Zhang Huan

Dates

Born 1965, Anyang City, He Nan Province, China

Lives and works in Shanghai

Education

1984–1988, He Nan University Kai Feng, He Nan Province, China, BA

1991–1993, Central Academy of Fine Arts, Beijing, China, MA

2026

Zhang Huan: Ash Paintings and Performances, 125 Newbury, New York, March 6–April 4, 2026.

2025

Zhang Huan: Ordinary Life, University of Kentucky Art Museum, Lexington, August 19–December 20, 2025.

2022

Zhang Huan’s First-ever NFT Art Trilogy, echox.app, opens on November 10, 2022.

2021

Zhang Huan: Hermitage Buddha, The State Hermitage Museum, St Petersburg, Russia, September 9, 2020–April 4, 2021. (Catalogue)

Zhang Huan: Living towards Nothingness, Pace Gallery, 68 Park Place, East Hampton, New York, September 2–19, 2021.

2020

Zhang Huan: In the Ashes of History, The State Hermitage Museum, St Petersburg, Russia, September 9–November 8, 2020. (Catalogue)

Zhang Huan: 55 Love: Pino Pascali Award – 22nd Edition, Pino Pascali Foundation, Polignano a Mare, Italy, March 7–July 12, 2020.

2015

Zhang Huan: Let There Be Light, Pace Gallery, 508 and 510 West 25th Street, New York, October 30–December 5, 2015. (Catalogue)

Zhang Huan: Sydney Buddha, Sydney Festival 2015, Carriageworks, Sydney, January 8–March 15, 2015.

2014

Zhang Huan, Pace at Chesa Büsin, Zuoz, Switzerland, July 14–August 31, 2014.

Zhang Huan: Evoking Tradition, Storm King Art Center, Mountainville, New York, May 3–November 9, 2014. (Catalogue)

Zhang Huan: Spring Poppy Fields, Pace London, 6 Burlington Gardens, April 25–May 31, 2014. (Catalogue)

2013

Zhang Huan: Poppy Fields, Pace Gallery, 534 West 25th Street, New York, September 20–October 26, 2013. (Catalogue)

Zhang Huan: Soul and Matter, Forte di Belvedere and Palazzo Vecchio, Florence, July 8–October 13, 2013. (Catalogue)

Looking East, Facing West: The World of Zhang Huan, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, May 24–August 25, 2013.

2012

Zhang Huan: The Mountain is Still a Mountain, White Cube, London, July 20–August 26, 2012. (Catalogue)

Zhang Huan: Ash Paintings and Memory Doors, Art Gallery of Ontario, Toronto, May 5–August 19, 2012.

Zhang Huan: Jin Hui Dui, Gallery 100, Taipei, April 14–May 27, 2012. (Catalogue)

2011

Zhang Huan: Q Confucius, Rockbund Art Museum, Shanghai, October 15, 2011–January 29, 2012. (Catalogue)

Zhang Huan, Four Seasons Centre for the Performing Arts, Toronto, September 14, 2011–June 24, 2012.

Zhang Huan: Aura of Disappearance, Edouard Malingue Gallery, Hong Kong, May 25–June 30, 2011. (Catalogue)

Zhang Huan: 49 Days, Blum and Poe, Los Angeles, May 21–July 9, 2011. (Catalogue)

Zhang Huan: Ash Banquet, Project B Gallery, Milan, May 18–July 15, 2011.

Zhang Huan: East Wind, West Wind, Espace Louis Vuitton, Macau, China, March 25–July 3, 2011. (Catalogue)

2010

Zhang Huan: Out of Ashes, Hakgojae Gallery, Seoul, November 10–December 30, 2010. (Catalogue)

Zhang Huan: Hope Tunnel, Ullens Center for Contemporary Art, Beijing, July 17–October 24, 2010.

Zhang Huan: Ashman, Padiglione d’Arte Contemporanea, Milan, July 7–September 12, 2010. (Catalogue)

Zhang Huan: Free Tiger Returns to Mountains, Pace Beijing, May 20–July 20, 2010. (Catalogue)

Zhang Huan: Amituofo, Museum of Contemporary Art, Taipei, Taiwan, February 22–March 28, 2010. (Catalogue)

Zhang Huan: Dawn of Time, Shanghai Art Museum, February 5–26, 2010. (Catalogue)

Zhang Huan: Monoprints, Pace Prints, New York, January 7–31, 2010.

2009

Zhang Huan: Neither Coming Nor Going, PaceWildenstein, 545 West 22nd Street, New York, December 11, 2009–January 30, 2010.

Zhang Huan: Zhu Gangqiang, White Cube Gallery, London, September 4–October 3, 2009. (Catalogue)

Zhang Huan: Three Legged Buddha, La Monnaie, Brussels, August –September 2009.

Zhang Huan: Rebirth, Project B Contemporary Art, Milan, May 15–July 10, 2009. (Catalogue)

Zhang Huan: Memory Doors, Haunch of Venison, Zurich, January 23–March 28, 2009.

2008

Zhang Huan – Unique Woodcuts, Pace Prints, New York, 2008.

Zhang Huan: Paintings and Sculptures, Diehl + Gallery One, Moscow, December 12, 2008–January 17, 2009.

Zhang Huan: Works from the Collection Caspar H. Schubbe, DSV Group, Stuttgart, Germany, November 28–January 2009. (Catalogue)

Zhang Huan: Blessings, PaceWildenstein, 534 West 25th Street and 545 West 22nd Street, New York, May 9–July 25, 2008. (Catalogue)

2007

Zhang Huan: Ash, Haunch of Venison, London, October 10–November 10, 2007. (Catalogue)

Zhang Huan: Three-Legged Buddha, Royal Academy of Arts, Annenberg Courtyard, London, October 8, 2007–January 4, 2008.

Zhang Huan: Berlin Buddha, Haunch of Venison, Berlin, September 29–December 8, 2007. (Catalogue)

Zhang Huan: My Rome-Roma, LipanjePuntin artecontemporanea, Rome, September 13–October 20, 2007.

Zhang Huan: Altered States, Asia Society, New York, September 6, 2007–January 20, 2008. Traveled to: Vancouver Art Gallery, Canada, June 7–October 5, 2008. (Catalogue)

Zhang Huan, Fundación Telefónica, Madrid, June 9–July 26, 2007. (Catalogue)

Zhang Huan: Drawings, AMT Gallery, Como, Italy, May 26–June 19, 2007.

Zhang Huan: Drawings, Galerie Volker Diehl, Berlin, March 10–April 10, 2007. (Catalogue)

2006

Zhang Huan, Sherman Galleries, Sydney, Australia, November 9–December 2, 2006. (Catalogue)

Zhang Huan: Selected Works 1995–2006, Max Lang Gallery, New York, September 22–October 28, 2006. (Catalogue)

Zhang Huan, The Carpenters Workshop Gallery, London, September 15–November 4, 2006.

Zhang Huan, Galerie Volker Diehl, Berlin, March 21–April 26, 2006. (Catalogue)

2004

Zhang Huan: Seeds of Hamburg, Norton Museum of Art, Florida, November 20, 2004–February 20, 2005. Traveled to: Museum of Fine Arts, Boston, September 17, 2005–January 16, 2006.

Zhang Huan, La Fabrica Galeria, Madrid, October 28–December 11, 2004.

Zhang Huan, Tri Postal, Lille 2004, Cultural Capital of Europe, Lille, France, March 26–April 18, 2004.

2003

Zhang Huan, Galerie Volker Diehl, Berlin, 2003.

2002

Zhang Huan, Kunstverein in Hamburg, Germany, November 30, 2002–February 9, 2003. Traveled to: Kunstmuseum Bochum, Germany, April 5–June 15, 2003; Nikolaj Copenhagen Contemporary Art Center, Denmark, September 6–November 2, 2003. (Catalogue)

2001

Zhang Huan, Luhring Augustine Gallery, New York, October 11–November 2, 2001.

Zhang Huan: Family Tree, Galerie Albert Benamou, Paris, October 10–November 10, 2001.

Zhang Huan, Power Plant Contemporary Art Gallery, Toronto, September 22–November 18, 2001.

Zhang Huan, Museo das Peregrinacións, Santiago de Compostela, Spain, May 8–July 8, 2001. (Catalogue)

2000

Zhang Huan, Cotthem Gallery, Barcelona, 2000.

Zhang Huan, Cotthem Gallery, Brussels, 2000.

Zhang Huan: Survey, Adam Gallery, Wellington, New Zealand, June 22–July 30, 2000.

Zhang Huan: My America, Deitch Projects, New York, April 15–27, 2000. (Catalogue)

1999

Zhang Huan: Performance on Video, Artspace, Sydney, 1999. Traveled to: Artspace, Auckland, New Zealand, July 9–30, 1999. (Catalogue)

Zhang Huan: Works From 1994–1998, Max Protetch Gallery, New York, February 1999.

1988

Zhang Huan, Henan University, Kai Feng, China, 1988.

2025

Expanding the 50th: Shared Stories, The Smart Museum of Art at the University of Chicago, March 25–July 13, 2025.

Time Unfinished: Chinese Contemporary Art 1980s x 1990s, Taikang Art Museum, Beijing, March 30–June 15, 2025.

2024

I am your Body - Chapter 2: Flesh, Kunsthal Aarhus, Denmark, October 11, 2024–January 26, 2025.

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection, Victoria and Albert Museum, London, May 18, 2024–January 5, 2025. (Catalogue)

Inscription of Time: Experience and Transformation of Contemporary Chinese Art Collection, Ennova Art Museum, Langfang, China, April 29–September 16, 2024.

2023

Face Values, 125 Newbury, New York, June 9–July 28, 2023.

Bohemia: History of an Idea, 1950–2000, Kunsthalle Praha, Prague, March 23–October 16, 2023. (Catalogue)

2022

A Window Suddenly Opens: 30 Years of Experimental Photography in China, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 21, 2022–Late April 2023.

Wild Strawberries, 125 Newbury, New York, September 30–November 19, 2022. (Journal)

2021

Skin in the Game, presented by Palm Heights, 1620 Washington Avenue, Miami, November 30–December 1, 2021. Traveled to: 400 N. Peoria Street, Chicago, April 7–24, 2022.

The Ethereal Aether. An Exhibition of Digital Art, The State Hermitage Museum, Online,

November 11, 2021–December 10, 2021.

Li Songsong & Zhang Huan: ART'N DIOR, Shenzhen Museum of Contemporary Art and Urban

Planning,Shenzhen, China, September 26–October 26, 2021.

Convergent Evolutions: The Conscious of Body Work, Pace Gallery, 510 West 25th Street, New York, September 10–October 23, 2021.

Human, 7 questions, Leeum Museum of Art, Seoul, October 8, 2021–January 2, 2022. (Brochure and Catalogue)

Restoration: Now or Never, Public Art Exhibition on Bus Stops and Billboards, London, May 31, 2021.

2020

Start from the Garden, NÜMA Art Museum, Yangzhou, China, 2020.

The Ideals, Pearl Lam Galleries, Shanghai, China, 19 December 2020–15 January 2021.

We Are the Revolution: Contemporary Italian Collecting, XNL Piacenza Contemporanea, Piacenza, Italy, September 26, 2020–January 10, 2021. (Catalogue)

Shanghai Waves: Historical Archives and Works of Shanghai Biennale, Power Station of Art, Shanghai, China, July 31–November 15, 2020.

Metamorphoses, Pearl Lam Galleries, Shanghai, China, July 27–October 15, 2020.

On Sabbatical, West Bund Museum, Shanghai, China, July 25–September 6, 2020.

Akış / Flux: Memory, Sakıp Sabancı Museum, February 25–March 14, 2020.

2019

Orienting and Positioning, 8th Moscow International Biennale of Contemporary Art, Russia, October 31–January 22, 2020.

Faena Festival: The Last Supper, Faena Art, Miami, December 2–8, 2019.

Bodies of Knowledge, New Orleans Museum of Art, Louisiana, June 28–October 13, 2019.

Conversations: Contemporary Asian Art, Hermitage Museum & Gardens, Norfolk, Virginia, June 14–October 13, 2019. (Catalogue)

Day After Day: RongRong and the Beijing East Village, The Walther Collection, New York, June 13–October 12, 2019.

The Allure of Matter: Material Art from China, Los Angeles County Museum of Art, California, June 2, 2019– January 5, 2020. Traveled to: Smart Museum of Art, University of Chicago, February 4–May 3, 2020; Seattle Art Museum, June 25–September 13, 2020; Peabody Essex Museum, Salem, Massachusetts, November 14, 2020–February 21, 2021. (Catalogue)

2018

Shanghai Beat: The Dynamism of the Contemporary Art Scene in Shanghai, Contemporary Art Museum Kumamoto, Japan, September 22–November 25, 2018.

Awakenings: Art in Society in Asia, 1960s-1990s, Museum of Modern Art Tokyo, October 10–December 24, 2018. Traveled to: Museum of Modern and Contemporary Art, Gwacheon, Korea, January 1–May 7, 2019; National Gallery Singapore, June–September 2019. (Catalogue)

Counterpoint: Selections from the Peter Marino Collection at the Southampton Arts Center, Southampton, New York, July 28–September 23, 2018. (Catalogue)

Land: Zhang Huan and Li Binyuan, MoMA PS1, Long Island City, New York, April 15–September 3, 2018.

Praying for Time, Rose Art Museum, Brandeis University, Waltham, Massachusetts, March 2–July 8, 2018.

2017

Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, October 6, 2017–January 7, 2018. Traveled to: San Francisco Museum of Modern Art, November 10, 2018–February 24, 2019. (Catalogue)

Chinese Dreams, Sandra and David Bakalar Gallery, Massachusetts College of Art and Design, Boston, September 25–December 2, 2017.

Maitreya Karuna & Prajna, Shanghai Gallery of Art, June 28–August 27, 2017.

Person of the Crowd: The Contemporary Art of Flânerie, Barnes Foundation, Philadelphia, February 25–May 22, 2017.

Speech¸ Pace/MacGill Gallery, New York, February 9–April 29, 2017.

2016

Where Can the Dust Alight, Pace Hong Kong, 15C Entertainment Building, 30 Queen's Road Central, October 1–November 12 (extended through November 17), 2016.

M+ Sigg Collection: Four Decades of Chinese Contemporary Art, ArtisTree, Hong Kong, February 23–April 5, 2016.

Bentu, des artistes chinois dans la turbulence des mutations, Fondation Louis Vuitton, Paris, January 27–May 2, 2016.

The Collection, A Selection of Chinese Works, Fondation Louis Vuitton, Paris, January 27–August 29, 2016.

2015

Secret Signs: Calligraphy in Chinese Contemporary Art, Deichtorhallen, Hamburg, in collaboration with the Sigg Collection and the M+ Hong Kong, November 8, 2014–February 8, 2015. (Catalogue)

15 Rooms, Long Museum, Shanghai, September 25–December 6, 2015.

The M+ Sigg Collection: Chinese Art from the 1970s to Now, The Whitworth, The University of Manchester, United Kingdom, July 1–September 20, 2015.

CRU – Outras Ideias, Centro Cultural Banco do Brasil, Sao Paulo, June 11–October 31, 2015. (Catalogue)

28 Chinese: Rubell Family Collection, Asian Art Museum, San Francisco, June 5–August 16, 2015.

China 8: Contemporary Art from China on the Rhine and Ruhr, MKM Museum Küppersmühle, Duisberg, May 15–September 13, 2015. (Catalogue)

The State Hermitage Museum and Berengo Studio: Glasstress 2015 Gotika, The 56th International Art Exhibition – la Biennale di Venezia, Berengo Centre for Contemporary Art, Murano, Italy, May 9–November 22, 2015.

2014

A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.

Taoyuan Land Arts Festival, Taoyuan Naval Base, Taiwan, September 4–14, 2014.

Summer Group Show, Pace Hong Kong, 15C Entertainment Building, 30 Queens Road Central, July 24–September 4, 2014.

