Thomas Nozkowski

Dates

Born 1944, Teaneck, New Jersey

Died 2019, New York

Education

1967, Cooper Union, New York, BFA.

2024

Thomas Nozkowski: Everything in the World, Pace Gallery, 540 West 25th Street, New York, March 8–April 20, 2024. (Catalogue)

2021

Online: Thomas Nozkowski, Pace Gallery, September 9–October 23, 2021.

Thomas Nozkowski: The Last Paintings, Pace Gallery, 540 West 25th Street, New York, September 10–October 23, 2021.

Thomas Nozkowski, Pace Gallery, East Hampton, New York, July 1–18, 2021.

2018

Thomas Nozkowski: Paintings, Art Omi, Ghent, New York, May 26–September 4, 2018.

Thomas Nozkowski: 16 x 20, Pace Gallery, 510 West 25th Street, New York, January 19–February 15, 2018.

2017

Thomas Nozkowski: Touchstones, University of Kentucky Art Museum, Lexington, May 20–August 20, 2017.

2016

Thomas Nozkowski: Paintings & Drawings, Drawing Room, East Hampton, New York, June 24–July 25, 2016. (Catalogue)

Thomas Nozkowski: Works on Paper, Pace Gallery, 32 East 57th Street, New York, February 25–March 26, 2016. (Catalogue)

2015

Thomas Nozkowski, Pace Gallery, 510 West 25th Street, New York, March 27–April 25, 2015. (Catalogue)

2013

Thomas Nozkowski, Russell Bowman Fine Art, Chicago, April 12–June 15, 2013.

Thomas Nozkowski: Recent Work, Pace Gallery, 508 West 25th Street, New York, February 22–March 23, 2013, and 511 West 25th Street, New York, February 22–March 18, 2013. (Catalogue)

2012

Thomas Nozkowski: New Editions and Related Drawings, Senior & Shopmaker Gallery, New York, April 26–June 16, 2012.

2010

Thomas Nozkowski: Recent Work, The Pace Gallery, 510 West 25th Street, New York, October 22–December 4, 2010. (Catalogue)

Thomas Nozkowski: Works On Paper 1991–2008, Senior & Shopmaker Gallery, New York, February 27–April 17, 2010. (Catalogue)

2009

Thomas Nozkowski, Muroff Kotler Visual Arts Gallery, SUNY Ulster: Ulster County Community College, Stone Ridge, New York, October 8–November 6, 2009.

Thomas Nozkowski, The National Gallery of Canada, Ottawa, Ontario, June 24–September 20, 2009. (Catalogue)

Thomas Nozkowski, Stephen Friedman Gallery, London, April 24–May 23, 2009.

2008

Thomas Nozkowski, Douglas Hyde Gallery, Dublin, Ireland, June 6–July 24, 2008. (Catalogue)

Thomas Nozkowski: Recent Work, PaceWildenstein, 534 West 25th Street, New York, April 4–May 3, 2008. (Catalogue)

Thomas Nozkowski: Paintings, Fisher Landau Center, Long Island City, New York, February 3–April 7, 2008.

2007

Thomas Nozkowski: Works on Paper, Mestna Galerija, Ljubljana, Slovenia, August 13–September 10, 2007. (Catalogue)

Thomas Nozkowski: Subject to Change, Ludwig Museum, Koblenz, Germany, June 3–July 15, 2007. (Catalogue)

2006

Thomas Nozkowski: Paintings and Works on Paper, Rubicon Gallery, Dublin, November 16–December 22, 2006.

Thomas Nozkowski: Works on Paper, BravinLee Programs, New York, May 11–June 17, 2006.

Thomas Nozkowski, Max Protetch Gallery, New York, February 18–March 18, 2006.

2005

Thomas Nozkowski: Recent Work, Daniel Weinberg Gallery, Los Angeles, April 23–June 11, 2005.

2004

Thomas Nozkowski: Twenty Paintings, 1992–2003, Pollock Gallery, Southern Methodist University, Dallas, January 19–February 21, 2004. Traveled to: Haunch of Venison, London, March 31–May 8, 2004. (Catalogue)

2003

Thomas Nozkowski: New Paintings, Max Protetch Gallery, New York, November 8–December 20, 2003.

Thomas Nozkowski: Drawings, New York Studio School, New York, January 23–March 1, 2003.

2002

Thomas Nozkowski: Works on Paper, Clough–Hanson Gallery, Rhodes College, Memphis, Tennessee, October 25–December 12, 2002. (Catalogue)

Thomas Nozkowski: Wednesday Pictures, Williams Center for the Arts, Lafayette College, Easton, Pennsylvania, October 18–November 22, 2002. (Catalogue

2001

Thomas Nozkowski, Max Protetch Gallery, New York, October 13–November 6, 2001.

Thomas Nozkowski, An Autobiography, Dorsky Museum of Art, New Paltz, New York, July 23–September 30, 2001.

Thomas Nozkowsk: Paintings, Ace Gallery, Los Angeles, April 14–September 30, 2001.

2000

Thomas Nozkowski: Works on Paper, 1984–2000, Rosenwald–Wolf Gallery, University of the Arts, Philadelphia, August 30–September 30, 2000. Traveled to: Foster Art Gallery, University of Wisconsin, Eau Claire, October 12–November 2, 2000; Atrium Gallery, University of Connecticut, Storrs, January 31–March 2, 2001. (Brochure)

Thomas Nozkowski, Galerie Frank, Paris, May 10–June 17, 2000. (Brochure)

Thomas Nozkowski: New Paintings, Max Protetch Gallery, New York, February 19–March 18, 2000.

1999

Thomas Nozkowski: Recent Work, Revolution Gallery, Ferndale, Michigan, March 6–April 10, 1999.

1997

Thomas Nozkowski: Recent Paintings, Stephen Wirtz Gallery, San Francisco, November 12–December 28, 1997.

Thomas Nozkowski: Painting, Max Protetch Gallery, New York, September 6–27, 1997.

Thomas Nozkowski: Twenty-Four Paintings, Corcoran Gallery of Art, Washington, D.C., September 1–November 1, 1997. Traveled to: The Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas, January 15–March 1, 1998. (Catalogue)

Thomas Nozkowski: L.A. Drawings, Max Protetch Gallery, New York, January 9–February 8, 1997.

1996

Thomas Nozkowski: Ten Paintings, Baumgartner Galleries, Inc., Washington, D.C., October 18–November 20, 1996. (Catalogue)

Thomas Nozkowski: Recent Paintings, Ace Contemporary Exhibitions, Los Angeles, March 23–July 13, 1996.

Thomas Nozkowski: A Survey Exhibition, Revolution Gallery, Ferndale, Michigan, January 25–March 24, 1996.

1995

Thomas Nozkowski: Autobiographical Paintings, Max Protetch Gallery, New York, November 8–December 2, 1995. (Catalogue)

1994

Thomas Nozkowski, Baumgartner Galleries, Inc., Washington, D.C., February 12–March 11, 1994.

Thomas Nozkowski: Works on Paper, Stephen Wirtz Gallery, San Francisco, January 6–February 12, 1994.

1993

Thomas Nozkowski: Paintings, Revolution Gallery, Ferndale, Michigan, October 30–December 11, 1993.

Thomas Nozkowski: Recent Paintings + Works on Paper, Paul Cava Gallery, Philadelphia, May 4–29, 1993.

Thomas Nozkowski: Paintings & Works on Paper, Max Protetch Gallery, New York, March 25–April 24, 1993.

1992

Thomas Nozkowski, Feigen Incorporated, Chicago, March 20–May 2, 1992.

1991

Thomas Nozkowski: Paintings, Max Protetch Gallery, New York, October 10–November 9, 1991.

Thomas Nozkowski: Selected Paintings 1980–1990, Beaver College Art Gallery, Glenside, Pennsylvania, September 16–November 27, 1991. (Catalogue)

Thomas Nozkowski: Works on Paper, Paul Cava Gallery, Philadelphia, April 3–May 11, 1991.

1990

Thomas Nozkowski: Recent Paintings, Max Protetch Gallery, New York, May 5–June 9, 1990.

Thomas Nozkowski: Recent Work, Baumgartner Galleries, Inc., Washington, D.C., May 2–May 26, 1990.

1989

Thomas Nozkowski: Here and Now, Greenville County Museum of Art, South Carolina, December 19, 1989–January 17, 1990.

Thomas Nozkowski: Paintings, College of Creative Studies, University of California, Santa Barbara, September 26–October 28, 1989.

Thomas Nozkowski: Recent Paintings, Thomas Segal Gallery, Boston, September 16–October 8, 1989.

Thomas Nozkowski: Paintings, Baumgartner Galleries, Inc., Washington, D.C., February 8–March 4, 1989.

1988

Thomas Nozkowski, Diane Brown Gallery, New York, November 1988.

Thomas Nozkowski, Hillman Holland Gallery, Atlanta, October 23–November 30, 1988.

Thomas Nozkowski: Recent Paintings, C. Grimaldis Gallery, Baltimore, Maryland, May 4–28, 1988.

1987

Thomas Nozkowski: Paintings, Diane Brown Gallery, New York, November 10–December 5, 1987.

Thomas Nozkowski, Paul Cava Gallery, Philadelphia, April 3–April 25, 1987.

Thomas Nozkowski: Paintings, Klein Gallery, Chicago, January 9–February 7, 1987.

1986

Thomas Nozkowski, Rosa Esman Gallery, New York, April 19–May 14, 1986.

1985

Thomas Nozkowski, Rosa Esman Gallery, New York, April 4–May 1, 1985.

1984

Thomas Nozkowski, Rosa Esman Gallery, New York, January 4–28, 1984.

1983

Thomas Nozkowski: December 1983, Matthews Hamilton Gallery, Philadelphia, December 2, 1983–January 1984.

Thomas Nozkowski: Drawings of the 70’s, Gallery Nature Morte, New York, October 1–30, 1983. (Curated by Joseph Masheck)

Thomas Nozkowski: New Drawings, 55 Mercer Gallery, New York, February 8–February 26, 1983.

Thomas Nozkowski: New Paintings, Rosa Esman Gallery, New York, January 18–February 12, 1983.

1981

Thomas Nozkowski: New Paintings, Rosa Esman Gallery, New York, November 3–November 28, 1981.

1980

Thomas Nozkowski: Paintings & Drawings, 55 Mercer Gallery, New York, November 11–November 29, 1980.

1979

Thomas Nozkowski: Sculpture & Paintings, 55 Mercer Gallery, New York, October 23–November 10, 1979.

Thomas Nozkowski: Sculpture, Nobé Gallery, New York, February 20–March 10, 1979.

Thomas Nozkowski, 55 Mercer Gallery, New York, February 6–February 24, 1979.

2023

Parallel Lines, Pace Gallery, Palm Beach, Florida, June 16–August 27, 2023.

The Searchers, The Philadelphia Arts Alliance at University of the Arts, Pennsylvania, January 27–March 16, 2023.

2021

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Jane Freilicher and Thomas Nozkowski: True Fictions, Milton Resnick and Pat Passlof Foundation, New York, November 5, 2021–February 26, 2021.

A room with a…, Pace Gallery, Palm Beach, Florida, June 4–September 10, 2021.

The Mountain and the Phoenix, Zurcher Gallery, New York, May 13–June 13, 2021.

2020

Chewing Gum IV [Kohei Nawa, Kenneth Noland, Thomas Nozkowski, Adam Pendleton, Michael Rovner, Tony Smith, Xiao Yu, Zhang Xiaogang], Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, May 28–July 2, 2020.

Artist’s Choice: Amy Sillman – The Shape of Shape, The Museum of Modern Art, New York, May 21–October 4, 2020.

Small Abstractions: Highlights from Sheldon’s Permanent Collection, Sheldon Museum of Art, University of Nebraska-Lincoln, January 31–December 23, 2020.

2019

An Era of Opportunity: Three Decades of Acquisitions, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, April 26–September 8, 2019.

The World According to, Pace Gallery, 32 East 57th Street, New York, February 13–March 23, 2019.

2018

Out of Control, Venus Over Manhattan, New York, June 28–August 10, 2018.

Summer Group Show, Pace Gallery, Seoul, June 5–August 11, 2018.

2017

Bete Noire, Five Myles Gallery, New York, November 11–December 17, 2017.

Art of Africa, Pace Primitive, New York, November 2–December 9, 2017.

Book Art, Woodstock Artists Association, New York, September 27, 2017–January 5, 2018.

Drawing Set, Little Underground Gallery, Jefferson Market Library, New York, September 5–October 7, 2017.

Summer Days (and Summer Nights), Pace Gallery, 32 East 57th Street, New York, July 20–August 18, 2017

Touchstones, University of Kentucky Art Museum, Lexington, May 19–August 20, 2017.

The State of New York Painting: Works of Intimate Scale by 26 Colorists, Kingsborough Art Museum, Brooklyn, March 6–April 5, 2017.

2016

Jacob Kainen, Thomas Nozkowski, Sean Scully, Hemphill, Washington, D.C., July 14–August 19, 2016.

Big Art / Small Scale, Philip Slein Gallery, St. Louis, Missouri, May 20–June 25, 2016.

Ancient & Tribal Sculpture, Pace Primitive, New York, May 5–21, 2016.

Talking on Paper, Pace Beijing, April 16–June 11, 2016.

Method Order Metric, National Academy Museum and School, New York, February 4–May 8, 2016.

2015

Intimacy in Discourse: Reasonable-Sized Paintings, Part I, Mana Contemporary, Jersey City, October 18–December 22, 2015.

Drawings and Prints, Selections from the Permanent Collection, The Metropolitan Museum of Art, New York, September 29, 2015–January 4, 2016.

