Richard Tuttle

Dates

Born 1941, Rahway, New Jersey

Education

1963, Trinity College, Hartford, Connecticut, BA

2023

Richard Tuttle: My Best, Galerie Lelong & Co., Paris, September 7–October 7, 2023.

Richard Tuttle, Pace Gallery, 540 West 25th Street, New York, March 17–April 29, 2023.

Richard Tuttle – Calder/Tuttle: Tentative, David Kordansky Gallery, January 21–February 25, 2023. Concurrent with: Calder/Tuttle: Tentative, Pace Gallery, Los Angeles, January 21–February 25, 2023. (Catalogue)

2022

Richard Tuttle: Particles, Pace Gallery, 540 West 25th Street, New York, May 6–June 11, 2022.

Online: Richard Tuttle: Notebooks, Pace Gallery Website, May 5–June 11, 2022. https://www.pacegallery.com/online-exhibitions/richard-tuttle-notebooks/

Richard Tuttle: What is the Object?, Bard Graduate Center Gallery, New York, February 25–July 10, 2022. (Catalogue)

2021

Richard Tuttle: Nine Stepping Stones, David Kordansky Gallery, Los Angeles, January 23–March 6, 2021.

2020

Richard Tuttle: TheStars, Modern Art, London, October 1–November 21, 2020. (Catalogue)

2019

Richard Tuttle: Days, Muses and Stars, Pace Gallery, 510 West 25th Street, New York, November 13–December 21, 2019.

Richard Tuttle: basis, 70s Drawings, Pace Gallery, 540 West 25th Street, New York, October 25–December 21, 2019. (Catalogue)

Richard Tuttle: Introduction to Practice, M Woods Museum, Beijing, China, March 16–June 16, 2019.

Richard Tuttle: Double Corners and Colored Wood¸ Pace Gallery, Beijing, March 16–April 27, 2019.

2018

Richard Tuttle: For Ourselves As Well As For Others, Pace Gallery, Geneva, November 14, 2018–January 10, 2019.

Richard Tuttle: 8 of Hachi, Tomio Koyama Gallery, Tokyo, October 20–November 17, 2018.

Intersections: Richard Tuttle. It Seems Like It’s Going To Be, The Phillips Collection, Washington, D.C., September 13-December 30, 2018. (Catalogue)

Richard Tuttle: Thoughts of Trees, Pace Gallery, Seoul, March 9–March 12, 2018.

2017

Richard Tuttle: 100 Epigrams, Pace Prints, New York, November 2, 2017–January 13, 2018.

Richard Tuttle, Light and Color, Kunstmuseum aan Zee, Oostend, Belgium, July 1–November 5, 2017.

Richard Tuttle: Books, Multiples, Prints, Writings and New Projects, Galerie Christian Lethert, Cologne, June 23–July 22, 2017.

Richard Tuttle: The Critical Edge, Pace London, 6 Burlington Gardens, April 13–May 13, 2017.

Richard Tuttle: My Birthday Puzzle, Modern Art, London, March 31–May 13, 2017.

Richard Tuttle, De Hallen Haarlem, Netherlands, January 21–May 7, 2017.

2016

Richard Tuttle: al Cielo de Noche de Lima / To the Night Sky of Lima, Proyecto AMIL and Museo de Arte de Lima, Peru, October 26, 2016–January 29, 2017. (Catalogue)

Richard Tuttle: 26, Pace Gallery, 510 West 25th Street, New York, May 6–June 11, 2016. (Catalogue)

Richard Tuttle: The Critical Edge, The Met Fifth Avenue, New York, April 2–June 26, 2016.

Richard Tuttle: καλλίρροος kallirroos schön-fliessend, Kunstmuseum Winterthur, February 27–June 24, 2016. (Catalogue)

2015

Richard Tuttle: The Recent Drawing Groups, Annemarie Verna Galerie, Zurich, December 10, 2015–March 19, 2016.

Both/And Richard Tuttle Print and Cloth, Fabric Workshop & Museum, Philadelphia, May 15–Summer, 2015. (Brochure)

Richard Tuttle: Separation, Modern Art, London, June 5–27, 2015.

Richard Tuttle: Wire Pieces, Pulitzer Arts Foundation, St. Louis, Missouri, May 1–September 12, 2015. (Catalogue)

2014

Richard Tuttle, Hauser & Wirth, Somerset, November 29, 2014–February 22, 2015.

Richard Tuttle: I Don’t Know, Or The Weave of Textile Language, Whitechapel Gallery, London, October 14–December 14, 2014, and Tate Modern, London, October 14, 2014–April 6, 2015. Traveled to: Both/And Richard Tuttle Print and Cloth, Fabric Workshop and Museum, Philadelphia, May 15–Summer 2015. (Catalogue)

Richard Tuttle: A Print Retrospective, Bowdoin College Museum of Art, Brunswick, Maine, June 26–October 19, 2014. Traveled to: Both/And Richard Tuttle Print and Cloth, Fabric Workshop and Museum, Philadelphia, May 15–Summer 2015; Oklahoma State University Museum of Art, Stillwater, February 8–May 7, 2016.

Richard Tuttle: 1, 2, 3, Galerie Nicolai Wallner, Copenhagen, March 14–May 3, 2014.

Richard Tuttle: Looking for the Map, Pace Gallery, 32 East 57th Street, New York, February 7–March 15, 2014.

2013

Richard Tuttle: Matter, Marian Goodman Gallery, Paris, September 21–October 31, 2013.

Walking in Air: An Exhibition by Richard Tuttle, TAI Gallery, Santa Fe, August 9–17, 2013.

The Thrill of the Ideal: Richard Tuttle; The Reinhart Project, Pocket Utopia, New York, May 11–June 9, 2013.

Richard Tuttle: The Place in the Window, Tomio Koyama Gallery, Kyoto, April 26–June 1, 2013. (Catalogue)

2012

Richard Tuttle: Slide, Bergen Kunsthall, Norway, November 3–December 16, 2012. (Catalogue)

Richard Tuttle: Werke aus Münchner Privatsammlungen, Pinakothek Munich, October 30, 2012–February 17, 2013.

Richard Tuttle: Systems, VIII–XII, Pace Gallery, 534 West 25th Street, New York, September 7–October 13, 2012. (Catalogue)

Richard Tuttle: “Paper”, Annemarie Verna Gallery, Zurich, May 31–September 29, 2012.

Richard Tuttle: Early Drawings and Sculpture, Anthony Meier Fine Arts, San Francisco, February 1–March 8, 2012.

2011

Richard Tuttle: Light and Colour, Stuart Shave/Modern Art, London, October 12–November 19, 2011.

Richard Tuttle: What’s the Wind, The Pace Gallery, 510 West 25th Street, New York, May 7–June 18 (extended through July 22), 2011.

Unpainted Paintings, Luxembourg & Dayan, New York, March 3–May 27, 2011.

2010

Richard Tuttle: Triumphs, Dublin City Gallery, The Hugh Lane, Ireland, November 19, 2010–April 10, 2011. (Catalogue)

Richard Tuttle: A Drawing Retrospective, Annemarie Verna, Zurich, August 26–October 23, 2010.

Richard Tuttle: New Works, Galleri Nicolai Wallner, Copenhagen, May 28–July 24, 2010.

Richard Tuttle: “Village V”, 2004, Sperone Westwater, New York, April 6–May 22, 2010.

Richard Tuttle: Metal Shoes, Dunn and Brown Contemporary, Dallas, March 25–May 1, 2010.

Richard Tuttle: Metal Shoes, Gemini G.E.L. at Joni Moisant Weyl, New York, January 20–February 27, 2010.

Seeing Intimacy: Richard Tuttle on Paper, Craig F. Starr Gallery, New York, January 8–February 13, 2010. (Catalogue)

2009

Richard Tuttle: Renaissance Unframed 1-26, Carolina Nitsch Project Room, New York, October 23, 2009–January 9, 2010. (Catalogue)

Richard Tuttle: L’nger than Life, Modern Art, London, September 11–October 10, 2009.

Richard Tuttle: Walking on Air, PaceWildenstein, 534 West 25th Street, New York, March 20–April 25, 2009.

2008

Richard Tuttle: Craft, Annemarie Verna Gallery, Zurich, September 16−November 22, 2008.

Richard Tuttle: The Use of Time, Kunsthaus Zug, Switzerland, September 14–November 23, 2008.

2007

Richard Tuttle: 5 x 5 x 5, Galleri Nicolai Wallner, Copenhagen, September 14–October 27, 2007.

Richard Tuttle, Tomio Koyama Gallery, Tokyo, June 30–July 28, 2007.

Richard Tuttle: Memory Comes from Dark Extension, Sperone Westwater, New York, May 3–June 30, 2007.

2006

Richard Tuttle: Half-Light Alphabet, Galerie Ulrike Schmela, Düsseldorf, November 24, 2006–January 20, 2007, and Galerie Lena Bruning, Berlin, November 27, 2006–January 20, 2007. (Catalogue)

Richard Tuttle, Jürgen Becker, Hamburg, May 19–July 12, 2006.

Richard Tuttle: Talks, Looks, Walks—Three Windows, Annemarie Verna Galerie, Zurich, May 18–July 8, 2006.

Richard Tuttle, FRAC, Auvergne, France, January 13–March 12, 2006. Traveled to: Domaine de Kerguehennec, Bignan, France, April 15–June 18, 2006; FRAC, Haute Normandie, Sotteville les Rouen, France, October 21–December 10, 2006. (Catalogue)

Richard Tuttle: Reflection; In the Pool, Sperone Westwater, New York, January 6–February 25, 2006.

The Kreutzer Sonata: Historical Work by Richard Tuttle, Nyehaus and Zwirner & Wirth, New York, January 6–February 18, 2006. (Catalogue)

2005

Richard Tuttle: Constructed Relief Paintings, 1964–65, Peter Freeman, Inc., New York, November 3, 2005–January 28, 2006.

Richard Tuttle: Prints 1973–2005, Brooke Alexander, New York, October 20, 2005–January 30, 2006.

Richard Tuttle: Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France, October 3–November 2005. (Catalogue)

Richard Tuttle, Anthony Meier Fine Arts, San Francisco, September 16–October 28, 2005.

Richard Tuttle: Lonesome Cowboy, Griffin Contemporary, Santa Monica, July 12−August 27, 2005.

The Art of Richard Tuttle, San Francisco Museum of Modern Art, July 2–October 16, 2005. Traveled to: Whitney Museum of American Art, New York, November 10, 2005–February 5, 2006; Des Moines Art Center, Iowa, March 17–June 11, 2006; Dallas Museum of Art, July 15–October 8, 2006; Museum of Contemporary Art, Chicago, November 11, 2006–February 4, 2007; Museum of Contemporary Art, Los Angeles, April 22–July 30, 2007. (Catalogue)

2004

Richard Tuttle: It’s a Room for 3 People, Drawing Center, New York, November 6, 2004–February 26, 2005. Traveled to: Aspen Art Museum, Colorado, December 8, 2005–February 5, 2006. (Catalogue)

Richard Tuttle: Dogs in a Hurry, De Kanselarij (organized by Foundation VHDG), Leewarden, Netherlands, September 6, 2004–February 21, 2005. (Catalogue)

Richard Tuttle: Type, Crown Point Press, San Francisco, June 8–August 28, 2004. (Brochure)

Richard Tuttle: Neue Arbeiten, Galerie Schmela, Düsseldorf, May 11–July 10, 2004.

2003

Richard Tuttle: Celebration, Annemarie Verna Galerie, Zurich, May 7–July 5, 2003. (Catalogue)

Richard Tuttle: Costume, Crown Point Press, San Francisco, May 1–June 28, 2003. (Brochure)

Richard Tuttle: 20 Pearls, Sperone Westwater, New York, April 15–May 31, 2003.

2002

Richard Tuttle, Dwight Hackett Projects, Santa Fe, New Mexico, August 10–September 28, 2002.

Richard Tuttle: Memento, Museu Serralves de Arte Contemporánea, Porto, Portugal, June 28–September 29, 2002. (Catalogue)

Richard Tuttle: cENTER¸ Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain, June 27–September 22, 2002. (Catalogue)

Richard Tuttle: When We Were at Home, Galerie Schmela, Düsseldorf, April 20–June 14, 2002. (Catalogue)

Richard Tuttle, Tomio Koyama Gallery, Tokyo, April 12–May 11, 2002.

2001

Richard Tuttle: In Parts, 1998–2001, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, December 8, 2001–February 10, 2002. (Catalogue)

Richard Tuttle: Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection, Kabinet Overholland, Stedelijk Museum, Amsterdam, April 28–June 24, 2001.

Richard Tuttle: New Books and Portfolios, Annemarie Verna Galerie, Zurich, March 20–31, 2001.

Richard Tuttle, Galerie Yvon Lambert, Paris, February 2–March 6, 2001.

Richard Tuttle, Anthony Meier Fine Arts, San Francisco, January 12–February 16, 2001.

2000

Richard Tuttle: Reservations, BAWAG Foundation, Vienna, September 15–November 26, 2000. (Catalogue)

Richard Tuttle: Perceived Obstacles, Stiftung Schleswig-Holsteinische Landesmuseum, Schloss Gottorf, Schleswig, Germany, July 2–September 3, 2000. Traveled to: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Muenster, February 18–May 13, 2001; Akademie der Künste, Berlin, Fall 2001. (Catalogue)

Richard Tuttle, 1981–1999, Galerie Meert Rihoux, Brussels, April 6–May 20, 2000.

Richard Tuttle: White Sails, Annemarie Verna Galerie, Zurich, March 30–May 20, 2000.

Richard Tuttle, A/D, New York, March 2–April 29, 2000.

Richard Tuttle: Two With Any To, Sperone Westwater, New York, January 5–February 12, 2000.

1999

Richard Tuttle: Once Voice in Four Parts, Cencebaugh Contemporary, New York, opened December 14, 1999.

Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999), Kunsthaus Zug, Switzerland, November 20, 1999–February 13, 2000. (Catalogue)

Richard Tuttle, Galleria Cardi, Milan, October 7–November 27, 1999.

Richard Tuttle: The Dust When You Come Over the Hill (Morocco), Rhona Hoffman Gallery, Chicago, May 1–29, 1999.

Richard Tuttle: 70s Drawings, Jürgen Becker, Hamburg, April 30–July 3, 1999.

Richard Tuttle: Community, Arts Club of Chicago, April 16–June 18, 1999. (Catalogue)

Richard Tuttle: New Work, Galleria Marilena Bonomo, Bari, Italy, March 14–May 30, 1999.

Richard Tuttle: Mandevilla—Aquatints from Crown Point Press, Greg Kucera Gallery, Seattle, January 7–30, 1999.

1998

Richard Tuttle: Die Konjunktion der Farbe, Ludwig Forum für Internationale Kunst, Aachen, Germany, December 11, 1998–February 14, 1999.

Here and Now: Richard Tuttle, Church of Saint Paulinus, Brough Park, Catterick, England (in collaboration with the Henry Moore Sculpture Trust), November 23–December 23, 1998.

Richard Tuttle: Replace the Abstract Picture Plane, Books and New Works. The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland, November 21, 1998–January 17, 1999. (Catalogue)

Richard Tuttle: New Etchings, Crown Point Press, San Francisco, September 15–November 7, 1998.

Richard Tuttle: Small Sculptures of the 70s, Annemarie Verna Galerie, Zurich, July 3–October 3, 1998. (Catalogue)

Richard Tuttle: Chandeliers, A/D, New York, May 28–July 31, 1998.

Richard Tuttle: The Thinking Cap, Fabric Workshop and Museum, Philadelphia, February 26–April 11, 1998.

Richard Tuttle: New Mexico, New York, Sperone Westwater, New York, February 14–March 21, 1998.

1997

Richard Tuttle: New and Early Work, Art Gallery of York University, North York, Ontario, September 25–November 16, 1997.

Richard Tuttle: Symbol, Galerie Limmer, Cologne, June 26–August 8, 1997.

Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996, Kunsthaus Zug, Switzerland, June 8–August 31, 1997. (Catalogue)

Richard Tuttle: Renaissance Unframed 1–26, University Art Museum, California State Long Beach Art Museum, March 18–April 26, April 1997.

Richard Tuttle, Brooke Alexander, New York, February 15–March 29, 1997.

1996

Richard Tuttle: Grey Walls Work, Camden Arts Centre, London, November 22, 1996–January 19, 1997. Traveled to: Douglas Hyde Garden, Dublin, April 23–June 7, 1997; Inverleith House, Royal Botanic Garden, Edinburgh, June 21–July 27, 1997. (Catalogue)

Richard Tuttle, Mies van der Rohe Haus, Berlin, November 1, 1996–January 19, 1997. (Brochure)

Richard Tuttle, Galerie Volker Diehl, Berlin, October 31, 1996–January 18, 1997.

Richard Tuttle: Source of Imagery, Galleria Bonomo, Rome, October 22–December 10, 1996. Traveled to: Galleria Marilena Bonomo, Bari, Italy, 1997.

Richard Tuttle: Books and Prints, Widener Gallery, Trinity College, Hartford, Connecticut, October 3–December 8, 1996. Traveled to: New York Public Library, February 22–May 31, 1997. (Brochure)

Richard Tuttle: New and Early Work, Sperone Westwater, New York, September 12–October 26, 1996.

Richard Tuttle: Gold and Silver on Easy Pieces, Galerie Yvon Lambert, Paris, June 5–July 13, 1996.

Richard Tuttle: Replace the Abstract Picture Plane, Kunsthaus Zug, Switzerland, June 2–September 1, 1996. (Catalogue)

Richard Tuttle: Renaissance Unframed 1–26, Contemporary Art Museum, University of South Florida, Tampa, May 15–June 24,1996. Traveled to: University Art Museum, California State University, Long Beach, 1996. (Brochure)

A Chair, a Table, a Book: Richard Tuttle, Brian Kish Office for Architecture & Art, New York, March 20–April 27, 1996. (Brochure)

Richard Tuttle, Galleria Eva Menzio, Turin, closed March 10, 1996.

1995

Richard Tuttle: Source of Imagery, Rhona Hoffman Gallery, Chicago, November 10–December 23, 1995.

Richard Tuttle: Warm Brown, 1-67 and Mesa Pieces, Kunsthalle Ritter, Klangenfurt, Austria, October 18, 1995–January 14, 1996. (Catalogue)

Richard Tuttle: Europe Wired, 1–10, 1994, and Mesa Pieces, 1995, Kohn Turner Gallery, Los Angeles, September 16–October 21, 1995.

Richard Tuttle: Time/Line, Daniel Weinberg Gallery, San Francisco, September 14–October 31, 1995.

Richard Tuttle: Selected Works, 1964–1994, Sezon Museum of Art, Tokyo, September 7–October 10, 1995. (Catalogue)

Richard Tuttle: Neue Arbeiten, Galerie Fahnemann, Berlin, June 23–August 26, 1995.

Richard Tuttle, Anders Tornberg Gallery, Lund, Sweden, closed April 26, 1995.

Richard Tuttle: North/South Axis, Museum of Fine Arts, Santa Fe, New Mexico, March 11–June 11, 1995. (Brochure)

Richard Tuttle: Verbal Windows, Galleria Marilena Bonomo, Bari, Italy, March 7–April 23, 1993.

Richard Tuttle, Mary Boone Gallery. New York, March 4–April 29, 1995.

Richard Tuttle: Lampen, Sotel, Carin Delcourt van Krimpen, Amsterdam, January 19–February 18, 1995.

1994

Richard Tuttle, Texas Gallery, Houston, December 13, 1994–January 14, 1995.

Richard Tuttle: Discontinuous Space, Burnett Miller Gallery, Santa Monica, California, December 3, 1994–January 24, 1995.

Richard Tuttle: A Lamp, a Chair, a Chandelier: A Work in Process, A/D, New York, November 1994.

Richard Tuttle, Annemarie Verna Gallery, Zurich, September 20–November 19, 1994.

Richard Tuttle, Galerie Meert Rihoux, Brussels, September 16–November 5, 1994.

Richard Tuttle, Second Floor Exhibition Space, Reykjavik, April–May 1994.

Richard Tuttle, Galerie Jürgen Becker, Hamburg, March 26–June 4, 1994.

Richard Tuttle: Prints and Related Works, Brooke Alexander Editions, New York, March 19–April 30, 1994.

Richard Tuttle: Le Temps Retrouvé, Galerie Yvon Lambert, Paris, March 12–April 30, 1994.

1993

Richard Tuttle, Mary Boone Gallery, New York, November 6–December 23, 1993.

Richard Tuttle: Drawing Works, Jack Tilton Gallery, New York, November 6–December 4, 1993.

Matrix: Richard Tuttle, Space/Sculpture, University Art Museum, University of California, Berkeley, October 13, 1993–January 2, 1994. (Brochure)

Richard Tuttle, Crown Point Press, San Francisco, September 9–October 16, 1993.

Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy, June 5–July 30, 1993.

Richard Tuttle: Chaos, the Form, Staatliche Kunsthalle Baden-Baden, Germany, February 20–April 25, 1993. (Catalogue)

Richard Tuttle: Arbeiten auf Papier, Galerie Karsten Greve, Cologne, February 12–April 30, 1993.

Richard Tuttle: Small…edition!, Wassermann Galerie, Munich, January 15–February 27, 1993.

1992

Oxyderood / Red Oxide, Museum Boymans-van Beuningen, Rotterdam, Netherlands, November 8, 1992–January 17, 1993. (Catalogue; curated by Richard Tuttle)

Richard Tuttle: New Work, Laura Carpenter Fine Arts, Santa Fe, New Mexico, October 3–November 7, 1992.

Richard Tuttle: Early Drawings, Lawrence Markey Gallery, New York, September 15–October 30, 1992.

Richard Tuttle, Mary Boone Gallery, New York, September 12–October 31, 1992.

Richard Tuttle, Galerie Yvon Lambert, Paris, May 16–June 20, 1992.

Richard Tuttle: New Work, Annemarie Verna Gallery, Zurich, March 3–April 11, 1992.

Richard Tuttle, Studio la Cittá 2, Verona, Italy, January 19–March 10, 1992.

1991

Richard Tuttle: New Works, Victoria Miro Gallery, London, December 20, 1991–January 31, 1992.

Richard Tuttle: Oboes and Clarinets, Feuerle, Cologne, November 15–December 20, 1991.

Richard Tuttle, Galerie Weber, Alexander, y Cobo, Madrid, September 16–November 17, 1991.

Richard Tuttle, Institute of Contemporary Art, Amsterdam, September 7–October 20, 1991. Traveled to: as Richard Tuttle: Time to Do Everything—Floor Drawings and Recent Work, Kunstmuseum Winterthur, Switzerland, March 28–May 24, 1992; as The Poetry of Form: Richard Tuttle, Drawings from the Vogel Collection, Institut Valencià d’Art Modern, Spain, June 25–August 30, 1992; as Richard Tuttle: Floor Drawings, Indianapolis Museum of Art, Indiana, October 2, 1993–January 2, 1994; Museum of Fine Arts, Santa Fe, March 11–June 11, 1995. (Catalogues)

Richard Tuttle: Sculptures et aquarelles, Galerie Pierre Hubert, Geneva, September 4–25. 1991.

Richard Tuttle: Crickets, Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, March 22–May 12, 1991.

Richard Tuttle, Rhona Hoffman Gallery, Chicago, March 1–30, 1991.

1990

Richard Tuttle: Slats 1974, Lawrence Markey Gallery, New York, December 1990–January 1991.

Richard Tuttle: Octavio for Annemarie, Annemarie Verna Galerie, Zurich, November 24, 1990–January 27, 1991.

Richard Tuttle: Inside the Still Pure Form, BlumHelman Gallery, New York, November 20, 1990–January 12, 1991.

The Nature of the Gun: Richard Tuttle, A/D, New York, October 1990. (Brochure)

Richard Tuttle: In Memory of Writing, Sprengel Museum Hannover, Germany, June 6–August 19, 1990. (Catalogue)

Richard Tuttle: New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, May 16–June 12, 1990. Traveled to: Galerie Hubert Winter, Vienna, October 10–November 13, 1990. (Brochure)

Richard Tuttle, Yvon Lambert, Paris, March 17–April 10, 1990.

Richard Tuttle: 70s Drawings, Brooke Alexander, New York, January 27–February 28, 1990.

Richard Tuttle: Einleitung, Galeria Schmela, Düsseldorf, January 12–February 28, 1990. (Catalogue)

1989

Richard Tuttle: Lonesome Cowboy Styrofoam, Gallery Casa sin Nombre, Santa Fe, New Mexico, June 10–30, 1989.

Richard Tuttle: The Point from the Corner of the Room, 1973–74, Galerie Hubert Winter, Vienna, May 13–June 3, 1989. (Catalogue)

Richard Tuttle: Vienna Gotico, Galeria Alessandra Bonomo, Rome, May 1989.

1988

Richard Tuttle: There’s No Reason a Good Man is Hard to Find, BlumHelman Warehouse, New York, November 5–December 3, 1988.

5 Pieces Richard Tuttle 1987, Annemarie Verna, Zurich, November 1988. (Brochure)

Richard Tuttle: XX Blocks, Galleria Marilena Bonomo, Bari, Italy, October 31–November 30, 1988. (Catalogue)

Richard Tuttle Installations: Early Works, BlumHelman Gallery, New York, October 5–29, 1988.

Richard Tuttle, Galerie Meert Rihoux, Brussels, May 11–June 4, 1988.

Richard Tuttle: Portland Works, Galerie Karsten Greve, Cologne, March 18–April 23, 1988. Traveled to: Thomas Segal Gallery, Boston, April 30–May 28, 1988. (Catalogue)

Richard Tuttle: Space in Finland, Galerie Schmela, Düsseldorf, March 4–April 10, 1988. (Catalogue)

1987

Richard Tuttle: New Work, BlumHelman Gallery, Los Angeles, December 10, 1987–January 30, 1988.

Richard Tuttle, Victoria Miro Gallery, London, October 6–30, 1987.

Richard Tuttle: Early & Recent Works, Anders Tornberg Gallery, Lund, Sweden, October 3–28, 1987.

Richard Tuttle, Galerie Yvon Lambert, Paris, September 26–October 24, 1987.

Richard Tuttle: Nimes au printemps, Galerie des Arènes, Nîmes, France, July 11–August 30, 1987. (Catalogue)

Richard Tuttle: The Baroque and Color / Das Barocke und die Farbe, Neue Galerie am Landesmuseum Joanneum, Graz, Austria, May 27–June 21, 1987. (Catalogue)

Richard Tuttle: New Work, Annemarie Verna Galerie, Zurich, March 18–May 2, 1987.

1986

Richard Tuttle: I See in France, ARC Musée d’art moderne de la ville de Paris, December 12, 1986–February 8, 1987. (Catalogue)

Richard Tuttle: Painted Sculpture, BlumHelman Gallery, New York, December 3, 1986–January 3, 1987.

Richard Tuttle: Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France, October 3–November 23, 1986. (Catalogue)

Locus Solus IV: Richard Tuttle, Galerie Hubert Winter, Vienna, May 30–July 7, 1986.

Richard Tuttle: The Spirals, Galerie Onnasch, Berlin, March 24–April 18, 1986.

Richard Tuttle: New Work, Victoria Miro Gallery, London, March 17–April 18, 1986.

1985

Richard Tuttle: Works 1964–84, Institute of Contemporary Art, London, October 30–December 8, 1985. Traveled to: Fruitmarket Gallery, Edinburgh, November 1985–February 8, 1986. (Catalogue)

Richard Tuttle, Galerie Yvon Lambert, Paris, October 11–November 8, 1985.

Richard Tuttle, Städtisches Museum Abteiberg, Mönchengladbach, Germany, September 22–November 24, 1985. (Catalogue)

Richard Tuttle: Neve / Snow, Galleria Marilena Bonomo, Bari, Italy, February 14–March 31, 1985. (Catalogue)

Richard Tuttle, Galleria Toselli, Milan, February–March 1985.

Richard Tuttle: Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room, Galerie Schmela, Düsseldorf, January 25–March 8, 1985.

1984

Richard Tuttle: New Sculpture, BlumHelman Gallery, New York, November 7–December 1, 1984.

Richard Tuttle: Engineer, Portland Center for the Visual Arts, Oregon, November 2–December 9, 1984. (Brochure)

Richard Tuttle, Annemarie Verna Galerie, Zurich, October 27–December 1, 1984.

Richard Tuttle: Recent Work, Daniel Weinberg Gallery, Los Angeles, September 8–October 6, 1984.

Richard Tuttle, Galleria Ugo Ferranti, Rome, opened May 23, 1984.

Richard Tuttle: 16 Works from India 1980, Galleriet, Lund, Sweden, May 5–31, 1984.

Richard Tuttle: Wandobjekte, Galerie Schmela, Düsseldorf, March 20–April 28, 1984.

Richard Tuttle, Galerie Yvon Lambert, Paris, March 17–April 4, 1984.

Richard Tuttle, Studio La Città, Verona, Italy, opened February 25, 1984.

1983

Richard Tuttle: Zeichnungen 1968–1974, Städtisches Museum Abteiberg, Mönchengladbach, Germany, November 13, 1983–January 3, 1984.

Richard Tuttle, Galerie Hubert Winter, Vienna, November 12–December 3, 1983.

Richard Tuttle: Recent Sculpture, BlumHelman, New York, October 12–November 5, 1983.

Richard Tuttle, Galleria Ugo Ferranti, Rome, opened May 19, 1983.

Richard Tuttle, Taidemariliiton Galleria, Helsinki, March 4–20, 1983.

1982

Richard Tuttle: Pairs, Musée de Calais, France, December 10, 1982–February 10, 1983. (Catalogue)

New Work: Richard Tuttle, Betty Parsons Gallery, New York, October 9–27, 1982.

Richard Tuttle, Gallerie Ugo Ferranti, Rome, opened May 28, 1982.

Richard Tuttle, Nigel Greenwood Gallery, London, March 12–April 8, 1982.

1981

Richard Tuttle, Annemarie Verna Galerie, Zurich, December 5, 1981–February 3, 1982.

Richard Tuttle, Galerie Baronian-Lambert, Ghent, Belgium, October 6–November 11, 1981.

Richard Tuttle, Gallerie Ugo Ferranti, Rome, opened April 23, 1981.

Richard Tuttle, Galerie Yvon Lambert, Paris, April 4–May 7, 1981.

1980

Richard Tuttle: From 210 Collage-Drawings, Georgia State University Art Gallery, Atlanta, February 4–22, 1980. Traveled to: Baxter Art Gallery, California Institute of Technology, Pasadena, 1980. (Catalogue)

Richard Tuttle: 12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980, Museum Haus Lange, Krefeld, Germany, January 27–March 9, 1980. (Catalogue)

Richard Tuttle: Pairs 1973, Centre d’art contemporain, Geneva, January 24–February 23, 1980.

1979

Richard Tuttle: Dallas Exercises, Gallerie Ugo Ferranti, Rome, December 14, 1979–January 14, 1980.

Richard Tuttle, CAPC Centre d’Arts Plastiques Contemporaine, Bordeaux, France, November 22–December 29, 1979. (Catalogue)

Richard Tuttle, Galleria Marilena Bonomo, Spoleto, Italy, July 1–30, 1979.

An Exhibition of the Works of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, February 14–March 11, 1979.

Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices, G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich, February 10–March 10, 1979. (Catalogue)

Richard Tuttle: 48 ½” Center-Point Works, Brooke Alexander, New York, February 10–March 10, 1979.

Richard Tuttle: Yale Pieces, 6” x 4” Notebook, Truman Gallery, New York, February 10–March 10, 1979.

Richard Tuttle, Annemarie Verna Galerie, Zurich, January 26–March 6, 1979.

Richard Tuttle: Title 1-6, Title I-IV, Title A-N, Title I1-I6, Titre 1-8, Titolo 1-8, Stedelijk Museum, Amsterdam, January 19–March 4, 1978. (Catalogue)

1978

Richard Tuttle, Galleria Ugo Ferranti, Rome, opened November 18, 1978.

Richard Tuttle: Zeichnungen, Galerie Schmela, Düsseldorf, October 7–November 9, 1978.

Richard Tuttle: Drawings, Jean Marie Antone Gallery, Annapolis, Maryland, September 10–October 7, 1978.

Richard Tuttle, Galerie Yvon Lambert, Paris, September 9–October 6, 1978.

Richard Tuttle, Daniel Weinberg Gallery, San Francisco, June 3–July 8, 1978.

Richard Tuttle, Museum Van Hedendaagse Kunst, Ghent, Belgium, June 3–July 3, 1978. (Catalogue)

Richard Tuttle: Sticks, Françoise Lambert, Milan, May 18–June 30, 1978.

Richard Tuttle, David Winton Bell Gallery, Brown University, Providence, April 29–May 21, 1978. (Brochure)

An Exhibition of the Work of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, February 14–March 11, 1978.

Richard Tuttle: New York, Young Hoffman Gallery, Chicago, February 10–March 11, 1978.

Richard Tuttle: New Work at Betty Parsons Gallery, Betty Parsons Gallery, New York, January 24–February 11, 1978.

1977

Richard Tuttle: Gesamte Grafiken, Ilustrierte Bücher, Galerie Thomas Borgmann, Cologne, December 1977–February 1978.

Richard Tuttle: Maine Works, Two with Any Two, Nigel Greenwood Inc. Ltd., London, December 1–24, 1977.

Richard Tuttle: Zwei mit Zwei / Two with Any Two, Kunstraum München, Munich, October 10–December 12, 1977.

Richard Tuttle: Die Gesamte Druckgraphik und alle Bücher, Galerie Heiner Friedrich, Munich, October–November 1977.

Richard Tuttle, New York, Zeichnungen und Aquarelle, 1968–1976, Kunsthalle Basel, Switzerland, June 11–September 11, 1977. (Catalogue)

Richard Tuttle, Galleria Ugo Ferranti, Rome, opened April 5, 1977.

Undici carte de Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy, February 24–April 9, 1977.

Richard Tuttle, Hopkins Hall Gallery, Ohio State University, Columbus, January 4–February 13, 1977.

1976

Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk, Galerie Swart, Amsterdam, 1976.