Typology, Taxonomy and Seriality: Photography from The Walther Collection, Espace Van Gogh, Arles, France, July 7–September 21, 2014.

Manifesta 10, State Hermitage Museum, St. Petersburg, Russia, June 20–September 29, 2014.

Where is China?, The Museu do Oriente, Lisbon, May 29–July 6, 2014.

Forty Years/Forty Stories, Ulrich Museum of Art, Wichita State University, April 26–August 10, 2014.

I Look At Things… Works from the Collection, Faurschou Foundation, Copenhagen, April 24–September 12, 2014.

2013

Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York, December 11, 2013–April 6, 2014. (Catalogue)

28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, December 4, 2013–August 1, 2014. (Catalogue)

Portrait of the Times: 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai, August 18–November 10, 2013. (Catalogue)

Paradise, Pace Gallery, 534 West 25th Street, New York, July 15–August 16, 2013.

The Red Queen, The Museum of Old and New Art, Hobart, Australia, June 18, 2013–April 21, 2014.

Culture‧Mind‧Becoming: Collateral Event of Chinese Art at the 55th Venice Art Biennale 2013, Palazzo Mora and Palazzo Marcello, May 29–31, 2013.

China China, Pinchuk Art Centre, Kyiv, Ukraine, May 18–October 6, 2013. (Catalogue)

Disaster: The End of Days, Galerie Thaddaeus Ropac, Paris, March 3–June 1, 2013. (Catalogue)

Through the Eyes of Texas: Masterworks from Alumni Collections, Blanton Museum of Art, The University of Texas, Austin, February 24–May 19, 2013. (Catalogue)

Weight of History: The Collectors Show 2013, Singapore Art Museum, January 25–May 5, 2013. (Catalogue)

2012

Glasstress Beirut, Beirut Exhibition Center, Lebanon, July 16–September 2, 2012.

Kunstenfestival Watou 2012, Westhoek, Belgium, July 7–September 2, 2012.

Summer Group Show 2012, The Pace Gallery, 534 West 25th Street, New York, June 22–August 10, 2012.

Sculpture at Pilane, Pilane Heritage Society, Sweden, May 17–September 16, 2012.

Rising Dragon: Contemporary Chinese Photography, Katonah Museum of Art, New York, March 25–September 2, 2012.

Face, Minsheng Art Museum, Shanghai, March 11–May 20, 2012.

Glasstress New York: New Art from the Venice Biennales: Open Project, Museum of Arts and Design, New York, February 14–June 10, 2012. (Catalogue)

Paintings from the Rubell Family Collection, Fundación Banco Santander, Boadilla ,Madrid, February 11–June 17, 2012.

Transforming Minds: Buddhism in Art, Asia Society Hong Kong Center, February 10–July 22, 2012. (Catalogue)

Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design, Museum of Arts and Design, New York, February 7–August 14, 2012. (Catalogue)

Super Bodies: 3rd Triennial of Contemporary Art, Design and Fashion, Hasselt, Belgium, February 4–May 27, 2012. (Catalogue)

2011

Buddha’s Trace – Contemporary Art from Asia, Kunstmuseum Bochum, Germany, September 23–November 13, 2011.

2011: Haein Art Project, Haeinsa Temple, Gyeongsang, Korea, September 23–November 6, 2011. (Catalogue)

Skin, Fondation Claude Verdan, Lausanne, opened June 2011.

Adventures in Wonderland, MdM Museum, Porto Cervo, Italy, June 15–September 15, 2011.

Big Brother: Artists and Tyrants, Palais des Arts et du festival, Dinard, France, June 11–September 11, 2011. (Catalogue)

Den Haag onder de Hemel, Museum Beelden aan Zee, The Netherlands, June 6–September 11, 2011.

Glasstress 2011, Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, Venice, 54th International Art Exhibition, La Biennale di Venezia, Italy, June 4–November 27, 2011. (Catalogue)

The World Belongs to You, Palazzo Grassi, Venice, June 2–December 31, 2011.

Living, The Lousiana Museum of Modern Art, Humlebæk, June 1–October 2, 2011.

Diane von Furstenberg: Journey of a Dress, Pace Beijing, April 3–May 14, 2011. Traveled to: Wilshire May Company Building, Los Angeles, January 11–May 1, 2014.

Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, California, March 13–July 4, 2011.

Identity: Photographs in the Grażyna Kulczyk Collection, Art Stations Foundation, Poznań, Poland, February 3–March 16, 2011.

2010

Photography from the New China, The J. Paul Getty Museum, Los Angeles, December 7, 2010–April 24, 2011.

The Naked Face: Self-Portraits, National Gallery of Victoria, Melbourne, Australia, December 3, 2010–February 27, 2011.

The Tiger in Asian Art Symbol of Power and Protection, Asia House, London, November 4, 2010–February 13, 2011.

Icon Effigy, Pace Primitive, New York, November 4–December 23, 2010.

Shanghai Biennale 2010, Shanghai Museum of Art, China, October 23, 2010–February 28, 2011.

The Silk Road: Saatchi Gallery, Tri Postal, Lille, France, October 20, 2010–January 23, 2011.

Negotiations – The 2nd Today’s Documents, Today Art Museum, Beijing, September 19–October 24, 2010.

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Great Performances, Pace Beijing, August 28–October 16, 2010.

Aichi Triennale 2010: Arts and Cities, Aichi Arts Center, Japan, August 21–October 31, 2010. (Catalogue)

Hope!, Palais des Arts et du Festival, Dinard, France, June 12–September 12, 2010.

Other than Beauty, Friedman Benda, New York, June 1–July 30, 2010.

Shanghai-San Francisco Sister City 30th Anniversary Celebration, Joseph L. Alioto Performing Arts Piazza, San Francisco, May 12, 2010–February 15, 2011.

Art for the World (The Expo), Shanghai World Expo 2010, China, May 1–October 31, 2010. (Catalogue)

Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York, March 26–September 6, 2010. Traveled to: Guggenheim Museum Bilbao, November 2010–April 2011. (Catalogue)

Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, February 12–April 28, 2010.

2009

Miltos Manetas, Malcolm McLaren, Zhang Huan, Galleria Pack, Milan, December 10, 2009–January 23, 2010.

Beg, Borrow, Steal, The Rubell Family Collection, Miami, December 2, 2009–May 29, 2010. (Catalogue)

100 Years (version #2, ps1, nov 2009), P.S.1 Contemporary Art Center, New York, November 1, 2009–May 3, 2010.

Re_view: 170 Years of Photography, National Gallery of Victoria, Melbourne, Australia, October 16, 2009–April 4, 2010. (Catalogue)

The Social Critique: 1993–2005, Kalmar Konstmuseum, Kalmar, Sweden, September 12–November 22, 2009.

Yi Pai-Century Thinking, Today Art Museum, Beijing, June 1–22, 2009.

STEELLIFE, La Triennale di Milano, Italy, May 26–August 26, 2009. (Curated by Elisabetta Pozzetti)

Underwater, Western Bridge, Seattle, May 21–August 1, 2009.

Action-Camera: Beijing Performance Photography, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, Canada, April 7–June 14, 2009. (Catalogue)

The China Project: Three Decades: The Contemporary Chinese Collection, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia, March 28–June 28, 2009. (Catalogue)

The Buhl Collection: Speaking with Hands, Daelim Contemporary Art Museum, Seoul, March 5–May 24, 2009.

2008

Christian Dior & Chinese Artists, Ullens Center for Contemporary Art, Beijing, November 16, 2008–January 15, 2009.

The Revolution Continues: New Art from China, Saatchi Gallery, London, October 9, 2008–January 18, 2009. (Catalogue)

Origins, Hudson Valley Center for Contemporary Art, Peekskill, New York, September 13, 2008–July 26, 2009.

A Space of Time, La Fabrica Galeria, Madrid, September 11–October 25, 2008.

Avant-Garde China: Twenty Years of Chinese Contemporary Art, The National Art Center, Tokyo, August 20–October 20, 2008. Traveled to: The National Museum of Art, Osaka, Japan, December 9, 2008–March 22, 2009; Aichi Prefectural Museum of Art, Nagoya, Japan, April 3–May 24, 2009. (Catalogue)

Encounters, Pace Beijing, China, August 3–October 19, 2008.

Meat After Meat Joy, Pierre Menard Gallery, Cambridge, Massachusetts, June 21–August 10, 2008. Traveled to: Daneyal Mahmood Gallery, New York, October 16–November 15, 2008. (Catalogue)

China Gold: Contemporary Chinese Art, Musée Maillol, Paris, June 18–October 13, 2008. (Catalogue)

Sculpture at Pilane 2008, Tjörn, Sweden, June 14–September 14, 2008.

Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection, San Francisco Museum of Modern Art, California, June 10–October 5, 2008. (Catalogue)

Franko B / Zhang Huan: Position and Deposition, Galleria Pack, Milan, April 15–June 15, 2008. (Catalogue)

Writings on the Wall: Chinese New Realism and Avant-garde in the Eighties and Nineties, Groninger Museum, The Netherlands, March 23–October 26, 2008. (Catalogue)

Body Language: Chinese Photography, National Gallery of Victoria, Melbourne, Australia, March 14–May 18, 2008.

Person of the Crowd: The Contemporary Art of Flânerie, Neuberger Museum of Art, State University of New York, Purchase, January 20–April 13, 2008.

2007

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, Canada, December 6, 2007–February 24, 2008. (Catalogue)

Multiplex: Directions in Art, 1970 to Now, The Museum of Modern Art, New York, November 21, 2007–July 28, 2008. (Curated by Deborah Wye)

Chinese Relativity: Part 2, Stefan Stux Gallery, New York, November 20–December 22, 2007.

Neue Arbeiten: Zhang Huan / Shilpa Gupta / Jagannath Panda, Galerie Volker Diehl, Berlin, September 28–October 23, 2007.

Existencias, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Spain, September 21, 2007–January 6, 2008. (Catalogue)

Water in Art and Life, The Israel Museum, Jerusalem, Summer 2007.

Grey Water, Institute of Modern Art, Brisbane, Australia, August 4–October 6, 2007. (Catalogue)

Red Hot: Contemporary Asian Art Rising, Museum of Fine Arts, Houston, July 22–October 21, 2007.

Contemporary Combustion: Chinese Artists in America, The New Britain Museum of American Art, July 18–October 14, 2007.

Photo España 2007, International Photography Festival, Madrid, June–July 2007.

An Instinctive Eye: Selection of the Contemporary Photographs from the Collection of Sir Elton John, Pinchuk Art Centre, Kiev, Ukraine, June 16–August 12, 2007. (Catalogue)

The Quiet Gesture: Recent Chinese Art, Newark Museum, New Jersey, June 13–September 7, 2007.

Zhù Yi! Chinese Contemporary Photography, Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitória, Spain, March 15–September 23, 2007. (Catalogue)

Made in China, Louisiana Museum of Modern Art, Copenhagen, March 16–August 5, 2007. Traveled to: The Israel Museum, Jerusalem, September 18, 2007–March 1, 2008.

Asiana: A Survey of Contemporary Asian Art, Artcore/Fabrice Marcolini, Toronto, June 22–September 1, 2007.

Timer.01, Intimacy, Triennale Bovisa 2007, Milan, Italy, March 29–June 16, 2007. (Catalogue)

The Year of the Golden Pig: Contemporary Chinese Art from the Sigg Collection, Lewis Glucksman Gallery, University College Cork, Ireland, March 13–June 17, 2007.

Photography, Benoot Gallery, Oostende, Belgium, March 9–April 16, 2007.

MCA Exposed: Defining Moments in Photography, 1967–2007, Museum of Contemporary Art, Chicago, February 24–July 29, 2007.

Voiceless: I Feel Therefore I am, Sherman Galleries, Sydney, Australia, February 23–March 10, 2007.

Contemporary Art on Paper, Philadelphia Art Museum, Pennsylvania, February 9–April 22, 2007.

2006

Who’s Afraid of China?, Palazzo Pino Pascali, Bari, Italy, December 1, 2006–February 25, 2007. (Catalogue)

Banquet: A Feast for the Senses, Pacific Asia Museum, Pasadena, California, November 10, 2006–February 4, 2007.

The Wonderful Fund: Collecting Art for the New Millennium, The Pallant House, West Sussex, England, October 7, 2006–January 7, 2007.

Radar: Selection from the Logan Collection, Denver Art Museum, Colorado, October 7, 2006–July 15, 2007.

Drawing as Process in Contemporary Art, The David and Alfred Smart Museum of Art, University of Chicago, Chicago, October 5, 2006–January 14, 2007.

Fever Variations: Sixth Gwangju Biennale, Gwangju, Korea, September 8–November 11, 2006. (Catalogue)

Gallery Artists Group Show 6, 10 Chancery Lane Gallery, Hong Kong, July 26–September 23, 2006.

Making a Scene: Staged Photograph in Contemporary Art, Haifa Museum of Art, Israel, June 24–September 10, 2006.

Reverence, Hudson Valley Center for Contemporary Art, Peekskill, New York, May 20, 2006–July 29, 2007.

China: Zwischen Vergangenheit und Zukunft, Haus der Kulturen der Welt, Berlin, March 24–May 14, 2006.

Shoot the Family, Cranbrook Art Museum, Bloomfield Hills, Michigan, February 4–April 7, 2006. Traveled to: (Catalogue)

2005

Future Face, National Museum of Natural Science, Taiwan, 2005.

The Pictures of Dorian Gray, Galeria de Arte Mexicano, Mexico City, 2005.

Post Modern Portraiture, Lorgan Collection Vail, Colorado, Winter 2005. (Catalogue)

Fusion: Aspects of Asian Culture in the MUSAC Collection, Museo de Arte Contemporáneo de Castilla y León, Spain, December 17, 2005–April 16, 2006.

Crowd of the Person, Contemporary Museum, Baltimore, October 21, 2005–January 14, 2006.

The Wall, Reshaping Contemporary Chinese Art, Millennium Art Museum, Beijing, China, July 15–August 15, 2005. Traveled to: Albright-Knox Art Gallery, Buffalo, the University at Buffalo, Anderson Gallery, and University at Buffalo, Center for the Arts, October 21, 2005–January 29, 2006. (Catalogue)

Gallery Artists Group Show 5, 10 Chancery Lane Gallery, Hong Kong, August 28–September 28, 2005.

Persistence, Aura Gallery, Shanghai, China, August 20–September 20, 2005.

The Great Beyond, Kunstmuseum Thun, Switzerland, July 10–September 18, 2005. (Catalogue)

Mahjong: Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, Germany, June 13–October 16, 2005. Traveled to: Hamburger Kunsthalle, Germany, September 14, 2006–February 18, 2007; Museum der Moderne, Salzburg, Austria, July 21–November 11, 2007; The University of California, Berkeley Art Museum & Pacific Film Archive, California, September 10, 2008–January 4, 2009; Peabody Essex Museum, Salem, Massachusetts, February 21–May 17, 2009. (Catalogue)

Between Skin and Orgasm: The Alchemistic Body, Kunsthalle Lophem, Center for Contemporary Art, Belgium, May 17–August 7, 2005. (Catalogue)

Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, April 7–May 14, 2005. (Catalogue)

Text Me: An Exploration of Body Language, Sherman Galleries, Sydney, Australia, January 20–February 5, 2005.

On the Edge: Contemporary Chinese Artists Encounter the West, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California, January 26–May 1, 2005. Traveled to: David Museum and Cultural Center, Wellesley College, Massachusetts, February 13–June 3, 2005; Indianapolis Museum of Art, Indiana, June 20–September 24, 2006. (Catalogue)

Locus Loppem 2005, Kunsthalle Lophem, Center for Contemporary Art, Belgium, January 14–May 15, 2005.

Viewpoints: Chinese Photography Today, Chambers Fine Art, New York, January 13–February 19, 2005.