Painting is Not Doomed to Repeat Itself, Hollis Taggart Galleries, New York, September 24–October 31, 2015. (Catalogue)

The Thing Itself, Center for Contemporary Art, Bedminster, New Jersey, September 11–October 24, 2015.

Summer Group Show, Pace Gallery, 32 East 57th Street, New York, July 15–August 21, 2015.

Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, June 12–July 18, 2015.

River Crossings: Contemporary Art Comes Home, Thomas Cole National Historic Site, Catskill, New York, April 29–November 1, 2015. (Catalogue)

Community of Influence, Vermont Studio Center, Johnson, February 5–February 11, 2015.

2014

Art on Paper 2014: The 43rd Exhibition, Weatherspoon Art Museum, University of North Carolina at Greensboro, September 27–December 14, 2014. (Catalogue)

Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, New York, September 5–October 5, 2014.

Annual 2014: Redefining Tradition, National Academy Museum, New York, June 11–September 14, 2014. (Catalogue)

This One's Optimistic, Pincushion, New Britain Museum of American Art, Connecticut, June 7–September 14, 2014.

Print // Line, Bridgette Mayer Gallery, Philadelphia, April 29–June 21, 2014.

Cancel All Our Vows, Dodge Gallery, New York, March 1–April 13, 2014.

2013

Come Together: Surviving Sandy, Year 1, Industry City, New York, October 20–December 15, 2013.

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

Pictures of Nothing: Abstract Art from the Permanent Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, July 12–September 8, 2013.

Reinventing Abstraction: New York Painting in the 1980s, Cheim & Read, New York, June 27–August 30, 2013. (Catalogue)

Abstraction in America, Part III: Contemporary Abstraction, The Chautauqua Institution, Chautauqua, New York, June 23–August 19, 2013.

Swing State, Jane Kim Gallery, New York, April 7–May 12, 2012.

0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art, Raleigh, March 24–August 11, 2013. (Catalogue)

Wit, The Painting Center, New York, January 29–February 23, 2013. (Catalogue)

2012

Look Out Outlook, Giampietro Gallery, New Haven, Connecticut, November 16–December 21, 2012.

In Dialogue with Thomas Nozkowski, Sonnenschein Gallery, Durand Art Institute, Lake Forest College, Illinois, October 11–November 8, 2012.

Conceptual Abstraction, Hunter College/Times Square Gallery, New York, October 5–November 10, 2012. (Catalogue)

Summer Group Show 2012, The Pace Gallery, 32 East 57th Street, New York, July 30–August 24, 2012.

Summer Exhibition Illustrated 2012, Royal Academy of Arts, London, June 4–August 12, 2012. (Catalogue)

Print/Out: 20 Years in Print, The Museum of Modern Art, New York, February 19–May 14, 2012. (Catalogue)

2011

Group Show 2011, Texas Gallery, Houston, November 29–December 31, 2011.

Karmic Abstraction, Bridgette Mayer Gallery, Philadelphia, November 15–December 31, 2011. (Catalogue)

Refocusing the Spotlight: Twenty-four American Painters, Nina Freudenheim Gallery, Buffalo, New York, October 15–November 29, 2011.

Chuck Close, Thomas Nozkowski, Fabian Marcaccio and Alex Brown, BravinLee Programs, New York, June 7–July 28, 2011.

70 Years of Abstract Painting—Excerpts, Jason McCoy Gallery, New York, April 6–May 20, 2011.

Paper A–Z, Sue Scott Gallery, New York, March 16–April 22, 2011.

Creating the New Century: Contemporary Art from the Dicke Collection, Dayton Art Institute, Ohio, March 12–July 10, 2011. (Catalogue)

Object Image, Tibor de Nagy Gallery, New York, March 10–April 16, 2011.

Thomas Nozkowski and Joyce Robins: Mutual Regards 1974–2010, LeRoy Neiman Gallery, Columbia University School of Arts, New York, March 1–28, 2011. (Curated by Phong Bui and Linnea Kmiaz)

2010

The Grenfell Press: Thirty Years of Collaboration, Knoedler Project Space, New York, November 18–December 30, 2010.

50 Years at Pace, The Pace Gallery, 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)

Decameron, New York Studio School, New York, September 9–October 10, 2010.

Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 7, 2010–February 2011.

Exhibition of Work by Newly Elected Member and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 20–June 13, 2010.

The Shape of Abstraction, Boston University Art Gallery, February 5–March 28, 2010. (Catalogue)

Drawings and Prints: Selections from the Permanent Collection, Robert Wood Johnson Jr. Gallery for Drawings and Prints, Metropolitan Museum of Art, New York, January 11–April 11, 2010.

2009

Continuous Present, Yale University Art Gallery, New Haven, Connecticut, October 6, 2009–January 3, 2010. (Curated by Jennifer Gross)

Jettison: New Ideas in Abstraction, Trahern Gallery, Austin Peay State University, Clarksville, Tennessee, September 8–25, 2009. (Catalogue)

The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, New York, April 16–June 10, 2009. (Catalogue)

Primitif Compliqué, Galerie Les Filles du Calvaire, Brussels, April 3–May 23, 2009.

Extreme Possibilities: New Modernist Paradigms, The Painting Center, New York, April 2–25, 2009. (Catalogue)

2008

There to Here, Then and Now: Favorites from 25 Years at the Williams Center Gallery, Williams Center Art Gallery, Lafayette College, Easton, Pennsylvania, September 2–October 17, 2008.

Point of No Return, Rubicon Gallery, Dublin, June 6–September 2, 2008. (Curated by Sherman Sam and Caroline Hancock).

It’s Gouache & Gouache Only, Andrea Meislin Gallery, New York and Jeff Bailey Gallery, New York, February 15–March 15, 2008. (Curated by Geoffrey Young)

Degas to Diebenkorn: The Phillips Collects, The Phillips Collection, Washington, D.C., February 9–May 25, 2008.

Recent Acquisitions, National Academy Museum, New York, February 7–May 4, 2008.

Revision, Reiteration, Recombination: Process and the Contemporary Print, University of Central Florida, Orlando, January 17–February 21, 2008. Traveled to: College of Visual Arts, St. Paul, Minnesota, March 6–April 5, 2008. (Curated by Leslie Wayne)

2007

Summer Eyes/Summarize 2007, Jan Weiner Gallery, Kansas City, Missouri, 2007.

All for Art! Great Private Collections Among Us, Museé des beaux–arts de Montréal, Canada, December 6, 2007–March 2, 2008. (Catalogue)

Multiplex: Directions in Art, 1970 to Now, The Museum of Modern Art, New York, November 21, 2007–July 28, 2008. (Curated by Deborah Wye)

Multiple Interpretations: Contemporary Prints in Portfolio, New York Public Library, October 26, 2007–January 27, 2008.

Calculation and Impulse: Abstract American Prints, The David and Ruth Robinson Eisenberg Gallery, Jane Voorhees Zimmerli Museum, New Brunswick, New Jersey, September 1, 2007–February 3, 2008.

It’s Gouache & Gouache Only, Geoffrey Young Gallery, Great Barrington, Massachusetts, July 6–28, 2007.

BLOCK PARTY II: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, June 30–August 25, 2007.

Think With The Senses, Feel With The Mind: Art In The Present Tense, La Biennale di Venezia, Venice, Italy, June 10–November 21, 2007. (Catalogue; curated by Robert Storr)

I’m Always Touched by Your Presence, Dear: Recent Acquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin, April 25, 2007–March 17, 2008. (Curated by Rachael Thomas)

Printerly Prints, Contemporary Art Galleries, University of Connecticut, Storrs, January 23–February 23, 2007.

2006

CCS at 100: A Woodward Lecture Series Retrospective, Center Gallery, College for Creative Studies, Detroit, 2006.

Getting It Right: The Intuitive Translation of Form in Contemporary Abstraction, OSP Gallery, Boston, 2006.

Hot Off the Presses: Prints of 2006 from New York Printshops, The Grolier Club, New York, December 13, 2006–February 3, 2007.

BLOCK PARTY: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, July 15–August 26, 2006.

Summer Eyes/Summarize 2006, Jan Weiner Gallery, Kansas City, Missouri, July 7–August 28, 2006.

Blame It On Rio: Summer Benefit and Silent Auction, White Box, New York, June 27, 2006.

Works On Paper, Rebecca Ibel Gallery, Columbus, Ohio, June 4–July 31, 2006.

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 18–June 4, 2006.

181st Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design Museum, New York, May 11–June 18, 2006.

2006 Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, March 9–April 9, 2006.

2005

New World Order: Vision and Re-Vision, Domo Gallery, Summit, New Jersey, December 9, 2005–January 28, 2006.

Singular Expressions: A Sheldon Invitational, Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, November 12, 2005–February 12, 2006. (Catalogue)

25 Years: Selected Solo Exhibitions 1979–2004, Part 2, Baumgartner Gallery, New York, September 9–October 12, 2005.

Radical Vaudeville, Geoffrey Young Gallery, Great Barrington, Massachusetts, July 22–August 13, 2005.

In A Series, Adam Baumgold Gallery, New York, July 7–August 12, 2005.

Paint It With Black, Betty Cunningham Gallery, New York, June 30–July 30, 2005. (Curated by Phong Bui)

On Paper: Drawings from the 1960’s to the Present, Daniel Weinberg Gallery, Los Angeles, February 26–April 16, 2005.

Trade, White Columns Gallery, New York, February 4–March 12, 2005. (Catalogue; curated by Matthew Higgs).

Sets, Series and Suites: Contemporary Prints, Museum of Fine Arts, Boston, January 19–May 30, 2005.

Plan D: Andrew Bick, Patrick Michael Fitzgerald, Diana Cooper, Thomas Nozkowski, Sherman Sam, Palacete do Viscondes de Balsemao, January 10–February 10, 2005. Traveled to: Rubicon Gallery, Dublin, March 30–April 23, 2005; Model Arts and Niland Gallery, Sligo, Ireland, June 23–August 7, 2005. (Catalogue)

2004

A Drawing Show, The Schoolhouse Center, Provincetown, Massachusetts, 2004.

Art of the Definite, DC Moore Gallery, New York, November 30–December 30, 2004. (Curated by Helen Miranda Wilson).

Arturo Herrera, Jac Leirner, Thomas Nozkowski, Brent Sikkema, New York, November 20–December 23, 2004.

Pencil Me In: Graphite 2004, Geoffrey Young Gallery, Great Barrington, Massachusetts, September 24–October 17, 2004.

The Widening Gyre, Rubicon Gallery, Dublin, September 4–October 2, 2004. (Curated by Patrick Fitzgerald).

Something above the Sofa, Rubicon Gallery, Dublin, July 29–August 21, 2004.

Pickup Lines, Geoffrey Young Gallery, Great Barrington. Massachusetts, July 24–August 14, 2004.

Floored: Selection From the Permanent Collection, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, July 9–August 13, 2004.

Paint, Kleinert/James Art Center, Woodstock, New York, June 5–July 18, 2004.

De Keyser, Frecon, Kendrick, Kowski, Nozkowski, Gorney Bravin + Lee, New York, May 21–June 19, 2004.

Colored Pencil, K.S. Art, New York, in association with Geoffrey Young, April 1–May 8, 2004.

10: A Ten Year Anniversary Exhibition, Revolution Gallery, Ferndale, Michigan, January 24–February 28, 2004.

Endless Love, DC Moore Gallery, New York, January 7–February 7, 2004. (Curated by Mark Griswold)

2003

Newer Genres: Twenty Years of the Rutgers Archives for Printmaking Studios, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, December 6, 2003–March 24, 2004.

Flix: Gallery Artists, International Invited Artists & Emerging Irish Artists, Rubicon Gallery, Dublin, October 1–25, 2003.

Ink from Wood: Two Traditions, Connecticut Center for Contemporary Printmaking, Norwalk, Connecticut, September 12–November 8, 2003.

Thomas Nozkowski and Joyce Robins, Silas–Kenyon Gallery, The Schoolhouse Center, Provincetown, Massachusetts, July 11–23, 2003.

Out of Line: Drawings, Gallery Onetwentyeight, New York, June11–July 12, 2003.

Art Show, Marbletown Community Center Stone Ridge, New York, May 17–18, 2003.

Twisting and Turning: Abstract Painting Now, Blue Star Art Contemporary Art Center, San Antonio, Texas, May 15–June 22, 2003. (Brochure)

Ballpoint Pen Inklings, KS Art, New York, April 10–May 10, 2003. (Curated by Geoffrey Young)

Resonance, The Workspace, New York, March 27–May 17, 2003. (Curated by Ken Buhler)

2002

Zenroxy, Von Lintel Gallery, New York, November 26, 2002–January 18, 2003.

Robert Mangold and Thomas Nozkowski, Michael Berger Gallery, Pittsburgh, November 23, 2002–January 26, 2003.

Jeans, Millei and Nozkowski, Schmidt Contemporary Art, St. Louis, Missouri, September 27–October 26, 2002.

Paintings on Paper, Schmidt Fine Arts, St. Louis, Missouri, Fall 2002.

Pertaining to Painting, Contemporary Arts Museum, Houston, June 27–September 29, 2002. (Catalogue; curated by Paola Morsiani)

Painting’s Edge: The Exhibition, Parks Exhibition Center on the Idyllwild Arts Campus, California, June 22–July 3, 2002.

New Editions, Senior & Shopmaker Gallery, New York, May–June 2002.

The 177th Annual: An Invitational Exhibition, National Academy of Design, New York, May 1–June 9, 2002. (Catalogue)

Transcendent & Unrepentant, Rosenwald–Wolf Gallery, University of the Arts, Philadelphia, January 25–February 25, 2002. (Brochure)

2001

Postcards From The Edge, Sarah Meltzer Gallery, New York, November 18, 2001.

Collectors’ Gallery XXXIV, Marion Koogler McNay Art Museum, San Antonio, Texas, Fall–Winter 2001.

