Pace Publishing

Thomas Nozkoski

Everything in the World

Text by Martin Clark, Oliver Shultz

Published on the occasion of the artist's exhibition at Pace Gallery in New York, Thomas Nozkowski: Everything in the World centers on a formative period of the artist’s career during which he set out specific aesthetic terms for his practice.

Mika Tajima

Energetics

Text by Matilde Guidelli-Guidi

Published on the occasion of Mika Tajima's solo exhibition in New York, this digital catalogue features detail images of Tajima’s large-scale Negative Entropy textile paintings and installation views that speak to the exhibition’s immersive dimension.

Lee Ufan & Claude Viallat

Text by Alfred Pacquement, Lee Ufan, Claude Viallat

Documenting their first joint exhibition, this volume presents an ongoing dialogue between Lee Ufan and Claude Viallat, as well as the artistic movements in which they each played key roles.

Lucas Samaras

Flowers

Over the decades, his interest in self-representation and object transformation has expanded to include experimentations in photography and—beginning in 1996, when he obtained his first computer—digital art. This volume narrows the scope of Samaras's oeuvre to illuminate his incredible innovation

Torkwase Dyson

A Liquid Belonging

Composed of one bound paper book and an array of unbound materials—including acetate and accordion-folded paper—all contained in a box-slipcase, Torkwase Dyson’s first publication is as much an art object as it is an addendum to her recent exhibition at Pace Gallery in New York.

William Monk

The Ferryman

Text by Mark Beasley, Suzanne Hudson, John Yau

Published on the occasion of William Monk’s three-venue exhibition in New York, The Ferryman guides the reader through each installation to mirror the artist’s exploration of the journey from this life into the next.

Richard Pousette-Dart

1950s Spirit and Substance

Text by Richard Pousette-Dart. Conversation with Joanna Pousette-Dart and Lowery Stokes Sims.

Published on the occasion of the landmark exhibition curated by Joanna Pousette-Dart, Richard Pousette-Dart: 1950s Spirit and Substance examines the many through-lines than run through the artist’s multivalent output.

Kohei Nawa

Aether

Texts by Brett Litman, Kohei Nawa

Kohei Nawa: Aether presents a survey of the multimedia artist’s new and recent works spanning sculpture, painting, and installation. Co-published by Sandwich and Pace Publishing on the occasion of Nawa’s first exhibition with Pace in New York, this book provides a close look at key works in the multimedia artist’s oeuvre from the past fifteen years.

Yoshitomo Nara

Pinacoteca

Text by Simon Reynolds, Stephanie Rosenthal

With extensive photography and special foldouts, this book recreates the experience of Yoshitomo Nara’s Pinacoteca 2021, a multi-room installation exhibited at Pace in London.

Robert Nava

Text by Jason Rosenfeld, foreword by Mark Beasley, conversation with Huma Bhabha

Focusing on his exhibition at Pace in London, Thunderbolt Disco, Robert Nava’s first monograph captures his colorful, energetic works with bold typography and vivid reproductions.

Elmgreen & Dragset

The Nervous System

Essay by Martin Herbert, Interview by Richard Shiff

To mark the duo Elmgreen & Dragset’s first major exhibition with Pace in New York, The Nervous System, Pace Publishing produced a catalogue featuring an essay by writer Martin Herbert and an interview with the artists conducted by art historian Richard Shiff.

Prabhavathi Meppayil

Introduction by Michaëla de Lacaze Mohrmann, Texts by Rosalind Krauss, Wells Fray-Smith, Mami Kataoka; Design by A Practice for Everyday Life

Accompanying Prabhavathi Meppayil’s 2022 solo exhibition with Pace in New York, this book reflects the gestural subtleties of the artist’s abstract paintings, sculptures, and installations in its typography and design.

Mark Rothko

1968: Clearing Away

Texts by Christopher Rothko, Eleanor Nairne

Designed by graphic design studio Kellenberger–White, this book was published in concert with an exhibition of Mark Rothko’s rarely seen, intimately-sized paintings and works on paper at Pace’s new gallery in London’s Hanover Square.

Agnes Martin

The Distillation of Color, 2021

Texts by Durga Chew-Bose, Bruce Hainley, Olivia Laing

Produced in conjunction with the exhibition Agnes Martin: The Distillation of Color, this book brings new voices to the scholarship around Martin’s work.

Adrian Ghenie

The Hooligans

Texts by Apsara DiQuinzio, Masha Tupitsyn

This publication marks Adrian Ghenie’s fourth solo exhibition with Pace. It focuses on the artist’s explorations of the notion of “hooliganism” in his recent paintings and drawings, which were informed by the Impressionist, Post-Impressionist, and Romantic movements.

Grids

Format and Image in 20th Century Art

Made to accompany a 1979 group exhibition on view at Pace in New York and The Akron Art Institute, Ohio, this catalogue brings together historic works by Josef Albers, Carl Andre, Robert Irwin, Lee Krasner, Ellsworth Kelly, Eva Hesse, Sol LeWitt, Agnes Martin, Ad Reinhardt, Louise Nevelson, and Frank Stella, among others. The book includes a text by Rosalind Krauss, while its design alludes to theme of the exhibition—the grid as a pictorial device and thematic element—through the overlay plastic grid cover. 

Yto Barrada

Tree Identification for Beginners, 2017

Texts by Mounira Bouzid, Adrienne Edwards

Yto Barrada’s Tree Identification for Beginners collects imagery and documentation relating to her mother’s first visit to the US in 1966 as part of the Operation Crossroads Africa program. Archival materials, reproduced on newsprint, present a complex history and challenge accepted narratives through myth, autobiography, and structures of learning. Included are a voiceover script of Barrada’s mother recounting her experience—part of the performance and film of the same name—and an interview with the artist by curator Adrienne Edwards. In 2018, the publication won a Most Beautiful Swiss Books award from the Swiss Office of Culture.