Louise Nevelson

Dates

Born 1899, Kiev, Russia

Died 1988, New York

Education

1929–1930 Art Students League, New York

2023

The World Outside: Louise Nevelson at Midcentury, Amon Carter Museum of American Art, Fort Worth, Texas, August 27, 2023–January 7, 2024

Louise Nevelson, Pace Gallery, Los Angeles, March 11–April 29, 2023.

2022

Louise Nevelson. Persistence, The Louise Nevelson Foundation (official Collateral Event of the 59th International Art Exhibition – La Biennale di Venezia), Procuratie Vecchie, Piazza San Marco, Venice, April 23–September 11, 2022. (Brochure)

Louise Nevelson, Locks Gallery, Philadelphia, March 1–March 31, 2022.

Louise Nevelson: Mirage, Pace Gallery, Palo Alto, California, February 25–April 9, 2022.

2021

Louise Nevelson: Collages 1957–1982, Kayne Griffin, Los Angeles, September 17–October 30, 2021.

Louise Nevelson, Kamel Mennour Gallery, Paris, May 7–July 24, 2021.

2020

Online: Louise Nevelson, Pace Gallery, December 9–30, 2020.

Louise Nevelson: Sculptor of Shadows / Skyggernes Skulptør, Kunsten Museum of Modern Art, Aalborg, Denmark, May 29, 2020–January 3, 2021. (Catalogue)

2019

Louise Nevelson, Institute of Contemporary Art, Miami, December 3, 2019–April 19, 2020.

Louise Nevelson: Wood Assemblages from the 1970s, Galerie Gmurzynska, New York, May 2–June 15, 2019.

2018

Louise Nevelson: Prints & Multiples, Pace Prints, New York, September 6–October 20, 2018.

The Face in the Moon: Drawings and Prints by Louise Nevelson, Whitney Museum of American Art, New York, July 20–October 8, 2018.

Louise Nevelson: Black & White, Pace Gallery, 537 West 24th Street, New York, February 1–March 3, 2018. (Catalogue)

2017

Louise Nevelson: Selected Works, McCabe Fine Art, Stockholm, October 12–November 25, 2017.

Louise Nevelson: The Fourth Dimension, San Jose Museum of Art, California, September 15, 2017–March 18, 2018.

Louise Nevelson, Moderna Museet, Stockholm, September 9, 2017–January 14, 2018.

Louise Nevelson, Pace Prints, 32 East 57th Street, New York, April 19–May 26, 2017.

Louise Nevelson: Assemblages and Collages 1960–1980, Cortesi Gallery, Lugano, Switzerland, February 16–April 7, 2017.

Reflections: Louise Nevelson, 1967, Rose Art Museum, Waltham, Massachusetts, February 17–June 11, 2017.

2016

Louise Nevelson: Symphony of Ambient Forms, Locks Gallery, Philadelphia, November 4–December 3, 2016. (Catalogue)

Louise Nevelson, Pace Palo Alto, California, September 29–December 11 (extended through December 18), 2016.

Louise Nevelson, Pace London, 6 Burlington Gardens, June 8–July 16, 2016.

Louise Nevelson, Fondazione Marconi moderna e contemporanea, Milan, May 13–July 22, 2016.

2015

Louise Nevelson: My World, Baker Museum, Artis—Naples, Florida, November 14, 2015–January 10, 2016.

Louise Nevelson: Collage and Assemblage, Pace Gallery, 534 West 25th Street, New York, January 24–February 28, 2015. (Catalogue)

Louise Nevelson In L.A.: Tamarind Workshop Lithographs From the 1960s, Los Angeles County Museum of Art, January 17–May 17, 2015.

2014

Louise Nevelson 55–70, Cardi Gallery, Milan, October 9–December 20, 2014.

Louise Nevelson: The way I think is collage, Galerie Gmurzynska, New York, September 8, 2014–January 31, 2015.

Louise Nevelson: Creativity Shaped My Life, Die Galerie, Frankfurt, June 5–September 6, 2014. (Catalogue)

2013

Louise Nevelson, Fondazione Roma Museo, Rome, April 16–July 21, 2013. Traveled to: Civita Sicilia, Naples, September 27, 2013–January 19, 2014. (Catalogue)

Louise Nevelson: The 70s, L & M Arts, Venice, California, March 22–May 11, 2013.

Louise Nevelson: Black, Davis Museum, Wellesley College, Massachusetts, March 6–June 9, 2013.

2012

Louise Nevelson: Sculpture and Collage, Locks Gallery, Philadelphia, March 2–April 13, 2012.

Louise Nevelson, Patty & Jay Baker Naples Museum of Art, Florida, January 14–May 20, 2012.

2011

Louise Nevelson: Collages, Pace Prints, New York, September 15–October 15, 2011.

Louise Nevelson: Selections from the Estate, 1954–1978, Timothy Yarger Fine Art, Beverly Hills, April 9–June 30, 2011.

Louise Nevelson: The Architect of Shadow, Artiscope, Brussels, January 22–March 19, 2011.

2010

Louise Nevelson: Dawn’s Forest, Naples Museum of Art, Florida, November 14, 2010–June 30, 2011.

Louis Nevelson: Prints and Multiples 1953–1983, Pace Prints and Pace Primitive, New York, September 16–October 23, 2010.

Louise Nevelson: Domination of Form, Rosenbaum Contemporary, Boca Raton, Florida, April 15–June 26, 2010.

Louise Nevelson, Galerie Thomas, Munich, January 29–April 24, 2010.

Louise Nevelson, The Williams A. Farnsworth Library and Art Museum, Rockland, Maine, January 23, 2010–December 31, 2011.

2009

Louise Nevelson, The William A. Farnsworth Library and Art Museum, Rockland, Maine, April 26, 2009–January 24, 2010.

Louise Nevelson: Collages, Mara Coccia Arte Contemporanea, Rome, April 21–July 3, 2009 and Galleria il Ponte, Florence, May 8–July 25, 2009. (Catalogue; text by Mauro Panzera and Maddalena Tibertelli de Pisis).

Louise Nevelson: Dawns and Dusks, PaceWildenstein, 534 West 25th Street, New York, February 13–March 14, 2009. Traveled to: Louise Blouin Foundation, London, April 30–June 14, 2009. (Brochure)

2008

Louise Nevelson, The William A. Farnsworth Library and Art Museum, Rockland, Maine, March 8, 2008–February 1, 2009.

Nevelson by Night, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, January 18–April 6, 2008. (Brochure)

2007

Louise Nevelson, Galerie Gmurzynska, Cologne, June 1–September 30, 2007.

Louise Nevelson, Museo Arte Contemporanea di Roma, Rome, spring 2007.

The Sculpture of Louise Nevelson: Constructing a Legend, The Jewish Museum, New York, May 5–September 16, 2007. Traveled to: de Young Fine Arts Museums of San Francisco, California, October 27, 2007–January 13, 2008. (Catalogue, texts by Arthur C. Danto, Brooke Kamin Rapaport, Harriet F. Senie, Michael Stanislawski)

Louise Nevelson: Sculpture and Collage, McClain Gallery, Houston, May 3–June 10, 2007.

Louise Nevelson: Assemblages 1973–1986, Buschlen Mowatt Gallery, Palm Desert, California, March 1–June 2007. Traveled to: Buschlen Mowatt Gallery, Vancouver, June–October 1, 2007. (Catalogue)

Louise Nevelson: The Architecture of the Light, Nohra Haime Gallery, New York, February 8–March 10, 2007. (Catalogue; text by Mark Daniel Cohen)

2006

Celebrating Louise Nevelson: An American Master, The William A. Farnsworth Library and Art Museum, Rockland, opened September 16.

Louise Nevelson: Small Works, Locks Gallery, Philadelphia, January 5–31, 2006.

2005

Louise Nevelson, Rosenbaum Contemporary, Boca Raton, Florida, October 15–December 6, 2005.

Louise Nevelson: Zeichnungen, Collagen, Assemblagen, Galerie Dreiseitel, Cologne, September 11–November 15, 2005.

Louise Nevelson: Ceramics and Sculpture, Bobby Greenfield Gallery, Santa Monica, June 4–July 9, 2005.

