

Collecting Ideas: Modern and Contemporary Works from the Polly and Mark Addison Collection. Denver: Denver Art Museum, 2013: 72–73, illustrated.

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 150–151, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 8, 194, 195, illustrated.

Moving: Norman Foster on Art (exhibition catalogue). Texts by Norman Foster and Jean-Marc Prevost. London: Ivorypress Architecture: 180, 181, 390, 410, illustrated.

Princeton University Art Museum: Handbook of the Collections. Princeton, New Jersey: The Princeton University Art Museum, 2013: 265, 294, 401, illustrated

Rosoff, Patricia. Innocent Eye. North Adams, Massachusetts: Tupelo Press, 2013: illustrated.

Uidhir, Christy Mag. Art and Art Attempts. Oxford: Oxford University Press, 2013: 64, illustrated.

Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Texts by Judith Brodie and Adam Greenhalgh. Washington, D.C.: Board of Trustees, National Gallery of Art, Washington, D.C, 2013: 108–109, illustrated.

2012

Arcadia in celle: l’art pour la nature, la nature pour l’art (exhibition catalogue). Saint-Paul de Vence, France: Fondation Maeght, 2012: 85, illustrated.

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 323, illustrated.

Bird, Michael. 100 Ideas That Changed Art. London: Laurence King Publishing Ltd., 2012: 16, illustrated.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.

Garten. Munich: Galerie Thomas, 2012: 40–43, illustrated.

Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). Cologne: Wienand Verlag, 2012: illustrated.

Hollein, Max and Martin Engler, eds. Gegenwarts-Kunst 1945–Heute im Städel Museum. Ostfildern: Hatje Cantz Verlag, 2012: 198–199, illustrated.

Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012: illustrated.

Sol LeWitt (exhibition catalogue). Edited by Béatrice Gross. Metz, France: Éditions du Centre Pompidou-Metz, 2012.

Sol LeWitt: The Well-Tempered Grid (exhibition catalogue). Texts by Charles W. Haxthausen, Christianna Bonin, and Erica DiBenedetto. Williamstown, Massachusetts: Williams College Museum, 2012.

LeWitt, Sol. “Paragraphs on Conceptual Art (1967), Sentences on Conceptual Art (1969).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 987–992.

2011

Albright-Knox Art Gallery: Highlights of the Collection. Texts by Louis Grachos, Douglas Dreishpoon, Mariann W. Smith et al. London: Scala Publishers, 2011: 152, illustrated.

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 188–189, illustrated.

Bowles, John P. Adrian Piper: Race, Gender and Embodiment. Durham, North Carolina: Duke University Press, 2011: 45, illustrated.

Defining Contemporary Art: 25 Years in 200 Pivoted Artworks. London: Phaidon Press Limited, 2011: 407, illustrated.

Didi-Huberman, Georges. O que nós vemos, O que nos olha. Porto: Dafne Editora, 2011: illustrated.

Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery. Texts by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, 2011: illustrated.

Eva Hesse and Sol LeWitt (exhibition catalogue). Text by Veronica Roberts. New York: Craig F. Starr Gallery, 2011.

From Picasso to Jeff Koons: The Artist as Jeweler (exhibition catalogue). Texts by Diane Venet, Barbara Rose and Adrien Goetz. Milan: Skira, 2011: 212–213, illustrated.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Cologne: Taschen, 2011: 532–533, illustrated.

Johnson, Ken. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Munich: Prestel Verlag, 2011: 109, illustrated.

Kennedy, Brian P. Frank Stella: Irregular Polygons, 1965-66 (exhibition catalogue). Hanover, New Hampshire: Hood Museum of Art, Darmouth College, 2011: 60, illustrated.

NOMA 100: Gifts for the Second Century (exhibition catalogue). New Orleans: New Orleans Museum of Art, 2011: 95, illustrated.

Rondeau, James. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: Art Institute of Chicago, 2011: 82–89, illustrated.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Texts by Nicholas Fox Weber and Lisa Jacobs. New York: Solomon R. Guggenheim Foundation, 2011: 147, illustrated; frontispiece.

Sol LeWitt: Structures, 1965–2006 (exhibition catalogue). Texts by Nicholas Baume, et al. New York: Public Art Fund in association with Yale University Press, 2011.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists (exhibition catalogue). Text by Nancy E. Green. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2011: 33, illustrated.