Richard Tuttle, McIntosh Gallery, University of Western Ontario, London, Ontario, November 24, 1976–January 9, 1977. (Brochure)

Richard Tuttle, Graeme Murray Gallery, Edinburgh, October 6–November 6, 1976.

Richard Tuttle: The Cincinnati Pieces, Julian Pretto, New York, opened September 18, 1976.

Richard Tuttle, Northwest Artists Workshop, Portland, Oregon, April 6–May 1, 1976.

Richard Tuttle: 2 Days, Galerie Yvon Lambert, Paris, April 2–3, 1976.

Richard Tuttle: Books and Prints, 1964–1976, Brooke Alexander, New York, March 13–April 19, 1976.

1975

Richard Tuttle “Paper Strips,” Barbara Cusack Gallery, Houston, opened September 29, 1975.

Richard Tuttle, Whitney Museum of American Art, New York, September 12–November 16, 1975. Traveled to: Otis Art Institute Gallery of Los Angeles County, January 16–February 29, 1976. (Catalogue)

Matrix 10: Richard Tuttle, Wadsworth Atheneum, Hartford, Connecticut, July–August 1975. (Brochure)

Thirteen Spiral Drawings by Richard Tuttle, Parsons-Truman Gallery, New York, April 22–May 20, 1975.

Richard Tuttle, D’Alessandro-Ferranti, Rome, February 8–March 10, 1975.

1974

Richard Tuttle: Forty October Drawings + Interlude, Nigel Greenwood Inc. Ltd. London, December 10, 1974–January 1975.

Richard Tuttle: A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery, Barbara Cusack Gallery, Houston, opened November 6, 1974.

Richard Tuttle, Artpark, Lewiston State Park, Lewiston, New York, July 22–August 4, 1974.

Richard Tuttle, Galerie Yvon Lambert, Paris, July 4–September 9, 1974.

Richard Tuttle, Annemarie Verna Galerie, Zurich, May 17–June 28, 1974.

Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy, April 19–May 19, 1974.

New Works: Richard Tuttle, Galleria Toselli, Milan, April 1974.

New Work: Richard Tuttle, Betty Parsons Gallery, New York, March 12–30, 1974.

1973

Drawings: Richard Tuttle, Galleria Françoise Lambert, Milan, June 14–July 15, 1973.

Richard Tuttle: Ten Kinds of Memory and Memory Itself, Daniel Weinberg Gallery, San Francisco, opened June 6, 1973.

Richard Tuttle, Galerie Heiner Friedrich, Munich, May 22–August 19, 1973.

Richard Tuttle: Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall¸ Kunstraum München, Munich, May 22–August 19, 1973. (Catalogue)

Richard Tuttle, Clocktower Gallery, Institute for Art and Urban Resources, New York, May 3–27, 1973.

1972

New Work by Richard Tuttle, Galerie Yvon Lambert, Paris, June 20–July 20, 1972.

Richard Tuttle: Drahtstucke 1971–1972, Galerie Rudolf Zwirner, Cologne, June 15–July 30, 1972.

Projects: Richard Tuttle (with David Movros), The Museum of Modern Art, New York, June 12–July 17, 1972.

Richard Tuttle will show new work, Betty Parsons Gallery, New York, February 1–26, 1972.

1971

Richard Tuttle, Helman Gallery, St. Louis, Missouri, opened March 6, 1971.

Richard Tuttle, Dallas Museum of Fine Arts, February 10–March 28, 1971. (Catalogue)

1970

Richard Tuttle, Member’s Gallery, Albright-Knox Art Gallery, Buffalo, New York, October 15–November 29, 1970.

Neue Arbeiten von Richard Tuttle, Galerie Rudolf Zwirner, Cologne, June 4–30, 1970.

New Work by Richard Tuttle, Betty Parsons Gallery, New York, February 17–March 7, 1970.

1969

Richard Tuttle, Nicholas Wilder Gallery, New York, opened May 10, 1969.

1968

Richard Tuttle, Galerie Schmela, Düsseldorf, March 26–April 17, 1968.

Ten new works by Richard Tuttle, Betty Parsons Gallery, New York, February 3–20, 1968.

1967

Richard Tuttle, Betty Parsons Gallery, New York, February 15–March 4, 1967.

1965

Richard Tuttle: Constructed Paintings, Betty Parsons Gallery, New York, September 7–25, 1965. (Brochure)

2022

Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, Saint Louis Art Museum, June 26–September 11, 2022. (Catalogue)

American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, Massachusetts, May 20–August 13, 2023. (Catalogue)

Richard Tuttle & Choong Sup Lim: How Objects Grasp Their Magic, Pace Gallery, Seoul, February 11–March 12, 2022.

2021

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Richard Long and Richard Tuttle: Artist’s Books, organized by Ivorypress, Library of the Museum of Modern Art, New York, September 14–December 16, 2021.

A room with a…, Pace Gallery, Palm Beach, Florida, June 4–September 10, 2021.

2019

Messin’ Around, Gemini G.E.L. at Joni Moisant Weyl, New York, March 21–May 18, 2019.

The Essential Perspective: minimalisms in the Helga de Alvear Collection, Centro de Arte de Alcobendas, Alcobendas, Spain, February 14–May 5, 2019. (Catalogue)

2018

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria, July 1–November 2018; Kunsthaus Zürich, September 20, 2019–January 5, 2020. (Catalogue)

The Essential Perspective. Minimalisms in the Helga de Alvear Collection, Museo de Arte Contemporáneo Helga de Alvear, Cáceres, Spain, June 29, 2018–November 22, 2019.

In Tribute to Jack Tilton: A Selection from 35 Years, Tilton Gallery, New York, March 22–April 28, 2018.

Warp & Weft: A History of Fabric at Gemini G.E.L., Gemini G.E.L. at Joni Moisant Weyl, New York, March 15–April 28, 2018.

2017

Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, 32 East 57th Street, New York, November 2, 2017–January 13 (extended through January 27), 2018.

Summer Days (and Summer Nights), Pace Gallery, 32 East 57th Street, New York, July 20–August 18, 2017

Richard Tuttle, James Ensor’s ‘real’ color, Kunstmuseum aan zee, Ostend, Belgium, July 1–November 5, 2017.

Multiple Impressions, Talley Dunn Gallery, Dallas, June 10–August 5, 2017.

Summer Choices, Crown Point Press, San Francisco, June 6–September 2, 2017.

Why Draw? 500 Years of Drawings and Watercolors, Bowdoin College Museum of Art, Brunswick, Maine, May 3–September 3, 2017. (Catalogue)

Minimal Art from Marzona Collection, Galerie Thaddaeus Ropac, London, April 28–July 29, 2017. (Catalogue)

Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue)

2016

Rhona Hoffman 40 Yeas, Part 1, Rhona Hoffman Gallery, Chicago, September 16–October 22, 2016.

I Still Believe in Miracles: Celebrating 30 Years of Inverleith House, Inverleith House, Edinburgh, July 28–August 28, 2016.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, June 28–September 5, 2016.

Shapeshifters, Luhring Augustine, New York, June 27–August 12, 2016.

Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné 2000–Present, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, New York, February 6–April 10, 2016. Traveled to: Robert C. Williams Museum of Papermaking, Gerogia Tech, Atlanta, June 9–August 5,2016; The Dedalus Foundation, New York, September 8–October 16, 2016. (Catalogue)

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, January 27–March 19, 2016. (Catalogue)

2015

Essential – The Line, Annemarie Verna Galerie, Zurich, October 24–December 5, 2015.

Drawing Redefined, deCordova Museum, Lincoln, Massachusetts, October 3, 2015–March 20, 2016. (Catalogue)

Drawings and Prints, Selections from the Permanent Collection, The Metropolitan Museum of Art, New York, September 29, 2015–January 4, 2016.

Objects and Bodies at Rest and In Motion, Moderna Museet, Malmö, Sweden, September 5–February 7, 2016. Traveled to: Moderna Museet, Stockholm, March 12–June 12, 2016. (Catalogue)

Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, ‘T’ Space, Rhinebeck, New York, September 5–October 4, 2015. (Catalogue)

Summer Group Show, Pace Gallery, 32 East 57th Street, New York, July 15–August 21, 2015.

Space and Matter, Sperone Westwater, New York, June 29–July 31, 2015.

Presque Rien, Galerie Marian Goodman, Paris, June 5–July 31, 2015.

Selections from The Kramarsky Collection, David Zwirner, New York, May 5–June 20, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, February 2–November 30, 2015.

Berman, Tuttle, Vollmer, Jack Tilton Gallery, New York, January 26–February 21, 2015.

2014

Line: The Maker’s Mark, Museum of Fine Arts Houston, December 14, 2014–March 22, 2015.

Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, December 3, 2014–March 15, 2015.

De Zee – salut d’honneur Jan Hoet, Mu.ZEE, Ostend, Belgium, October 23, 2014–April 19, 2015.

Space Out: Migrations to the Interior, Red Bull Studios, New York, October 9–December 14, 2014.

Wizz Eyelashes, Magasin III, Stockholm, September 19–December 14, 2014.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975, The Clark Art Institute, Williamstown, August 2–October 13, 2014. (Catalogue)

In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.

Purple States & Cafe Dancer Pop-up, Andrew Edlin Gallery, New York, June 27–August 16, 2014.

The Annual 2014: Redefining Tradition, National Academy Museum, New York, June 11–September 14, 2014. (Catalogue)

Summer exhibition, Annemarie Verna Galerie, Zurich, June 7–July 5, 2014.

The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, May 11–July 3, 2014. (Catalogue)

From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, The Netherlands, March 14–July 13, 2014.

Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.

Dorothy and Herb Vogel: On Drawing, Fleming Museum of Art, The University of Vermont, Burlington, January 14–May 18, 2014.

The Age of Small Things, Dodge Gallery, New York, January 11–February 23, 2014.

Universal Limited Art Editions: Books, Hiram Butler Gallery, Houston, January 11–February 22, 2014.

2013

40 Years at the Daniel Weinberg Gallery, Ambach & Rice, Los Angeles, November 24, 2013–January 11, 2014.

Modern Drawings: Selections from the Howard Karshan Collection, The Morgan Museum & Library, New York, September 20, 2013–January 5, 2014.

Re-View: Onnasch Collection, Hauser & Wirth, London, September 20–December 14, 2013. (Catalogue)

Word & Work, Galerie Nächst St. Stephan, Vienna, September 6–October 4, 2013.

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

Ode to Summer, Pace Gallery, 32 East 57th Street, New York, July 11–August 15, 2013.

Rahway’s Own, Rahway Arts District, New Jersey, July 1–September 20, 2013.

When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, June 1–November 3, 2013. (Catalogue)

Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 16–June 9, 2013.

2012

Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, Kunstverein Munich, October 6–November 25, 2012.

Summer Group Show 2012, The Pace Gallery, 32 East 57th Street, New York, July 30–August 24, 2012.

Lines of Thought, Parasol Unit, London, February 29–May 13, 2012.

2011

Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.

The Language of Less (Then), Museum of Contemporary Art, Chicago, October 8, 2011–April 8, 2012.

Picasso to Koons: Artist as Jeweler, Museum of Arts and Design, New York, September 20, 2011–January 8, 2012.

Night Scented Stock, Marianne Boesky Gallery, New York, September 14–October 22, 2011. (Curated by Todd Levin)

Fabric as Form, Tilton Gallery, New York, May 26–July 9, 2011.

Provisional Painting, Stuart Shave/Modern Art, London, April 15–May 21, 2011.

Unpainted Paintings, Luxembourg & Dayan, New York, March 30–May 27, 2011.

Paper A–Z, Sue Scott Gallery, New York, March 16–April 22, 2011.

Contemporary Collecting: The Neisser Family Collection, Art Institute of Chicago, February 13–May 22, 2011.

Drawn / Taped / Burned: Abstraction on Paper, The Katonah Museum of Art, Katonah, New York, January 23–May 1, 2011.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2011. (Catalogue)

2010

On-Line: Drawing through the Twentieth Century, Museum of Modern Art, New York, November 21, 2010–February 7, 2011. (Catalogue)

25th Anniversary Show: 1985–2010, Michael Kohn Gallery, Los Angeles, November 20, 2010–January 6, 2011.

Love in Vein: Editions Fawbush projects & artists 2005–2010, Gering and López Gallery, New York, November 4–December 23, 2010.

Artpark: 1974–1984, University at Buffalo Art Gallery, Center for the Arts, Buffalo, New York, September 25–December 18, 2010. (Catalogue)

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Thrice Upon A Time, Magasin 3, Stockholm Konsthall, September 11–December 12, 2010.

Everynight, I go to Sleep, Stuart Shave/Modern Art, London, September 11–October 2, 2010.

Grass Grows By Itself, Marlborough Gallery, New York, July 14–September 4, 2010.

Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, June 25–September 19, 2010. (Catalogue)

1968, Locks Gallery, Philadelphia, May 7–June 11, 2010.

\ (LEAN), Nicole Klagsbrun Gallery, New York, March 12–April 24, 2010.

Prints by Albers, Judd, Reinhardt, Ryman and Tuttle, Pace Prints, New York, February 19–March 27, 2010.

Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, Albright-Knox Art Gallery, Buffalo, New York, January 22–May 9, 2010.

2009

Almost, Nicelle Beauchene Gallery, New York, December 10, 2009–January 17, 2010.

Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon, October 24, 2009–January 31, 2010.

Materialien, Muenzsalon, Berlin, September 27, 2009.

Zig Zag, Sperone Westwater, New York, September 17–October 31, 2009.

A Tribute to Ron Warren, Mary Boone Gallery, New York, September 12–October 24, 2009.

Tetsumi Kudo, Richard Tuttle, Andrea Rosen Gallery, New York, September 12–October 17, 2009.

Target Practice: Painting Under Attack 1949–78, Seattle Art Museum, Washington, June 25–September 7, 2009. (Catalogue)

Works On Paper, William Shearburn Gallery, Santa Fe, May 1–June 13, 2009.

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, April 22–July 17, 2009. (Catalogue)

If We Could Imagine, Glenstone Foundation, Potomac, Maryland, March 2009–October 2010. (Catalogue)

Unfolding Process: Conceptual and Material Practice on Paper, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 28–June 14, 2009. (Catalogue)

The Third Mind: American Artists Contemplate Asia, 1860–1989, Solomon R. Guggenheim Museum, New York, January 30–April 19, 2009. (Catalogue)

New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, January 27–May 24, 2009. (Catalogue)

2008

Abstract Mash-up: Anne Appleby, Pia Fries, Mary Heilmann, Sol LeWitt, Dorothy Napangardi, Laurie Reid, Amy Sillman, and Richard Tuttle, Crown Point Press, San Francisco, September 9–November 11, 2008.

15 Year Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, September 5–October 25, 2008.

Summer in the City 2008, John Berggruen Gallery, San Francisco, July 10–August 31, 2008.

Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, opened May 2008. Traveled to: Hauser & Wirth, Zürich, opened in June 2008.

Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976, The Jewish Museum, New York, May 4–September 21, 2008. (Catalogue)

Sparks! The William T. Kemper Collection Initiative, Nelson-Atkins Museum of Art, Kansas City, Missouri, May 3–July 20, 2008.

Sculpture, Texas Gallery, Houston, April 22–May 21, 2008.

Styrofoam, The Museum of Art, Rhode Island School of Design, Providence, Rhode Island, March 14–July 20, 2008. (Brochure)

Air Kissing: An Exhibition of Contemporary Art About the Art World, Arcadia University Art Gallery, Philadelphia, March 5–April 20, 2008.

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

2007

Mask, James Cohan Gallery, New York, December 13, 2007–January 26, 2008.

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, Canada, December 6, 2007–March 2, 2008. (Catalogue)

Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, February 11–April 16, 2007.

2006

Freeze! A Selection of Works from a New York Collection, Ronilant + Voena + Sperone, London, October 10–November 4, 2006.

Nothing and Everything, Peter Freeman, Inc., New York, September 7–October 28, 2006. (Catalogue)

High Times, Hard Times: New York Painting 1967–1975, organized by Independent Curators International, New York. Traveled to: Weatherspoon Art Museum, Greensboro, North Carolina, August 6–October 15, 2006; Katzen Arts Center, American University, Washington, D.C., November 19, 2006–January 21, 2007; National Academy Museum, New York, February 15–April 22, 2007; Museo Tamayo Arte Contemporáneo, Mexico City, May 25–September 9, 2007; Neue Galerie Graz, Austria, December 14, 2007–February 24, 2008; ZKM/Center for Art and Media Karlsruhe, Germany, March 28–May 18, 2008.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006.

Chers Amis, Domaine de Kerguehennec, Bignan, France, July 1–October 1, 2006.

The Last Time They Met, Stephen Friedman Gallery, London, April 28–May 27, 2006.

Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, Missouri, April 7–June 11, 2006.

The Mediated Gesture, Brooke Alexander Editions and Leo Castelli Gallery, New York, March 3–April 14, 2006.

2005

Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, November 2, 2005–January 2006.

Greater than the Sun: Selections from the Craig Robins Collection of Contemporary Art, University Gallery, University of Florida, Gainesville, October 18–December 9, 2005.

Eccentric Modern, Foundation To-Life, Inc., Mount Kisco, New York, October 2005–Summer 2006.

Minimalism and Beyond, Pulitzer Foundation for the Arts, St. Louis, Missouri, October 14, 2005–April 26, 2006. (Brochure)

Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

Drawings from the Modern: 1945–1975, The Museum of Modern Art, New York, March 30–August 29, 2005.

A Little Romance: Highlights from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida, February 12–April 3, 2005.

2004

Beauty-in-Advertising, Wolfsonian, Florida International University, Miami, December 3, 2004–January 31, 2005. (Curated by Richard Tuttle)

Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper Hewitt National Design Museum, New York, September 10, 2004–February 26, 2005. Traveled to: Museum of Design, Atlanta; Aspen Art Museum, Colorado, August 5–October 2, 2005.

Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection, Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, August 28–November 6, 2004.

Indonesian Textiles, Tai Gallery / Textile Arts, Santa Fe, New Mexico, July 17–August 1, 2004. (Catalogue; curated by Richard Tuttle)

Transmit + Transform, Santa Fe Art Institute, New Mexico, July 2–August 13, 2004.

ULAE: The Print Show, Oklahoma City Museum of Art, Oklahoma, May 6–August 22, 2004.

Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York¸ Neue Nationalgalerie, Berlin, February 20–September 19, 2004. (Catalogue)

2003

Thinking about Sculpture, The Rachofsky House, Dallas, 2003–2004.

Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle, Brent Sikkema, New York, December 4, 2003–January 10, 2004.

Dwight Hackett Projects , Santa Fe, November 26, 2003–January 10, 2004.

Assemblage, Zwirner & Wirth, New York, November 11, 2003–January 31, 2004. (Catalogue)

Primary Matters: The Minimalist Sensibility, 1959 to the Present, San Francisco Museum of Modern Art, California, November 8, 2003–January 11, 2004.

Arp Artschwager Tuttle, Kent Gallery, New York, October 30–December 20, 2003.

Flirting with Rodchenko, Henry art Gallery, University of Washington, Seattle, October 18, 2003–January 11, 2004.

American Cutout, New York Studio School, New York, October 15–November 22, 2003.

The Heroic Century: Masterpieces from The Museum of Modern Art—200 Paintings and Sculptures, Museum of Fine Arts, Houston, September 21, 2003–January 2004. (Catalogue)

International Abstraction: Making Painting Real, Part II, Seattle Art Museum, Washington, August 15, 2003–February 29, 2004.

In Full View, Andrea Rosen Gallery, New York, July 18–September 13, 2003.

Back to the Present: Minimalist Works from the Museum’s Collection¸ Rhode Island School of Design Museum, Providence, June 27–September 7, 2003. (Brochure)

Divergent, Galerie Lelong, New York, June 26–August 1, 2003.

Recent Acquisitions of Contemporary Artists Books, California Palace of the Legion of Honor, San Francisco, June 21, 2003–January 4, 2004.

Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain, June–September 2003.

Spring Fever V: Group Exhibition, Crown Point Press, San Francisco, March 6–April 19, 2003.

American Academy Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, March 3–April 6, 2003.

2002

The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, Open Studio Press, Boston, December 3, 2002–January 25, 2003.

Works on Paper, Lawrence Markey, New York, December 3, 2002–January 18, 2003.

Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana–Champaign, September 4–November 3, 2002. Traveled to: Arkansas Art Center, Little Rock, November 14, 2002–February 2, 2003; Georgia Museum of Art, Athens, February 7–March 23, 2003; Cincinnati Museum of Art, Ohio, August 22– November 16, 2003. (Catalogue)

netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd, Annemarie Verna Galerie, Zurich, July 16–September 28, 2002.

To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, Queens, New York, opened June 2002. (Catalogue)

Watercolor: In the Abstract, Michael C. Rockefeller Arts Center Gallery, Fredonia State College, Buffalo, January 25–February 22, 2002.

2001

Extreme Connoisseurship, Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, Massachusetts, December 8, 2001–April 14, 2002.

The Devil is in the Details, Allston Skirt Gallery, Boston, November 30–December 29, 2001.

A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., November 18, 2001–April 7, 2002. (Catalogue)

Letters, Signs and Symbols, Brooke Alexander Editions, New York, November 9, 2001–January 25, 2002.

The Onnasch Collection: Aspects of Contemporary Art, Museum d’Art Contemporani de Barcelona, November 8, 2001–January 20, 2002. Traveled to: Museu Serralves , Museu de Arte Contemporânea, Porto, Portugal, March 22–June 23, 2002. (Catalogue)

Green on Greene, Sperone Westwater, New York, November 1–December 15, 2001. (Catalogue)

Extra Art: A Survey of Artists’ Ephemera, 1960–1999, Logan Galleries, California College of the Arts, San Francisco, October 12–December 8, 2001. Traveled to: Institute of Contemporary Art, London, 2002. (Catalogue)

Tramas y Ensamblajas, Museo de Arte Contemporaneo de Oaxaca, Mexico, October 5–December 3, 2001. (Catalogue)

Helmut Dorner, Richard Tuttle, Franz West, Brooke Alexander, New York, September 20–October 27, 2001.

La Biennale di Venezia: Plateau of Humankind, Venice, June 10–November 4, 2001. (Catalogue)

Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida, June 1–July 29, 2001.

Art Express: Art minimal et conceptual américain, ètat d’une collection, Cabinet des estampes au Musée d’art moderne et contemporain, Geneva, May 31–September 30, 2001.

wall>sculpture, Margarete Roeder Gallery, New York, April 21–May 26, 2001.

Measure/Mass: Rita McBride, Sylvia Plimack Mangold, Agnes Martin, James Bishop, Joseph Egan, Robert Ryman, Fred Sandback, Richard Tuttle, Annemarie Verna Galerie, Zurich, April 5–May 5, 2001.

Eye of Modernism, Georgia O’Keeffe Museum, Santa Fe, New Mexico, March 23–September 4, 2001. (Brochure)

Peaks, Kagan Martos Gallery, New York, closed March 3, 2001.

Poetry Plastique, Marianne Boesky Gallery, New York, February 9–March 9, 2001. (Catalogue)

Objective Color, Yale University Art Gallery, New Haven, Connecticut, February 2–March 25, 2001.

A contretemps, FRAC Picardie, Paris, January 27–March 15, 2001.

2000

Brand New Prints, Karen McCready Gallery, New York, 2000–2001.

Horizon 2000: Artist Woodturners, Brookfield Craft Center, New York, 2000–2001.

Soft Core, Joseph Helman Gallery, New York, December 13, 2000–January 20, 2001.

The Contemporary Illustrated Book: A Collaboration Between Artist and Author, 1960 to the Present, Garcia Street Books, Santa Fe, New Mexico, December 9, 2000–January 7, 2001.

Process/Reprocess: Japan and the West, Leslie Tonkonow, New York, November 4–December 23, 2000.

Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York, November 2, 2000–January 13, 2001. Traveled to: Boise Art Museum, Idaho; Museum of Fine Arts, Santa Fe; Naples Museum of Fine Art, Florida, 2001. (Catalogue)

To Infinity and Beyond: Editions for the Year 2000, Brooke Alexander, New York, November 2–December 23, 2000.

Group Show, Grant Selwyn Fine Art, New York, November–December 2000.

Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America, Palazzo Cavour, Turin, Italy, October 6, 2000–January 14, 2001.

Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000, Kunsthalle Bremen, Germany, September 1–October 29, 2000. (Catalogue)

In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, July 22–November 26, 2000.

Food for the Mind: Die Sammlung Udo und Anette Brandhorst, Bayerische Staatsgemäldesammlungen / Staatsgalerie moderner Kunst München, Munich, June 9–October 8, 2000. (Catalogue)

Pintura, FRAC Auvergne, France, June 9–September 2, 2000. (Catalogue)

The ‘70s at Crown Point Press and New Releases by Tom Marioni and Richard Tuttle, Crown Point Press, San Francisco, May 24–July 1, 2000.

Cosmologies, Sperone Westwater, New York, May 4–August 30, 2000.

Arte Americana: Ultimo decennio, Loggetta lombardesca, Ravenna, Italy, April 8–June 25, 2000. (Catalogue)

Soft White: Lighting Design by Artists, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, April 8–May 19, 2000. (Catalogue)

2000 Biennial Exhibition, Whitney Museum of American Art, New York, March 23–June 4, 2000. (Catalogue)

1999

Size Immaterial, Department of Coins and Medals, British Museum, London, December 7, 1999–April 9, 2000.

Drawings from the 1960s, Curt Marcus Gallery, New York, closed December 4, 1999.

Drawings from the 1970s by Mel Bochner, Sol LeWitt, Robert Mangold, Sylvia Plimack Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, October 30–December 11, 1999.

The Great Drawing Show, Kohn Turner Gallery, Los Angeles, closed October 30, 1999.

The American Century: Art and Culture 1900–2000; Part II, 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

The Rocket Four: Artist Books of the Turkey Press, Julie Cencebaugh Gallery, New York, July 14–August 14, 1999. (Catalogue)

Twenty Years of the Grenfell Press, Paul Morris Gallery, New York, July 8–August 6, 1999.

Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, Missouri, June 22–July 24, 1999.

Group Exhibition, Sperone Westwater, New York, June 18–July 30, 1999.

That Certain Look: The Minimalist Tradition in New Mexico, University Art Museum, University of New Mexico, Albuquerque, June 8–September 26, 1999..

Circa 1968, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal, June 6–August 29, 1999.

White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel, Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Basel, Switzerland, June 5–September 26, 1999. (Catalogue)

Afterimage: Drawing Through Process, Museum of Contemporary Art, Los Angeles, April 11–August 22, 1999. Traveled to: Contemporary Arts Museum, Houston, May 13–July 16, 2000; Henry Art Gallery, University of Washington, Seattle, July–September 2000. (Catalogue)

ITINERE 2, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy, March 28–May 30, 1999.

Deutsch-amerikanischer Dialog, Galerie Fahnemann, Berlin, February 19–March 30, 1999.

twistfoldlayerflake, Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, January 27–March 17, 1999.

1998

Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery, Anderson Gallery, State University of New York, Buffalo, November 21, 1998–February 7, 1999.

Art Wares, Numark Gallery, Washington, D.C., closed January 9, 1999.

Spatiotemporal, Magasin 3 Stockholm Konsthall, November 12–December 20, 1998.

Jürgen Becker, Hamburg, opened September 4, 1998.

Art in New Mexico, Part 1: Works by Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle, James Kelly Contemporary, Santa Fe, July 31–October 3, 1998.

Sculpture, Rhona Hoffman Gallery, Chicago, May 1–June 13, 1998.

Drawing the Question, Dorsky Gallery, New York, April 29–June 20, 1998. (Brochure)

Agnes Martin / Richard Tuttle, Modern Art Museum of Fort Worth, Texas, April 26–August 2, 1998. Traveled to: SITE Santa Fe, New Mexico, August 15–October 20, 1998. (Catalogue)

The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, Florida, March 12–June 21, 1998. (Catalogue)

Original Scale, Apex Art, New York, January 8–February 7, 1998. (Brochure)

1997

Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts, December 12, 1997–February 22, 1998. Traveled to: Kupferstichkabinett Academy of Fine Arts, Vienna; Kunstmuseum Winterthur, Switzerland; Kunst-Museum Ahlen, Germany; Akademie der Künste, Berlin; Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France; Parrish Art Museum, Southampton, New York; Lyman Allyn Art Museum, New London, Connecticut; Northwestern University, Evanston, Illinois; Contemporary Museum, Honolulu, 1999. (Catalogue)

Obsession + Devotion, Haines Gallery, San Francisco, October 15–November 15, 1997.

About Context: Eva Hesse, Roni Horn, Agnes Martin, Ree Morton, Sylvia Plimack Mangold, James Bishop, Giulio Paolini, Forrest Bess, Fred Sandback, Richard Tuttle, Annemarie Verna Galerie, Zurich, September 16–November 23, 1997.

At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, August 30–October 26, 1997. Traveled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore; Art Gallery of Ontario, Toronto; Art Gallery of Windsor, Ontario; Virginia Beach Center for the Arts, Virginia; Santa Monica Museum of Art, California; Edmonton Art Gallery, Alberta; Center on Contemporary Art, Seattle, 1998. (Catalogue)

Papierskulptur, Oberösterreichisches Landsmuseum, Landsgalerie Linz, Austria, June 18–September 21, 1997. (Catalogue)

La Biennale di Venezia, 47th Esposizione Internazionale d’Arte, Venice, June 15–November 9, 1997.

Dan Asher, Richard Tuttle, Galerie Bismarck, Bremen, Germany, June 5–August 31, 1997.

Wood Not Wood: Work Not Work, A/D, New York, March 22–May 10, 1997.

Works on Paper: James Bishop, Paul Feeley, Shirley Jaffe, Richard Tuttle, Lawrence Markey, New York, March 1–29, 1997.

New York on Paper, Baumgartner Galleries, Washington, D.C., February 7–March 22, 1997.

Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis, Öffentliche Kunstsammlung Basel, Switzerland, January 11–March 9, 1997. (Catalogue)

1996

Schwere-los Skulpturen, Oberösterreichisches Landesmuseum, Landesgalerie Linz, Austria, December 5, 1996–February 2, 1997.

Limited Edition Artists Books since 1990, Brooke Alexander, New York, November 8, 1996–January 11, 1997.

West Meets East: Works on Paper, Numark Gallery, Washington, D.C., closed May 11, 1996.

On Paper II, Schmidt Contemporary Art, St. Louis, Missouri, January 23–February 20, 1996.

Retrospktiv II: Sol LeWitt und Richard Tuttle, Annemarie Verna Galerie, Zurich, January 10–February 17, 1996.

1995

52nd Carnegie International, Carnegie Museum of Art, Pittsburgh, November 3, 1995–February 18, 1996.

Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Colorado, July 27–September 24, 1995. (Catalogue)

Abstrakt, Galerie Klein, Bad Münstereifel-Mutscheid, Germany, March 19–May 10, 1995.

Works on Paper, Jürgen Becker, Hamburg, opened February 3, 1995.

1994

Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland, December 2, 1994–February 5, 1995. (Catalogue)

Ethereal Materialism, Apex Art, New York, October 15–November 20, 1994.

Praticamente argento/Basically Silver, Studio La Città, Verona, Italy, opened September 16, 1994.

On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany, July 7–September 11, 1994. (Catalogue)

Printed in the 1970s, Brooke Alexander, New York, June 25–July 29, 1994.

Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Öffenliche Kunstsammlung, Basel, Switzerland, June 5–September 18, 1994. (Catalogue)

From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C, May 29–November 27, 1994. Traveled to: Portland Museum of Art, Oregon; Archer M. Huntington Art Gallery, University of Texas, Austin, 1997; Wäinö Aaltonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Israel, 1998.

Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Champion Branch, Stamford, Connecticut, May 13–July 5, 1994. (Catalogue)

Western Artists/African Art, Museum for African Art, New York, May 6–August 7, 1994. (Catalogue)

1993

Das Einfache ist das Schwierge, Kunsthaus Zug, Switzerland, November 28, 1993–January 16, 1994.

The Contemporary Artist’s Book: The Book as Art, 871 Fine Arts, San Francisco, September 9–December 30, 1993.

Sculpture & Multiples, Brooke Alexander, New York, January 8–February 13, 1993.

1992

A/D at the Peter Joseph Gallery, Peter Joseph Gallery, New York, 1992. (Catalogue)

Paolo Uccello: Battaglie nell’arte del XX secolo, La Salerniana, Erice, Italy, July 25–October 10, 1992. (Catalogue)

Gifts and Acquisitions in Context, Whitney Museum of American Art, New York, May 22–July 5, 1992.

15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, May 8–June 13, 1992.

New Directions in Multiples, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 26–May 3, 1992. Traveled to: Museum of Contemporary, Wright State University, Dayton, Ohio, June 21–July 30, 1992. (Catalogue)

Arte Americana, 1930–1970, Fiat-Lingotto, Turin, Italy, January 11–March 31, 1992. (Catalogue)

1991

Drawings, Brooke Alexander, New York, December 21, 1991–January 25, 1992.

Stubborn Painting: Now and Then, Max Protetch Gallery, New York, December 19, 1991–January 25, 1992. (Catalogue)

Discarded, Emerson Gallery, Rockland Center for the Arts, West Nyack, New York, October 6–November 15, 1991. (Brochure)

Den Gedanken auf der Spur blieben, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany, September 29–November 17, 1991.

Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts, Kunstmuseum Basel, Switzerland, September 1–December 8, 1991. (Catalogue)

Essentially Raw, Sue Spaid Fine Art, Los Angeles, closed August 25, 1991.

Drawing by Sculptors, Greenberg Gallery, St. Louis, Missouri, closed June 27, 1991.

Ellsworth Kelly, Robert Moskowitz, Richard Tuttle, Blum Helman Gallery, New York, May 1–June 1, 1991.

Poets/Painters Collaborations, Brooke Alexander, New York, March 13–30, 1991.

Ulrich Rückriem, Richard Tuttle, Remy Zaugg, Brooke Alexander, New York, February 7–March 2, 1991.

Masterworks of Contemporary Sculpture, Blum Helman Gallery, New York, January 16–February 23, 1991.

1990

The Garden, A/D, New York, 1990.

Quotations, Part III, Annemarie Verna Galerie, Zurich, November 24, 1990–January 27, 1991.