Vivid, Richard Salmon Gallery, London, October 24, 2001–January 26, 2002. Traveled to: Mead Gallery, Warwick Arts Centre, Coventry, April 27–June 28, 2002; Northern Gallery for Contemporary Art, Sunderland, July 12–August 24, 2002. (Brochure)

Un/Familiar, Mason Gross School of the Arts, New Brunswick, New Jersey, September 2001.

Structures, The Work Space, New York, June 28–August 31, 2001. Traveled to: as Structures: About Abstract Painting, Payne Gallery, Moravian College Art Gallery, Bethlehem, Pennsylvania, November 8, 2001–January 6, 2002; Palmer Gallery, Vassar College, Poughkeepsie, New York, January 14–February 7, 2002. (Curated by Marjorie Welish and Linda Francis)

Works on Paper, Tibor de Nagy Gallery, New York, June 14–July 27, 2001.

Patient Process, Faulconer Gallery, Bucksbaum Center for the Arts, Grinnell College, Iowa, February 3–April 15, 2001. (Catalogue; curated by Donald Doe and Lesley Wright)

Achromatic, Revolution Gallery, Ferndale, Michigan, January 13–February 10, 2001.

2000

Superduper New York, Pierogi 2000, Brooklyn, 2000. (Curated by Greg Stone and Joe Amrhein)

Small Works, Nina Freudenheim Gallery, Buffalo, New York, 2000.

Postcards from the Edge, Andrew Kreps Gallery, New York, November 5, 2000.

Trapeze Artists: Swingin’ from the Nineties, Mason Gross School of the Arts, New Brunswick, New Jersey, September 7–28, 2000. (Curated by Ryan Reggiani, Dawn Auvigne, Sarah Wood, and Dave Choi)

Recent Acquisitions, Orlando Museum of Art, Summer–Fall 2000.

Millennium: New Gifts and Acquisitions, William Benton Museum of Art, University of Connecticut, Storrs, March 14–April 27, 2000.

Painting Abstraction, New York Studio School, March 2–April 8, 2000.

1999

Galore, Birmingham Museum of Art, Alabama, Summer 1999.

Architecturally Abstract, Revolution Gallery, New York, May 20–July 24, 1999.

Exhibition of Work By Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 19–June 13, 1999.

American Academy Invitational Exhibition of Painting & Sculpture, American Academy of Arts and Letters, New York, March 15–April 11, 1999.

Pierrette Bloch, Helmut Dorner, Peter Halley, Alain Kirili, Julje Knifer, Ariane Lopez–Huici, Thomas Nozkowski, Dominique Thiolat, Galerie Frank, Paris, January 4–30, 1999.

1998

Luis Gordillo, Thomas Nozkowski, Galeriá Marta Cervera, Madrid, November 24–December 31, 1998.

Thomas Nozkowski, Richard Rezac, TBA Exhibition Space, Chicago, September 12–October 17, 1998. (Brochure)

Pierogi 2000 at the College Center Gallery, College Center Gallery, Vassar College, Poughkeepsie, New York, August 31–September 26, 1998. (Curated by Joe Amrheim)

Susan Frecon, Rachel Harrison, Thomas Nozkowski, Turner & Runyon Gallery, Dallas, July 16–August 15, 1998. (Curated by Charles Dee Mitchell)

From Here to Eternity: Paintings in 1998, Max Protetch Gallery, New York, July 1–August 31, 1998. (Curated by Ruth Kaufman)

Hot, Revolution Gallery, Ferndale, Michigan, June 10–July 25, 1998.

Exploiting The Abstract, Feigen Contemporary, New York, May 2–June 13, 1998.

INTERIOR Landscapes: An Exhibition from the Collection of Clifford Diver, Delaware Art Museum, Wilmington, April 22–June 30, 1998. (Brochure; curated by Cliff Diver)

Painting Objectives, Galerie Evelyne Canus, La–Colle–Sur–Loup, France, April 17–June 6, 1998. (Curated by Shirley Kaneda)

American Academy Invitational Exhibition of Painting & Sculpture, American Academy of Arts and Letters, New York, March 9–April 5, 1998.

Utz: A Collection Exhibition, Lennon, Weinberg Inc., New York, February 6–March 7, 1998. (Curated by Stephanie Theodore)

1997

Current Undercurrent: Working in Brooklyn, Brooklyn Museum, July 25, 1997–January 25, 1998.

The Hirshhorn Collects: Recent Acquisitions 1992–1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 4–September 7, 1997. (Catalogue)

Pierogi 2000 Flatfiles, The Gasworks, London and Corner House, Manchester, England, Summer 1997. (Curated by Joe Amrheim)

Intimate Universe [Revisited]: Seventy American Painters, Robert Steele Gallery, New York and Kean College Art Gallery, Trenton, New York, April 2–26, 1997. (Curated by Michael Walls)

Music, Gallery Onetwentyeight, New York, April 2–26, 1997.

After The Fall: Aspects of Abstract Paintings since 1970, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, March 27–September 7, 1997. (Catalogue; curated by Lili Wei)

Purely Painting, Elizabeth Harris Gallery, New York, March 20–April 19, 1997. (Curated by Bill Carroll)

See Hear, Gallery Onetwentyeight, New York, March 5–29, 1997. (Curated by Kazuko Myamoto)

Recent Acquisitions, Cranbrook Art Museum, Bloomfield Hills, Michigan, Spring 1997.

New York on Paper, Baumgartner Galleries, Inc., Washington, D.C., February 7–March 22, 1997.

Square Painting/Plane Painting, Center on Contemporary Art, Seattle, January 10–March 8, 1997. (Catalogue; curated by Laurie Chambers and Rhonda Howard)

Tabula Rasa: An Exhibition of Sixty International Artists, Gallery Onetwentyeight, New York, January 8–February 1, 1997.

1996

Works on Paper: Artists and Architects, Max Protetch Gallery, New York, December 14, 1996–January 4, 1997.

Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, Missouri, November 23–December 20, 1996.

The New Narrative Abstraction, The Art Gallery at Brooklyn College, LaGuardia Hall, Brooklyn, November 13–December 20, 1996.

Set Off: Inaugural Group Show, View Room, New York, October 5–November 15, 1996. (Curated by Kiki Seror)

NEWance, Stephen Wirtz Gallery, San Francisco, August 7–24, 1996.

Art Exchange: An (Alternative) Alternative Art Fair, 60 Broad Street, New York, June 5–15, 1996.

Scratch: The Exhibition, Thread Waxing Space, New York, May 2, 1996. (Catalogue)

Natural Process: Recent American Painting, Art Gallery, Williams Center for the Arts, Lafayette College, Easton, Pennsylvania, February 1–25, 1996. Traveled to: as Natural Process, Center Gallery, Bucknell University, Lewisburg, Pennsylvania, March 2–April 12, 1996. (Brochure; curated by Neil Anderson and Sid Sachs)

Formal Abstraction/New York: An Exhibition of Small Works, Ruth Bachofner Gallery, Santa Monica, March 2–April 6, 1996. (Curated by Robert Kingston)

An Autobiography: Paintings by Thomas Nozkowski with Photographs by Judy Linn, Cranbrook Art Museum, Bloomfield Hills, Michigan (Organized by Revolution Gallery, Ferndale, Michigan, and Max Protetch Gallery, New York), January 26–March 24, 1996. (Catalogue)

On Paper II, Schmidt Contemporary Art, St. Louis, Missouri, January 23–February 20, 1996.

Balancing Act, Room Gallery, New York, January 18–February 24, 1996.

1995

Works On Paper, Baumgartner Galleries, Inc., Washington, D.C., September 15–October 12, 1995.

Natures, Gallery Onetwentyeight, New York, April 5–30, 1995.

The Painterly, GCCA Mountaintop Gallery, Windham, New York, March 18–June 8, 1995.

Works On Paper, S.Cono Pizzeria, Brooklyn, March 5–April 2, 1995. (Curated by Chris Martin)

On Paper: Julia Fish and Thomas Nozkowski, Revolution Gallery, Ferndale, Michigan, March 4–April 15, 1995.

Blue, Stephen Wirtz Gallery, San Francisco, March 2–April 1, 1995.

On Target, Horodner Romley Gallery, New York, January 21–February 25, 1995.

Repicturing Abstraction: Basic Nature, 1708 Gallery, Richmond, Virginia, January 20–February 25, 1995. (Catalogue)

1994

New Paintings, Max Protetch Gallery, New York, December 1994.

Intimate Observations, The Baxter Gallery, Maine College of Art, Portland, November 10–December 11, 1994.

A 100 Hearts: Benefit Art Auction, The Contemporary, New York, October 20, 1994.

Works On Paper, Schmidt Gallery, St. Louis, Missouri, Fall 1994.

Project Room: Jonathan Lasker, Fabian Marcaccio, Thomas Nozkowski, Gary Stephan, Bravin Post Lee, New York, April 23–May 21, 1994.

Possible Things: A Drawing Show, Gallery/Publishing House Bardamu, New York, January 20–February 26, 1994. (Curated by Vik Muniz)

Reveillon’94, Stux Gallery, New York, January 8–February 12, 1994. (Curated by Alain Kirili)

1993

Early Works, Max Protetch Gallery, New York, December 1993.

Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York, 1993. (Curated by Michael Walls)

Bomb Magazine Benefit, Fawbush Gallery, New York, December 14–16, 1993.

The Return of the Cadavre Exquis, The Drawing Center, New York, November 6–December 18, 1993. Traveled to: Corcoran Gallery of Art, Washington, D.C., February 5–April 10, 1994; Santa Monica Museum of Art, July 7–September 5, 1994; Forum for Contemporary Art, St. Louis, Missouri, September 30–November 12, 1994; America Center, Paris, December 1994–January 1995. (Catalogue)

Eight Painters: Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, September 20–December 31, 1993.

The Inaugural Show, The Painting Center, New York, September 14–October 2, 1993.

New Moderns, Baumgartner Galleries, Inc., Washington, D.C., September 11–October 9, 1993.

Drawings From 55 Ferris Street, Jessica Berwind Gallery, Philadelphia, September 10–October 16, 1993. Traveled to: Wynn Kramarsky Gallery, New York, October 29–November 20, 1993. (Curated by Frederieke S. Taylor)

Ferragosto: A Reopening Show, Gallery 128, New York, August 5–28, 1993.

Paint and Painted: Paintings and Sculpture from the Collection, Fisher Landau Center, New York, Summer 1993.

Italia–America / L’Astazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino June 16–July 16, 1993. (Catalogue; curated by Demetrio Paparoni)

Jours Tranquilles à Clichy, 40 Rue Rochechouart, Paris, June 6–27, 1993. Traveled to: Tennisport Arts, Long Island City, New York, September 12–October 3, 1993. (Curated by Alain Kirili)

Works On Paper, Max Protetch Gallery, New York, January 9–February 27, 1993. (Curated by Jeffrey Hoffeld)

1992

A New American Flag, Max Protetch Gallery, New York, October 24–December 1, 1992.

On Condition: Painting Between Abstraction and Representation, Gallery 400, School of Art and Design, The University of Illinois, Chicago, October 5–31, 1992. (Curated by Julia Fish)

Intimate Universe: Small-Scale Paintings by Twenty-Five American Artists, Michael Walls Gallery, New York, September 10–October 10, 1992.

Kinder! macht Neues!, Galerie Rolf Ricke, Cologne, June 13–September 5, 1992. (Catalogue)

Abstraction Painting 1992, Schmidt Contemporary Art, St. Louis, Missouri, June 13–July 31, 1992.

Transmodern, Baumgartner Galleries, Washington, D.C., June 13–July 11, 1992. (Curated by James Mahoney)

Paper, Diane Brown Gallery, New York, June 11–July 31, 1992.

55 Ferris Street Show, 55 Ferris Street, Brooklyn, May 30–June 11, 1992. (Catalogue; curated by Fredericke Taylor)

Benefit for WFMU, Germans van Eck Gallery, New York, May 26–30, 1992.

Jane Hammond, Tatsuo Miyajima, Thomas Nozkowski, Joyce Pensato, Andrew Spence, Steve Wolfe: Painting and Sculpture, John Berggruen Gallery, San Francisco, May 13–June 6, 1992.

The Wall Project: Benefit Exhibition, Sculpture Center, New York, April 9–25, 1992.

Nancy Haynes, Mike Metz, Thomas Nozkowski, Joyce Robins, 55 Mercer Gallery, New York, March 31–April 18, 1992.

Thomas Nozkowski, David Reed, Baumgartner Galleries, Inc., Washington, D.C., February 15–March 13, 1992. (Catalogue)

Shades of Difference (The Eminine in Abstract Painting), Sandra Gering Gallery, New York, January 18–February 15, 1992. (Curated by Shirley Kaneda)

Aesthetic Abstraction, Tibor de Nagy Gallery, New York, January 14–February 6, 1992.

1991

Benefit Group Show, PS 122 Gallery, New York, 1991.

Stubborn Painting, Now and Then, Max Protetch Gallery, New York, December 19, 1991–January 25, 1992. (Catalogue; curated by Ruth Kaufman and Mike Metz)

Abstraction: Recent Prints, Betsy Senior Contemporary Prints, New York, November 23, 1991–February 8, 1992.

Conceptual Abstraction, Sidney Janis Gallery, New York, November 7–December 21, 1991. (Catalogue)

Green, Max Protetch Gallery, New York, June 26–September 28, 1991.

Blossom Festival, Kent State University, Ohio, Spring 1991.

Outside America: Going Into The 90’s, Fay Gold Gallery, Atlanta, March 18–April 16, 1991. (Catalogue)

Know Peace/No Peace, Gallery 128, New York, February 6–March 1, 1991.