Theis, Pia M. Die Sammlung der Österreichhischen Ludwig-Stuftung 1981–2011. Petersberg: Michael Imhof Verlag, 2011: 239, 240, illustrated.

Zevi, Adachiara, ed. L’Italia nei Wall Drawings di Sol LeWitt (exhibition catalogue). Milan: Electa, 2013.

2010

Birmingham Museum of Art: Guide to the Collection. London: GILES, 2010: 267, illustrated.

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Texts by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

Contemporary Collecting: Selections from the Donna and Howard Stone Collection (exhibition catalogue). Chicago: Art Institute of Chicago, 2010: illustrated.

FAPE: Foundation for Art and Preservation in Embassies, Site-Specific Collection. [S.I.]: Foundation for Art and Preservation in Embassies, 2010: illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Gold, Sarah, Karlyn De Jongh and Peter Lodermeyer. Personal Structures: Time-Space-Existence. Cologne: DuMont Buchverlag, 2010: 426–427, illustrated.

Image by Image: Film and Contemporary Art (exhibition catalogue). Dortmund, Germany: Museum Ostwall im Dortmunder U, 2010: 113, illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: Israel Museum, 2010: 76–77, illustrated.

Kennedy, Christina, ed. Post-War American Art: The Novak/O’ Doherty Collection (exhibition catalogue). Dublin: Irish Museum of Modern Art, 2010: cover, 104–106, illustrated.

Masterworks of the 20th and 21st Centuries. Texts by Anette Kruszynski, Maria Müller and Julia Hagenberg. Düsseldorf: Kunstammlung Nordrhein-Westfalen, 2010: 19, illustrated.

Meyer, James, ed. Minimalism. London: Phaidon Press, Inc., 2010: illustrated.

On-Line: Drawing through the Twentieth Century (exhibition catalogue). Texts by Catherine de Zegher and Cornelia H. Butler. New York: Museum of Modern Art, 2010: 5, 80, illustrated.

Rattemeyer, Christian, et al. Exhibiting the New Art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’ 1969. London: Afterall, 2010: 157, illustrated.

Roman Opałka: Oktogon/ 1–∞ (exhibition catalogue). Poznań, Poland: Art Stations Foundation, 2010: illustrated.

The Shape of Abstraction (exhibition catalogue). Text by Rachael Arauz. Boston: Boston University Art Gallery, 2010: illustrated.

Sol LeWitt: Wall Drawings (exhibition brochure). Chicago: Rhona Hoffman Gallery, 2010: illustrated.

Weatherspoon Art Museum: 70 Years of Collecting. Greensboro, North Carolina: Weatherspoon Art Museum, University of North Carolina, 2010: 150–151, illustrated.

With a Probability of Being Seen: Dorothee and Konrad Fischer: Archives of an Attitude (exhibition catalogue). Texts by Rudi Fuchs, Friedrich Meschede, Konrad Fischer, and Ronand Mönig. Barcelona: Museu d'Art Contemporani de Barcelona, 2010: 202–213, illustrated.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 8, 331–333, illustrated.

Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book. London: Goodman, 2009: 139, illustrated.

Classic Contemporary: Lichtenstein, Warhol & Friends (exhibition catalogue). San Diego: Museum of Contemporary Art, 2009: 18–19, illustrated.

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection (exhibition catalogue). Texts by Christian Rattemeyer and Cornelia Butler. New York: The Museum of Modern Art, 2009: 100, illustrated.

Contemporary Art from the Barron Collection (exhibition catalogue). Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2009.

Dan Graham: Beyond (exhibition catalogue). Texts by Rhea Anastas, et al. Los Angeles: Museum of Contemporary Art, 2009: 113, 256, illustrated.

Fer, Briony. Eva Hesse: Studiowork (exhibition catalogue). Edinburgh: Fruitmarket Gallery, 2009: 111, illustrated.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

In and Out of Amsterdam (exhibition catalogue). Texts by Christophe Cherix, Rini Dippel, Christian Rattemeyer et al. New York: The Museum of Modern Art, 2009: illustrated.

Innovations in the Third Dimension: Sculpture of Our Time (exhibition catalogue). Texts by Nancy Hall-Duncan and Joan Pachner. Greenwich: Bruce Museum, 2009: 50, 62, 77, illustrated.

