Michal Rovner, Nilus, 2018, 2 LCD screens and video, 57-1/16" × 65-3/8" × 4-5/8" (144.9 cm × 166.1 cm × 11.7 cm), Edition of 5 + 2 APs © 2019 Michal Rovner / Artists Rights Society (ARS), New York Michal Rovner Details:b. 1957, Israel Read More Michal Rovner’s work shifts between the poetic and the political to explore questions of nature, identity, dislocation, and the fragility of human existence.Rovner’s early work is characterized by the distortion of color and blurring of imagery. Exemplified by the series Outside (1990–91)—featured in her first major museum show Outside: Michal Rovner, Works 1987–1990, at the Tel Aviv Museum of Art in 1990—and Decoy (1991), Rovner focused on images of encampment and surveillance as a point of departure, abstracting their specificity through a process of reprinting. In 1994 Rovner’s One-Person Game Against Nature (1994) was featured in New Photography 10 at The Museum of Modern Art, New York. By the late 1990s her blurred figures coalesced into migrating crowds in dream-like worlds, using cyclical repetition and duration as a device.In the decade to follow, Rovner’s video work (incorporated into her practice in 1992) began taking cues from expanded cinema, collaborating with composer Philip Glass in Notes (2001). She received a mid-career retrospective at the Whitney Museum of American Art, New York, in 2002, which featured her multichannel video work Time Left (2002), depicting thousands of ambiguous silhouetted figures marching to the accompanied music of Rea Mochiah. This work was presented again the following year at the Venice Biennale where she was selected to represent Israel with the multi-faceted exhibition Against Order? Against Disorder? (2003).Rovner became fascinated with the way geological objects—especially altered with human markings—telegraph history into the present and future and began merging video with sculpture through projection, as in her exhibition In Stone (2004). Introducing site-specific and archeologically driven work into her practice, in 2006 Rovner began working with Israeli and Palestinian masons on a series of monumental structures titled Makom (Place), comprised of stones from dismantled or destroyed houses from Jerusalem, Bethlehem, Haifa, the Galilee region, and the border of Israel and Syria. In 2013, Rovner created Traces of Life, a permanent installation at the Auschwitz-Birkenau State Museum devoted to the 1.5 million Jewish children murdered in the Shoah.Rovner reinterprets historical memory and contemporary themes through her multimedia practice, in which she employs drawing, printmaking, video, sculpture, and installation. By recording and erasing visual information, where specifics of time and place are obscured, her works become gestural, layered, and abstract reflections on the continuum of human experience. Read More Michal Rovner, Waving (Maybe), 2018, LCD screen and video, 74-13/16" × 42-1/16" × 5-3/8" (190 cm × 106.9 cm × 13.7 cm), Edition of 5 + 2 APs © 2019 Michal Rovner / Artists Rights Society (ARS), New York Michal Rovner, Blue Crossing, 2018, LCD screen and video, 57-1/8" × 32-5/8" × 3-3/8" (145.1 cm × 82.9 cm × 8.6 cm), Edition of 5 + 2 APs © 2019 Michal Rovner / Artists Rights Society (ARS), New York Exhibitions View All Past Michal Rovner Pragim Mar 8 – Apr 18, 2024 New York Past Michal Rovner Current Climates Dec 17, 2021 – Jan 9, 2022 Palm Beach Past Little Things Parts I & II Nov 10, 2021 – Jan 29, 2022 Geneva Past Chewing Gum IV May 28 – Jul 2, 2020 Hong Kong Journal View All Essays Pace Artists Reflect on Mark Rothko Oct 17, 2023 Museum Exhibitions Michal Rovner at Fondazione Merz Oct 31, 2022 Artist Projects Michal Rovner Print Sale & Gallery Talk to Benefit UNHCR Apr 08, 2022 Artist Projects Michal Rovner at the Venice Biennale of Architecture May 22, 2021 One-Artist Exhibitions Group Exhibitions Public Collections Periodicals Books and Catalogues Close Michal RovnerOne-Artist Exhibitions Michal Rovner One-Artist Exhibitions DatesBorn 1957, IsraelLives and works in Israel and New York CityEducation1979–81, Tel Aviv University, Cinema/Television and Philosophy1981–85, Bezalel Academy of Art, B.F.A.2024Michal Rovner: Pragim, Pace Gallery, 540 West 25th Street, New York, March 8–April 20, 2024.2023Michal Rovner, Peter Marino Art Foundation, South Hampton, New York, July 15–September 30, 2023.2022Michal Rovner. Alert, Fondazione Merz, Turin, Italy, October 31, 2022–January 29, 2023.2021Michal Rovner: Current Climates, Pace Gallery, Palm Beach, Florida, December 17, 2021–January 9, 2022.Model Animal / Model Tier, Kunsthaus Göttingen, Germany, September 4, 2021–January 2, 2022.2019Michal Rovner: Dislocation, Espace Muraille, Geneva, February 1–May 4, 2019.Michal Rovner: Evolution, Pace Gallery, Geneva, January 30–April 18, 2019.2018Michal Rovner: Evolution, Pace Gallery, 537 West 24th Street, New York, May 4–June 23 (extended through August 17), 2018.Michal Rovner: Evolution, Pace Gallery, Palo Alto, California, March 9–April 15 (extended through May 13), 2018.2016Michal Rovner: Night, Pace Gallery, 510 West 25th Street, New York, September 16–October 22, 2016.2015Michal Rovner: Dislocations, Multimedia Art Museum, Moscow, September 18–November 29, 2015.Michal Rovner: Panorama, Pace London, 6 Burlington Gardens, April 29–June 15, 2015.2014Michal Rovner: Nofim, Shoshana Wayne Gallery , Santa Monica, May 10–July 12, 2014.2013Michal Rovner: Three Rooms, Instituto Cultural Cabañas, Guadalajara, Mexico, December 4, 2013–January 19, 2014.2012Michal Rovner: Topography, Pace Gallery, 508 West 25th Street, New York, November 8–December 22, 2012.2011Michal Rovner: Histoires, Musée du Louvre, Paris, May 19–October 24 (extended through November 21), 2011. (Catalogue)Michal Rovner: Making of Makom, L’Espace Culturel Louis Vuitton, Paris, May 18–29, 2011.2009Michal Rovner: Frequency, Ivorypress Art + Books Space, Madrid, October 8, 2009–January 16, 2010. (Catalogue)Michal Rovner: Particles of Reality, DHC/ART Foundation for Contemporary Art, Montreal, May 21–September 27, 2009.Michal Rovner: Borders, Davis Museum and Cultural Center, Wellesley College, Massachusetts, March 11–June 14, 2009.2008Michal Rovner: Video, Sculpture, Installation, Heckscher Museum of Art, Huntington, New York, June 28–September 28 (extended to November 9), 2008.Michal Rovner: Adama, Shoshana Wayne Gallery, Santa Monica, California, April 29–June 14, 2008.Michal Rovner: Makom II, PaceWildenstein, 545 West 22nd Street, New York, February 13–March 15, 2008.2007Michal Rovner, Galerie Haas & Fuchs, Berlin, November 3–December 28, 2007.2006Michal Rovner, Fundació Sa Nostra, Centre de Cultura, Palma, Spain, September 21–November 11, 2006.Michal Rovner: Fields of Fire, PaceWildenstein, 534 West 25th Street, New York, February 16–March 18, 2006.2005Michal Rovner: Fields, Jeu de Paume in collaboration with Festival d’Automne à Paris, Paris, October 3, 2005–January 8, 2006. Traveled to: Tel Aviv Museum of Art, Israel, April 6–July 29, 2006. (Brochure and catalogue)Michal Rovner: Recent Works, Gow Langsford Gallery, Auckland, New Zealand, March 15–April 9, 2005.Michal Rovner: Recent Work, Regina Gouger Miller Gallery, Carnegie Mellon, Pittsburgh, January 14–March 13, 2005.2004Michal Rovner: in stone, PaceWildenstein, 534 West 25th Street, New York, April 30–June 5 (extended through July 16), 2004.2003Michal Rovner: Against Order? Against Disorder? 50th International Art Exhibition, La Biennale di Venezia, Israeli Pavilion, Venice, June 15–November 2, 2003. (Catalogue)Michal Rovner, MACRO, Museo d’arte contemporanea Roma (Al Mattatoio), Rome, May 9–August 17, 2003. (Catalogue)Michal Rovner - Coexistence, Studio Stefania Miscetti, Rome, May 9–August 17, 2003.2002Michal Rovner, Stephen Friedman Gallery, London, November 29, 2002–January 26, 2003.Michal Rovner: The Space Between, Whitney Museum of American Art, New York, July 11–October 13, 2002. (Catalogue)2001Michael Rovner: Works, Kemper Museum of Contemporary Art, Kansas City, Missouri, October 12, 2001–January 6, 2002. (Brochure)Michal Rovner, Shoshana Wayne Gallery, Santa Monica California, March 31–April 28, 2001.Michal Rovner: New Work, Baldwin Gallery, Aspen, March 16–April 30, 2001.2000Michal Rovner: New Works, Stephen Wirtz Gallery, San Francisco, May 2000.Michal Rovner: Between, New Gallery, Houston, January 9–March 2, 2000.1998Michal Rovner: Border, New Gallery, Houston, 1998.Michal Rovner: Recall Seeing, Studio Stefania Miscetti, Rome, 1998.Michal Rovner: Selected Works 1991–1998, The Schmidt Center Gallery, Florida Atlantic University, Boca Raton, November 6–January 17,1998. (Brochure)Michal Rovner: Recent Work, Rhona Hoffman Gallery, Chicago, October 23–November 28, 1998.Michal Rovner, Stephen Friedman Gallery, London, September 14–October 14, 1998.1997Michal Rovner, Stephen Wirtz Gallery, San Francisco, November 1997.Michal Rovner: Photographic Works, Pace/MacGill Gallery, New York, October 30–November 29, 1997.Michal Rovner, Shoshana Wayne Gallery, Santa Monica, California, June–August 1997.Michal Rovner: Art Now 10, Tate Gallery, London, May 26–August 3, 1997. (Brochure)1996Michal Rovner: Works 1991–1996, The Bohen Foundation, New York, 1996. (Brochure)1995Michal Rovner, Stephen Friedman