1990

Ornamental: Ho Hum All Ye Faithful, John Post Lee Gallery, New York, December 11, 1990–January 11, 1991

Inaugural Exhibition, Paul Cava Gallery, Philadelphia, October 2–November 10, 1990.

All Quiet On The Western Front?, Galerie Antoine Candau, Paris, September 26–December 31, 1990. (Catalogue; curated by Tricia Collins and Richard Milazzo)

From Earth to Archetype, LedisFlam, New York, September 13–October 22, 1990.

10 Abstract Painters, Baumgartner Galleries, Inc., Washington, D.C., September 8–30, 1990.

Melancholia, de Andino Fine Arts, Washington, D.C., April 20–May 26, 1990.

Working On Paper: Contemporary American Drawing, High Museum of Art at Georgia–Pacific Center, Atlanta, March 1–May 4, 1990. Traveled to: Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, August 14–October 12, 1990. (Catalogue; text by Carrie Przybilla)

About Round, Round About: A Collection of Circles, Spheres & Other Round Matter, Anders Tornberg Gallery, Sweden, January 20–February 7, 1990.

1989

Beyer, Ewing, Fisher, Groth, Mahn, Nozkowski, Wolfe, Diane Brown Gallery, New York, December 6–23, 1989.

Small Format, Lang & O’Hara, New York, November 30, 1989–January 6, 1990.

Allusions: Selected Abstract Paintings, Dimock Gallery, Art Department, George Washington University, Washington, D.C., October 12–November 9, 1989. (Brochure)

Post-Modern Painters, John Good, New York, September 9–30, 1989.

Steven Baris, Mel Bochner, Philip Govedare, Ron Janowich, Thomas Nozkowski, Cava Gallery, Philadelphia, April 4–30, 1989.

Scene and Seed: Preparatory and Finished Drawings in Many Media, Andrews Gallery, Fine Arts Department, College of William and Mary, Williamsburg, Virginia, January 16–February 17, 1989.

1988

Seven American Abstract Artists, Ruggiero Henis Gallery, New York, November 4–December 3, 1988. (Brochure)

Four Corners of Abstract Painting, International Gallery Invitational, Javits Center, New York, Summer 1988. (Curated by Bill Arning)

Works On Paper 1988, Martina Hamilton Gallery, New York, June 1–July 15, 1988.

Works On Paper, Tibor de Nagy Gallery, New York, May 24–June 30, 1988.

The Inscribed Image, Lang & O’Hara, New York, April 21–May 28, 1988. (Curated by Pat McCoy)

Five Painters, PS 122 Gallery, New York, March 31–April 24, 1988.

Drawings, Cava Gallery, Philadelphia, February 5–27, 1988.

Diagrams & Surrogates, Shea & Becker Gallery, New York, January 19–February 25, 1988. (Catalogue; curated by Saul Ostrow)

1987

Grace Is The Better Part Of Valor, Sharpe Gallery, New York, June 11–July 19, 1987. (Curated by Beth Biegler and Andrea Rosen)

Works From A Suitcase: New York–Linz, Hofkabinett, Linz, Austria, June 9–July 3, 1987.

Inductive Geometries, Diane Brown Gallery, New York, June 9–27, 1987. (Curated by Sid Sachs)

The Inspiration Comes From Nature, Part II, Jack Tilton Gallery, New York, June 1987.

1986

Painterly Abstraction: Eight New York Artists, Simard Halm & Shee Gallery, Los Angeles, September 26–October 25, 1986. (Catalogue)

Gallery & Invited Artists, Tibor de Nagy Gallery, New York, June 4–July 24, 1986.

Selected Artists: Works On Paper, Cava Gallery, Philadelphia, May–June 19, 1986.

Off The Wall, Kamikaze, New York, January 23–February 13, 1986. (Curated by Carlo McCormick and Earl Willis)

Paintings: Thomas Nozkowski and Ron Janowich, Cava Gallery, Philadelphia, January 3–February 1, 1986.

1985

The 21st Weatherspoon Annual Exhibition: Art on Paper ‘85, Weatherspoon Art Gallery, University of North Carolina, Greensboro, November 17–December 15, 1985. (Catalogue)

Chiaroscuro, Art City, New York, November 10–December 15, 1985. (Curated by John Duff)

Gathering of the Avant–Garde, Kenkelaba House, New York, May 17–June 30, 1985.

Painting 1985, Pam Adler Gallery, New York, January 11–February 2, 1985.

1984

Small Works: New Abstract Painting, Lafayette College, Easton, Pennsylvania and Muhlenberg College, Allentown, Pennsylvania, November 12–December 14, 1984. (Catalogue)

Natürlich, Matthews Hamilton Gallery, Philadelphia, November 1984.

New Acquisitions, The Museum of Modern Art, New York, Spring–Summer 1984.

Second Nature: Abstract Paintings and Drawings, Proctor Art Center, Bard College, Annandale–On–Hudson, New York, April 5–18, 1984.

Organic Abstractions: Group Exhibitions, H.F. Manès Gallery, New York, February 9–March 10, 1984. (Curated by John Post Lee)

Nature as Image, Directions on Broadway, New York, February 2–26, 1984. (Catalogue)

Painting Invitational, Robeson Center Gallery, Rutgers University, Newark, February 1–March 1, 1984. (Curated by Dominic Capobianco)

The 1984 Painting Invitational: From the Abstract to the Image, Oscarsson Hood Gallery, New York, January 10–February 4, 1984.

Fact & Fiction: Abstract Paintings by Jonathan Lasker, Tom Nozkowski, Gary Stephan, Tibor de Nagy Gallery, New York, January 7–February 1, 1984. (Catalogue)

1983

Contemporary Drawings, Matthews Hamilton Gallery, Philadelphia, 1983.

Inaugural Exhibition, Matthews Hamilton Gallery, Philadelphia, 1983.

Small Paintings, Victoria Munro Gallery, New York, December 1983.

CAPS Painting’82–’83: Recent Work by Fellowship Recipients from the Creative Artist Public Service Program, Henry Street Settlement, Louis Abrons Arts For Living Center, New York, September 23–October 30, 1983. Traveled to: Pyramid Gallery, Rochester, New York, November 18, 1983–January 8, 1984; Michael C. Rockefeller Gallery, State University of New York, Fredonia, January 17–February 24, 1984.

Contemporary Abstract Painting, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, September 12–October 23, 1983. (Catalogue)

Five Painters, Getler/Pall Gallery, New York, May 17–June 18, 1983. (Curated by Jeffrey Rian)

On An Intimate Dimension: A Selected Exhibition, Tibor de Nagy Gallery, New York, March 12–April 7, 1983.

Paintings From The Mind’s Eye, Hillwood Art Gallery, C.W. Post Center, Long Island University, Greenvale, New York, February 18–March 23, 1983. (Catalogue)

55 Mercer: 12 Years: An Anniversary Exhibition, 55 Mercer Street, New York, January 12–February 5, 1983. (Catalogue)

1982

Russian Revolution to Post-Modernism: 10th Anniversary Exhibition, Rosa Esman Gallery, New York, September 7–October 9, 1982.

An Exhibition of Abstract Painting, Art Galaxy, New York, May 18–June 5, 1982. (Organized by Craig Fisher)

Critical Perspectives, P.S. 1, Long Island City, New York, January 17–March 14, 1982. (Catalogue)

1981

55 Mercer: Ten Sculptors, Fine Arts Center Art Gallery, State University of New York at Stony Brook, April 1–May 1, 1981. (Curated by Lawrence Alloway)

New Group: Painting and Sculpture by American and British Artists, 43 Great Jones Street, New York, February 7–28, 1981.

1980

Painting As Percept, Ericson Gallery, New York, February 2–28, 1980. (Catalogue)

1979

Small Works, Nobé Gallery, New York, June 9–30, 1979.

1978

Mapped Art: Charts, Routes, Regions, Nobé Gallery, New York, October 31–November 18, 1978. (Curated by Peter Frank)

Three Sculptors, Nobé Gallery, New York, May 23–July 10, 1978.

Scale and Matter, Soho Center for Visual Artists, New York, March 2–25, 1978.

1976

This Doesn’t Look Like A Work Of Art II, Truman Gallery, New York, November 19–December 30, 1976.

This Doesn’t Look Like A Work Of Art, Parsons-Truman Gallery, New York, April 20–May 15, 1976.

1973

New Talent, Betty Parsons Gallery, New York, June 1973.

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

The Art Institute of Chicago

The Brooklyn Museum, New York

Buffalo AKG Art Museum, New York

Carnegie Museum of Art, Pittsburgh, Pennsylvania

The Cleveland Museum of Art, Ohio

Cranbrook Art Museum, Bloomfield Hills, Michigan

Dallas Museum of Art, Texas

Daum Museum of Contemporary Art, State Fair Community College, Sedalia, Missouri

Edwin A. Ulrich Museum of Art, Wichita State University, Kansas

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Fonds régional d'art contemporain, Orleans, France

Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York

High Museum of Art, Atlanta, Georgia

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Museum of Art, Hawaii

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Irish Museum of Modern Art, Dublin

Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey

Library of Congress, Washington, D.C.

The Metropolitan Museum of Art, New York

The Morgan Library & Museum, New York

Musée d’art contemporain de Montréal

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, San Diego, California

Museum of Fine Arts, Boston

The Museum of Modern Art, New York

National Academy of Design, New York

National Gallery of Canada, Ottawa

Nelson-Atkins Museum of Art, Kansas City, Missouri

The New York Public Library, New York

Norton Museum of Art, West Palm Beach, Florida

Orange County Museum of Art, Newport Beach, California

Orlando Museum of Art, Florida

The Phillips Collection, Washington, D.C.

Princeton University Art Museum, New Jersey

San Francisco Museum of Modern Art

Sarah Moody Gallery of Art, The University of Alabama, Tuscaloosa

Sheldon Museum of Art, University of Nebraska-Lincoln

Smith College Museum of Art, Northampton, Massachusetts

Smithsonian American Art Museum, Washington, D.C.

Speed Art Museum, Louisville, Kentucky

Weatherspoon Art Museum, The University of North Carolina at Greensboro

William Benton Museum of Art, University of Connecticut, Storrs

Williams College Museum of Art, Williamstown, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

2024

“Thomas Nozkowski: Everything in the World” (Pace Gallery exhibition review). Arte Realizzata, 12 April 2024. https://www.arterealizzata.com/exhibition-showcase/thomas-nozkowski-everything-in-the-world

Vartanian, Hrag. “10 Art Shows to See in New York This April” (Pace Gallery exhibition review). Hyperallergic, 1 April 2024. https://hyperallergic.com/881559/10-art-shows-to-see-in-new-york-april-2024/

2022

Carrier, David. “Jane Freilicher & Thomas Nozkowski: True Fictions” (Milton Resnick and Pat Passlof Foundation exhibition review). The Brooklyn Rail, February 2022. https://brooklynrail.org/2022/02/artseen/Jane-Freilicher-Thomas-Nozkowskis-True-Fictions.

Yau, John. “Paintings Rather Than Pictures” (Milton Resnick and Pat Passlof Foundation exhibition review). Hyperallergic, 22 December 2021. https://hyperallergic.com/701513/paintings-rather-than-pictures/.

2021

Jovanovich, Alex. “Thomas Nozkowski” (Pace Gallery exhibition review). Artforum, December 2021. https://www.artforum.com/print/reviews/202110/thomas-nozkowski-87241.

Yau, John. “The Democracy of Abstraction” (Pace Gallery exhibition review). Hyperallergic, 6 October 2021. https://hyperallergic.com/682452/thomas-nozkowski-the-last-paintings/

McGlynn, Tom. “Thomas Nozkowski: The Last Paintings” (Pace Gallery exhibition review). The Brooklyn Rail, October 2021. https://brooklynrail.org/2021/10/artseen/Thomas-Nozkowski-The-Last-Paintings-A-Tribute

Lubow, Arthur. “Thomas Nozkowski’s Final Statement” (Pace Gallery exhibition review). The New York Times, 3 September 2021: C9, illustrated. Web version: https://www.nytimes.com/2021/09/02/arts/design/thomas-nozkowski-pace-exhibition.html

Zheng, Elaine YJ. “The Armory Show: New York Exhibitions to See” (Pace Gallery exhibition review). Ocula Magazine, 2 September 2021. https://ocula.com/magazine/features/the-armory-show-new-york-exhibitions-to-see/

“Editors’ Picks: 10 Events for Your Art Calendar This Week, From a Show of Cringeworthy Art to a Christie’s Conference on NFTs” (Pace Gallery exhibition review). Artnet News, 18 July 2021. https://news.artnet.com/art-world/editors-picks-july-12-2021-1980818

2020

Wilkin, Karen. “Thomas Nozkowski: Paintings.” The Hopkins Review, Winter 2020: 57-68, illustrated.

2019

Greenberger, Alex. “Thomas Nozkowski, Painter of Modest, Ineffable Abstractions, Dead at 75.” Art News, 9 May 2019. http://www.artnews.com/2019/05/09/thomas-nozkowski-dead/

Heinke, Oscar. “Disparition: Thomas Nozkowski, une abstraction colorée.” Le Quotidien de l’Art, no. 1722, 14 May 2019: 6, illustrated.

Heinrich, Will. “’The World According to’” (exhibition review). The New York Times, 15 March 2019: C14.

Martin, Chris. “A Tribute to Thomas Nozkowski (1944–2019).” Brooklyn Rail, July 2019. https://brooklynrail.org/2019/07/in-memoriam/A-Tribute-to-Tom-Nozkowski

Smith, Roberta. “Thomas Nozkowski, Painter of Bold (if Small) Abstractions, Dies at 75.” The New York Times, 27 May 2019: B6, illustrated.