Just What Is It… (exhibition catalogue). Karlsruhe, Germany: ZKM, Museum für Neue Kunst, 2009.

Kennedy, Brian P. and Emily Schubert Burke, eds. Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2009: 106, illustrated.

Louis Vuitton: Art, Fashion and Architecture. New York: Rizzoli, 2009: 260–261, illustrated.

Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009: 131, illustrated.

New York New Drawings 1946–2007 (exhibition catalogue). Texts by Elizabeth Finch and William Corbett. Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2009: 163–169, illustrated.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 175–176, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009: 114, 138, 185, illustrated.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 149, illustrated.

Sol LeWitt: Artist’s Books (exhibition catalogue). Texts by Giorgio Maffei, Emanuele De Donno, Didi Bozzini et al. Sant’Eraclio di Foligno, Italy: Edizioni Viaindustriae, 2009.

Sol LeWitt: 100 Views (exhibition catalogue). Edited by Susan Cross and Denise Markonish. North Adams, Massachusetts: MASS MoCA, 2009.

Through the Lens: Handbook of the Photography Collection, Lowe Art Museum, University at Miami (exhibition catalogue). Texts by Denise Most Gerson and J. Tomás López. Miami: Lowe Art Museum, 2009: 63, illustrated.

2008

Acton, Mary. Guardare l’arte contemporaea. Turin: Piccola Biblioteca Einaudi, 2008, illustrated.

Castello di Rivoli: The Castle Collection. Texst by Ida Gianelli, Andrea Bruno, Maria Grazia Cerri et al. Milan: Skira editore, 2008: 330–331, illustrated.

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 155–160, illustrated.

Color Chart: Reinventing Color, 1950 to Today (exhibition catalogue). New York: The Museum of Modern Art, 2008: 140–143, illustrated.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 325.

Glenstone: The Inaugural Exhibition (exhibition catalogue). Texts by Stephanie Rachum and Yve-Alain Bois. Potomac, Maryland: Glenstone Foundation, 2008.

The Hague Sculpture 2008: Freedom—American Sculpture (exhibition catalogue). The Hague, The Netherlands: Foundation the Hague Sculpture, 2008: 128–129, illustrated.

The History Book: On Moderna Museet 1958–2008. Göttingen, Germany: Steidl, 2008.

Humblet, Claudine. “Sol LeWitt.” In L’Art Minimal. Milan: Skira Editor, 2008: 105–153, illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon et al. New York and New Haven: Jewish Museum and Yale University Press, 2008: 229, 264, 265, 338, illustrated.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York (exhibition catalogue). Texts by Glenn D. Lowry, João Fernandes, Volker Rattemeyer and Christian Rattemeyer. Wiesbaden and Porto: Museum Wiesbaden; Museu de Arte Contemporânea de Serralves, 2008: 121, illustrated.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 166–167, illustrated.

Mesch, Claudia. Modern Art at the Berlin Wall. London: Tauris Academic Studies, 2008: 262.

ONE More, In Memoriam: Sol LeWitt (exhibition catalogue). Esbjerg, Denmark: Esbjerg Kunstmuseum, 2008: 26–27, illustrated.

The Panza Collection (exhibition catalogue). Texts by Giuseppe Panza and Evelyn C. Hankins. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2008: 24, 56-57, illustrated.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: Nelson-Atkins Museum of Art, 2008: 236, illustrated.

Selections from the Frances and John Bowes Collection. San Francisco: California College of the Arts MA Program in Curatorial Practice, 2008: 42–45, illustrated.

Sol LeWitt (exhibition catalogue). Text by Robert Mangold. Mountainville, New York: Storm King Art Center, 2008.

Sol LeWitt: A Wall Drawing Retrospective (exhibition brochure). North Adams, Massachusetts: Mass MOCA, 2008.

Styrofoam (exhibition brochure). Providence: Museum of Art, Rhode Island School of Design, 2008: unpaginated, illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: Museum of Contemporary Art, 2008.

Whitney Museum of American Art at Altria. Texts by Adam D. Weinberg and Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

Art Works: The Progressive Collection. Texts by Dan Cameron, Peter B. Lewis, Toby Devan Lewis, and Toni Morrison. New York: Distributed Art Publishers, Inc., 2007: 16, 104, illustrated.