Gallery, London, September 19–October 20, 1995.Michal Rovner: New Work, Rhona Hoffman Gallery, Chicago, September 9–November 4, 1995.1994Michal Rovner, John Stoller Gallery, Minneapolis, 1994.Michal Rovner, New Gallery, Houston, 1994.Michal Rovner, Laura Carpenter Fine Arts, Santa Fe, 1994.Michal Rovner: One Person Game Against Nature, Israel Museum, Jerusalem, Summer 1994. (Catalogue)1993Michal Rovner, Rhona Hoffman Gallery, Chicago, November 3–December 24, 1993.Michal Rovner, The Art Institute of Chicago, Illinois, October 30, 1993–January 16, 1994. (Catalogue)Michal Rovner, Peter Kilchmann Gallery, Zurich, June–July 1993.1992Michal Rovner, Prague House of Photography, 1992.Michal Rovner: “Outside 1990” and “Outside 1991,” Betsey Rosenfeld Gallery, Chicago, 1992.Michal Rovner: “Outside 1990” and “Outside 1991,” Stephen Wirtz Gallery, San Francisco, 1992.1991Le Mois de la Photo a Montreal, La Maison de la Culture Mercier, Montreal, 1991. (Catalogue)Decoy: Michal Rovner, Grant Gallery, Denver, 1991. Traveled to: The Friends of Photography, Ansel Adams Center, San Francisco, as Decoy: Michal Rovner, Photographs of the Gulf War, January 15–March 1, 1992.1990Outside: Michal Rovner, Works 1987–1990, Tel Aviv Museum of Art, Israel, December 1990. (Catalogue)Michal Rovner, Brent Sikkema Fine Art, New York, 1990. Michal RovnerGroup Exhibitions Michal Rovner Group Exhibitions 2024Summer Group Show, Pace Gallery, Hong Kong, June 26–August 9, 2024.2022 (opens in a new window) Message from Our Planet, Digital Art From the Thoma Foundation, Figge Art Museum, Davenport, Iowa, October 1–December 31, 2023. Traveled to: Grand Rapids Art Museum, Grand Rapids, Michigan, June 17–September 9, 2023; Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin, February 19–June 2, 2024.How Long Is Now, The Israel Museum, Jerusalem, Jerusalem, Israel, September 4, 2021–June 15, 2022.Breaking Up, Phoenix Art Museum, Phoenix, Arizona, February 26, 2022–August 11, 2024.2021Art for the Future Biennial, Multimedia Art Museum, Moscow, Russia, December 1, 2021–February 28, 2022.Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.Night Light, Mary M. Torggler Fine Arts Center, Christopher Newport University, Hampton, Virginia, October 30, 2021–March 27, 2022.Michal Rovner: Corpus Domini: From the Glorious Body to the Ruins of the Soul, Palazzo Reale, Milan, October 28, 2021–January 30, 2022.Model Animal, Kunsthaus Göttingen, Göttingen, Germany, September 24, 2021–January 2, 2022.A room with a…, Pace Gallery, Palm Beach, Florida. June 4–September 10 (extended through October 3), 2021.Group Presentation, Pace Gallery, 510 West 25th Street, New York, March 13–April 24, 2021.2020Chewing Gum IV [Kohei Nawa, Kenneth Noland, Thomas Nozkowski, Adam Pendleton, Michael Rovner, Tony Smith, Xiao Yu, Zhang Xiaogang], Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, May 28–July 2, 2020.2018Digital Artifacts¸ Art House, Thoma Foundation, Santa Fe, opened November 30, 2018.Other Walks, Other Lines, San Jose Museum of Art, California, November 2, 2018–March 10, 2019.Projection: Animal and Nature, Musée de la Chasse et de la Nature, Paris, June 13, 2018.Animals & Us, Turner Contemporary, Margate, United Kingdom, May 25–September 30, 2018.Celebrating Israel’s 70th Anniversary: Michal Rovner and Tal Shochat, Nevada Museum of Art, Reno, April 12–October 14, 2018.Tap & Touch, Gallery Braverman, Tel Aviv, January 11–March 15, 2018.2017Touchstones, Totems, Talismans: Animals in Contemporary Art, Brattleboro Museum and Art Center, Vermont, October 13, 2017–February 11, 2018.Overture: Recent Acquisitions from the Borusan Contemporary Art Collection, 208 Bowery [temporary space], New York, October 12–November 4, 2017.Night Watch, Sun Valley Center for the Arts, Ketchum, Idaho, June 30–August 26, 2017.Gray Matters, Wexner Center for the Arts, Ohio State University, Columbus, May 20–July 30, 2017. (Catalogue)Chewing Gum, Pace Hong Kong, 15C Entertainment Building, 30 Queen’s Road Central, May 12–June 3, 2015.2016Salon 2016, Shoshana Wayne Gallery, Santa Monica, November 19–December 17, 2016.Arte e Politica. Opera dalla Collezione #4, Museo D’Arte Contemporanea Roma, Rome, October 21, 2016–May 10, 2017.Her Crowd: New Art by Women from Our Neighbors’ Private Collections, Bruce Museum, Greenwich, Connecticut, September 24, 2016–January 2, 2017. (Catalogue)Aftermath: The Fallout of War—America and the Middle East, Harn Museum of Art, University of Florida, Gainesville, August 16–December 31, 2016. Traveled to: Gund Gallery, Kenyon College, Gambier, Ohio, January 20–April 20, 2017; John & Mable Ringling Museum of Art, Sarasota, Florida, October 8, 2017–January 21, 2018.Par tibi, Roma, nihil, Nomas Foundation, Palatino, Rome, June 23–September 18, 2016.20152050. A Brief History of The Future, Royal Museums of Fine Arts of Belgium, Brussels, September 11, 2015–January 24, 2016. (Catalogue)What Lies Beneath, Borusan Contemporary, Istanbul, September 5, 2015–February 21, 2016. (Catalogue)Aftermath: The Fallout of War – America and the Middle East, Harn Museum of Art, University of Florida, August 16–December 31, 2016. Traveled to: The Gund Gallery, Kenyon College, Gambier, Ohio, January 20–April 20, 2017. Traveled to: The Ringling, Sarasota, Florida, October 6, 2017–January 21, 2018.Obsession, Maison Particulière, Brussels, January 22–March 29, 2015.2014La Guerra che Verrà non è la Prima. Grande Guerra 1914–2014, Trentino Grande Guerra, Museo Storico Italiano della Guerra, Rovereto, October 4, 2014–September 20. 2015.A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 8–October 26, 2014.We Love Video This Summer, Pace Beijing, July 26–September 5, 2014.In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.Total Art: Contemporary Video, National Museum of Women in the Arts, Washington, D.C., June 6–October 12, 2014.Arena, Centre of Contemporary Art, Torun, Poland, April 11–September 28, 2014. (Catalogue)Multi Panel, Pace/MacGill Gallery, New York, March 27–May 29, 2014.ToledoContemporánea, Ivorypress Art + Books Space, St. Mark’s Church, Toledo, Spain, February 18–June 14, 2014.2013Curitiba International Biennial, Curitiba, Brazil, August 31–December 1, 2013. (Catalogue)The Compromised Land: Recent Photography and Video from Israel, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York, August 11–December 1, 2013.SHOAH, Block 27, Auschwitz-Birkenau State Museum, Oswiecim, Poland, opened June 13, 2013. [ongoing]Views from Above, Centre Pompidou-Metz, France, May 17–October 7, 2013.Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes, France, May 3–September 15, 2013. (Catalogue)The Distaff Side, The Granary, Sharon, Connecticut, opened April 21, 2013. (Catalogue)Turbulences II, Villa Empain, Boghossian Foundation, Brussels, February 28–September 1, 2013.Israel Now - Reinventing The Future, Museo d’arte Contemporanea Roma, MACRO TESTACCIO, February 1–March 17, 2013.2012Anonymous, PERMM Museum of Contemporary Art, Russia, November 23–December 23, 2012.Lost in Paradise: Du spirituel dans l’art actuel, Espace Sévigné, Paris, November 13–25, 2012. (Catalogue)Private/Corporate VII: The Doron Sebbag Art Collection, Daimler Contemporary, Berlin, October 17, 2012–April 1, 2013. (Catalogue)Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel, September 22–December 7, 2012. (Catalogue)Ruhr Triennale: International Festival of the Arts, Mischanlage, Essen, Germany, August 17–September 30, 2012.Beyond the Wall, Castello Di Rivoli Museo d’Arte Contemporanea, Turin, Italy, June 5–December 31, 2012.Liquids in Contemporary Art, Litvak Gallery, Tel Aviv, January 19–March 24, 2012.2010Re-Location, Chelouche Gallery for Contemporary Art, Tel Aviv, October 28–December 4, 2010. 50 Years at Pace, The Pace Gallery, 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)Material / Immaterial, Shoshana Wayne Gallery, Santa Monica, September 11–October 30, 2010.Intramoenia Extra Art: Mirages, Eclettica Cultura dell’Arte, Barletta, Italy, July 3–September 13, 2010.2009BAROCK: Art, Science, Faith and Technology in the Contemporary Age, Museo d’Arte Contemporanea Donnaregina, Naples, December 12, 2009–April 5, 2010. (Catalogue)Hugging and Wrestling: Contemporary Israeli Photography and Video, Museum of Contemporary Art Cleveland, Ohio, September 12, 2009–January 10, 2010. Incidental Affairs, Suntory Museum, Osaka, Japan, March 7–May 11, 2009. (Catalogue)2008Reflections, Rhona Hoffman Gallery, Chicago, October 17−November 15, 2008.Art of the State: Contemporary Photography and Video Art from Israel, Jewish Historical Museum, Amsterdam, June 27–November 30, 2008. International Triennial of Contemporary Art in Prague 2008, National Gallery in Prague, Czech Republic, June 22–September 11, 2008.Imaginary Coordinates, Spertus Museum, Chicago, May 1–June 20, 2008.Depletion: Works from te Doron Sebbag Art Collection, ORS Ltd., Tel Aviv Museum of Art, March–June 2008. (Catalogue)2007All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, Canada, December 6, 2007–March 2, 2008. (Catalogue)Going Staying, Kunstmuseum Bonn, Germany, November 29, 2007–February 17, 2008.Contemporary, Cool and Collected, Mint Museum of Art, Charlotte, North Carolina, October 20–December 30, 2007. (Catalogue)Beyond Limits, Sotheby’s sculpture exhibition, Chatsworth House, Derbyshire, United Kingdom, September 8–November 4, 2007.Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.Spots of Light: To Be a Woman in the Holocaust, Yad Vashem, The Holocaust Martyrs' and Heroes' Remembrance Authority, Jerusalem, April 6, 2007–April 2008. Traveled as Flickers of Light: Being a Woman in the Holocaust to: Residenzscholss, Dresden, Germany, March 1–May 26, 2008. Timer 01: Intimità/Intimacy, Triennale Bovisa, Fondazione Triennale di Milano, Milan, March 30–June 6, 2007.Offering Reconciliation, Brandeis University Waltham, Massachusetts, March 22–April 1, 2007. Traveled to: The World Bank, Washington, D. C., April 30–May 6, 2007; Bellevue Art Museum, Bellevue, Washington, June 7–August 19, 2007; United Nations, New York, September 1–28, 2007; Pomegranate Gallery, New York, October 4–8, 2007; Sculpture Objects & Functional Art, Chicago, November 2–4, 2007.Turbulence, 3rd Auckland Triennial, New Zealand, March 9–June 3, 2007.200618: Beckett, Blackwood Gallery, University of Toronto at Mississauga, Canada, November 9–December 21, 2006. Traveled to: Walter Phillips Gallery, The Banff Centre, Banff, Alberta, Canada, March 31–May 27, 2007. (Catalogue)L’Homme Paysage, Palais des Beaux Arts de Lille, France, October 14, 2006–January 14, 2007.Allegories of Displacement, Westport Arts Center, Connecticut, September 15–October 25, 2006.The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum of Cultural History, Los Angeles, June 11–September 10, 2006.Word Into Art: Artists of the Modern Middle East, British Museum, London, May 18–September 3, 2006. Traveled to: Dubai Holding, Dubai International Finance Centre, February 6–April 30, 2008. (Catalogue)Approaching Reality’s Borders: Art, Science and Technology, ARCOS Museo d'Arte Contemporanea Sannio, Palazzo del Governo Via Stefano Borgia, Italy, May 13–September 10, 2006.Ecce Uomo: (33 + 1) Artisti Conemporanei da Collezioni Private a Milano, Sapzio Oberdan, Milan, March 23–May 21, 2006. (Catalogue)Middle Ground: Photographs from the Whitney Museum of American Art, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, January 24–February 11, 2006.2005Swarm, The Fabric Workshop and Museum, Philadelphia, December 2, 2005–March 18, 2006. (Catalogue)Groundworks: Environmental Collaboration in Contemporary Art, Regina Miller Gouger Gallery, Carnegie Mellon, Pittsburgh, October 14–December 11, 2005.Festival d’Automne à Paris 2005, France, September 14–December 25, 2005. (Catalogue)Banquet_05 Communication in Evolution, Cultural Center Ciudad Alta, Las Palmas de Gran Canaria, Madrid, August 20–October 28, 2005.Group exhibition, PaceWildenstein, 534 West 25th Street, New York, July 14–August 25, 2005.Logical Conclusions: 40 Years of Rule Based Art, PaceWildenstein, 534 West 25th Street, New York, February 18–March 26, 2005. (Catalogue)1st Moscow Biennale of Contemporary Art, Schusev State Museum of Architecture, Moscow, January 28–February 28, 2005. Banquet: Communication in Evolution, Media Lab, Madrid, January 18–February 20, 2005.2004Periplo del Mediterraneo: Maestri e nuove espression tra Genova e Istanbul, Accademia Lingustica de Belle Arti, Genova, 2004.Dwellan: Exhibition of Contemporary Video Art, Charlottenborg Exhibition Hall, Copenhagen, November 5–December 12, 2004. (Catalogue)Shanghai 5 Biennale 2004: Techniques of the Visible, Shanghai Art Museum, September 29–November 27, 2004. The Artes Mundi Prize Exhibition (Wales International Visual Art Prize), National Museum and Gallery, Cardiff, February 7–July 2, 2004.Beyond East and West. Seven Transnational Artists. Krannert Art Museum, University of Illinois, Urbana-Champaign, January 23–April 4, 2004. Traveled to: Louisiana State University Museum of Art, Baton Rouge, April 16–September 4, 2004; Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 9–December 12, 2004; Williams College Museum of Art, Williamstown, Massachusetts, February 19–May 15, 2005. (Catalogue)BIRDSPACE: A Post-Audubon Artists Aviary, Contemporary Arts Center, New Orleans, January 10–March 21, 2004. Traveled to: Norton Museum of Art, West Palm Beach, Florida, May 29–August 15, 2004; Hudson River Museum, Yonkers, New York, October 9, 2004–January 2, 2005; McDonough Museum of Art, Youngstown State University, Ohio, September 9–October 21, 2005. (Catalogue)2003Nos Otros: Identidad y Alteridad, PhotoEspaña, Madrid, 2003.The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, Maine, September 25–December 7, 2003.Dreams and Conflict: The Dictatorship of the Viewer, 50th International Art Exhibition, La Biennale di Venezia, Venice, June 15–November 2, 2003. One Ground: Four Palestinian and Four Israeli Filmmakers, UCR/California Museum of Photography, Riverside, California, March 1–August 31, 2003.War (What Is It Good For?), Museum of Contemporary Art, Chicago, January 18–May 18, 2003.2002The Endurance of Art, Westport Arts Center, Connecticut, September 20–November 8, 2002.Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collection, Solomon R. Guggenheim Museum, New York, June 28, 2002–January 12, 2003. Traveled to: Guggenheim Museum Bilbao, Spain, October 8, 2003–May 18, 2004. (Catalogue)2001Group exhibition, Harley Baldwin Gallery, Aspen, 2001.Photographs: A Decade of Collecting, Metropolitan Museum of Art, New York, June 5–September 2, 2001.2000Drawing, Stephen Friedman Gallery, London, 2000.The 46th Biennial Exhibition: Media/Metaphor, Corcoran Gallery of Art, Washington, D.C., December 9, 2000–March 5, 2001. (Catalogue)Exposure: Recent Acquisitions, The Doron Sebbag Art Collection, O.R.S. Ltd., Tel Aviv Museum of Art, November 8, 2000–February 3, 2001. (Catalogue)One Man’s Eye: Photographs from the Alan Siegel Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, June 9–August 13, 2000. (Catalogue)Looking Ahead: Visions of Israel, Applied Materials, Applied Global University, Santa Clara, California; 2000.Traveled to: San Jose Institute of Contemporary Art, San Jose, California, March 25–May 20, 2000. (Catalogue)Whitney Biennial 2000, Whitney Museum of American Art, New York, March 23–June 4, 2000. (Catalogue)1999The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum. Traveled to: Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, December 12, 1999–April 9, 2000; Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, May 13–July 16, 2000; Parrish Art Museum, Southampton, New York, September 23–November 12, 2000; Huntington Museum of Art, West Virginia, May 5–July 29, 2001.Lie of the Land: Earth, Body, Material, John Hansard Gallery, University of Southampton, Highfield, England, October 19–November 27, 1999. Traveled to: Arnolfini, Bristol, England, April 1–May 29, 2000. (Catalogue)Rattling the Frame: The Photographic Space 1974–1999, SF Camerawork, San Francisco, October 15–November 20, 1999.Zero-G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, June 4–August 4, 1999. (Catalogue)Apposite Opposites: Photography from the MCA Collection, Museum of Contemporary Art, Chicago, March 27–August 1, 1999.1998Back to Back, De Chiara/Stewart, New York, 1998.Group exhibtion, Stephen Friedman Gallery, London, 1998.PROJECTions, Busan Metropolitan Art Museum, South Korea, 1998.Summer Group Show, Jason McCoy Gallery, New York, 1998.Translucent, Transamerica Pyramid Galleries, San Francisco, 1998.Hindsight: Recent Work from the Permanent Collection, Whitney Museum of American Art, New York, December 17, 1998–February 21, 1999.Borderline Figuration: Digital Art Forms (organized by Pan American Cultural Exchange). Traveled to: Museo de Arte Moderno, Cuenca, Sucre, Mexico, November 28, 1998–January 29, 1999; Museo Nacional del Banco Central del Ecuador, Quito, February 23–March 19, 1999; Museo Antropológico del Banco Central, Guayaquil, April 7–30, 1999. (Catalogue)Light on the New Millennium: Wind from Extreme Orient, Busan Metropolitan Art Museum, South Korea, November 1–20, 1998. (Catalogue)Contemporary Israeli Art: Three Generations (organized by the Tel Aviv Museum of Art, Israel). Traveled to: Brunei Gallery, School of Oriental and African Studies, University of London, June 29–August 15, 1998; National Gallery of Greece, Alexandros Soutzos Museum, Athens, September 7–October 31, 1998. (Catalogue)Animal, Anima, Animus, Poori Art Museum, Finland, June 6–August 30, 1998. Traveled to: Museum voor Moderne Kunst, Arnhem, The Netherlands, November 28, 1998–February 28, 1999; P.S.1 Contemporary Art Center, Long Island City, New York, June 20–August 29, 1999; Winnipeg Art Gallery, Canada, 2000. (Catalogue)50/Fifty: Israeli Art from Bay Area Collections, Jewish Museum, San Francisco, May 10–July 26, 1998. (Brochure)1997Another Language, Haifa Museum of Modern Art, Israel, 1997.De la minceur de l'image/The Tenuous Image, Dazibao, Centre de photographies actuelles, Montreal, 1997. (Catalogue)The Thom Conjecture: Michal Rovner, Fran Siegal, Sharon Horvath, Moshe GershuniI, New Gallery, Houston, 1997.1996A Delicate Balance: Six Israeli Photographers, The Light Factory, Charlotte, North Carolina, 1996. Traveled to: Ashville Art Museum, North Carolina, 1997; Wellington B. Gray Gallery, East Carolina University, Greenville, North Carolina, 1997; St. John's Museum of Art, Wilmington, North Carolina, 