2004

Louise Nevelson, Galerie Thomas, Munich, Germany, November 12, 2004–January 22, 2005. (Brochure; text by Gabriel Schmid)

Louise Nevelson: Wall Reliefs and Collages, Hackett-Freedman Gallery, San Francisco, June 3–July 31, 2004. (Catalogue; text by Jeffrey Hoffeld)

Louise Nevelson: Her Art, Her World, Evansville Museum of Arts, History and Science, Evansville, Indiana, January 11–March 7, 2004

2003

Louise Nevelson, Galerie Jean-Gabriel Mitterand, Paris, September 20–November 15, 2003.

Louise Nevelson: Luminous Voyage, Locks Gallery, Philadelphia, April 16–May 31, 2003.

Louise Nevelson: Selections from the Farnsworth Art Museum, Heckscher Museum of Art, Huntington, Long Island, New York, February 1–April 13, 2003. Traveled to: Everson Museum of Art, Syracuse, New York, May 4–June 29, 2003; Lyman Allyn Museum, New London, Connecticut, October 19–December 14, 2003; Evansville Museum of Arts and Sciences, Evansville, Indiana, January 14–March 7, 2004; Polk Museum of Art, Lakeland, Florida, April 4–May 30, 2004; Peninsula Fine Arts Center, Newport News, Virginia, June 27–August 22, 2004; Mitchell Gallery, St. John’s College, Annapolis, Maryland, September 19–November 14, 2004; Minnesota Museum of American Art, St. Paul, December 12, 2004–February 6, 2005.

2002

Louise Nevelson: Sculpture of the ‘50s and ‘60s, PaceWildenstein, 32 East 57th Street, New York, March 18–April 27, 2002. (Catalogue; text by Robert C. Morgan)

2000

Louise Nevelson: Wood and Paper Collage, Bobby Greenfield Gallery, Santa Monica, May 20–July 8, 2000.

Louise Nevelson, Fundação Arpad Szenes-Vieira da Silva, Lisbon, April 30–June 25, 2000. (Catalogue; text by Cecília de Torres and José Sommer Ribeiro)

1999

Louise Nevelson: Sculpture and Collages, Baldwin Gallery, Aspen, Colorado, December 27, 1999–February 7, 2000.

Louise Nevelson’s Façade: An Homage to Edith Sitwell, Everson Art Museum, Syracuse, December 12, 1999–February 13, 2000.

Nevelson Jewelry, The William A. Farnsworth Library and Art Museum, Rockland, Maine, October 30, 1999–April 16, 2000.

Louise Nevelson: Sculpture and Collages, Locks Gallery, Philadelphia, October 1–30, 1999. (Catalogue; text by Michael Klein)

Louise Nevelson at 100, The William A. Farnsworth Library and Art Museum, Rockland, Maine, September 23–December 5, 1999.

Louise Nevelson, Prints: A Centennial Celebration, Ernest Rubenstein Gallery at Educational Alliance, New York, September 21–November 4, 1999.

Louise Nevelson: Drawings and Sculpture, News Art Centre Sculpture Park and Gallery, Roche Court, East Winterslow, Salisbury, England, September 11–November 6, 1999.

1998

Louise Nevelson: Figurative Drawings and Ceramic Sculptures From the 1930’s and 1940’s, Bobbie Greenfield Gallery, Santa Monica, December 5, 1998–January 30, 1999.

Louise Nevelson: Sculpture and Drawings from the 1940s, Joan T. Washburn Gallery, New York, September 9–October 17, 1998. (Catalogue; text by the artist)

Louise Nevelson: Skulpturen, Collagen, Zeichnungen, Galerie Lutz & Thalmann, Zurich, May 8–July 4, 1998. (Catalogue; text by Jeffrey Hoffeld)

Louise Nevelson: Sculpture, Collage, Drawings, Fay Gold Gallery, Atlanta, opened May 8, 1998.

Louise Nevelson: Structures Evolving, Whitney Museum of American Art, April 29–September 13, 1998. Traveled to: Portland Museum of Art, Maine, January–March 1999; Lowe Art Museum, Miami, November 29, 2001–January 20, 2002; Samuel P. Harn Museum of Art, University of Florida, Gainesville, February 24–June 2, 2002.

Louise Nevelson, Nina Freudenheim Gallery, Lenox Hotel, Buffalo, April 25–May 29, 1998.

Louise Nevelson, U.J.A. Federation of New York, New York, February 26–June 1998.

1997

Louise Nevelson, Gallery Nova, Ronco s/Ascona, Switzerland, 1997.

Louise Nevelson: Collages, PaceWildenstein, Los Angeles, November 14, 1997–January 10, 1998.

Louise Nevelson, ACA Galleries, Munich, September 12–November 29, 1997.

Louise Nevelson: Collages, Locks Gallery, Philadelphia, September 5–October 31, 1997. (Catalogue)

Louise Nevelson, Tropical Garden II, Musée national d’art moderne, Centre Georges Pompidou, Paris, September 1997. (Catalogue; texts by Catherine Prats-Okuyama and Kimihito Okuyama)

Louise Nevelson: Sculpture 1957–1987, PaceWildenstein, New York, March 28–April 26, 1997. Concurrent with: Richard Gray Gallery, Chicago, April 5–May 31, 1997. (Catalogue)

Louise Nevelson: Sculpture and Drawings from the 1930s, Joan T. Washburn Gallery, New York, March 21–April 19, 1997. (Catalogue; texts by the artist and Arnold B. Glimcher)

1996

Louise Nevelson: Master Works, Baldwin Gallery, Aspen, December 28, 1996–January 24, 1997.

Louise Nevelson, Museo Internazionale delle Ceramiche, Faenza, Italy, September 27, 1996–January 19, 1997.

Louise Nevelson: Sculpture et œuvres sur papier, Galerie Marwan Hoss, Paris, September 25–November 16, 1996. (Catalogue; text by Jeffrey Hoffeld)

1995

Louise Nevelson: Silent Music, Galerie Gmurzynska, Cologne, November 11, 1995–February 3, 1996. (Catalogue; text by Germano Celant)

Monumental and Masterworks by Louise Nevelson, Arij Gasiunasen Fine Art, Palm Beach, March 10–April 11, 1995.

1994

Louise Nevelson, Palazzo delle Esposizioni, Rome, July 28–October 31, 1994. (Catalogue)

Louise Nevelson: The Farnsworth Collection, The William A. Farnsworth Library and Art Museum, Rockland, Maine, June 18–October 30, 1994. (Catalogue; text by Suzette Lane McAvoy)

1993

Louise Nevelson: Large Outdoor Metal Sculptures, The Pace Gallery, 142 Greene Street, New York, September 18–October 16, 1993.

1992

Louise Nevelson: Black, White and Gold, The Pace Gallery, New York, October 23–November 28, 1992. (Catalogue)

Louise Nevelson, Wildenstein Tokyo, Japan, October 19–November 20, 1992. (Catalogue)

Louise Nevelson and a Selection of Pre-Columbian Art, Bellas Artes, Santa Fe, July 17–September 30, 1992.

Louise Nevelson, In Retrospect, Hokin Gallery, Palm Beach, March 16–April 18, 1992.

1991

A Friend Remembers Louise Nevelson: A Concentration of Works from the Collection of Diana MacKown, The Forum Gallery, Jamestown Community College, New York, November 9–December 19, 1991. (Catalogue; texts by the artist and Dan R. Talley)

Nevelson, Harry Remis Sculpture Court, Aidekman Arts Center, Tufts University, Medford, Massachusetts, October 1–31, 1991.

Louise Nevelson: Homage to 6,000,000, Samuel P. Harn Museum of Art, University of Florida, Gainesville, opened in June 1991.

1989

Louise Nevelson: In Retrospect, Richard Gray Gallery, Chicago, September 23–December 1989. (Catalogue)

Louise Nevelson Remembered, The Pace Gallery, New York, March 31–April 29, 1989. (Catalogue; interview by Arnold B. Glimcher)

1988

Tribute to Louise Nevelson, The William A. Farnsworth Library and Art Museum, Rockland, Maine, April–May 1988.

Louise Nevelson, Hokin Gallery, Palm Beach, February 1–20, 1988.