Beal, Graham W. J. and Dera N. Mancoff. Treasures of the DIA (Detroit Institute of Arts). Detroit: Detroit Institute of Arts, 2007: 348, illustrated.

Boswell, Peter. LeWitt x 2 (exhibition brochure). Miami: Miami Art Museum, 2007: illustrated.

Collection Art Contemporain. Paris: Éditions du Centre Pompidou, 2007: 280–281, illustrated.

Dreishpoon, Douglas and David Bonetti. The Panza Collection: An Experience of Color and Light (exhibition catalogue). Buffalo, New York: Abright-Knox Art Gallery, 2007: 17, 62, 112, illustrated.

Godfrey, Mark. Abstraction and the Holocaust. New Haven and London: Yale University Press, 2007: illustrated.

Kölle, Brigitte. Okey Dokey Konrad Fischer. Cologne: Walther König and Verlag der Buchhandlung, 2007: 51, illustrated.

Milwaukee Art Museum: Friends of Art Celebrating 50 Years. Milwaukee: Petullo Publishing, 2007: 67, illustrated.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 22–243, 360–361, illustrated.

Parabol SE-1: A Personal View on the Essl Collection. Text by Philipp Kaiser. Vienna: Parabol Art Magazine, 2007: 38, illustrated.

Pleasures of Collecting, Part III: Contemporary and Cutting Edge (exhibition catalogue). Text by Nancy Hall-Duncan and Peter C. Sutton. Greenwich: Bruce Museum, 2007: 22–25, illustrated.

Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007: 86, 140, illustrated.

Sol LeWitt: Scribble Wall Drawings (exhibition catalogue). Text by Robert Storr. New York: PaceWildenstein, 2007.

The Speed Art Museum: Highlights from the Collection. London and New York: Merrell Publishers Limited, 2007: 205, illustrated.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: illustrated.

Storr, Robert. Think with the Senses, Feel with the Mind: Art in the Present Tense (exhibition catalogue). Venice: Marsilio, 1987.

2006

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 306–309, illustrated.

De Barañano, Kosme. Homage to Chillida (exhibition catalogue). Bilbao: Guggenheim Bilbao Museo, 2006: 220–221, illustrated.

Elemental Form (exhibition catalogue). Text by Robert Storr. New York: L & M Arts, 2006: 17, 47, 75, illustrated.

Le Noir est Une Couleur: Hommage Vivant à Aimé Maeght (exhibition catalogue). Saint-Paul, France: Fondation Marguerite et Aimé Maeght, 2006: 167, illustrated.

LeWitt x 2 (exhibition catalogue). Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006.

Mad. Sq. Art: Sol LeWitt (exhibition catalogue). Texts by Martin Friedman and Debbie Landau. New York: Madison Square Park, 2006.

Morris, Frances, ed. Tate Modern: The Handbook. London: Tate Publishing, 2006: 157, 173, illustrated.

Nothing and Everything (exhibition catalogue). San Francisco: Fraenkel Gallery, 2006: no. 12, illustrated.

On the Wall (exhibition catalogue). Cleveland: Cleveland State University, 2006.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur (exhibition catalogue). Düsseldorf: Richter Verlag, 2006: 215, illustrated.

Responding to Kahn: A Sculptural Conversation (exhibition catalogue). Text by Victoria Sambunaris. New Haven, Connecticut: Yale University Art Gallery, 2006: 3; 14, 15, 21, illustrated.

Singer, Susanna and Janet Passehl, eds. LeWItt X 2: Sol LeWitt: Structure and Line; Selection from the LeWitt Collection. Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006.

Sol LeWitt: Wall Drawings allo Studio G7 (exhibition catalogue). Texts by Ester Coen and Giovanni Maria Accame. Bologna: Damiani Editore, 2006.

Sol LeWitt Drawing Series… (exhibition brochure). Text by Lynne Cooke. Beacon, New York: Dia: Beacon, 2006.

Van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture. Munich: Prestel Verlag, 2006: 154–155, illustrated.

Varnedoe, Kirk. Pictures of Nothing: Abstract Art since Pollock. Washington, D.C.: National Gallery of Art, 2006: illustrated.

2005

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis: Walker Art Center, 2005: 87, 346–349, illustrated.