2004

The Art Project Goetzen, Houses of an Idol, Frankfurt (Oder) and Slubice, Germany and Poland, 2004.

Neither Here Nor There: Video Artists navigate Cultural Displacement, Cheekwood Museum of Art, Nashville, Tennessee, 2004.

Democracy was Fun, White Box, New York, November 19–December 11, 2004.

Inward Gazes: Documentaries of Chinese Performance Art, Macao Museum of Art, Macao, China, November 16, 2004–February 19, 2005.

Queens International 2004, Queens Museum of Art, New York, November 7, 2004–February 6, 2005.

Anthro/Socio, The Artist Network, New York, November 5–December 6, 2004.

Me, Myself & I, University Galleries, Florida Atlantic University, Boca Raton, November 5, 2004–January 29, 2005.

Casa de luz - Colección Mário Teixeira da Silva, Fundació Foto, Barcelona, October 20, 2004–January 29, 2005.

Camera/Action: Performance and Photography, Museum of Contemporary Photography, Columbia College Chicago, October 15–December 23, 2004.

Face to Face, Aura Gallery, Shanghai, China, September 28–October 20, 2004.

Constructed Identities, Ulrich Museum of Art, Wichita State University, Kansas, August 26–October 3, 2004.

Gallery Artists Group Show 4, 10 Chancery Lane Gallery, Hong Kong, July 3–September 4, 2004.

Monument to Now: The Dakis Joannou Collection, The Deste Foundation for Contemporary Art, Athens, Greece, June 22–December 31, 2004. (Catalogue)

Between Past and Future: New Photography and Video from China, International Center of Photography, New York, June 11–September 4, 2004. Traveled to: Museum of Contemporary Art, Chicago, and The David and Alfred Smart Museum of Art at the University of Chicago, October 2, 2004–January 16, 2005; Seattle Art Museum, Washington, February 10–May 15, 2005; Vitoria and Albert Museum, London, September 15, 2005–January 15, 2006; Haus der Kulturen der Welt, Berlin, March 24–May 14, 2006; Santa Barbara Museum of Art, California, July 1–September 1, 2006. (Catalogue)

Dialogue with Pop, The Tank, Spaceworks Gallery, New York, April–May 2004.

Face/Off, Association of Arts and Crafts Pforzheim, Pforzheim, Germany, March 14–May 23, 2004. (Catalogue)

Witness, Museum of Contemporary Art, Sydney, Australia, March 12–May 16, 2004. (Catalogue)

The Amazing & Immutable, University of South Florida Contemporary Art Museum, Florida, February 2–March 18, 2004. (Catalogue)

Regeneration: Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknell University, Pennsylvania, January 26–April 4, 2004. Traveled to: David Winton Bell Gallery, List Art Center, Brown University, November 6–December 23, 2004. (Catalogue)

Gallery Artists Group Show 3, 10 Chancery Lane Gallery, Hong Kong, January 20–March 6, 2004.

2003

Come Rally, Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitória, Spain, 2003.

Performance and Almost Performance, Museo Nacional Centro de Arte, Reina Sofia, Madrid, 2003.

Windstil, Cotthem Gallery, Brussels, Belgium, 2003.

Skin Deep: The Body as Site of the Artistic Sign, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy, 2003–2004. (Catalogue)

Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, December 13, 2003–May 23, 2004.

Spiders & Flies, Newcontemporaries, Sydney, Australia, December 5, 2003–February 1, 2004.

New Zone, Zacheta National Gallery of Art, Poland, December 2, 2003–February 1, 2004

The Museum Collections, New Presentation of Art Works from 1960 to the Present Day, Centre national d’art et de culture Georges Pompidou, Paris, November 19, 2003–June 11, 2005.

Full Frontal: Contemporary Asian Artists from the Logan Collection, Denver Art Museum, Denver, October 18, 2003–May 23, 2004. (Catalogue)

Let's All Get Together: Sociability, Leisure and Other Political Reasons for Meeting, Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitória, Spain, October 8, 2003–March 20, 2004.

Blood Lines & Connections, Museum of Contemporary Art, Denver, October 3, 2003–April 1, 2004.

BQE Part I, White Box, New York, September 5–20, 2003.

Me and More, Museum of Art Lucerne, Switzerland, August 9–November 23, 2003. (Catalogue)

Gallery Artists Group Show, 10 Chancery Lane Gallery, Hong Kong, July 23–September 16, 2003.

In faccia al mondo. Il ritratto contemporaneo nel medium fotografico, Museo d'arte contemporanea di Villa Croce, Italy, July 4–September 14, 2003. (Catalogue)

Family Ties, Peabody Essex Museum, Salem, Massachusetts, June 21–September 21, 2003.

Somewhere Better Than This Place, Contemporary Arts Center, Cincinnati, June 7–November 23, 2003. (Catalogue)

Models & Mavericks, Museum het Domein, Sittard, The Netherlands, June 1–September 7, 2003.

Photo España 2003, International Photography Festival, Madrid, June–July 2003.

Banquet, Metabolism and Communication, ZKM, Center for Art and Media, Karlsruhe, Germany, May 13–August 8, 2003.

Gallery Artists Group Show, 10 Chancery Lane Gallery, Hong Kong, May 9–June 10, 2003.

Temporal Mood, Barbara Davis Gallery, Houston, Texas, May 3–31, 2003.

Zhang Huan, Zhang Jianjun, Weihong: In Houston, DiverseWorks ArtSpace, Houston, Texas, May 2–June 14, 2003.

Phantom of Desire: Visions of Masochism in Art, Neue Galerie, Graz, Austria, April 26–August 24, 2003. (Catalogue)

Rituale, Akademie der Künste, Berlin, April 6–May 11, 2003.

Imperfect Innocence: Debra & Dennis Scholl Collection, Contemporary Museum, Baltimore, Maryland, January 11–March 11, 2003. Traveled to: Palm Beach Institute of Contemporary Art, Lake Worth, Florida, March 15–June 15, 2003.

2003 Beaufort Triennial for Contemporary Art by the Sea, Provincial Museum of Modern Art, Oostende, Belgium, March 6–September 28, 2003. (Catalogue)

Body Politics, Elga Wimmer Gallery, New York, February 13–March 15, 2003.

2002

China Contemporary Art Exhibition-Red Continent, Gwangju Art Museum, Korea, 2002.

Paisajes del Cuerpo, Sala Zapateria 40, Pamplona, Spain, 2002.

SAM Collects: Contemporary Art Projects, Seattle Art Museum, Washington, December 20, 2002–April 6, 2003. (Catalogue)

Skin Talks, Musée de la Civilisation, Quebec, November 27, 2002–August 31, 2003.

Mark or Mirror? A Play of Portraits, Worcester Art Museum, Massachusetts, October 6, 2002–January 26, 2003.

Subjectivity: Photography of Themselves, Arizona State University Art Museum, Tempe, September 21, 2002–January 5, 2003.

Shock and Show: Realtà e alternative, LipanjePuntin artecontemporanea, Rome, July 5–September 15, 2002.

Photographs, Luhring Augustine Gallery, New York, June 25–August 3, 2002.

That Place, The Moore Space, Miami, April 27–June 29, 2002.

La Mirada Ajena, Artium, Centro-Museo Vasco de Arte Contemporáneo, Vitória, Spain, April 26–June 16, 2002. (Catalogue)

2002 Biennial Exhibition, Whitney Museum of American Art, New York, March 7–May 26, 2002. (Catalogue)

Attachment+, Kunsthalle Lophem, Center for Contemporary Art, Belgium, February 21–May 13, 2002. (Catalogue)

2001

Shortcuts, The Deste Foundation, Athens, November 28, 2001–March 31, 2002.

Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, September 16, 2001–January 22, 2002. (Catalogue)

Naked, Wood Street Galleries, Pittsburgh, Pennsylvania, September 7–October 20, 2001. (Catalogue; text by Eleanor Heartney)

Yokohama 2001: International Triennale of Contemporary Art, Pacific Yokohama, Japan, September 2–November 11, 2001. (Catalogue)

The Gift: Generous Offerings, Threatening Hospitality, Palazzo delle Papesse-Centro Arte Contemporanea, Siena, Italy, June 2–September 23, 2001. Traveled to: Centro Culturale Candiani, Mestre, Italy, October 14, 2001–January 6, 2002; Scottsdale Museum of Contemporary Art, Phoenix, February 7–May 5, 2002; Bronx Museum of Art, New York, November 22, 2002–March 2, 2003; Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, April 11–June 22, 2003; Art Gallery of Hamilton, Hamilton, Ontario, Canada, August 16–October 18, 2003. (Catalogue)

Metamorphosis and Cloning, Museum of Contemporary Art, Montreal, Canada, May 25–September 2, 2001. (Catalogue)

Subject Plural: Crowds in Contemporary Art, Contemporary Arts Museum, Houston, March 10–April 28, 2001. (Catalogue)

Translated Acts: Performance and Body Art from East Asia 1990–2001, Haus der Kulturen der Welt, Berlin, March 8–May 6, 2001. Traveled to: Queens Museum of Art, New York, October 23, 2001–February 1, 2002. (Catalogue)

New Acquisitions from the Dakis Joannou Collection, The Deste Foundation, Athens, February 9–March 27, 2001.

2000

6 Signals: Video by Contemporary Artists, Cheekwood, Nashville, Tennessee, 2000.

On the Edge of the Western World, Yerba Buena Center of the Arts, San Francisco, 2000.

Recent Acquisition: The Doron Sebbag Art Collection, Tel Aviv Museum of Art, Israel, 2000. (Catalogue)

The Standard Projection: 24/7, The Standard Hotel, Los Angeles, 2000.

Utopia, Rogaland Kunstmuseum, Stavanger, Norway, 2000.

Epifanie: Actuele Kunst en Religie, Abdij van Park, Heverlee, Belgium, October 21, 2000–July 1, 2001. (Catalogue; Organized by S.M.A.K., The Municipal Museum of Contemporary Art Gent, Belgium)

Emotional Rescue: The Contemporary Art Project Collection, Center of Contemporary Art, Seattle, September 28–October 2, 2000.

Kulturbro 2000, Helsingborg Museum, Sweden, September 15–December 15, 2000.

Partage d’Exotismes, 5th Biennale de Lyon, Lyon, France, June 27–September 24, 2000.

Supermodel: Identity and Transformation, LipanjePuntin artecontemporanea, Rome, June 17–September 15, 2000.

Der Themenpark der Expo 2000: Basic Needs, Hannover, Germany, June 1–October 31, 2000.

Video via Venice, Institute of Contemporary Art, Boston, March 26–April 2, 2000.

Potent/Present: Selections from the Kent and Vicki Logan Collection, California College of Arts and Crafts, San Francisco, March 20–May 13, 2000. (Catalogue)

1999

Best of the Season: Contemporary Art from the 1998–99 Manhattan Exhibition Season, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1999.

Five Continents and a City: Second International Salon of Painting, Museo de la Ciudad de México, Mexico City, 1999. (Catalogue)

Risk Cinema, Samuel P. Harn Museum of Art, University of Florida, Gainesville, 1999.

Stories, A/C Projects, New York, 1999.

Summit, Galerie 5020, Salzburg, Austria, 1999.

Art-Worlds in Dialogue, Museum Ludwig, Cologne, Germany, November 5, 1999–March 15, 2000. (Catalogue)

The Century of the Body: Photoworks 1900-2000, Culturgest, Lisbon, October 6–December 19, 1999. Traveled to: Musée de l’Elysée, Lausanne, Switzerland, February 3, 2000–January 14, 2001.

Self-Portrait: Loans from the Invisible Museum, Mercer Union, Centre for Contemporary Art, Toronto, September 25–October 31, 1999.

Miroslaw Balka & Zhang Huan: Lost Paradise II, Presença Galeria, Portugal, September 18–November 14, 1999. (Catalogue)

48th Biennale di Venezia, dAPERTutto: Aperto over All, Venice, June 13–November 7, 1999. (Catalogue)

Contemporary Collectors, Museum of Contemporary Art, San Diego, April 10–June 2, 1999.

Transience: Chinese Experimental Art at the End of the Twentieth Century, The David and Alfred Smart Museum of Art, Chicago, February 18–April 18, 1999. (Catalogue)

In Your Face, New Langton Arts, San Francisco, January 13–March 6, 1999.

1998

In Your Face, The Andy Warhol Museum, Pittsburgh, Pennsylvania, 1998.

Inside Out: New Chinese Art, Asia Society and P.S.1 Contemporary Art Center, New York, September 15, 1998–January 3, 1999. Traveled to: San Francisco Museum of Modern Art and the Asian Art Museum of San Francisco, February 26–June 1, 1999; Museo de Arte Contemporaneo de Monterrey, Mexico, July 9–October 19, 1999; Tacoma Art Museum and Henry Art Gallery, Seattle, Washington, November 18, 1999–March 7, 2000; National Gallery of Australia, Canberra, June 3–August 13, 2000. (Catalogue)

Autonomous Action, Artspace, Auckland, New Zealand, September 3–October 3, 1998.

1997

Chinese Contemporary Art 1997, The Watari Museum of Contemporary Art, Tokyo, Japan, April 5–July 27, 1997. (Catalogue)

1996

Art Material of China’s Avant-Garde, Fugang, Tokyo, Japan, 1996.

China Art Festival, Munich, Germany, 1996.

1995

Configura 2, Erfurt, Germany, June 10–September 10, 1995. (Catalogue)

1993

Graduate Exhibition, Central Academy of Fine Arts, Beijing, China, 1993.

Art Gallery of Ontario, Toronto

Banco Espírito Santo, Lisbon

Capital Research Company Collection, Hong Kong

Centre Georges Pompidou, Paris

Centro Galego de Arte Contemporánea, Santiago, Spain

The Cleveland Museum of Art, Ohio

Columbus Museum of Art, Ohio

The Contemporary Art Centre, Málaga, Spain

Davis Museum at Wellesley College, Massachusetts

Denver Art Museum, Colorado

Edwin A. Ulrich Museum of Art, Wichita State University, Kansas

Fisher Landau Center for Art, New York

Fondation Carmignac, Hyères, France

Foundation Louis Vuitton, Paris

Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan

Fukuoka Art Museum, Japan

Hara Museum of Contemporary Art, Tokyo

Henry Art Gallery, The University of Washington, Seattle

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Indianapolis Museum of Art at Newfields, Indiana

Instituto Inhotim, Brumadinho, Brazil

The Israel Museum, Jerusalem

The John D. and Catherine T. MacArthur Foundation, Chicago

KKL Luzern, Switzerland

Louvre Abu Dhabi, United Arab Emirates

M+ Sigg Collection, Hong Kong

Marciano Art Foundation, Los Angeles

Marieluise Hessel Collection, Bard College, Annandale-on-Hudson, New York

The Metropolitan Museum of Art, New York

Mildred Lane Kemper Art Museum, St. Louis, Missouri

Museu d’Art Contemporani de Barcelona

Museum of Casa Anadia, Portugal

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art of Castilla y León, Spain

Museum of Contemporary Art, San Diego, California

Museum of Fine Arts, Boston

The Museum of Modern Art, New York

National Gallery of Australia, Canberra

New Orleans Museum of Art, Louisiana

Norton Museum of Art, West Palm Beach, Florida

Philadelphia Museum of Art, Pennsylvania

Philip Morris International Inc., New York

The Progressive Collection, Mayfield Village, Ohio

Queensland Art Gallery, Brisbane, Australia

Raclin Murphy Museum of Art, University of Notre Dame, Indiana

Red Mansion Foundation, London

Reed College, Portland, Oregon

REFCO INC. Chicago

Rose Art Museum, Brandeis University, Waltham, Massachusetts

Rubell Museum, Miami

The Saatchi Collection, London

San Francisco Museum of Modern Art

Seattle Art Museum, Washington

Shanghai Art Museum

The Smart Museum of Art at the University of Chicago

Stedelijk Museum voor Actuele Kunst, Ghent, Belgium

Solomon R. Guggenheim Museum, New York

Storm King Art Center, New Windsor, New York

University at Buffalo, New York

University of California, Berkeley Art Museum and Pacific Film Archive

The Watari Museum of Contemporary Art, Tokyo

Yak Museum of Tibet, Lhasa, China

Yale University Art Gallery, New Haven, Connecticut

2023

Lubow, Arthur. “In Chinese Photography, Political Anguish Made Physical” (Hirshhorn Museum exhibition review). The New York Times, 12 April 2023. https://www.nytimes.com/2023/04/12/arts/design/chinese-photography-1990s-hirshhorn.html

2022

Bhullar, Dilpreet. “Art Basel Hong Kong 2022 foregrounded Asia’s best art across the mediums.” Artsy, 1 June 2022. https://www.stirworld.com/see-features-art-basel-hong-kong-2022-foregrounded-asia-s-best-art-across-the-mediums

Gaskin, Sam. “The Art Galleries Leading the Charge Into NFTs.” Ocula Magazine, 9 March 2022. https://ocula.com/magazine/art-news/the-galleries-leading-the-charge-into-nfts/.