1997. (Catalogue)Desert: Hanna Collins, Michal Rovner, Thomas Ruff, Bill Viola, John Hansard Gallery, University of Southampton, Highfield, United Kingdom, 1996. (Catalogue)From the Collection: Recent Acquisitions of Photography, Corcoran Gallery of Art, Washington, D.C., 1996.Group exhibition, Stephen Friedman Gallery, London, 1996.The House Transformed, Barbara Mathes Gallery, New York, 1996.Making Pictures: Women and Photography, 1975–Now, Nicole Klagsbrun, New York, 1996. A reduced version of the exhibition traveled to: Bernard Toale Gallery, Boston, 1997.1995Beyond the Looking Glass: Contemporary Women Photographers, David Adamson Gallery, Washington D.C., 1995.Co-Existence: Construction in Process, The Artists Museum, Mitzpe-Ramon, Israel, 1995.Displacements: Aspects of Change in the Late Twentieth Century, Derby Photography Festival, Montage Gallery, Derby, United Kingdom, 1995. Group exhibition, Galerie Ghislaine Hussenot, Paris, 1995.Mediated Images: Burt Barr, Peter Campus, Bruce Nauman, Michal Rovner, Pamela Auchincloss Gallery, New York, 1995.The Myth of Daedalus and Icarus, Yad-Labanim Museum, Petach Tikva, Israel, 1995. (Catalogue)Moholy-Nagy and Present Company, The Art Institute of Chicago, 1995.The Photographic Condition, San Francisco Museum of Modern Art, California, 1995.A Selection of Photography by Gallery Artists, Stephen Wirtz Gallery, 1995.1994Art Focus, Bineth Gallery, Tel Aviv, 1994.Contemporary Women Photographers, Museum of Fine Arts, Houston, 1994.House Sweet House, New Jersey Center for Visual Arts, Summit, 1994.Little House on the Prairie, Marc Jancou Gallery, London. 1994.Michal Rovner with Adam Fuss, Gallery Ghislaine Hussenot, Paris, 1994.New Photography 10, The Museum of Modern Art, New York, 1994. (Catalogue)Toys/Art/Us, Castle Gallery, College of New Rochelle, New York, 1994.Uta Barth, Christopher Bucklow, Jan Henle, Michal Rovner: Photography, Wooster Gardens, New York, 1994.1993Collecting from the Twenty-first Century: Recent Acquisitions and Promised Gifts, The Jewish Museum, New York, 1993.Collection Plus: The Range of Realism, Tel Aviv Museum of Art, Israel, 1993.Group exhibition, John Stoller Gallery, Minneapolis, 1993.Image First: Eight Photographers for the 90s, Laura Carpenter Fine Arts, Santa Fe, 1993.In Camera, Santa Fe Museum of Art, 1993.Locus: Contemporary Art from Israel, Fisher Gallery, University of Southern California, Los Angeles, 1993. (Catalogue)On Paper, Barbara Mathes Gallery, New York, 1993.1992Postscripts: “End,” Representations in Contemporary Israeli Art, The Genia Schreiber University Art Gallery, Tel Aviv University, Israel, 1992.Breakdown!, Rose Art Museum, Brandeis University, Waltham, Massachusetts, March 21–April 26, 1992. (Catalogue)Fotofest, New Gallery, Houston, March 7–April 5, 1992.1991The Presence of the Absent: The Empty Chair in Israeli Art, The Genia Schreiber University Art Gallery, Tel Aviv University, 1991. (Catalogue)Recent Acquisitions, Tel Aviv Museum of Art, 1991.Selected Art and Design Works By America-Israel Cultural Foundation Scholarship Recipients, Haifa Museum of Modern Art, Israel, 1991.Le Mois de la Photo a Montreal, La Maison de la Culture Mercier, Montreal, September 1991. (Catalogue)Decoy, Yigal Ozeri & Michal Rovner, S. Bitter-Larkin Gallery, New York, May 30–July 26, 1991. (Catalogue)1990Act Up, Paula Cooper Gallery, New York, 1990.The Museum as Collector: Selected Acquisitions 1979–1989, Tel Aviv Museum of Art, Israel, 1990.Out of the Frame, Janko Dada Museum, Ein-Harod, Israel, 1990.Winners of the America-Israel Cultural Foundation Scholarships, Tel Aviv Museum of Art, Israel, 1990.Fotofest 90, New Gallery, Houston, February 10–March 10, 1990. (Catalogue)1989Beyond the Frame: Five Photographers, Janco Dada Museum, Ein Hod, Israel, 1989. (Catalogue)Memory Channels: Imagined and Reimagined Images, Camera Obscura Gallery, Dizengoff Center, Tel Aviv, 1989.1988Sky Line: Israeli Photographers Contemplate the Landscape, Tel Aviv Museum, Beit Ariela Library, Israel, 1988. (Catalogue)1987The Animal Show, Photocollect Gallery, New York, 1987.1986Israeli Photography Biennial, Mishkan Le’Omanut Museum of Art, Ein Harod, Israel, 1986. (Catalogue)1985The First Line, Museum of Art, Mishkan Le’Omanut Museum of Art, Ein Harod, Israel, 1985. (Catalogue)Group exhibition, Camera Obscura Gallery, Tel Aviv, 1985.1980Group exhibition, Sof Hasdera Gallery, Tel Aviv, 1980. Michal RovnerPublic Collections Michal Rovner Public Collections AGFA Collection, Cologne, GermanyThe Art Institute of Chicago, IllinoisAspen Art Museum, ColoradoAuschwitz-Birkenau State Museum, Oświęcim, PolandBibliothèque nationale de France, ParisThe Bohen Foundation, New YorkThe Borusan Contemporary Art Collection, Istanbul, TurkeyThe British Museum, London, United KingdomBrooklyn Museum, New YorkDuma Lutie, Brussels, BelgiumFine Art Museum, Santa Fe, New MexicoFondazione Merz, Torino, ItalyGeorge Eastman House International Museum of Photography, Rochester, New YorkSolomon R. Guggenheim Museum, New YorkHarvard University Art Museums, Cambridge, MassachusettsHood Museum of Art, Dartmouth College, Hanover, New HampshireIndianapolis Museum of Art, IndianaThe Israel Museum, JerusalemThe Jewish Museum, New YorkLambert Art Collection, Geneva, SwitzerlandLos Angeles County Museum of Art, CaliforniaThe Metropolitan Museum of Art, New YorkMilwaukee Art Museum, WisconsinMount Hertzel, Jerusalem, IsraelMusée de l’Elysee, Lausanne, SwitzerlandMusée des Beaux Arts, Calais, FranceMuseo d’arte contemporanea Roma (Al Mattatoio), RomeMuseum of Contemporary Art, Chicago, IllinoisMuseum of Contemporary Photography at Columbia College, Chicago, IllinoisThe Museum of Fine Arts, Houston, TexasThe Museum of Modern Art, New YorkNational Gallery of Art, Washington, D.C.Nevada Museum of Art, RenoNew Mexico Museum of Art, Santa FeNorth Carolina Museum of Art, RaleighParis Audiovisuel, France (Collection of the City of Paris)Phoenix Art Museum, ArizonaPolaroid Collection, Cambridge, MassachusettsReader’s Digest Association, Pleasantville, New YorkSan Francisco Museum of Modern Art, CaliforniaTel Aviv Museum of Art, IsraelCarl & Marilynn Thoma Art Foundation, Santa Fe, New MexicoWalker Art Center, Minneapolis, MinnesotaWhitney Museum of American Art, New YorkYad Vashem Holocaust Memorial Authority, Jerusalem, Israel Michal RovnerPeriodicals Michal Rovner Perdiocals 2024Chernick, Karen. “Despite vandalism and protests, NY gallery Pace showcases Israeli artist as planned” (exhibition review). The Times of Israel, 10 March 2024. https://www.timesofisrael.com/despite-vandalism-and-protests-ny-gallery-pace-showcases-israeli-artist-as-planned/.“Pro-Palestine Protestors Crash Israeli Artist Michal Rovner’s Show Opening at Pace” (exhibition review). Widewalls, 11 March 2024. https://www.widewalls.ch/news-feed/protest-israeli-artist-michal-rovners-show-pace.2023Perlson, Hili. “Israeli artist Michal Rovner faces the fear of the 'other' head on.” STIRworld, 5 February 2023. https://www.stirworld.com/see-features-israeli-artist-michal-rovner-faces-the-fear-of-the-other-head-on2021Belcove, Julie. “In the Studio with Michal Rovner.” Robb Report, December 2021/January 2022: 62–63, illustrated.Dogliani, Jenny. “Lo sciacallo Anubi alla Fondazione Merz” (Fondazione Merz exhibition review). Il Giornale Dell’Arte, 31 October 2022. https://www.ilgiornaledellarte.com/articoli/lo-sciacallo-anubi-alla-fondazione-merz/140606.htmlElliott, Martha. “Artissima 2022: art exhibitions to see this weekend in Turin” (Fondazione Merz exhibition review). Wallpaper*, 2 November 2022. https://www.wallpaper.com/art/artissima-2022-turinRovner Michal. “The Call of the Night.” Interview with Deepa Bhasthi. Noisé Magazine, 1 December 2021: illustrated.2020M., A. “Les maitres du pixel.” Beaux-Arts Magazine (June 2020): 117, illustrated.Rovner, Michal. “Israel’s Most Successful Artist? How Do You Measure Success in Art?” (17th Venice Architecture Biennale exhibition review). Interview with Naama Riba. Haaretz, 8 June 2021. https://www.haaretz.com/life/.premium.MAGAZINE-israel-s-most-successful-artist-i-don-t-like-it-how-do-you-measure-that-1.9884712“Spotlight: All Creatures Great and Small” (Pace Gallery online exhibition review). Artforum, 28 April 2020. https://www.artforum.com/spotlight/pace-829352019“Agenda: Geneve” (Pace Gallery exhibition review). Arts Magazine (January/February 2019): 96–97, illustrated.Crochet, Alexandre. “Michal Rovner Suit L’Humanité à la trace à L’espace Muraille de Genève” (Pace Gallery and Espace Muraille exhibition review). The Art Newspaper (France), no. 247, 9 April 2019: 3–4, illustrated.De Micco, Luana. “Migranti su carta, video e musica” (Pace Gallery exhibition review). Il Giornale Dell’arte (February 2019): 42, illustrated."Exposition de Michal Rovner à la galerie Pace" (exhibition review). Ville Genève, 15 February 2019. http://www.ville-geneve.ch/faire-geneve/agenda-animations-evenements/detail/agenda-animations-evenements/exposition-michal-rovner-galerie-pace/Gansner, Laura. “Frage und Antwort: Valentina Volchkova, Direktorin der Pace Gallery in Genf.” L’Officiel Art, 28 January 2019. https://www.lofficiel.ch/art/frage-und-antwort-valentina-volchkova-direktorin-der-pace-gallery-in-genfHorn, Helena. “Michal Rovner – The Disturbing Feeling That Something is Amiss” (Pace Gallery exhibition review). Artlight Magazine, no.10 (February 2019): 12–13, illustrated.Machalova, Andrea. “Je suis fascinée par ce désir de laisse rune trace” (Pace Gallery exhibition review). Tribune de Genève, 31 January 2019: 22, illustrated.