John Cage, Alan Saret, Richard Tuttle, Christine Burgin Gallery, New York, July 1990.

Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, June 29–August 4, 1990. (Catalogue)

Accrochage, Galerie Schmela, Düsseldorf, March–April 1990.

The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, February 20–June 3, 1990. Traveled to: Museum of Contemporary Art, Los Angeles, February 17–July 7, 1991. (Catalogue)

Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona, Kunsthalle Bielefeld, Germany, February 18–April 8, 1990. (Catalogue)

Group Show, Blum Helman Gallery, New York, February 14–March 17, 1990.

About Round, Round About: A Collection of Circles, Spheres, & Other Round Matter, Anders Tornberg Gallery, Lund, Sweden, January 20–February 7, 1990.

Contemporary Illustrated Books: Word and Image, 1967–1988, Franklin Furnace Archive, New York, January 12–February 28, 1990. Traveled to: Nelson-Atkins Museum of Art, Kansas City, Missouri, April 5–June 3, 1990; University of Iowa Museum of Art, Iowa City, February 8–April 7, 1991. (Catalogue)

Minimal Art, Blum Helman Gallery, New York, January 10–February 10, 1990.

1989

The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, December 8, 1989–February 28, 1990.

The Library, A/D, New York, November 9, 1989–January 6, 1990.

Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York. North Carolina Museum of Art, Raleigh, October 16–December 13, 1989. Traveled to: Albany Museum of Art, Georgia; San Jose Museum of Art, California, 1990. (Catalogue)

Domenico Bianchi, Robert Ryman, Richard Tuttle, Sperone Westwater, New York, September 16–October 24, 1989.

Richard Tuttle, Michael Young, José María Sicilia, Blum Helman Gallery, New York, September 6–30, 1989.

Group Show, Blum Helman Gallery, New York, June 7–July 28, 1989.

Rain of Talent: Umbrella Art, Fabric Workshop and Museum, Philadelphia, May 18–July 15, 1989.

A/D, New York, May 11–July 28, 1989.

Galerie Schmela, Düsseldorf, March–April 1989.

Alan Kirili, Richard Tuttle, William Wegman, Holly Solomon Gallery, New York, March 16–April 1, 1989.

Object of Thought: A Collection of Objects and Small Sculptures, Anders Tornberg Gallery, Lund, Sweden, January 14–February 1, 1989.

1988

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989. (Catalogue)

Works on Paper, Blum Helman Gallery, New York, December 7, 1988–January 7, 1989.

Köln sammelt: Zeitgenössiche Kunst aus Kölner Privatbesitz, Museum Ludwig, Cologne, November 5–December 11, 1988. (Catalogue)

Black and White, Fabric Workshop, Philadelphia, November 4–December 31, 1988.

From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York, October 15–December 31, 1988. Traveled to: Grand Rapids Art Museum, Michigan; Terra Museum of American Art, Chicago; Laumeier Sculpture Park, St. Louis, Missouri; Art Museum at Florida International University, Miami, 1989. (Catalogue)

Skulpturen Republik, Kunstraum Wien im Messepalast, Vienna, October–December 1988. Traveled to: John Hansard Gallery, Southampton University, England, 1989. (Catalogue)

Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern¸ Staatliche Graphische Sammlung München, Munich, September 21–December 18, 1988. (Catalogue)

Group Exhibition, Blum Helman Gallery, New York, September 7–October 1, 1988.

Richard Artschwager, Multiples; Dan Flavin, Sculptures; Donald Judd, Sculptures; Richard Tuttle, Objects, Galerie Tanit, Munich, May 11–July 2, 1988.

Amerikkalaista nykytaidetta, Sara Hildén Art Museum, Tampere, Finland, February 6–April 10, 1988. Traveled to: Kunstnernes Hus, Oslo, Norway, April 23–May 29, 1988. (Catalogue)

Group Show, Blum Helman Gallery, New York, February 3–27, 1988.

(C)Overt: A Series of Exhibitions, P.S. 1, Institute for Art and Urban Resources, New York, January 17–March 6, 1988. (Brochure)

Source and Inspiration: A Continuing Tradition, Hirschl & Adler Folk, New York, January 16–February 20, 1988. (Catalogue)

1987

Sculptors on Paper: New Work, Madison Art Center, Wisconsin, December 5, 1987–January 31, 1988. Traveled to: Pittsburgh Center for the Arts, Pennsylvania, May 28–June 19, 1988; Kalamazoo Institute of Arts, Michigan, September 6–October 16, 1988; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, March 14–April 30, 1989. (Catalogue)

Seldom Seen, Genovese Graphics, Boston, December 4, 1987–January 4–1988.

Beuys, Cahn, Fontana, Graubner, Lohman, Meuser, V. Nagel, Oldenburg, Polke, Saure, Scully , Tinguely, Tuttle, Twombly, Zeithamml, Galerie Schmela, Düsseldorf, December 1987–January 1988.

Early Concepts of the Last Decade, Holly Solomon Gallery, New York, closed October 13, 1987.

Skulptur Projekte in Münster 1987, Westfälische Landesmuseum, Münster, Germany, June 14–October 4, 1987. (Catalogue)

Summer Group Show, Blum Helman Gallery, New York, June 10–July 1987.

Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy and Herbert Vogel, New York, Kunsthalle Bielefeld, Germany, May 3–July 5, 1987. (Catalogue)

1987 Biennial Exhibition, Whitney Museum of American Art, New York, March 31–July 5, 1987. (Catalogue)

Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung, Kunstmuseum Bern, Switzerland, March 21–June 14, 1987. (Catalogue)

1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 13–April 26, 1987. (Catalogue)

Metaphor: Myron Stout, Richard Tuttle. Richard Wentworth, Win Knowlton, Kent Fine Art, New York, February 12–March 14, 1987. (Catalogue)

Rauschenberg, Schwitters, Tuttle, Blum Helman Gallery, New York, February 4–28, 1987.

Selections from the Roger and Myra Davidson Collection of International Contemporary Art, Art Gallery of Ontario, Toronto, January 17–March 22, 1987.

White, Blum Helman Gallery, New York, January 7–31, 1987.

1986

Beelden in Glas / Glass Sculpture, Fort Asperen, Leerdam, the Netherlands, 1986–1987. (Catalogue)

SkulpturSein, Städtische Kunsthalle Düsseldorf, Germany, December 13, 1986–February 1, 1987. (Catalogue)

Esculturas sobre la pared, Galería Juana de Aizpuru, Madrid, October 24–December 3, 1986.

Prospect 86, Frankfurter Kunstverein, Frankfurt, September 9–November 2, 1986. (Catalogue)

Drawings from the Collection of Dorothy and Herbert Vogel, Department of Art Galleries, University of Arkansas, Little Rock, September 7–November 16, 1986. Traveled to: Moody Gallery of Art, University of Alabama, Tuscaloosa; Museum of Art, Pennsylvania State University, State College, 1987. (Catalogue)

Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975, Palacio de Velázquez, Parque del Retiro, Madrid, May 23–July 31, 1986. (Catalogue)

Wien Fluss, 1986, Wiener Secession am Steinhof-Thaterbau, Vienna, May 14–June 29, 1986.

1985

Correspondences: New York Art Now, Laforet Museum Harajuku, Tokyo, December 20, 1985–January 19, 1986. Traveled to: Tochigi Prefectural Museum of Fine Arts, Japan, February 8–March 23, 1986. (Catalogue)

Spuren, Skulpturen und Monumente ihrer präzisen Reise, Kunsthaus Zurich, Switzerland, November 29, 1985–February 16, 1986. (Catalogue)

Vom Zeichnen: Aspekte der Zeichnung 1960–1985, Frankfurter Kunstverein, Frankfurt, November 19, 1985–January 1, 1986. Traveled to: Kasseler Kunstverein, Kassel, Germany, January 15–February 23, 1986; Museum Moderner Kunst Wien, Vienna, March 13–April 27, 1986. (Catalogue)

American Eccentric Abstraction, Blum Helman Gallery, New York, November 16, 1985–January 18, 1986.

Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle, Krannert Art Museum, University of Illinois, Urbana-Champaign, November 9–December 22, 1985. (Catalogue)

Sculptures, première approach pour un parc, Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France, October 6, 1985–January 5, 1986. (Catalogue)

Dreissig Jahre durch die Kunst: Museum Haus Lange, 1950–1985, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany, September 15–December 1, 1985. (Catalogue)

Accrochage, Galerie Schmela, Düsseldorf, September 13–December 1985.

American/European Part I: Painting Sculpture 1985, L.A. Louver, Venice, California, July 16–August 17, 1985.

Affiliations: Recent Sculpture and Its Antecedents, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, June 28–August 24, 1985. (Brochure)

Dan Flavin, Morris Louis, Brice Marden, Richard Serra, Richard Tuttle: Neue Daierleihgaben aus der Sammlung Reinhard Onnach, Berlin, Städtisches Museum Abteiberg, Mönchengladbach, Germany, June 19–August 25, 1985.

Wasserfarbenblatter von Joseph Beuys, Nicola De Maria, Gerhard Richter, Richard Tuttle, Westfälischer Kunstverein, Muenster, June 14–July 28, 1985. (Catalogue)

Drawings Acquisitions: 1981–1985, Whitney Museum of American Art, New York, June 11–September 22, 1985. (Catalogue)

In offener Form, Museum Haus Esters, Krefeld, Germany, May 16–June 30, 1985.

Drawings by Sculptors, Brooke Alexander, New York, March 5–30, 1985.

Dracos Art Center, Dracos Art Center, Athens, March 4–April 18, 1985. (Catalogue)

Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, March 1–April 28, 1985. Traveled to: San Diego Museum of Art, California, June 29-August 11, 1985; Portland Museum of Art, Oregon, October 1–November 10, 1985. (Catalogue)

1984

Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art¸ Visual Arts Gallery, Florida International University, Miami, 1984. Traveled to: Aspen Art Museum, Colorado; Art Museum of South Texas, Corpus Christi; Philbrook Arts Center, Tulsa, 1985. (Catalogue)

In Existum Cuiusdam, Annemarie Verna Gallery, Zurich, December 11, 1984–January 30, 1985.

Aquarelle, Kasseler Kunstverein, Kassel, Gaermany, November 16, 1984–January 6, 1985. (Catalogue)

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Zeichnungen für die dritte Dimension (eigene Bestände), Basel Museum für Gegenwartskunst, Switzerland, June 22–August 12, 1984.

Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection, Montreal Museum of Fine Arts, May 3–June 10, 1984. Traveled to: Vancouver Art Gallery, British Columbia; Nickle Arts Museum, Calgary, Alberta; Seagram Building, New York; London Regional Art Gallery, Ontario, 1984.

Painting and Sculpture Today, 1984, Indianapolis Museum of Art, Indiana, May 1–June 10, 1984. (Brochure)

The Tremaine Collection: Twentieth-Century Masters, The Spirit of Modernism¸ Wadsworth Atheneum, Hartford, Connecticut, February 26–April 29, 1984. (Catalogue)

Forms That Function, Katonah Gallery, Katonah, New York, January 22–March 4, 1984. (Brochure)

1983

American Works on Paper: 100 Years of American Art History. Organized by Smith Kramer Art Connections, Kansas City, Missouri. Traveled December 11, 1983–December 29, 1985. (Catalogue)

The First Show: Painting and Sculpture from Eight Collections 1940–1980, Museum of Contemporary Art, Los Angeles, November 20, 1983–February 19, 1984. (Catalogue)

15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany, November 13, 1983–April 8, 1984. (Catalogue)

Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle, Annemarie Verna Galerie, Zurich, October 30–November 24, 1983.

Ars 83 Helsinki, Ateneumin taidemuseo, Helsinki, October 14–November 12, 1983. (Catalogue)

10 Jahre Kunstraum München, Jubiläumsausstellung, Kunstraum München, Munich, June 8–July 31, 1983.

Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, June 2–December 4, 1983. (Brochure)

Objects, Structures, Artifice, SVC Fine Arts Gallery, University of South Florida, Tampa, April 9–May 30, 1983. Traveled to: Center Gallery, Bucknell University, Lewisburg, Pennsylvania, 1983. (Catalogue)

When Art Becomes Book, When Books Become Art, Annemarie Verna Galerie, Zurich, opened March 22, 1983.

Small Is Beautiful, Freedman Gallery, Albright College, Reading, Pennsylvania, February 8–March 4, 1983. Traveled to: Center Gallery, Bucknell University, Lewisburg, Pennsylvania, 1983.

Drawings—Disegni—Zeichnungen I, Annemarie Verna Galerie, Zurich, January 29–February 8, 1983.

Abstract Painting: 1960–1969, P.S. 1, Institute for Art and Urban Resources, New York, January 16–March 13, 1983.

1982

Arbeiten auf Papier, Galerie Schmela, Düsseldorf, December 16, 1982–March 28, 1983.

20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, New York, October 1–December 1, 1982. Traveled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, April 5–May 5, 1983. (Catalogue)

Marilena Bonomo: Invitation à un voyage à travers l’art contemporain¸ Centre d’art contemporain, Geneva, September 24–December 20, 1982.

Ryman/Tuttle/Twombly: New Work, Blum Helman Gallery, New York, September 15–October 9, 1982.

Papyrus Abstractus: From Drawing to Sculpture, Town Hall Gallery, Westport, Connecticut, July 23–August 13, 1982.

Documenta 7, Museum Fridericianum, Kassel, Germany, June 19–September 28, 1982. (Catalogue)

American Painting and Sculpture: 74th Annual, Art Institute of Chicago, June 12–August 1, 1982. (Catalogue)

25 Jahre Galerie Schmela: 1957–1982, Galerie Schmela, Düsseldorf, June 6–July 1982.

Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, May 18–August 31, 1982. (Catalogue)

‘60–’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, April 9–July 11, 1982. (Catalogue)

Du livre. Concurrent exhibition at: Musée des Beaux-Arts, Rouen, France; Bibliothèque Minicipale, Rouen, France, Galerie Déclinaisons, Rouen, France; École des Beaux-Arts, Rouen, France; C.R.D.P., Mont-Saint-Aignan, France, January 18–February 28, 1982. (Brochure)

Artists’ Photographs, Crown Point Gallery, Oakland, California, January–February 1982.

1981

Murs, Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris, December 17, 1981–February 8, 1982. (Catalogue)

Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators Incorporated, New York. Traveled to: New Gallery for Contemporary Art, Cleveland, December 11, 1981–January 16, 1982; Gibbes Art Gallery, Charleston, South Carolina; Hudson River Museum, Yonkers, New York; University of South Florida Art Galleries, Tampa; Art Museum and Galleries, California State University, Long Beach; Alberta College of Art Gallery, Calgary; Pensacola Museum of Art, Florida, 1982. (Catalogue)

Galerie Schmela, Düsseldorf, December 11, 1981–January 1982.

Amerikanische Malerei: 1930–1980, Haus der Kunst, Munich, November 14, 1981–January 31, 1982. (Catalogue)

No Title: The Collection of Sol LeWitt, Wesleyan University Art Gallery and Davidson Art Center, Middleton, Connecticut, October 21–December 20, 1981. (Catalogue)

Relief(s): Richard Tuttle, Nancy Bowen, Don Hazlitt, Institut Franco-Américain, Rennes, France, October 6–30, 1981. (Brochure)

Selections from the Chase Manhattan Bank Art Collection, University Gallery, University of Massachusetts, Amherst, September 19–December 20, 1981. Traveled to: Robert Hull Fleming Museum, University of Vermont, Burlington, January 22–March 21, 1982; David Winton Bell Gallery, Brown University, Providence, October 16–November 11, 1982. (Catalogue)

Drawing Acquisitions, 1978–1981, Whitney Museum of American Art, New York, September 17–November 15, 1981. (Catalogue)

Drawing Distinction: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebæk, Denmark, August 15–September 20, 1981. Traveled to: Kunsthalle Basel, Switzerland; as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich; Wihelm-Hack-Museum, Ludwigshafen, Germany, 1982. (Catalogue)

Il limite svelato: Artista, cornice, pubblico, Museo Civico di Torino, Mole Antonelliana, Turin, Italy, July–October 1981. (Catalogue)

Westkunst: Zeitgenössische Kunst seit 1939, Museen der Stadt, Cologne, May 30–August 16, 1981. (Catalogue)

Heidi Glück, Joshua Neustein, David Reed, Joel Shapiro, Richard Tuttle, Bertha Urdang Gallery, New York, May 2–29, 1981.

Vonal, Pésci Galéria, Pécs, Hungary, April 26–May 17, 1981. (Catalogue)

New Works of Contemporary Art and Music, Fruitmarket Gallery, Edinburgh, April 11–May 9, 1981. (Catalogue)

1980

Selected Works from the Betty Parsons Gallery, Heath Gallery, Atlanta, 1980.

Drawn in Space, Washington Project for the Arts, Washington, D.C., October 14–November 22, 1980. (Brochure)

Maximum Coverage: Wearables by Contemporary American Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin, September 7–November 9, 1980. Traveled to: University of North Dakota, Grand Forks, 1981. (Catalogue)

Zeichnungen” Neuerwerbungen, 1976–80, Museum Haus Lange, Krefeld, Germany, August 17–October 12, 1980.

Skulptur im 20. Jahrhundert, Wenkenpark, Riehen, Basel, May 10–September 14, 1980. (Catalogue)

Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, May 8–June 22, 1980. Traveled to: Rijkmuseum Kröller-Müller, Otterlo, The Netherlands, 1980.

Explorations in the ‘70s, Pittsburgh Plan for Art, Pennsylvania, April 12–May 4, 1980. (Catalogue)

Printed Art: A View of Two Decades, The Museum of Modern Art, New York, February 14–April 1, 1980. (Catalogue)

Die Sammlung der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland, February 7–September 28, 1980.

Art/Book/Art, organized by Detroit Institute of Arts, Michigan. Traveled to: Slusser Gallery, University of Michigan, Ann Arbor, January 5–February 3, 1980. Traveled to: Mid-Michigan Community College, Harrison; Urban Institute for Contemporary Art, Grand Rapids, Michigan; Willard Library, Battle Creek, Michigan; Ella Sharp Museum, Jackson, Michigan, 1980. (Catalogue)

1979

Re: Figuration, Max Protetch Gallery, New York, opened December 18,. 1979.

Fabric Workshop, Marian Locks Gallery, Philadelphia, December 1–31, 1979.

American Abstract Artists: The Language of Abstraction, Betty Parsons Gallery and Marilyn Pearl Gallery, New York, June 19–August 3, 1979. (Catalogue)

New York: A Selection from the Last Ten Years, Otis Art Institute, Los Angeles, June 14–July 14, 1979.

Material Pleasures: The Fabric Workshop at ICA, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, June 13–July 21, 1979. (Catalogue)

Pittura-Ambiente, Palazzo Reale, Milan, June 9–September 16, 1979. (Catalogue)

1979 Biennial Exhibition, Whitney Museum of American Art, New York, February 6–April 8, 1979. (Catalogue)

Drawing and Sculpture, Adler Gallery, Los Angeles, February 3–March 17, 1979.

Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, January 1–March 11, 1979. (Catalogue)

1978

Door beeldhouwer gemaakt, Stedelijk Museum, Amsterdam, September 14–November 5, 1978. (Catalogue)

Sol LeWitt, Richard Long, Richard Tuttle, Yale School of Art, New Haven Connecticut, September 5–30, 1978.

New Editions, Brooke Alexander, New York, September 5–26, 1978.

20th Century American Drawings: Five Years of Acquisitions¸ Whitney Museum of American Art, New York, July 28–October 1, 1978. (Catalogue)

Brooke Alexander: A Decade of Print Publishing, Boston University Art Gallery, Massachusetts, February 6–26, 1978. (Brochure)

1977

Marta & Maria, Galleria d’arte Spagnoli, Florence, 1977. (Brochure)

Works from the Collection of Dorothy and Herbert Vogel, University of Michigan Museum of Art, Ann Arbor, November 11, 1977–January 1, 1978.

Small Objects, Whitney Museum of American Art, Downtown Branch, New York, November 3–December 7, 1977.

A View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

American Drawing, 1927–1977, Minnesota Museum of Art, St. Paul, September 6–October 29, 1977. (Catalogue)

20th-Century American Art from Friends’ Collection, Whitney Museum of American Art, New York, July 27–September 27, 1977. (Brochure)

Documenta 6, Orangerie, Kassel, Germany, June 24–October 2, 1977.

Ideas in Sculpture: 1965–1977, Renaissance Society at the University of Chicago, May 1–June 11, 1977.

1977 Biennial Exhibition, Whitney Museum of American Art, New York, February 19–April 3, 1977. (Catalogue)

Selected Works on Paper Published by Brooke Alexander, Hansen-Cowles Gallery, Minneapolis, February 5, 1977.

Brooke Alexander, New York, January 8–February 5, 1977.

1976

Artists’ Books, organized by the Arts Council of Great Britain, 1976. (Catalogue)

Soft Works of the Late Sixties, Buecker & Harpsichords, New York, 1976.

100 dessins de Musée de Grenoble, 1900–1976, Musée de Grenoble, France, November–December 1976. (Catalogue)

Private Notations: Artists’ Sketchbooks II, Philadelphia College of Art, Pennsylvania, October 23–November 24, 1976. (Catalogue)

Torn, Folded, and Crumpled, Parsons-Dreyfuss Gallery, New York, October 5–23, 1976.

New York in Europa, Nationalgalerie Berlin, September 4–November 7, 1976. (Catalogue)

American Artists: A New Decade, Detroit Institute of Arts, Michigan, July 31–September 19, 1976. Traveled to: Fort Worth Art Museum, Texas; Grand Rapids Art Museum, Michigan, 1977. (Catalogue)

Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A. Burckhardt-Kpechlin-Fonds, Kunsthalle Basel, Switzerland, June 12–August 15, 1976.

Rooms, P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, June 9–26, 1976. (Catalogue)

Ideas on Paper 1970–1976, Renaissance Society at the University of Chicago, Illinois, May 2–June 6, 1976.

Critical Perspectives in American Art, Fine Arts Center Gallery, University of Massachusetts, Amherst, April 10–May 9, 1976. Traveled to: 37th La Biennale di Venezia, United States Pavilion, 1976.

Davidson National Print and Drawing Competition, Stowe Gallery, Davidson College, North Carolina, March 21–April 23, 1976. (Catalogue)

Two Hundred Years of American Sculpture, Whitney Museum of American Art, New York, March 16–September 26, 1976. (Catalogue)

Line, Visual Arts Museum, New York, January 26–February 18, 1976. Traveled to: Philadelphia College of Art, Pennsylvania, March 5–April 9, 1976. (Brochure)

Drawing Now, The Museum of Modern Art, New York, January 23–March 9, 1976. Traveled to: Kunsthalle Basel, Switzerland, 1976; Kunsthaus Zurich, Switzerland, October 10–November 14, 1976; Staatliche Kunsthalle Baden-Baden, November 25, 1976–January 16, 1977; Graphische Sammlung Albertina, Vienna, January 28–March 6, 1977; Sonja Henie-Niels Onstad Museum, Oslo, March 17–April 24, 1977; Tel Aviv Museum, Israel, May 12–July 2, 1977. (Catalogue)

Approaching Painting, Hallwalls, Buffalo, New York, January 13–March 1, 1976.

The Book as Art, Fendrick Gallery, Washington, D.C., January 12–February 14, 1976. (Brochure)

1975

Art on Paper 1975: The Weatherspoon Annual Exhibition, University of South Carolina, Greensboro, November 16–December 14, 1975.

Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 7–November 18, 1975. Traveled to: Contemporary Arts Center, Cincinnati, December 17, 1975–February 15, 1976. (Catalogue).

Tendances actuelles de la nouvelle peinture americaine, ARC 2, Musée d’art moderne de la ville de Paris, June 24–August 31, 1975. (Catalogue)

Recent Drawings, organized by the American Federation of the Arts, New York. Traveled June 1975–December 1976. (Catalogue)

Galleria Marilena Bonimo, Bari, Italy, June 18–July 31, 1975.

USA Zeichnungen 3, Städtisches Museum Schloss Morsbroich, Leverkusen, Germany, May 15–June 29, 1975. (Catalogue)

The Small Scale in Contemporary Art, Society for Contemporary Art and the Art Institute of Chicago, Illinois, May 8–June 15, 1975.

Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection, Yale University Art Gallery, New Haven, Connecticut, April 24–June 22, 1975. (Catalogue)

Selections from the Collection of Dorothy and Herbert Vogel, Clocktower Gallery, Institute for Art and Urban Resources, New York, April 19–May 17, 1975.

Fourteen Artists, Baltimore Museum of Art, Maryland, April 15–June 1, 1975.

Abstract Watercolors: 1942–1975, Buecker & Harpsichords, New York, March 1–April 26, 1975.

Color. Organized by the International Council of The Museum of Modern Art, New York. Traveled to: Museo de Arte Moderno, Bogotá, February 24–March 30, 1975; Museo de Arte de São Paulo, Brazil; Museu de Arte Moderna, Rio de Janeiro; Museo de Bellas Artes, Caracas; Museo de Arte Moderno, Mexico City, 1975.

Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle, Contemporary Arts Center, Cincinnati, January 8–February 16, 1975. (Catalogue)

1974

Recent Prints, Brooke Alexander, New York, 1974.

The Bay Are Collects: Sandra and Breck Caldwell, University Art Museum, University of California, Berkeley, July 3–August 11, 1974. (Brochure)

Painting and Sculpture Today, 1974, Contemporary Art Society of the Indianapolis Museum of Art, Indiana, May 22–July 14, 1974. Traveled to: Contemporary Arts Center and Taft Museum, Cincinnati, 1974. (Catalogue)

Printed, Cut, Folded, Pasted and Torn, The Museum of Modern Art, New York, May 10–August 11, 1974.

Works on Paper, Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, February 25–May 24, 1974.

Line as Language: Six Artists Draw, Art Museum, Princeton University, New Jersey, February 23–March 31, 1974. (Catalogue)

1973

Hand Colored Prints, Brooke Alexander, New York, 1973. Traveled to: Webb and Parsons, Bedford Village, New York; Graphics I & II, Boston, 1974. (Brochure)

Drawings, Barbara Cusack Gallery, Houston, December 11, 1973–January 8, 1974.

Contemporanea, Parcheggio di Villa Borghese, Rome, November 1973–February 1974. (Catalogue)

A Selection of American and European Paintings from the Richard Brown Baker Collection, San Francisco Museum of Art, California, September 14–November 11, 1973. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, December 7, 1973–January 27, 1974. (Catalogue)

New American Graphic Art, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, September 12–October 28, 1973. (Brochure)

Of Paper, Newark Museum, New Jersey, June 23–September 3, 1973.

American Drawings 1963–1973, Whitney Museum of American Art, New York, May 25–July 22, 1973. (Catalogue)

Art in Evolution, Xerox Square Exhibition Center, New York, May 16–June 27, 1973. (Catalogue)

Arte come arte, Centro Comunitario de Brera, Milan, April 26–May 1973. (Catalogue)

Options and Alternatives: Some Directions in Recent Art, Yale University Art Gallery, New Haven, Connecticut, April 4–May 16, 1973. (Catalogue)

Bilder, Objekte, Filme, Konzepte, Stadtische Galerie in Lenbachhaus, Munich, April 3–May 13, 1973. (Catalogue)

Yngre Amerikansk Kunst: Tenginger og grafik, Gentofte Rädhus, Charlottenlund, Norway, January 24–February 11, 1973. Traveled to: Århus Kunstmuseum, Denmark; Henie Onstad Kunstsenter Oslo, Norway; Hamburger Kunsthalle, Germany; Moderna Museet, Stockholm, 1973. (Catalogue)

1972

Small Series, Paula Cooper Gallery, New York, December 9, 1972–January 13, 1973.

[Drawing], The Museum of Modern Art, Oxford, England, November 18–December 23, 1972. (Brochure)

Actualite d’un Bilan, Galerie Yvon Lambert, Paris, October 29–December 5, 1972. (Catalogue)

Book as Artwork 1960/72, Nigel Greenwood, London, September 20–October 14, 1972. (Catalogue)

Documenta 5: Befragung der Realitat, Bildwelten heute, Museum Fridericianum, Kassel, Germany, June 30–October 8, 1972. (Catalogue)

Drawing in Space: 19 American Sculptors, Katonah Gallery, Katonah, New York, May 14–June 25, 1972.

Amerikanische Graphik seit 1960, Bünder Kunsthaus, Chur, Switzerland, May 6–June 18, 1972. Traveled to: Kunstverein Solothurn, Switzerland; Musée d’art et d’historie, Geneva; Kunsthaus Aarau, Switzerland; Kunsthalle, Basel, Switzerland, 1973. (Catalogue)

Meisterwerke des 20. Jahrhunderts, Galerie Schmela, Düsseldorf, March–April 1972.

Recent Painting and Sculpture, Munson-Williams Proctor Institute, Utica, New York, January 9–February 13, 1972.

1971

Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971, Kunstmuseum Basel, Switzerland, November 20, 1971–January 16, 1972. (Catalogue)

Funf Sammler: Kunst unserer Zeit, Von der Heydt-Museum, Wuppertal, Germany, June 5–July 11, 1971. (Catalogue).

Paintings Without Supports, Bennington College, Vermont, March 30–April 23, 1971.

1970

Paperworks, Art Lending Services, Penthouse Gallery, The Museum of Modern Art, New York, November 24, 1970–January 10, 1971.

Die Sammlung der Emanuel Hoffman-Stiftung, Kunstmuseum Basel, Switzerland, November 7, 1970–January 24, 1971. (Catalogue)

American Drawings, Galerie Yvon Lambert, Paris, September 1970.

Zeichnungen Amerikanischer Künstler, Galerie Ricke, Cologne, May 15–June 25, 1970. (Catalogue)

Using Walls (Indoors), Jewish Museum, New York, May 13–June 21, 1970. (Catalogue)

New Materials: Procedures in Sculpture, Austin Arts Center, Trinity College, Hartford, Connecticut, April 16–30, 1970.

1969

Art on Paper 1969: The Weatherspoon Annual Exhibition, University of North Carolina, Greensboro, November 16–December 19, 1969. (Catalogue)

Young Artists from the Collection of Charles Cowles, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 28–December 14, 1969. (Catalogue)

Other Ideas, Detroit Institute of the Arts, Michigan, September 10–October 19, 1969.

Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, May 19–July 6, 1969. (Catalogue)

Sammlung Helmet Klinker, Städtische Kunstgalerie Bochum, Germany, April 17–May 18, 1969. (Catalogue)

When Attitudes Become Form—Works—Concepts—Processes—Situations—Informations, Kunsthalle Bern, Germany, March 22–April 27, 1969; Museum Haus Lange, Krefeld, Germany, May 9–June 15, 1969; Institute of Contemporary Arts, London, September 28–October 27, 1969. (Catalogue)

Soft Art, New Jersey State Museum Cultural Center, Trenton, March 1–April 27, 1969. (Catalogue)

Thirty-First Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., February 1–March 16, 1969. (Catalogue)

Here & Now, Washington University Gallery of Art, St. Louis, Missouri, January 11–February 21, 1969. (Catalogue)

1968

Some Younger American Painters and Sculptors, organized by the American Federation of the Arts, New York. Traveled October 1968–October 1969.

American Abstract Artists: 32nd Anniversary Show, Riverside Museum, New York, October 6–December 1, 1968.

Anti-Form, John Gibson Gallery, New York, October 5–November 7, 1968.

Betty Parsons’ Private Collection, Finch College Museum of Art, New York, March 13–April 24, 1968. Traveled to: Cranbrook Academy of Art, Bloomfield, Michigan, September 22–October 20, 1968; Brooks Memorial Art Gallery, Memphis, November 1–December 1, 1968. (Catalogue)

Painting: Out from the Wall, Des Moines Art Center, Iowa, February 16–March 10, 1968. (Catalogue)

Preview 1968, Widener Gallery, Trinity College, Hartford, Connecticut, January 18–February 8, 1968.

1966

Contemporary American Painting: 12th Annual Exhibition, Ralph Wilson Gallery, Lehigh University, Bethlehem, Pennsylvania, 1966.

Twentieth Anniversary, 1946–1966: Pattern Art, Betty Parsons Gallery, New York, October 4–29, 1966. (Brochure)

A Selection of Contemporary American Paintings and Sculpture from the Atheneum’s Permaneny Collection, Wadsworth Atheneum, Hartford, Connecticut, June 29–August 14, 1966.

Twenty-Five Paintings ’65, organized by Betty Parsons Gallery, New York. Traveled to: Virginia Museum of Fine Arts, Richmond, opened June 21, 1966. Traveled to six additional venues in Virginia, 1966.

2e Salon International de Galeries Pilates, Musée cantonal des Beaux-Arts, Palais de Rumine, Lausanne, Switzerland, June 12–October 2, 1966. (Catalogue)

Selections from the Art Lending Service, Penthouse Gallery, The Museum of Modern Art, New York, February 14–April 18, 1966.

1965

The Box Show, Byron Gallery, New York, 1965.

Contemporary American Painting: 11th Annual Exhibition, Ralph Wilson Gallery, Lehigh University, Bethlehem, Pennsylvania, 1965.

Drawings from the Collection of Betty Parsons, Virginia Museum of Fine Arts, Richmond, 1965.

A New York Collector Selects, Mrs. B. Tremaine, San Francisco Museum of Art, California, 1965.

The Seventh Selection of the Society for the Encouragement of Contemporary Art: A New York Collector Selects, San Francisco Museum of Art, California, January 22–February 14, 1965.