Glimcher, Arne. “As 125 Newbury Opens, Pace Founder Arne Glimcher Surveys A Changing Art World.” Interview with Artnews. ARTnews, 29 September 2022. https://www.artnews.com/art-news/news/125-newbury-pace-founder-arne-glimcher-interview-

Hill, Scotti. “Wildfire Ash as a Medium.” Hyperallergic, 14 December 2022. https://hyperallergic.com/786334/artists-using-wildfire-ash-as-a-medium/

Zhang Huan. “A Metaverse Afterlife: Zhang Huan Talks NFTs and Spirituality.” Interview with Aaina Bhargava. Tatler, 2 March 2022. https://www.tatlerasia.com/culture/arts/zhang-huan-exclusive-nft.

Zhang, Huan. “Zhang Huan In Conversation with Barbara Pollack (2015).” 125 Newbury, no.1 (October 2022): 40–41, illustrated.

2021

Hinkle, Annette. “Fall Exhibitions at Pace Gallery” (Pace Gallery exhibition review). Sag Harbor Express, 1 September 2021. https://sagharborexpress.com/fall-exhibitions-at-pace-gallery/‪

Howie, Jamie. “7 Must-See Gallery Exhibitions in New York This September” (Pace Gallery exhibition review). Galerie, 17 September 2021. https://www.galeriemagazine.com/must-see-gallery-shows-september-2021/

Li, Nicolaus. “Contemporary Artist Zhang Huan Enters NFT Metaverse With 'The NFT Art Trilogy' Series” (EchoX/State Hermitage Museum virtual exhibition review). Hypebeast, 8 November 2021. https://hypebeast.com/2021/11/zhang-huan-the-nft-art-trilogy-echox-announcement-info.

Woodward, Daisy. “September Is Here: The Best Things to Do This Month” (Pace Gallery exhibition preview). AnOther, 1 September 2021. https://www.anothermag.com/design-living/13517/things-to-do-in-london-september-2021-exhibitions-art-films-food-drink

2020

Novak, Shonda. "The Collector's Vision." USA Today, 13 February 2020.

Stephens, Nicolas. “In the Ashes of History at the Hermitage: An Interview with Zhang Huan” (State Hermitage Museum). Cobo Social, 30 September 2020. https://www.cobosocial.com/dossiers/zhang-huan-in-the-ashes-of-history-the-hermitage/

Wrathall, Claire. “Seeing Red.” Christie’s Magazine (September–October 2020): 28–33, illustrated. https://issuu.com/christiesmagazine/docs/christie_s_magazine___september-october_2020

2019

Ashford, Abigail. “Resituating the Animal ‘Other’ in Contemporary Chinese Art.” Yishu: Journal for Contemporary Chinese Art 18, no. 3 (May/June 2018): 63–82, illustrated.

Farago, Jason. “Day After Day: RongRong and the Beijing East Village” (exhibition review). The New York Times, 16 August 2019.

Scott, Andrea K. “Inside a Vanished Hub of Beijing’s Experimental-Art Scene.” New Yorker, 25 July 2019. https://www.newyorker.com/culture/photo-booth/inside-a-vanished-hub-of-beijings-experimental-art-scene

“To Raise the Water Level in a Fishpond, by Zhang Huan, 1997.” Lapham’s Quarterly 12, no. 4 (Fall 2019): 154, illustrated.

2018

Bailey, Stephanie. “Mirror, Mirror – Art and China After 1989: Theater of the World” (Guggenheim Museum exhibition review). Yishu: Journal of Contemporary Chinese Art 17, no.3 (May/June 2018): 89–108, illustrated.

Fryns, Fabien. “Portrait of an Artist: Zhang Huan.” Vanity Fair, October 2018. https://www.vanityfair.com/london/2018/10/portrait-of-an-artist-zhang-huan-profile

Kwan, Chan Shing. “Public Displays of Affliction: On Zhang Huan’s 12m2.” Yishu: Journal of Contemporary Chinese Art 17, no.1 (January/February 2018): 97–107, illustrated.

Soulard, Louis. “Bridging the Generation Gap in Avant-garde Chinese Art” (MoMA PS1 exhibition review). Apollo Magazine, 31 May 2018. https://www.apollo-magazine.com/bridging-the-generation-gap-in-avant-garde-chinese-art/

2017

Budick, Ariella. “Art and China After 1989 at the Guggenheim–Disturbing and Disorienting” (Guggenheim Museum exhibition review). Financial Times, 20 October 2017. https://www.ft.com/content/919bbdc6-b02d-11e7-8076-0a4bdda92ca2

Eschenburg, Madeline. “Fixing Identities: The Use of Migrant Workers in Chinese Performance Art.” Yishu: Journal of Contemporary Chinese Art 16, no.3 (May/June 2017): 26–36, illustrated.

Kwan, Tammy. “Photos: A First Glance Inside Parq Vancouver’s Impressive Offerings.” The Georgia Straight, 29 September 2017. https://www.straight.com/life/973886/photos-first-glance-inside-parq-vancouvers-impressive-offerings

McQuiad, Cate. “‘Chinese Dreams’ Examines what was Lost in the Cultural Revolution” (Massachusetts College of Art and Design exhibition review). Boston Globe, 5 October 2017. https://www.bostonglobe.com/arts/art/2017/10/04/chinese-dreams-examines-what-was-lost-cultural-revolution/nEWEj6Yrlb6v1AVRop3sRL/story.html

Meiszner, Peter. “Parq Vancouver Casino Now Open.” Urban YVR, 29 September 2017. http://urbanyvr.com/parq-vancouver-casino-opens-friday-midnight

Pollack, Barbara. “Zhang Huan.” Artinfo, 20 December 2017. http://uk.blouinartinfo.com/news/story/2687595/zhang-huan

“Zhang Huan Find Inspiration in Death Valley (Ep. 5) | The Performers | GQ & Gucci.” GQ.com, 3 April 2017. Online video, 3:10. http://video.gq.com/watch/zhang-huan-finds-inspiration-in-death-valley-ep-5-the-performers-gq-gucci

2016

Chou, Stefanie Wanjing. “Uli Sigg and the Evolution of a Collection of Contemporary Chinese Art.” Yishu: Journal of Contemporary Art 15, no.3 (May/June 2016): 70–78, illustrated.

“The Collection: Zhang Huan.” Fondation Louis Vuitton Le Journal, no.3 (2016): 26–9, illustrated.

Edgington, Colin. “On Zhang Huan’s 'Let There be Light' at Pace Gallery” (exhibition review). Art Writing SVA, 22 January 2016. https://artwriting.sva.edu/journal/post/on-zhang-huan-s-let-there-be-light-at-pace-gallery

Volk, Katherine. “Where Can the Dust Alight” (Pace Hong Kong exhibition review). Art Asia Pacific (October 2016). http://www.artasiapacific.com/Magazine/WebExclusives/WhereCanTheDustAlight

2015

Akel, Joseph. “For Zhang Huan, Love’s Battlefield Is a Ming Dynasty Temple” (opera review). T: The New York Times Style Magazine, 6 March 2015. http://tmagazine.blogs.nytimes.com/2015/03/06/zhang-huang-semele-bam/?_r=1

Liao, Amber. “Art | Zhang Huan and Incense Ash” (Pace Gallery exhibition review). Bi-as, 4 November 2015. http://www.bi-as.com/new-blog-1/zhang-huan

Davidson, Justin. “Opera Review: At BAM, a Semele Like No Other” (opera review). Vulture, 6 March 2015. http://www.vulture.com/2015/03/opera-review-semele.html

Greenberger, Alex. “Gods and Monsters: Zhang Huan on ‘Semele,’ His Cross-Cultural Opera” (opera review). Art News, 2 March 2015. http://www.artnews.com/2015/03/02/gods-and-monsters-zhang-huan-on-semele-his-cross-cultural-opera/

Hammond, Drew. “Secret Signs: Calligraphy in Chinese Contemporary Art” (exhibition review). Randian, no.1 (Spring 2015): 116–118, illustrated.

Harris, Gareth. “The Rapidly Changing Face of Chinese Art” (The Whitworth exhibition review). Financial Times, 13 August 2015: 9, illustrated.

Meares, Joel. "Five-metre Ash Sydney Buddha Rises - After Some Hard Work - at Carriageworks" (exhibition review). The Sydney Morning Herald, 6 January 2015. Online video, 01:26. http://www.smh.com.au/entertainment/art-and-design/fivemetre-ash-sydney-buddha-rises--after-some-hard-work--at-carriageworks-20150106-12it6b.html

O'Sullivan, Jane. "Zhang Huan's Sydney Buddha Astonishes at CarriageWorks" (exhibition review). Artnet News, 7 January 2015. http://news.artnet.com/art-world/zhang-huans-sydney-buddha-astonishes-at-carriageworks-213450

Platt, Russell. “BAM: ‘Semele’” (opera review). New Yorker, 9 March 2015: 22.

Pollack, Barbara. “Zhang Huan.” Blouin Art + Auction (June 2015): 93–98, illustrated.

Ramey, Corinne. “Culture Slam: Supersize Opera Mashup Hits Brooklyn” (opera review). The Wall Street Journal, 4 March 2015: A15, 19, illustrated.

Young, Michael. “Layered Ash: A Visit to Zhang Huan’s Studio in Shanghai” (Pace Gallery exhibition prereview). Art Asia Pacific, 28 October 2015. http://artasiapacific.com/Blog/ZhangHuanStudioInShanghai

Zhang, Huan. “Artist Zhang Huan on ‘Brilliant Ideas.’” Bloomberg Business, 31 December 2015. Online video, 24:09. http://www.bloomberg.com/news/videos/2015-12-31/artist-zhang-huan-on-brilliant-ideas-

Zhang, Huan. “A Conversation with Zhang Huan” (Pace Gallery exhibition review). Interview with Sam Gaskin. OCULA, 30 November 2015. http://ocula.com/magazine/conversations/zhang-huan/

Zhang, Huan. “Zhang Huan’s Braille Ash Paintings at Pace Gallery” (exhibition review). Interview with Darryl Wee. Artinfo, 4 November 2015. http://www.blouinartinfo.com/news/story/1271676/zhang-huans-braille-ash-paintings-at-pace-gallery

2014

Andreini, Laura. “Storm King Art Center” (exhibition review). Area 123 (June 2014): 165–72, illustrated.

Beckerman, Jim. “North Jersey Sculpture Parks Think Big.” NorthJersey.com, 30 April 2014. http://www.northjersey.com/arts-and-entertainment/art/sculpture-parks-think-big-1.1005662

Bengal, Rebecca. “On View | Two New Projects at Storm King Beckon Art Lovers Upstate” (exhibition review). T: The New York Times Style Magazine, 12 May 2014. http://tmagazine.blogs.nytimes.com/2014/05/12/on-view-two-new-projects-at-storm-king-beckon-art-lovers-upstate/?_php=true&_type=blogs&hpw&rref=t-magazine&_r=0

Cascone, Sarah. “France Awards Zhang Huan the Chevalier de la Légion d’Honneur.” Artnet News, 9 May 2014. http://news.artnet.com/in-brief/france-awards-zhang-huan-the-chevalier-de-la-legion-dhonneur-16088

Corcoran, Heather. “Hed: Fragmented History Zhang Huan Evoking Tradition” (Storm King exhibition review). Brooklyn Rail, June 2014. http://www.brooklynrail.org/2014/06/artseen/hed-fragmented-history-zhang-huan-evoking-tradition

Dawson, Jessica. “Hudson Becomes Valley of the Art Galleries.” The Wall Street Journal, 3 July 2014: A19, illustrated.

Glimcher, Arne. “Profile: Arne Glimcher.” Interview with Katy Donoghue. Whitewall, Summer 2014: 48–50, illustrated.

Groth, Michael. “Seeking Harmony at Storm King” (exhibition review). Hyperallergic, 14 May 2014. http://hyperallergic.com/126340/seeking-harmony-at-storm-king/

Harris, Gareth. “Swiss Space for Pace” (Pace at Chesa Büsin exhibition preview). The Art Newspaper, 22–24 June 2014: 2, illustrated.

Haveles, Kate. “Giant Buddhas at Storm King Art Center” (exhibition review). Artlog, 7 May 2014. http://artlog.com/post/85040608145/giant-buddhas-at-storm-king-art-center-more

Johnson, Ken. “Outdoor Art: Where Minimalist Meets Showy” (Storm King Art Center exhibition review). The New York Times, 8 August 2014: C21, illustrated.

Kaylan, Melik. “A New Exhibit at the Metropolitan Museum Puts a Modern Face on Chinese Art” (exhibition review). The Daily Beast, 5 January 2014. http://www.thedailybeast.com/articles/2014/01/05/a-new-exhibit-at-the-metropolitan-museum-puts-a-modern-face-on-chinese-art.html

Kolesnikov-Jessop, Sonia. “Bespoke Dresses Designed by Yue Minjun, Zhang Huan and Others Now at Joyce.” Artinfo, 15 May 2014. http://www.blouinartinfo.com/news/story/1035071/bespoke-dresses-designed-by-yue-minjun-zhang-huan-and-others

Lampe, Lilly. “The Message in the Meaningless” (The Metropolitan Museum of Art exhibition review). The Paris Review, 29 April 2014. http://www.theparisreview.org/blog/2014/04/29/ink-arts-message-in-the-meaningless/

La Force, Thessaly. “Two New Reasons to Visit Storm King This Spring” (exhibition review). Vogue, 2 May 2014. http://www.vogue.com/872470/storm-king-sculpture-virginia-overton-zhang-huan/

Ozeri, Bianca. “The New Season at Storm King Art Center: Zhang Huan’s Behemoths” (exhibition review). The Wild, 7 May 2014. http://thewildmagazine.com/blog/the-new-season-at-storm-king-art-center-zhang-huans-behemoths/

Peers, Alexandra. “Zhang Huan’s Sculptures at Storm King Dance Upon the Glass” (exhibition review). Artnet News, 2 May 2014. http://news.artnet.com/art-world/zhang-huans-sculptures-at-storm-king-dance-upon-the-grass-13482?utm_source=rss&utm_medium=rss&utm_campaign=zhang-huans-sculptures-at-storm-king-dance-upon-the-grass

Pollack, Barbara. “As Seen Here: Views of Chinese Contemporary Art in the U.S.” LEAP, no. 150 (February 2014): 122–131, illustrated.

Pollack, Barbara. “Ink Art: Past as Present in Contemporary China” (The Metropolitan Museum of Art exhibition review). Time Out New York, no. 941, 6–12 February 2014: 30, illustrated.

Samarotto, Gina. “Sleeping Giants: The Art of Storm King” (exhibition review). Private Air (Summer 2014): 50–4, illustrated.