“Michal Rovner : Evolution” (Pace Gallery exhibition review). Arteez, 2019.https://arteez.ch/michal-rovner-evolution/M, M. “L'artiste Michal Rovner inaugure un portrait vidéo de Londres dans la gare de Canary Wharf. Rencontre.” Culture Alt, 9 October 2019. https://www.culturealt.com/single-post/2019/10/09/Michal-RovnerR.P. “Michal Rovner” (Pace Gallery exhibition review). The Art Newspaper France, 30 January 2019: illustrated.Rovner, Michal. “Interview with Michal Rovner – Leaving a Permanent Mark” (Pace Gallery exhibition review). Interview with Kristen Knupp. Art Decision, 8 February 2019. https://artdecision.eu/interview-with-michal-rovner-leaving-a-permanent-mark/Sansom, Anna. “Latest Crossrail commission unveiled at Canary Wharf.” The Art Newspaper, 7 October 2019. https://www.theartnewspaper.com/news/latest-crossrail-commission-unveiled-at-canary-wharfSansom, Anna. “Michal Rovner: Deciphering Humanity” (Espace Muraille and Pace Gallery exhibition review). DAMN, no. 72 (April/May/June 2019): 64–68, illustrated.Shaw, Anny. “Blue chip galleries partner with London's Selfridges store to sell art.” The Art Newspaper, 25 February 2019. https://www.theartnewspaper.com/news/blue-chip-galleries-partner-with-selfridges-to-sell-artSpence, Rachel. “City dreamscape to smooth the Crossrail journey.” The Financial Times, 7 October 2019. https://www.ft.com/content/af9083c2-e693-11e9-b8e0-026e07cbe5b42018Cascone, Sarah and Caroline Goldstein. "Shows! Shows! Shows! 34 New York Must-See Gallery Exhibitions to See This May" (Pace exhibition review). Artnet News, 1 May 2018. https://news.artnet.com/art-world/new-york-may-gallery-openings-1270421Davis, Barry. “For the First Time, Most of 2018’s EMET Prize Laureates Are Women.” The Jerusalem Post, 31 May 2018. https://www.jpost.com/Israel-News/Culture/For-the-first-time-most-of-2018s-EMET-Prize-laureates-are-women-558804Frock, Christian L. “Gallery Highlights: Michal Rover: Evolution” (Pace Gallery exhibition review). SF Arts 27, no.1 (April 2018): 14.Lempesis, Dimitris. "ART-PRESENTATION: Michal Rovner-Evolution" (Pace Gallery exhibition review). Dream Idea Machine, 4 May 2018. http://www.dreamideamachine.com/en/?p=36054Magnol, Jacques. “Une importante galerie internationale ouvre un espace d’exposition à Genève.” Genève Active, 29 January 2018. https://www.geneveactive.ch/article/une-importante-galerie-international-ouvre-un-espace-dexposition-a-geneve/Martinique, Elena. "8 Gallery Shows to See in New York During Frieze Week" (Pace exhibition review). Widewalls, 2 May 2018. https://www.widewalls.ch/gallery-shows-frieze-new-york-week-2018/Moss, Hilary. “9 Artists on What Helps Them Get Their Work Done.” New York Times, 13 June 2018. https://www.nytimes.com/2018/06/13/t-magazine/artist-work-habits-camille-henrot-nina-chanel-abney.htmlNonnenberg, Sheryl. “Michal Rovner: Leaving Her Mark” (Pace Gallery exhibition review). Palo Alto Online, 22 March 2018. https://www.paloaltoonline.com/news/2018/03/22/michal-rovner-leaving-her-markRosenbaum, Alan. “Art, and Women, Making an Impact on the Landscape of Israel.” The Jerusalem Post, 12 September 2018. https://www.jpost.com/Israel-News/Culture/Touching-people-in-an-inexplicable-way-567045Sandstrom, Natalie. “Body Language: Michal Rovner’s Evolution at Pace” (exhibition review). Artcritical, 13 June 2018. http://www.artcritical.com/2018/06/13/natalie-sandstrom-on-michal-rovner/Schneider, Tim. “How Dealers Are (Slowly) Rebooting Their Businesses to Take Software-Based Art Mainstream.” Artnet News, 14 June 2018. https://news.artnet.com/market/software-art-basel-1302404Tauer, Kristen. “The Reality of Michal Rovner’s Latest Work” (Pace Gallery exhibition review). Women’s Wear Daily, 21 May 2018. http://wwd.com/eye/people/michal-rovner-pace-gallery-evolution-1202666342/Toscano, Franca. “The Evolution of Michal Rovner.” Modern Painter (June 2018): 98–109, illustrated.2017Dent-Brocklehurst, Mollie and Mark Davy. “Future -Pace: In the Blink of an Eye.” Art Premium (Spring 2017): 94–99, illustrated.Harris, Gareth. “Shortlist for UK National Holocaust Memorial Goes on Show at V&A.” The Art Newspaper, 9 August 2017. http://theartnewspaper.com/news/museums/shortlist-for-uk-national-holocaust-memorial-goes-on-show-at-v-a/Scandroglio, Annalisa. “Unlimited: Michal Rovner | Pace.” Art Super Magazine, 21 June 2017. https://artsupermagazine.com/2017/06/21/unlimited/2016Ayers, Robert. “In the Company of Jackals: Michal Rovner’s Pace Show is Chilling” (exhibition review). Art News, 18 October 2016. http://www.artnews.com/2016/10/18/in-the-company-of-jackals-michal-rovners-pace-show-is-chilling/Dorn, Fairfax. “Art Exhibitions to See in NYC This Fall: No. 2. Michal Rovner: ‘Night’” (Pace Gallery exhibition review). Harper’s Bazaar, 15 September 2016. http://www.harpersbazaar.com/culture/art-books-music/g7829/art-shows-nyc-fall-2016/Luan, Zhichao and Bingyu Chen. “Yong Heng Pai Huai de Ye Zhi You Ling” (Pace Gallery exhibition review). Art World, November 2016: 98, illustrated.Reyburn, Scott. “Getting the Art Out on the Streets.” The New York Times, 15 April 2016. http://www.nytimes.com/2016/04/16/arts/international/getting-the-art-out-on-the-streets.htmlRovner, Michal. “Michal Rovner, into the Night” (Pace Gallery exhibition review). Interview with Haley Weiss. Interview, 27 September 2016. http://www.interviewmagazine.com/art/michal-rovner#_Van Straaten, Laura. “Michal Rovner’s Doormen of the Dark Side at Pace Gallery” (exhibition review). Artnet, 21 September 2016. https://news.artnet.com/exhibitions/michal-rovners-doormen-dark-side-pace-6614542015Howard. "Pace London Presents Michal Rovner - On Till 15th June" (exhibition review). Jermyn Street Journal, 3 June 2015. http://jermynstreetjournal.com/pace-london-presents-michal-rovner-on-till-15th-june/Rogers, Katin. "Not All Those That Wonder Are Lost...Michal Rovner: Panorama at Pace London" (exhibition review). Artctualite, 2 June 2015. http://www.artctualite.com/?p=6724Rovner, Michal. “Michal Rovner: ‘I Don’t Want to Tell a Story, I’m Looking for Something Underneath the Story’” (Pace London exhibition review). Interview with Alexander Glover. Studio International, 11 May 2015. http://www.studiointernational.com/index.php/michal-rovner-interview-panorama-moving-image-video-newsRovner, Michal. “Through Art, Israeli Urges ‘Fresh Viewpoint’ of Reality.” Interview with Christiane Amanpour. CNN, 12 June 2015. http://edition.cnn.com/videos/world/2015/06/12/intv-amanpour-michal-rovner.cnn2014Eddy, Melissa. “Exhibit at Auschwitz-Birkenau Honors Children of Holocaust.” The New York Times, 14 June 2014: A4.Frank, Priscilla. “10 Radical Women Video Artists You Should Know” (National Museum of Women in the Arts exhibition review). The Huffington Post, 3 June 2014. http://www.huffingtonpost.com/2014/06/03/woman-video-artists_n_5413827.htmlGoldman, Edward. “A Weekend of Music, Movies, and Plenty of Art” (Shoshana Wayne Gallery exhibition review). Huffington Post, 14 May 2014. http://www.huffingtonpost.com/edward-goldman/a-weekend-of-music-movies_b_5319602.htmlGustafson, J. Rachel. “Artist Spotlight: The Magical Erasure of Michal Rovner.” Broad Strokes, 22 July 2014. http://broadstrokes.org/2014/07/22/artist-spotlight-the-magical-erasure-of-michal-rovner/Hill, Astrid T. “We Love Collecting…Digital Art.” Artnet News, 27 June 2014. http://news.artnet.com/market/we-love-collecting-digital-art-49504Li, Qian. "Ying Xiang, Huo Xu Yan Jian Wei Zhen, Huo Xu Yan Jian Wei Jia" (Pace Beijing exhibition review). Time Out Beijing, 12 August 2014. http://beijing.timeoutcn.com/ShowArticle_14192.htmMizota, Sharon. “Review: Michal Rovner Charts Ghostly Migrations” (Shoshana Wayne exhibition review). LA Times, 30 May 2014. http://www.latimes.com/entertainment/arts/la-et-cm-michal-rovner-at-shoshana-wayne-20140526-story.htmlRitzel, Rececca. “’Total Art’: A New Vision of Videos at National Museum of Women in the Arts Exhibition” (exhibition review). The Washington Post, 21 June 2014. (opens in a new window) http://wapo.st/1iQzyQIZellen, Jody. "Continuing and Recommended: Michal Rovner" (Shoshana Wayne Gallery exhibition review). ArtScene, June 2014: 17, illustrated.2013Beck, Eldad. “Auschwitz: Art in Name of Memory.” Ynetnews.com, 13 June 2013, illustrated.Booth, William. “Netanyahu Helps Dedicate Upgraded Holocaust Exhibit at Auschwitz.” The Washington Post, 13 June 2013.Hamer, Katy Diamond. “Michal Rover; Pace, New York” (exhibition review). Flash Art 46, no. 288 (January–February 2013): 97, illustrated.Rovner, Michal. “The John Tusa Interviews: Michal Rovner.” BBC, 17 August 2013. http://www.bbc.co.uk/iplayer/episode/p00ncxvy/The_John_Tusa_Interviews_Michal_Rovner/Skolimowski, Piotr. “Auschwitz Holocaust Exhibition Opened by Netanyahu.” Bloomberg Businessweek, 13 June 2013. http://www.businessweek.com/news/2013-06-12/auschwitz-camp-holocaust-exhibition-to-be-opened-by-netanyahuZhao, Jie. “The Place We Left: Michal Rovner.” Art Bank (January/February 2013): 26–33, illustrated.2012Laster, Paul. “Michal Rovner, ‘Topography’” (Pace Gallery exhibition review). Time Out New York, 6–12 December 2012: 36, illustrated.Morgan, Robert C. “Michal Rovner, Topography” (Pace Gallery exhibition review). The Brooklyn Rail, 12 December 2012. http://www.brooklynrail.org/2012/12/artseen/michal-rovner-topographyRovner, Michal. “Time Is Not Linear: Q+A with Michal Rovner.” Interview by Camille Hong Xin. Art in America, 5 December 2012. http://www.artinamericamagazine.com/news-opinion/conversations/2012-12-05/michal-rovner-pace-gallery/2011Banai, Nuit. “Reviews: Michal Rovner, Musée du Louvre” (exhibition review). Artforum 50, no. 2 (October 2011): 326, illustrated.Genocchio, Benjamin. “L.A. Storytellers.” Art + Auction (March 2011): 95, installation view.Hartvig, Nicolai. “The Politics of the Stones: Artist Michal Rovner Imports the Israel-Palestine Conflict to the Louvre in Order to Heal It” (exhibition review). Artinfo.com, 9 June 2011. http://www.artinfo.com/news/story/37854/the-politics-of-the-stones-artist-michal-rovner-imports-the-israel-palestine-conflict-to-the-louvre-in-order-to-heal-it/?page=1Hurwitz, Laurie. “Michal Rovner, Louvre” (exhibition review). Art News 110, no. 8 (September 2011): 124, illustrated.2010Clarke, Bill. “Michal Rovner: Particles of Reality” (DHC/ART Foundation for Contemporary Art exhibition review exhibition review). Magenta Magazine, 4 February 2010: illustrated. http://magentamagazine.com/2/reviews/particles-of-realitySela, Maya. “France to knight Michal Rovner and Etgar Keret.” Haartez.com, 12 July 2010.Spence, Rachel. “Barock, Madre Museum of Contemporary Art, Naples” (exhibition review). Financial Times, 8 February 2010. http://www.ft.com/cms/s/2/538b3ab0-14d2-11df-8f1d-00144feab49a.htmlWei, Lilly. “Israel Report: Where History Becomes Art.” Art in America (January 2010): 51–56, illustrated.2009Barak, Noa. “Michal Rovner: Piedras de fuego” (Ivorypress Art + Books Space exhibition review). Arts Magazine 2, no. 4 (October–December 2009): 36–50, illustrated.Redfern, Christine. “Blurring micro and macro worlds” (DHC/ART Foundation for Contemporary Art exhibition review). Montreal Gazzette, 20 June 2009.Thompson, Christina, ed. Harvard Review 37 (2009): 167–173, illustrated.2008“Galleries––Chelsea: Michal Rovner” (PaceWildenstein exhibition review). The New Yorker, 17 March 2008: 15.Garcia, Christina. “The Ethics of Botched Taxidermy.” Antennae, no. 7 (Autumn 2008): 28–39, illustrated.Genocchio, Benjamin. “Works of Stone with Moving Images: Digital Projection onto Tablets Suggests Dancing Figures” (Heckscher Museum of Art exhibition review). The New York Times, 10 August 2008: Arts and Entertainment, E10, illustrated.Orden, Erica. “A Sense of Place, Stone by Stone” (PaceWildenstein exhibition review). New York Sun, 13 February 2008: 1, 13, illustrated.Page, Talia. “Art: A sublime construction of Israeli stones” (PaceWildenstein exhibition review). Downtown Express, 5 March 2008: illustrated.Princenthal, Nancy. “Written in Stone” (PaceWildenstein exhibition review). Art in America (June/July 2008): 176–179, illustrated.Redfern, Christine. “Blurring Micro and Macro Worlds” (DHC/ART Foundation for Contemporary Art exhibition review). The Montreal Gazette, 20 June 2009.Rovner, Michal. “In Conversation with Michal Rovner.” Interview by Phong Bui. The Brooklyn Rail (March 2008): 30–33, illustrated.Rush, Michael. “Michal Rovner: Rebuilding Stone by Stone” (excerpt from Vindicated at Venice, Artnet). Artis (2008): 8–9, 52–55, 79, illustrated.Snodgrass, Susan. “Front Page: Controversy at Spertus Museum.” Art in America, no. 8 (September 2008): 34.“What’s On––Flickers of Light: Being a Woman in the Holocaust” (Residenzscholss exhibition review). The Art Newspaper 27, no. 190 (April 2008): 67.2006“Blurring the Lines.” Theage.com, 18 November 2006. http://theage.com.au/news/arts/.Carlisle, Susanna. “Winter Exhibitions in London and Paris: Selection” (Jeu de Paume exhibition review). THE Magazine (April 2006): 55.Elcott, Noam M. “Michal Rovner, PaceWildenstein” (exhibition review). Tema Celeste (May 2006): 76, illustrated.“Full List of Artists Launched.” Scoop.co.nz, 6 November 2006. http://www.scoop.co.nz/ (accessed 7 November 2006).Goldfine, Gil. “The Ascension of Michal Rovner” (Tel Aviv Museum of Art exhibition review). The Jerusalem Post, 4 May 2006. http://www.jpost.com/.Mandelbaum, Jacques. “Signs & Stones” (Jeu de Paume exhibition review). Le Monde.fr, 11 September 2006. http://www.lemonde.fr/.Nakamura, Marie-Pierre. “Michael Rovner: ‘Des flames qui sont comme un cri d’avertissement’” (Jeu de Paume exhibition review). Art Actuel, September–Octobre 2005, 44–45, illustrated.Press, Viva. “Israeli Arts and Entertainment Breaks Through to the Big Time.” israel21c.org, 5 November 2006: http://www.israel21c.org/.Rovner, Michal. “Best of 2006: The Artists’ Artists-Robert Rauschenberg: Combines.” Artforum, December 2006: 120.Rush, Michael. “Michal Rovner at PaceWildenstein” (exhibition review). Art in America, September 2006: 165, illustrated.Velasco, David. “Critic’s Picks: Michal Rovner: PaceWildenstein” (exhibition review). Artforum.com, 20 February 2006. http://artforum.com/archive/id=104632005Akinsha, Konstantin. “Provocateurs, Ghosts, Accomplices, and Starz” (exhibition review). Art News 104 (April 2005): 112–115.Balakhovskaya, Faina. “Michal Rovner: ‘New Works’ in the Architecture Museum and ‘More’ and ‘Order’ in the Moscow House of Photography” (exhibition review). Time Out Moscow, 24–30 January 2005.Cohen, David. “Arts & Letters-Gallery Going: When the Rule Ruled” (exhibition review). New York Sun, 3 March 2005: 19+.Cotter, Holland. “Art in Review: ‘Logical Conclusions’” (exhibition review). The New York Times, 18 March 2005: E42.“La Formidable Vitalité d’une Scene Artistique Libérée.” Le Monde, 4 February 2005.Harris, Jane. “The Ruling Class: Seeking the Poetic Potential of Neutral Signs” (exhibition review). New York Village Voice, 16–22 March 2005: Voice Choices, 8.Kishkovsky, Sophia. “Moscow: An Official Biennial to Prove There is No Backsliding” (exhibition review). The Art Newspaper.com, 25 January 2005.Lamarche, Bernard. “Marcher sans advancer: l’art récent de Michal Rovner.” Esse, Arts + Opinions 55 (Fall 2005): 36.Levashov, Vladimir. “Funny Worms: Michal Rovner ‘New Works’ Architecture Museum and Michal Rovner ‘More’ and ‘Order’ in the Multimedia Complex of Actual Arts.” Artchronika 1 (2005): n.p.MacAdam. Barbara A. “Reviews: New York-Logical Conclusions, PaceWildenstein” (exhibition review). Art News 104 (June 2005): 119.Mandelbaum, Jacques. “Signs & Stones.” Le Monde.fr, 9 September 2005.“Michal Rovner: People in Russia are Passionate for Art and Feel it Deeply.” Artchronika, 27 January 2005: Interview/Special Project Section.Morgan, Robert C. “Reviews: Logical Conclusions, PaceWildenstein, New York” (exhibition review). Tema Celeste 110 (July–August 2005): 69.Myers, Stephen Lee. “Emphasizing Creativity, Not Collectivity” (exhibition review). The New York Times, 5 February 2005: B7, B13.Nabokov, Dominique. “Michal Rovner: Border Line.” Stiletto 8 (Fall/Winter 2005): 140.“Rovner’s New Works.” The Moscow News, 16–22 February 2005.Sheets, Hilarie M. “Design: ‘No Different From the Medicis’.” Art News (December 2005): 114–118, illustrated.Somerstein, Rachel. “Moving Images.” Art News 104 (May 2005): 40, illustrated.2004“Wales: Artes Mundi.” Flash Art (March–April 2004): 43.Camhi, Leslie. “Being and Nothingness” (exhibition review). New York Village Voice, 2–8 June 2004: C74.Frimbois, Jean-Pierre. “22 Avenue Montaigne: Apotheose Video.” Art Actuel (July–August 2004).Gayford, Martin. “Dust, Fluff, and Cilla.” Telegraph, 31 March 2004.“Goings on About Town.” The New Yorker, 31 May 2004.Kino, Carol. “A Fake Museum of Shimmying Antiquities” (exhibition review). The New York Times, 16 May 2004: Sec. 2, 32.Kunitz, Daniel. “Michal Rovner: PaceWildenstein, New York” (exhibition review). Art Review (July/August 2004): 97, illustrated.Nichols, Matthew Guy. “Michal Rovner at PaceWildenstein” (exhibition review). Art in America (October 2004): 155, illustrated.Proctor, Minna. “State of Suspension: Yoel Hoffmann’s Israel.” Bookforum (Summer 2004): 4, illustrated.Richard, Frances. “Michal Rovner: PaceWildenstein” (exhibition review). Artforum (September 2004): 268–269, illustrated.Sausset, Damien. “Michal Rovner, Choregraphe des Ombres.” Connaissance des Arts (February 2004): 48–53, illustrated.Stringfield, Ann. “Michal Rovner” (exhibition review). The New Yorker, 24 May 2004: 14.Till, Lucy. “Art and Politics in Venice.” Cairo Times, 14 May 2004.Vallese, Gloria. “Michal Rovner: In Marcia Verso un Monde Globale.” Arte (June 2004): 154–158.Weinreich, Regina. “The International Star: Israeli Artist Michal Rovner is Featured at PaceWildenstein” (exhibition review). Forward, 30 April 2004: Arts & Letters, 8.2003Bagner, Alex. “The Wander Years” (Venice Biennale exhibition review). Wallpaper (November 2003): 106, illustrated.Blanchette, Manon. “La Mimésis.” Etc Montréal 64 (December 2003: January, February 2004): illustrated.