Sutton, Benjamin. “The abstract painter Thomas Nozkowski, a master of color and scale, died at age 75.” Artsy, 10 May 2019. https://www.artsy.net/news/artsy-editorial-abstract-painter-thomas-nozkowski-master-color-scale-died-age-75

“Thomas Nozkowski (1944–2019).” Artforum, 10 May 2019. https://www.artforum.com/news/thomas-nozkowski-1944-2019-79782

2018

Corbett, William. “Thomas Nozkowski: 16 x 20” (Pace Gallery exhibition review). The Brooklyn Rail, February 2018: 72.

Martin, Alison. “Thomas Nozkowski at Pace Gallery (25th Street)” (Pace Gallery exhibition review). Artefuse, 26 January 2018. https://artefuse.com/2018/01/26/thomas-nozkowski-at-pace-gallery-125328/

Yau, John. “Thomas Nozkowski, a Master Improviser” (Pace Gallery exhibition review). Hyperallergic, 4 February 2018. https://hyperallergic.com/424556/thomas-nozkowski-16x20-pace-gallery/

2017

Hale, Whitney. “Thomas Nozkowski Provides ‘Touchstones’ to His Work at UK Art Museum (University of Kentucky Art Museum exhibition review). UKNow, 20 July 2017. https://uknow.uky.edu/arts-culture/thomas-nozkowski-provides-touchstones-his-work-uk-art-museum

Nozkowski, Thomas. “Thomas Nozkowski Provides 'Touchstones' to His Work at UK Art Museum” (exhibition review). Interview with Whitney Hale and Jenny Wells. University of Kentucky News, 20 July 2017. Online video, 2:40. https://uknow.uky.edu/arts-culture/thomas-nozkowski-provides-touchstones-his-work-uk-art-museum

Nozkowski, Thomas. “40 Artists Share Their Favorite Shows of 2017: Thomas Nozkowski.” Artsy, 25 December 2017. https://www.artsy.net/article/artsy-editorial-40-artists-share-favorite-2017

2016

Graham, Margaret. “Thomas Nozkowski: Works on Paper” (Pace Gallery exhibition review). The Brooklyn Rail, 6 April 2016. http://www.brooklynrail.org/2016/04/artseen/thomas-nozkowski-works-on-paper

Lv, Xuesong. “Zhan Lan Tui Jian: Chui Ji Da Zhan ‘Zhi Shang Tan Bing’: Ning Ju yu Zhi Shang de Si Xiang Pian Duan” (Pace Beijing exhibition review). Artron, 16 April 2016. http://news.artron.net/20160416/n830767.html

Nozkowski, Thomas. “’The Real Question Is, What Do We Desire?’: Thomas Nozkowski on Art, Consciousness, and Endurance” (Pace Gallery exhibition review). Interview with Robin Scher. Art News, 21 March 2016. http://www.artnews.com/2016/03/21/the-real-question-is-what-do-we-desire-thomas-nozkowski-on-art-consciousness-and-endurance/

2015

“Celebrating the Hudson River School of Art” (Thomas Cole National Historic Site exhibition review). CBS News, 18 October 2015. http://www.cbsnews.com/news/celebrating-the-hudson-river-school-of-art/

Masheck, Joseph, Alexander Ross, Marjorie Welsh, Jennifer Riley, and Rafael Rubinstein. “Enquette: Thomas Noskowski at Pace Gallery” (exhibition review). Art Critical, 23 April 2015. http://www.artcritical.com/2015/04/23/enquette-thomas-nozkowski-at-pace-gallery/

Nozkowski, Thomas. “Thomas Nozkowski at VOLTA NY.” Installation Magazine, accessed 4 March 2015. Online video, 2:09.

Nozkowski, Thomas. “The Art of Failing Upwards: Thomas Nozkowski on How to Succeed in Abstraction” (Pace Gallery exhibition review). Interview with Dylan Kerr. Artspace, 1 April 2015. http://www.artspace.com/magazine/interviews_features/thomas-nozkowski-interview

Nozkowski, Thomas and Joyce Robins. “Beer with a Painter: Thomas Nozkowski and Joyce Robins.” Interview by Jennifer Samet. Hyperallergic, 6 June 2015. http://hyperallergic.com/212037/beer-with-a-painter-thomas-nozkowski-and-joyce-robins/

Rhodes, David. “Thomas Nozkowski” (Pace Gallery exhibition review). Brooklyn Rail, 6 May 2015. http://www.brooklynrail.org/2015/05/artseen/thomas-nozkowski-may-2015

Wilkin, Karen. “At the Galleries” (Pace Gallery exhibition review). The Hudson Review LXVIII, no.2 (Summer 2015): 291–300.

Yau, John. “Thomas Nozkowski’s Magical Mystery Tour” (Pace Gallery exhibition review). Hyperallergic, 5 April 2015. http://hyperallergic.com/196207/thomas-nozkowskis-magical-mystery-tour/?wt=2

2014

Nozkowski, Thomas. “Artist’s Project: Thomas Nozkowski.” Esopus, no. 21 (Spring 2014): 65–81, illustrated.

2013

Berlind, Robert. “Thomas Nozkowski, Pace” (exhibition review). The Brooklyn Rail (April 2013): 36, illustrated.

Johnson, Ken. “‘Reinventing Abstractions’; ‘New York Painting in the 1980’” (Cheim & Read exhibition review). The New York Times, 12 July 2013: C23.

Yau, John. “Thomas Nozkowski and Philip Guston Talk to Each Other Without Knowing It” (Russel Bowman Art Advisory exhibition review). Hyperallergic, 16 June 2013. https://hyperallergic.com/73473/thomas-nozkowski-and-philip-guston-talk-to-each-other-without-knowing-it/

Nozkowski, Thomas. “Thomas Nozkowski on Mysticism, Matisse, and His Dusk-Hued Paintings at Pace” (exhibition preview). Interview by Benjamin Sutton. Artinfo.com, 22 February 2013. http://www.artinfo.com/news/story/870039/thomas-nozkowski-on-mysticism-matisse-and-his-dusk-hued

Pozzi, Lucio. “Commerciali ma non stantie.” Il Giornale Dell’Arte no.333 (July/August 2013): 20, illustrated.

Prose, Francine. “Thomas Nozkowski: Recent Work” (Pace Gallery exhibition review). The New York Review of Books, 22 February 2013, illustrated. http://www.nybooks.com/events/thomas-nozkowski-recent-work/

Schwabsky, Barry. “Endless Representation.” The Nation, 25 March 2013: 31–34, illustrated.

Smith, Roberta. “Art, a Balm After the Storm” (Industry City exhibition review). The New York Times, 7 December 2013: C1, C7, illustrated.

Sutton, Benjamin. “Painting in Twilight” (Pace Gallery exhibition preview). Modern Painters (February 2013): 23, illustrated.

Yau, John. “Breaking the Postmodern Creed: Thomas Nozkowski’s Unimaginable Paintings and Drawings” (Pace Gallery exhibition review). Hyperallergic, 3 March 2013. http://hyperallergic.com/66111/breaking-the-postmodern-creed-thomas-nozkowskis-unimaginable-paintings-and-drawings/

2012

Dunlap, David W. “Several Eras End at One Lower East Side Building.” The New York Times, 30 December 2012. http://cityroom.blogs.nytimes.com/2012/12/30/several-eras-end-at-one-lower-east-side-building/

“50 Next Most Collectible Artists.” Art + Auction (June 2012): 109, illustrated.

Yau, John. “A Truly Subversive Artist is Not Necessarily Someone Who Is Theatrical or Gimmicky” (Senior & Shopmaker Gallery exhibition review). Hyperallergic, 20 May 2012, illustrated. http://hyperallergic.com/51697/a-truly-subversive-artist/

2011

Gabriel, Glen. “Abstract Artist Offers Insight into Personal Experiences.” Dailytargum.com, 1 December 2011. http://www.dailytargum.com/news/university/abstract-artist-offers-insight-into-personal-experiences/article_c43c1634-1bd4-11e1-a7f1-0019bb30f31a.html

2010

Brody, David. “The Model Abstraction for Our Times: Thomas Nozkowski at Pace” (exhibition review). artcritical.com, 21 November 2010: illustrated.

Carrier, David. “Contemporary Exhibitions: New York.” The Burlington Magazine 152, no. 1293 (December 2010): 832–833, installation view.

Cohen, David. “Ground Control to Major Tom: Please re-hang your show” (The Pace Gallery exhibition review). artcritical.com, 7 November 2010: illustrated.

Colman, David. “Thomas Nozkowski.” Elle Décor (October 2010): 36, 134, illustrated.

Loos, Ted. “Art: Drawings as an End, Not a Means” (The Pace Gallery exhibition review). The New York Times, 31 October 2010: illustrated.

Naves, Mario. “Thomas Nozkowski: Recent Work” (exhibition review). City Arts, 10–23 November 2010: 13–14, illustrated.

Nozkowski, Thomas. “In Conversation: Thomas Nozkowski with John Yau.” Brooklyn Rail (November 2010): 18–21, illustrated.

Schjeldahl, Peter. “Critic’s Notebook: Abstract Exemplar” (The Pace Gallery exhibition review). The New Yorker, 8 November 2010: 14, illustrated.

Smith, Roberta. “Art in Review: Thomas Nozkowski, Recent Work” (exhibition review). The New York Times, 26 November 2010: C36.

2009

Coomer, Martin. “Thomas Nozkowski” (Stephen Friedman Gallery exhibition review). Time Out London, 14–20 May 2009: illustrated.

A Gathering of the Tribes, no. 12 (2009): 81, illustrated.

“The Great Poster Project: Release #2: Thomas Nozkowski, Four Acts of Mercy, 2009.” Art on Paper (May/June 2009): 34–35, illustrated.

Lombino, Mary-Kay. “Curator’s Choice: A Painter to be Watched.” Art at Vassar (Fall 2009): illustrated.

Milroy, Sarah. “Do You See What I see? No? Good” (National Gallery of Canada exhibition review). The Globe And Mail, 22 August 2009.

Nozkowski, Thomas. “Thomas Nozkowski in Conversation with Garth Lewis.” Turps Banana, no. 7 (2009): 4–15, illustrated.

2008

Belcove, Julie L. “Major Tom.” W (January 2008): 98–105, illustrated.

Carrier, David. “Thomas Nozkowski” (PaceWildenstein exhibition review). Art US, no. 23 (Summer 2008): 30, illustrated.

Coates, Jennifer. “Reviews––Thomas Nozkowski: Recent Work” (PaceWildenstein exhibition review). Time Out New York, 24–30 April 2008: 101, illustrated.

Cohen, David. “Gallery-Going: Abstraction & Adventure––From elaborate construction to raunchy figuration, artists blur the lines” (PaceWildenstein exhibition preview). New York Sun, 19 March 2008: Spring in the City: S3.

Cohen, David. “Gallery Going: The Painter’s Painter” (PaceWildenstein exhibition review). New York Sun, 10 April 2008: illustrated.

Funcke, Bettina, Berlin Golonu, Leslie Jones, Shelley R. Langdale, José Roca, and Ingrid Schaffner. “5th Annual New Prints Review.” Art on Paper 13, no. 2 (November/December 2008): 44–45, illustrated.

Goodman, Wendy. “Way Before It Was Cool.” New York, 28 April 2008: 48–51, illustrated.

“Medium Cool: Painting—Thomas Nozkowski.” Time Out New York, 10–16 April 2008: 76, illustrated.

Morgan, Robert C. “Meaning in Art” (PaceWildenstein exhibition review). Brooklyn Rail (May 2008): illustrated.

Mueller, Stephen. “Reviews–Thomas Nozkowski” (PaceWildenstein exhibition review). Art in America (November 2008): 184, illustrated.

Naves, Mario. “Currently Hanging: Sleeper” (PaceWildenstein exhibition review). New York Observer, 22 April 2008: illustrated.

Naves, Mario. “Spring Preview: Freaky Fetishes at the Guggenheim, but—Fear Not—Free Therapy at the Whitney” (PaceWildenstein exhibition preview). New York Observer, 10 March 2008: C10, discussed.

Seneca Review 38, no. 2 (Fall 2008): cover.

Smith, Roberta. “Dear Gallery: It Was Fun, but I’m Moving Up” (PaceWildenstein exhibition review). The New York Times, 18 April 2008: E29, E36, illustrated.

Smith, Roberta. “Is Painting Small The Next Big Thing?” The New York Times, 19 April 2008: B7, B11.

“Thomas Nozkowski at Fisher Landau.” Dailygusto.com. 6 April 2008. http://www.dailygusto.com/blog/archives/art/000778.php

Weiss, David and John D’Agata, eds. Seneca Review 38, no. 2 (Fall 2008): cover.

Yau, John. “Thomas Nozkowski Paintings” (Fisher Landau Center for Art exhibition review). Brooklyn Rail (March 2008): 48–49, illustrated.

2007

Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts” (exhibition review). New York Sun, 11 June 2007: 15.

Cotter, John. “Two from Saturnalia Books.” Open Letters Monthly (May 2007): http://openlettersmonthly.com/issue/two-from-saturnalia-books/

Goodrich, John. “Meandering through Time” (The Museum of Modern Art exhibition review). New York Sun, 29 November 2007: 17, 26.

Johnson, Ken. “Politically Charged Prints Cause Talking in the Library” (New York Public Library exhibition review). The New York Times, 4 December 2007: E3, discussed.

Vadukul, Max. “United States of America: Thomas Nozkowski.” L’uomo Vogue (May/June 2007): illustrated.

2006

“Art Universe.” Vanity Fair (December 2006).

Cohen, David. “In Minimalism’s Wake.” New York Sun, 25 May 2006.

Cohen, David. “A Painterly Existentialist Learns to Relax.” New York Sun, 23 February 2006.