Akron Art Museum, Ohio

Albright-Knox Art Gallery, Buffalo, New York

The Alcobendas Art Centre, Madrid, Spain

Allen Memorial Art Museum, Oberlin College, Ohio

Art Institute of Chicago, Illinois

Baltimore Museum of Art, Maryland

Birmingham Museum of Art, Alabama

Blanton Museum of Art, University of Texas, Austin

Bowdoin College Museum of Art, Brunswick, Maine

Brooklyn Museum, New York

Carnegie Museum of Art, Pittsburgh, Pennsylvania

Centre Pompidou, Musée national d’art moderne, Paris, France

The Cleveland Museum of Art, Ohio

Columbus Museum of Art, Ohio

Des Moines Art Center, Iowa

Dublin City Gallery The Hugh Lane, Ireland

Fogg Museum, Harvard University Art Museums, Cambridge, Massachusetts

Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France

Fundação Serralves, Porto, Portugal

Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Italy

High Museum of Art, Atlanta, Georgia

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Museum of Art, Hawaii

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Indianapolis Museum of Art, Indiana

Institut Valencià d’Art Modern, Spain

The Israel Museum, Jerusalem

Kaiser Wilhelm Museum, Krefeld, Germany

Kunsthaus Zug, Switzerland

Kunstmuseum Winterthur, Switzerland

Los Angeles County Museum of Art, California

Louisiana Museum of Modern Art, Humlebæk, Denmark

Ludwig Museum, Cologne, Germany

Metropolitan Museum of Art, New York

Mies Van der Rohe Museum, Berlin, Germany

Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri

Moderna Museet, Stockholm, Sweden

Modern Art Museum of Fort Worth, Texas

Musée Cantonal des Beaux-Arts de Lausanne, Switzerland

Musée nationale d’art moderne, Paris, France

Museum Brandhorst, Munich, Germany

Museum of Art, Rhode Island School of Design, Providence

Musée d'art moderne et contemporain, Geneva, Switzerland

Museum of Contemporary Art, Chicago, Illinois

Museum of Contemporary Art, Los Angeles, California

The Museum of Fine Arts, Boston, Massachusetts

Museum of Fine Arts, Santa Fe, New Mexico

Museum of Modern Art, New York

Museum Kolumba, Cologne, Germany

Mu.ZEE, Ostend, Belgium

National Gallery of Art, Washington, D.C.

National Gallery of Canada, Ottawa

New York Public Library, New York

Norton Museum of Art, West Palm Beach, Florida

Orlando Museum of Art, Florida

Philadelphia Museum of Art, Pennsylvania

Rijksmuseum Twenthe, Enschede, The Netherlands

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

S.M.A.K. - Municipal Museum of Contemporary Art, Ghent, Belgium

Sprengel Museum Hannover, Germany

Staatliche Kunstammlungen, Kassel, Germany

Städtisches Museum Abteiberg, Mönchengladbach, Germany

Stedelijk Museum, Amsterdam, The Netherlands

Tate Gallery, London, England

University of South Florida Contemporary Art Museum, Tampa

Victoria and Albert Museum, London, England

Wadsworth Atheneum Museum of Art, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

2024

“Calder/Tuttle Tentative” (Pace Gallery exhibition review). Arte Realizzata, 2 February 2024. https://www.arterealizzata.com/book-highlight/caldertuttle-tentative.

2023

"Alexander Calder, Richard Tuttle" (Pace Gallery exhibition review). Domus, no. 1079, May 2023: 64, 65.

“Calder/Tuttle:Tentative at Pace Gallery, Los Angeles” (Pace Gallery exhibition review). Mousse Magazine, 18 February 2023. https://www.moussemagazine.it/magazine/calder-tuttletentative-at-pace-gallery-los-angeles/

Fateman, Johanna. “Goings On About Town: Richard Tuttle” (Pace Gallery exhibition review). New Yorker, 24 April 2023. https://www.newyorker.com/goings-on-about-town/art/bispo-do-rosario

Ghassemitari, Shawn. “Pace Gallery LA Presents New Exhibition on Alexander Calder” (Pace Gallery exhibition review). HypeArt, 26 January 2023.

Greenberger, Alex. “Sculptor Richard Tuttle, an Anti-Modernist, Takes on Modernist Icon Alexander Calder in Two L.A. Exhibitions.” ARTnews, 14 February 2023. https://www.artnews.com/art-news/artists/richard-tuttle-alexander-calder-pace-gallery-david-kordansky-1234657026/

Harris, Susan. “Richard Tuttle: 18x24” (Pace Gallery exhibition review). Brooklyn Rail, 20 April 2023. https://brooklynrail.org/2023/04/artseen/Richard-Tuttle-18x24

Lake Smith, Laura. “Drawing out: speculative seriality in Richard Tuttle’s ‘Looking for the Map’.” Burlington Contemporary, 6 June 2023. https://contemporary.burlington.org.uk/journal/journal

McKinnon, Kelsey. “12 Colorful Cultural Events Hitting California This Month” (Pace Gallery exhibition review). C Magazine, 13 February 2023. https://magazinec.com/culture/12-colorful-cultural-events-hitting-california-this-month/

Teicholz, Tom. “Richard Tuttle At David Kordansky LA; Calder Installed By Tuttle At PACE LA” (David Kordansky exhibition review)(Pace Gallery exhibition review). Forbes, 1 March 2023. https://www.forbes.com/sites/tomteicholz/2023/03/01/richard-tuttle-at-david-kordansky-la-calder-installed-by-tuttle-at-pace-la/?sh=7d9f893c69ee

Tuttle, Richard. "Richard Tuttle's Ode to Alexander Calder" (Pace Gallery exhibition review). Interview with Jonathan Griffin. Frieze Magazine, 8 February 2023. https://www.frieze.com/article/richard-tuttle-interview-2023

Yerebakan, Osman Can. “What to Do and See in Los Angeles During Frieze Week.” Galerie Magazine, 13 February 2023. https://galeriemagazine.com/see-los-angeles-frieze-week/

Zellen, Jody. “Calder/Tuttle: ‘Tentative’” (Pace Gallery exhibition review). Art Now LA, 3 March 2023. https://artnowla.com/2023/02/09/calder-tuttle-tentative/

2022

Chung, Shinyoung. “Richard Tuttle and Choong Sup Lim” (Pace Gallery exhibition review). Artforum, March 2022. https://www.artforum.com/picks/richard-tuttle-and-choong-sup-lim-88056.

Edgington, Colin. “The Internal Place: The call of New Mexico in the works of Esteban Cabeza de Baca, Patrick Nagatani, Lucy Raven, and Richard Tuttle.” Southwest Contemporary (Fall/Winter 2022): 81, illustrated.

Ghassemitari, Shawn. “Pace Gallery LA Presents New Exhibition on Alexander Calder” (Pace Gallery exhibition review). Hypebeast, 26 January 2023. https://hypebeast.com/2023/1/pace-gallery-los-angeles-calder-tuttle-tentative

Heinrich, Will. “Richard Tuttle: Please Touch!” (Bard Graduate Center exhibition review). The New York Times, 30 March 2022. https://www.nytimes.com/2022/03/30/arts/design/richard-tuttle-bard-graduate-center-sculpture.html.

Lee, Pil. “Richard Tuttle & Lim Choong Sup: How Objects Grasp Their Magic.” Monthly Art Magazine (March 2022): 54-57, illustrated.

2021

Solomon, Tessa. “Visitors Can Touch Richard Tuttle’s Personal Collection of Curiosities in a New Show” (Bard Graduate Center Gallery exhibition preview). ARTnews, 5 November 2021. https://www.artnews.com/art-news/news/richard-tuttle-art-collection-exhibition-1234608991/.

2018

Barcio, Phillip, “Richard Tuttle and His Thoughts of Trees” (Pace Gallery exhibition review). Ideel Art, 2018. http://www.ideelart.com/module/csblog/post/570-1-richard-tuttle.html

Byun, Heewon. “Deep Thoughts, Light Works… Art, Small and Simple Like Poetry” (Pace Gallery exhibition review). Chosun News, 15 March 2018: A22, Column 1, Illustrated.

http://art.chosun.com/site/data/html_dir/2018/03/15/2018031500263.html

“Galleries—Uptown: ‘Agnes Martin, Richard Tuttle: Crossing Lines’” (exhibition review). The New Yorker, 15 January 2018: 10.

Gerlis, Melanie. “The Best of Art Basel 2018.” Apollo Magazine, 8 June 2018. https://www.apollo-magazine.com/the-best-of-art-basel-2018/

Jung, Airan. “Richard Tuttle’s First Exhibition in Korea” (Pace Gallery exhibition review). Yonhap News, 7 March 2018. http://www.yonhapnews.co.kr/photos/1990000000.html?cid=PYH20180307103500013&from=search

Jung, Ray. “Richard Tuttle: Bringing Together Art and the World with Poetry” (Pace Gallery exhibition review). DongA News, 13 March 2018: A26, Column 3, illustrated. http://news.donga.com/3/all/20180313/89067904/1

Kim, Geum Young. “Pace Gallery Seoul, Richard Tuttle’s First Exhibition in South Korea” (Pace Gallery exhibition preview). CNB Journal, 8 February 2018. http://weekly.cnbnews.com/news/article.html?no=124042

Kim, Soojin. “Art Resembling Nature” (Pace Gallery exhibition review). Luxury, April 2018: 282, illustrated.

Lee, Hye Rim. “Post-minimalist Artist Richard Tuttle and His Thoughts of Trees in Seoul” (Pace Gallery exhibition preview). ChungJi News. 8 February 2018. http://www.newscj.com/news/articleView.html?idxno=491237

Oh, Hyunjoo. “Pieces of Colored Paper as Art” (Pace Gallery exhibition review). eDaily News, 9 April 2018. (opens in a new window) http://www.edaily.co.kr/news/news_detail.asp?newsId=01167686619174480&mediaCodeNo=257

Tuttle, Richard. “Artist Note: Richard Tuttle” Art in Culture 19, no.4 (April 2018): 136–139, Illustrated.

Tuttle, Richard. “Richard Tuttle Asks the Viewer to Look Beyond Appearances at the Phillips Collection” (exhibition review). Interview with Maria Vogel. Cultured, 3 October 2018. https://www.culturedmag.com/richard-tuttle/

Volchkova, Valentina. “Pace Gallery Positioned in Geneva.” Interview with Kristen Knupp. Art Decision, 3 December 2018. https://artdecision.eu/pace-gallery-positioned-in-geneva/

Wolkoff, Julia. "Influential Sculptor Richard Tuttle on 5 Eccentric Artworks That Inspire Him." Artsy, 17 September 2018. https://www.artsy.net/article/artsy-editorial-influential-sculptor-richard-tuttle-5-eccentric-artworks-inspire

Yoo, Byung Seo. “Three Inches Above the Floor” (Pace Gallery exhibition review). Interview by Yoo Byung Seo. Heren, April 2018: 254–259. illustrated.

2017

Barilli, Renato. “Tuttle e ‘pittura-ambiente’” (Pace London exhibition review). Pronto Barilli, 9 April 2017. http://www.renatobarilli.it/blog/tuttle-e-pittura-ambiente/

Breen, Matt. “Richard Tuttle” (Pace London and Modern Art exhibition review). Time Out London, April 18–24, 2007: 79, illustrated.

Clark, Robert. “Richard Tuttle: London” (Pace London exhibition review). The Guardian, 8–14 April 2017: 33, illustrated.

“The Ground and Heaven Are One: Richard Tuttle.” Mousse Magazine, 13 May 2017. http://moussemagazine.it/ground-heaven-one-richard-tuttle/

Tuttle, Richard. “Correspondance.” Interview with J. Emil Sennewald. Roven, no.13 (March 2017): 16–25, illustrated.

Kulenović, Smirna. “Geometric Abstraction of Richard Tuttle Art in Fabric Coming to Pace London” (exhibition review). Widewalls, accessed 13 April 2017. http://www.widewalls.ch/richard-tuttle-art-pace-london/

McDonald. Elliot. “The Critical Edge exhibition” (Pace London exhibition review). Winkball, accessed 12 May 2017. Online video, 3:04. https://www.winkball.com/interviews/482

Peiffer, Prudence. “Agnes Martin, Richard Tuttle, and the Line Between” (Pace Gallery exhibition review). The New York Review of Books, 20 December 2017. http://www.nybooks.com/daily/2017/12/20/agnes-martin-richard-tuttle-and-the-line-between/

“Richard Tuttle’s Critical Edge” (Pace London exhibition review). Phaidon, 11 April 2017. http://www.phaidon.com/agenda/art/articles/2017/april/11/richard-tuttles-critical-edge/

“Richard Tuttle at Pace Gallery” (Pace London exhibition review). Vanity Fair, 7 April 2017. http://alist.vanityfair.co.uk/richard-tuttle-at-pace-gallery-16571/

“Richard Tuttle, Pace Gallery” (exhibition review). Culture Whisper, accessed 13 April 2017. http://www.culturewhisper.com/r/visual_arts/richard_tuttle_london_exhibition_pace_gallery_tuttle_critical_edge/9059

Steinberg, Tabitha. “Richard Tuttle: The Critical Edge at Pace Gallery” (exhibition review). FAD Magazine, 5 May 2017. http://fadmagazine.com/2017/05/05/richard-tuttle-the-critical-edge-at-pace-gallery/

Tuttle, Richard. “Rome Drawing #78, 1974.” El Palacio (Winter 2017): 37, illustrated.

Tuttle, Richard. “Richard Tuttle” (The Met Fifth Avenue and Pace Gallery exhibition review). Interview with Jason Schmidt. Out of Order, no.8 (February 2017): 266–273, illustrated.

Tuttle, Richard. “Richard Tuttle’s Tantalizing Textiles at Pace London” (exhibition review). Interview with Nicholas Forrest. Artinfo, 13 April 2017. http://www.blouinartinfo.com/news/story/2100110/richard-tuttles-tantalizing-textiles-at-pace-london

Wullschlager, Jackie. “Visual Arts: Richard Tuttle: The Critical Edge” (Pace London exhibition review). Financial Times, 8 April 2017.

Zhiri, Assia. “Richard Tuttle @ Pace London” (exhibition review). Artctualite, 11 April 2017. http://www.artctualite.com/richard-tuttle-pace-london/

2016

Coomer, Martin. “Keith Coventry: White Black Gold” (Pace London exhibition review). Time Out London, 16 May 2016. http://www.timeout.com/london/art/keith-coventry-white-black-gold

Coon, Ella. “Shapely Numbers: Richard Tuttle at Pace, New York” (exhibition review). Art News, 15 June 2016. http://www.artnews.com/2016/06/15/shapely-numbers-richard-tuttle-at-pace-new-york/

Creahan, D. “New York – Richard Tuttle: ‘26’ at Pace Gallery through June 11th, 2016” (exhibition review). Art Observed, 19 May 2016. http://artobserved.com/2016/05/new-york-richard-tuttle-26-at-pace-gallery-through-june-11th-2016/

Crow, Kelly. “Flights of Fabric Fancy” (The Met Fifth Avenue and Pace Gallery exhibitions preview). Wall Street Journal, 8 April 2016. http://www.wsj.com/articles/flights-of-fabric-fancy-1460142747

Ebony, David. “Homespun Universe” (The Met Fifth Avenue and Pace Gallery exhibitions review). New York Observer, 9 May 2016: 21–23, illustrated.

Ho, Yin. “Richard Tuttle” (Pace Gallery exhibition review). Artforum, 19 May 2016. http://artforum.com/picks/id=60133

Jenkins, Chadwick. “Thoughts on Richard Tuttle’s ‘The Critical Edge’” (The Met Fifth Avenue exhibition review). Pop Matters, 11 May 2016. http://www.popmatters.com/column/the-object-withdraws-in-obduracy-thoughts-on-richard-tuttles-the-critical-e/

Planas, Enrique. “El arte es una expresión de la espiritualidad” (Museo de Arte de Lima exhibition review). Luces, 30 October 2016: 42, illustrated.

Pobric, Pac. “Richard Tuttle: Thinking Big at a Quiet Moment” (The Met Fifth Avenue and Pace Gallery exhibitions preview). The Art Newspaper, 29 April 2016. http://theartnewspaper.com/news/museums/richard-tuttle-thinking-big-at-a-quiet-moment/

Tarasoff, Sabrina. “Richard Tuttle ‘The Critical Edge’ Exhibition at the MET Fifth Avenue, New York” (exhibition review). Purple.fr, 17 May 2016. http://purple.fr/diary/richard-tuttle-the-critical-edge-exhibition-at-the-met-fifth-avenue-new-york/

Tuttle, Richard. “Short: Richard Tuttle: Staying Contemporary” (Pace Gallery exhibition review). Art21, 22 July 2016. Online video, 3:56. http://www.art21.org/videos/short-richard-tuttle-staying-contemporary?utm_source=twitter.com&utm_medium=referral&utm_campaign=Art21_Twitter

Tuttle, Richard. “’My Work Can Make People Say Stupid Things’: A Talk with Richard Tuttle.” Interview by Bill Powers. Art News, 6 May 2016. http://www.artnews.com/2016/05/06/my-work-can-make-people-say-stupid-things-a-talk-with-richard-tuttle/

Tuttle, Richard. “Richard Tuttle on Why He Finds Solace in the Spirituality of Art – Not Religion” (The Met Fifth Avenue and Pace Gallery exhibitions review). Interview with Kerr Dylan. Artspace, 27 April 2016. http://www.artspace.com/magazine/interviews_features/qa/richard-tuttle-interview-53738

2015

Herbert, Martin. “Richard Tuttle, Whitechapel Gallery & Tate Modern, London” (exhibition review). Frieze, no. 168 (January–February 2015): 148, illustrated.

Hine, Thomas. “Art: Richard Tuttle: Look, Look Again, Look More” (Fabric Workshop and Museum exhibition review). Philly.com, 31 May 2015. http://www.philly.com/philly/columnists/20150531_Art__Richard_Tuttle__Look__look_again__look_more.html

Jeppesen, Travis. “Richard Tuttle, London—Whitechapel Gallery and Tate Modern” (exhibition review). Art in America (February 2015): 114–115, illustrated.

Rose, Julian. “Saint Louis: Calder, Sandback, and Tuttle, Pulitzer Arts Foundation” (exhibition preview). Artforum 53, no. 9 (May 2015): 189.

2014

Agustsson, Sola. “Richard Tuttle: A Print Retrospective” (Bowdoin College Museum exhibition review). Whitewall, 1 May 2014. https://whitewallmag.com/art/richard-tuttle-a-print-retrospective

“Artlyst Power 100: 2014 Alternative Art Power List Revealed.” Artlyst, 15 October 2014. http://www.artlyst.com/articles/artlyst-power-100-2014-alternative-art-power-list-revealed

Barratt, Martha. “Richard Tuttle, London” (Tate Modern and Whitechapel Gallery exhibition review). The Burlington Magazine 156, no. 1341 (December 2014): 833–835, illustrated,

Borchardt-Hume, Achim. “Video: Richard Tuttle Exhibit Opens at Tate Modern Turbine Hall” (exhibition review). Belfast Telegraph, 15 October 2014. Online video, 01:32. http://www.belfasttelegraph.co.uk/video-news/video-richard-tuttle-exhibit-opens-at-tate-modern-turbine-hall-30664856.html

Brown, Mark. “Welcome to the Fold: US Artist Richard Tuttle Drapes Turbine Hall with Fabric” (Tate Modern exhibition review). The Guardian, 13 October 2014. http://www.theguardian.com/artanddesign/2014/oct/13/-sp-richard-tuttle-turbine-hall-draped-in-fabric-tate-modern

Bui, Phong. “Where Are We: Richard Tuttle, Looking for the Map.” The Brooklyn Rail (March 2014). http://www.brooklynrail.org/2014/03/artseen/where-are-we

Campbell-Johnston, Rachel. “Richard Tuttle on Filling the Turbine Hall: ‘I Want People to Feel Like They’re in Heaven’” (Tate Modern exhibition review). The Times, 11 October 2014. http://www.thetimes.co.uk/tto/arts/visualarts/article4232840.ece

Cembalest, Robin. “14 Artworks That Prove Pink is Tough.” Art News, 27 February 2014. http://www.artnews.com/2014/02/27/art-that-proves-pink-is-tough/

“Contemporary Art to Be Shown at Bowdoin Gallery” (exhibition review). Encore Sun Journal, 18 June 2014. http://www.sunjournal.com/news/encore/2014/06/24/contemporary-art-be-shown-bowdoin-gallery/1550684

Dawson, Barbara. “A Mystic Thread.” Apollo, no. 621 (June 2014): 66–71, illustrated.

Glimcher, Arne. “Profile: Arne Glimcher.” Interview with Katy Donoghue. Whitewall, Summer 2014: 48–50, illustrated.

Halperin, Julia. “Richard Tuttle: now’s the time to be-weave” (Tate Modern, Whitechapel Gallery and Bowdoin exhibition preview). Art Newspaper 24, no. 261 (October 2014): 36, illustrated.

Halperin, Julia. “Richard Tuttle: Soft Fabrics Have Solid Appeal.” The Art Newspaper, Frieze daily edition, 17 October 2014. http://theartnewspaper.com/articles/Soft-fabrics-have-solid-appeal/36001

Kany, Daniel. “Art Review: Print Exhibit at Bowdoin an Important Moment for Maine Contemporary Art.” Portland (ME) Press Heard, 13 July 2014, Arts & Entertainment. http://www.pressherald.com/2014/07/13/richard-tuttles-print-exhibit-at-bowdoin-an-important-moment-for-maine-contemporary-art/

Konau, Britta. “Inquiry Under Pressure: Richard Tuttle’s Experiments in Printmaking” (Bowdoin College Museum of Art exhibition review). The Portland Phoenix, 23 July 2014. http://portland.thephoenix.com/arts/159113-inquiry-under-pressure/

Lescaze, Zoë. “11 Things to Do in New York Art World Before Feb. 10” (Pace Gallery exhibition preview). Gallerist, 3 February 2014. http://galleristny.com/2014/02/11-things-to-do-in-new-yorks-art-world-before-feb-10/

Peers, Alexandra. “For Richard Tuttle, Slow and Steady Wins the Retrospectives (at Tate Modern and Bowdoin)” (exhibition preview). Artnet News, 12 April 2014. http://news.artnet.com/art-world/for-richard-tuttle-slow-and-steady-wins-the-retrospectives-at-tate-modern-and-bowdoin-8353

Pickford, James. “Monumental Sculpture Unveiled in Tate Modern’s Turbin Hall” (Whitechapel and Tate Modern Turbine Hall exhibition review). Financial Times, 13 October 2014.

Rich, Sarah K. ”Previews: Richard Tuttle, Whitechapel Gallery/Tate Modern.” Artforum 53, no. 1 (September 2014): 207.

“Richard Tuttle to Have His Largest UK Survey Exhibition in October” (Whitechapel and Tate Modern Turbine Hall exhibition preview). Artlyst, 22 June 2014. http://www.artlyst.com/articles/richard-tuttle-to-have-his-largest-uk-survey-exhibition-in-october

Sam, Sherman. “Richard Tuttle: Known knowns, known unknowns and unknown unknowns” (Whitechapel and Tate Modern exhibition preview). Art Review 66, no.7 (October 2014): 104–107, illustrated.

Singh, Anita. “Richard Tuttle Unveils Installation at Tate Modern Turbine Hall” (Tate Modern exhibition review). Telegraph, 13 October 2014. http://www.telegraph.co.uk/culture/art/art-news/11158276/Richard-Tuttle-installation-Turbine-Hall-Tate-Modern.html

Spence, Rachel. “A Wave of Fabrication” (Whitechapel and Tate Modern exhibition preview). Financial Times, 27–28 September 2014: 13, illustrated.

Sunderland, Celeste. "Top 5 Art Installations on View Now" (Tate Modern exhibition review). Artphaire, 16 December 2014. http://www.artphaire.com/top-5-art-installations-view-now

Tuttle, Richard. “11 Questions for Artist Richard Tuttle.” Interview with Ashton Cooper. Artinfo, 29 May 2014. http://www.blouinartinfo.com/news/story/1037774/11-questions-for-artist-richard-tuttle

Tuttle, Richard. “Artists Are Like Clouds.” Louisiana Channel, accessed on 26 March 2014. MP4 video, 13:28. http://channel.louisiana.dk/video/richard-tuttle-artists-are-clouds

Tuttle, Richard. “Artists on Artists | Richard Tuttle on Frederic Remington, Purveyor of Wild West Nostalgia.” T: The New York Times Style Magazine, 6 February 2014. http://tmagazine.blogs.nytimes.com/2014/02/06/artists-on-artists-richard-tuttle-on-frederic-remington-purveyor-of-wild-west-nostalgia/?_php=true&_type=blogs&_php=true&_type=blogs&hpw&rref=t-magazine&_r=1

Tuttle, Richard. “Augustus.” The Brooklyn Rail (September 2014): 57.

Tuttle, Richard. “Building a House” (Whitechapel Gallery and Tate Modern exhibition preview). Artforum (October 2014): 212–223, illustrated.

Tuttle, Richard. “Equal and Opposite.” Interview by Mark Wilsher. Art Monthly, no. 382 (December 2014–January 2015): 1–4, illustrated.

Tuttle, Richard. “Richard Tuttle” (Pace Gallery and Tate Modern exhibition review). Interview by Ross Simonini. Art in America 102, no. 9 (October 2014): 107, 156–167, illustrated.

Tuttle, Richard. “Questionnaire: Richard Tuttle.” Frieze, no. 166 (October 2014): 280.

Wilson, Calvin. “Works by Calder, Sandback and Tuttle Coming to the Pulitzer” (Pulitzer Arts Foundation exhibition preview). St. Louis Post-Dispatch, 18 July 2014. http://www.stltoday.com/entertainment/arts-and-theatre/works-by-calder-sandback-and-tuttle-coming-to-the-pulitzer/article_e76c4f7b-9a1a-512e-a8e4-e07fe046e588.html

2013

Schlaegel, Andreas. “Gabriel Kuri, Richard Tuttle, Knut Henrik Henriksen; Bergen Kunsthal, Bergen” (exhibition review). Flash Art 46, no. 288 (January–February 2013): 104.

Smith, Roberta. “Richard Tuttle, ‘The Thrill of the Ideal: Richard Tuttle; The Reinhart Project’” (exhibition review). The New York Times, 7 June 2013: C28, illustrated.

Tuttle, Richard. “ABC for / of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 3 ‘P-Z’.” Brooklyn Rail (February 2013): 36–38, illustrated.

Peters, Emma. “Vogel Donation Adds 320 Pieces to Museum.” The Bowdoin Orient, 24 January 2014. http://bowdoinorient.com/article/8902

2012

Kino, Carol. “The Traveling Mind.” Art Basel | Miami Beach (2012): 172–175, illustrated.

Tuttle, Richard. “ABCs for/of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 1 ‘A–G’.” The Brooklyn Rail (October 2012): 24–25, illustrated.

Tuttle, Richard. “ABCs for/of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 2 ‘H–O’.” The Brooklyn Rail (November 2012).

Fiske, Courtney. “Richard Tuttle, Pace Gallery” (exhibition review). Artforum.com, 24 September 2012. http://artforum.com/?pn=picks&section=nyc#picks34492

Granberry, Michael. “‘Destroyed’! The Nasher Posts Bold New Sign In Front of (what used to be) James Turrell’s ‘Tending, (Blue).’” DallasNews.com, 9 August 2012. http://artsblog.dallasnews.com/2012/08/destroyed-the-nasher-posts-bold-new-sign-in-front-of-what-used-to-be-james-turrells-tending-blue.html/

Morse, Trent. “Richard Tuttle, Pace” (exhibition review). Art News 111, no. 10 (November 2012): 146, illustrated.

Schwabsky, Barry. “What Goes With What: On Richard Tuttle” (Pace Gallery exhibition review). The Nation, 16 October 2012. http://www.thenation.com/article/170610/what-goes-what-richard-tuttle

Tuttle, Richard. “Art: Richard Tuttle.” Harvard Review, no. 42 (2012): 62–69, illustrated.

Volk, Gregory. “Richard Tuttle, Pace” (exhibition review). Art in America, no. 10 (November 2012): 162–164, illustrated.

Matheson, Susan B., ed. Yale University Art Gallery Bulletin 2012. New Haven, Connecticut: Yale University Art Gallery, 2012: 88, illustrated.

2011

Frankel, David. “New York: Richard Tuttle, The Pace Gallery” (exhibition review). Artforum 50, no. 2 (October 2011): 310, illustrated.

“Menil, Whitney, and Harvard Art Museums Launch Artists Documentation Program Online Archive.” artdaily.org, 19 October 2011. http://artdaily.com/index.asp?int_sec=2&int_new=51128&b=richard%20tuttle%20%20

Prince, Mark. “Richard Tuttle: Light & Colour” (Modern Art exhibition review). Art Monthly, no. 351 (November 2011): 24–25, illustrated.

Tipton, Gemma. “Dublin: Richard Tuttle” (Dublin City Gallery exhibition review). artforum.com. http://www.artforum.com/picks/section=uk#picks27485 (accessed 10 February 2011).

Smith, Roberta. “Sculpture In High Relief” (The Pace Gallery exhibition review). The New York Times, 20 May 2011: illustrated.

Tuttle, Richard. “A Connoisseurship of Metaphor.” Art Journal (Winter 2011): 135–145, illustrated.

2010

Fite-Wassilak, Chris. “Back: Richard Tuttle” (Galleri Nicolai Wallner exhibition review). Frieze, no. 134 (October 2010): 235, illustrated.

Levin, Kim. “Reviews: ‘\ (Lean)’, Nicole Klagsburn” (exhibition review). Art News 109, no. 6 (June 2010): 111–112, illustrated.

Tuttle, Richard. "Simply what my work has told me." Interview with Laura Lake Smith. The Brock Review 11, no. 1, (July 2010): 63-69.

2009

Barnes, Steve. “Art Talk: Tuttle Vision” (PaceWildenstein exhibition review). Art News (June 2009): 26, illustrated.

Coxhead, Gabriel. “Richard Tuttle” (Modern Art exhibition review). Time Out London (September 2009): illustrated.

Esplund, Lance. “Richard Tuttle: Renaissance Unframed” (Carolina Nitsch Project Room exhibition review). The Wall Street Journal, 7–8 November 2009.

“Galleries—Chelsea: Richard Tuttle” (PaceWildenstein exhibition review). The New Yorker, 13 April 2009: 12.

Johnson, Ken. “Art in Review: Richard Tuttle, ‘Walking on Air’” (exhibition review). The New York Times, 3 April 2009: C29.

Neil, Jonathan T.D. “Feature: Richard Tuttle.” Art Review (September 2009): 80–83, illustrated.

Smyth, Cherry. “Reviews—Richard Tuttle: L’nger than Life” (exhibition review). Art Monthly no. 330 (October 2009): 26–27, illustrated.

Tuttle, Richard. “Richard Tuttle at PaceWildenstein: Walking on Air” (exhibition review). Interview by Katy Donoghue. Whitewall Magazine, 2 April 2009. http://www.whitewallmag.com/

2008

Beckman, Rachel. “‘Herb and Dorothy’: You Can’t Spell Heart Without Art.” Washington Post, 19 June 2008: C5

Ebony, David. “Front Page: Dealers Aim High at the Art Show.” Art in America, no. 4 (April 2008): 39.

Finch, Charlie. “Hanging at the Horts’.” Artnet.com, 31 March 2008: installation view.

Maine, Stephen. “Richard Tuttle at Sperone Westwater” (exhibition review). Art in America, no. 4 (April 2008): 169–170, illustrated.

Mendelsohn, Meredith. “Art Talk: Foam Improvement.” Art News 107 (March 2008): 40.

Mizota, Sharon. “Time and Time Again.” Art on Paper 12, no. 5 (May/June 2008): 48–55, illustrated.

Platzker, David. “How to Make Art.” 2wice 9, no. 2 (2008): 4–12.

Tannenbaum, Judith. Styrofoam: From Industrial Invention to Artistic Transformation. Providence: Rhode Island School of Design, Museum of Art, no. 29 (Spring 2008): [5], illustrated.

2007

Cohen, David. “Alphabet Cities” (Sperone Westwater exhibition review). New York Sun, 21 June 2007.

Fasnacht, Heide. “Foam Improvement” (The Rhode Island School of Design Museum Styrofoam exhibition review) Art News 107, no. 3 (March 2008): 48.

Genocchio, Benjamin. “Listings: Memory Comes from Dark Extension” (exhibition review). The New York Times, 22 June 2007: E25.

Knight, Christopher. “Richard Tuttle’s Whispers” (The Art of Richard Tuttle exhibition review). Los Angeles Times, 28 April 2007.

“Richard Tuttle” (Sperone Westwater exhibition review). The New Yorker, 11 June 2007: 24.

Sigler, Jeremy. “Richard Tuttle: Memory Comes from Dark Extension” (exhibition review). Brooklyn Rail (July 2007).

Tuttle, Richard. “Richard Tuttle” (Sperone Westwater exhibition review). Interview by Robert Ayers. Artinfo, 24 May 2007. http://www.blouinartinfo.com/news/story/268092/richard-tuttle

2006

Artner, Alan G. “Tuttle’s Abstract Works Challenge his Viewers” (The Art of Richard Tuttle exhibition review). Chicago Tribune, 17 December 2006.

Cromwell, Wendy. “Without Fanfare.” Art on Paper (March/April 2006): 22.

Gleason, Mat. “Richard Tuttle: An New Documentary posits him as the Peoples’ Choice when it Comes to Minimalism.” Coagula Art Journal, no. 79 (April 2006): 23, 30–32.

Kimmelman, Michael. “The Architect, His Client, Her Husband and a House Named Turbulence.” The New York Times Magazine, 21 May 2008: 126–133; cover.

Kutner, Janet. “Dream Imagery” (The Art of Richard Tuttle exhibition review). Dalas Morning News, 17 July 2006.

Pietropaolo, Francesca. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Flash Art (January–February 2006): 102.

Smith, Roberta. “One Collection, Many Stories from the Land of Mevericks.” The New York Times, 12 May 2006: E36.

Tuttle, Richard. “Interview: Richard Tuttle and the Comfort of the Unknown.” Interview with Molly Donovan. American Art: Smithsonian American Art Museum 20, no. 2 (June 2006): 103–125, illustrated.

2005

Baird, Daniel. “Richard Tuttle” (Drawing Center exhibition review). Border Crossings 24 (February 2005): 18–25.

Baker, Kenneth. “Bay Area Painter Cornelia Schutz Perches upon Her Palette for a Bird’s-Eye View of SFMoMA’s Richard Tuttle Exhibition.” San Francisco Chronicle, 4 August 2005: E1, E4.

Baker, Kenneth. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Art News (September 2005): 134.

Baker, Kenneth. “Richard Tuttle has Earned his Major SFMoMA Retrospective.” San Francisco Chronicle, 3 June 2005: E1–E8.