Schafer, Ellen and Matthew Shen Goodman. “Zhang Huan’s Buddha” (Storm King Art Center exhibition preview). Art in America 102, no.5 (May 2014): 29, illustrated.

Slenske, Michael. “Force of Nature” (Storm King Art Center exhibition review). Sotheby’s Magazine (April 2014): 2–3, illustrated.

Sparrow. “Three Legs Good, Two Legs Bad” (Storm King Art Center exhibition review). Chromogram, May 2014: 83, illustrated.

Strasnick, Stephanie. “9 Funky, Surprising, and Selfie-Worthy Outdoor Art Installations to See in NYC this Summer” (Storm King Art Center exhibition review). Art News, 8 May 2014. http://www.artnews.com/2014/05/08/9-outdoor-summer-art-installations-to-see-in-nyc/

Tschida, Anne. “At Rubell Miami Gallery, the Best of Contemporary Chinese Art” (exhibition review). Miami Herald, 13 March 2014. http://www.miamiherald.com/2014/03/13/3993415/at-rubell-miami-gallery-the-best.html

Vine, Richard. “Invisible Ink” (Metropolitan Museum of Art exhibition review). Art in America (March 2014): 75–80, illustrated.

Woods, Lynn. “Zhang Huan at Storm King” (exhibition review). Almanac Weekly, 13 May 2014. http://www.hudsonvalleyalmanacweekly.com/2014/05/13/zhang-huan-at-storm-king/

Wullschlager, Jackie. “Zhang Huan: Spring Poppy Fields” (Pace London exhibition review). Financial Times, 19 April 2014.

“Zhang Huan Awarded Chevalier de La Légion D’Honneur.” Leap, no. 152 (June 2014): 34, illustrated.

Zhang, Huan. “El arte es mife” (Pace London exhibition review). Interview with Vanessa García-Osuna. Tendencias del Mercado del Arte, May 2014: 12–15, illustrated.

“Zhang Huan Talks Tibet at Pace Gallery” (Pace London exhibition review). Phaidon, 1 May 2014. http://www.phaidon.com/agenda/art/articles/2014/may/01/zhang-huan-talks-tibet-at-pace-gallery/

Zhang, Huan. “Climbing a Great Hill…The Wisdom of Zhang Huan at Pace Gallery, Switzerland” (Pace at Chesa Büsin exhibition review). Interview with Sarah Bolwell. Asian Art Newspaper, 11 July 2014. http://www.asianartnewspaper.com/gallery-shows/climbing-great-hill-wisdom-zhang-huan-pace-gallery-switzerland

2013

Balfour, Frederick. “Ai Weiwei Snubbed at Shanghai’s Answer to Tate Modern” (Power Station of Art exhibition review). Bloomberg, 21 October 2013, illustrated. http://www.bloomberg.com/news/2013-10-21/nurse-disrobes-in-china-power-plant-as-ai-weiwei-ignored.html

Baumgardner, Julie. “Zhang Huan.” Whitewall (Winter 2014): 100–107, illustrated.

Beatrice, Luca. “A Fragile and Strong Chinese.” Arte, no. 480 (August 2013): 94–97.

Belcove, Julie. “The Artist as Collector.” Sotheby’s, 19 June 2013. http://www.sothebys.com/en/news-video/blogs/all-blogs/sothebys-at-auction/2013/06/artists-who-collect-damien-hirst-george-condo.html

Chia, Adeline. “Chinese Artist Zhang Huan’s Ash Sculpture, ‘Berlin Buddha,’ Unveiled at Art Stage.” Artinfo.com, 29 January 2013. http://sea.blouinartinfo.com/news/story/858746/chinese-artist-zhang-huans-ash-sculpture-berlin-buddha

Chia, Adeline. “Medicine Man.” BlouinArtinfo.com Asia 1, no. 3 (May/June 2013): 69–73, illustrated.

Dotter, Stefan. “Zhang Huan – Soul & Matter – Florence” (Forte di Belvedere and Palazzo Vecchio exhibition review). WhiteLies Magazine, 23 August 2013. http://whiteliesmag.com/2013/08/23/zhang-huan-soul-matter-florence/

“Galleries: Pace Gallery” (Pace Gallery exhibition review). Time Out New York, 26 September–2 October, 2013: 38.

Hamer, Katy Diamond. “Zhang Huan” (Pace Gallery exhibition review). Flash Art (November/December 2013): installation view.

He, Echo. “Gu Fa Jin Yong: Niu Yue Da Du Hui Yi Shu Bo Wu Guan Shui Mo Da Zhan Jie Kai Xu Mu” (The Metropolitan Museum of Art exhibition review). Art China, 12 December 2013. http://art.china.cn/zixun/2013-12/12/content_6531115.htm

Innocenti, Matteo. “Zhang Huan e il Buddhismo Monumentale” (Forte di Belvedere and Palazzo Vecchio exhibition review). Artribune, 26 September 2013. http://www.artribune.com/2013/09/zhang-huan-e-il-buddhismo-monumentale/

Jansen, Chiu-Ti. “Skull Obsession: Religion and Opium in Zhang Huan’s Poppy Fields” (Pace Gallery exhibition review). Sotheby’s, 1 October 2013. http://www.sothebys.com/en/news-video/blogs/all-blogs/chinese-elements/2013/10/skull-obsession-rel.html

Kapusta, Annalise. “Soul and Matter” (Forte di Belvedere and Palazzo Vecchio exhibition review). Vista, September 2013. http://www.complex.com/art-design/2013/09/zhang-huan-poppy-fields-art-exhibition-at-pace-gallery

Lasane, Andrew. “Zhang Huan’s ‘Poppy Fields’ Art Exhibition to Open at Pace Gallery” (exhibition review). Complex Art + Design, 5 September 2013.

Li, Qi. “Gu Jin Shui Mo Hui Niu Yue” (The Metropolitan Museum of Art exhibition review). The Art Newspaper (Beijing) no.10 (December 2013): 10, illustrated.

“Looking East, Facing West: The World of Zhang Huan.” Frederik Meijer Gardens & Sculpture Park Seasons (Spring 2013): 6–7, illustrated.

“The Lookout: Zhang Huan” (Pace Gallery exhibition review). Art in America, 18 October 2013. http://www.artinamericamagazine.com/exhibitions/zhang-huan/

Tsao, Yidi. "Yi Shu Shi Jie Xiang You Zhuan." The Art Newspaper (Beijing), 10 December 2013: 20, illustrated.

Lombardi, Francesca. “Reopen the Forte Belvedere” (exhibition review). Firenze Made in Tuscany, 8 July 2013. http://www.firenzemadeintuscany.com/en/arts/articles/reopen-the-forte-belvedere/

Manganaro, Silvano. “The Fire Broods under The Ashes.” Vernissage, no. 151 (September 2013): 16–18, illustrated, cover.

May, Lara. “Record Crowds Set to Repeat at Forte Belvedere” (exhibition review). Florence News & Events, September 2013, illustrated.

“The New Season: Art” (The Metropolitan Museum of Art exhibition preview). The New York Times, 8 September 2013, illustrated.

Pearlman, Ellen. “Zhang Huan’s Painterly Buddhism” (Pace Gallery exhibition review). Hyperallergic, 3 October 2013. http://hyperallergic.com/84883/zhang-huans-painterly-buddhism/

Pollack, Barbara. “A Hallucinatory Blaze, via Tibetan Ritual” (Pace Gallery exhibition preview). The New York Times, 15 September 2013: AR19, illustrated.

Pollack, Barbara. “Artist Sees a Death Mask behind Every Human Illusion” (Pace Gallery exhibition review). South China Morning Post, 29 September 2013.

Smith, Roberta. “A Magical Well That Never Runs Dry” (The Metropolitan Museum of Art exhibition review). The New York Times, 13 December 2013: C29, C36.

Taylor, Kate. “Zhang Huan’s Soaring Profile: Chinese Art in Full Flight.” The Globe and Mail, 2 May 2012. http://www.theglobeandmail.com/arts/zhang-huans-soaring-profile-chinese-art-in-full-flight/article4104543/

Tsao Yidi. “Yi Shu Shi Jie Xiang You Zhuan.” The Art Newspaper, The Art Newspaper (Beijing) no.10 (December 2013): 20, illustrated.

Turchi, Olivia. “Spirit Makes Matters.” Inside Art, no. 95 (September 2013): 32–40.

Vogel, Carol. “Inside Art: ‘Buddha’ Inspires Show.” The New York Times, 13 December 2013: C30.

Yapp, Hentyle. “Revisiting Performance Art of the 1990s and the Politics of Meditation.” Translated by Verona Leung. LEAP no. 146 (June 2013): 102–108, illustrated.

Zhang, Huan. “Zhang Huan: Dang Dai Yi Shu de Wei Lai Zai Zhong Guo.” Interview with Pan Ge. T: The New York Times Style Magazine, 28 November 2013. http://cn.tmagazine.com/people/20131128/tc28zhanghuan/

2012

Goodden, Sky. “Chinese Art Star Zhang Huan Stops Traffic With an ‘Over-the-Top’ Public Sculpture for Downtown Toronto.” Artinfo.com, 9 May 2012. http://www.artinfo.com/news/story/803760/chinese-art-star-zhang-huan-stops-traffic-with-an-over-the-top-public-sculpture-for-downtown-toronto

Mackay, Gillian. “Zhang Huan: Synchronicity Rising.” Canadian Art, 7 June 2012. http://www.canadianart.ca/online/reviews/2012/06/07/zhang-huan-ago-shangri-la-coc/

Mariani, Amelia. “Zhang Huan’s Big Buddha: Ten Years Later.” Yishu 11, no. 4 (July/August 2012): 56–61. http://yishu-online.com/browse-articles/?624/

Pogrebin, Robin. “Asia Society Expands, East and West.” The New York Times, 31 January 2012: illustrated. http://www.nytimes.com/2012/02/02/arts/asia-society-expands-in-houston-and-hong-kong.html?_r=1

Russell, Anna. “The Trick to Selling a 17-Foot-Tall Braonze Hare.” Wall Street Journal, 13–14 October 2012: C14.

Shen, Weiwei. “Cradle to Grave Creativity.” Hurun Report (March 2012): 94–97.

Taylor, Kate. “Zhang Huan’s Soaring Profile: Chinese Art in Full Flight.” The Global and Mail, 2 May 2012: illustrated. http://www.theglobeandmail.com/arts/zhang-huans-soaring-profile-chinese-art-in-full-flight/article4104543/

2011

De Changy, Florence. "Zhang Huan." Le Monde, 19 April 2011.

Eggers, Arne. "Wrapped up in China." Hong Kong Tatler (May 2011): 156–159, illustrated.

Genocchio, Benjamin. “L.A. Storytellers.” Art + Auction (March 2011): 96, installation view.

"Grand Gesture." South China Morning Post, 24 May 2011.

Hammond, Drew. “Rags to Nouveaux Riches.” Art Economist, No. 1 (January 2011): 50–55, illustrated.

Movius, Lisa. “Shanghain/Beijing: Vanity, Vanity: the Problems Facing China’s Private Museums.” The Art Newspaper 21, no. 229 (November 2011): 28, installation view.

Parrino, Manuela. "Zhang Huan." L' Uomo Vogue, No. 421 (May/June 2011): 188–191; illustrated, cover.

Seno, Alexandra A. “China’s Zhang Turns Ash Into Spectacle.” Wall Street Journal, 22–23 October 2011: C14, illustrated.

Zhao, William. "Performing for Asceticism." Modern Weekly, No. 643, 16 April 2011.

“Zhang Huan.” The Art Magazine 579, no.6 (2011): 80–87.

2010

Baker, Kenneth. “Big ideas behind a very big sculpture in S.F.” San Francisco Chronicle, 13 June 2010: illustrated. http://www.sfgate.com/

Bao, Dong. “Great Performances.” (exhibition review). LEAP 5 (2010): 188–189.

Barboza, David. “A Perfect Fit.” The New York Times, 19 December 2010: illustrated.

Bartlett, Voon Pow. “Zhang Huan: Zhu Gangqiang.” Yishu 9, no. 1 (January/February 2010): 72–79: illustrated. http://yishu-online.com/browse-articles/?211/

“Buddha Silence of Milan.” IL Sole 24 ORE, 6 July 2010: illustrated on cover.

Colard, Jean-Max. “Maximum Exposure.” Les Inrockuptibles 753 (May 2010): 30–33.

Epstein, Victor. “New York Parks Add Two Mammoth Metal Men.” The New York Observer, 12 July 2010: 43.

Finkel, Jori. “Chinese artist Zhang Huan's 'Three Heads, Six Arms' a monumental shift.” Los Angeles Times, 14 May 2010: illustrated. http://www.latimes.com/

Genocchio, Benjamin. “Paradise Regained.” Life Magazine 52 (March 2010): 184–189; illustrated on cover.

“Goings On About Town.” The New Yorker, 9 August 2010: 6, illustrated.

Gordon, Amanda. “Art Talk: Heads Up.” Art News 109, no. 3 (March 2010): 30, illustrated.

Jacobs, Andrew. “International: Beijing Allows Lustful Opera, but Tones Down the Donkey.” The New York Times, 26 October 2010: A10.

Lau, Venus. “Zhang Huan: Dawn of Time” (exhibition review). LEAP, no.127 (April 2010): 188–191, illustrated.

Lu, Carol Yinghua. “How it Appears.” Frieze, no. 129 (March 2010): 98–103, illustrated.

Movius, Lisa. “Free Spirit.” Ferrari Magazine 11 (2010): 136–143.

Muzyczka, Nick. “The Art Army – Zhang’s Vision.” Global Times, 1 July 2010.

Pollack, Barbara. “Taking Center Stafe.” Art News 109, no. 2 (February 2010): 80–85, illustrated.

Qing, Zhongwei. “Artist Puts Body and Souls into Work.” China Daily, 7 June 2010. http://www.chinadaily.com.cn/metro/2010-06/07/content_9942300.htm/

Rashektaeva, Maria. “The Lord of the Ash.” Free Hugs (April/March 2010): 80–87.

Victor, Epstein. “New York Parks Add Two Mammoth Metal Men.” The New York Observer, 12 July 2010: illustrated.

Wu, Meng. “Spirit Wandering in the Body.” ARTCO 210 (April 2010): 140–144.

Wu, Ziru. "Performance art's rare retrospective a poignant mix" (exhibition review). Global Times, 31 August 1010.

Xiao, Xiaolan. “Beijing • New York • Shanghai: Continuation of Zhang Huan.” Art in Culture (December 2010): 126–135.

Zhang, Huan. “My Artistic Principle: Go with the Flow, or Die.” Art World 238 (January/February 2010): 74–76.

Zhang, Huan. “Shanghai: Zhang Huan’s Today and Tomorrow.” Interview by Biljana Ciric. Flash Art (May/June 2010): 68.

“Zhang Huan.” Art Box 8 (2010): 32–33.

“Zhang Huan: Hehe Xiexie.” ARTCO 210 (March 2010): 7.

Zhu, Linyong. "Performance Art is Dead" (exhibition review). China Daily, 15 September 2010: 18.

2009

Aloi, Giovanni. “Reviews: Zhang Huan—White Cube, London” (exhibition review). Flash Art (November–December 2009): 90, illustrated.

Armstrong, Stephen. “Huan Step Beyond.” Wallpaper Magazine (October 2009): 112–116, illustrated.

Baecker, Angie. “Zhang Huan: Standing on the Shoulders of Giants.” Art Asia Pacific no. 66 (November/December 2009): 88–97, illustrated.

Battle, Laura. “Handel in Chinese” Financial Times, 29/20 August 2009: 8, illustrated.

Byrt, Anthony. “London: Zhang Huan” (White Cube exhibition review). Artforum.com, http://www.artforum.com/ (accessed 21 September 2009).

Canning, Hugh. “Chinese Takeaway.” The Sunday Times, Culture, Opera, 13 September 2009.