Eleey, Peter. The Plain of Heaven (exhibition catalogue). New York: Creative Time, 2005.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Getlein, Mark. Gilbert’s Living with Art. 7th ed. Boston: McGraw Hill, 2005.

Logical Conclusions: 40 Years of Rule-based Art (exhibition catalogue). Texts by Marc Glimcher. New York: PaceWildenstein, 2005.

Paul, Kate. Open Systems: Rethinking Art c. 1970 (exhibition brochure). London: Tate Modern, 2005.

The Plain of Heaven (exhibition catalogue). New York: Creative Time, 2005: 38–39, illustrated,

Sets, Series, and Suites: Contemporary Prints (exhibition catalogue). Boston: Museum of Fine Arts, 2005: illustrated.

Sol LeWitt: Laumeier Sculpture Park, St Louis (exhibition catalogue). Text by David Moos. St. Louis, Laumeier Sculpture Park, 2005.

Sol LeWitt: The Zürich Project (exhibition catalogue). Texts by Elisabeth Grossman and Georg Imdahl. Zurich: Offizin Verlag, 2005.

Sol LeWitt on the Roof: Splotches, Whirls and Twirls (exhibition brochure). New York: Metropolitan Museum of Art, 2005.

2004

Cooke, Lynne and Michael Govan. Dia: Beacon. New York: Dia Art Foundation, 2004: 196, 199–206, 333, illustrated.

The Eclectic Eye: Selections from the Frederick R. Weisman Foundation. Los Angeles, Frederick R. Weisman Foundation, 2004.

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 229, illustrated.

Gale, Peggy. Artists Talk: 1969–1977. Nova Scotia: The Press of the Nova Scotia College of Art and Design, 2004.

Goldstein, Ann. A Minimal Future? Art as Object 1958-1968 (exhibition catalogue). Texts by Ann Goldstein, Lucy Lippard, James Meyer et al. Los Angeles: Museum of Contemporary Art, 2004.

Intra-muros (exhibition catalogue). Nice: Musée d’Art Moderne et d’Art Contemporain, 2004:158–167, illustrated.

Intuition/(Im)Precision (exhibition catalogue). Salzburg: Galerie Thaddaeus Ropac, 2004: 66–67, illustrated.

Journey to Now: John Kaldor Art Projects and Collection (exhibition catalogue). Text by Adam Free et al. Adelaide, Australia: Art Gallery of South Australia, 2004.

LeWitt, Sol, Mimmo Paladino, and Adachiara Zevi. Sol LeWitt & Mimmo Paladino. Turin, Italy: Hopefulmonster Editore, 2004.

Living Dust. Norwich, England: Norwich School of Art and Design, Norwich Gallery, 2004.

The One Hundredth And Seventy-Ninth Annual: An Invitational Exhibition of Contemporary American Art (exhibition catalogue). New York: National Academy of Design, 2004: 80, illustrated.

Singular Forms (Sometimes Repeated): Art from 1951 to the Present (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2004: 131, 133, illustrated.

Sol LeWitt: Laumeier Sculpture Park (exhibition catalogue). Text by David Moos. St. Louis, Missouri: Laumeier Sculpture Park, 2004.

Sol LeWitt: Recent Work (exhibition catalogue). Katonah, New York: Katonah Museum of Art, 2004.

Sol LeWitt: Structures 1962–2003 (exhibition catalogue). Text by Dave Hickey. New York: PaceWildenstein, 2004.

Sol LeWitt: Wall (exhibition catalogue). Texts by Peter Pakesch, Marco De Michelis, Martin Prinzhorn, and Paul Horwich. Cologne: Kunsthaus Graz, 2004.

Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection New York (exhibition catalogue). Klosterneuburg; Vienna: Sammlung Essl, 2005: illustrated.

Zelevansky, Lynn. Beyond Geometry: Experiments in Form, 1940s–70s (exhibition catalogue). Cambridge, Massachusetts: The MIT Press, 2004: 17, 174, illustrated.

2003

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, Massachusetts: The MIT Press, 2003: illustrated.

Heaney, Seamus. Squarings. San Francisco: Arion Press, 2003.

The Last Picture Show: Artists Using Photography, 1960-1982 (exhibition catalogue). Texts by Geoffrey Batchen, Kate Bush, Douglas Fogle et al. Minneapolis: Walker Art Center, 2003.