Baker, Kenneth. “Simple and Serene, Tuttle’s Work Lifts the Spirit” (The Art of Richard Tuttle exhibition review). San Francisco Chronicle, 2 July 2005: E1.

Baker, Kenneth. “Totally Tuttle.” Town and Country (June 2005): 134.

Belcove, Julia L. “Tuttle Vision.” W Magazine (June 2005): 158–165.

Bischoff, Dan. “Richard Tuttle, Mixed-Media Master.” Sunday Star Ledger, 27 November 2005.

Budick, Ariella. “Less is More: Tuttle Takes Minimalism to the Max” (The Art of Richard Tuttle exhibition review). Newsday, 18 November 2005: B27.

Tuttle, Richard. “Something Happens: A Conversation with Richard Tuttle.” Interview with Susan Canning. Sculpture 24, no. 9 (November 2005): 51–57, illustrated.

Colman, David. “A Sophisticated Eye for Naïve Art.” The New York Times, 20 November 2005: 12.

Conniff, Michael. “No Maps Needed for Museum Show.” Time Out New York, 15 December 2005: 5.

Esplund, Lance. “Tuttle’s Sweet Nothings” (The Art of Richard Tuttle exhibition review). New York Sun, 10 November 2005.

Goodbody, Bridget. “Minding the Gap: Richard Tuttle’s Anthropological Experiment” (Drawing Center exhibition review). Art on Paper (January/February 2005): 34–36.

Gopnik, Blake. “For Richard Tuttle, A Little Went a Long Way” (The Art of Richard Tuttle exhibition review). Washington Post, 1 December 2005: C01.

Helfand, Glen. “Book Reviews: The Art of Richard Tuttle” (catalogue review). Art on Paper (November/December 2005): 83.

Henry, Clare. “The Poetry of Odds and Ends” (The Art of Richard Tuttle exhibition review). Financial Times, 18 November 2005: 12.

Holbrook, Dwight. “Treats for the Mind.” Trinity Reporter (Fall 2005): 14–19; cover.

Hudson, Suzanne. “Richard Tuttle at The Drawing Center” (exhibition review). Artforum (April 2005): 190.

Kalina, Richard. “Richard Tuttle: The Subjective Object” (The Art of Richard Tuttle exhibition review). Art in America (December 2005): 112–119, illustrated; cover.

Kimmelman, Michael. “40 Years of Making Much Out of Little” (The Art of Richard Tuttle exhibition review). The New York Times, 11 November 2005: E31, E34, illustrated.

Kinsella, Eileen. “Where the Buys Are.” Art News (November 2005): 160.

Lacayo, Richard. “The Man of Small Things” (The Art of Richard Tuttle exhibition review). Time, 18 July 2005: 69–70, illustrated.

Landi, Ann. “Tuttle Recall.” Art News (November 2005): 44.

Littlejohn, David. “A Sea of Images from a Singular Artist” (The Art of Richard Tuttle exhibition review). Wall Street Journal, 26 July 2005: D8.

Littlejohn, David. “U.S. Artist Celebrated in Europe Finally Gets a Show Back Home.” Wall Street Journal: International Edition, 5 August 2005.

Martin, Chris. “Buddhism, Landscape, and the Absolute Truth About Abstract Painting.” The Brooklyn Rail (April 2005): 30–31.

McKee, Lauren. “Working With Abstracts.” AM New York, 9 December 2005: 34.

Miles, Christopher. “Branching in all Directions” (The Art of Richard Tuttle exhibition review). Los Angeles Times, 31 July 2005.

Perreault, John. “Tuttle Redux.” ArtsJournal.com, 18 November 2005.

Plagens, Peter. “In the Studio: Richard Tuttle.” Art + Auction (October 2005): 44–49.

Ratner, Megan. “Review” (Drawing Center exhibition review). Frieze (April 2005): 106–107.

Rimanelli, David. “The Art of Richard Tuttle” (exhibition review). Artforum (May 2005): 103.

Stevens, Mark. “Deadpan Alley” (The Art of Richard Tuttle exhibition review). New York Magazine, 21 November 2005: 84.

Tuttle, Richard. “Letters to a Young Artist.” Art on Paper (July/August 2005): 48–53.

Wagner, Anne M. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Artforum (October 2005): 265–268, illustrated.

Wright, Karen. “Small Work, Big Picture: Richard Tuttle in New Mexico.” Modern Painters (July/August 2005): 84–89.

Yablonsky, Linda. “Quiet Riot” (The Art of Richard Tuttle exhibition review). Time Out New York, 24 November 2005: 107–108.

2004

“The Art of Textiles.” Western ID (June 2004): 17.

Cotter, Holland. “Eluding Artistic Pigeonholes” (Drawing Center exhibition review). The New York Times, 5 November 2004: E35, E38.

Deitcher, David. “Review” (Brent Sikkema exhibition review). Time Out New York, 8–15 January 2004.

Esplund, Lance. “Richard Tuttle’s Sweet Nothings” (Drawing Center exhibition review). New York Sun, 4 November 2004.

Gardner, Paul. “Odd Man In.” Art News 103 (April 2004): 102–105.

“Goings On About Town: A Fine Line” (Drawing Center exhibition review). The New Yorker, 15 November 2004: 10.

Gopnik, Blake. “Pull Up a Chair: At the Cooper-Hewitt, Sculptors Who Explore Elevating Design to Fine Art” (exhibition review). Washington Post, 28 September 2004.

Indyke, Dottie. “Review” (Tai Gallery/Textile Arts exhibition review). Art News 103 (October 2004): 193.

Kimmelman, Michael. “Postwar Japan, Mon Amour” (Wolfsonian exhibition review). The New York Times, 26 December 2004.

Levin, Kim. “Show World” (Drawing Center exhibition review). The Village Voice, 7 December 2004: 73.

Murray, Sarah. “A Beautiful Usefulness: A New Exhibition Highlights the Blurring Line between Aesthetic and Functional Art” (Cooper-Hewitt exhibition review). Financial Times, 18 September 2004.

Naves, Mario. “David Reed’s Chilly Contrivance Hyperstylized, Squiggly Forms/Tinkering Tuttle” (Drawing Center exhibition review). New York Observer, 29 November 2004.

Randall, Teri Thompson. “Review” (Dwight Hackett Projects exhibition review). Santa Fe New Mexican, 2 January 2004.

“Richard Tuttle in Conversation with Chris Martin” (interview). Brooklyn Rail (December 2004–January 2005): 12–13.

“Richard Tuttle New Work Unveiling at Wolfsonian Art Basel Celebration.” Art Museum Network News, 22 October 2004.

Rimanelli, David. “Cruz Control.” Artforum, 1 December 2004.

Salamon, Julie. “Artist or Guru: He Aims Deep.” The New York Times, 3 December 2004: E35, E40.

Smith, Roberta. “Designers for a Day: Sculptors Take a Turn” (Cooper-Hewitt exhibition review). The New York Times, 10 September 2004.

Tuttle, Richard. “Richard Tuttle in Conversation with Chris Martin.” The Brooklyn Rail (December 2004–January 2005): 12–13.

Tuttle, Richard. “Type.” Overview [Crown Point Press newsletter] (June 2004): 1–2.

2003

Affentranger-Kirchrath, Angelika. “Review” (Annemarie Verna Gallery exhibition review). Neue Zürcher Zeitung, 18 June 2003.

Baker, Kenneth. “The Minimalist Challenge” (San Francisco Museum of Modern Art exhibition review). San Francisco Chronicle, 8 November 2003.

Bayliss, Sarah. “Walking on Lucas Samaras.” Art News (December 2003): 98–101.

Cohen, David. “Review” (Galerie Lelong exhibition review). New York Sun, 3 July 2003.

Cotter, Holland. “Richard Tuttle” (Sperone Westwater exhibition review). The New York Times, 30 May 2003: E36.

Hackett, Regina. “Exhibit Flirts with Abstraction” (Henry Art Gallery exhibition review). Seattle Post-Intelligencer, 5 December 2003.

Hackett, Regina. “SAM Survey Brings Minimalism into the Present” (exhibition review). Seattle Post-Intelligence, 5 September 2003.

Kuspit, Donald. “Richard Tuttle: Sperone Westwater” (exhibition review). Artforum (June 2003): 184.

Mar, Alex. “Review” (Andrea Rosen Gallery exhibition review). New York Sun, 14 August 2007.

Naves, Mario. “Slack Minimalist.” New York Observer, 12 May 2003: Arts and Entertainment, 18.

Schjeldahl, Peter. “The Little Paintings That Could” (Sperone Wetwater exhibition review). The New Yorker, 5 May 2003: 20.

Siegel, Katy. “Shadow Boxes.” Bookforum (Summer 2003): 55.

Tuttle, Richard. “Costume.” Overview [Crown Point Press newsletter] (Spring 2003): 1, 3.

2002

Catoir, Barbara. “Die Galerie Schmela ist Zurück mit Richard Tuttle” (exhibition review). Frankfurter Allgemeine Zeitung, 20 April 2002.

Collins, Tom. “’Field of Dreams’: New Art Space Opens with Noteworthy Exhibit in Industrial Area of Santa Fe” (Dwight Hackett Projects exhibition review). Albuquerque Journal, 23 August 2002.

Estevez, Jose Luis. “Richard Tuttle de retira con dos proyectos en Santiago y Oporto” (Centro Galego de Arte Contemporánea exhibition review). El País, 1 July 2002.

Herchenröder, Christian. “Weidereröffnung der Düsseldorfer Galerie Schmela” (exhibition review). Handelsblatt, 23 April 2002.

Hirsch, Faye. “Working Proof.” Art on Paper 7 (December 2002): 54–57, illustrated.

Kennicott, Philip.”’Art City’: A Compelling Collection of Film Portraits.” Washington Post, 3 February 2002.

Kudielka, Robert. “Über Richard Tuttle.” Sinn und Form 1 (2002): 131–134.

MacAdam, Barbara A. “MoMA QNS” (exhibition review). Art News 101 (September 2002): 149.

Meister, Helga. “Poesie der Erinnerung an den grossen Galeristen” (Galerie Schmela exhibition review). Westdeutsch zeitung/Düsseldorfer Nachrichten, 24 April 2002.

Meister, Helga. “Review” (Galerie Schmela exhibition review). Kunstforum International 160 (June–July 2002): 381–382.

Moreno, Gean. “Emily’s Way: Art as Idiosyncrasy.” Art Papers 26 (January–February 2002): 13.

Perl, Jed. “Colors.” New Republic 226, 4 and 11 March 2002: 27–30.

Princenthal, Nancy. “Artist’s Book Beat.” Art on Paper (March–April 2002): 98.

“Richard Tuttle’s Modest, But Magnificent Art” (Tomio Koyama Gallery exhibition review). Daily Yomiuri, 18 April 2002.

Stolz, George. “Review” (Museu Serralves de Arte Contemporânea exhibition review). Art News 101 (October 2002): 176.

Storr, Robert. “Cosmic Relief: Richard Tuttle.” Artforum 40 (February 2002): 116–121, illustrated.

Tuttle, Richard. “Artists Curate: Cosmic Relief.” Artforum 40 (February 2002): 116–121.

Tuttle, Richard. “What Does One Look at in an Agnes Martin Painting? Nine Musings on the Occasion of her Ninetieth Birthday.” American Art 16 (Fall 2002): 92–95.

2001

Baker, Kenneth. “Great Art from Humble Means: Tuttle Work Vibrant at Anthony Meier Fine Arts Show” (exhibition review). San Francisco Chronicle, 20 January 2001: B1, B10.

Baker, Kenneth. “Soul Searching: Current Events Cast New Light on Visual Art.” San Francisco Chronicle, 22 September 2001: 65.

Brown, Gerard. “Four Elements” (Institute of Contemporary Art exhibition review). Philadelphia Weekly, 28 November 2001.

Catoir, Barbara. “Richard Tuttle in Münster” (Richard Tuttle: Perceived Obstacles exhibition review). Frankfurter Allgemeine Zeitung, 16 March 2001.

Dorazio, Jennifer. “Art in Triplicate.” Philadelphia Inquirer, 7 December 2001.

Hirsch, Faye. “Review” (In Depth exhibition review). Art on Paper 5 (January–February 2001): 88.

Keats, Jonathan. “The Plane Truth.” San Francisco (February 2001): 105.

Kuhn, Nicola. “Das Hindernis ist das Ziel” (Richard Tuttle: Perceived Obstacles exhibition review). Tagesspiegel, 23 October 2001.

Marcus, Ben. “The Least You Need to Know About Bones.” Frieze (January/February 2001): 78–81.

“Mehr wissen: Werke von Richard Tuttle in Berlin” (Richard Tuttle: Perceived Obstacles exhibition review). Kölner Stadtanzeiger, 16 October 2001.

Mills, Michael. “A Powerful Male/Female Dynamic Gives Life to MoCA’s Latest Permanent Collection Show” (exhibition review). New Times Broward-Palm Beach, 19 July 2001.

Princenthal, Nancy. “Artist’s Book Beat” (Institute of Contemporary Art catalogue review). Art on Paper 6 (March–April 2002): 98–99.

Ruthe, Ingeborg. “Wahrgenommene Hindernisse, Richard Tuttle will Stille und Konzentration: Die Akademie der Künste Berlin zeight sein Werk erstmals in Berlin” (Richard Tuttle: Perceived Obstacles exhibition review). Berliner Zeitung, 27 September 2001.

Siegel, Katy. “Human, All Too Human” (Venice Biennale exhibition review). Artforum 40 (September 2001): 166–167.

Siegel, Katy. “Richard Tuttle, In Parts, 1998–2001” (exhibition preview). Artforum (September 2001): 65.

Smith, Roberta. “Green on Greene” (Sperone Westwater exhibition review). The New York Times, 7 December 2001: 32.

Sozanski, Edward J. “A Tantalizing Sun of Connected Parts” (Institute of Contemporary Art exhibition review). Philadelphia Inquirer, 16 December 2001.

Storr, Robert. “Harry’s Last Call” (Venice Biennale exhibition review). Artforum 40 (September 2001): 158–159.

Tanner, Christoph. “Review” (Richard Tuttle: Perceived Obstacles exhibition review). Radio Drei, 24 September 2001.

Yablonsky, Linda. “Green on Greene” (Sperone Westwater exhibition review). Time Out New York, 22–29 November 2001: 58.

2000

Arning, Bill. “Richard Tuttle: Two With Any To” (exhibition review). Time Out New York, 3–10 February 2000: 61, illustrated.

Baker, Kenneth. “Millennial Biennial: Whitney’s Showcase Expands Its Borders While Also Looking Inward” (exhibition review). San Francisco Chronicle, 23 March 2000.

Bell, J. Bowyer. “Art in a New Century.” Review, 1 April 2000: 91–96.

Borchhardt-Birbaumer, Brigitte. “Bekannter Post-Minimalist” (BAWAG Foundation exhibition review). Wiener Zeitung, 14 November 2000.

Dannatt, Adrian. “NY Artist Q&A: Richard Tuttle.” Art Newspaper (February 2000): 69.

Esplund, Lance. “Lit: Three Artists Sculpting with Light” (Sperone Westwater exhibition review). Modern Painters 13 (Spring 2000): 108–111.

Frackman, Noel. “An Art to Save the World?” Review, 1 April 2000: 75, 78.

Glueck, Grace. “Primer on Printmaking That Stresses Innovation” (AXA Gallery exhibition review). The New York Times, 8 December 2000.

Goodrich, John. “Review” (Sperone Westwater exhibition review). Review, 15 January 2000: 14–15.

Herzog, S. “Kunst aus sem Untergeschoss” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 21 January 2000.

Hofleitner, Johanna. “Die Grenzen Erfoschen. Neuigkeiten von Richard Tuttle in der Bawag Foundation” (BAWAG Foundation exhibition review). Parnass 3 (September–October 2000): 128.

Horny, Henriette. “Das ausgeschlossene ich” (BAWAG Foundation exhibition review). Kurier, 15 September 2000.

“Introvertierte Endlosschleife” (BAWAG Foundation exhibition review). Die Furche, 21 September 2000.

Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch” (exhibition review). The New York Times, 24 March 2000: E31, E33.

Kimmelman, Michael. “Richard Tuttle: Two with Any To” (Sperone Westwater exhibition review). The New York Times, 28 January 2000: E37.

Knight, Christopher. “Not Enough Reasons to Celebrate.” Los Angeles Times, 24 March 2000: 1, 21.

Kruntorad, Paul. “Die Vollendung der ‘Antiform’ in Oktagon” (BAWAG Foundation exhibition review). Der Standard, 15 September 2000.

Kutner, Janet. “New Looks: Whitney Goes National with Biennial Survey of Modern Scene” (exhibition review). Dallas Morning News, 23 April 2000: 1C, 10C.

Markham, Pamela. Monumentalizing to a Fault.” Review, 1 April 2000: 71–74.

Nahas, Dominique. “Review” (Sperone Westwater exhibition review). Review, 15 January 2000: 12–13.

“Open Carefully.” Art on Paper 4 (March–April 2000): 27.

Plath, Carina. “Review” (Whitney Museum of American Art exhibition review). Kunst-Bulletin, no. 5 (May 2000): 40.

Poli, Francesco. “Review” (Galleri Cardi exhibition review). Tema Celeste 77 (January/February 2000): 96–97.

Princenthal, Nancy. “Richard Tuttle at Sperone Westwater” (exhibition review). Art in America 88 (May 2000): 160–161.

Rath, Elisabeth. “Review” (BAWAG Foundation exhibition review). Salzburger Nachrichten, 16 September 2000.

“Review: Richard Tuttle” (Sperone Westwater exhibition review). The Village Voice, 1 February 2000: 87.

Richard, Raul. “Whitney’s Sampler: For Browsers, Biennial 2000 Goes Down Easy, Leaves No Aftertaste” (exhibition review). Washington Post, 31 March 2000.

Saunders, Elisabeth. “Not Lost, Not Found: Bill Bollinger.” Art in america 88 (March 2000): 104–117+.

Schjeldahl, Peter. “Pragmatic Hedonism: The Pleasant Surprise of the New, in Two Big Surveys” (Whitney Museum of American Art exhibition review). The New Yorker, 3 April 2000: 94–95.

Sheets, Hilarie M. “Review” (Karen McCready Gallery exhibition review). Art News 99 (December 2000): 158, 160.

Siegel, Katy. “Biennial 2000” (exhibition review). Artforum 38 (May 2000): 171–173.

Siegel, Katy. “The Long List.” Artforum 38 (January 2000): 32.

Siegel, Katy. “The Max Factor: Whitney Biennial 2000.” Artforum 38 (March 2000): 110–117.

Siegel, Katy. “Richard Tuttle, Sperone Westwater” (exhibition review). Artforum 38 (April 2000): 140.

Stevens, Mark. “Built for Comfort” (Whitney Museum of American Art exhibition review). New York, 3 April 2000: 58, 60.

Sussman, Elisabeth. “Report from Oporto: Sorting Out the ‘60s” (Museu Serralves exhibition review). Art in America 88 (May 2000): 59–63.

Thon, Ute. “Konfektionsware Kunst” (Whitney Museum of American Art exhibition review). Kunstforum International 151 (July–September 2000): 408–411.

“Tuttle’s Quest for the ‘Loved Line’” (BAWAG Foundation exhibition review). Austria Today, 12 September 2000.

“Verletzlich und flüchtig” (BAWAG Foundation exhibition review). Die Presse, 25 September 2000.

“Whitney 2000.” Interview by David Shapiro. NY Arts 5 (March 2000): 37–39.

Wilkin, Karen. “At the Galleries” (Sperone Westwater exhibition review). Partisan Review 67 (Spring 2000): 291.

Wilkinson, Jeanne C. “There’s a Fly in my Art!” Review, 1 April 2000: 22–25.

Windsor, John. “Alternative Investments: It’s Pinned to the Art” (British Museum exhibition review). Observer (5 March 2000).

1999

Artner, Alan C. “Community Is Key When Tuttle Puts up a Show” (Arts Club of Chicago exhibition review). Chicago Tribune, 13 May 1999.

Barten, Walter. “Lustoord voor elite” (Museu Serralves exhibition review). Het Financieele Dagblad, 31 July 1999.

Catoir, Barbara. “Flieg, wohin dein Aug’ dich trägt” (Ludwig Forum für Internationale Kunst exhibition review). Frankerfurter Allgemeine, 20 January 1999.

Chauvy, Laurence. “Avec l’artiste Richard Tuttle la peinture sort des ses cadies” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review).

Godfrey, Tony. “Review” (Church of Saint Paulinus exhibition review). Burlington Magazine 141 (May 1999): 309.

Hackett, Regina. “Opposites Converge Fluidly at Kucera” (exhibition review). Seattle Post-Intelligencer, 22 January 1999.

Johnson, Reed. “Under the Hood of Modern Art: Method Means Everything at MOCA Show” (exhibition review). Daily News of Los Angeles, 6 August 1999.

Kimmelman, Michael. “At the Met with Richard Tuttle: Influence Cast in Stone.” The New York Times, 14 May 1999.

Livingston, Mark. “Uber Emotionen zur Einfachheit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 10 November 1999.

Marino, Pietro. “A Bari l’are di Tuttle linea di frontiera contro il càos del mondo” (Galleria Marilena Bonomo exhibition review). La Gazetta del Mezzogiorno, 3 April 1999.

Narwocki, James. “Review” (Wattis Institute for Contemporary Art exhibition review). New Art Examiner 26 (May 1999): 61.

Pagel, David. “’Afterimage’ Reviews Artists Making Rational Art on Paper” (exhibition review). Los Angeles Times, 21 April 1999.

Princenthal, Nancy. “Artist’s Book Beat” (catalogue review). Art on Paper 3 (March–April 1999): 70–71.

Puvogel, Renate. “Review” (Ludwig Forum für Internationale Kunst exhibition review). Kunstforum International 144 (March–April 1999): 367–368.

Roth, Charlene. “Review” (Afterimage exhibition review). New Art Examiner (November 1999): 50–51.

Scardi, Gabi. “Review” (Galleria Marilena Bonomo exhibition review). Il Sol 24 Ore, 9 May 1999.

Schenkel, Ronald. “Das Kunstwerk als Geste” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 20 November 1999.

Scherr, Apollinaire. “Prying Our Minds Open” (Wattis Institute for Contemporary Art exhibition review). East Bay Express, 19 February 1999: 20.

1998

Affentranger-Kirchrath, Angelika. “Punktierte Räume: Richard Tuttle bel Annemarie Verna” (exhibition review). Neue Zürcher Zeitung, 15 August 1998.

Affentranger-Kirchrath, Angelika. “Review” (Annemarie Verna Galerie exhibition review). Neue Bildende Kunst 8 (October–November 1998): 75–76.

Altfest, Ellen. “Review” (Sperone Westwater exhibition review). NY Arts (March–April 1998): 10.

Amy, Michael. “Review” (Sperone Westwater exhibition review). Art in America 86 (September 1998): 121–122.

Domandi, Mary-Charlotte. “Review” (James Kelly Contemporary exhibition review). Art News 97 (November 1998): 173.

Gardner, Paul. “Taking the Plunge.” Art News 93 (February 1998): 110–113.

Glueck, Grace. “Review” (A/D exhibition review). The New York Times, 19 June 1998.

Kutner, Janet. “Shared Line of Work” (Modern Art Museum of Fort Worth exhibition review). Dallas Morning News, 26 April 1998.

Levine, Jo Ann. “Collecting on a Shoestring” (From Minimal to Conceptual Art exhibition review). Jerusalem Post, 10 July 1998.

Livingston, Mark. “Mit den Augen des Künstlers sehen” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 20 November 1998.

Mauer, Simon. “Richard Tuttle, 70er Jahre ungealtert” (Annemarie Verna Galerie exhibition review). Züritip, 17–23 August 1998: 32.

Mitchell, Charles Dee. “A Metaphysics of Simplicity” (Modern Art Museum of Fort Worth exhibition review). Art in America 86 (November 1998): 122–123.

Morgan, Robert C. “The Return of Richard Tuttle” (Sperone Westwater exhibition review). Review, 1 March 1998: 24–25.

Protzman, Ferdinand. “Review” (Numark Gallery exhibition review). Washington Post, 21 December 1998.

Pulkka, Wesley. “Reconstruction Reflect Peaceful Insanity” (Modern Art Museum of Fort Worth exhibition review). Albuquerque Journal, 20 August 1998.

“Review” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 27 November 1998.

“Review” (Sperone Westwater exhibition review). Tema Celeste 69–70 (July–September 1998): 65.

“Richard Tuttle und die Wiener Moderne” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Die Weltwoche, 3 December 1998.

Schenkel, Ronald. “Mit den Augen des Künstlers sehen” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 20 November 1998.

Schwabsky, Barry. “Review” (Sperone Westwater exhibition review). Artforum 36 (May 1998): 146.

Sherman, Mary. “Exhibit Redefines the Nature of Drawing” (Arthur M. Sackler Museum exhibition review). Boston Herald, 11 January 1998.

Smith, Roberta. “Review” (Sperone Westwater exhibition review). The New York Times, 27 February 1998.

Weinstein, Joel. “Review” (Modern Art Museum of Fort Worth exhibition review). Art Papers 22 (November–December 1998): 61.

Whitney, Kathleen. “Richard Tuttle: No Way You Can Frame It.” Sculpture 17 (March 1998): 32–37; cover.

1997

Cataldo, Luciana. “Alla Galleria Bonomo l’americano Richard Tuttle” (exhibition review). Puglia, 23 March 1997.

Clancy, Luke. “Making Something Out of Nothing” (Camden Arts Centre exhibition review). Irish Times, 30 April 1997.

Coomer, Martin. “Review” (Camden Arts Centre exhibition review). Time Out London, 8–15 January 1997: 49.

Cotter, Holland. “A Show that Could Travel in Just a Carry-on-Bag” (At the Threshold of the Visible exhibition review). The New York Times, 13 December 1997.

Cruz, Juan. “Review” (Camden Arts Centre exhibition review). Art Monthly 203 (February 1997): 28–29.

Dault, Gary Michael. “The Spare, Effortless Charms of Richard Tuttle” (Art Gallery of York exhibition review). Globe and Mail, 29 October 1997.

“Défricheur de zones hybrides entre peinture et sculpture, Richard Tuttle se prend le pieds dans les broussailles” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Journal de Genève, 9 August 1997.

Di Tursi, Marilena. “Un sussurro di esistenza dale opera di Richard Tuttle” (Galleria Bonomo exhibition review). Barisera, 18 February 1997.

Filler, Martin. “Art Books Whose Art Is the Book” (Widener Gallery exhibition review). The New York Times, 16 February 1997.

Frank, Peter. “Review” (University Art Museum exhibition review). LA Weekly, 18–24 April 1997.

Gardner, Paul. “Richard Tuttle’s Paper Liberation.” On Paper 1 (January–February 1997): 18–21.

Godfrey, Tony. “Review” (Camden Arts Centre exhibition review). Burlington Magazine 139 (February 1997): 133–134.

Gottlieb, Shirley. “25 Enigmatic Artworks That Defy Description” (University Art Museum exhibition review). Press-Telegram, 9 April 1997.

Hürlimann, Adrian. “Das Schlimmste ist der Erfolg!” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 6 June 1997.

Kurjakovic, Daniel. “Entzug des Sichbaren zwecks Sehen: Richard Tuttle im Kunsthaus Zug” (exhibition review). Neue Zürcher Zeitung, 9 July 1997.

Livingston, Mark. “Der unverklärte Blick auf die Kunst” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Press, 23 July 1997.

MacAdam, Alfred. “An Affair with the Book” (Widener Gallery exhibition review). Art News 96 (September 1997): 72.

McEwen, John. “Big and Very Teutonic” (Camden Arts Centre exhibition review). Sunday Telegraph, 5 January 1997.

Petruzzelli, Giusy. “Richard Tuttle et la poetica binaria” (Galleria Bonomo exhibition review). Il Roma (Naples), 22 February 1997.

“Review” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 9 July 1997.

Roos, Renate. “Poesie der groben Platten, Puristische Gestaltung: Werek von Richard Tuttle in der Galerie Limmer” (exhibition review). Kölner Stadt-Anzeiger, 29 July 1997.

Schade, Christopher. “Absence Makes the Minimalist Grow Profounder” (From Minimal to Conceptual Art exhibition review). Austin American-Statesman, 26 November 1997.

Schenkel, Ronald. “Dokumentation und Interpretation” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 17 July 1997.

Schenkel, Ronald. “Nichts ist schlimmer als der Erfolg” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 6 June 1997.

Searle, Adrian. “Arts: Splash on the Trash” (Camden Arts Centre exhibition review). The Guardian, 7 January 1997.

Storr, Robert. “Just Exquisite? The Art of Richard Tuttle.” Artforum 36 (November 1997): 87–93+; cover.

Sutherland, Giles. “Review” (Camden Arts Centre exhibition review). The Scotsman, 27 June 1997.

Sutherland, Giles. “Window on an Open Mind.” The Scotsman, 30 June 1997.

Vetrocq, Marcia E. “The 1997 Biennale: A Space Odyssey” (exhibition review). Art in America 85 (September 1997): 66–77.

Wilson, William. “The ‘60s Unite Contrasting Exhibitions” (University Art Museum exhibition review). Los Angeles Times, 29 March 1997.

Zsófia, Beke. “Súlytalan Szobrok Súlyos Téerbe? (Oberösterreichisches Landesmuseum exhibition review). Új Muvészet 8 (Summer 1997): 19–23.

Zwez, Annelise. “Kann man zeitgenossische Kunst überhaupt noch sammlen? Zug sucht Wege der Zusammenarbeit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Solothurner Zeitung, 14 June 1997.

Zwez, Annelise. “Objekte in labilen Gkeichgewichten” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Aurgauer Zeitung, 14 June 1997.

1996

Diehl, Carol. “Birds, Beads, and Bannerstones: Twelve Artists Describe Their Personal Collections.” Art News 95 (Summer 1996): 76–84.

Eauclaire, Sally. “Review” (Sperone Westwater exhibition review). Art News 95 (October 1996): 137.

Fleishmann, Eric. “Ephemera Eternalized” (Widener Gallery exhibition review). Hartford Advocate, 14 November 1996.

Gerber, Elizabeth. “Das Museum im Kopf: Das Zuger ‘Projekt Sammlung’” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Stehplatz 5 (June–August 1996): 3.

Giger, Romeo.”Brücke zwischen Kunst und Leben: Ein beachtenswertes Experiment im Kunsthaus Züg” (exhibition review). Neue Züricher Zeitung, 8 July 1996.

Gooding, Mel. “Review” (Camden Arts Centre exhibition review). Galleries 14 (December 1996).

Kimmelman, Michael. “Art in Review: Richard Tuttle” (Sperone Westwater exhibition review). The New York Times, 20 September 1996: C26.

Mack, Gerhard. “Der Künstler als Zugvogel: Das Kunsthaus im schweizerischen Zug erprobt ein neues Konzept” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Süddeutsche Zeitung, 26 November 1996.

Mack, Gerhard. “Der Künstler als Zugvogel: Das Kunsthaus Zug erprobt ein neues Sammlungskonzept” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Kunst-Bulletin 6 (1996): 22–25.

Mack, Gerhard. “Kultur im Zuge der Zeit: Warum die Steueroase Züg neuerdings Magnet für internationale Kunstatars ist” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Cash, 7 July 1996.

Mack, Gerhard. “Kunst für Zwei: Richard Tuttle und Sol LeWitt in Zürich” (Annemarie Verna Galerie exhibition review). Cash, 16 February 1996.

“Neuartiges Sammlungs-Projekt” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Thurgauer Tagblatt, 5 August 1996.

Oehmigen, Karin. “Wit sammeln Künstler nicht Kunst: Pionierhaftes Projekt im Kunsthaus Zug” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Sonntags Zeitung, 2 June 1996.

Omlin, Sybille. “Künstler sammeln statt Kunst” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 1 June 1996.

Parsons, Deborah. “Material Metaphysics” (Camden Arts Centre exhibition review). London Student, 3 December 1996: 16.

Reissner, Katja. “Zweitweise Gas tim asthetischen Raum. Ausstellung des Amerikaners Richard Tuttle im Mies van der Rohe Haus” (exhibition review). Der Tages Spiegel, 11 December 1996.

“Review” (Galerie Yvon Lambert exhibition review). Figaroscope, 26 June 1996.

Roßling, Ingo. “Striche’ von Richard Tuttle im perfekt komponierten Rahmen” (Mies van der Rohe Haus exhibition review). Berliner Morgenpost, 11 December 1996.

Schenkel, Ronald. “Das Kunstwerk als Metapher für die Welt” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 29 May 1996.

Schenkel, Ronald. “Die Welt und ihre Darstellbarkeit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 18 July 1996.

Schjeldahl, Peter. “After the Revolution” (Sperone Westwater exhibition review). Village Voice, 1 October 1996: 76.

Schwendenwein, Jude. “Tuttle Show Could Use More of His Sculptures” (Widener Gallery exhibition review). Harford Courant, 3 November 1996.

Tuttle, Richard. “September 21, 1989, for Karl Hikade.” In New Observations, no. 113 (Winter 1996): 30 [and http://www.plexus.org/newobs/113/index.html]

1995

Artnet, Alan G. “At Hoffman, Tuttle’s Collages Sneak into Three Dimensions” (Rhona Hoffman Gallery exhibition review). Chicago Tribune, 1 December 1995.

Baker, Kenneth. “Artist’s Night-Lights for a Dark Time” (Daniel Weinberg Gallery exhibition review). San Francisco Chronicle, 6 October 1995.

Camper, Fred. “Space Oddities” (Rhona Hoffman Gallery exhibition review). Chicago Reader, 24 November 1995: 30.

Cross, G. “Exclusive Interview with Richard Tuttle.” The Magazine 3 (April 1995): 8–13.

Duncan, Michael. “Review” (Mary Boone Gallery exhibition review). Art in America 83 (September 1995): 106.

Fujimaki, Mary. “Soaring High among the Seraphim” (Sezon Museum of Art exhibition review). Japan Times 23 September 1995.

Greene, David A. “Dangerous Curves Ahead: Richard Tuttle’s Open-Ended Abstraction” (Burnett Miller Gallery exhibition review). Los Angeles Reader, 13 January 1995: 11.