1987

Louise Nevelson: Constructions, Barbara Krakow Gallery, Boston, February 7–March 4 1987.

Louise Nevelson: A Concentration of Works from the Permanent Collection of The Whitney Museum of American Art, Whitney Museum of American Art, Stamford, Connecticut, January 7–March 11, 1987. Traveled to: Muhlenberg College Center for the Arts, Allentown, Pennsylvania, opened April 2, 1987. (Catalogue; text by Roni Feinstein)

1986

Louise Nevelson: Works in Wood, Bakalar Sculpture Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, October 10–December 31, 1986. (Brochure; text by Ceil Freidman)

Louise Nevelson: Collages, Claude Bernard Gallery, New York, October 7–November 8, 1986.

Louise Nevelson: Mirror-Shadows, The Pace Gallery, New York, September 19–October 25, 1986.

Louise Nevelson: Selected Work, San Jose Museum of Art, California, September 16–October 26, 1986.

Homage to Louise Nevelson: A Selection of Sculpture and Collages, Solomon R. Guggenheim Museum, New York, July 24–September 1, 1986. (Catalogue)

Louise Nevelson: Sculptures and Reliefs, Galerie Alice Pauli, Lausanne, Switzerland, April 11–May 31, 1986. (Brochure; text by David L. Shirey)

Louise Nevelson, Galerie Claude Bernard, Paris, January 23–February 22, 1986. (Catalogue; texts by the artist and Diana Mackown)

1985

Louise Nevelson, Hokin Gallery, Palm Beach, 1985.

Art of Nevelson at Farnsworth, The William A. Farnsworth Library and Art Museum, Rockland, Maine, September 22–November 17, 1985. (Catalogue)

Louise Nevelson, Ivory/Kimpton Gallery, San Francisco, March 21–April 20, 1985.

Louise Nevelson at 85, The Pace Gallery, New York, February 23–March 23, 1985.

1984

Louise Nevelson, Charles Burchfield Arts Center, State University of Buffalo, New York, September 23–October 28, 1984.

The Art of Louise Nevelson at the Farnsworth, The William A Farnsworth Library and Art Museum, Rockland, Maine, September 22–November 17, 1985. (Catalogue)

Louise Nevelson: Outdoor Sculpture, 1971–1983, Storm King Art Center, Mountainville, New York, June 30–October 31, 1984.

Louise Nevelson, Makler Gallery, Philadelphia, April–May 5, 1984.

Nevelson, Hokin Gallery, Bay Harbor Island, Florida, February 10–March 1984.

Louise Nevelson: Sculpture, Barbara Krakow Gallery, Boston, January 14–February 9, 1984.

1983

Louise Nevelson, Sculpture, Gibbes Museum, Athens, Georgia, May 20–August 28, 1983.

Louise Nevelson: Cascades, Perpendiculars, Silence, Music, The Pace Gallery, New York, January 14–February 19, 1983. (Catalogue)

Louise Nevelson in the New York University Art Collection, Grey Art Gallery and Study Center, New York University, New York, January 11–February 19, 1983.

1982

Louise Nevelson, Wildenstein & Co., Tokyo, October 29–December 24, 1982. (Catalogue; text by the artist)

Louise Nevelson, Fay Gold Gallery, Atlanta, October 23–November 30,1982.

Louise Nevelson: New Sculpture and Reliefs, Richard Gray Gallery, Chicago, April 17–May 1982.

Louise Nevelson, Harcus Krakow Gallery, Boston, February 6–March 10, 1982.

1981

Louise Nevelson, Makler Gallery, Philadelphia, 1981.

Louise Nevelson: Œuvres 1953–1980, Galerie de France, Paris, October 14–November 21, 1981. (Catalogue; interview by Barbaralee Diamonstein)

Louise Nevelson: Reliefs and Collages, Pace Gallery, Columbus, Ohio, October 4–November 1981.

Louise Nevelson, Kauffman Galleries, Houston, Texas, October 1981.

Louise Nevelson: Sculptures and Collages, Wildenstein & Co., London, April–May 29, 1981. (Catalogue; text by Carter Ratcliff)

1980

Louise Nevelson: Atmospheres and Environments, Whitney Museum of American Art, New York, May 27–September 14, 1980. (Catalogue; text by Edward Albee)

Louise Nevelson: Recent Collages, Richard Gray Gallery, Chicago, May 10–June 7, 1980.

Nevelson: Maquettes for Monumental Sculpture, The Pace Gallery, New York, May 2–June 27, 1980. (Catalogue; interview by Barbaralee Diamonstein; text by David Shirey)

Nevelson: Wood Sculptures and Collages, Wildenstein & Co., New York, May 2–June 27, 1980. (Catalogue; text by David L. Shirey)

Louise Nevelson: The Fourth Dimension, Phoenix Art Museum, January 11–February 24, 1980. Traveled to: Seattle Art Museum, March 20–May 18, 1980; Winnipeg Art Gallery, Manitoba, Canada, June 20–August 10, 1980; University of Iowa Museum of Art, Iowa City, September 5–October 12, 1980; Dayton Art Institute, Ohio, November 14, 1980–January 7, 1981. (Catalogue; text by Laurie Wilson)

1979

Louise Nevelson, Pace Gallery, Columbus, Ohio, October 14–November 30, 1979.

Louise Nevelson: A Loan Exhibition, The William A. Farnsworth Library and Art Museum, Rockland, Maine, July 13–September 30, 1979. Traveled to: Norton Gallery and School of Art, West Palm Beach, Florida, November 8, 1979–January 6, 1980; Jacksonville Art Museum, Florida, January 17–March 15, 1980; Scottsdale Center for the Arts, Arizona, November 14, 1980–January 7, 1981. (Catalogue; texts by Jan Ernst Adlmann, Marius B. Péladeau and Dorothy B. Miller)

Louise Nevelson, Makler Gallery, Philadelphia, April 16–May 31, 1979.

1978

Louise Nevelson, Charles Burchfield Center, State University of Buffalo, New York, 1978.

Louise Nevelson, Galleria Corsini, Intra, Italy, 1978. (Catalogue)

Louise Nevelson: Recent Works, Richard Gray Gallery, Chicago, October 14–November 30, 1978. (Catalogue; text by the artist)

Louise Nevelson: Boxes, Prints, Sculpture, B.R. Kornblatt Gallery, Baltimore, Maryland, October 8–November 8, 1978.

Louise Nevelson: Sculptures and Graphics, Edwin A. Ulrich Museum of Art, Wichita, Kansas, September–October 1978.

Nevelson Tapestries. Woven in the Gobelin Techniques under the Supervision of Gloria F. Ross, Pace Editions, New York, September 23–October 21, 1978.

Louise Nevelson: Recent Wood Sculpture, Linda Farris Gallery, Seattle, June 24–August 27, 1978.

Louise Nevelson, Ella Sharp Museum, Jackson City, Michigan, June 1978.

Louise Nevelson, Hokin Gallery, Palm Beach, February 8–March 6, 1978.

1977

Louise Nevelson: Recent Wood Sculpture, The Pace Gallery, New York, November 26, 1977–January 7, 1978. (Catalogue)

Louise Nevelson, Pace/Columbus, Ohio, October 16–November 30, 1977.

Nevelson at Purchase: The Metal Sculptures, Neuberger Museum, State University of New York, Purchase, May 8–September 11, 1977. (Catalogue; texts by Jeffrey Hoffeld and the artist)

Louise Nevelson: Twelve Collage Drawings, Truman Gallery, New York, April 29–June 10, 1977. (Catalogue)

1976

Louise Nevelson, Galleria Il Tritone, Biella, Italy, 1976.

Louise Nevelson, Galleria Nazionale d’Arte Moderna, Rome, 1976.

Louise Nevelson, Vandervelde Gallery, Inc., Beverly Hills, October 22–November 4, 1976.

Louise Nevelson: Grafica, Villa Pignatelli, Naples, May 9–30, 1976. (Catalogue)

Louise Nevelson as Printmaker, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 3–March 28, 1976.