Dunne, Aidan. “A Playful Style of Innovation” (Rubicon Gallery exhibition review). The Irish Times, 22 November 2006.

Ferko, Peter. “An Interview with Thomas Nozkowski.” Artists Unite, 29 May 2006. http://artistsunite-ny.org/blog/?p=388

La Rocco, Ben. “Thomas Nozkowski: Max Protetch” (exhibition review). Brooklyn Rail (March 2006): illustrated.

Naves, Mario. “New From Nozkowski.” New York Observer, 13 March 2006.

“New from Nozkowski” (Max Protetch Gallery exhibition review). New York Observer, 8 March 2006.

Nozkowski, Thomas. “Thomas Nozkowski.” Interview with Robert Ayers. Artinfo, 22 February 2006.

Rabinowitz, Sima. “Three Book Reviews.” Dragonfire, no.13, 15 January 2006. http://www.dfire.org/

“Thomas Nozkowski.” The New Yorker, 19 June 2006.

Walentini, Joseph. “Thomas Nozkowski.” Abstract Art Online, 1 March 2006. http://www.abartononline.com/.

Yau, John. “The Modest Painter.” Modern Painters (February 2006).

2005

Bellantoni, Paul. “Two generations of Modern Artists to Display Work in Summit.” Plainfield, New Jersey, Courier-News, 1 December 2005.

Conley, Susan. “Back to Basics.” Irish Independent, 8 April 2005.

“Drawing on plans, past and present.” The Irish Times, 2 April 2005.

Dunne, Aidan. “Facing Up to Familiar Scenes.” The Irish Times, Spring 2005.

Frank, Peter. “Art Picks of the Week: Thomas Nozkowski and Choong-Sup Lim.” Los Angeles Weekly, 10 June 2005.

Linn, Judy. “Thomas Nozkowski.” The W.C., no. 1 (2005).

McQuaid, Cate. “On Outer Cape, Funky Portraits Tempt and Tease.” Boston Globe, 7 August 2005.

Mullarkey, Maureen. “Paint it With Black.” New York Sun, 21 July 2005.

Naves, Mario. “Currently Hanging.” New York Observer, July 2005.

Pagel, David. “Invited Into the Abstract” (Daniel Weinberg Gallery exhibition review). Los Angeles Times, 13 May 2005: illustrated.

2004

Bourbon, Matthew. “Thomas Nozkowski–Examined Abstraction.” NYArts (May/June 2004).

Boyce, Roger. “Thomas Nozkowski at Max Protetch” (exhibition review). Art in America (June 2004): illustrated.

Johnson, Ken. “Art in Review: ‘The Art of the Definite’–‘Only Connect’” (DC Moore Gallery exhibition review). The New York Times, 14 December 2004.

Levine, Cary. “A Flatland of Forms.” Art in America (October 2004): 124–127, illustrated.

Schwabsky, Barry. “The Source of the Nile: The Politics of Thomas Nozkowski.” Nyss.org, (2003). http://www.nyss.org/nozkowski/essay.html

Sherman, Sam. “Thomas Nozkowski.” Kultureflash, no. 84 (7 April 2004). http://www.kultureflash.net/

Sholis, Brian. “Critics Picks: Raoul deKeyser, Suzanne Frecon, Thomas Nozkowski, Uwe Kowski, Mel Kendrick.” artforum.com, 8 June 2004. http://www.artfourm.com/

Shuckburgh, Hannah. “The Top Five Shows in London.” ArtPreview (May 2004).

Smat, Paul. “New Paint.” Woodstock Times, 3 June 2004.

2003

Burton, Fred. “Memphis, Tennessee” (Clough-Hanson Gallery exhibition review). Artpapers.org (March/April 2003): 38, illustrated.

Cohen, David, ed. “Discussion with James Hyde & Alexander Ross: Thomas Nozkowski’s Drawings.” Nyss.org, (2003). http://www.nyss.org/nozkowski/discussion.html

Cohen, David. “Gallery–Going” (Max Protetch Gallery exhibition review). The New York Times, 20 November 2003: 15, illustrated.

Cohen, David. “The Outsider the Art World Loves: A Visual Abstractionist” (New York Studio School exhibition review). New York Sun, 13 February 2003: 12, illustrated.

“Everyday Subjects Inspire Bold Images” (Revolution Gallery exhibition review). Detroit Free Press, 26 January 2003.

Fyfe, Joe. “Thomas Nozkowski’s Spleen: The Sheer Perversity of Thomas Nozkowski’s Drawings Reveals a Deep Criticality” (New York Studio School exhibition review). ArtCriticial.com, 5 April 2003. http://www.artcritical.com/

Halkin, Talya. “Gallery–Going” (New York Studio School exhibition review). New York Sun, 23 January 2003: illustrated.

Johnson, Ken. “Thomas Nozkowski.” The New York Times, 12 December 2003.

Longhi, Tomassio. “Thomas Nozkowski’s Drawings: New York Studio School” (exhibition review). Brooklyn Rail (April–May 2003): 18, illustrated.

Martin, Chris. “Everything is Finished, Nothing is Dead.” Brooklyn Rail (April–May 2003).

Martin, Chris. “In Conversation: Thomas Nozkowski with Chris Martin.” Brooklyn Rail (December 2002–January 2003).

Miro, Marsha. “Everyday Subjects Inspire Bold Images.” Detroit Free Press, 26 January 2003.

Naves, Mario. “The Rich Rewards of Engagement, With Dense Demanding Work.” New York Observer, 3 February 2003.

Rexer, Lyle. “The Pen: Mightier Than You Thought.” The New York Times, 13 April 2003: 31.

Ross, Alexander. “A Discussion with James Hyde on Thomas Nozkowski’s Drawings.” Nyss.org (February 2003). http://www.nyss.org/nozkowski/discussion.html

Saltz, Jerry. “The Paper Trail.” The Village Voice, 29 January–4 February 2003.

Scott, Andrea. “Ballpoint Inklings” (K.S. Art exhibition review). Time Out New York, 1–8 May 2003.

Sherman, Sam. “Thomas Nozkowski: New Paintings” (Max Protetch Gallery exhibition review). ArtCritical.com (November 2003). http://www.artcritical.com/

Sherman, Sam. “Thomas Nozkowski @ Max Protetch Gallery” (exhibition review). Kultureflash, no. 67 (26 November 2003). http://www.kultureflash.net/

Smith, Roberta. “Art In Review: Thomas Nozkowski” (New York Studio School exhibition review). The New York Times, 21 February 2003.

Thacker, Terry. “Long Live the Death of Modernism.” Number: An Independent Journal of the Arts (Summer 2003).

“Thomas Nozkowski” (New York Studio School exhibition review). The New Yorker, 10 February 2003.

“Thomas Nozkowski in Conversation with David Cohen.” Nyss.org (2003). http://www.nyss.org/nozkowski/interview.html

Wei, Lily. “Abstract Painting Now.” Voices of Art (Summer 2003).

Wilkin, Karen. “Anywhere in Between” (New York Studio School exhibition review). The New Criterion (June 2003): 49–51.

2002

Brody, David. “Ernst Haeckel and the Microbial Baroque.” Cabinet, no. 7 (Summer 2002): 23–29, illustrated.

Burch, Peggy. “Art Pick of the Week.” The Memphis Commercial Appeal, 3 November 2002.

Cohen, David. “Thomas Nozkowski in Conversation with David Cohen.” NYss.org, (December 2002). http://www.nyss.org/nozkowski/interview.html

Gehman, Geoff. “Lively Abstracts Inhabit Lafayette Show” (exhibition review). The Morning Call, 24 October 2002: E7.

Hall, David. “Not Another Retread” (Clough-Hanson Gallery exhibition review). The Memphis Flyer, 28 November–4 December 2002: 42, illustrated.

Herbert, Martin. “Vivid: Richard Salmon West End.” Time Out London, 9 January 2002.

Hirsch, Faye. “Thomas Nozkowski.” Art on Paper (September–October 2002): 86–87, illustrated.

Johnson, Ken. “Zenroxy” (Von Lintel Gallery exhibition review). The New York Times, 27 December 2002.

Johnson, Patricia C. “Minisurvey of Current Trends Shows Painting’s Still Alive.” HoustonChronicle.com, 5 August 2002. http://www.chron.com/

Kunitz, Daniel. “A Gamble Pays Off: The National Academy of Design’s 177th Annual is an Art Lover’s Feast.” New York Sun, 9 May 2002.

Nozkowski, Thomas. “Richard Rezac.” Bomb Magazine (Fall 2002).

Rottner, Nadja. “Thomas Nozkowski.” Flash Art (January–February 2002).

Ryan, David. “Thinking in the Abstract.” Contemporary (February 2002): 18–23.

Sherman, Sam. “Thomas Nozkowski at Clough-Hanson Gallery” (exhibition review). Contemporary (December 2002).

Taylor, John Russell. “Around The Galleries” (Richard Salmon Gallery exhibition review). The Times (London), 1 January 2002.

Van Ryzin, Jeanne Claire. “A Medium Well Done with Contemporary Painters” (Contemporary Arts Museum exhibition review). Austin American Statesman, 19 December 2002: 30, illustrated.

Yau, John. “Abstraction in the Everyday.” Art on Paper (December 2002): 36–41, illustrated.

2001

Cohen, David. “Thank Heaven for Little Pictures.” Artcritical.com, 11 November 2001. http://www.artcritical.com/

Frank, Peter. “Thomas Nozkowski” (Ace Contemporary exhibition review). LA Weekly, 7–13 September 2001: illustrated.

Karlins, N. F. “Summer Drawings.” Artnet.com, 18 June 2001. http://www.artnet.com/

Knight, Christopher. “Imagination at Play in the Improvisations” (Ace Gallery exhibition review). Los Angeles Times, 20 April 2001: illustrated.

Miles, Christopher. “Thomas Nozkowski: Ace Gallery” (exhibition review). Artforum (Summer 2001): 190, illustrated.

Naves, Mario. “A Low-Key Painter with a World-Class Rep” (Max Protetch Gallery exhibition review). New York Observer, 29 October 2001: illustrated.

Newhall, Edith. “Thomas Nozkowski” (Max Protetch Gallery exhibition review). New York, 10 September 2001: 90, illustrated.

“Thomas Nozkowski” (Max Protetch Gallery exhibition review). The New Yorker, 5 November 2001: 18.

Verney, Vic. “‘Patient Process’ Art Exhibit to Open at Grinnell” (exhibition review). Iowa Times-Republican, 1 February 2001: illustrated.

2000

Danto, Arthur C. “Best of 2000.” Artforum (December 2000): 112–113, illustrated.

Fallon, Roberta. “Abstracting the Piece.” Philadelphia Weekly, 6 September 2000: 52, illustrated.

Fallon, Roberta. “Philadelphia Story.” Artnet.com, 17 October 2000: illustrated. http://artnet.com/

James, Merlin. “New York: New Abstraction.” The Burlington Magazine (April 2000): 257–259, illustrated.

Johnson, Ken. “Thomas Nozkowski” (Max Protetch Gallery exhibition review). The New York Times, 10 March 2000.

Kunitz, Daniel. “Gallery Chronicle” (Max Protetch Gallery exhibition review). The New Criterion 18, no. 9 (May 2000): 50–53.

Mitchell, Charles Dee. “Thomas Nozkowski at Max Protetch” (exhibition review). Art in America (July 2000): 106, illustrated.

Morgan, Robert C. “Thomas Nozkowski: New Paintings” (Max Protetch Gallery exhibition review). Review, 1 March 2000: 17.

Naves, Mario. “A Show of Shows: Nozkowski’s Masterful Conundrums” (Max Protetch Gallery exhibition review). The New York Observer, 13 March 2000: illustrated.

Pierogi Press, no.6 (Fall 2000): 66, illustrated

Row, David. “Just Enough: Thomas Nozkowski; Max Protetch Gallery.” ZingMagazine, no. 13 (Autumn 2000): 234, illustrated.

Schwabsky, Barry. “Thomas Nozkowski: Max Protetch” (exhibition review). Artforum (May 2000): 178–179, illustrated.

Sozanski, Edward J. “Wildly Eccentric, Forceful Abstractions” (Rosenwald-Wolfe Gallery exhibition review). The Philadelphia Inquirer, 15 September 2000: W38, illustrated.

Wilkin, Karen. “At the Galleries.” Partisan Review 3 (Summer 2000): 443–455.

Worth, Alexi. “Thomas Nozkowski” (Max Protetch Gallery exhibition review). The New Yorker, 20 March 2000.

1999

Cohen, Keri Guten. “Thomas Nozkowski at the DIA.” Detroit Free Press, 4 April 1999.

Fendrich, Laurie. “Why Abstract Painting Still Matters.” The Chronicle of Higher Education, 30 April 1999: B4–B7, illustrated.

Proceedings of the American Academy of Arts and Letters, no. 50 (1999): 20.

Sanford, Graham. “Thomas Nozkowski, Richard Rezac: TBA Exhibition Space” (exhibition review). New Art Examiner (February 1999).

1998

Moszynski, Andres. “If You Can Paint, I Can Walk: A Conversation Between Andrew Moszynski and Thomas Nozkowski.” Pierogi Press, no. 2 (Fall 1998): 68.

Prose, Francine. “Thomas Nozkowski.” BOMB Magazine (Fall 1998): 62–69, illustrated.

1997

Gilbert, Chris. “Surveiller et Punir” (Corcoran Gallery exhibition review). Washington City Paper, 12 September 1997: 52, illustrated.

Hackett, Regina. “Square Painting/Plane Painting: COCA’s Latest Angle is a Good One.” Seattle Post-Intelligencer, 24 January 1997: 14, illustrated.

Johnson, Ken. “Thomas Nozkowski” (Max Protetch exhibition review). The New York Times, 19 September 1997.