“Contemporary Art: Morte a Venezia.” The Economist, 21–27 June 2003: 75–76.Cumming, Laura. “But Where’s the Art?” The Observer, 22 June 2003.Field, Marcus and James Morrison. “Anger Over War Blamed for Britartist’s Failure to Secure Top Biennale Prize.” The Independent on Sunday, 15 June 2003.Floridi, Pico. “Quando la Fotografia Non e Piu Glamour.” La Republica, 9 June 2003.Guerrin, Michel. “Quatre Regards d’Artistes Juifs sur les Palestiniens.” Le Monde, 20 June 2003.Kimmelman, Michael. “Cramming it All in at the Biennale” (exhibition review). The New York Times, 26 June 2003.Knaff, Devorah L. “Films Look at Dream of Peace in Mideast.” The Press-Enterprise, 20 April 2003.Madoff, Steven Henry. “Venice Biennale: Review” (exhibition review). Art News (September 2003): 128–129.Mammi, Alessandra. “Ai Confini del Video.” L’espresso, 27 February 2003: 112–113.“Material in Bewegung.” Interview by Doris von Drathen. Kunstforum (August–October 2003): 262–265, illustrated.“Michal Rovner: Arena.” Cultframe.com (June 2003).Morgan, Robert C. “Biennial Delirium: A Critic in Venice Amid Dreams and Conflict.” Sculpture 22 (October 2003).“Contemporary Art: Morte a Venezia.” The Economist, 21–27 June 2003: 75–76.O’Brien, Pat. “Metaphor Committed to Film.” The Press-Enterprise, 28 February 2003.Ollman, Leah. “Moments of Magic from a Land Torn by Strife.” Los Angeles Times, 25 June 2003.Pagel, David. “Academic Exercises in Video.” Latimes.com, 3 July 2003.Panicelli, Ida. “Michal Rovner: MACRO al Mattatoio/Studio Stefania Miscetti” (exhibition review). Artforum (October 2003): 180, illustrated.Princenthal, Nancy. “Michal Rovner at the Whitney Museum” (exhibition review). Art in America (March 2003): 114, illustrated.Rush, Michael. “Vindicated at Venice” (exhibition review). Artnet.com, 9 July 2003: illustrated.Spaemann, Robert. “Freiheit der Forschung oder Schutz des Embryos?” Die Zeit, 20 November 2003: 39.Spence, Rachel. “On the Edge: The Art of Michal Rovner.” The Jewish Quarterly (Summer 2003): 17–20.“Squiggles and Mirrors.” Time Europe 161, 30 June 2003.Stamets, Bill. “The Fog of War” (exhibition review). Chicago Reader, 21 February 2003.Vercier, Evence. “Michal Rovner: Stephen Friedman Gallery” (exhibition review). Art Press (March 2003): 73–74.Vetrocq, Marcia E. “Venice Biennale: Every Idea But One.” Art in America (September 2003).Vincent, Steven. “In the Studio: Michal Rovner.” Art & Auction (October 2003): 32–36, illustrated.2002Artner, Alan G. “Rovner’s Video Masterpiece Steps Out of Time” (exhibition review). Chicago Tribune, 11 August 2002, illustrated.Budick, Ariella. “Shifting, Ageless Images, In a Search for ‘Home,’” Newsday, 2 August 2002, illustrated.Daniel, Michal. Yediot America, 19 July 2002: 10–11.Dashevsky, Evan. “Identity in a Time of Conflict.” Hybrid.com (November 2002).Dawson, Jessica. “Where Visas Are Not Needed.” Washington Post, 11 April 2002.Dykstra, Jean. “Michal Rovner: Crossing Borders.” Art on Paper (September–October 2002): 74–75, illustrated.“An Exhibition to Come for Michal Rovner at the Whitney Museum, New York.” Ma’ariv, 17 June 2002.Goldman, Julia. “Universal Appeal.” Jewish Week, 5 July 2002.A.G. “The Surreal World.” Elle 17 (August 2002): 58, illustrated.Henry, Clare and Joan Mitchell. “FT Weekend-Arts: Twin Forces of Abstraction.” Financial Times (London), 24 August 2002.“Inspirations.” Museums New York 8 (Summer 2002): 144.Kissel, Howard. “Blurred Vision: The Whitney Presents the Compellingly Ambiguous Images of Michal Rovner” (exhibition review). New York Daily News, 14 July 2002.Krueger, Michael. “Michal Rovner: Kemper Museum of Contemporary Art” (exhibition review). New Art Examiner 29 (March–April 2002): 85–86.Mahoney, Robert. “Michal Rovner: The Space Between” (exhibition review). Time Out New York, 1–8 August 2002: 52, illustrated.Nakamura, Marie-Pierre. "La Notion de Frontière Comme une Sorte d'Espace Intérieur" (exhibition review). Art Actuel (Geneva) (September–October 2002): 80–83.Rovner, Michal. “Peter Gabriel vs. Michal Rovner.” Interview with Peter Gabriel. BlackBook (October/November 2002): 106–108, illustrated.2001Kaufman, Gina. “Bare Essentials.” Pitch.com, 11 October 2001.Matilsky, Barbara. “Michal Rovner: Field 1.” Ackland Art Museum Online (Summer 2001).Nessel, Jennifer. “Michal Rovner: Art Crossing Boundaries.” Jewish Woman (Fall 2001): 18.Swed, Mark. “They Shoot, Glass Scores.” Los Angeles Times, 25 October 2001.“Night After Night.” Ma’ariv, 17 June 2002.“People as Notes.” Haaretz, 31 July 2002.Pollack, Barbara. “Michal Rovner: Whitney Museum of American Art” (exhibition review). Art News (October 2002): 74–75.Silverman, Edward. “Forces of Nature.” Jerusalem Report (August 2003): 40–41, illustrated.Steitfeld, L.P. “The Absolute Importance of ‘The Endurance of Art.’” The Advocate and Greenwich Time, 27 October 2002.“Whitney Museum of American Art-Michal Rovner: The Space Between” (exhibition review). The New York Times, 28 July 2002.“Whitney Museum of American Art” (exhibition review). Time Out New York 354, 11–18 July 2002: 50.Zimmer, William. “The Enduring Nature of Art and Headlines.” The New York Times, 27 October 2002: 75–75.Zinnes, Harriet. “Michal Rovner: The Space Between” (exhibition review). New York Arts Magazine, 8 August 2002: illustrated.2000Allen, Tom. “The Biennial’s Grand Illusions.” Washington Post, 10 December 2000: G1, G6, illustrated.Hambourg, Maria Morris. “Recent Acquisitions, a Selection 1999–2000.” Metropolitan Museum of Art Bulletin 57 (Fall 2000): 69.Leffingwell, Edward. “Michal Rovner at 410 Park Avenue” (installation review). Art in America (November 2000): 169.Nahas, Dominique. “Overhang: Michal Rovner at the Whitney Biennial” (installation review). d’Art International (Paris (Fall 2000): 31–32.Nessel, Jennifer. “Ghostly Visions.” Art News (Summer 2000): 138, 140.Rush, Michael. “New Media Rampant.” Art in America (July 2000): 41.Vogel, Carol. “Chase’s Art Plans.” The New York Times, 14 April 2000: E38.Vogel, Jenny. “Rovner at Deitch” (exhibition review). Flash Art (May–June 2000): 56.1999Exley, Roy. “New Abstract Photography: Towards Abstraction: The Painterly Photography.” Creative Camera (June/July 1999): 24–29.Van de Velde, Paola. “Mystieke Installatie in Amsterdam: Michal Rovner Bilkvanger op 17 de Video Festival.” De Telegraf (Amsterdam), 17 September 1999: T15.Vogel, Carol. “Choosing a Palette of Biennial Artists.” The New York Times, 8 December 1999: B5.1998Artner, Alan G. “Rovner’s Photoworks Take a More Abstract Turn.” Chicago Tribune, 6 November 1998: 60.Baker, Kenneth. “Israeli Art Takes On Inevitable Political Air.” San Francisco Chronicle, 4 June 1998: E1.Coleman, Sarah. “50/Fifty” (exhibition review). San Francisco Bay Guardian, 27 May 1998: 98Di Genova, Arianna. “L’arte Spericolata.” Il Manifesto (Rome), 26 March 1998.Dykstra, Jean. “Michal Rovner at Stephen Friedman” (exhibition review). Art & Auction, 21 September–4 October 1998: 67.Langford, Martha. “Michal Rovner: Stills from her 1997 Film, Border.” Creative Camera (August/September 1998): 12–27.“Michal Rovner.” Palm Beach Jewish Times, 30 October 1998.Schmidt, Steve. “Image is Everything.” New Times Broward/Palm Beach, 26 November 1998.Van Proyen, Mark. “Michal Rovner: Stephen Wirtz Gallery” (exhibition review). New Art Examiner (March 1998): 57.Weinstein, Michael. “Rhona Hoffman Gallery: Michal Rovner” (exhibition review). Chicago New City (November 1998).1997Aquin, Stéphanie. “De la minceur de l’image: Taille fine.” Voir (Montreal), 15 August 1997: 50.Coomer, Martin. “Michal Rovner” (exhibition review). Time Out London, 2–9 August 1997.Côté, Mario. “De la minceur de l’image.” Parachute 88 (October–December 1997): 54–55.Kandel, Susan. “Exploring Power of Three Among Friends.” Los Angeles Times, 4 July 1997: 18.Lamarche, Bernard. “Dissolution de l’image.” Le Devoir (Paris), 24–25 March 1997: D8.Lamarche, Bernard. “Le regard tel un fantôme.” Le Devoir (Paris), 29–30 March 1997: D9.Langlois, Monique. “Juste des images.” Cinébulles 16, 2 (1997): 52–53.Lofting, Clair. “Ambiguous Images: Reflections on Michal Rovner’s Border.” Coil: Journal of the Moving Image 5 (Fall 1997): 25–30.“Michal Rovner.” La Recherche Photographique 20 (Spring 1997): 52–53.Philp, Hunter Drohojowska. “From Dislocation, Artistic Direction.” Los Angeles Times, 15 June 1997: 54, 56.1995Camper, Fred. “View Finders: Michal Rovner at Rhona Hoffman Gallery” (exhibition review). Chicago Reader, 29 September 1995: 30, 32–33.“Last Chance.” Chicago Tribune, 27 October 1995: 64.Levine, Angela. “Library Without Books.” Jerusalem Post, 1 September 1995: 30.Morrissey, Simon. “Michal Rovner: Outside.” Architects’ Journal (London) 202 (1995): 66.Morrissey, Simon. “Derby Photography Festival: Michal Rovner” (exhibition review). Creative Camera 337 (December 1995/January 1996): 41–42.Riddel, Jennifer L. “Reviews: Michal Rovner at Rhona Hoffman Gallery” (exhibition review). New Art Examiner 23 (November 1995): 35.1994Armitage, Diane. “Critical Reflections.” Magazine of the Arts (April 1994).Armitage, Diane. “Michal Rovner: Photographs.” Magazine of the Arts (May 1994): 45.Balsamo, Dean. “Gallery Hopping.” Pasatiempo, 15 April 1994.Chadwick, Susan. “Photographers Exhibit Evokes Powerful Images of Isolation” (exhibition review). Houston Post, 26 November 1994: F1, F3.Hagan, Charles. “Group Show Wooster Gardens” (exhibition review). The New York Times, 28 January 1994: C19.Johnson, Patricia C. “Images of Solitude.” Houston Chronicle, 29 November 1994: 3D.Karmel, Pepe. “Out of the Ghetto?” Art News (April 1994): 144–149.Rosen, Roee. “Illuminating Eerie Images of Past and Present.” New York Forward, 21 October 1994: 9.Snodgrass, Susan. “Michal Rovner at the Art Institute of Chicago and Rhona Hoffmann” (exhibition review). Art in America (May 1994): 124–125.Vidal, Christine. “Michal Rovner.” La Recherche Photographique 19 (Fall 1995): 15–19.1993Foerstner, Abigail. “Photography: Rovner Draws on the Commonplace to Create the Surreal” (exhibition review). Chicago Tribune, 12 November 1993: 77–78.