Hawkins, Margaret. “Tuttle Brings Invisible World to Light” (Rhona Hoffman Gallery exhibition review). Chicago Sun-Times, 24 November 1995.

Iannaccone, Carmine. “Review” (Burnett Miller Gallery exhibition review). Art Issues 37 (March–April 1995): 43.

Kalil, Susie. “Original Art? Woks and the Menil and Texas Gallery Suggest Artists Can Still Be Unique—Even in Imitation” (exhibition review). Houston Press, 5–11 January 1995: 30–31.

Lind, Ingela. “Anspråkslösa rop på evigheten” (Anders Tornberg Gallery exhibition review). Dagens Nyheter, 23 April 1995.

Papa, Liviano. “Itinerari turistici sulle orme dell’arte: Dalla pittura figurative all scultura intellettuale” (Galleria Marilena Bonomo exhibition review). Il Nord, 16 March 1995.

Perron, Joel. “Richard Tuttle’s Subtle Rebuttal to Modernism” (Sezon Museum of Art exhibition review). Daily Yomiuri, 15 September 1995.

Zetterström, Jelena. “Det operfektas perfektionist” (Anders Tornberg Gallery exhibition review). Sydsvenska Dagbladet, 22 April 1995.

1994

Carnegie, M.D. “Playfulness—or Fakery—on Display” (From Minimal to Conceptual Art exhibition review). Washington Times, 29 May 1994.

Chadwick, Susan. “Richard Tuttle’s Atypical Artwork Opens the Mind” (Texas Gallery exhibition review). Houston Post, 27 December 1994.

Lewis, Jo Ann. “A Prescient Present: The Vogels Collected Art No One Wanted. Now It’s Prized by the National Gallery” (From Minimal to Conceptual Art exhibition review). Washington Post, 5 June 1994.

Pagel, David. “Richard Tuttle, a Minimalist Who Likes Going to Extremes” (Burnett Miller Gallery exhibition review). Los Angeles Times, 15 December 1994.

Pinte, Jean-Louis. “Review” (Galerie Yvon Lambert exhibition review). Figaroscope, 6–12 April 1994.

Raynor, Vivian. “Minimalism, and After That” (Whitney Museum of American Art at Champion exhibition review). The New York Times, 26 June 1994.

Steiner, Juri. “Verlassene Kultstätte: Richard Tuttle; Ausstellung in Zürich” (Annemarie Verna Galerie exhibition review). Neue Zürcher Zeitung, 1 October 1994.

Stoddard, Leah. “Review” (exhibition review). New Art Examiner 21 (February 1994): 38–39.

Suchère, Eric. “Review” (Galerie Yvon Lambert exhibition review). Les Journal des Expositions 15 (April 1994).

Vezin, Luc. “Review” (Galerie Yvon Lambert exhibition review). Informatin, 29 March 1994.

1993

Baker, Kenneth. “Richard Tuttle at University Art Museum” (exhibition review). San Francisco Chronicle, 10 November 1993.

Baker, Kenneth. “Tuttle Shows in Berkeley, S.F.” (University Art Museum and Crown Point Press exhibitions review). San Francisco Chronicle, 23 September 1993.

Bonetti, David. “Zen and the Art of Filling UAM” (exhibition review). San Francisco Examiner, 19 November 1993.

D’Ella, Anna. “Richard Tuttle: l’occhio al fondo delle cassette” (Galleria Marilena Bonomo exhibition review). La Gazzetta del Mezzogiorno, 24 June 1993.

Haesh, Richard. “An American Poet: Richard Tuttle in der Kunsthalle Baden-Baden” (exhibition review). Neue Zürcher Zeitung, 15 March 1993

Harris, Susan. “Forum: Richard Tuttle’s Beckmann Drawing VII.” Drawing 15 (May–June 1993): 11–12.

“L’americano Tuttle e spazio tra cose” (Galleria Marilena Bonomo exhibition review). Puglia, 5 June 1993.

Liebmann, Lisa. “Review” (Mary Boone Gallery exhibition review). Artforum 31 (January 1993): 82.

Manheimer, Steve. “Tut, Tut-Tuttle’s Star Is Rising, with ‘Whole’ Show at IMA” (Indianapolis Museum of Art exhibition review). Indianapolis Star, 10 October 1993.

Princenthal, Nancy. “Numbers of Happiness: Richard Tuttle’s Books.” Print Collector’s Newsletter 24 (July–August 4–6): 81–86.

Welish, Marjorie. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). Tema Celeste 39 (Winter 1993): 82–83.

1992

“Agnes Martin, Richard Tuttle” (Galerie Yvon Lambert exhibition review). Le Gazette, 12 June 1992.

Alberge, Dalya. “Contemporary Art Market: 14-inch Plank Communicates Delicate Interplay for £6,000.” The Independent, 20 January 1992.

Andujar Chavarri, E.L. “Tuttle, en el IVAM: Un minimal en la corte del Rey Instalación” (exhibition review). Las Provincias, 9 July 1992.

Bouyeure, Claude. “Review” (Galerie Yvon Lambert exhibition review). L’Oeil 442 (June 1992): 76.

“El IVAM inaugurará el Jueves la primera retrospective europeä de Richard Tuttle” (exhibition review). El Pais, 23 June 1992.

Cotter, Holland. “Better to Display than Merely Receive” (Whitney Museum of American Art exhibition review). The New York Times, 29 May 1992.

Cotter, Holland. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). The New York Times, 10 October 1992.

Fernandez-Cid. Miguel. “La más completa exposición de Richard Tuttle, en el IVAM valenciano” (exhibition review). Diario, 15 August 1992.

Gardner, Paul. “Waking Up and Warming Up: How Some Artists Get Motivated to Work.” Art News 91 (October 1992): 114–117.

Giger, Romeo. “Homo ludens americanus: Richard Tuttle im Kunstmuseum Winterthur” (Kunstmuseum Winterthur exhibition review). Neue Zürcher Zeitung, 9 April 1992.

Glueck, Grace. “In the Spirit of Gogol, a Gag on Soviet Clichés” (Mary Boone Gallery exhibition review). 5 October 1992.

Hiltmann, Gabriela. “Richard Tuttle im Kunstmuseum Winterthur: Schritte über Grenzen” (Institute of Contemporary Art, Amsterdam, exhibition review). Basler Zeitung, 14 April 1992.

Holman, Bob. “Richard Tuttle [interview].” Bomb (October 1992): 30–36.

Jarque, Vicente.”Dibujo en el espacio” (Instituto Valenciano de Arte Moderno exhibition review). El Pais, 13 July 1992.

Jolles, Claudia. “Review” (Annemarie Verna Galerie exhibition review). Artforum 30 (Summer 1992): 120–121.

Kalina, Richard. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). Art in America 80 (November 1992): 131–132.

Krebs, Edith. “Spielerische Archaik: Zur Ausstellung des Amerikaners Richard Tuttle in Winterthur” (Kunstmuseum Winterthur exhibition review). Tages-Anzeiger, 15 April 1992.

Krebs, Edith. “There’s No Reason…Zu den Floor Drawings von Richard Tuttle” (Kunstmuseum Winterthur exhibition review). Artis 44 (March 1992): 44–48.

Ladermann, Christoph. “Typische Galerien-und Kunsthallenkunst: Neuere Arbeiten von Richard Tuttle in Kunstmuseum Winterthur” (exhibition review). Zürcher Unterlaender Züruchbieter, 1 April 1992.

LaGardera, Juan. “El IVAM reconstruye el camino creativo de Tuttle, del minimalismo al desenfreno” (exhibition review). La Vanguardia, 17 July 1992.

Mack, Gerhard. “Energie in Formen bringen: Der amerikaner Richard Tuttle in Kunstmuseum Winterthur” (exhibition review). Schaffhauser Nachrichten, 8 April 1992.

Mack, Gerhard. “Formen für Formloses: Richard Tuttles ‘Floor Drawings’ im Kunstmuseum Winterthur” (exhibition catalogue). Suddeutshe Zeitung, 27 April 1992.

Mebold, Adrian. “Fragiles, Prezioses und Kunst über Kunst” (Kunstmuseum Winterthur exhibition review). Der Landbote, 4 April 1992.

Mebold, Adrian. “Wenn die Zeichnungen poetische Konstruktionen warden” (Kunstmuseum Winterthur exhibition review). Der Landbote, 30 March 1992.

“Multiples and Objects and Books.” Print Collector’s Newsletter 23 (July–August 1992): 106–107.

“Prints and Photographs Published.” Print Collector’s Newsletter 23 (July–August 1992): 103–106.

“Red Oxyd: Richard Tuttle’s Choice” (exhibition review). Kunst & Museumjournaal 4 (1992): 70.

“Review” (Studio la Cittá exhibition review). Arena, 10 February 1992.

“Review” (Kunstmuseum Winterthur exhibition review). Der Bund, 14 April 1992.

“Richard Tuttle im Kunstmuseum Winterthur: Fragile Skulpturen” (exhibition review). Elgger Zeitung, 2 April 1992.

Ross, Michael. “Review” (Mary Boone Gallery exhibition review). Flash Art 167 (November–December 1992): 97.

Roth, Jean-Jacques. “Le maîde l’anti-sems est à Winterthour” (exhibition review). Le Nouveau Quotidien, 6 May 1992.

Steenbergen, Renée. “Richard Tuttle maakt van Boymans’ collective expositie: Hooghartig of vrolijk aardewerk” (Museum Boymans-van Beuningen exhibition review). NRC Handelsblad, 7 November 1992.

Tuttle, Richard. “Quotation of the Day.” The New York Times, 11 February 1992.

Van de Walle, Mark. “Review” (Laura Carpenter Fine Art exhibition review). THE Magazine: Santa Fe’s Monthly Magazine 1 (November 1992): 34.

Von Dänikenm Hans-Peter. “Zeichnungen in drei Dimensionen: Richard Tuttle im Kunstmuseum Winterthur” (exhibition review). Luzerner Neuste Nachrichten, 2 April 1992.

Yague, Amparo. “En los limites de Richard Tuttle” (Instituto Valenciano de Arte Moderno exhibition review). A B C de Las Artes, 28 August 1992.

1991

Alnardi, Dolène. “Review” (Galerie Pierre Hubert exhibition review). Art Press 163 (November 1991): 100.

Artner, Alan G. “Tuttle Collages Speak Softly, But Powerfully” (Rhona Hoffman Gallery exhibition review). Chicago Tribune, 15 March 1991.

Baker, Kenneth. “It’s the ‘60s Again with ‘New Sculpture’” (The New Sculpture 1965–75 exhibition review). San Francisco Chronicle, 2 May 1991.

Bonetti, David. “Ten Who Shaped Their World” (The New Sculpture 1965–75 exhibition review). San Francisco Examiner, 20 March 1991.

Brea, José Luis. “Review” (Galeria Weber, Alexander, y Cobo exhibition review). Artforum 30 (December 1991): 111.

Brunon, Bernard. “Richard Tuttle, Collage-Drawings.” Artstudio (Paris) 23 (Winter 1991): 120–127.

Caioppo, Nancy. “From Waste to Art: Artists Find Beauty in Refuse at Center for the Arts Exhibit” (exhibition review). Rockland Journal News, 4 October 1991.

Chauvy, Laurence. “A l’image de la spirale” (Galerie Pierre Hubert exhibition review). Journal de Genève, 10 September 1991.

Cutajar, Mario. “An Acquiescent Dignity” (The New Sculpture 1965–75 exhibition review). Artweek, 11 April 1991: 1, 16.

Faust, Gretchen. “Review” (Blum Helman Gallery exhibition review). Arts Magazine 65 (March 1991): 103.

Fernandez, Horacio. “Arte y Ensayo: Acuarelas de Richard Tuttle” (Galeria Weber, Alexander, y Cobo exhibition review). El Mundo, 11–17 October 1991: 78.

Fontrodona, Oscar. “Richard Tuttle: ‘El arte es invisible; está en algún lugar entre la material y el espiritu’” (Fundació “la Caixa” exhibition review). ABC Cataluña, 26 March 1991.

Grove, Nancy. “Review” (Blum Helman Gallery exhibition review). Art and Antiques 8 (May 1991): 103.

Knight, Christopher. “MOCA’s ‘New Sculpture’ a Fine March of Work, Space” (exhibition review). Los Angeles Times, 20 February 1991.

Levin, Kim. “Review” (Blum Helman Gallery exhibition review). Village Voice. 15 January 1991: 93.

Nobis, Beatrix. “Zwischen Abbruch und Aufbau des Werkes die Utopie verwirklichen: Ammerkungen zur Ironie in der Skulptur und Objektkunst der Gegenwart.” Kunst und Antiquitäten 12 (1991): 50–55.

Nyllenegger, François. “Review” (Galerie Pierre Hubert exhibition review). 7–8 September 1991.

Pagel, David. “Ephemerality Is Essential in ‘Raw’ Exhibit” (Sue Spaid Fine Art exhibition review). Los Angeles Times, 8 August 1991.

Pincus, Robert L. “Ambitious Survey of Contemporary Sculpture” (The New Sculpture 1965–75 exhibition review). San Diego Union, 7 April 1991.

“Review” (Galeria Weber, Alexander, y Cobo exhibition review). A B C, 19 September 1991: 129.

“Review” (Fundació “la Caixa” exhibition review). Diari de Lleida, 20 March 1991.

“Review” (Blum Helman Gallery exhibition review). The New Yorker, 7 January 1991: 10.

“Review” (Fundació “la Caixa” exhibition review). El Observador, 23 March 1991.

Schaffner, Ingrid. “Review” (Blum Helman Gallery exhibition review). Artscribe 87 (Summer 1991): 68.

Serraller, F. Calvo. “La poética del orden” (Galeria Weber, Alexander, y Cobo exhibition review). El Pais, 28 September 1991.

Zimmer, William. “Big Names in the Recycling Game Coax Poetry from Debris” (Rockland Center for the Arts exhibition review). The New York Times, 20 October 1991.

1990

Anfam, David. “Evaluating a Radical Decade” (The New Sculpture 1965–75 exhibition review). Art International 12 (Autumn 1990): 94–95.

Carrier, David. “New York: Why We Love What We See” (Blum Helman Gallery exhibition review). Art International 11 (Summer 1990): 66–68.

Carrier, David. “Review” (The New Sculpture 1965–75 exhibition review). Burlington Magazine 132 (May 1990): 377–378.

Castro, X. Antón. “Review” (Galerie Yvon Lambert exhibition review). Next 68 (May 1990): 77.

Cohen, Ronny H. “Minimal Prints.” Print Collector’s Newsletter 21 (May–June 1990): 42–46.

Friedrichs, Yvonne. “Fragile Wandobjekte” (Galerie Schmela exhibition review). Rheinische Post, 1 February 1990.

Grove, Nancy. “Review” Brooke Alexander exhibition review). Art and Antiques 7 (May 1990): 151.

Heartney, Eleanor. “Review” (The New Sculpture 1965–75 exhibition review). Art News 89 (September 1990): 168.

Huard, Michael. “Le Whitney célèbre dix ans de sculpture Américaine” (exhibition review). Espace 7 (September–November 1990): 11–13.

Kipphoff, Petra. “Weniger ist Mehr” (Sprengel Museum Hannover exhibition review). Die Zeit, 6 July 1990: 60.

Kreibohm, Joachim. “Review” (Sprengel Museum Hannover exhibition review). NIKE 34 (July–September 1990): 42.

Nobis, Beatrix. “Ein Narr am Hofe der Modern” (Sprengel Museum Hannover exhibition review). Süddeutsche Zeitung, 31 July 1990.

Schlagheck, Irma. “Hannover: Richard Tuttle, ein Asket entdeckt die Opulenz” (Sprengel Museum Hannover exhibition review). Art: Das Kunstmagazin 6 (June 1990): 124–125.

Schmidt, Eva. “Richard Tuttle: Objekte und Zeichnungen, Sprengel Museum” (exhibition review). Kunstforum International 109 (August–October 1990): 370–371.

Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The New York Times. 7 December 1990.

Smith, Roberta. “Sculpture at the Whitney: The Radical Years” (exhibition reviews). The New York Times, 9 March 1990.

Willems, Sophia. “Das Leichte ist konpliziert: Neue Kunstgeschöpfe von Richard Tuttle in der Galerie Schmela” (exhibition review). Düsseldorfer Nachrichten, 16 January 1990.

Winter, Peter. “Pappteller und Poesie: Richard Tuttle in einer Düsseldorfer Galeriausstellung” (Galerie Schmela exhibition review). Frankfurter Allgemeine Zeitung, 6 February 1990.

Winter, Peter. “Shape Is Not Abstract” (Galerie Schmela exhibition review). Art International 11 (Summer 1990): 79.

Zahm, Olivier. “Review” (Galerie Yvon Lambert exhibition review). Art Press 147 (May 1990): 96.

Zerull, Ludwig. “Kunst zum Suchen” (Sprengel Museum Hannover exhibition review). Hannoversche Allgemeine Zeitung, 14 June 1990.

1989

Kalina, Richard. “Review” (Blum Helman Warehouse exhibition review). Arts Magazine 63 (February 1989): 80.

Kuspit, Donald. “Review” (Blum Helman Warehouse exhibition review). Artforum 27 (February 1989): 127.

Morgan, Robert C. “Eccentric Abstraction and Postminimalism. From Biomorphic Sensualism to Hard-Edge Concreteness.” Flash Art 144 (January–February 1989): 73–81.

Princenthal, Nancy. “Review” (Blum Helman Warehouse exhibition review). Art in America 77 (March 1989): 143.

1988

D’Elia, Anna. “Esigui come recordi” (Galleria Marilena Bonomo exhibition review). La Gazzetta del Mezzogiorno, 9 November 1988.

Wilson, Andrew. “Review” (Galerie Meert Rihoux exhibition review). Artscribe 72 (November–December 1988): 91.

1987

Brenson, Michael. “Review” (Kent Fine Art exhibition review). The New York Times, 20 February 1987.

Cameron, Dan. “Documenta & Kassel: What Comes After the Hunger for Pictures? A Cautious Post-Modernism Whose Mysterious Logic Satisfies No One. An Overview of Documenta and Skulptur Projekte in Münster” (exhibition review). Flash art 136 (October 1987): 61–68.

Draxler, Helmut. “Review” (Neue Galerie am Landesmuseum Joanneum exhibition review). Artforum 31 (September 1987): 141–142.

Hollenstein, Roman. “Review” (Annemarie Verna Galerie exhibition review). Neue Zürcher Zeitung, 22 April 1987.

Philpott, Clive. “Artist’s Booklets.” Printed Matter 1986–1987 catalogue, http://www.printedmatter.org/about/booklets.cfm.

Richard, Paul. “Fads & Furious: At the Whitney, the Show You Love to Hate” (exhibition review). Washington Post, 26 April 1987.

Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The New York Times, 2 January 1987.

Thomas, Mona. “Portrait: Richard Tuttle” (Galerie Yvon Lambert exhibition review). Beaux Arts Magazine 50 (October 1987): 110–113.

Winter, Paul. “Review” (Kunsthalle Bielefeld exhibition review). Das Kunstwerk 40 (September 1987): 185–187.

1986

Cooke, Lynne. “Review” (Victoria Miro Gallery exhibition review). Artscribe International 58 (June–July 1986): 73.

McEvilley, Thomas. “Review” (Kunsthaus Zurich exhibition review). Artforum 24 (April 1986): 120–121.

Plagens, Peter. “I Just Dropped In to See What Condition My Condition Was In” (Blum Helman Gallery exhibition review). Artscribe 56 (February–March 1986): 22–29.

“Secret Ways to Remain Happy No. 1–5.” Taidehalli (Helsinki) 86 (1986).

Thomas, Mona. “Review” (Galerie Yvon Lambert exhibition review). Figura 7–8 (1986): 73.

Wulffen, Thomas. “Review” (Galerie Onnasch exhibition review). Kunstforum 85 (October 1986): 298–299.

Zellweger, Harry. “Review” (Kunsthaus Zurich exhibition review). Das Kunstwerk 39 (April 1986): 67–69.

1985

Adolphs, Volker. “Review” (Städtisches Museum Abteiberg exhibition review). Das Kunstwerk 38 (December 1985): 77.

Campbell, Lawrence. “Review” (Blum Helman Gallery exhibition review). Art in America 72 (February 1985): 146–147.

Catoir, Barbara. “Richard Tuttle, eine Austellung in Mönchengladbach: Raumen, Zeiche, Materialien” (Städtisches Museum Abteiberg exhibition review). Frankfurter Allgemeine Zeitung, 15 November 1985.

“Ein ‘Poet’ lehrt uns das Sehen: Richard Tuttle, Museum Absteiberg” (exhibition review). Stadt-Panorama, 26 September 1985.

Evans-Clark, Philippe. “Review” (Blum Helman Gallery exhibition review). Art Press 88 (January 1985): 57.

Grazioli, Elio. “Review” (Galleria Toselli exhibition review). Flash Gallerie 3 (March 1985): 43–44.

“Halb Bild halb Skulptur: Richard Tuttle Stellt in Mönchengladbach aus” (Städtisches Museum Abteiberg exhibition review). Iserlohner Kreis-Anzweifler und Zeitung Iserlohn, 4 October 1985.

Meister, Helga. “Ein Ringen um das Innere in der äuß Erscheinung: Richard Tuttle aus New York stellt bei Schmela aus.” (Galerie Schmela exhibition review). Westfälische Zeitung, 31 January 1985.

“Museum: Grosses Echo” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 24 September 1985.

Neyster, Silvia. “Richard Tuttles Objekte in der Galerie Schmela: Dünne Drähte und Papier” (exhibition review). Rheinische Post, 5 February 1985.

Pohlen, Annelie. “Review” (Städtisches Museum Abteiberg exhibition review). Artforum 24 (February 1986): 115.

Pohlen, Annelie. “Review” (Galerie Schmela exhibition review). Kunstforum International 79 (May–June 1985): 283–284.

Reinke, Klaus U. “Richard Tuttle, Austellung in Mönchengladbachs Museum: Ein amerikanischer Poet” (Städtisches Museum Abteiberg exhibition review). Handelsblatt, 22 October 1985.

Rusell, John. “Review” (Brooke Alexander exhibition review). The New York Times, 15 March 1985.

“’Serra nannte mich einen amerikanischen Poeten’: Richard Tuttle zeigt Werke aus 20 Jahren in Abteimuseum” (Städtisches Museum Abteiberg exhibition review). Rheinische Post, 21 September 1985.

Willems, Sophia. “Auf dem Weg Kunst zu warden” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 21 September 1985.

1984

Bohm, Ecke. “Portal: Wie ein Eingang” (Galerie Hubert Winter exhibition review). Wolkenkratzer Art Journal 1/84 (February–March 1984): 78.

Köcher, Helga. “Review” (Galerie Hubert Winter exhibition review). Artefactum 2 (February–March 1984): 67.

Köcher, Helga. “Richard Tuttle: Drawing Books” (Galerie Hubert Winter exhibition review). Kunstforum International 71–72 (April–May 1984): 362–363.

Larsen, Susan C. “Review” (Daniel Weinberg Gallery exhibition review). Artforum 23 (December 1984): 93–94.

Moorman, Peggy. “Review” (Blum Helman Gallery exhibition review). Art News 83 (January 1984): 150–151.

Muchnic, Suzanne. “La Cienega Area” (Daniel Weinberg Gallery exhibition review). Los Angeles Times, 14 September 1984.

Raynor, Vivien. “’Forms That Function’ at Katonah: ‘Twixt Art and the Crafts’” (exhibition review). The New York Times, 29 January 1984.

Smith, Roberta. “Weighing In” (Blum Helman Gallery exhibition review). The Village Voice, 27 November 1984: 113.

1983

Brenson, Michael. “Review” (Blum Helman Gallery exhibition review). The New York Times, 21 October 1983.

Clahsen, Marga. “Strahlende Farbkleckse und heiter beschwingte Linien: Das Museum Abteiberg stellt Richard Tuttles Zeichnungen aus” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 12 November 1983.

Glueck, Grace. “An Experimental Outpost Looks Back” (P.S. 1 Institute for Art and Urban Resources exhibition review). The New York Times, 6 February 1983.

Kertess, Klaus. “Imagining Nowhere.” Artforum 22 (November 1983): 44–45.

Nadelman, C. “New Editions.” Art News 82 (October 1983): 86–93.

Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The Village Voice, 8 November 1983: 79.

“Review” (Galerie Hubert Winter exhibition review). Falter 24 (December 1983): 23.

Windshield, Walter. “Review” (Blum Helman Gallery exhibition review). East Village Eye 5 (November 1983): 39.

Yau, John. “Richard Tuttle and His Old Men and Their Garden” (Betty Parsons Gallery exhibition review). Arts Magazine 57 (January 1983): 126–128.

1982

Ayers, Robert. “Review” (Nigel Greenwood exhibition review). Artscribe 35 (June 1982): 60.

Caldwell, John. “Sculptors as Printmakers” (Yale University Art Gallery exhibition review). The New York Times, 4 July 1982: 12.

Carlson, Prudence. “Report from Amsterdam: Arriving at the ‘80s” (Stedelijk Museum exhibition review). Art in America 71 (January 1983): 19–25.

Collier, Caroline. “Review” (Nigel Greenwood exhibition review). Flash Art107 (May 1982): 53.

Gassert, Siegmar. “Review” (Annemarie Verna Galerie exhibition review). Basler Zeitung, 27 January 1982.

Harris, Susan A. “Review” (Blum Helman exhibition review). Arts Magazine 57 (November 1982): 59.

Licht, Matthew. “Review” (Blum Helman exhibition review). Arts Magazine 57 (November 1982): 51.

Lubell, Ellen. “Review” (Betty Parsons Gallery exhibition review). Art in America 21 (March 1983): 161.

Rein, Ingrid. “Review” (Städtische Galerie im Lenbachhaus exhibition review). Das Kunstwerk 35 (June 1982): 79–80.

Schoenfeld, Ann. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 57 (January 1983): 42.

Tuttle, Richard. “Book for Nigel Greenwood: A Project by Richard Tuttle.” Artforum 20 (Summer 1982): 45.

1981

Dagbert, Anne. “ Review” (Galerie Yvon Lambert exhibition review). Art Press 49 (June 1981): 40.

Menna, Filiberto. “Come se construisse giochi infantili: A Roma, un felice allestimento della opera più recenti di Richard Tuttle” (Galleria Ugo Ferranti exhibition review). Pese Sera, 17 May 1981.

Vachtova, Ludmilla. “Review” (Annemarie Verna Galerie exhibition review). Neue Züricher Zeitung, 21 December 1981.

1980

Armstrong, Richard. “Review” (Georgia State University Art Gallery exhibition review). Artforum 18 (April 1980): 85.

Catour, Barbara. “An der Schwundstufe des Sichtbaren” (Museum Haus-Lange exhibition review). Frankfurter Aligemeine Zeitung, 8 March 1980.

Crichton, Fenella. “Review” (Hayward Gallery exhibition review). Art and Artists 15 (July 1980): 22–27.

Crichton, Fenella. “Review” (Hayward Gallery exhibition review). Pantheon 38 (October–December 1980): 327–328.

Frese, Hans Martin. “Richard Tuttle in Krefeld: Das Achteck—ein Gag?” (Museum Haus-Lange exhibition review). Rheinische Post, 6 March 1980.

Johnen, Jörg. “Review” (Museum Haus-Lange exhibition review). Das Kunstwerk 33, no. 3 (1980): 84.

Lewis, Jo Ann. “Reviews” (Washington Project for the Arts exhibition review). Washington Post, 1 November 1980.

Mayou, Roger Marcel. “Richard Tuttle: Le dessin essential” (Centre d’art contemporain exhibition review). Le Courrier, 2 February 1980.

Muchnic, Suzanne. “Unassuming Expressions” (Baxter Art Gallery exhibition review). Los Angeles Times, 17 February 1980.

Pohlen, Annelie. “Review” (Museum Haus-Lange exhibition review). Flash Art, 96–97 (March–April 1980): 55.

Stauch-v Quitzow, Wolfgang. “Acht Nägel und ein Draht” (Museum Haus-Lange exhibition review). Mannheimer Morgen, 21 February 1980.

Wortz, Melinda. “Review” (Georgia State University Art Gallery exhibition review). Art News 79 (May 1980): 141.

1979

Ames, Richard. “Sculpture Show Found Puzzling” (College of Creative Studies exhibition review). Santa Barbara News-Press, 17 February 1979.

Beek, Willem van. “Richard Tuttle: Relatie me de Ruimte” (Stedelijk Museum exhibition review). Kunstbeeld 3 (November 1979): 28–30.

Curiger, Bice. “Minimalität der Zeichnungen und Zeichen” (List of Drawing Material catalogue review). Tages Anzeiger, 8 September 1979.

Lambarelli, Roberto G. “Review” (Galleria Ugo Ferranti exhibition review). Flash Art 86–87 (January–February 1979): 10.

Monteil, Annemarie. “Für Liebhaber des Leisen” (Annemarie Verna Galerie exhibition review). Die Weitwoche, 31 January 1979: 26.

Netter, Maria. “Zarte Objekte mit Hohem Anspuch” (Annemarie Verna Galerie exhibition review). Schweizensche Finanzzeitung, 21 February 1979.

Tuttle, Richard. “Richard Tuttle: Tre Mostre a Roma alla Galleria Ugo Ferranti, 1975, 1977, 1978.” Domus 591 (February 1979): 47.

Whelan, Richard. “Review” (Brooke Alexander and Truman Gallery exhibitions review). Art News 78 (Summer 1979): 186–187.

Zutter, Jörg. “Review” (Stedelijk Museum exhibition review). Flash Art 88–89 (March–April 1979): 11–12.

1978

Blistène, Bernard. “Review” (Galerie Yvon Lambert exhibition review). Flash Art 84–85 (October–November 1978): 18.

Dunham, Judith. “Richard Tuttle: Discerning Details” (Daniel Weinberg Gallery exhibition review). Artweek, 1 July 1978: 1, 20.

Frackman, Noel. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 52 (April 1978): 31.

Greenspan, Stuart. “Review” (Betty Parsons Gallery exhibition review). Artforum 16 (April 1978): 66–67.

Hahn, Otto. “Review” (Galerie Yvon Lambert exhibition review). L’express, 25 September 1978.

Leaderman, Pamela. “Review” (Young Hoffman Gallery exhibition review). New Art Examiner 5 (March 1978): 15.

Lecombre, Sylvain. “Review” (Galerie Yvon Lambert exhibition review). Art Press 23 (December 1978): 18.

Russell, John. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 10 February 1978.

Schulze, Franz. “Tut-tutting Richard Tuttle” (Young Hoffman Gallery exhibition review). Chicago Daily News, 25–26 February 1978.

Sozanski, Edward J. “Richard Tuttle Pushes Perception Past All Boundaries” (David Winton Bell Gallery exhibition review). Providence Journal, 5 May 1978.

Wooster, Ann-Sargent. “Review” (Betty Parsons Gallery exhibition review). Art News 77 (April 1978): 156.

1977

Christ, Dorothea. “Fliegen und Zeichen und Bauen” (Kunsthalle Basel exhibition review). Radio der Deutschen Shweiz, 24 June 1977.

Glozer, Laszlo. “Grenzgebiete der Sensibilität: Zeitgenössische Kunst in München Galerien” (Kunstraum München and Galerie Heiner Friedrich exhibition review). Süddeutsche Zeitung, 26–27 November 1977.

“Lautlose Sprache der Zeichen” (Kunsthalle Basel exhibition review). Der Bund, 7 July 1977.

Leaderman, Pamela. “Contemporary Sculpture” Renaissance Society exhibition review). Midwest Art 4 (Summer 1977): 7.

Loring, John. “Judding from Descartes, Sandbacking, and Several Tuttologies.” Print Collector’s Newsletter 7 (January–February 1977): 165–168.

Monteil, Annemarie. “Panamarenko und Tuttle in Basler Kunsthalle” (exhibition review). Vaterland (Lucerne), 16 June 1977.

Monteil, Annemarie. “Review” (Kunsthalle Basel exhibition review). Der Landbote Winterthur, 15 June 1977.

1976

Frank, Peter. “Review” (Whitney Museum of American Art exhibition review). Art News 75 (January 1976): 126–127.

Frank, Peter. “Review” (Whitney Museum of American Art exhibition review). Museumjournaal 21 (April 1976): 80–81.

Kramer, Hilton. “Our Venice Offering—More a Syllabus than a Show” (University of Massachusetts exhibition review). The New York Times, 2 May 1976.

Kutner, Janet. “Visceral Aesthetic of a New Decade’s Art” (Detroit Institute of Arts exhibition review). Arts Magazine 51 (December 1976): 100–103.

Martin, Henry. “Review” (Venice Biennale exhibition review). Art International 20 (September–October 1976): 14–24, 59.

Ratcliff, Carter. “Notes on Small Sculpture.” Artforum 14 (April 1976): 35–42.

Russell, John. “An Unwanted School in Queens Becomes an Ideal Art Center” (P.S. 1 Institute for Art and Urban Resources exhibition review). The New York Times, 20 June 1976.

Smith, Roberta. “Drawing Now (and Then)” (exhibition review). Artforum 14 (April 1976): 52–59.

Smith, Roberta. “Review” (Whitney Museum of American Art exhibition review). Artforum 14 (January 1976): 60–61.

Wilson, William. “Adrift in the Wide Open Spaces” (Otis Art Institute Gallery exhibition review). Los Angeles Times, 9 February 1976.

1975

Alloway, Lawrence. “Art” (Whitney Museum of American Art exhibition review). The Nation, 11 October 1975.

Ballatore, Sandy. “Tuttle and Serra: Anthithetical Systems” (Whitney Museum of American Art exhibition review). Artweek, 21 February 1976: 1, 16.

Battcock, Gregory. “High Art at Braniff” (Whitney Museum of American Art exhibition review). Soho Weekly News, 6 November 1975: 22.

Battcock, Gregory. “More or Less? The People Speak” (Whitney Museum of American Art exhibition review). Soho Weekly News, 23 October 1975: 23.

Baur, John I.H. “Bourdoned” (Whitney Museum of American Art exhibition review). The Village Voice, 13 October 1975: 4.