1990–2003: Prototypes. Texts by Yves Lecointre and Maiten Bouisset. France: Fond Régional d’art Contemporain de Picardie, 2003.

Ross, James, ed. The Farm: Kaipara, New Zealand. New Zealand: The Farm, 2003.

Sol LeWitt: Fotografí (exhibition catalogue). Text by George Stolz. Madrid: Fundación Ico, 2003.

2002

American Beauty (exhibition catalogue). London: Annely Juda Fine Art, 2002.

Boettger, Suzan. Earthworks: Art and the Landscape of the Sixties. Berkeley: University of California Press, 2002.

Drawn from a Family: Contemporary Works on Paper (exhibition catalogue). Text by Hugh J. Gourley. Waterville, Maine: Colby College Museum of Art, 2002.

Fabozzi, Paul F. Artists, Critics, Context: Readings in and Around American Art Since 1945. Upper Saddle River, New Jersey: Prentice Hall, 2002.

Helfenstein, Josef and Jonathan Fineberg, eds. Drawings of Choice from a New York Collection (exhibition catalogue). Champaign, Illinois: Krannert Art Museum, 2002: 82–89, illustrated; cover.

Héman, Suzanna, Jurrie Poot and Hripsimé Visser, eds. Conceptual Art in the Netherlands and Belgium 1965-1975. Rotterdam: Stedelijk Museum Amsterdam and NAi Uitgevers, 2002.

LeWitt, Sol. Chicago (artist’s book). Edinburgh, Scotland: Morning Star Publications, 2002.

Singer, Susanna, ed. Sol LeWitt: Concrete Block Structures. Milan: Alberico Cetti Serbelloni Editore, 2002.

Sol LeWitt (exhibition catalogue). La Coruña: Fundación Pedro Barrié de la Maza, 2002.

Sol LeWitt (exhibition catalogue). Texts by Bera Nordal and Sol LeWitt. Skärhamn, Sweden: The Nordic Watercolour Museum, 2002.

Sol LeWitt: L’Image de la Pensée/ The Image of Thought (exhibition catalogue). Text by Zia Mirabdollbaghi, Bruno Corà, and Elie During. Vence, France: Château de Villeneuve, 2002.

Trisha Brown: Dance and Art in Dialogue, 1961–2001 (exhibition catalogue). Andover, Massachusetts: Addison Gallery of America Art, Phillips Academy Texts, 2002: 35.

2001

Brodie, Judith and Andrew Robinson, ed. A Century of Drawing: Works on Paper from Degas to LeWitt (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2001.

Dávilla, Mela, ed. Onnasch: Aspects of Contemporary Art (exhibition catalogue). Barcelona: Museu d’Art Contemporani de Barcelona, 2001.

Gift to The Nation. Washington, D.C.: Friends of Art and Preservation in Embassies in Embassies, 2001.

Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Texts by Arne Glimcher. Milan: Leaonardo International, 2001.

Holmes, Steven. Acquiring Taste. Hartford, Connecticut: Real Art Ways, 2001.

The Lenore and Burton Gold Collection of 20th-Century Art (exhibition catalogue). Atlanta: High Museum of Art, 2001.

Marzona Villa Manin: una collezione d'art / Art Works. Sammlung Marzona. Kunst um 1968 / Marzona Villa Manin: A Private Collection / The Marzona Collection: Art Around 1968. Texts by Thomas Kelien, Anny de Decker, and Christoph Ulmer. Ostfildern, Germany: Hatje Cantz Verlag, 2001.

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven and London: Yale University Press, 2001.

Noncomposition: Fifteen Case Studies (exhibition catalogue). Text by Nicholas Baume. Hartford, Connecticut: Wadsworth Atheneum, 2001.

Rorimer, Anne. New Art in the 60s and 70s Redefining Reality. London: Thames & Hudson Ltd., 2001.

Sol LeWitt: Incomplete Open Cubes (exhibition catalogue). Texts by Nicholas Baum, Jonathan Flatley, and Pamela M. Lee. Hartford, Connecticut: Wadsworth Atheneum Museum of Art, 2001.

2000

Freedman, Susan and Tom Eccles. Contemporary Art at the Embassy Suites Hotel, New York City. New York: Public Art Fund, 2000.