“Portfolio: Michal Rovner.” Creative Camera 321 (April/May 1993): 66–67.Rerych, Zdenek. “The Real Way of Existence: Interview with Michal Rovner.” Atelier Magazine (April 1993).Woll, Johanna. “Image First: Eight Photographers for the 90’s.” Galeries Magazine (Summer 1993): 139.1992Freudman, Carla. “Michal Rovner.” Euro (February 1992).Grundberg, Andy. “Decoy” (exhibition preview). Newsletter of the Friends of Photography (January 1992).McCraken, David. “Gallery Scene.” Chicago Tribune, 24 January 1992: 64.Porges, Maria. “Michal Rovner: Friends of Photography/Ansel Adams Center” (exhibition review). Artforum (April 1992): 103.Watten, Barrett. “Michal Rovner.” Artweek, 20 February 1992: 14.1991Aletti, Vince. “Choices.” New York Village Voice, 9 July 1991.“Decoy” (exhibition review). New York Forward (July 1991).Gray, Alice. “Decoy: S. Bitter-Larkin” (exhibition review). Art News (October 1991): 132.Princenthal, Nancy. “Artist's Book Beat: ANI-MAL.” The Print Collectors Newsletter (July–August 1991).Studio (April–May 1991): cover.1990Creative Camera 304 (June/July 1990): cover.“Portfolio-Michal Rovner: Animals.” Creative Camera 305 (August/September 1990): 39–42, illustrated.1987Goldfine, Gil. “Poetry from Polaroids.” Jerusalem Post, 4 September 19871986“Review of Israeli Biennial” (exhibition review). Perspektief (Rotterdam) (1986). Michal RovnerBooks and Catalogues Michal Rovner Books 2023Gozansky, Shana. My Art Book of Adventure. New York: Phaidon Press, 2023: n.p., illustrated.Saltz, Jerry. Art Is Life and Iconoclasts: Visionaries and Vigilantes, and Flashes of Hope in the Night. New York: RIverhead Press, 2022.2022Pellerin, Ananda, ed. Why I Make Art: Contemporary Artists’ Stories About Life & Work. Los Angeles: Atelier Éditions, 2022: 25, 28, illustrated.2021Jules de Balincourt: After the Gold Rush (exhibition catalogue). Text by Iván De La Torre Amerighi. Málaga, Spain: Centro de Arte Contemporaneo de Málaga, 2021.2019Landscape Painting Now: From Pop Abstraction to New Romanticism. Edited by Todd Bradway; texts by Susan A. Van Scoy, Robert R. Shane, and Louise Sørensen. New York: D.A.P./Distributed Art Publishers, 2019: 134−139, illustrated.2018Bourriaud, Nicolas. Formes et trajets. Paris: Presses du réel, 2018.Bourriaud, Nicolas. Formes et trajets – Tome 2 Topologies. Dijon and Zurich: Les presses du réel; JRP-Ringier, 2018.Jules De Balincourt: One Island, Many People (exhibition catalogue). Text by Christian Viveros-Fauné. Copenhagen: Galleri Bo Bjerggaard, 2018.2017The Universe and Art: An Artistic Voyage Through Space (exhibition catalogue). Texts by Nanjo Fumio, Tsubaki Reiko, Chiku Kakugyo, Matogawa Yasunori, and Alberto Rocca. Tokyo and Singapore: Mori Museum of Art / Heibonsha Ltd.; ArtScience Museum, 2017: 107–108.2016Coomer, Martin. Protest 23.09.16 (exhibition catalogue). London: Victoria Miro, 2016.2015As Far West as We Could Go (exhibition catalogue). Texts by Kathrin Balkenhol and Oliver Koerner von Gustorf. Berlin: Distanz Verlag, 2015.Schwabsky, Barry. Vitamin P2: New Perspectives in Painting. London and New York: Phaidon, 2015.2014Dessanay, Margherita and Marc Valli. A Brush with the Real: Figurative Painting Today. London: Laurence King, 2014: 252–259.Eurasia: A View on Painting (exhibition catalogue). Text by Norman Rosenthal. Paris: Galerie Thaddaeus Ropac, 2014.2013Disaster/The End of Days (exhibition catalogue). Text by Michael Bracewell. Paris: Galerie Thaddaeus Ropac, 2013: 36–37.Jules de Balincourt. Texts by Bob Nickas, Andrea K. Scott, and Eric Troncy. New York: Skira Rizzoli, 2013.The Journal of Creative Sustainability 6. Unity College, Maine: Hack & Handsaw, 2013: 24–27, 46.2012Diacono, Mario. Archetypes and Historicity: Paintings and Other Radical Forms 1995-2007. Milan: Silvana Editoriale, 2012: 90–91, 289–291.Jules de Balincourt: Parallel Universe (exhibition catalogue). Texts by Mario Diacono and Robert Nickas and interview with the artist. Milan: Silvana Editoriale, 2012.2011Nickas, Bob. Catalogue of the Exhibition 1984-2011. Los Angeles: 2nd Cannons Publications, 2011.Schwabsky, Barry. Vitamin P2: New Perspectives in Painting. London: Phaidon, 2011: 38–41.2010McSweeney’s 36. Texts by Ali, Wajahat, Michael Chabon, Maggie Lemere, Zoë West, Sophia Cara Frydman, Tim Heidecker, Gregg Turkington, et al. San Francisco: McSweeney’s, 2010: illustrated, box art and book cover.Mori Art Museum Project 011: Jules de Balincourt (exhibition catalogue). Edited by Tsubaki Reiko. Tokyo: Mori Art Museum, 2010.2009American Thought and Culture in the Twenty First Century. Texts by Martin Halliwell, Catherine Morley, Dominic Sandbrook, John Dumbrell, David Ryan, Peter Kuryla, Kevin Mattson, et al. Edinburgh: Edinburgh University Press, 2009.Beech, Dave, Charles Harrison, and Will Hill. Art and Text. London: Black Dog Publishing, 2009: 91, 143.Diacono, Mario. Transitions. Painting at the (other) End of Art (exhibition catalogue). Reggio Emilia: Collezione Maramotti, 2009.Grayson, Kathy. New York Minute: Sixty Artists on the New York Scene (exhibition catalogue). New York: O.H.W.O.W., 2009.Harmon, Katharine. The Map as Art: Contemporary Artists Explore Cartography. Princeton, New Jersey: Princeton Architectural Press, 2009: 59, illustrated, book cover.Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. London: Phaidon Press, 2009: 26– 29.Return to Function Madison (exhibition catalogue). Texts by Jane Simon, Martha Schwendener, Stephen Fleischman, and Ami Barak. Madison: Madison Museum of Contemporary Art, 2009: 12.2008Art: Over 2,500 Works from Cave to Contemporary. Text by Ross King. London: DK Publishing, 2008.Danto, Arthur, Matthew Higgs, and Ivan Karp. Artists of Invention (exhibition catalogue). Oakland: California College of the Arts, 2008.Jules de Balincourt: Malpais (exhibition catalogue). Text by Nicolas Bourriaud. Paris: Galerie Thaddaeus Ropac, 2008.King, Ross. Art: The Definitive Visual Guide. London: DK Publishing, 2008: 395, 594.Nickas, Bob. Theft Is Vision. Zurich: JRP/Ringier, 2008.Pasternak, Anne and Lucy Lippard. Creative Time: The Book. Princeton, New Jersey: Princeton Architectural Press, 2008.Signs of the Apocalypse/Rapture. Edited by Christine DiThomas; texts by Christopher Bucklow, Doug Fogelson, and Jay Michaelson. Chicago: Front Forty Press, 2008.2007Art in America: Now (exhibition catalogue). Text by Helen Hsu. Shanghai: Museum of Contemporary Art, 2007: 89.Art in America: 300 Years of Innovation (exhibition catalogue). Edited by Susan Davidson; texts by Susan Cross, Helen Hsu, Patricia Johnston, Elizabeth Kennedy, Jessica Lanier, Anthony W. Lee, Michael Leja, et al. New York and Chicago: Solomon R. Guggenheim Foundation; Terra Foundation for American Art, 2007.Phantasmania (exhibition catalogue). Text by Elizabeth Dunbar. Kansas City: Kemper Museum of Contemporary Art, 2007.Poets on Painters (exhibition catalogue). Texts by Anselm Berrigan, Katie Geha, Travis Nichols, Eric Baus, Laura Solomon, Paul Killebrew, Hoa Nguyen, et al. Wichita: Ulrich Museum of Art, 2007.Prague Biennale 3: Glocal and Outsiders: Connecting Cultures in Central Europe (exhibition catalogue). Milano: G. Politi, 2007.2006Mullins, Charlotte. Painting People: Figure Painting Today. London: Thames and Hudson, 2006.New York Contemporary: Art Times Squared (exhibition catalogue). Texts by João Ribas, Dan Cameron, Ombretta Agrò Andruff, Alanna Heiss, David Reed, Simone Subal, and Sarah Lewis. Vienna: basis wien Kunst, Information und Archiv, 2006.Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. New York: Phaidon, 2009.Notre Histoire (exhibition catalogue). Paris: Palais de Tokyo; Paris musées, 2006.USA Today: New American Art from the Saatchi Gallery. Texts by Norman Rosenthal, Meghan Dailey, and Patricia Ellis. London: Royal Academy of Art, 2006.2005De Balincourt, Jules. Personal Survival Doom Buggy: User’s Manual and Equipment Guide (exhibition catalogue). New York: Zach Feuer Gallery, 2005.Greater New York 2005 (exhibition catalogue). Text by Klaus Biesenbach, Cornelia H. Butler, and Neville Wakefield. New York: P.S. 1 Contemporary Art Center in collaboration with the Museum of Modern Art, 2005: 74–75.Lilja, Martin, Kristian Bengtsson, Amy Giunta, and Matt Leines. Loyal and His Band: A Five Year Anniversary. Stockholm and New York: Loyal & Galleri Loyal; Loyal New York; D.A.P./Distributed Art Publishers, 2005.Live Through This: New York 2005 (exhibition catalogue). Texts by Kathy Grayson, Jeffrey Deitch, Phillip Guichard, Cory Arcangel, and Larry Rinder. New York: Deitch Projects, 2005.Nickas, Bob. Jules de Balincourt. New York: Volume Gallery, 2005.