Bourdon, David. “Playing Hide and Seek in the Whitney” (exhibition review). The Village Voice, 29 September 1975: 97.

Crossley, Mimi. “Review” (Barbara Cusack Gallery exhibition review). Houston Post, 9 October 1975.

Frank, Peter. “Review” (Parsons-Truman Gallery exhibition review). Art News 74 (September 1975): 113.

Hess, Thomas B. “Private Art Where the Public Works” (Whitney Museum of American Art exhibition review). New York, 13 October 1975: 83–84.

Hodgson, Moira. “Creating the Eternal Moment.” Soho Weekly News, 18 September 1975: 22, 24, 28.

Kramer, Hilton. “Tuttle’s Art on Display at Whitney” (Whitney Museum of American Art exhibition review). The New York Times, 12 September 1975.

North, Charles. “Richard Tuttle: Small Pleasures.” Art in America 63 (November–December 1975): 68–69.

Perlmutter, E.F. “New Editions.” Art News 74 (March 1975): 59.

Perreault, John. “Tuttle’s Subtle Output” (Whitney Museum of American Art exhibition review). Soho Weekly News, 18 September 1975: 22.

Ratcliff, Carter. “New York Letter” Art International 19 (November 1975): 65–66.

Schwartz, Barbara. “Review” (Whitney Museum of American Art exhibition review). Craft Horizons 35 (December 1975): 16.

Sheffield, Margaret. “Review” (Whitney Museum of American Art exhibition review). Studio International 190 (November–December 1975): 235.

1974

Anderson, Laurie. “Review” (Princeton University exhibition review). Art News 73 (Summer 1974): 113–114.

Crichton, Fenella. “Review” (Nigel Greenwood exhibition review). Art Spectrum 1 (March 1975): 29.

Foote, Nancy. “Bill Bollinger at O.K. Harris, Richard Tuttle at Betty Parsons” (exhibition review). Art in America 62 (May–June 1974): 102–103.

Gilbert-Rolfe, Jeremy. “Line as Language: Six Artists Draw” (Princeton University exhibition review). Artforum 12 (June 1974): 66–68.

Halasz, Piri. “Princeton: A Puzzling Art Exhibit” (exhibition review). The New York Times, 10 March 1974.

Heinemann, Susan. “Review” (Betty Parsons Gallery exhibition review). Artforum 12 (June 1974): 75–76.

Herrera, Hayden. “Review” (Betty Parsons Gallery exhibition review). Art News 73 (Summer 1974): 114.

Kelder, Diane. “Prints: Artists’ Alterations” (Brooke Alexander exhibition review). Art in America 62 (March 1974): 96–97.

Lubell, Ellen. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 48 (May 1974): 58.

Mellow, James R. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 23 March 1974.

Newall, Christopher. “Review” (Nigel Greenwood exhibition review). Arts Review 27 (7 February 1975): 71–72.

Schjeldahl, Peter. “Non-event at the Museum of Modern Art: Graphics Show on Specious Theme” (exhibition review). The New York Times, 21 July 1974.

Schwartz, Barbara. “Review” (Betty Parsons Gallery exhibition review). Craft Horizons 34 (August 1974): 38.

1973

Borden, Lizzie. “Art Economics and the Whitney Drawings Show” (exhibition review). Artforum 12 (October 1973): 85–88.

Celant, Germano. “La ‘’pittura fredda’ Americana/American ‘Cool’ Painting.” Domus 523 (June 1973): 49–51.

Crimp, Douglas. “Review” (Clocktower Gallery exhibition review). Art News 48 (Summer 1973): 100–101.

Dunham, Judith. “Review” (Daniel Weinberg Gallery exhibition review). Artweek, 23 June 1973: 1, 16.

Halasz, Piri. “A Daring Paper-Art Exhibit” (Newark Museum exhibition review). The New York Times, 26 August 1973.

Krauss, Rosalind. “Sense and Sensibility: Reflection on Post ‘60s Sculpture.” Artforum 12 (November 1973): 43–53.

Meyer, Rosemary. “Review” (Clocktower Gallery exhibition review). Arts Magazine 48 (November 1973): 60–61.

Morschel, Jürgen. “Review” (Kunstraum München exhibition review). Das Kunstwerk 26 (September 1973): 75–76.

1972

Kurtz, Bruce. “Documenta 5: A Critical Preview.” Arts Magazine 46 (Summer 1972): 39.

Lubell, Ellen. “Wire/Pencil/Shadow: Elements of Richard Tuttle.” Arts Magazine 47 (November 1972): 50–52, cover.

Stabler, Margit. “Documenta 5: Einige Bemerkungen” (Museum Fridericianum exhibition review). Art International 16 (October 1972): 78–81.

1970

Glueck, Grace. “Art Shows Overflow Jewish Museum” (exhibition review). The New York Times, 14 May 1970.

Last, Martin. “Review” (Betty Parsons Gallery exhibition review). Art News 69 (April 1970): 75–76.

Perreault, John. “Review” (Betty Parsons Gallery exhibition review). The Village Voice, 26 February 1970: 19.

Pincus-Witten, Robert. “The Art of Richard Tuttle.” Artforum 8 (February 1970): 62–67, cover.

Ratcliff, Carter. “New York Letter” (Betty Parsons Gallery exhibition review). Art International 14 (May 1970): 76.

1969

Ammann, Jean-Cristophe. “Schweitzer Brief” (When Attitudes Become Form exhibition review). Art International 13 (20 May 1969): 47–50.

Andreae, Christopher. “Review” (Corcoran Gallery of Art exhibition review). Christian ScienceMonitor, 8 March 1969.

Andreae, Christopher. “Trends: ‘Soft Art’ in New Jersey” (exhibition review). Christian Science Monitor, 24 March 1969.

Burton, Scott. “Time on Their Hands” (Whitney Museum of American Art exhibition review). Art News 68 (summer 1969): 40–43.

Davis, Douglas M. “’This Is the Loose Paint Generation’: The New Painting Harks Back to Abstract Expressionism.” The National Observer, 4 August 1969.

Garver, Thomas H. “Review” (Nicholas Wilder Gallery exhibition review). Artforum 8 (September 1969): 67.

Gold, Barbara. “Corcoran: Art’s New ‘Sensibility’” (Corcoran Gallery of Art exhibition review). Baltimore Sun, 9 February 1969.

Gold, Barbara. “Corcoran Biennial: New Sensibility in Washington” (exhibition review). Arts Magazine 43 (April 1969): 30–31.

Karp, Ivan. “Here and Now” (Washington University Gallery of Art exhibition review). Arts Magazine 43 (March 1969): 49.

Pierre, José. “Les grandes vacances de l’art moderne” (When Attitudes Become Form exhibition review). L’Oeil 173 (May 1969): 10–18, 72.

Pomeroy, Ralph. “Soft Objects at the New Jersey State Museum” (exhibition review). Arts Magazine 43 (March 1969): 46–48.

Richard, Paul. “Courageous Corcoran” (exhibition review). Washington Post, 2 February 1969.

Wasserman, Emily. “Corcoran Biennial” (exhibition review). Artforum 7 (April 1969): 71–72.

1968

“The Avant-Garde: Subtle, Cerebral, Elusive.” Time, 22 November 1968: 70–77, illustrated.

Burton, Scott. “Review” (Betty Parsons Gallery exhibition review). Art News 66 (January 1968): 56.

Canaday, John. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 6 January 1968.

Lanser, Günter. “Kunst in Minimum-Form: Zur ersten Ausstellung von Richard Tuttle in Deutschland” (Galerie Schmela exhibition review). Aachener Nachrichten, 3 April 1968.

Perreault, John. “Simple, Not Simple-Minded” (Betty Parsons Gallery exhibition review). The Village Voice, 18 January 1968: 16–17.

“Stoff voller Poesie: Schmela stellt jungen Amerikaner Tuttle vor” (Galerie Schmela exhibition review). Düsseldorfer Nachrichten, 17 April 1968.

Tuttle, Richard. “Artists on Their Art.” Arts International, 15 May 1968: 48.

Wasserman, Emily. “Review” (Betty Parsons Gallery exhibition review). Artforum 6 (March 1968): 56–57.

1967

Glueck, Grace. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 25 February 1967.

Mellow, James R. “Review” (Betty Parsons Gallery exhibition review). Art International 11 (April 1967): 61.

Tabachnick, Anne. “Review” (Betty Parsons Gallery exhibition review). Art News 66 (April 1967): 9–10.

1966

“Abstractionist Paintings Set for Exhibition” (Virginia Museum of Fine Arts exhibition review). Richmond News-Leader, 18 June 1966.

Cossitt, F.D. “New Exhibits at the Museum” (Virginia Museum of Fine Arts exhibition review). Richmond Times-ispatch, 8 July 1966.

“Summer Show Opens at Museum Tuesday” (Virginia Museum of Fine Arts exhibition review). Richmond Times-Dispatch, 19 June 1966.

1965

Campbell, Lawrence. “Review” (Betty Parsons Gallery exhibition review). Art News 64 (September 1965): 11.

“The Galleries – A Critical Guide” (Betty Parsons Gallery exhibition review). NY Herald Tribune, 11 September 1965: Art B.

Hoene, Anne. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 40 (November 1965): 65–66.

Lippard, Lucy R. “New York Letter” (Betty Parsons Gallery exhibition review). Art International 9 (November 1965): 41.

Preston, Stuart. “For the Future” (Betty Parsons Gallery exhibition review). The New York Times, 12 September 1965.

“Review” (Betty Parsons Gallery exhibition review). Time, 24 September 1965.

Rose, Barbara. “ABC Art.” Art in America53 (October–November 1965): 57–69.

Rosenblum, Constance S. “Review” (Betty Parsons Gallery exhibition review). Chelsea-Clinton News, 23 September 1965.

2023

American Watercolors, 1880–1990: Into the Light (exhibition catalogue). Texts by Horace D. Ballard, Elisa Germán, Joachim Homann, Penley Knipe, Miriam Stewart, and Richard Tuttle. Cambridge, Massachusetts: Harvard Art Museums, 2023: 164–165, 168 illustrated.

Brooke, Sandy. Drawing as Expression: Techniques and Concepts. San Diego: Cognella, 2023: 121, illustrated.

Calder/Tuttle: Tentative (exhibition catalogue). Texts by Richard Tuttle and Alexander S. C. Rower. New York and Los Angeles: Pace Publishing; David Kordansky Gallery, 2023.

Delorme, Jean-Baptiste, and Stéphanie Ibars, eds. A Story of Art, Yvon Lambert, a Collection, a Donation, a Venue. Paris: Centre national des arts plastiques; Avignon: Collection Lambert; Paris: Éditions Dilecta, 2023, 187–191: illustrated.

2022

Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection (exhibition catalogue). Munich, Germany: Hirmer Publishers; Saint Louis: Saint Louis Art Museum, 2022: 33, illustrated.

Richard Tuttle: What is the Object? (exhibition catalogue). Edited by Peter N. Miller. Texts by Richard Tuttle and Renee Gladman. New York: Bard Graduate Center Gallery, 2022.

2020

Richard Tuttle: TheStars (exhibition catalogue). Edited by Charlotte Mclnnes. Texts by Richard Tuttle. London: Modern Art, 2020.

2019

The Essential Perspective: minimalisms in the Helga de Alvear Collection (exhibition catalogue). Alcobendas, Spain: Centro de Arte de Alcobendas, 2019: 74–77, illustrated.

Richard Tuttle: basis, 70s Drawings, early 70s, late 70s (exhibition catalogue). Text by Kent Mitchell Minturn; poems by Richard Tuttle. New York: Pace Gallery, 2019.

Porter, Jenelle. Vitamin T: Threads and Textiles in Contemporary Art. New York: Phaidon, 2019: 274–275, illustrated.

“Richard Tuttle, Whitney Museum (exhibition catalogue), 1975.” In Out of Bounds: The Collected Writings of Marcia Tucker. Edited by Lisa Phillips, Johanna Burton, Alicia Ritson and Kate Wiener. New York and Los Angeles: New Museum; The Getty Research Institute, 2019: 37–56, illustrated.

2018

Esplund, Lance. The Art of Looking: How to Read Modern and Contemporary Art. New York: Basic Books, 2018: 212–216, figure 15, illustrated.

Richard Tuttle: It Seems Like It’s Going To Be (exhibition catalogue). Texts by Richard Tuttle, Dorothy Kosinski and Vesela Sretenović. Washington, D.C.: The Phillips Collection, 2018.

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 110–113, illustrated.

Reed, Marcia and Glenn Phillips. Artists and Their Books, Books and Their Artists. Los Angeles: The Getty Research Institute, 2018: 186–187, illustrated.

Tuttle, Richard. A Drawing Book…. Geneva: Pace Gallery, 2018.

2017

Doubles, Dobros. Pliegues, Pares, Twins, Mitades. Dallas: The Warehouse, 2017: 42–44, illustrated.

Minimal Art from Marzona Collection (exhibition catalogue). London: Galerie Thaddaeus Ropac, 2017: 92–93, illustrated.

Jan Groth (exhibition catalogue). Bergen, Norway: Bergen Kunsthall, 2017: 25, illustrated.

Richard Tuttle: al Cielo de Noche de Lima / To the Night Sky of Lima (exhibition catalogue). Texts by Sharon Lerner and Richard Tuttle. Interview with Juan Carlos Verme. Lima, Peru: Proyecto AMIL and Museo de Arte de Lima, 2017.

Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 64, illustrated.

Storr, Robert. From the Masterpieces to Rooms Full of Art – and Back? Edinburgh: National Galleries of Scotland, 2017: 44, illustrated.

Tuttle, Richard. “In Conversation with Heidi Zuckerman.” In Permanent Collection. Summer 2017: Your Happiness. Aspen, Colorado: Aspen Art Museum, 2017: 5–7, illustrated.

Tuttle, Richard. 100 Epigrams. New York: Pace Gallery, 2017.

Tuttle, Richard. “Richard Tuttle with Chris Martin.” In Tell Me Something Good: Artist Interviews from The Brooklyn Rail. New York: David Zwirner Books, 2017: 464–471, illustrated.

Why Draw? 500 Years of Drawings and Watercolors (exhibition catalogue). Brunswick, Maine and Munich: Bowdoin College Museum of Art, DelMonico Books·Prestel, 2017: 145, illustrated.

2016

Drawing Then: Innovation and Influence in American Drawings of the Sixties (exhibition catalogue). New York: Dominique Lévy, 2016: 116, illustrated.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection (exhibition catalogue). Texts by Timothy Rub, Katherine Sachs, Joseph J. Rishel et al. Philadelphia: Philadelphia Museum of Art, 2016: 250–1, illustrated.

Gifts for the San Francisco Museum of Modern Art: The Campaign for Art. San Francisco: San Francisco Museum of Modern Art, 2016: 221, illustrated.

Julliard, Julie Enckell, ed. Nestlé Art Collection. Zurich: JRP|Ringier Kunstverlag AG, 2016: 76.

καλλίρροος Richard Tuttle Formal Alphabet (1–20, A–M) (exhibition catalogue). Texts by Dieter Schwarz and Henry Lane. Winterthur, Switzerland: Kunstmuseum Winterthur, 2016.

Pure Pulp: Contemporary Artist Working in Paper at Dieu Donné (exhibition catalogue). Clinton, New York and Munich: Ruth and Elmer Wellin Museum of Art, Hamilton College; DelMonico Books-Prestel, 2016.

Richard Tuttle: 26 (exhibition catalogue). Text by Gillian Canavan. Interview by Bill Brown. New York: Pace Gallery, 2016.

Tuttle, Richard. Interview with Richard Tuttle, Conducted by James McElhinney, November 14 and 17, 2016. Washington, D.C.: Archives of American Art, Smithsonian Institute, 2016.

2015

Agnes Martin & Richard Tuttle: Religion of Love. New York; New Mexico; Köln: Estate of Agnes Martin; Richard Tuttle; Walther König, 2015.

Berssenbrugge, Mei-mei and Richard Tuttle. Hello, The Roses (exhibition catalogue). Texts by Richard Tuttle, Steven Holl and Barbara Rose. Rhinebeck, New York: ‘T’ Space, 2015.

Both/And Richard Tuttle Print and Cloth (exhibition brochure). Philadelphia: Fabric Workshop & Museum, 2015.

Brown, Bill. Other Things. Chicago: The University of Chicago Press, 2015: cover, illustrated.

Calder Lightness, Richard Tuttle Wire Pieces, Fred Sandback 64 Three-part Pieces (exhibition catalogue). Text by Cole Swensen. Saint Louis: Pulitzer Arts Foundation, 2015.

Gross, Jennifer R., ed. Drawing Redefined: Roni Horn / Esther Kläs / Joëlle Tuerlinckx / Richard Tuttle / Jorinde Voight (exhibition catalogue). Lincoln, Massachusetts: deCordova Sculpture Park and Museum, 2015: 52–65, illustrated.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 386, illustrated.

Mitchell, Mark D. The Art of American Still Life: Audubon to Warhol (exhibition catalogue). Philadelphia: Philadelphia Museum of Art, 2015: 61, illustrated.

Objects and Bodies at Rest and in Motion (exhibition catalogue). Stockholm and Malmö: Moderna Museet, 2015.

2014

Annual 2014: Redefining Tradition (exhibition catalogue). New York: National Academy Museum, 2014: 131, illustrated.

Eva Rothschild (exhibition catalogue). Dublin and London: Dublin City Gallery The Hugh Lane; Ridinghouse, 2014: 70, illustrated.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 124–5, illustrated.

Re-View: Onnasch Collection (exhibition catalogue). London: Snoeck; Hauser & Wirth, 2014: 216–221, illustrated.

Richard Tuttle: I Don’t Know, Or The Weave of Textile Language (exhibition catalogue). Texts by Iwona Blazwick, Magnus Af Petersens, Chris Dercon, Achim Borchardt-Hume, and the artist. London: Tate Publishing; Whitechapel Gallery, 2014.

Richard Tuttle: Looking for the Map (exhibition catalogue). New York: Pace Gallery, 2014.

Richard Tuttle: Prints (exhibition catalogue). Texts by Christine von Rotenhan, Susan Tallman, Armin Kunz et al. Zurich: JRP Ringier, 2014.

Richard Tuttle: Making Silver (exhibition catalogue). Texts by Stein-Inge Ârhus, Steinar Sekkingstad and Solveig Øvstebø. Norway: Bergen Kunsthall, 2012.

The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014.

Stout, Katharine. Contemporary Drawing: From the 1960s to Now. London: Tate Publishing, 2014: 125, illustrated.

2013

Blanton Museum of Art: 110 Favorites from the Collection. Austin: Blanton Museum of Art, The University of Texas, 2013: 67, illustrated.

Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013, illustrated.

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 180–181, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 216, 217, illustrated.

Parkes, Brian and Elliat Rich. Wood: Art Design Architecture (exhibition catalogue). Adelaide, Australia: JamFactory and Botanic Gardens of Adelaide, 2013: 40, illustrated.

Pierrette Bloch. Zurich: JPR Ringier, 2013: 89, illustrated.

Richard Tuttle: The Place in the Window (exhibition catalogue). Text by Midori Matsui. Kyoto: Tomio Koyama Gallery, 2013.

2012

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 384–385, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 185, illustrated.

Handmade Holiday Cards from 20th-Century Artists. Washington, D.C.: Smithsonian Books, 2012: 81, illustrated.

Julianne Swartz: How Deep Is Your (exhibition catalogue). Lincoln, Massachusetts: De Corva Sculpture Park and Museum; Arizona: Scottsdale Museum of Contemporary Art, 2012: 24, illustrated.

Richard Tuttle: Systems, I–XII (exhibition catalogue). Text by the artist. New York: The Pace Gallery, 2012.

Tuttle, Richard. “Work is Justification for the Excuse (1972).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 721–722.

2011

Farrell, Jennifer, ed. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Texts by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr and Judith Tannenbaum. New Haven, Connecticut: Yale University Art Gallery, 2011: 290–293, illustrated.

From Picasso to Jeff Koons: The Artist as Jeweler (exhibition catalogue). Texts by Diane Venet, Barbara Rose and Adrien Goetz. Milan: Skira, 2011: 230, illustrated.

Johnson, Ken. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Munich: Prestel Verlag, 2011: 87, illustrated.

Neubauer, Susanne. Paul Thek Reproduced, 1969–1977. Munich: Verlag Silke Schreiber, 2011: 215, illustrated.

Rondeau, James. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: The Art Institute of Chicago, 2011: 140–145, illustrated.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists (exhibition catalogue). Text by Nancy E. Green. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2011: 40, illustrated.

2010

Artpark: 1974–1984 (exhibition catalogue). Texts by Sandra Q. Firmin et al. New York: Princeton Architectural Press, 2010: 63, illustrated.

Behn, Helga. Herzlich, Ihr Max. Germany: Verlag für Moderne Kunst Nürnberg, 2010: illustrated.

Birmingham Museum of Art: Guide to the Collection. London: Giles, 2010: 247, illustrated.

Contemporary Collecting: Selections from the Donna and Howard Stone Collection (exhibition catalogue). Chicago: The Art Institute of Chicago, 2010: illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Gold, Sarah, Karlyn De Jongh and Peter Lodermeyer. Personal Structures: Time-Space-Existence. Cologne: DuMont Buchverlag, 2010: 90–93, illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 80, illustrated.

Museum Brandhorst: Selected Works. Munich: Prestel Verlag, 2010: illustrated.

On-Line: Drawing through the Twentieth Century (exhibition catalogue). Texts by Catherine de Zegher and Cornelia H. Butler. New York: Museum of Modern Art, 2010: 147, 184, illustrated.

Rachel Whiteread Drawings (exhibition catalogue). Los Angeles: Hammer Museum, 2010: illustrated.

Rattemeyer, Christian, et al. Exhibiting the New Art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’ 1969. London: Afterall, 2010: illustrated.

Re-view: New Perspectives on the Stedelijk Museum Collection. Amsterdam: Stedelijk Museum, 2010: illustrated.

Richard Tuttle: Triumphs (exhibition catalogue). Texts by Barbara Dawson, Thomas McEvilley, Michael Dempsey et al. Dublin: Dublin City Art Gallery The Hugh Lane, 2010.

Seeing Intimacy: Richard Tuttle on Paper (exhibition catalogue). Interview with Jennifer Gross. New York: Craig F. Starr Gallery, 2010.

2009

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection (exhibition catalogue). Text by Christian Rattemeyer and Cornelia Butler New York: The Museum of Modern Art, 2009: 71, illustrated.

If We Could Imagine (exhibition catalogue). Texts by Emily Wei Rales and Jeffrey Weiss. Potomac, Maryland: Glenstone Foundation, 2009: 86, illustrated.

Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009: 349–341, illustrated.

New York/New Drawings 1946–2007 (exhibition catalogue). Texts by Elizabeth Finch and William Corbett. Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2009: 261, 263, illustrated.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 269–270, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009.

Richard Tuttle: Renaissance Unframed 1-26 (exhibition catalogue). New York: Carolina Nitsch Project Room, 2009: illustrated.

Target Practice: Painting Under Attack 1949–78(exhibition catalogue). Washington: Seattle Art Museum, 2009: 66, illustrated.

The Third Mind: American Artists Contemplate Asia, 1860–1989 (exhibition catalogue). New York: Guggenheim Museum Publications, 2009: illustrated.

Unfolding Process: Conceptual and Material Practice on Paper (exhibition catalogue). Ithaca, New York: The Herbert F. Johnson Museum of Art, Cornell University, 2009: illustrated.

2008

Action/Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). New York: The Jewish Museum, 2008.

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 203–205, illustrated.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 520.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 46.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon et al. New York and New Haven: The Jewish Museum and Yale University Press, 2008: 225, illustrated.

Schall, Jan and Robert Storr. Sparks! The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art (exhibition catalogue). Kansas City, Missouri: Trustees of the Nelson-Atkins Museum of Art, 2008: 120–121, illustrated.

Selections from the Frances and John Bowes Collection. San Francisco: California College of the Arts MA Program in Curatorial Practice, 2008: 62–63, illustrated.

Styrofoam (exhibition brochure). Providence: Museum of Art, Rhode Island School of Design, 2008: illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: Museum of Contemporary Art, 2008.

2007

Harper, Glenn and Twylene Moyer. Conversations on Sculpture. Foreword by Twylene Moyer and Glenn Harper. Introduction by Jann Garden Castro. Hamilton, New Jersey: International Sculpture Center Press, 2007: 258–265, illustrated and discussed.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 316, plate 301, illustrated.

2006

Against the Grain: Contemporary Art from the Edward R. Broida Collection (exhibition catalogue). Text by John Elderfield. Interview by Ann Temkin. New York: The Museum of Modern Art, 2006.

DiMeo, Annette and Kelly Baum, eds. Blanton Museum of Art: American Art Since 1900. Austin, Texas: Blanton Museum of Art, the University of Texas, 2006.

Jenny, Christine. Transformationen im Werk von Richard Tuttle, 1965–1975. Berlin: Dietrich Reimer Verlag, 2006.

The Kreutzer Sonata: Historical Work by Richard Tuttle (exhibition catalogue). New York: Nyehaus and Zwirner & Wirth, 2006.

Nothing and Everything (exhibition catalogue). San Francisco: Fraenkel Gallery, 2006: no. 20, illustrated.

Perez-Oramas, Luis. An Atlas of Drawings: Transforming Chronologies (exhibition catalogue). New York: The Museum of Modern Art, 2006.

Richard Tuttle: Unfold/Half-Light Alphabet (exhibition catalogue). Texts by Ludwig Seyfarth, Jean-Charles Vergne, Frédéric Paul and Marc Donnadieu. France: Frac Auvergne, 2006.

2005

Baas, Jacquelynn. Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today. Berkeley, California: University of California Press, 2005: 240–247.

Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). Ostfildern-RuitL Hatje Cantz Verlag, 2005.

Dogs in A Hurry. Leenwarden, the Netherlands: VHDG Publishers, 2005.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Garrels, Gary. Drawing from the Modern: 1945–1975. New York: The Museum of Modern Art, 2005.

Grynsztejn, Madeleine, ed. The Art of Richard Tuttle (exhibition catalogue). Texts by Cornelia H. Butler, Richard Shiff, Katy Siegel, and Robert Storr. San Francisco: San Francisco Museum of Modern Art, 2005.

Minimalism and Beyond (exhibition brochure). St. Louis, Missouri: Pulitzer Foundation for the Arts, 2005.

Rothfuss, Joan and Elizabeth Carpenter. Bits & Pieces Put Together to Present a Semblances of Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 559–560.

Sight Lines: Postwar to Contemporary Art: The Kohlberg Kravis Roberts Collection. New York: KKR & Co., 2005: 110–111.

2004

Color as Language. New York: Drawing Center, 2004.

Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread (exhibition catalogue). London; New York: Merrell, 2004.

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 230, illustrated.

L’EXCES: cette mesure. Paris: Yvon Lambert, 2004.

Indonesian Textiles. Santa Fe, New Mexico: Tai Gallery / Textile Arts, 2004.

Richard Tuttle: Manifesto, Drawing Papers 49. New York: Drawing Center, 2004.

Richards, Judith Olch, ed. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International, 2004.

Tuttle, Richard. “Richard Tuttle, February 19, 1998.” In Inside the Studio: Two Decades of Talks with Artists in New York, edited by Judith Olch Richards, 100–193. New York: Independent Curators International, 2004.

Tuttle, Richard. “Thesis, Antithesis, Synthesis.” In Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread (exhibition catalogue). New York: Cooper-Hewitt, National Design Museum / Merrell, 2004.

2003

Albon, George. Brief Capital of Disturbances. Richmond, Virginia: Omnidawn, 2003: cover.

Assemblage (exhibition catalogue). Text by Julia Robinson. New York: Zwirner & Wirth, 2003.

Back to the Present: Minimalist Works from the Museum’s Collection (exhibition brochure). Providence: Rhode Island School of Design Museum, 2003.

Berssenbrugge, Mei-mei. Nest. Berkeley, California: Kelsey St. Press, 2003: cover.

Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art (exhibition catalogue). New York: The Museum of Modern Art, 2003.

Richard Tuttle: Celebration (exhibition catalogue). Zurich: Annemarie Verna Galerie, 2003.

Waters, John and Bruce Hainley. Art—A Sex Book. London: Thames and Hudson, 2003.

2002

Deedman, Heather, Richard Tuttle and Zoe Irvine. Cowboy Story. Newcastle and Gateshead, United Kingdom: Morning Star / BALTIC—The Centre for Contemporary Art, 2002.

Field of Stars: A Book on the Books / Richard Tuttle. Santago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2002.

Heartney, Eleanor et al. A Capital Collection: Masterworks from the Corcoran Gallery of Art. Washington, D.C.: Corcoran Gallery of Art, 2002.

Helfenstein, Josef and Jonathan Fineberg, eds. Drawings of Choice from a New York Collection (exhibition catalogue). Champaign, Illinois: Krannert Art Museum, 2002: 162–165, illustrated.

McShine, Kynaston and Anne Umland, eds. To Be Looked At: Painting and Sculpture from the Collection (exhibition catalogue). New York: The Museum of Modern Art, 2002.

Richard Tuttle: Memento, cENTER (exhibition catalogue). Texts by Miguel Fernández-Cid and Vicente Todoll, Susan Harris et al. Porto and Santiago de Compostela: Museu de Arte Contemporânea de Serralves; Centro Galego de Arte Contemporánea, 2002.

Richard Tuttle: When We Were at Home (exhibition catalogue). Düsseldorf: Galerie Schmela, 2002.

Stroud, Marion Boulton. New Material as New Media: The Fabric Workshop and Museum. Cambridge, Massachusetts: MIT Press, 2002.

2001

American Visionaries: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2001: 313, illustrated.

Brodie, Judith and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2001.

Extra Art: A Survey of Artists’ Ephemera, 1960–1999 (exhibition catalogue). Texts by Anne Moeglin-Delcroix, Steven Leiber, Todd Alden et al. Santa Monica, California: Smart Art Press, 2001.

Eye of Modernism (exhibition brochure). Santa Fe, New Mexico: Georgia O’Keeffe Museum, 2001.

Green on Greene (exhibition catalogue). Text by Robert Rosenblum. New York: Sperone Westwater, 2001.

Haldemann, Matthias, ed. Richard Tuttle: Replace the Abstract Picture Plane. Text by Guido Baselgia. Ostfildern-Ruit: Hatje Cantz Verlag, 2001.

Onnasch: Aspects of Contemporary Art (exhibition catalogue). Barcelona: Actar, 2001.

Poetry Plastique (exhibition catalogue). New York: Marianne Boesky Gallery, 2001.

Rakusa, Ilma. White Sails. Zurich: Annemarie Verna Galerie, 2001.

Richard Tuttle: In Parts, 1998–2001 (exhibition catalogue). Text by Claudia Gould, Charles Bernstein and Ingrid Schaffner. Philadelphia: Institute of Contemporary Art, 2001.

Tramas y Ensamblajas (exhibition catalogue). Oaxaca, Mexico: Museo de Arte Contemporaneo de Oaxaca, 2001.

Tuttle, Richard. “From Some Source.” In Tony Smith: Paintings and Sculpture 1965–65 (exhibition catalogue). New York: Mitchell-Innes & Nash, 2001.

Tuttle, Richard. “Stopped and Started Motion.” In XLIX Esposizione d’arte: La Biennale di Venezia (exhibition catalogue). Venice: La Biennale di Venezia, 2001.

2000

Arte Americana: Ultimo decenni (exhibition catalogue). Texts by Claudio Spadoni, Alan Jones, Roberto Daolio and Fernanda Pivano. Ravenna, Italy: Museo d’Arte della Citta di Ravenna, 2000.

Bee, Susan and Mira Schor, eds. M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. Durham, North Carolina: Duke University Press, 2000.

Da Warhol al 2000: Gian Enzo Sperone 35 anni di mostre fra Europa e America (exhibition catalogue). Turin,. Italy: Regione Piemonte, 2000: 60.

Food for the Mind: Die Sammlung Udo und Anette Brandhorst (exhibition catalogue). Munich: Bayerische Staatsgemäldesammlungen, 2000.

Hard Pressed: 600 Years of Prints and Process (exhibition catalogue). New York: Hudson Hills, 2000.

Krauss, Rosalind. “Sense and Sensibility: Reflection on Post ‘60s Sculpture.” In Minimalism. Edited by James Meyer. London: Phaidon, 2000. Reprint, ArtForum 12 (November 1973).

Open Carefully. New York: Sperone Westwater, 2000.

Pintura (exhibition catalogue). Auvergne, France: FRAC Auvergne, 2000.

Ratcliff, Carter. Out of the Box: The Reinvention of Art 1965–1975. New York: Allworth Press / School of Visual Arts, 2000.

Richard Tuttle: Perceived Obstacles (exhibition catalogue). Cologne: Verlag der Buchhandlung Walther König, 2000.

Richard Tuttle: Reservations (exhibition catalogue). Texts by John Yau and Christine Kintisch. Vienna: BAWAG Foundation, 2000.

Soft White: Lighting Design by Artists (exhibition catalogue). Amherst, Massachusetts: University Gallery, Fine Arts Center, University of Massachusetts, 2000.

Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950–2000 (exhibition catalogue). Bremen, Germany: Kunsthalle Bremen, 2000.

Whitney Biennial (exhibition catalogue). New York: Whitney Museum of American Art, 2000.

1999

Afterimage: Drawing Through Process (exhibition catalogue). Texts by Pamela M. Lee and Cornelia H. Butler. Los Angeles: The Museum of Contemporary Art, 1999: illustrated.

Circa 1968 (exhibition catalogue). Texts by Vicente Todoli and João Fernandes. Porto, Portugal: Museu Serralves, Museu de Arte Contemporânea, 1999.

Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999.

Gross, Jennifer. “Richard Tuttle: Reframing Modernism, 1965–1995.” Ph.D. dissertation, CUNY Graduate Center, 1999.

One Voice in Four Parts. New York: Printed Matter, Inc., 1999.

Richard Tuttle: Community (exhibition catalogue). Text by Kathy Cottong. Chicago: Arts Club of Chicago, 1999.

The Rocket Four: Artist Books of the Turkey Press (exhibition catalogue). Text by Dr. Wulf von Lucas. Stuttgart: Cantz, 1999.