Louise Nevelson: Dawn’s Presence-Two; Moon Garden + Two: 1969–1975, The Pace Gallery, 32 East 57th Street, New York, February 14–March 13, 1976. (Catalogue)

Louise Nevelson, Makler Gallery, Philadelphia, January 12–February 14, 1976.

1975

Louise Nevelson, Galleria d'Arte l'Arcipelago, Turin, 1975.

Louise Nevelson, Galleria Il Centro, Naples, 1975.

Louise Nevelson, Hokin Gallery, Palm Beach, 1975.

Nevelson at Pace/Columbus, Ohio, November 9–December 30, 1975.

Louise Nevelson, Jehangir Art Gallery, Bombay, April 30–May 5, 1975. (Brochure)

Louise Nevelson: Recent Collages, Harcus Krakow Rosen Sonnabend Gallery, Boston, March 1–26, 1975.

Nevelson: The Prints, New Gallery, Cleveland, March 1975.

Louise Nevelson, Minami Gallery, Tokyo, Japan, February 3–28, 1975. (Catalogue)

Louise Nevelson, Galleria d'Arte Spagnoli, Florence, February–March 1975. (Catalogue; text by the artist)

Louise Nevelson: Wood Sculptures, The Cleveland Museum of Art, Ohio, January 28–March 9, 1975.

Louise Nevelson, Ala Gallery, Iran America Society, Tehran, January 8–February 1, 1975.

1974

Louise Nevelson, High Museum of Art, Atlanta, 1974.

Louise Nevelson, William Rockhill Nelson Gallery of Art, Kansas City, Missouri, 1974.

Louise Nevelson as Printmaker, Cincinnati Art Museum, Ohio, November 21, 1974–January 26, 1975. Traveled to: Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 2–28, 1976.

Nevelson, C.W. Post Center Art Gallery, Long Island University, Greenvale, New York, October 25–November 27, 1974. (Catalogue; text by Joan Vita Miller)

Louise Nevelson, Neue Nationalgalerie, Berlin, June 5–July 1, 1974. (Catalogue)

Louise Nevelson: Sky Gates and Collages, The Pace Gallery, New York, May 4–June 8, 1974. (Catalogue; text by the artist)

Nevelson Wood Sculptures, Dallas Museum of Art, Texas, April 17–May 19, 1974.

Louise Nevelson, Centre National d’Art Contemporain, Paris, April 9–May 13, 1974. (Catalogue; texts by Maurice Eschapasse and Alfred Pacquement)

Louise Nevelson, Makler Gallery, Philadelphia, March 25–April 27, 1974.

Louise Nevelson At Pace / Columbus, Pace/Columbus, February 24–March 30, 1974.

Louise Nevelson, ADI Gallery, San Francisco, February 1974.

1973

Nevelson: Wood Sculptures. Traveled to: Walker Art Center, Minneapolis, November 10–December 30, 1973; San Francisco Museum of Art, January 25–March 10, 1974; Dallas Museum of Fine Arts, Texas, April 17–May 19, 1974; High Museum of Arts, Atlanta, July 6–August 18, 1974; William Rockhill Nelson Gallery of Art, Kansas City, September 21–November 3, 1974; Cleveland Museum of Art, Ohio, January 28–March 9, 1975. (Catalogue; text by Martin Friedman)

Louise Nevelson: Sculptures and Works on Paper, Fendrick Gallery, Washington, D.C., October 10–November 3, 1973.

Louise Nevelson: Works from 1955–1972, Studio Marconi, Milan, May 3–June 1973. (Catalogue) Traveled to: Moderna Museet, Stockholm, September 8–October 14, 1973; Nordjyllands Kunstmuseum, Aalborg, November–December 1973; Palais des Beaux Arts, Brussels, January 8–February 3, 1974. (Catalogues)

1972

Louise Nevelson, The Dunkelman Gallery, Toronto, 1972.

Louise Nevelson, Pace Graphics, New York, 1972.

Louise Nevelson: Columns, Dream-Houses and Collages, The Pace Gallery, New York, October 28–November 28, 1972.

Louise Nevelson: Seventh Decade Garden Sculpture, Parker Street 470 Gallery, Boston, February 15–March 11, 1972.

Louise Nevelson, Graphics Gallery, Boston, January–February 6, 1972.

1971

Nevelson: Works of 1959–1963, Richard Gray Gallery, Chicago, December 14, 1971–January 14, 1972.

Louise Nevelson: Seventh Decade Garden, The Pace Gallery, 32 East 57th Street, New York, May 8–June 19, 1971.

Louise Nevelson, Makler Gallery, Philadelphia, April 30–May 29, 1971. (Catalogue)

Louise Nevelson: Sculpture, Graphics and Drawings, Pace/Columbus, Ohio, March 1971.

1970

Louise Nevelson, Galleria Galatea, Turin, Italy, 1970.

Louise Nevelson, Martha Jackson Gallery, New York, 1970.

Louise Nevelson: New Acquisitions, Whitney Museum of American Art, New York, November 10–December 14, 1970.

Louise Nevelson, Galleria d'Arte Iolas-Galatea, Rome, April 1970.

1969

Louise Nevelson: Black Walls and Sculptures: A Tenth Anniversary Exhibition, Martha Jackson Gallery, New York, December 2–20, 1969.

Louise Nevelson, Museum of Fine Arts, Houston, October 23–December 14, 1969. Traveled to: University Art Museum, University of Texas at Austin, January 15–February 15, 1970. (Catalogue; text by Mary Hancock Buxton)

Louise Nevelson: Sculptures 1959–1969, Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, June 29–September 7, 1969. (Catalogue)

Louise Nevelson: Recent Wood Sculpture, Akron Art Institute, Ohio, June 14–July 15, 1969. (Catalogue; text by Ann Unal)

Louise Nevelson, Galerie Jeanne Bucher, Paris, May 2–June 7, 1969. (Catalogue)

Louise Nevelson, Pace/Columbus, Ohio, May 1969.

Nevelson: Recent Wood Sculpture, The Pace Gallery, New York, March 22–April 22, 1969. (Catalogue)

Louise Nevelson, Harcus Krakow Gallery, Boston, March 15–April 19, 1969.

Louise Nevelson: Werke von 1959 bis 1961, Bürgermeister-Ludwig-Reichert-Haus, Ludwigshafen-am-Rhein, West Germany, February 28–March 23, 1969.

Louise Nevelson: Sculture-Litografie, Galleria Civica d’Arte Moderna, Turin, February–March 1969. (Catalogue; text by Luigi Mallé)

1968

Louise Nevelson: Prints, Benjamin Galleries, Chicago, 1968.

Louise Nevelson: New Sculptures, The Dunkelman Gallery, Toronto, October 19–November 9, 1968.

Louise Nevelson, The Arts Club of Chicago, Illinois, September 23–October 26, 1968. (Catalogue)

Façade: In Homage to Edith Sitwell, Everson Museum of Art, Syracuse, New York, January 31–February 23.

Louise Nevelson: Transparent Sculptures, The Pace Gallery, New York, January 13–February 14, 1968.

1967

Louise Nevelson, Galerie Daniel Gervis, Paris, June 7–July 12, 1967. (Catalogue)

Homage to the World: 105 Pieces, Rose Art Museum, Brandeis University, Waltham, Massachusetts, May 24–July 2, 1967.

Louise Nevelson, Whitney Museum of American Art, New York, March 8–April 30, 1967. (Catalogue)

1966

Nevelson, Ferus-Pace Gallery, Los Angeles, opened December 11, 1966. (Catalogue; text by Louise Nevelson and Edith Sitwell)

Nevelson at Pace: Four Enameled Aluminum Sculptures, The Pace Gallery, New York, May 7–June 11, 1966.

Louise Nevelson, Pace/Columbus, Ohio, April 1966.

1965

Louise Nevelson, David Mirvish Gallery, Toronto, October 1965.

Louise Nevelson: Twenty-Four Lithographs, Lotte Jacobi Photography and Art, Hillsboro, New Hampshire, July 17–August 4, 1965.