Christiansen, Rupert. “What’s Handel Doing in a Ming Temple.” The Daily Telegraph, 22 August 2009.

“The Creative 50: Zhang Huan.” Creativity (February 2009): 31.

Dosogne, Christophe. “Long Live the Contemporary Art – Stephane Janssen Collection.” Collect 404 (November 2009): 26–31.

Ferrari, Stefano. “Zhang Huan’s Ash Painting.” Arte, no. 430 (June 2009): 90–93.

Gao, Minglu. “Individual Life Experience and the Happening Form of Collective: The Performance Art of Zhang Huan.” Contemporary Art & Investment, no. 35 (November 2009): 34–47.

Hudson, Mark. “Hogging the Limelight: Pigs are Stars of the Show.” The Daily Telegraph, 8 September 2009.

Januszczak, Waldemar. “Zhang Huan pig installation in St. James’s” (White Cube exhibition review). Timesonline, 13 September 2009, http://timesonlune.co.uk/

Johnson, Ken. “Art in Review: Zhang Huan, ‘Neither Coming Nor Going’” (exhibition review). The New York Times, 25 December 2009: C33, illustrated.

Kóvskaya, Maya. “Christian Dior & Chinese Artists” (Ullens Center for Contemporary Art exhibition review). Art Review, no. 29 (January/February 2009): 125, illustrated.

Levy, Ellen K. “Classifying Kubler: Between the Complexity of Science and Art.” Art Journal 68, no. 4 (Winter 2009): 94, illustrated.

Liu, Jingjing. “A Kind of Elegant Violation: Zhang Huan and His Semele.” Life Magazine, no. 48 (November 2009): 174–187.

Liu, Jingjing. “Carnival of Life, Death and Passion.” Noblesse 12 (December 2009): 50–54.

Li, Jing and Jie Cao. “A Factory Produces Arts.” The Bund 368 (31 December 2009).

Loomis, George. “A Chinese Spin on Baroque Opera.” International Herald Tribune, 16 September 2009.

Mian, Mian. “Far Away from Heaven.” Modern Weekly, 17 October 2009: 82–84.

Mian, Mian. “Zhang Huan’s Semele and Art Adventure.” Nanfang Weekend, 22 October 2009.

Pasquarella, Sheri. “Zhang Huan Stopped by Chuck Close’s New York Studio.” Tar (Spring 2009): 80–84.

Perra, Daniele. “Zhang Huan.” Kult, no. 5 (May 2009): 44–49.

Rexer, Lyle. “Coup de Theatre, Around Zhang Huan’s First Opera.” DAMn 23 (December 2009/January 2010): 20–27.

Sewell, Brian. “What a Performance.” London Evening Standard, London Life Visual Art, 3 September 2009.

Shannon, Joshua. “Commentary: The Lure of the Contemporary—Some Thoughts on a Field in Transition.” American Art: Smithsonian American Art Museum 23, No. 3 (Fall 2009): 2–7, illustrated.

Slenske, Michael. “Zhang Huan’s Buddha Means Business” (PaceWildenstein exhibition preview). Art in America, 10 December 2009: http://www.artinamericamagazine.com/news-opinion/news/2009-12-10/zhang-huan/

“Super Studios.” Wallpaper Magazine (June 2009): 138, illustrated.

Ullens, Guy. “The Little Guy from Berlin.” Interview by Aric Chen. Whitewall (Fall 2009): 72, illustrated.

Vine, Richard. “In Sight: Artists Take on Opera.” Art in America (October 2009): 34, illustrated.

Warren, Tamara. “Across the Universe.” Clear Magazine 33 (2009): 138–139.

Yang, Andrew. “Assimilating Semele.” Modern Painters (September 2009): 36+, illustrated.

“Zhang Huan.” Some/Things Magazine (2009): 40–51.

2008

Albertini, Claudia. “Avatars and Antiheroes: A Guide to Contemporary Chinese Artists.” Kodansha International (2008): 156–159.

“Art News USA—New York, Zhang Huan: Blessing” (PaceWildenstein exhibition review). Art in Asia, no. 6 (July/August 2008): illustrated.

Auricchio, Laura. “Future Anterior: an index to contemporary art’s imminent history—Zhang Huan” (PaceWildenstein exhibition review). Art Papers (September/October 2008): 67, illustrated.

Castro, Jan Garden. “New Vocabularies: A Conversation with Zhang Huan.” Sculpture 27, no. 1 (January/February 2008): 24–29.

Collins, Matthew. “Stop Being So Alienated All the Time: My three days in New York among the gallery-hopping social-climbing primitives” (PaceWildenstein exhibition review). Modern Painters (July/August 2008): 32–34, contents page, illustrated.

Driscoll, Ian. “Behind the Walls/New York––Arne Glimcher: A Titan in the Middle Kingdom.” Art Asia Pacific (July/August 2008): 78–81, illustrated.

Edidin, Peter. “Arts, Briefly: Shanghai Cancels Art Exhibition.” The New York Times, 1 March 2008: B8.

Feaver, William. “Reviews: International—‘The Revolution Continues’” (Saatchi Gallery exhibition review). Art News 107, no. 11 (November 2008): 132, illustrated.

Franzen, Jonathan. “Letter from the Yangtze Delta: the Way of the Puffin.” The New Yorker, 21 April 2008: 90–105, 97, illustrated.

“Galleries: Chelsea—Zhang Huan” (PaceWildenstein exhibition review). New Yorker, 28 June 2008: 78.

Griffin, Kevin. “Zhang Huan Pushes His Body to Extremes for Art.” The Vancouver Sun, 16 August 2008.

“In the Air: Tour de Chelsea.” Art + Auction (July 2008): 15, illustrated.

Kerr, Merrily. “Reviews––Zhang Huan: Blessings” (PaceWildenstein exhibition review). Time Out New York, 10–16 July 2008: 58, illustrated.

Kinsella, Eileen. “$24 Billion and Counting.” Art News 107, no. 5 (May 2008): 122–129.

Lederman, Marsha. “The New Face of Chinese Art.” Globe Review, 2 July 2008.

“The Listings—Galleries: Chelsea—Zhang Huan: ‘Blessings’ at PaceWildenstein.” New York Times, 30 May 2008.

Montreuil, Gregory. “Jumbo-Sizing Tradition: In New York, Zhan Huan adds Western provocation to Chinese craft” (PaceWildenstein exhibition review). Gay City News, 12–18 June 2008: 32–33, illustrated.

Naves, Mario. “That’s a Piece of Ash!” (PaceWildenstein exhibition review). The New York Observer, 16 June 2008: C19, illustrated.

Nedo, Kito. “Artmonk in Capitalism.” Art Magazine (August 2008): 42–51.

Osborne, Lawrence. “Zhang’s Dynasty.” Men’s Vogue (April 2008): 116–119, 135, illustrated.

Picard, Charmaine. “Manhattan dealers open in China.” The Art Newspaper 17, no. 192 (June 2008): 59, illustrated.

Pollack, Barbara. “The Chinese Art Explosion.” Art News 107, no. 8 (September 2008): 118–127.

Pollack, Barbara. “From a Bed of Ice to a 20-Foot Hand.” Art News 107, no. 4 (April 2008): 124–129; illustrated, cover.

Reyna, Juan Carlos. “Zhang Huan.” Picnic (August 2008): 20–24.

Richard, Frances. “Zhang Huan, Asia Society” (exhibition review). Artforum (January 2008): 284, illustrated.

Seddon, Max. “Sadness, Despair and Ash at Zhang Huan Show.” The Moscow Times, 15 December 2008.

Slenske, Michael. “Sleeping Giant Awakened.” men.style.com, 8 May 2008. http://men.style.com/news/blog/2008/05/sleeping-giant.html. illustrated.

Smith, Roberta. “Art in Review: Zhang Huan, Blessings” (PaceWildenstein exhibition review). The New York Times, 23 May 2008: E26, illustrated.

Vogel, Carol. “Amid Asian Art Boom, Manhattan Gallery to Open Branch in Beijing.” The New York Times, 29 April 2008: The Arts, E1, E6.

“What’s On: United States––Zhang Huan” (PaceWildenstein exhibition review). The Art Newspaper 17, no. 192 (June 2008): 76.

“What’s On: Canada––Zhang Huan: Altered States” (Vancouver Art Gallery exhibition review). The Art Newspaper 17, no. 192 (June 2008): 86.

Wullschlager, Jackie. “The Stuff of People’s Prayers and Dreams” (Saatchi Gallery exhibition review). Financial Times, 11 October 2008: 6, illustrated.

“Zhang Huan.” Beaux Arts (May 2008): 20.

“Zhang Huan.” Sleek (Spring 2008): 68–69.

“Zhang Huan.” Status 242 (May 2008): 144–148.

“Zhang Huan: Recklessness and Wisdom.” Art World 215 (February 2008): 56–61.

2007

“The 10th PhotoEspana.” Art Context (February 2007): 84; illustrated on cover.

“Art: Museums and Libraries” (Asia Society exhibition review). The New Yorker, 24 September 2007: 58.

Barboza, David. “Avant-Garde Art from The Factory Floor.” International Herald Tribune, 5 September 2007.

Barboza, David. “Provocateur’s Products Roll Off the Assembly Line.” The New York Times, 3 September 2007: E1.

Borysevicz, Mathieu. “Inside Zhang Huan’s New Art Factory.” Art in America (December 2007): 110, illustrated.

Buck, Louisa. “Art Goes Global.” Art Quarterly (Summer 2007): 38–41; illustrated on cover.

Budick, Ariella. “Artist Zhang Huan’s Asia Society Exhibit” (exhibition review). Newsday, 14 September 2007.

Camhi, Leslie. “The No-Year Plan Art: Hungry Flies, Sculpted Ashes, Beds of Ice-The Peculiar World of Chinese Art Star Zhang Huan” (Asia Society exhibition review). The Village Voice, 2 October 2007.

Cesare, T. Nikki. “New York: Zhang Huan” (Asia Society exhibition review). Artforum.com, http://www.artforum.com/ (accessed 26 November 2007).

Cotter, Holland. “Chinese Art, In One Man’s Translation.” The New York Times, 7 September 2007: E29, E32.

Cotter, Holland. “Art Boom In China Has Ripples Over Here.” The New York Times, 9 September 2007: 93, illustrated.

Dodd, Philip. “You Have to Keep Creating a New Self.” Financial Times, 22 September 2007.

Esplund, Lance. “Arts & Letters: Made in China” (Asia Society exhibition review). The New York Sun, 6 September 2007.

“From Noir to Nirvana, How China’s First Art Maverick Found Peace.” Tank 5 (2007): 38–39.

“Goings on About Town” (Asia Society exhibition installation photograph). The New Yorker, 17 September 2007: 8.

Holmes, Pernilla. “Zhang Huan: They Thought I was Insane.” Telegraph, 22 September 2007.

Perlman, Ellen. “Zhang Huan: Altered States” (Asia Society exhibition review). The Brooklyn Rail (October 2007): 33.

Pollack, Barbara. “Art’s New Super Power.” Vanity Fair 568 (December 2007): 318–329.

Pollack, Barbara. “Made in China” (Louisiana Museum of Modern Art exhibition review). Time Out, 6–12 September 2007: 30.

Qusaibaty, Olivia. “Zhang Huan: “Altered States.” ARTiT 17 (Fall/Winter 2007).

Shears, Jenny. “Only to Provoke.” Clear 4 (2007): 28–35.

Shyr, Luna. “In the Studio.” Art + Auction (December 2007): 6, 78–84, illustrated, cover.

Teh, David. “Zhang Huan: Thinking Big.” Art Asia Pacific, no. 55 (September/October 2007): 110–111.

“Three Legged Buddha.” Evening Standard, 8 October 2007.

Vine, Richard. “The Labors of Narcissus” (Asia Society exhibition review). Art in America 11 (December 2007): 106–111, illustrated.

“Zhang Huan.” Art Context (March 2007): 136–137.

2006

“Zhang Huan.” Art News 105 (December 2006): 153.

2005

Kim, Jiae. “Losing Himself in His Art.” Theme (February 2005): 50–55.

Matheson, Susan B. Yale University Art Gallery Bulletin 2005 (2005): 195.

Sausset, Damien. “Paris Photo.” Photo, no. 424 (November 2005): 78–83.

“Zhang Huan.” Matador 10 (2005): 90–101.

2004

“Art on the Plaza.” Sculpture Magazine 23, no. 2 (March 2004): 14.

Cereceda, Miguel. “Monstrous in Contemporary Art.” Arte y Naturaleza, no. 34 (November 2004): 6–9.

Cheng, Meiling. “Clandestine Interventions.” Public Art Review 16, no. 1 (2004): 26–29.

Etxeberria, David. “Zhang Huan.” Umbigo, no. 11 (2004): 36–37.

Hooper, Mark. “We’ve Got This One Licked.” i-D Magazine, (September 2004): 206; illustrated.

Liu, Melinda. “China’s Glasnost.” Newsweek International, 9 August 2004: 44–48.

Napack, Jonathan. “Young Beijing.” Art in America, no. 6 (June/July 2004): illustrated on cover.

Pollack, Barbara. “Chinese Photography: Beyond Stereotypes.” ARTnews 103, no. 2 (2004): 98–103.

Ritson, Alicia. “Zhang Huan – Performances.” TAASA Reviews 13, no. 1 (2004): 12–13.

Vine, Richard. “Zhang Huan, Weihong and Zhang Jian-Jun at DiverseWorks and Barbara Davis” (exhibition review). Art in America, no. 2 (February 2004): 130.

Vine, Richard. “Six Ways of Looking at New China.” Art in America (June–July 2004): 128; illustrated.

Yu, Christina. “Tangible Metaphors.” Next Level 3, no.1 (2004): 20–25.

2003

Bauer, Marilyn. “Costars with Art.” The Cincinnati Enquirer, 1 June 2003.

Erickson, Britta. “Backflow: Returned Chinese Artists.” Artlink 23, no. 4 (2003).

“Focus Photography.” Flash Art, no. 232 (October 2003): 93.

Gleeson, David. “Berlin, Germany, Reviews, International.” Art Papers (September/October 2003): 60.

Kevles, Bettyann Holtzmann and Daniel J. Kevles. “Truth, Beauty and the Double Helix.” Newsweek , 24 February 2003: 42–44.

“Peace.” Public Art Review 15 (2003): 42.

Sand, Olivia. “Zhang Huan.” The Asian Art Newspaper (January 2003).

Schiff, Hajo. “Zhang Huan.” Kunstforum International (March–April 2003).

Vogel, Carol. “From War to ‘Peace.’” The New York Times, 1 August 2003.

Wichmann, Dominik. “Interview with Zhang Huan.” Suddeutsche Zeitung Magazine, no. 38, 19 September 2003: 22–28.

Yao, Souchou. “Two Faces of Contemporary Art in China.” Artlink 23, no. 4 (2003).

2002

Blanco, Jorge. “Zhang Huan, Naked Truth.” Planet (Spring 2002): 42–43.

Carr-Harris, Ian. “Zhang Huan.” Contemporary (January 2002): 6–7.

Goldberg, Roselee. “Zhang Huan.” Artforum (March 2002): 139.

Heartney, Eleanor. “The Body East.” Art in America (April 2002): 46.

Phillips, Christopher. “Crosscurrents in Yokohama.” Art in America (January 2002): 88–89.

2001

“America 2001: A Beach Odyssey.” Aperture 164 (Summer 2001): 58.

Borras, Maria Lluisa. “Zhang Huan.” Atlantica, no. 28 (2001): 26.

Borysevicz, Mathieu. “Before and After.” Art Asia Pacific, no. 30 (2001): 57–61.

Olesen, Alexa. “Making Art of Masochism and Tests of Endurance.” The New York Times, 11 November 2001.

“Yokohama 2001, International Triennale of Contemporary Art, Mega-Wave, Towards a New Synthesis” (exhibition review). Monthly Art Magazine (January 2001): 77.