White Fire, Flying Man: Amerikanische Kunst 1959–1999 in Basel, Werke aus Öffenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung (exhibition catalogue). Basel: Museum für Gegenwartskunst, 1999.

1998

Agnes Martin/Richard Tuttle (exhibition catalogue). Text by Michael Auping. Fort Worth, Texas: Modern Art Museum of Fort Worth, 1998.

Berssenbrugge, Mei-mei and Richard Tuttle. Four Year Old Girl. Berkeley, California: Kelsey St. Press, 1998.

Drawing the Question: Dan Asher, Eva Hesse, Ree Morton, Sol LeWitt, Sheila Pepe, and Richard Tuttle (exhibition catalogue). New York: Dorsky Gallery, 1998.

The Edward R. Broida Collection: A Selection of Works (exhibition catalogue). Orlando: Orlando Museum of Art, 1998.

Magasin 3 Stockholm 10 àr=ten years, 1988–1998 (exhibition catalogue). Stockholm: Magasin 3, 1998.

North, Charles. “Richard Tuttle: Small Pleasures.” In No Other Way: Selected Prose. Brooklyn: Hanging Loose Press, 1998. Reprint, Art in America 63 (November–December 1975).

Original Scale (exhibition brochure). New York: Apex Art, 1998.

Reading Red: Richard Tuttle. Texts by Charles Bernstein and Wolfgang Becker. Cologne: Verlag der Buchhandlung Walther König, 1998.

Richard Tuttle: Small Sculptures of the 70s. Zurich: Annemarie Verna Gallery, 1998.

1997

Anthology. Edinburgh: Morning Star Publications, 1997.

At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996 (exhibition catalogue). Texts by Ralph Rugoff and Susan Stewart. New York: Independent Curators, Inc., 1997.

La Biennale di Venezia, 47th Esposizione Internazionale d’Arte (exhibition catalogue). Milan: Electa, 1997: 618–625, illustrated.

Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection (exhibition catalogue). Cambridge, Massachusetts: Harvard University, 1997.

I Thought I Was Going on a Trip But I Was Only Going Down Stairs. North York: Ontario: Art Gallery of York University, 1997.

Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermächtnis (exhibition catalogue). Basel: Öffentliche Kunstsammlung Basel, 1997.

Papierskulptur (exhibition catalogue). Linz, Austria: Oberösterreichisches Landsmuseum, 1997.

Richard Tuttle: Books & Prints (exhibition brochure). Texts by Robert M. Murdock and Robert Rainwater. New York: New York Public Library, 1997.

Richard Tuttle: Triangles: Two Pinwheels (exhibition catalogue). London: Coracle Press, 1985.

1996

Brown, Kathan. Ink, Paper, Metal, Wood: Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.

Richard Tuttle: Grey Walls Work (exhibition catalogue). Text by John Hutchinson. Interview by Paul Nesbitt. London: Camden Arts Centre, 1996.

Schwere-los Skulpturen (exhibition catalogue). Linz, Austria: Oberösterreichisches Landesmuseum, 1996.

Tuttle, Richard. “Work is Justification for the Excuse.” In Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, California Studies in the History of Art 35. Edited by Kristine Stiles. Berkeley and Los Angeles: University of California Press, 1996.

Tuttle, Richard. “Working the Land: Artists’ Relationships to Their Place.” In Voices in New Mexico Art. Edited by David Turner and Susan Benforado Bakewell. Santa Fe: Museum of Fine Arts, Museum of New Mexico, 1996.

1995

Carnegie International 1995 (exhibition catalogue). Pittsburgh: Carnegie Museum of Art, 1995.

Contemporary Drawing: Exploring the Territory (exhibition catalogue). Text by Mark Rosenthal. Aspen, Colorado: Aspen Art Museum, 1995.

Painted Frames, for Alma Ruempol. Munich: Wassermann Edition, 1995.

Pamphlet, 1995. Los Angeles: Kohn Turner Gallery, 1995.

Richard Tuttle: Selected Works 1964–1994 (exhibition catalogue). Text by Gerhard Mack. Tokyo: Sezon Museum of Art, 1995.

Richard Tuttle: Warm Brown, 1–67 and Mesa Pieces. Klagenfurt, Austria: Kärntner Landesgalerie, 1995.

Yeats, W.B. The Gyres: Source of Imagery. Poestenkill, New York: Kaldewey Press, 1995.

1994

Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman (exhibition catalogue). Text by Gerhard Mack. Zurich and Ostfildern, Germany: Kunsthaus Zurich; Cantz Verlag, 1994.

Evolutions in Expression: Minimalism and Post-Minimalism from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1994.

On a Clear Day (exhibition catalogue). Text by Carmen Schliebe and Markus Stegmann. Baden-Baden, Germany: Staatliche Kunsthalle, 1994: 33, illustrated.

Western Artists/African Art (exhibition catalogue). New York: Museum for African Art, 1994.

Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst (exhibition catalogue). Basel: Museum für Gegenwartskunst, Öffenliche Kunstsammlung, 1994.

1993

Folded Space. Berkeley: University Art Museum and Pacific Film Archive; Limestone Press, 1993.

Richard Tuttle: Book and Cover. Santa Fe, New Mexico: Laura Carpenter Fine Art, Inc., 1993.

Richard Tuttle: Chaos, the Form (exhibition catalogue). Texts by Jochen Poetter and Margrit Franziska Brehm. Baden-Baden: Staatliche Kunsthalle Baden-Baden, 1993.

Sphericity: Mei-mei Berssenbrugge, Poems; Richard Tuttle, Drawings. Berkeley: Kelsey Street Press, 1993.

Strickland, Edward. Minimalism: Origins. Bloomington: Indiana University Press, 1993.

1992

A/D at the Peter Joseph Gallery (exhibition catalogue). Text by Elisabeth Cunnick. New York: Peter Joseph Gallery, 1992: 44, 45, illustrated.

Arte Americana, 1930–1970 (exhibition catalogue). Turin, Italy: Fiat-Lingotto, 1992.

Charge to Exist. Wintherthur, Switzerland: Kunstmuseum Wintherthur, 1992.

Kerber, Bernhard. Bestände Onnasch. Bremen: Neuen Museums Weserburg, 1992.

New Directions in Multiples (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1992.

Oxyderood / Red Oxide (exhibition catalogue). Texts by Alma Ruempol, Jan Eijkelboom and Margreet Eijkelenboom-Vermeer. Rotterdam: Museum Boymans-van Beuningen, 1992.

Paolo Uccello: Battaglie nell’arte del XX secolo (exhibition catalogue). Erice, Italy: La Salerniana, 1992.

Plastic History. Munich: Wassermann Galerie, 1992.

The Poetry of Form: Richard Tuttle, Drawings from the Vogel Collection (exhibition catalogue). Texts by Jack Cowart, Bret Waller, Susan Harris et al. Amsterdam and Valencia: Institute of Contemporary Art; Institut Valencià d’Art Modern, 1992.

1991

Discarded (exhibition brochure). West Nyack, New York: Rockland Center for the Arts, 1991.

Early Auden. San Francisco: Hine Editions, 1991.

Emanuel Hoffmann-Stiftung. Basel: Emanuel Hoffmann-Stiftung, 1991: illustrated.

Guest, Barbara. The Altos. San Francisco: Hine Editions / Limestone Press, 1991.

Hall, Lee. Betty Parsons: Artist, Dealer, Collector. New York: Harry N. Abrams, Inc., 1991.

Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts (exhibition catalogue). Basel: Kunstmuseum Basel, 1991.

Richard Tuttle (exhibition catalogue). Amsterdam and The Hague: Institute of Contemporary Art; Sdu Publishers, 1991.

Richard Tuttle: Crickets (exhibition catalogue). Barcelona: Fundació “la Caixa,” 1991.

Richard Tuttle: Twenty Floor Drawings (exhibition catalogue). Texts by Susan Harris and Richard Marshall. Amsterdam: Institute of Contemporary Art, 1991.

Stubborn Painting: Now and Then (exhibition catalogue). New York: Max Protetch Gallery, 1991.

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: Vendome Press, 1991.

1990

Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona (exhibition catalogue). Bielefeld, Germany: Kunsthalle Bielefeld, 1990.

Eight Words from a Reading at Brooklyn College. Florence: Galleria Victoria Miro, 1990.

The New Sculpture 1965–75: Between Geometry and Gesture (exhibition catalogue). Texts by Ellen Lubell, Robert Pincus-Witten, Richard Armstrong et al. New York: Whitney Museum of American Art, 1990.

Octavo for Annemarie. Zurich: Annemarie Verna Galerie, 1990.

Richard Tuttle (exhibition catalogue). Hannover, Germany: Sprengel Museum Hannover, 1990.

Richard Tuttle: Lonesome Cowboy Styrofoam. New York and Santa Fe, New Mexico: Blum Helman Gallery; Gallery Casa Sin Nombre, 1990.

Stendhal Syndrome: The Cure (exhibition catalogue). Texts by Rhonda Lieberman, Catherine Liu and Laurence Rickels. New York: Andrea Rosen Gallery, 1990.

Vienna Gotico. Rome: Galleria Alessandra Bonomo, 1990.

1989

Contemporary Illustrated Books: Word and Image, 1967–1988 (exhibition catalogue). Text by Donna Stein. New York: Independent Curators, Inc., 1989.

40 Tage: Mit Einem Text des Kunstlers / Zeichnungen. Bonn and Vienna: Galerie Erhard Klein; Galerie Hubert Winter, 1989.

Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York (exhibition catalogue). New York: Whitney Museum of American Art, 1989.

Tuttle, Richard. “Kunst kahn man so oder so nicht sehen—One Can See Art in This Way or Not in That.” In Moskau Wien, New York: Kunst zur Zeit: Eine Ausstellung der Wiener Festwochen. Edited by Hubert Winter. Vienna: Der Festwochen, 1989.

1988

Baker, Kenneth. Minimalism: Art of Circumstance. New York: Abbeville Press, 1988.

(C)Overt: A Series of Exhibitions (exhibition brochure). New York: P.S. 1, Institute for Art and Urban Resources, 1988.

From the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Elmira, New York: Arnot Art Museum, 1988.

Köln sammelt: Zeitgenössiche Kunst aus Kölner Privatbesitz (exhibition catalogue). Cologne: Museum Ludwig, 1988.

Richard Tuttle: Portland Works 1976 (exhibition catalogue). Cologne and Boston: Galerie Kartsen Greve; Thomas Segal Gallery, 1988.

Richard Tuttle: Space in Finland (exhibition catalogue). Düsseldorf: Galerie Schmela, 1988.

Richard Tuttle: XX Blocks (exhibition catalogue). Bari, Italy: Galleria Marilena Bonomo, 1988.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer Jr. Cambridge: Harvard University Art Museums, 1988: 901–5, illustrated.

Sandler, Irving. American Art of the 1960s. New York: Harper & Row, 1988.

Skulpturen Republik (exhibition catalogue). Vienna: Kunstraum Wien im Messepalast, 1988.

Source and Inspiration: A Continuing Tradition (exhibition catalogue). New York: Hirschl & Adler Folk, 1988.

Three Decades: The Oliver-Hoffmann Collection (exhibition catalogue). Chicago: Museum of Contemporary Art, 1988.

Tuttle, Richard. “A Love Letter to Fontana.” In Lucio Fontana (exhibition catalogue). Amsterdam and London: Stedelijk Museum; Whitechapel Art Gallery, 1988.

Tuttle, Richard and Mei-mei Berssenbrugge. “Epilogue.” In Literary Vision. New York: Jack Tilton Gallery, 1988.

Van Bruggen, Coosje. Bruce Nauman. New York: Rizzoli, 1988.

Vuorikoski, Timo, ed. Amerikkalaista nykytaidetta (exhibition catalogue). Tamperr, Finland: Sara Hildén Art Museum, 1988.

Zeichenkunst der Gegenwart: Sammlung Prinz Franz von Bayern (exhibition catalogue). Munich: Staatliche Graphische Sammlung München, 1988.

1987

Armstrong, Tom. 1987 Biennial Exhibition (exhibition catalogue). Text by Richard Armstrong. New York: Whitney Museum of American Art in association with W.W. Norton, 1987: 134–136.

Berssenbrugge, Mei-mei. Hiddenness. New York: Library Fellows of the Whitney Museum of American Art, 1987.

Cutts, Simon. Palpa: For Richard Tuttle. London: Victoria Miro Gallery, 1987.

Cutts, Simon and Richard Tuttle. Loophole. London: Victoria Miro Gallery / Coracle Press, 1987.

Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung (exhibition catalogue). Bern: Kunstmuseum Bern, 1987.

Jenseits des Bildes: Werke von Robert Barry, Sol LeWitt, Robert Mangold, Richard Tuttle aus der Sammlung Dorothy and Herbert Vogel, New York (exhibition catalogue). Bielefeld: Kunsthalle Bielefeld, 1987.

Metaphor: Myron Stout, Richard Tuttle. Richard Wentworth, Win Knowlton (exhibition catalogue). New York: Kent Fine Art, Inc., 1987.

1967: At the Crossroads (exhibition catalogue). Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1987.

Pincus-Witten, Robert. “The Art of Richard Tuttle.” In Postminimalism into Minimalism: American Art, 1966–1986. Ann Arbor: UMI Research Press, 1987. Reprint, Artforum 8 (February 1970).

Richard Tuttle (exhibition catalogue). Paris: ARC, Musée d’art moderne de la ville de la Paris, 1987.

Richard Tuttle: The Baroque and Color / Das Barocke und die Farbe (exhibition catalogue). Graz, Austria: Neue Galerie am Landesmuseum Joanneum, 1987.

Richard Tuttle: Nimes au printemps (exhibition catalogue). Nîmes, France: Galerie des Arènes, Musée d’Art Contemporain—Carré d’Art, 1987.

Richard Tuttle: Wire Pieces (exhibition catalogue). Texts by Ellen Lubell, Hermann Kern, Germano Celant et al. Bordeaux, France: CAPC, Musée d’art contemporain de Bordeaux, 1987

Selections from the Roger and Myra Davidson Collection of International Contemporary Art (exhibition catalogue). Toronto: Art Gallery of Ontario, 1987.

Sculptors on Paper: New Work (exhibition catalogue). Text by René Paul Barilleaux. Madison, Wisconsin: Madison Art Center, 1987.

Skulptur Projekte in Münster 1987 (exhibition catalogue). Muenster: Landschaftsverband Westfalen-Lippe, 1987.

1986

Beelden in Glas / Glass Sculpture (exhibition catalogue). Leerdam, the Netherlands: Fort Asperen, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Little Rock: Department of Art Galleries, University of Arkansas, 1986.

Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975 (exhibition catalogue). Madrid: Palacio de Velázquez, Parque del Retiro, 1986.

Prospect 86 (exhibition catalogue). Frankfurt: Frankfurter Kunstverein, 1986.

Richard Tuttle, le bonheur et la couleur (exhibition catalogue). Bordeaux, France: CAPC Musée d’art contemporain de Bordeaux, 1986.

SkulpturSein (exhibition catalogue). Düsseldorf: Städtische Kunsthalle Düsseldorf, 1986.

Wien Fluss, 1986 (exhibition catalogue). Vienna: Wiener Festwochen, 1986.

1985

Affiliations: Recent Sculpture and Its Antecedents (exhibition brochure). New York: Whitney Museum of American Art, 1985.

Correspondences: New York Art Now (exhibition catalogue).

Dracos Art Center (exhibition catalogue). Text by Vicky Dracos. Athens: Dracos Art Center, 1985: illustrated.

Drawings Acquisitions: 1981–1985 (exhibition catalogue). New York: Whitney Museum of American Art, 1985.

Dreissig Jahre durch die Kunst: Museum Haus Lange, 1950–1985 (exhibition catalogue). Krefeld: Krefelder Kunstmuseen, 1985.

Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art (exhibition catalogue). Text by Richard Brown Baker. Providence: Museum of Art, Rhode Island School of Design, 1985.

Neve (exhibition catalogue). Bari, Italy: Galleria Marilena Bonomo, 1985.

Richard Tuttle (exhibition catalogue). Text by Dierk Stemmler. Mönchengladbach, Germany: Städtisches Museum Abteiberg, 1985.

Richard Tuttle. Δs: Works 1964–1985 / Two Pinwheels: Works 1964–1985 (exhibition catalogue). London and Edinburgh: Coracle Press / Institute of Contemporary Art; Fruitmarket Gallery, 1985.

Sculptures, première approach pour un parc (exhibition catalogue). Jouy-en-Josas, France: Fondation Cartier pour l’art contemporain, 1985.

Spuren, Skulpturen und Monumente ihrer präzisen Reise (exhibition catalogue). Zurich: Kunsthaus Zurich, 1985.

Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle (exhibition catalogue). Urbana-Champaign: Krannert Art Museum, University of Illinois, 1985.

Vom Zeichnen: Aspekte der Zeichnung 1960–1985 (exhibition catalogue). Frankfurt: Frankfurter Kunstverein, 1985.

Wasserfarbenblatter von Joseph Beuys, Nicola De Maria, Gerhard Richter, Richard Tuttle (exhibition catalogue). Muenster: Westfälischer Kunstverein, 1985.

1984

Aquarelle (exhibition catalogue). Kassel: Kasseler Kunstverein, 1984.

Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection (exhibition catalogue). Montreal: Montreal Museum of Fine Arts, 1984.

Forms That Function (exhibition brochure). Katonah, New York: Katonah Gallery, 1984.

Freeman, Phyllis, Eric Himmel, Edith Pavese and Anne Yarowsky, eds. New Art. New York: Harry N. Abrams, Inc., 1984.

Joosten, Joop M., ed. 20 jaar verzamelen: aanwinsten Stedelijk Museum Amsterdam, 1963–1984: schilder- en beeldhouwkunst / 20 Years of Art Collecting: Acquisitions Stedelijk Museum Amsterdam, 1963–1984: Painting and Sculpture. Amsterdam: Stedelijk Museum, 1984.

Painting and Sculpture Today, 1984 (exhibition brochure). Indianapolis: Indianapolis Museum of Art, 1984.

Schjeldahl, Peter. Art of Our Time: The Saatchi Collection, Volume 1. London: Lund Humphries, 1984.

Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art (exhibition brochure). New York: Whitney Museum of American Art, 1984.

The Tremaine Collection: Twentieth-Century Masters, The Spirit of Modernism (exhibition catalogue). Hartford, Connecticut: Wadsworth Atheneum, 1984.

1983

American Works on Paper: 100 Years of American Art History (exhibition catalogue). Kansas City, Missouri: Lowell Press, 1983.

Ars 83 Helsinki (exhibition catalogue). Helsinki: Ateneumin Taidemuseo, 1983.

Brown, Julia and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections 1940–1980 (exhibition catalogue). Los Angeles: Museum of Contemporary Art, 1983.

A Drawing Book. Vienna: Galerie Hubert Winter, 1983.

Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection (exhibition brochure). Text by Patterson Sims. New York: Whitney Museum of American Art, 1983.

Objects, Structures, Artifice (exhibition catalogue). Tampa: SVC Fine Arts Gallery, University of South Florida, 1983.

Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefel: Amerikanische und Europäische Kunst der sechziger und siebziger Jahre (exhibition catalogue). Krefeld, Germany: Kaiser Wilhelm Museum, 1983.

1982

Documenta 7 (exhibition catalogue). Kassel: D.V.P. Dierichs, 1982.

Du livre (exhibition brochure). Rouen, France: Musée des Beaux-Arts, 1982.

Prints by Contemporary Sculptors (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1982.

74th American Exhibition (exhibition catalogue). Chicago: Art Institute of Chicago, 1982.

‘60–’80: Attitudes/Concepts/Images (exhibition catalogue). Amsterdam: Stedelijk Museum, 1982.

20th Anniversary Exhibition of the Vogel Collection (exhibition catalogue). Postdam, New York: Brainerd Art Gallery, 1982.

1981

Amerikanische Malerei: 1930–1980 (exhibition catalogue). Munich: Haus der Kunst. 1981.

Art Materialized: Selections from the Fabric Workshop (exhibition catalogue). Texts by Sarah McFadden and Carter Ratcliff. New York: Independent Curators, Inc., 1981.

Cummings, Paul. Twentieth-Century Drawings: Selections from the Whitney Museum of American Art. New York: Dover, 1981.

Drawing Acquisitions, 1978–1981 (exhibition catalogue). New York: Whitney Museum of American Art, 1981.

Drawing Distinction: American Drawings of the Seventies (exhibition catalogue). Humlebæk, Denmark: Louisiana Museum of Modern Art, 1981.

Hughes, Robert. The Shock of the New. New York: Alfred A. Knopf, 1981.

Il limite svelato: Artista, cornice, pubblico (exhibition catalogue). Turin, Italy: Museo Civico di Torino, 1981.

Murs (exhibition catalogue). Paris: Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, 1981.

New Works of Contemporary Art and Music (exhibition catalogue). Edinburgh: Graeme Murray Gallery, 1981.

No Title: The Collection of Sol LeWitt (exhibition catalogue). Text by John T. Paoletti. Middleton, Connecticut: Wesleyan University in association with the Wadsworth Atheneum, 1981.

Relief(s): Richard Tuttle, Nancy Bowen, Don Hazlitt (exhibition brochure). Rennes, France: Institut Franco-Américain, 1981.

Selections from the Chase Manhattan Bank Art Collection (exhibition catalogue). Amherst: University Gallery, University of Massachusetts, 1981.

Vonal (exhibition catalogue). Pécs, Hungary: Pésci Galéria, 1981.

Westkunst: Zeitgenössische Kunst seit 1939 (exhibition catalogue). Cologne: DuMont, 1981.

1980

Art/Book/Art (exhibition catalogue). Detroit: Detroit Institute of Arts, 1980.

Drawn in Space (exhibition brochure). Washington, D.C.: Washington Project for the Arts, 1980.

Explorations in the ‘70s (exhibition catalogue). Pittsburgh: Pittsburgh Plan for Art, 1980.

Maximum Coverage: Wearables by Contemporary American Artists (exhibition catalogue). Sheboygan, Wisconsin: John Michael Kohler Arts Center, 1980.

Pier + Ocean: Construction in the Art of the Seventies (exhibition catalogue). London: Hayward Gallery, 1980.

Printed Art: A View of Two Decades (exhibition catalogue). Text by Riva Castleman. New York: The Museum of Modern Art, 1980.

Richard Tuttle: From 210 Collage-Drawings (exhibition catalogue). Texts by Michael H. Smith and Susan C. Larsen. Pasadena, California: Baxter Art Gallery, California Institute of Technology, 1980.

Richard Tuttle: 12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980 (exhibition catalogue). Krefeld, Germany: Kaiser Wilhelm Museum der Stadt Krefeld, 1980.

Skulptur im 20. Jahrhundert (exhibition catalogue). Basel: Werner Druck, 1980.

1979

The Language of Abstraction (exhibition catalogue). Text by Susan Larsen. New York: American Abstract Artists, 1979.

Brown, Milton W., Sam Hunter, John Jacobus, Naomi Rosenblum and David M. Sokol. American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography. New York: Harry N. Abrams, Inc., 1979.

Material Pleasures: The Fabric Workshop at ICA (exhibition catalogue). Philadelphia: Institute of Contemporary Art, 1979: 21, illustrated.

Pittura-Ambiente (exhibition catalogue). Milan: Arti grafiche Cordani, 1979.

Richard Tuttle (exhibition catalogue). Bordeaux, France: Centre d’Arts Plastiques Contemporaine, 1979.

Richard Tuttle: Title 1–6, Title I–IV, Title A–N, Title I1–I6, Titre 1–8, Titolo 1–8 (exhibition catalogue). Amsterdam: Stedelijk Museum, 1979.

Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Chapel Hill, North Carolina: The Ackland Art Museum, 1979: illustrated.

Verna, Giafranco: List of Drawing Material of Richard Tuttle & Appendices. Zurich: Annemarie Verna Galerie, 1979.

1978

Brooke Alexander: A Decade of Print Publishing (exhibition brochure). Boston: Boston University Art Gallery, 1978.

Door beeldhouwer gemaakt (exhibition catalogue). Text by Rini Dippel and Geert van Beijeren. Amsterdam: Stedelijk Museum, 1978: illustrated.

Five by Seven for Yvon Lambert. A Study of 45º, Color, 5” x 7” Rectangle and Corrugated Cardboard. Nine Works by Richard Tuttle. Paris: Yvon Lambert, 1978.

20th Century American Drawings: Five Years of Acquisitions (exhibition catalogue). New York: Whitney Museum of American Art, 1978.

1977

American Drawing, 1927–1977 (exhibition catalogue). St. Paul, Minnesota: Minnesota Museum of Art, 1977.

Documenta 6 (exhibition catalogue). Kassel: P. Dierichs, 1977.

Johnen, Jörg. Portische Punkte: Der Zufall als Erkenntinsprinzip im Werk von Richard Tuttle (Poetic Scores: The Coincidence as Realization Principle in the Work of Richard Tuttle). Cologne: Jörg Johnen, 1977.

Marta & Maria (exhibition brochure). Florence: Galleria d’arte Spagnoli, 1977.

1977 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1977.

Poems: Larry Fagin / Drawings: Richard Tuttle. Bradford, New York: Topia Press, 1977.

20th-Century American Art from Friends’ Collection (exhibition brochure). New York: Whitney Museum of American Art, 1977.

A View of a Decade (exhibition catalogue). Texts by Martin Friedman, Robert Pincus-Witten and Peter Gay. Chicago: Museum of Contemporary Art, 1977.

Works from the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Ann Arbor: University of Michigan Museum of Art, 1977.

1976

American Artists: A New Decade (exhibition catalogue). Detroit: Detroit Institute of Arts, 1976.

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen (exhibition catalogue). Cologne: DuMont, 1976.

Artists’ Books (exhibition catalogue). Text by Clive Phillpot and Brandon Taylor. London: Arts Council of Great Britain, 1976.

Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A. Burckhardt-Kpechlin-Fonds (exhibition catalogue). Basel: Kunsthalle Basel, 1976.

The Book as Art (exhibition brochure). Washington, D.C.: Fendrick Gallery, 1976.

Critical Perspectives in American Art (exhibition catalogue). Amherst, Massachusetts: Fine Arts Center Gallery, University of Massachusetts, 1976.

Davidson National Print and Drawing Competition (exhibition catalogue). Davidson, North Carolina: Davidson College, 1976.

Drawing Now (exhibition catalogue). Text by Bernice Rose. New York: The Museum of Modern Art, 1976.

La Biennale di Venezia, 1976: Environment, Participation, Cultural Structures, vol. 1 (exhibition catalogue). Venice: Alfieri edizioni d’arte, 1976: 162.

Line (exhibition catalogue). Text by Janet Kardon. New York: Visual Arts Museum, 1976.

100 dessins de Musée de Grenoble, 1900–1976 (exhibition catalogue). Grenoble, France: Musée de Grenoble, 1976.

Private Notations: Artists’ Sketchbooks II (exhibition catalogue). Philadelphia: Philadelphia College of Art, 1976.

Rooms (exhibition catalogue). New York: Institute for Art and Urban Resources, 1976.

Two Hundred Years of American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1976.

1975

Art on Paper 1975: The Weatherspoon Annual Exhibition (exhibition catalogue). Greensboro: University of South Carolina, 1975.

Mel Bochner, Barry Le Va, Dorothea Rockburne, Richard Tuttle (exhibition catalogue). Cincinnati: Contemporary Arts Center, 1975.

Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection (exhibition catalogue). Text by Suzanne Delahanty. Philadelphia: Institute of Contemporary Art, 1975.

Recent Drawings (exhibition catalogue). Text by Elke M. Solomon. New York: American Federation of the Arts, 1975.

Richard Brown Baker Collects! A Selection of Contemporary Art from the Richard Brown Baker Collection (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1975.

Tendances actuelles de la nouvelle peinture americaine (exhibition catalogue). Paris: RC 2, Musée d’art moderne de la ville de Paris, 1975.

Tucker, Marcia. Richard Tuttle (exhibition catalogue). New York: Whitney Museum of American Art, 1975.

USA Zeichnungen 3 (exhibition catalogue). Leverkusen, Germany: Städtisches Museum Schloss Morsbroich, 1975.

1974

The Bay Are Collects: Sandra and Breck Caldwell (exhibition brochure). Berkeley: University Art Museum, University of California, 1974.

Book. Lausanne and Paris: Paul Bianchini Books, Editions des Massons; Yvon Lambert, 1974.

Interlude: Kinesthetic Drawings. New York: Brooke Alexander, 1974.

Krauss, Rosalind E. Line as Language: Six Artists Draw (exhibition catalogue). Princeton, New Jersey: Princeton University Art Museum, 1974.

Line as Language: Six Artists Draw (exhibition catalogue). Text by Rosalind Krauss. Princeton: Princeton University, 1974.

Painting and Sculpture Today, 1974 (exhibition catalogue). Indianapolis: Indianapolis Museum of Art, 1974.

Stacked Color Drawings 1971. New York: Brooke Alexander, 1974.

1973

American Drawings 1963–1973 (exhibition catalogue). Text by Elke M. Solomon. New York: Whitney Museum of American Art, 1973.

Art in Evolution (exhibition catalogue). New York: Xerox Square Exhibition Center, 1973.

Arte come arte (exhibition catalogue). Texts by Douglas Crimp and Germano Celant. Milan, Centro Comunitario de Brera, 1973.

Bilder, Objekte, Filme, Konzepte (exhibition catalogue). Munich: Stadtische Galerie in Lenbachhaus, 1973.

Contemporanea (exhibition catalogue). Rome: Parcheggio di Villa Borghese, 1973.

Hand Colored Prints (exhibition brochure). New York: Brooke Alexander, Inc., 1973.

Hunter, Sam. American Art of the 20th Century. Englewood Cliffs, New Jersey and New York: Prentice-Hall; Harry N. Abrams, 1973.

New American Graphic Art (exhibition brochure). Cambridge, Massachusetts: Fogg Art Museum, 1973.

Options and Alternatives: Some Directions in Recent Art (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1973.

Richard Tuttle: Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall¸ (exhibition catalogue). Munich: Kunstraum München, 1973.

A Selection of American and European Paintings from the Richard Brown Baker Collection (exhibition catalogue). San Francisco: San Francisco Museum of Art, 1973.

Yngre Amerikansk Kunst: Tenginger og grafik (exhibition catalogue). Charlottenlund, Norway: Gentofte Rädhus, 1973.

1972

Actualite d’un Bilan (exhibition catalogue). Paris: Galerie Yvon Lambert, 1972.

Amerikanische Graphik seit 1960 (exhibition catalogue). Chur, Switzerland: Bünder Kunsthaus, 1972.

Book as Artwork 1960/72 (exhibition catalogue). Text by Germano Celant. London: Nigel Greenwood Inc. Ltd., 1972.

Documenta 5: Befragung der Realitat, Bildwelten heute (exhibition catalogue). Kassel: Documenta GmbH, 1972.

[Drawing] (exhibition brochure). Oxford: Museum of Modern Art, 1972.

Tuttle, Richard. “Work is Justification for the Excuse.” In Documenta 5, section 17, 77. Kassel, Germany: Museum Fridericianum, 1972.

1971

Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971 (exhibition catalogue). Basel: Kunstmuseum Basel, 1971.

Funf Sammler: Kunst unserer Zeit (exhibition catalogue). Wuppertal, Germany: Von der Heydt-Museum, 1971.

Richard Tuttle (exhibition catalogue). Text by Robert M. Murdock. Dallas: Dallas Museum of Fine Arts, 1971.

1970

Die Sammlung der Emanuel Hoffman-Stiftung (exhibition catalogue). Basel: Kunstmuseum Basel, 1970.

Using Walls (Indoors) (exhibition catalogue). Text by Susan Tumarkin Goodman. New York: Jewish Museum, 1970.

Zeichnungen Amerikanischer Künstler (exhibition catalogue). Cologne: Galerie Ricke, 1970.

1969

Anti-Illusion: Procedures/Materials (exhibition catalogue). Texts by Marcia Tucker and James Monte. New York: Whitney Museum of American Art, 1969.

Here & Now (exhibition catalogue). St. Louis, Missouri: Washington University Gallery of Art, 1969.

Live in Your Head: When Attitudes Become Form—Works—Concepts—Processes—Situations—Informations (exhibition catalogue). Bern: Kunsthalle Bern, 1969.

Other Ideas (exhibition catalogue). Detroit: Detroit Institute of the Arts, 1969.

Sammlung Helmet Klinker (exhibition catalogue). Bochum, Germany: Städtische Kunstgalerie Bochum, 1969.

Soft Art (exhibition catalogue). Trenton: New Jersey State Museum, 1969.

Szeemann, Harald. Live in Your Head: When Attitudes Become Form: Works—Concepts—Processes—Situations—Information (exhibition catalogue). Bern, Switzerland: Kunsthalle Bern, 1969: 102, 103, 104.

Thirty-First Biennial Exhibition of Contemporary American Painting (exhibition catalogue). Text by James Harithas. Washington, D.C.: Corcoran Gallery of Art, 1969.

Tucker, Marcia and James Monte. Anti-Illusion: Procedures/Materials (exhibition catalogue). New York: Whitney Museum of American Art, 1969.

Two Books. Cologne and New York: Galerie Rudolph Zwirner; Betty Parsons Gallery, 1969.

Young Artists from the Collection of Charles Cowles (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1969.

1968

Betty Parsons’ Private Collection (exhibition catalogue). Text by Eugene Goosen. Bloomfield, Michigan: Cranbrook Academy of Art, 1968.

Betty Parsons’ Private Collection (exhibition catalogue). Text by Eugene Goosen. New York: Finch College Museum of Art, 1968.

Painting: Out from the Wall (exhibition catalogue). Des Moines, Iowa: Des Moines Art Center, 1968.

1966

2e Salon International de Galeries Pilates (exhibition catalogue). Lausanne, Switzerland: Musée cantonal des Beaux-Arts, 1966.

Twentieth Anniversary, 1946–1966: Pattern Art (exhibition brochure). Text by Lawrence Alloway. New York: Betty Parsons Gallery, 1966.

1965

Sparrow. New York: Richard Tuttle, 1965.

Story with Seven Characters. New York: Richard Tuttle, 1965.