Louise Nevelson: Homage to Six Million, The Jewish Museum, New York, May 7–September 12, 1965. (Catalogue)

Louise Nevelson, Galerie Schmela, Düsseldorf, March 27–April 27, 1965. (Catalogue; text by the artist)

1964

Louise Nevelson: Recent Work, The Pace Gallery, New York, November 17–December 12, 1964. (Catalogue; text by William C. Seitz)

Louise Nevelson, Kunsthalle, Bern, May 20–June 21, 1964. (Catalogue)

Nevelson: 76, Galatea-Galleria d'Arte Contemporanea, Turin, April 8–May 3, 1964. (Catalogue; text by Luigi Carluccio)

Louise Nevelson: Sculpture, The Pace Gallery, Boston, March 22–April 11, 1964.

Louise Nevelson, Gimpel Hanover Galerie, Zurich, January 24–February 28, 1964. (Catalogue)

1963

Louise Nevelson: A Personal Collection: Rare drawings, Etchings and Early Sculpture, Balin-Traube Gallery, New York, November 26–December 31, 1963.

Louise Nevelson: First London Exhibition, Hanover Gallery, London, November 6–December 6, 1963. (Catalogue)

Louise Nevelson Bronze and Other Sculpture, Martha Jackson Gallery, New York, May 11–June 1963.

Louise Nevelson, Sidney Janis Gallery, New York, January 2–29, 1963.

1962

Nevelson: Terra Cottas, 1938–1948, Martha Jackson Gallery, New York, January 24–February 17, 1962.

Louise Nevelson, Daniel Cordier and Rudolph Stadler Gallery, Frankfurt, January 18–February 28, 1962.

1961

Louise Nevelson, Galerie Daniel Cordier, Paris, 1961.

Louise Nevelson: Holzwände, Staatliche Kunsthalle, Baden-Baden, September 24–October 22, 1961. (Catalogue; text by Dietrich Mahlow)

Louise Nevelson: Recent Sculpture, The Pace Gallery, Boston, May 29–June 24, 1961.

The Royal Tides, Martha Jackson Gallery, New York, April 20–May 20, 1961. (Catalogue; text by Kenneth Sawyer, Jean Arp and Georges Nathieu)

Louise Nevelson, Galerie Schwarz, Milan, April 1961.

1960

Exposition de Louise Nevelson, Sculpteur, Galerie Daniel Cordier, Paris, October–November 1960. (Catalogue; text by Georges Mathieu)

Sculpture of Louise Nevelson, Devorah Sherman Gallery, Chicago, March 29–April 30, 1960. (Catalogue; text by Hilton Kramer)

Sculpture by Louise Nevelson, The David Herbert Gallery, New York, January 6–February 6, 1960. (Catalogue)

1959

Sky Columns Presence, Martha Jackson Gallery, New York, October 28–November 21, 1959.

1958

Graphics by Louise Nevelson, Esther Stuttman Gallery, New York, March 5–29, 1958.

Moon Garden + One, Grand Central Moderns, New York, January 4–23, 1958.

1957

The Forest, Grand Central Moderns, New York, January 4–23, 1957.

1956

The Royal Voyage of the King and the Queen of the Sea, Grand Central Moderns, New York, February 18–March 8, 1956.

1955

Ancient Games and Ancient Places, Grand Central Moderns, New York, January 8–25, 1955.

1954

Sculpture by Louise Nevelson, Marcia Clapp Gallery, New York, April 2–30, 1954.

Louise Nevelson: Etchings, Lotte Jacobi Gallery, New York, January 5–23, 1954.

1946

Ancient City, Nierendorf Gallery, New York, April 15–27, 1946.

1944

Nevelson: Sculpture Montages, Nierendorf Gallery, New York, October 23–November 16, 1944.

1943

Nevelson: A Sculptor's Portraits in Paint, Nierendorf Gallery, New York, November 1–20, 1943.

Circus; New Animals by Nevelson, Norlyst Gallery, New York, April 14–May 1, 1943.

Nevelson: Drawings, Nierendorf Gallery, New York, April 12–30, 1943.

1942

Sculptures by Nevelson, Nierendorf Gallery, New York, October 6–25, 1942.

1941

Nevelson: Sculptures and Drawings, Nierendorf Gallery, New York, September 22–October 11, 1941.

2024

Pace Tokyo: Special Preview, Pace Gallery, Tokyo, July 6–August 9, 2024.

Beyond Form: Lines of Abstraction, 1950–1970, Turner Contemporary, Margate, United Kingdom, February 3–May 6, 2024.

2023

The Echo of Picasso, Museo Picasso Málaga, Málaga, Spain, October 2, 2023–March 31, 2024.

Parallel Lines, Pace Gallery, Palm Beach, Florida, June 16–August 27, 2023.

Scale: Sculpture 1945–2000, Fundación Juan March, Madrid, March 31–July 2, 2023. (Catalogue)

2022

Multiple Sights: The Tenth Anniversary of the Long Museum, Long Museum (West Bund), Shanghai, November 13, 2022–February 5, 2023.

Ink, Paper, Stone: Six Women Artists and the Language of Lithography, Norton Simon Museum of Art, Pasadena, California, October 14, 2022–March 6, 2023.

New York: 1962–1964, Jewish Museum, New York, July 22, 2022–January 8, 2023. (Catalogue)

Calor Universal, Pace Gallery, East Hampton, New York, July 2–17, 2022.

On the Nature of Things, Andrew Kreps Gallery, New York, June 30–August 12, 2022.

The Milk of Dreams, 59th International Art Exhibition, La Biennale di Venezia, Venice, April 23–November 27, 2022.

Ninth Street and Beyond: 70 Years of Women in Abstraction: Part II: Geometry, Hunter/Dunbar Projects, New York, April 14–May 25, 2022.

Breaking Up, Phoenix Art Museum, Phoenix, Arizona, February 26, 2022–August 11, 2024.

Creating Abstraction, Pace Gallery, 5 Hanover Square, London, February 3–March 12, 2022.

2021

Our House: Selections from MOCA's Collection, The Museum of Contemporary Art, Los Angeles, CA, June 3, 2021–November 13, 2023.

Wild and Brilliant: The Martha Jackson Gallery and Post-War Art, Hollis Taggart, New York, November 18–December 30, 2021.

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Making it: Women and Abstract Sculpture, Waddington Custot Gallery, London, October 1–November 13, 2021.

Alicja Kwade – Louise Nevelson, Kamel Mennour Gallery, Paris, May 6–July 24, 2021.

Ells font l’abstraction, Centre Pompidou, Musée National d’Art Moderne, Galerie 1, Paris, May 5−August 23, 2021. Traveled to: Guggenheim Museum Bilbao, October 22, 2021−February 27, 2022. (Catalogue)

2020

Louise Nevelson + James Little, Rosenbaum Contemporary, Boca Raton, Florida, September 8–October 8, 2020.

Mapping the Collection, Museum Ludwig, Cologne, Germany, June 20–August 23, 2020.

Affinities and Outliers: Highlights from the University at Albany Fine Art Collections, University Art Museum, University at Albany, State University of New York, February 4–April 4, 2020.

2019

100 Iconic Works from the Permanent Collection, Baker Museum, Artis—Naples, Florida, December 1, 2019–July 25, 2020.

What’s for Dinner? A Brief History of Food in Art, Galerie Gmurzynska, New York, November 11, 2019–January 31, 2020.

Louise Nevelson & Yin Xiuzhen, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, September 21–November 15, 2019.

Chewing Gum III, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, May 25–July 4, 2019.

Une Brève Histoire de la Modernité des Formes, Galerie Mitterand, Paris, April 19–June 1, 2019.

2018

Epic Abstraction: Pollock to Herrera, The Met Fifth Avenue, New York, opened December 17, 2018.

Eye to I: Self-Portraits from 1900 to Today, National Portrait Gallery, Washington, D.C., November 4, 2018–August 18, 2019.

Kindred Spirits: Louise Nevelson & Dorothy Hood, Museum of Fine Arts, Houston, November 3, 2018–February 3, 2019.

The Masters: Art Students League Teachers and Their Students, Hirschl & Adler, New York, October 18–December 1, 2018. (Catalogue)

Summer Group Show, Pace Gallery, Seoul, June 5–August 11, 2018.

LeWitt, Nevelson, Pendleton Part II, Pace Gallery, Geneva, May 16–July 13, 2018.