Garrels, Gary, ed. Sol LeWitt: A Retrospective (exhibition catalogue). Texts by Martin Friedman, Andrea Miller-Keller, Brenda Richardson et al. San Francisco: San Francisco Museum of Modern Art, 2000.

Meyer, James, ed. Minimalism. London: Phaidon Press, 2000.

Sol LeWitt (exhibition catalogue). Seoul: Juliana Gallery, 2000.

Sol LeWitt: New Wall Drawings (exhibition catalogue). Chagny, France: Galerie Pietro Sparta, 2000.

Sol LeWitt: Wall Drawings (exhibition catalogue). Texts by Maria Grazia Tolomeo and Adachiara Zevi. Rome: Palazzo delle esposizioni, 2000.

Under Pressure: Prints from Two Palms Press (exhibition catalogue). New London, Connecticut: Lyman Allyn Museum of Art, 2000.

00: Drawings 2000 at Barbara Gladstone Gallery (exhibition catalogue). Text by Klaus Kertess. New York: Barbara Gladstone Gallery, 2000: 56, illustrated.

1999

Borthe, Rolf et al. Die Sammlung Paul Maenz. Wiemar and Osfilden, Germany: Neues Museum Weimar; Cantz, 1999.

Camnitzer, Luis et al. Global Conceptualism: Points of Origin, 1950s–1980s (exhibition catalogue). Queens: Queens Museum of Art, 1999.

Contemporary American Masters: The 1960s (exhibition catalogue). Text by Constance Schwartz and Franklin Hill Perrell. Roslyn Harbor, New York: Nassau County Museum of Art, 1999.

Diers, Michael and Kasper König, eds. Art & Book & Friends: Ein Album für Walther König. London: Edition Hansjörg Mayer, 1999.

Elliott, Patrick. A Companion Guide to the Scottish National Gallery of Modern Art. Edinburgh: National Galleries of Scotland, 1999: 186, illustrated.

Afterimage: Drawing Through Process (exhibition catalogue). Texts by Pamela M. Lee and Cornelia H. Butler. Los Angeles: The Museum of Contemporary Art, 1999: illustrated.

Fraenkel, Jeffrey, ed. 20twenty (exhibition catalogue). San Francisco: Fraenkel Gallery, 1999.

Knight, Christopher. Art of the Fifties, Sixties, and Seventies: The Panza Collection. Milan: Jaca Book, 1999.

LeWitt, Sol. Bands of Color: One-, Two-, Three-, and Four-Part Combinations of Vertical, Horizontal, and Diagnoal Left and Right Bands of Color, 1993–1994 (artist’s book). Chicago: Museum of Contemporary Art, 1999.

Modern Sculpture at The Nelson-Atkins Museum of Art: An Anniversary Celebration. Texts by Deborah Emont Scott, Martin Friedman et al. Kansas City, Missouri: Nelson-Atkins Museum of Art, 1999.

Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Boston: Massachusetts Institute of Technology, 1995: 20, 31, illustrated.

Muehlig, Linda, et al. Masterworks of American Painting and Sculpture from the Smith College Museum of Art. Manchester, Vermont: Hudson Hills Press, 1999: 224–227.

Phillips, Lisa. The American Century: Art & Culture 1950–2000 (exhibition catalogue). New York: Whitney Museum of American Art, 1999.

Schellman, Jörg. Wall Works (exhibition catalogue). New York: Paula Cooper Gallery and Editions Schellman, 1999.

Selected Works from The Dayton Art Institute Permanent Collection. Text by Alexander Lee Nyerges and Marianne Lorenz. Dayton, Ohio: The Dayton Art Institute, 1999.

Sol LeWitt: Wall Drawing (exhibition catalogue). Text by Ulrike Schick. Otterndorf, Germany: Museum moderner Kunst Landkreis Cuxhaven, 1999.

The Virginia and Bagley Wright Collection of Modern Art. Text by Trevor Fairbrother. Seattle: Seattle Art Museum, 1999.

Wallace, D.I. “Les Jeux de Taquin de Sol LeWitt.” In Visual Proof: The Experience of Mathematics in Art, Hanover: Dartmouth College, 1999.

1998

Als golfslad op het standt: Ad Dekkers in zijn tijd / Waves Breaking on the Shore: Ad Dekkers in his Time (exhibition catalogue). Amsterdam: Stedelijk Museum, 1998.