Naves, Mario. “Persevering in Paint: Steve Wheeler & Thomas Nozkowski.” The New Criterion (December 1997): 42–45.

Newhall, Edith. “Max Mohr/Thomas Nozkowski” (Max Protetch exhibition review). New York, 15 September 1997: 85–86, illustrated.

Richard, Paul. “New York’s Thomas Nozkowski.” Washington Post, 28 September 1997: G3, illustrated.

Worth, Alexi. “Thomas Nozkowski, Max Protetch” (exhibition review). Art News (November 1997): 227, illustrated.

Wright, Jeffrey C. “Shaping Abstract Imagery: Purely Painting” (Elizabeth Harris Gallery exhibition review). Cover Magazine (April 1997).

1996

Colby, Joy Hakanson. “Colors and Shapes Give Substance to the Abstract” (Cranbrook Art Museum exhibition review). The Detroit News, 8 February 1996: F1, illustrated.

Corn, Alfred. “Thomas Nozkowski at Max Protetch.” Art in America (April 1996): 117–118.

Frank, Peter. “Thomas Nozkowski, Helen Frankenthaler, Per Kirkeby, Lawrence Carroll” (Ace Contemporary exhibition review). LA Weekly, 21–27 June 1996: illustrated.

Joyce, Julie. “Thomas Nozkowski at Ace Contemporary Exhibitions.” Art Issues (September–October 1996): 43, illustrated.

Ostrow, Saul. “Thomas Nozkowski.” BOMB Magazine (Spring 1996): 44–45, illustrated.

Pagel. David. “Scratching the Surface: Thomas Nozkowski” (Ace Gallery exhibition review). Los Angeles Times, 28 March 1996.

Protzman, Ferdinand. “Reunited at Last” (Baumgartner Galleries exhibition review). Washington Post, 9 November 1996.

Walker, Joy. “New York Gallery Walking.” Next Magazine, no. 36 (Spring 1996): illustrated.

1995

Levin, Kim. “The Joy of Curating” (Horodner Romley Gallery exhibition review). The Village Voice, 28 February 1995: 78.

Ostrow, Saul. “Un ensemble fragmente: la peniture abstraite après le modernisme.” Art Press, no. 16 (1995).

Rubinstein, Raphael. “Full Circle.” Art in America (May 1995): 108–109.

Stephan, Gary. “Thomas Nozkowski–Paintings.” New York Art Intelligencer 1 (Fall 1995).

“Thomas Nozkowski and R. Buckminster Fuller” (Max Protetch Gallery exhibition review). The New Yorker, 4 December 1995: 20–22.

1994

Berg, Dave. “The Lighter Side of…” Mad Magazine (June 1994).

Fleming, Lee. “Nozkowski at Baumgartner” (exhibition review). Washington Post, 19 March 1994: illustrated.

1993

Carrier, David. “Thomas Nozkowski: A Conversation with David Carrier.” Tema Celeste (Spring 1993): 68–69, illustrated.

Colby, Joy Hakanson. “Thomas Nozkowski: Paintings” (exhibition review). The Detroit News, 5 November 1993.

Miro, Marsha. “Painter’s Painter Uses Shape, Color in Surprising Ways.” Detroit Free Press, 12 November 1993: 1E, 6E, illustrated.

Schwabsky, Barry. “Thomas Nozkowski: Max Protetch Gallery” (exhibition review). Artforum (November 1993): 105–106, illustrated.

1992

Artner, Land G. “Nozkowski Deliberate but Not Simple.” Chicago Tribune, 10 April 1992: illustrated.

Edleman, Robert, G. “Aesthetic Abstraction” (Tibor de Nagy Gallery exhibition review). Tema Celeste (April–May 1992).

McCoy, Mary. “Reed and Nozkowski” (Baumgartner Galleries exhibition review). Washington Post, 29 February 1992: D2.

McWilliams, Martha. “Getting Back to Abstracts” (Baumgartner Galleries exhibition review). Washington City Paper, 21 August 1992: 20.

Pollan, Andrea. “Monumental View: Apologia for Perversity.” Washington EyeWash (March 1992): 2.

Smith, Roberta. “Abstraction: A Trend That May Be Coming Back” (Max Protetch Gallery exhibition review). The New York Times, 10 January 1992: C28, illustrated.

Sugiura, Kunie. “From New York.” Bijutsu Techo Magazine (January 1992): 130, illustrated.

Wallach, Amei. “A Pair of ‘90s Shows of Some Serious Survivors” (Andre Emmerich Gallery exhibition review). New York Newsday, 17 January 1992.

1991

Argires, Eugenia. “Thomas Nozkowski: Beaver College Art Gallery.” Art Matters, 3 November 1991.

Smith, Robert. “Conceptual Abstraction” (Sidney Janis Gallery exhibition review). The New York Times, 27 December 1991.

Sozanski, Edward J. “Abstract Oils on Paper by Nozkowski” (Paul Cava Gallery exhibition review). The Philadelphia Inquirer, 15 April 1991: C4, illustrated.

Sozanski, Edward J. “Nozkowski: Abstract Art in Basic Form” (Beaver College Art Gallery exhibition review). The Philadelphia Inquirer, 3 October 1991: illustrated.

Welish, Marjorie. “Food for Centaurs: Thomas Nozkowski, Undermining Abstraction.” Arts Magazine (December 1991): 46–47, illustrated.

1990

Carrier, David. “Extending the Language of Abstraction.” Art International (Autumn 1990): illustrated.

Donohoe, Victoria. “At the Berman Museum, A Wide Range of Drawings.” The Philadelphia Inquirer, 26 August 1990: M16, illustrated.

Gibson, Eric. “Two Artists, Two Ways with Abstraction” (Baumgartner Galleries exhibition review). Washington Times, 8 May 1990: E3.

Smith, Roberta. “Thomas Nozkowski” (Max Protetch Gallery exhibition review). The New York Times, 8 June 1990.

1989

Carrier, David. “Signification/Subjectification: Recent Paintings by Thomas Nozkowski and Gary Stephan.” Arts Magazine (May 1989): 48–53, illustrated.

Cyphers, Peggy. “New York in Review.” Arts Magazine (February 1989): 100, illustrated.

Hagen, Charles. “Thomas Nozkowski: Diane Brown Gallery.” Artforum (January 1989): 114, illustrated.

Temin, Christine. “Summer Madness at Galleries” (exhibition review). The Boston Globe, 27 July 1989: 62.

Welzenbach, Michael. “The Perils of Equality: Thomas Nozkowski at Baumgartner” (exhibition review). Washington Post, 18 February 1989: C2.

1988

Larson, Kay. “In From the Coast.” New York, 28 November 1988: 105.

Masheck, Joseph. “Abstract Harmonies.” Art in America (March 1988): 138–141, illustrated.

Zinsser, John. “Plotting Self-Doubt: The Paintings of Jonathan Lasker and Thomas Nozkowski.” Arts Magazine (May 1988): 82–83, illustrated.

1987

Artner, Alan G. “Abstract Renewal Pays Off For Nozkowski.” Chicago Tribune, 30 January 1987.

Carrier, David. “The Art in Artwriting.” New Observations, no.47 (April 1987): illustrated.

Donohoe, Victoria. “Abstract Return to the Area by Nozkowski” (Cava Gallery exhibition review). The Philadelphia Inquirer, 17 April 1987.

Morgan, Robert C. “Thomas Nozkowski” (Max Protetch Gallery exhibition review). Review, 15 September 1987: 16.

Muhr, Isabelle. “Ungewöhnliches Reisegepäck: Kunst” (exhibition review). Linz Kronen-Zeitung, 18 June 1987.

1986

Donohoe, Victoria. “A Refreshing Format for a Summer Display” (Cava Gallery exhibition review). The Philadelphia Inquirer, 11 July 1986: illustrated.

Gartside, Thomas. “Market Expands in Philadelphia.” New Art Examiner, May 1986: 34–35, illustrated.

Sozanski, Edward J. “At Cava Gallery, 2 Artists Exemplify ‘New Abstraction’” (exhibition review). The Philadelphia Inquirer, 16 January 1986: E5, illustrated.

1985

Masheck, Joseph. “Thomas Nozkowski: Painting and Proliferation.” Journal: A Contemporary Art Magazine (Fall 1985): 42–43, illustrated.

1984

Donohoe, Victoria. “An Abstract Artist Builds a Following” (Matthews Hamilton exhibition review). The Philadelphia Inquirer, 11 December 1984: H19, illustrated.

Westfall, Stephen. “Thomas Nozkowski at Rosa Esman” (exhibition review). Art in America (April 1984): 182–182, illustrated.

1983

Bass, Ruth. “Group Show Getler/Pall.” Art News (October 1983).

Carrier, David. “Thomas Nozkowski’s Paintings.” Arts Magazine (October 1983): 72–75, illustrated.

Harris, Susan A. “Dialect/Dialectic: Gerhard Richter, Thomas Nozkowski, Joan Snyder.” Arts Magazine (March 1983): 35–36.

Harrison, Helen A. “Something Beyond Seeing.” The New York Times, 6 March 1983: 20.

1981

Masheck, Joseph. “Pressing On: Thomas Nozkowski’s Paintings.” Artforum (May 1981): illustrated.

Zimmer, William. “(Neo)classical Gas” (Rosa Esman exhibition review). Soho Weekly News, 24 November 1981.

1980

Wolfe, Theodore F. “12 Artists Go Back to Perceptual Basics” (Ericson Gallery exhibition review). The Christian Science Monitor, 14 February 1980: 19.

Zimmer, William. “Keep Up the Image” (55 Mercer Street exhibition review). Soho Weekly News, 26 November 1980: 26.

1979

Frank. Peter. “In Times like These.” The Village Voice, 11 March 1979.

1978

Dunbar, Jill. “The Material is the Matter” (Soho Center exhibition review). The Villager, 21 March 1978.

1976

Bourdon, David. “Eroticism Comes in Many Colors.” The Village Voice, 10 May 1976.

1973

Alloway, Lawrence. “ART.” The Nation, 25 June 1973.

Perrault, John, “Fizzling Out to a Summer Drought” (Betty Parsons Gallery exhibition review). The Village Voice, 21 June 1973.

2024

Thomas Nozkowski: Everything in the World (exhibition catalogue). Text by Oliver Shultz. New York: Pace Publishing, 2024.

2021

Storr, Robert. Writings On Art 2006-2021. Edited by Francesca Pietropaolo. London: HENI Publishing, 2021: 130−133, illustrated.

Thomas Nozkowski: The Last Paintings, A Tribute (exhibition catalogue). Text by Mark Mayer; remembrances by Jennifer Gross, Joseph Masheck, Catherine Murphy, Martin Puryear, Peter Schjeldahl, Robert Storr, and Karen Wilkin. New York: Pace Gallery, 2021.

2017

The Art Museum. London: Phaidon, 2017: 422, illustrated.

Nozkowski, Thomas. “Thomas Nozkowski with Chris Martin.” In Tell Me Something Good: Artist Interviews from The Brooklyn Rail. New York: David Zwirner Books, 2017: 314–320, illustrated.

Yau, John. Thomas Nozkowski. London: Lund Humphries, 2017.

2016

Morse, Trent. Ballpoint Art. London: Laurence King Publishing, 2016: 26–31, illustrated.

Thomas Nozkowski: Paintings & Drawings (exhibition catalogue). East Hampton, New York: Drawing Room, 2016.

Thomas Nozkowski: Works on Paper (exhibition catalogue). Text by Robert Storr. New York: Pace Gallery, 2016.

2015

Painting is Not Doomed to Repeat Itself (exhibition catalogue). Text by John Yau. New York: Hollis Taggart Galleries, 2015.

River Crossings: Contemporary Art Comes Home (exhibition catalogue). New York: The Artist Book Foundation, 2015: 40–43, illustrated.

Thomas Nozkowski (exhibition catalogue). Text by Sherman Sam. New York: Pace Gallery, 2015.

2014

Annual 2014: Redefining Tradition (exhibition catalogue). New York: National Academy Museum, 2014: 90, illustrated.

Art on Paper 2014: The 43rd Exhibition (exhibition catalogue). Greensboro: Weatherspoon Art Museum, the University of North Carolina, 2014: illustrated.

2013

0 to 60: The Experience of Time through Contemporary Art (exhibition catalogue). Raleigh and Penland: North Carolina Museum of Art and Penland School of Crafts, 2013.

Thomas Nozkowski (exhibition catalogue). Text by Jennifer R. Gross. New York: Pace Gallery, 2013.

Wit (exhibition catalogue). New York: The Painting Center, 2013: illustrated.

Reinventing Abstraction: New York painting in the 1980s (exhibition catalogue). Text by Raphael Rubinstein. New York: Cheim & Read, 2013: illustrated.

2012

Conceptual Abstraction (exhibition catalogue). Text by Pepe Karmel. New York: Hunter College Art Galleries, 2012: 46–47, illustrated.

Print/Out: 20 Years in Print (exhibition catalogue). New York: The Museum of Modern Art, 2012: illustrated.

Summer Exhibition Illustrated 2012 (exhibition catalogue). London: Royal Academy of Arts, 2012: 177, illustrated.

Thomas Nozkowski: The Complete Prints 1990–2012. New York: Senior & Shopmaker, 2012. http://en.calameo.com/read/004507328ec8163720a15

2011

Rothenberg, David. Survival of the Beautiful: Art, Science and Evolution. New York: Bloomsbury Press, 2011: illustrated.

2010

Armstrong, Tom. A Singular Vision. New York: The Quantuck Lane Press, 2011: 216, illustrated.

Dicke, James F. and Janice Driesbach. Creating the New Century: Contemporary Art from the Dicke Collection (exhibition catalogue). Dayton, Ohio: Dayton Art Institute, 2011: 120–121, illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Karmic Abstraction (exhibition catalogue). Text by John Yau. Philadelphia: Bridgette Mayer Gallery, 2011: 39, illustrated.