A Dark Place of Dreams: Louise Nevelson with Chakaia Booker, Lauren Fensterstock, and Kate Gilmore, Museum of Contemporary Art Jacksonville, A Cultural Institute of University of North Florida, April 28–September 2, 2018. Traveled to: Gibbes Museum of Art, Charleston, South Carolina, September 28, 2018–January 6, 2019. (Catalogue)

LeWitt, Nevelson, Pendleton, Pace Gallery, Geneva, March 21–May 4, 2018.

2017

Function to Freedom: Quilts and Abstract Expressions, Sara Kay Gallery, New York, December 1, 2017–January 13, 2018.

Black and White: Louise Nevelson/Pedro Guerrero, Farnsworth Art Museum, Rockland, Maine, October 6, 2017–April 1, 2018.

American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15–November 12, 2017.

Vaginal Davis & Louise Nevelson: Chimera, Invisible-Exports, New York, September 8–October 22, 2017.

20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Pittsburgh, July 22–December 31, 2017.

To Distribute and Multiply: The Feibes & Schmitt Gift, The Hyde Collection, Glens Falls, New York, opens on June 10, 2017.

Multiple Impressions, Talley Dunn Gallery, Dallas, June 10–August 5, 2017.

Making Space” Women Artists and Postwar Abstraction¸ The Museum of Modern Art, New York, April 15–August 13, 2017.

Material Presence, Tally Dunn Gallery, Dallas, March 25–May 20, 2017.

No Boundaries: Sculptures by Thirteen Women, Marlborough Gallery, New York, March 8–April 1, 2017. (Catalogue)

Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue)

Louise Nevelson/Antoni Tàpies: Above the Surface, Rosenbaum Contemporary, Boca Raton, Florida, February 7–March 2, 2017.

Currently 80: Celebrating 80 Years of the Sculptors Guild, Westbeth Gallery, New York, February 5–24, 2017.

Guerrero: Calder & Nevelson, In Their Studios, Edward Cella Art & Architecture, Los Angeles, January 21–March 3, 2017.

2016

The Harn Museum of Art Exhibition: Highlights Influential Women Artists, The Harn Museum of Art, University of Florida, Gainesville, October 6–July 16, 2016.

Complex Uncertainties: Artists in Postwar America, Jepson Center for the Arts, Telfair Museum, Savannah, Georgia, September 30, 2016–2021.

Burri: Lo Spazio di Materia: Tra Europa e USA, Fondazione Palazzo Albizzini Collezione Burri, Città di Castello, Italy, September 24, 2016-January 6, 2017. (Catalogue)

Abstract Expressionism, Royal Academy of Art, London, September 20, 2016–January 2, 2017. Traveled to: Guggenheim Museum, Bilbao, February 3–June 4, 2017. (Catalogue)

Blackness in Abstraction, Pace Gallery, 510 West 25th Street, New York, June 24–August 19, 2016. (Catalogue)

2015

Marvelous Objects: Surrealist Sculpture from Paris to New York, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., October 29, 2015–February 15, 2016. (Catalogue)

Keeping Pace: Eva Glimcher and Pace/Columbus, Columbus Museum of Art, Ohio, October 23, 2015–January 17, 2016.

Marks Made: Prints by American Women Artists from the 1960s to the Present, St. Petersburg: Museum of Fine Arts, St. Petersburg, October 17, 2015–January 24, 2016. (Catalogue)

On the Square Part II, Pace Gallery, 32 East 57th Street, New York, October 1–29, 2015.

Proportio, Palazzo Fortuny, Venice, May 9–November 22, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Picasso and the 20th Century Art: Masterpieces from the Museum of Modern Art, Toyama, Tokyo Station Gallery, Tokyo, March 21–May 17, 2015. (Catalogue)

Sotto Voce, Dominique Lévy, London, February 9–April 18, 2015. (Catalogue)

2014

A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.

The Avant-Garde Collection, Orange County Museum of Art, Newport Beach, California, September 7, 2014–January 4, 2015. (Catalogue)

Louise Nevelson and Mai-Thu Perret: Queen of the Black Black, Galleria Vistamare, Pescara, Italy, June 3–September 6, 2014.

Forty Years/Forty Stories, Ulrich Museum of Art, Wichita State University, April 26–August 10, 2014.

Authentic Form, Loveland Museum/Gallery, Colorado, January 25–April 20, 2014.

2013

Remnants: Louise Nevelson & Aaron Siskind, Bruce Silverstein, New York, September 19–November 2, 2013. (Catalogue)

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville, Maine, July 13, 2013–June 8, 2014. (Catalogue)

The Distaff Side, The Granary, Sharon, Connecticut, opened April 21, 2013. (Catalogue)

BLACKS: Louise Nevelson, Ad Reinhardt, Hiroshi Sugimoto, Kawamura Memorial DIC Museum of Art, Sakura City, Japan, February 2–April 14, 2013.

The Black Mirror, Diane Rosenstein Fine Art, Beverly Hills, January 12–March 9, 2013.

Winter Group Show, Pace Gallery, 32 East 57th Street, New York, January 7–26, 2013.

2012

Masterpieces from the Berardo Collection, Gary Nader Art Centre, Miami, December 5, 2012–March 30, 2013.

The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, November 17, 2012–April 7, 2013. (Catalogue)

Selective Recent Conversations: Building a Collection, Parrish Art Museum, Water Mill, New York, November 10, 2012–January 13, 2013.

To be a Lady: Forty-Five Women in the Arts, Norte Maar, New York, September 24, 2012–January 18 (extended through March 22), 2013. Traveled to: as To Be A Lady: An International Celebration of Women in the Arts, Sundaram Tagore Gallery, Singapore, October 23, 2013–January 5, 2014 (Catalogue)

Rock, Paper, Scissors, Leila Heller Gallery, New York, July 12–August 18, 2012.

Strangers—Between Art Informel and Pop Art: Works from the GAM Collection, Galleria Civica d’Arte Moderna e Contemporanea, Turin, March 16–June 10, 2012.

2011

Hunters and Gatherers: The Art of Assemblage, Sotheby’s, New York, November 18–December 16, 2011. (Catalogue)

Proof: The Rise of Printmaking in Southern California, Norton Simon Museum, Pasadena, California, October 1, 2011–April 2, 2012. (Catalogue)

Picasso to Koons: Artist as Jeweler, Museum of Art and Design, New York, September 20, 2011–January 8, 2012. (Catalogue)

TRA-The Edge of Becoming, Palazzo Fortuny, Venice, June 4–November 27, 2011. (Catalogue)

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2011. (Catalogue, text by Nancy E. Green)

2010

Sculpture: Twelve Independent Visions, Malborough, New York, December 2, 2010–January 22, 2011.

Sculpture, Waddington Galleries, London, October 5–30, 2010. (Catalogue)

Abstract Expressionist New York, The Museum of Modern Art, New York, October 3, 2010–April 25, 2011.

50 Years at Pace, The Pace Gallery, 534 West 25th Street, New York, September 17–October 23, 2010. (Catalogue)

Notorious & Notable: Twentieth Century Women of Style, Museum of the City of New York, New York, September 13–November 30, 2010.

I.G.Y., Marianne Boesky Gallery, New York, May 22–July 30, 2010.

1968, Locks Gallery, Philadelphia, May 7–June 11, 2010.

Reflection, Nathan A. Bernstein & Co., Ltd., New York, May 6–July 1, 2010. (Catalogue)

Mind and Matter: Alternative Abstractions, 1940s to Now, The Museum of Modern Art, New York, May 5–August 16, 2010.

Nevelson/Reinhardt: A Dialogue, Galerie Aurel Scheibler, Berlin, April 28–July 3, 2010.

Constructive Spirit: Abstract Art in South and North America, Newark Museum, New Jersey, February 17–May 23, 2010. (Catalogue)

On the Square, PaceWildenstein, New York, January 8–February 13, 2010.

2009

Spectacular Times: The 60s—The Moderna Museet Collection, Moderna Museet, Malmö, Sweden, December 26, 2009–February 27, 2011.