2000

Anton, Saul. “Zhang Huan, ‘My America’” (Deitch Projects exhibition review). Time Out (May 2000): 73.

Borysevicz, Mathieu. “Zhang Huan at Deitch Projects” (exhibition review). Art in America (October 2000): 168.

Carr, C. “Stripped Down.” The Village Voice, 9 May 2000.

“Cinco Continentese” (Museo de la Ciudad de México exhibition review) Yuna Ciudad, no. 25 (2000).

“Imagenes que Gritan.” Agenda, no. 38 (November 2000).

Leng, Ling. “Body Express, Interview with Zhang Huan.” Culture Publication (2000): 138–153.

Robinson, Peter. “A Raw Look at Changing China.” The Canberra Times, 3 June 2000.

Taylor, Victor Zamudio. “Five Continents and One City: Second International Salon of Painting Mexico City, Mexico” (exhibition review). Atlantica, no. 25 (2000): 88–89.

“Zhang Huan.” Zoo, no. 4 (January 2000): 176–177.

“Zhang Huan: Blood, Sweat--and a Few Dollars.” El Cultural ABC, 4 November 2000.

1999

Anton, Saul. “Zhang Huan: Maoist Mask of an Anonymous Everyman.” Flash Art, vol. 32, no. 207 (Summer 1999): 96.

“The Biennale of Global Culture,” Domus 819 (October 1999).

Smith, Roberta. “Zhang Huan.” The New York Times, 12 February 1999.

Goodman, Jonathan. “Zhang Huan at Max Protetch” (exhibition review). Art in America, no. 9 (1999): 130–131.

Lu, Alvin. “Dogs Eye View.” San Francisco Bay Guardian, 14 April 1999.

Liu, Calvin. “Body and Soul.” Asianweek, 15 April 1999.

Qian, Zhijian. “Performing Bodies: Performance Art in China.” Art Journal 58, no.2 (Summer 1999): 60–71.

Wang, Ruiyun. “Zhang Huan and His Art,” Art Observation, no. 48 (1999).

Yu, Hsiao-Hwei. “Zhang Huan.” Chinese Art News, no. 20 (April 1999): 65–68.

1998

Cotter, Holland. “Art That’s a Dragon with Two Heads.” The New York Times, 13 December 1998.

Gao, Minglu. “Extensionality and Internationality in a Transnational Cultural System.” Art Journal 57, no. 4 (1998): cover, illustrated.

New York Magazine, no. 28 (September 1998).

Social Text 55 Duke (September 1998).

1997

Article Highlights (August 1997).

China Books Monthly (May 1997).

Grey Book, no. 3 (1997).

1996

China (August 1996).

China Research Monthly (June 1996).

1995

Artists (December 1995).

Stern (December 1995).

Technika Art, no. 18 (June/July 1995).

White Book, no. 2 (1995).

Zyma (January/February 1995).

1994

Black Book, no. 1 (1994).

Dragon Art (March 1994).

Ming Bao Monthly (November 1994).

2025

DIOR LADY ART: The Lady Dior Reinvented by 99 Artists. Texts by Hervé Mikaeloff, Jérôme Hanover and Anne Malherbe. New York: Rizzoli International Publications, 2025: 260, 440–443.

O'Reilly, Sally. The Body in Contemporary Art. New York: Thames & Hudson, 2025: 1, illustrated.

2024

Forbes, Duncan, Newell Harbin, and Lydia Caston, eds. Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection (exhibition catalogue). London: V&A Publishing, 2024: 192, illustrated.

Hundley, Jessica, ed. Sacred Sites. Cologne, Germany: Taschen, 2024: 144, 476, illustrated.

2023

Bohemia: History of an Idea, 1950–2000 (exhibition catalogue). Texts by Russell Ferguson, Ivana Goossen, Christelle Havranek, and Theo Carnegy-Tan. Prague: Kunsthalle Praha Services, 2023: 179, illustrated.

A Window Suddenly Opens: Contemporary Photography in China (exhibition catalogue). Texts by Claire Roberts, Orville Schell, Karen Smith, Taliesin Thomas, and Larry Warsh. Washington DC: Hirshhorn Museum and Sculpture Garden; New Haven, Connecticut: Yale University Press, 2023: 44, 135–137, 160.

2021

Best, Susan. It’s Not Personal: Post 60s Body Art and Performance. London: Bloomsbury Academic, 2021: 127, illustrated.

Human, 7 questions (exhibition catalogue). Texts by Kwak June Young, Seo Dongwook, and Shin Sang Gyu. Seoul: Leeum Museum of Art, Seoul: no. 13, 7–8, illustrated.

2020

We Are the Revolution: Contemporary Art Collecting in Italy (exhibition catalogue). Edited by Alberto Fiz. Cinisello Balsamo, Milano: Silvana Editoriale, 2020.

Wiseman, Mary Bittner. A Grand Materialism in the New Art from China. Lanham, Maryland: Lexington Books, 2020: 48-50, 53-55, et al., illustrated.

Zhang Huan: In the Ashes of History (exhibition catalogue). Texts by Mikhail Piotrovsky, Dmitry Ozerkov, Anastasia Veyalko and Wu Hung. St Petersburg, Russia: The State Hermitage Museum, 2020.

2019

Conversations: Contemporary Asian Art (exhibition catalogue). Texts by Carrie Spencer & Lindsay Neal. Norfolk, Virginia: Hermitage Museum & Gardens, 2019: 50–51, illustrated.

2018

Counterpoint: Selections from the Peter Marino Collection at the Southampton Arts Center (exhibition catalogue). Southampton, New York: Southampton Arts Center, 2018: 48, illustrated.

Louvre Abu Dhabi: The Complete Guide. Abu Dhabi and Paris: Department of Culture & Tourism; Éditions Skira, 2018: 349, illustrated.

“Zhang Huan (b. 1965), To Raise the Water Level in a Fish Pond, 1997.” In Art of China: Highlights from the Philadelphia Museum of Art. Philadelphia and New Haven: Philadelphia Museum of Art; Yale University Press, 2018: 240–241, illustrated.

2017

Munroe, Alexandra, Philip Tinari and Hou Hanru. Art and China after 1989: Theater of the World (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2017: 177–178, 182–183, illustrated.

The Collection: Highlights from the Minneapolis Institute of Art. Minneapolis, MN: Minneapolis Institute of Art, 2017: 357, illustrated.

Manné, Jamie G. The Marciano Collection. Los Angeles and Munich, London, New York: The Maurice and Paul Marciano Art Foundation; Delmonico Books • Prestel, 2017: 86–89, illustrated.

Walk on the Wild Side: At the Heart of the Carmignac Collection. Interview of Edouard Carmignac by Fabrice Bousteau. Paris: Skira and Fondation Carmignac, 2017: 132–133, illustrated.

2016

Herrero, Floriane. Body Art. Paris: Éditions Palette, 2016: 33, illustrated.

Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016: 295–6, illustrated.

2015

China 8: Contemporary Art from China on the Rhine and Ruhr (exhibition catalogue). Cologne: Stiftung für Kunst und Kulture, 2015: 96–97, 210–213, illustrated.

CRU – Outras Ideias (exhibition catalogue). Sao Paulo: Centro Cultural Banco do Brasil, 2015.

Fortenberry, Diane and Rebecca Morrill ed. Body of Art. New York: Phaidon, 2015: 328–329, illustrated.

Secret Signs: Calligraphy in Chinese Contemporary Art (exhibition catalogue). Texts by Hu Mingyuan and Lesley Ma. Hamburg: Deichtorhallen, 2015.

Zhang Huan: Let There Be Light (exhibition catalogue). Interview by Barbara Pollack. New York: Pace Gallery, 2015.

2014

The 21st-Century Art Book. London and New York: Phaidon Press, 2014: 295, illustrated.

Chanson, Maxime. 700 Artists’ Processes. Paris: editions jannick, 77.

Hall, James. The Self-Portrait: A Cultural History. London: Thames & Hudson, 2014: 275, illustrated.

Zhang Huan: Evoking Tradition (exhibition catalogue). Texts by Nora Lawrence and Melissa Chiu. Mountainville, New York: Storm King Art Center, 2014.

Zhang Huan: Spring Poppy Fields (exhibition catalogue). Texts by Robert Thurman and Elena Guena. London: Pace London, 2014.

2013

28 Chinese (exhibition catalogue). Miami: Rubell Family Collection / Contemporary Arts Foundation, 2013.

Chinese Art Book. London: Phaidon Press Limited, 2013: 301, illustrated.

Cheung, Victor, ed. OVERS!ZE: The Mega Art & Installations. Hong Kong: Victionary, 2013: 20–29, illustrated.

China China (exhibition catalogue). Kyiv, Ukraine: Pinchuk Art Centre, 2013.

Disaster: The End of Days (exhibition catalogue). Paris: Galerie Thaddaeus Ropac, 2013: 52–53.

Hearn, Maxwell K. Ink Art: Past as Present In Contemporary China. New York: The Metropolitan Museum of Art, 2013: 15, 66, 70, 102, 180, 184; 67, fig. 46, illustrated.

Portrait of the Times: 30 Years of Chinese Contemporary Art (exhibition catalogue). Shanghai: Shanghai Literature & Art Press, 2013: 272–275, illustrated.

Pfeifer, Kristell. Arte Al Límite: 10 Year of Trayectory. Santiago, Chile: Arte Al Límite, 2013: 397–403, illustrated.

Through the Eyes of Texas: Masterworks from Alumni Collections (exhibition catalogue). Austin: Blanton Museum of Art, The University of Texas, 2013.

Weight of History: The Collectors Show 2013 (exhibition catalogue). Singapore: Singapore Art Museum, 2013: 97–100, illustrated.

Zhang Huan: Poppy Fields (exhibition catalogue). Text by Kathryn H. Selig Brown. New York: Pace Gallery, 2013.

Zhang Huan: Soul and Matter (exhibition catalogue). Edited by Sergio Rosaliti and Olivia Turchi. Florence: Maschietto Editore, 2013.

Zhang, Huan. “Interview with Michele Robecchi (2005).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 947–949.

2012

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 574, illustrated.

Finger, Brad. Modern Art: The Groundbreaking Moments. Munich: Prestel, 2012: 163, illustrated.

Glasstress New York: New Art from the Venice Biennales (exhibition catalogue). Texts by Adriano Berengo and Demetrio Paparoni. Milan: Skira, 2012: 166–167, 207, illustrated.

Grant, Simon, ed. In My View: Personal Reflections on Art by Today’s Leading Artists. London: Thames & Hudson, 2012: 198–199.

Super Bodies: 3rd Triennial for Contemporary Art, Fashion and Design (exhibition catalogue). Antwerp: Lido Publishers, 2012: 77, illustrated.

Swept Away: Dust, Ashes, and Dirt in Contemporary Art and Design (exhibition catalogue). Text by David Revere McFadden. New York: Museum of Arts and Design, 2012: 82–83, 132–133, illustrated.

Transforming Minds: Buddhism in Art (exhibition catalogue). Hong Kong: Asia Society Hong Kong Center, 2012.

Zhang Huan: Jin Hui Dui (exhibition catalogue). Taipei: Gallery 100, 2012.

Zhang Huan: The Mountain is Still a Mountain (exhibition catalogue). Text by Richard Vine. London: White Cube, 2012.

2011

Big Brother: l’Artiste Face aux Tyrans (exhibition catalogue). Paris: Skira Flammarion, 2011.

Finger, Brad and Christiane Weidemann. 50 Contemporary Artists You Should Know. Munich and New York: Prestel, 2011.

Giubilei, Francesca, ed. Glasstress 2011 (exhibition catalogue). Texts by Demetrio Paparoni, Bonnie Clearwater, Lidwij Edlekoort et al. Venice: Marsilio Editori, 2011: illustrated.

Klanten, Robert, Alain Bieber, Alonzo Pedro et al. Art & Agenda: Political Art and Activism. Berlin: Gestalten, 2011.

The History of the Saatchi Gallery. Texts by Norman Rosenthal, Richard Cork, Steve Martin et al. London: Booth-Clibborn Editions, 2011.

Zhang Huan: Aura of Disappearance (exhibition catalogue). Text by Robert C. Morgan. Hong Kong: Edouard Malingue Gallery, 2011.

Zhang Huan: East Wind, West Wind (exhibition catalogue). Texts by William Zhao and Leo Xu. Macau: Espace Louis Vuitton, 2011.

Zhang Huan: 49 Days (exhibition catalogue). Text by Winston Kyan. Los Angeles: Blum & Poe, 2011.

Zhang Huan: Haeinsa Buddha (exhibition catalogue). Gyeongsang, Korea: Haeinsa Temple, 2011.

Zhang Huan: Q Confucius (exhibition catalogue). Shanghai: Rockbund Art Museum, 2011.

2010

Art for The World: The Sculpture Project of the Expo Boulevard (exhibition catalogue). Paris and Shanghai: JGM Galerie, 2010: 92–95, illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Haunted: Contemporary Photography/Video/Performance (exhibition catalogue). Texts by Jennifer Blessing, Peggy Phelan, Lisa Saltzman, Nancy Spector and Nat Trotman. New York: Solomon R. Guggenheim Museum, 2010.

Nakanishi, Sonoko ed. Aichi Triennale 2010: Arts and Cities (exhibition catalogue). Nagoya, Japan: Aichi Triennale Organizing Committee, 2010.

100 Masterpieces of Photography. Paris: Éditions du Centre Pompidou, 2010.

Pollack, Barbara. The Wild, Wild East: An American Art Critic’s Adventures in China. Hong Kong: TimeZone 8, 2010: 71, discussed.

Robertson, Jean and Craig McDaniel. Themes in Contemporary Art. New York: Oxford University Press, 2009.

Zhang Huan: Amituofo (exhibition catalogue). Taipei: Taipei Culture Foundation, Museum of Contemporary Art, 2010.

Zhang Huan: Ashman (exhibition catalogue). Text by Elena Geuna, Benjamin Genocchio and Huangsheng Wang. Milan: 24 Ore Cultura, 2010.

Zhang Huan: Dawn of Time (exhibition catalogue). China: Shanghai Literature and Art Publishing House, 2010.

Zhang Huan: Free Tiger Returns to Mountains (exhibition catalogue). Text by Leng Lin and Huang Du. Beijing: Pace Beijing, 2010.

Zhang Huan: Out of Ashes (exhibition catalogue). Seoul: Hakgojae Gallery, 2010.

2009

Action-Camera: Beijing Performance Photography (exhibition catalogue). Texts by Keith Wallace, Thomas J. Berghuis, and Maya Kovskaya. Vancouver: Morris and Helen Belkin Art Gallery, University of British Columbia, 2009.

Ardenne, Paul. Art Le Present: La Création Plasticeinne au Tournant du XXIe Siècle. Paris: Éditions Du Regard, 2009: 179, no. 4.

Beg, Borrow, Steal (exhibition catalogue). Miami: The Rubell Family Collection, 2009: 260–263, illustration.

Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book. London: Goodman, 2009: 244, illustrated.

The China Project: Three Decades: The Contemporary Chinese Collection (exhibition catalogue). Brisbane: Queensland Art Gallery, 2009: 134–135.

O’Reilly, Sally. The Body in Contemporary Art. New York: Thames & Hudson, 2009.

Re_view: 170 Years of Photography (exhibition catalogue). Text by Isobel Crombie. Melbourne: National Gallery of Victoria, 2009.

Robertson, Jean and Craig McDaniel. Themes in Contemporary Art. New York: Oxford University Press, 2009.

Roselione-Valadez, Juan, Heidi Zuckerman Jacobson et al. Beg Borrow and Steal: Rubell Family Collection. Miami: Rubell Family Collection, 2009.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 11, 218, 219, illustrated.

2009–2010 La Monnaie de Munt. Brussels: La Monnaie de Munt, 2009: illustrated.