Bunnell, Peter. Photography at Princeton: Celebrating 25 Years of Collecting and Teaching the History of Photography (exhibition catalogue). Princeton, New Jersey: Princeton University Press, 1998.

Causey, Andrew. Sculpture since 1945. Oxford: Oxford University Press, 1998.

{Defining Structures} (exhibition catalogue). Text by Joyce Pomeroy Schwartz and Karla Bradley. Charlotte, North Carolina: LaSalle Partners at NationsBank Plaza, 1998: illustrated.

Friese, Peter. Minimal-Maximal: Die Minimal Art und ihr Einfluss auf die internationale Kunst de 90er Jahre (exhibition catalogue). Bremen: Neues Museum Weserburg, 1998.

Lauf, Cornelia et al. Artist/Author: Contemporary Artists’ Books (exhibition catalogue). New York: American Federation of Arts, 1998.

LeWitt, Sol. Flat and Glossy Squares (artist’s book). Ghent, Belgium: Imschoot, 1998.

Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection (exhibition catalogue). Text by John Stringer. Perth: Lawrence Wilson Art Gallery, University of Western Australia, 1998.

Sauer Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris (exhibition catalogue). Brussels: Bank Brussels Lambert, 1998.

Sol LeWitt (exhibition catalogue). Texts by Giorgio Cortenova et al. Verona, Italy: Galleria d’arte Moderna e Contemporanea Palazzo Forti, 1998.

Sol LeWitt in Italia (exhibition catalogue). Texts by Bruno Corà et al. Perugia, Italy: Centro Espositivo della Rocca Paolina, 1998.

1997

Archer, Michael. Art Since 1960. London: Thames and Hudson, 1997.

Art Recollection: Artist’s Interviews and Statements in the Nineties. Ravenna, Italy: Danilo Montanari & Exit & Zona Archives, 1997: 152–160, illustrated.

Batchler, David. Minimalism. London: Tate Gallery, 1997.

Blurring the Boundaries: Installation Art 1969–1996 (exhibition catalogue). Texts by Hugh M. Davies and Ronald J. Onorato. San Diego: Museum of Contemporary Art, 1997.

Bochner, Mel, ed. Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art. Texts by Christophe Cherix, Laurent Jenny and James Meyer. Genève, Switzerland: Cabinet des estampes du Musée d'art et d'historie, 1997.

Bussmann, Klaus, Kasper König, and Florian Matzner, eds. Skulptur Projekte in Münster 1997 (exhibition catalogue). Text by Walter Grasskamp. Muenster: Hatje, Westfälisches Landesmuseum, 1997.

Iles, Chrissie and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday (exhibition catalogue). Texts by Elizabeth Edwards, David Elliott, Russell Roberts, Abigail Solomon-Godeau. Oxford: Museum of Modern Art, 1997.

Lee, Pamela. Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection (exhibition catalogue). Cambridge, Massachusetts: Harvard University Art Museums, 1997.

Oetker, Brigitte and Christiane Schneider. Realisation: Kunst in der Leipziger Messe/Art at the Exhibition Centre Leipziger Messe. Cologne: Oktagon, 1997.

Sol LeWitt: Drawings and Structures (exhibition brochure). Beverly, Massachusetts: Monserrat College of Art Gallery, 1997.

Thirty-Five Years at Crown Point Press: Making Prints, Doing Art. Text by Ruth E. Fine, Karin Breuer, and Steven A. Nash. Berkeley and Los Angeles: University of California Press, 1997.

1996

Black & White (exhibition catalogue). Seoul: Gallery Seomi, 1996: illustrated.

Drucker, Johanna. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1996.

Frankel, David, ed. Sniper’s Nest: Art that has lived with Lucy Lippard (exhibition catalogue). Annandale-on-the-Hudson, New York: Center for Curatorial Studies and Art in Contemporary Culture, Bard College, 1996.

From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection (exhibition catalogue). Text by Nicholas Baume. Sydney, Australia: Museum of Contemporary Art, 1996.

LeWitt, Sol. Black Squares (artist’s book). Paris: Artists Book International, 1996.

LeWitt, Sol. Irish. Edinburgh, Scotland: Morning Star Publications, 1996.

LeWitt, Sol. 100 Cubes (artist’s book). Ostfildern, Germany: Cantz, 1996.