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

Abstract Expressionism: Further Evidence, Part Two: Sculpture, Michael Rosenfeld Gallery, New York, September 10-Ocotber 31, 2009. (Catalogue)

Adventures in Modern Art: The Charles K. Williams II Collection, Philadelphia Museum of Art, Pennsylvania, July 12–September 13, 2009. (Catalogue)

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

40th Anniversary Show, Pace Prints, New York, June 1–30, 2009.

With You I Want to Live: Contemporary Paintings, Sculpture and Photographs from Two Private Fort Lauderdale Collections—The Collection of Gordon Locksley + George T. Shea, Museum of Art, Nova Southeastern University, Fort Lauderdale, April 18, 2009–March 22, 2010. (Catalogue)

With You I Want to Live. Contemporary Paintings, Sculpture and Photographs from Two Private Fort Lauderdale Collections—The Collection of Francie Bishop Good + David Horvitz, Museum of Art, Nova Southeastern University, Fort Lauderdale, April 18–October 12, 2009. (Catalogue)

Elles@centrepompidou: Artistes femmes dans les collections du Centre Pompidou, Centré national d’art et de culture Georges Pompidou, Paris, May 27, 2009–May 24, 2010. (Catalogue)

Reflections/Refractions: Self-Portraiture in the Twentieth Century, National Portrait Gallery, Smithsonian Institution, Washington, D.C., April 10–August 16, 2009. (Catalogue; texts by Wendy Wick Reaves and Anne Collins Goodyear)

Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich, Connecticut, January 24–May 24, 2009. (Catalogue: texts by Nancy Hall-Duncan and Joan Pachner)

A Parallel Presence: National Association of Women Artists, 1889–2009, Voorhees Special Exhibition Galleries, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, January 17−April 12, 2009. Traveled to: UBS Art Gallery, New York, May 14−July 31, 2009. (Catalogue; text by Donna Gustafson)

2008

Wonder Women, Anita Shapolsky Gallery, New York, November 1, 2008–February 21, 2009.

American Artists from the Russian Empire, Fred Jones Jr. Museum, University of Oklahoma, Norman, October 4, 2008–January 4, 2009. Traveled to: State Russian Museum, St. Petersburg, February 19– May 25, 2009; State Tretyakov Gallery, Moscow, June 10–August 23, 2009; San Diego Museum of Art, California, October 10, 2009–January 3, 2010. (Catalogue)

Circa 1958: Breaking Ground in American Art, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, September 21, 2008–January 4, 2009. (Catalogue; text by Roni Feinstein)

Circa 1958: Breaking Ground in America, Ackland Art Museum, The University of North Carolina, Chapel Hill, September 12, 2008–January 4, 2009. (Catalogue)

The Hague Sculpture 2008: Freedom–American Sculpture, The Koninklijke Schouwburg, The Hague, The Netherlands, June 6–August 31, 2008. (Catalogue)

Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, May 1–June 21, 2008. Traveled to: Hauser & Wirth, Zürich, opened in June 2008

Masters of Abstraction, Anita Shapolsky Gallery, New York, May 6–July 4, 2008.

New York Cool: Painting and Sculpture from the NYU Art Collection, Grey Art Gallery, New York University, April 22–July 19, 2008. Traveled to: Palmer Museum of Art, Pennsylvania State University, University Park, September 16–December 14, 2008; University of Iowa Museum of Art, Iowa City, January 17–March 15, 2009; Bowdoin College Museum of Art, Brunswick, Maine, April 17–July 19, 2009, Hunter Museum of American Art, Chattanooga, Tennessee, August–October 2009. (Catalogue; text by Pepe Karmel)

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

Jesuvian Process, Elizabeth Dee Gallery, New York, January 19–February 16, 2008.

Corpus Exquis: The Human Form ca. 1605–2005, Cornell Fine Arts Museum Rollins College, Winter Park, Florida, January 19–May 20, 2008.

2007

The Crown Jewels, Salon 94, New York, December 12, 2007–January 5, 2008.

Collage, Russell Bowman Art Advisory, Chicago, November 16, 2007–January 5, 2008.

Salvaged, PaceWildenstein, 545 West 22nd Street, New York, June 28–July 27, 2007.

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

In Context: Collage + Abstraction, Pavel Zoubok Gallery, New York, May 31–August 10, 2007.

2006

The City of Winter Park: Art on the Green, City of Winter Park Art in Public Places, Florida, November 1, 2006–February 28, 2007. (Catalogue; text by Joyce Pomeroy Schwartz)

Group Sculpture, Rosenbaum Contemporary, Boca Raton, Florida, October 12–November 30, 2006.

VIP III: Arena der Abstraktion, Museum Morsbroich, Leverkusen, Germany, September 24–November 12, 2006.

A Century of Maine Prints: 1880s–1980s, Portland Museum of Art, Maine, September 9–December 10, 2006.

Postwar Directions: Abstract Expressionism to Minimalism, Museum of Contemporary Art, Los Angeles, July 22–October 9, 2006.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue; text by Germano Celant)

Le Noir est Une Couleur: Hommage Vivant à Aimé Maeght, Fondation Marguerite et Aimé Maeght, Saint-Paul, France, June 30–November 5, 2006.

Process and Promise: 75 Years of Art, Education and Community at the 92nd Street Y, The Milton J. Weill Art Gallery, 92nd Street Y, New York, May 12–June 2, 2006.

2005

Collecting for the Cause: Activist Art in the 1960s and ‘70s, Smart Museum of Art, University of Chicago, Illinois, December 17, 2005–March 12, 2006.

Continuum: Celebrating the 130th Anniversary of the Art Students League of New York, ACA Galleries, New York, October 15–November 26, 2005.

Salute to the 130th Anniversary of the Art Students League of New York: Paintings, Sculpture and Works on Paper from the 1930s, Washburn Gallery, New York, September 8–October 28, 2005.

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

On Paper: Prints and Drawings from the Collection, The Ulrich Museum of Art, Wichita, Kansas, June 25–August 7, 2005.

Eye Contact: Painting and Drawing in American Art, Michael Rosenfeld Gallery, New York, May 20–August 5, 2005.

Art in the Gardens, LongHouse Reserve, East Hampton, New York, April 30–September 24, 2005.

Over + Over: Passion for Process, Addison Gallery, Andover, March 10–April 20, 2005.

Spring Sculpture, Woodward Gallery, New York, March 3–April 23, 2005.

2004

Collective Perspectives: New Acquisitions Celebrate the Centennial, The Jewish Museum, New York, November 5, 2004–March 6, 2005.

An American Odyssey 1945/1880, Circulo de Bellas Artes, Madrid, April 13–May 30, 2004. Traveled to: Domus Artium 2002 (DA2), Salamanca, June 10–July 31 2004; Kiosco Alfonso, A Coruña, Spain, September 2–October 2, 2004; Queensborough Community College, City University of New York, Queens, New York, October 24, 2004–January 15, 2005; Weber Fine Art, Greenwich, Connecticut, October 15–November 30, 2005.

2003

Four Originals: Cassette, O’Keeffe, Nevelson and Frankenthaler, Nassau County Museum of Art, Roslyn Harbor, New York, September 21, 2003–January 4, 2004. (Catalogue)

FORM(ATION): Modern and Contemporary Works from the Feibes & Schmitt Collection, Charles R. Wood Gallery, The Hyde Collection, Glens Falls, New York, September 9–December 7, 2003.

Nevelson – Vari: A Dialogue, Nohra Haime Gallery, New York, May 7–June 28, 2003. (Catalogue)

Louise Nevelson – Hugo Weber: Werke der fünziger Jahre, Galerie Lutz & Thalmann, Zurich, March 14–May 3, 2003.

2002

True Grit: Seven Female Visionaries Before Feminism, Marsh Art Gallery, University of Richmond Museums, Virginia, August 21–September 29, 2002.

Moderna Museet c/o Magasin 3, Magasin 3 Stockholm Konsthall, Stockholm, March 23–June 16, 2002.

Inside Contemporary Sculpture, Scottsdale Museum of Contemporary Art, Arizona, January 19–April 21, 2002.

Women Artists: Their Work and Influence, 1950–70, Gallery Paule Anglim, San Francisco, January 9–February 2, 2002.

2001

The Cultural Desert: Art, Medicine & Environment, Mayo Clinic, Scottsdale, Arizona, November 29, 2001–April 22, 2002.