Von Bennigsen, Silvia, Irene Gludowacz and Susanne van Hagen. Global Art. Ostfildern, Germany: Hatje Cantz Verlag, 2009: 238, illustrated.

Wu, Hong. Zhang Huan Studio: Art and Labor. Guilin City, China: Guangxi Normal University Press, 2009.

Zhang Huan. Texts by Yilmaz Dziewior, RoseLee Goldberg, and Robert Storr. London: Phaidon Press Limited, 2009.

Zhang Huan: Rebirth (exhibition catalogue). Interview by Elena Geuna. Milan: Project B Contemporary Art, 2009.

Zhu Gang Qiang (exhibition catalogue). Texts by Susannah Hyman, Zhang Hong and Liu Jingjing. London: White Cube, 2009.

2008

All for Art! Great Collections Among Us (exhibition catalogue). Montreal: Montreal Museum of Fine Arts: 227.

Avant-Garde China: Twenty Years of Chinese Contemporary Art (exhibition catalogue). Tokyo: The National Art Center, 2008.

China Gold, Contemporary Chinese Art (exhibition catalogue). Paris: Musée Maillol, 2008: 164–169.

Chiu, Melissa. Chinese Contemporary Art: 7 Things You Should Know. New York: AW Asia, 2008: illustrated.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 558.

Existencias (exhibition catalogue). Text by Rafael Doctor. León, Spain: MUSAC, Museo de Arte Contemporáneo de Castilla y León, 2008.

Franko B / Zhang Huan (exhibition catalogue). Text by Francesca Alfano Miglietti. Milano: Galleria Pack, 2008.

Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection (exhibition catalogue). Foreword by Neal Benezra. Text by Jeff Kelley, Christoph Heinrich, Eleanor Heartney and Kent Logan. San Francisco: San Francisco Museum of Modern Art, 2008: 21, 89, 122, 123, 124–125, illustrated.

Hansen, Mette Halskov and Stig Thogersen. China – Individuals and Society. Oslo, Norway: The University Press, 2008.

Hatry, Heide. Meat After Meat Joy (exhibition catalogue). Cambridge: Pierre Menard Gallery, 2008.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 220–221, 222, illustrated.

Hendrikse, Cees, ed. Writings on the Wall: Chinese New Realism and Avant-Garde in the Eighties and Nineties (exhibition catalogue). Texts by Thomas Berghuis, Francesca Dal Lago, Sabine Wang and Eduardo Welsh. Rotterdam: NAi Publishers and Groninger Museum, 2008.

Piras, Sebastian. A Pocketful of Contemporary Artists. Victoria, Australia: Peleus Press, 2008: 112–113, illustrated.

The Revolution Continues: New Art From China (exhibition catalogue). Text by Jiang Jiehong. New York: Rizzoli International Publications, Inc. in association with the Saatchi Gallery, 2008: illustrated.

Signs of the Apocalypse/Rapture. Chicago: Front Forty Press, 2008: illustrated.

Vine, Richard. New China, New Art. Munich: Prestel Verlag, 2008.

Wu, Hong. Making History: Wu Hung on Contemporary Art. Hong Kong: Timezone 8, 2008: 39, illustrated.

Zhang Huan: Blessings (exhibition catalogue). Texts by the artist and Daniel Kunitz. New York: PaceWildenstein, 2008.

Zhang Huan: Buddha (exhibition catalogue). London: Haunch of Venison, 2008.

Zhang Huan: Works from the Collection Caspar H. Schubbe (exhibition catalogue). Stuttgart: Deutscher Sparkassen Verlag, 2008.

2007

All for Art! Great Private Collections Among Us (exhibition catalogue). Canada: Museé des beaux-arts de Montréal, 2007.

Bajac, Quentin and Clément Chéroux, eds. Collection Photographs. Göttingen, Germany and Paris: Steidl and Centre Pompidou, 2007: cover: illustrated.

Cameron, Dan, Toby Devan Lewis and Katherine Solender, et al. Artworks: the Progressive Collection. New York: Distributed Art Publishers, 2007: 189.

Chui, Melissa. Breakout: Chinese Art Outside China. Milan: Charta, 2007: 108–113.

A Dictionary of Photographers: PhotoEspana 1998–2007. Spain: La Fabrica, 2007: 598–601.

Erickson, Britta. China Onward: The Estella Collection, Chinese Contemporary Art, 1996–2006. Denmark: Louisiana Museum of Modern Art, 2007: 400–409.

Gisbourne, Mark. Zhang Huan Drawings. Germany: Schirmer/Mosel, 2007.

Grey Water (exhibition catalogue). Brisbane, Australia: IMA Institute of Modern Art, 2007.

Grosenick, Uta and Casper H. Schübbe, eds. China Art Book. Cologne: DuMont, 2007: illustrated.

An Instinctive Eye: Selection of the Contemporary Photographs from the Collection of Sir Elton John (exhibition catalogue). Kiev, Ukraine: Pinchuk Art Centre, 2007.

Timer.01, Intimacy, Triennale Bovisa 2007 (exhibition catalogue). Milan: 2007.

Zhang Huan (exhibition catalogue). Madrid: Fundación Telefónica, 2007.

Zhang Huan Altered States (exhibition catalogue). Texts by Melissa Chiu, Kong Bu and Eleanor Heartney. Milan: Edizioni Charta, 2007.

Zhang Huan: Ash (exhibition catalogue). Texts by Philip Tinari and Nina Miall. London: Haunch of Venison, 2007.

Zhang Huan: Drawings (exhibition catalogue). Berlin and Mosel: Galerie Volker Diehl; Schirmer, 2007.

Zhù Yi! Chinese Contemporary Photography (exhibition catalogue). Barcelona and Vitoria-Gasteiz: Institut de Cultura de Barcelona; Atrium, 2007.

2006

Fever Variations (exhibition catalogue). Gwangju, Korea: Gwangju Biennale, 2006: 36–37.

Nairne, Sandy. The Portrait Now. London: National Portrait Gallery, 2006: 88–89.

Robecchi. Michele. Zhang Huan Speaks with Michele Robecchi. Madrid: La Fabrica and Foundation Telephone, 2006.

The Season. Milan: Galleria Pack Editore, 2006: 142–160.

Shoot the Family (exhibition catalogue). Text by Ralph Rugoff. New York: Independent Curators International, 2006: 46–47.

Who’s Afraid of China? (exhibition catalogue). Bari, Italy: Palazzo Pino Pascali, 2006.

Zhang Huan (exhibition catalogue). Text by Mark Gisbourne. Berlin: Galerie Volker Diehl, 2006.

Zhang Huan (exhibition catalogue). Text by Michael Desmond. Sydney: Sherman Galleries, 2006.

Zhang Huan: Selected Works 1995–2006 (exhibition catalogue). Text by Lilly Wei. New York: Max Lang Gallery, 2006.

2005

Between Skin and Orgasm: The Alchemic Body (exhibition catalogue). Gent: Snoeck, 2005: 266–271.

Fibicher, Bernhard and Matthias Frehner, eds. Mahjong, Contemporary Chinese Art from the Sigg Collection (exhibition catalogue). Ostfildern-Ruit, Germany: Hatje Cantz, 2005: 158–159.

The Great Beyond (exhibition catalogue). Text by Katrin Sauerlander. Thun, Switzerland: Kunstmuseum Thun, 2005: 40–43.

Hoffmann, Jens and Joan Jonas. Art Works, Perform. New York: Thames & Hudson, 2005: 98–99.

Marsh, Margaret, Craig Malyon and Michelle Watts. A.R.T. 2 Practice, Melbourne: Oxford University Press, 2005: 89.

Monuments for the USA (exhibition catalogue). San Francisco: CCA Wattis Institute for Contemporary Arts, 2005: 156–157.

On the Edge, Contemporary Chinese Encounter the West (exhibition catalogue). Text by Britta Erickson. Stanford, California: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2005: 66–69.

Rugoff, Ralph. Monuments for the USA (exhibition catalogue). San Francisco: CCA Wattis Institute for Contemporary Arts, 2005: 156–157.

Taylor, Brandon. Art Today. London: Laurence King Publishing Ltd., 2005:196.

Gao, Minglu, ed. The Wall, Reshaping Contemporary Chinese Art (exhibition catalogue). Beijing and Buffalo: Millennium Art Museum and Albright Knox Art Gallery, 2005.

Post Modern Portraiture from the Logan Collection (exhibition catalogue). Vail, Colorado: Logan Collection Vail, 2005: 310–311.

2004

The Amazing & The Immutable (exhibition catalogue). Text by Virginia Heckert. University of South Florida, Tampa: Contemporary Art Museum, 2004: 36.

Anker, Suzanne and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age. Cold Spring Harbor, New York: Cold Spring Harbor Laboratory Press, 2004: 39.

Between Past and Future, New Photography and Video from China (exhibition catalogue). Text by Wu Hung and Christopher Phillips. Chicago: Smart Museum of Art and New York: International Center of Photography, 2004:140.

Cameron, Dan and Jeffrey Deitch. Monument to Now: The Dakis Joannou Collection (exhibition catalogue). Athens: Deste Foundation for Contemporary Art, 2004: 446–447.

Coetzee, Mark. Not Afraid: Rubell Family Collection. London: Phaidon, 2004: 186–187.

Cotton, Charlotte. The Photograph as Contemporary Art. London: Thames & Hudson, 2004: 24.

Face/Off (exhibition catalogue). Text by Robert Eikmeyer. Frankfurt am Main: Revolver, Archiv für Aktuelle Kunst, 2004: 144–148.

Heathfield, Adrian. Live: Art and Performance. New York: Routledge, 2004: 133; 204.

Jacob, Mary Jane. Buddha Mind in Contemporary Art. Berkley: University of California Press, 2004: 240–247.

Regeneration: Contemporary Chinese Art from China and the US (exhibition catalogue). Lewisburg, Pennsylvania: Samek Art Gallery, Bucknell University: 68–69.

Sofaer, Joshua. The Performance Pack. London: Tate and Live Art Development Agency, 2004.

Witness (exhibition catalogue). Text by Thom Collins. Sydney: Museum of Contemporary Art, 2004: 34–41.

Zhu Qi, ed. Chinese Avant-Garde Photographys since 1990. Changsha: Hunan Fine Arts Publishing House, 2004: 93, illustrated.

2003

2003 Beaufort Triennial for Contemporary Art by the Sea (exhibition catalogue).Oostende, Belgium: Provincial Museum voor Moderne Kunst, 2003: 76–81.

Full Frontal: Contemporary Asian Artists from the Logan Collection (exhibition catalogue). Denver: Denver Art Museum, Denver, 2003.

In faccia al mondo. Il ritratto contemporaneo nel medium fotografico (exhibition catalogue). Italy: Museo d'arte contemporanea di Villa Croce, 2003.

Me and More (exhibition catalogue). Text by Susanne Neubauer. Luzern, Switzerland: Museum of Art Luzern, 2003: 74–81.

Phantom of Desire: Visions of Masochism in Art (exhibition catalogue). Text by Peter Weibel. Graz, Austria: Neue Galerie am Landesmuseum Joanneum, 2003: 510–511.

Skin Deep (exhibition catalogue). Italy: Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 2003.

Somewhere Better Than This Place (exhibition catalogue). Text by Thom Collins and Michael Foucault. Cincinnati: Contemporary Arts Center, 2003: 206–207.

Zhang Huan (exhibition catalogue). Texts by Yilmaz Dziewior, Yu Yeon Kim and Hans Günter Golinski. Ostfildern-Ruit, Germany and Hamburg: Hatje Cantz and Kunstverein Hamburg, 2003.

2002

Attachment+ (exhibition catalogue). Loppem-Zedelgem, Belgium: Kunsthalle Lophem, Center for Contemporary Art, 2002: 90–105.

Lateral Thinking: Art of the 1990s (exhibition catalogue). Text by Hugh M. Davies and Toby Kamps. San Diego: Museum of Contemporary Art, 2002: 66–67.

La Mirada Ajena (exhibition catalogue). Vitoria, Spain: ARTIUM, Centro-Museo Vasco de Arte Contemporáneo, 2002: 58–67.

Lucie-Smith, Edward. Art Tomorrow, the Body and Identity. Paris: Editions Pierre Terrail, 2002: 196–197.

Osborne, Peter. Conceptual Art, Themes and Movements. London: Phaidon, 2002: 188.

SAM Collects: Contemporary Art Project (exhibition catalogue). Seattle: Seattle Art Museum, 2002: 20–21.

Whitney Biennial (exhibition catalogue). New York: Whitney Museum of American Art, 2002: 236–237.

2001

The Gift: Generous Offerings, Threatening Hospitality (exhibition catalogue). Siena, Italy: Centro Arte Contemporanea Palazzo delle Papesse, 2001: 450.

Metamorphosis and Cloning (exhibition catalogue). Text by Sandra Grant Marchand. Montreal: Museum of Contemporary Art, 2001: 46–47.

Naked (exhibition catalogue). Text by Eleanor Heartney. Pittsburgh: Wood Street Gallery, 2001.

Subject Plural: Crowds in Contemporary Art (exhibition catalogue). Text by Paola Morsiani. Houston: Contemporary Arts Museum, 2001: 34–37.

Translated Acts: Performance and Body Art from East Asia 1990–2001 (exhibition catalogue). Text by Yu Yeon Kim. Berlin: Haus der Kulturen der Welt, 2001: 84–85.

Yokohama 2001: International Triennale of Contemporary Art (exhibition catalogue). Tokyo: Organizing Committee for Yokohama Triennale, 2001:113; 372–373.

Zhang Huan (exhibition catalogue). Texts by Roselee Goldberg, Gao Minglu, Ángela Molina, Bieito Pérez Outeiriño, and Octavio Zaya. Barcelona: Xunta de Galicia and Cotthem Gallery, 2001.

2000

Epifanie: Actuele Kunst en Religie (exhibition catalogue). Ghent, Belgium: S.M.A.K., The Municipal Museum of Contemporary Art, 2000.

Fineberg, Jonathan. Art Since 1940, Strategies of Being. New York: Harry N. Abrams, 2000: 486.

My America (exhibition catalogue). New York: Deitch Projects, 2000.

Potent Present: Selections from the Vicki and Kent Logan Collection (exhibition catalogue). San Francisco: California College of Arts and Crafts, 2000.

Recent Acquisitions, The Doron Sebbag Art Collection (exhibition catalogue). Tel Aviv: O.R.S. Ltd., 2000: 35–38.

1999

Art Worlds in Dialogue (exhibition catalogue). Text by Marc Scheps. Cologne: Museum Ludwig, 1999.

La Biennale di Venezia: 48 Esposizione Internatazionale dArte: dAPERTutto (exhibition catalogue). Venice: Marsilio, 1999: 260–263.

Five Continents and One City: Second International Salon of Painting (exhibition catalogue). Text by Marta Palau. Mexico City: Gobierno del Distrito Federal, 1999.

Miroslaw Balka & Zhang Huan: Lost Paradise II (exhibition catalogue). Porto, Portugal: Presença Galeria, 1999.

Transcience: Chinese Experimental Art at the End of the Twentieth Century (exhibition catalogue). Text by Hung Wu. Chicago: The David and Alfred Smart Museum of Art, 1999: 102–107.

Zhang Huan, Performance on Video (exhibition catalogue). Text by Richard Dale. Auckland, New Zealand: Artspace, 1999.

1998

Inside Out: New Chinese Art (exhibition catalogue). Text by Minglu Gao. New York, San Francisco and Berkeley: Asia Society, San Francisco Museum of Art and University of California Press, 1998.

Yang, Alice. Why Asia: Contemporary Asian and Asian American Art. New York: New York University Press, 1998.

1997

Chinese Contemporary Art 1997 (exhibition catalogue). Tokyo: WATARI-UM, The Watari Museum of Contemporary Art, 1997.

1995

Configura 2 Dialog Der Kulturen (exhibition catalogue). Erfurt: Configura-Projekt, 1995.