The Shape of Abstraction (exhibition catalogue). Text by Rachael Arauz. Boston: Boston University Art Gallery, 2010: 32, illustrated; cover.

Thomas Nozkowski: Recent Work (exhibition catalogue). Interview by Garth Lewis. New York: The Pace Gallery, 2010.

Thomas Nozkowski: Works On Paper 1991–2008 (exhibition catalogue). Interview with the artist by Betsy Senior. New York: Senior & Shopmaker Gallery, 2010. http://en.calameo.com/read/004507328ab7421a8783a

2009

Extreme Possibilities: New Modernist Paradigms (exhibition catalogue). Text by Karen Wilkin. New York: The Painting Center, 2009: illustrated.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

Nozkowski, Thomas and Cole Swensen. Flare. New Haven, Connecticut: Yale University Press, 2009: illustrated.

Jettison: New Ideas in Abstraction (exhibition catalogue). Text by Ruth Crnkovich. Clarksville, Tennessee: Trahern Gallery, Austin Peay State University, 2009: illustrated.

The 184th Annual Exhibition of Contemporary American Art (exhibition catalogue). New York: National Academy Museum and School of Fine Arts, 2009: 150, illustrated.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009: 204, illustrated.

Taylor, Michael, R. Arshile Gorky: A Retrospective (exhibition catalogue). Pennsylvania: Philadelphia Museum of Art in association with Yale University Press, 2009: 149, illustrated.

Thomas Nozkowski (exhibition catalogue). Texts by Marc Mayer and Robert Storr. Ottawa, Ontario: The National Gallery of Canada, 2009.

2008

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 70, 77, illustrated.

Nesbett, Peter, ed. Letters to a Young Artist. New York: Darte Publishing, 2008.

Thomas Nozkowski (exhibition catalogue). Text by Joseph Masheck. Dublin: Douglas Hyde Gallery, 2008.

Thomas Nozkowski: Recent Work (exhibition catalogue). Text by John Yau. New York: PaceWildenstein, 2008.

2007

Art Works: The Progressive Collection. Texts by Dan Cameron, Peter B. Lewis, Toby Devan Lewis, and Toni Morrison. New York: Distributed Art Publishers, Inc., 2007: 16, 250, illustrated.

Think with the Senses, Feel with the Mind: Art in the Present Tense, 52nd Biennale di Venezia (exhibition catalogue). Text by Robert Storr. Italy: Marsilio, 2007: illustrated.

Thomas Nozkowski: Dela na papirju/Works on Paper (exhibition catalogue). Text by Sid Sachs. Ljubljana, Slovenia: Mestna Galerija, 2007.

Thomas Nozkowski: Subject to Change (exhibition catalogue). Texts by Beate Reifenscheld, Robert Storr and Ann Lauterbach. Koblenz, Germany: Ludwig Museum, 2007.

2006

Nozkowski, Thomas. “Ruth Vollmer (1972)”. In Thinking the Line: Ruth Vollmer (exhibition catalogue). Germany: Hatje Cantz, 2006.

Nozkowski, Thomas. “Letter to a Young Artist.” In Letters to a Young Artist. New York: Darte Publications, 2006.

2005

Linn, Judy. The W.C. #1: Trade (exhibition catalogue). New York: White Columns, 2005.

Perry, Vicky. Abstract Painting: Concepts and Techniques. New York: Watson-Guptill Publications, 2005.

Yau, John. Ing Grish: Poems. Artwork by Thomas Nozkowski. Philadelphia: Saturnalia Books, 2005: illustrated.

Singular Expressions: A Sheldon Invitational (exhibition catalogue). Text by Janice Driesbach, et al. Lincoln, Nebraska: Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, 2005.

2004

Conversations 2 (exhibition catalogue). Interview by Charles Dee Mitchell. Dallas: Meadows School of the Arts, Southern Methodist University, 2004.

Nozkowski, Thomas. “Jane Freilicher.” In Jane Freilicher. New York: Abrams, 2004.

Plan D: Andrew Bick, Patrick Michael Fitzgerald, Diana Cooper, Thomas Nozkowski, Sherman Sam (exhibition catalogue). Texts by Manuel Casal Aquiar and Sam Sherman. Porto, Portugal: Palacete do Viscondes de Balsemao, 2004.

Thomas Nozkowski (exhibition catalogue). Text by Barry Schwabsky. London: Haunch of Venison, 2004.

2003

Thomas Nozkowski: Drawings (exhibition catalogue). Text by Barry Schwabsky. New York: New York Studio School, 2003.

Twisting and Turning: Abstract Painting Now (exhibition brochure). Text by Lily Wei. San Antonio, Texas: Blue Star Art Contemporary Art Center, 2003: illustrated.

2002

Bojoko, Szymon. Polish-Americans and Polish Artists in Contemporary American Art. Warsaw: Stanislavus Advertising Agenecy, 2002: illustrated, 230–233.

Pertaining to Painting (exhibition catalogue). Houston: Contemporary Arts Museum, 2002: 16–17, illustrated and discussed.

Ryan, David. “Hard Bliss: The Indispensible Thomas Nozkowski (1997).” In Talking Painting: Dialogues with Twelve Contemporary Abstract Painters. Text by Peter Schjeldahl. London: Taylor & Francis Books, 2002: 176, illustrated.

The 177th Annual: An Invitational Exhibition (exhibition catalogue). New York: National Academy of Design, 2002: 69, illustrated.

Thomas Nozkowski: Wednesday Pictures (exhibition catalogue). Text by John Yau. Easton, Pennsylvania: Williams Art Center, Lafayette College, 2002.

Thomas Nozkowski: Works on Paper (exhibition brochure). Text by Hamlett Dobbins. Memphis, Tennessee: Clough–Hanson Gallery, Rhodes College, 2002.

Transcendent & Unrepentant (exhibition brochure). Text by Sid Sachs. Philadelphia: Rosenwald–Wolf Gallery, The University of the Arts, 2002: illustrated.

2001

Patient Process (exhibition catalogue). Text by Donald Doe. Grinnell, Iowa: Faulconer Gallery, Bucksbaum Center for the Arts, Grinnell College, 2001: illustrated.

Vivid (exhibition brochure). Text by David Ryan. London: Richard Salmon Gallery, 2001: illustrated.

2000

Thomas Nozkowski (exhibition brochure). Interview by Jonathan Lasker. Paris: Galerie Frank, 2000: illustrated.

Thomas Nozkowski: Works on Paper, 1984–2000 (exhibition brochure). Text by Sid Sachs. Philadelphia: Rosenwald-Wolf Gallery, 2000.

1999

Neher, Ross. Blindfolding the Muse: The Plight of Painting in the Age of Conceptual Art. New York: Prenom Press, 1999: 168, discussed.

Welish, Marjorie. “Food for Centaurs (Thomas Nozkowski).” In Signifying Art: Essays on Art after 1980. England: Cambridge University Press, 1999.

1998

INTERIOR Landscapes: An Exhibition from the Collection of Clifford Diver (exhibition brochure). Wilmington, Delaware: Delaware Art Museum, 1998: 4, illustrated.

Thomas Nozkowski, Richard Rezac (exhibition brochure). Text by Rodney Carswell. Chicago: TBA Exhibition Space, 1998: illustrated.

1997

After The Fall: Aspects of Abstract Painting Since 1970 (exhibition catalogue). Staten Island, New York: Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, 1997: 86, illustrated.

The Hirshhorn Collects: Recent Acquisitions 1992–1996 (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1997: 73, illustrated.

Square Painting/Plane Painting (exhibition catalogue). Text by Chris Bruce. Seattle: Center on Contemporary Art, 1997: illustrated.

Thomas Nozkowski: Twenty-Four Paintings (exhibition catalogue). Texts by Jack Cowart, David Moos, and Peter Schjeldahl. Washington, D.C.: Corcoran Gallery of Art, 1997: illustrated.

1996

Natural Process (exhibition brochure). Lewisburg, Pennsylvania: Bucknell University, 1996: illustrated.

Scratch: The Exhibition (exhibition catalogue). New York: Thread Waxing Space, 1996: illustrated.

Thomas Nozkowski: Ten Painting (exhibition catalogue). Text by Peter Schjeldahl. Washington, D.C.: Baumgartner Galleries, Inc., 1996.

1995

Repicturing Abstraction (exhibition catalogue). Texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High. Richmond, Virginia: Anderson Gallery, Virginia Commonwealth University, 1995: 69, illustrated.

Thomas Nozkowski, An Autobiography (exhibition catalogue). High Falls, New York: Cedar Hill Press, 1995.

1994

Carrier, David. The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980’s. University Park, Pennsylvania: The Pennsylvania State University, 1994: illustrated, 206, 210.

1993

Italia–America / L’Astazione Ridefinita (exhibition catalogue). San Marino:Galleria Nazionale d’Arte Moderna, 1993: illustrated.

Masheck, Joseph. “Thomas Nozkowski: Painting and the Struggle of Analogy.” In Modernities: Art–Matters in the Present. University Park, Pennsylvania: The Pennsylvania University Press, 1993: 264, illustrated.

The Return of the Cadavre Exquis (exhibition catalogue). Text by Ann Philbin. New York: The Drawing Center, 1993: illustrated.

1992

55 Ferris Street Show (exhibition catalogue). Text by Fredericke Taylor. Brooklyn, New York: 55 Ferris Street, 1992.

David Reed, Thomas Nozkowski (exhibition catalogue). Text by Marjorie Welish. Washington, D.C.: Baumgartner Galleries, Inc., 1992.

Kinder! macht Neues! (exhibition catalogue). Cologne: Galerie Rolf Ricke, 1992: illustrated.

Stubborn Painting, Now & Then (exhibition catalogue). New York: Max Protetch Gallery, 1992: illustrated.

1991

Bellamy, Peter. The Artist Project: Portraits of the Real Art World/New York Artists 1981­­–1990. New York: IN Publishing, 1991: 169.

Conceptual Abstraction (exhibition catalogue). New York: Sidney Janis Gallery, 1991: illustrated.

Outside America: Going Into The ‘90s (exhibition catalogue). Text by Tricia Collins and Richard Milazzo. Atlanta: Fay Gold Gallery, 1991: illustrated.

Thomas Nozkowski Paintings: 1980–1990 (exhibition catalogue). Text by Charles Hagen. Glenside, Pennsylvania: Beaver College Art Gallery, 1991: illustrated.

1990

All Quiet On The Western Front? (exhibition catalogue). Paris: Galerie Antoine Candau, 1990: illustrated.

Working On Paper: Contemporary American Drawing (exhibition catalogue). Sponsored by TAPPI. Text by Carrie Przybilla. Atlanta: High Museum of Art at Georgia–Pacific Center, 1990: illustrated.

1989

Allusions: Selected Abstract Paintings (exhibition brochure). Text by Lenore D. Miller. Washington, D.C.: Dimock Gallery, Art Department, The George Washington University, 1989.

1988

Diagrams & Surrogates (exhibition catalogue). New York: Shea & Becker Gallery, 1988: illustrated.

Seven American Abstract Artists (exhibition brochure). Text by David Carrier. New York: RuggieroHenis Gallery, 1988.

1987

Lauterbach, Ann. “Subject to Change for Thomas Nozkowski.” In Before Recollection. New Jersey: Princeton University Press, 1987.

Works From A Suitcase: New York-Linz (exhibition catalogue). Linz, Austria: Hofkabinett, 1987: illustrated.

1986

Painterly Abstraction: Eight New York Artists (exhibition catalogue). Text by Charles Kessler. Los Angeles: Simard Halm & Shee Gallery, 1986: illustrated.

1985

The 21st Weatherspoon Annual Exhibition: Art on Paper ’85 (exhibition catalogue). Greensboro, North Carolina: Weatherspoon Art Gallery, University of North Carolina, 1985: illustrated.

1984

Fact & Fiction: Abstract Paintings by Jonathan Lasker, Tom Nozkowski, Gary Stephan (exhibition catalogue). Text by Carter Ratcliff. New York: Tibor de Nagy Gallery, 1984.

Lauterbach, Ann. “Subject To Change for Thomas Nozkowski.” In Conjuctions: Bi-Annual Volumes of New Writing. New York: Gotham Book Mart & Gallery Inc., 1984: 170.

Masheck, Joseph. “Nozkowski: Pressing On.” In Historical Present: Essays of the 1970s. Ann Arbor, Michigan: UMI Research Press, 1984: 271–278.

Nature as Image (exhibition catalogue). Text by Philip Verre. New York: Directions on Broadway, 1984: illustrated.

Small Works: New Abstract Painting (exhibition catalogue). Texts by Barbara Zabel and William Zimmer. Easton, Pennsylvania: Lafayette College, 1984: illustrated.

1983

55 Mercer: 12 Years (exhibition catalogue). Texts by Lawrence Alloway and Joseph Masheck. New York: 55 Mercer Street, 1983: illustrated.

Contemporary Abstract Painting (exhibition catalogue). Text by Thomas Hudspeth. Allentown, Pennsylvania: Center for the Arts, Muhlenberg College, 1983: illustrated.

Paintings From The Mind’s Eye (exhibition catalogue). Text by Judith K. Collischan Van Wagner. Greenvale, New York: Hillwood Art Gallery, C.W. Post Center, Long Island University, 1983: illustrated.

1982

Critical Perspectives (exhibition catalogue). Text by Joseph Masheck, Linda Burnham, Ronny Cohen, et al. Long Island City, New York: P.S. 1, 1982.

1980

Painting As Percept (exhibition catalogue). Text by Anita Feldman. New York: Ericson Gallery, 1980: illustrated.