Abstraction: The Amerindian Paradigm, Palais des Beaux-Arts, Brussels, June 29–September 16, 2001. Traveled to: Instituto Valenciano de Arte Moderno, Valencia, Spain, October 18, 2001–January 7, 2002. (Catalogue)

Summer in the City, PaceWildenstein, New York, June 1–September 12, 2001.

The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta, March 3–May 27, 2001.

Women’s Works: A Retrospective of Public Artists in New York City Parks 1967–2001, Arsenal Gallery, New York, March 2–March 29, 2001.

2000

Sensual Lines: American Figurative Drawings, Michael Rosenfeld Gallery, New York, November 2, 2000–January 13, 2001.

Art in America: 2000, Art in Embassies Program: United States Embassy, Slovak Republic, September 2000–March 20, 2001.

Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, Flushing Meadows, New York, May 23–October 1, 2000. (Catalogue)

Welded Sculpture of the Twentieth Century, Neuberger Museum of Art, Purchase College, State University of New York, May 14–August 27, 2000. (Catalogue)

True Grit: Lee Bontecou, Louise Bourgeois, Jay DeFeo, Claire Falkenstein, Nancy Grossman, Louise Nevelson, Nancy Spero, Michael Rosenfeld Gallery, New York, March 9–May 6, 2000. (Catalogue; text by Arlene Raven)

1999

The American Century: Art and Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000.

Kunstwelten im Dialog: von Gauguin zur globalen Gegenwart, Museum Ludwig, Cologne, November 5, 1999–March 19, 2000.

Contemporary American Masters: The 1960s, Nassau County Museum of Art, Roslyn Harbor, New York, June 13–September 12, 1999.

Important Sculptors of the Twentieth Century, Stamford Sculpture Walk, Connecticut, June 1–August 31, 1999.

Influences: Selections from the Contemporary Collection of the Norton Simon Museum, Alyce de Roulet Williamson Gallery, Art Center College & Design, Pasadena, February 7–April 11, 1999. (Catalogue)

Berardo Collection 1917–1999, Centro Cultural de Belém, Lisbon, Portugal, January 28–April 30, 1999. (Catalogue)

Art and Industry: 20th Century Porcelain from Sèvres, American Craft Museum, New York, January 5–May 2, 1999.

1998

25th Anniversary Show, Schlossberg Fine Arts, Sherman Oaks, California, November 1–December 8, 1999.

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

Sculpture on the PPG Plaza, Three River Arts Festival, Pittsburgh, May 27–June 31, 1998.

Group show, PaceWildenstein, Los Angeles, March 12–April 4, 1998.

Portraits from the Collection of Michael Chow, PaceWildenstein, Los Angeles, February 14–28, 1998.

Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, Connecticut, February 10–July 31, 1998.

1997

Inaugural Exhibition Ace Gallery Mexico, Ace Gallery Mexico, Mexico City, September 9–November 15, 1997.

Landscape: The Pastoral to the Urban, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, June 15–August 23, 1997.

Going the Distance: A Generational Survey of Women Artists, Lawrence Gallery, Rosemont College, Pennsylvania, April 24–May 26, 1997.

1996

Contemporary Art/Recent Acquisitions, The Jewish Museum, New York, October 27, 1996–March 30, 1997.

Group exhibition, The Sculpture Garden at 590 Madison Avenue, New York, February–April 1996.

1995

Out of Wood: Arp, Calder, Cornell, Diller, Ernst, Joostens, Nevelson, Popova, Torres–Garcia, Rachel Adler Fine Art, New York, October 26–December 30, 1995.

Environmental Sculptures, Kukje Gallery, Seoul, Korea, August 22–October 22, 1995. (Catalogue)

Artist’s Choice: Elizabeth Murray: Modern Women, The Museum of Modern Art, New York, June 20–August 22, 1995.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, May 20–September 8, 1995.

Crossing State Lines: 20th Century Art from Private Collections in Westchester and Fairfield Counties, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, March 26–June 18, 1995.

Black & White and Read All Over, Lasalle Partners at NationsBank Plaza, Charlotte, North Carolina, January 16–October 31, 1995. (Catalogue)

1994

Group exhibition, Ho Gallery, Hong Kong, November 12–December 15, 1994.

The Box: From Duchamp to Horn, Ubu Gallery, New York, October 29–December 10, 1994.

Worlds in a Box, City Art Centre, Edinburgh, May 28–July 16, 1994. Traveled to: Graves Art Gallery, Sheffield, United Kingdom, July 30–September 24, 1994; Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, United Kingdom, October 10–November 30, 1994; Whitechapel Art Gallery, London, December 9, 1994–February 12, 1995. (Catalogue)

American Art in Italian Private Collections, American Academy in Rome, May 27–June 30, 1994. (Catalogue)

The Art of Assemblage: 1950–1960s, Locks Gallery, Philadelphia, May 18–June 30, 1994.

30 Years: Art in the Present Tense: The Aldrich's Curatorial History 1964–94, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

Sculpture, Nina Freudenheim Gallery, Buffalo, New York, January 22–March 2, 1994.

Sculptors’ Maquettes, PaceWildenstein, New York, January 14–February 12, 1994.

1993

In a Classical Vein: Works from the Permanent Collection, Whitney Museum of American Art, New York, October 21, 1993–April 3, 1994.

An Exhibition, Richard Gray Gallery, Chicago, October 15–November 13, 1993.

Summer group exhibition, The Pace Gallery, New York, June 28–September 10, 1993.

The Second Direction: Twentieth Century Sculptors’ Drawings, The Brooklyn Museum, Brooklyn, New York, June 24–September 19, 1993.

On Paper: The Figure in 20th Century American Art, Michael Rosenfeld Gallery, New York, June 10–July 30, 1993.

Sculptors On Paper, Linda Farris Gallery, Seattle, April 1–May 2, 1993.

1992

Age of Bronze, Ramnarine Gallery, Long Island City, New York, September 12–October 10, 1992.

Constructed Wood Sculpture, The Brooklyn Museum, New York, February 26–June 7, 1992.

De Kooning, Kline, Nevelson, Newman, Pollock, Reinhardt, Rothko, Smith, Still, The Pace Gallery, New York, January 10–February 8, 1992.

Arte Americana, 1930–1970, Lingotto, Turin, January 8–March 31, 1992.

Portraits, Plots, and Places: The Permanent Collection Revisited, Walker Art Center, Minneapolis, Minnesota, 1992.

1991

Sculptors’ Drawings, Bellas Artes, Santa Fe, November 27, 1991–January 4, 1992.

Ten Sculptors of the New York School, Manny Silverman Gallery, Los Angeles, November 21, 1991–January 11, 1992. (Catalogue)

Vision vom Raum: Kunst un Architektur von 1910 bis 1990, Galerie Gmurzynska, Cologne, November 15, 1991–January 31, 1992. (Catalogue)

Experiencing Sculpture: The Figurative Presence in America, 1870–1920, Hudson River Museum, Yonkers, New York, September 23, 1991–February 10, 1992.

Le Collage Au XXème Siecle, Musée d'Art moderne et d'Art contemporain, Nice, France, opened July 1991.

Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, June 29–August 12, 1991.

Black and White, Renée Fotouhi Fine Art, East Hampton, New York, June 14–July 9, 1991.

Masterworks of Contemporary Sculpture, Painting, and Drawing, the 1930s to the 1990s, Bellas Artes, Santa Fe, May 25–September 3, 1991.

Contemporary Art: Paintings and Prints from Various Private Collections and the Harn Museum of Art Collection, Samuel P. Harn Museum of Art, University of Florida, Gainesville, May 16–June 30, 1991.

Delaunay to de Kooning: Modern Masters from the Tremaine Collection and the Wadsworth Atheneum, Wadsworth Atheneum, Hartford, Connecticut, May–September 1991.

Painting a Place in America: Jewish Artists in New York, 1900–1945, The Jewish Museum, New York, May 16–September 29, 1991. (Catalogue)

The National Association of Women Artists: One Hundred Years, The Museums at Stony Brook, Stony Brook, New York, April 7–June 23, 1991.

Sculpture, The Pace Gallery, 142 Greene Street, New York, March 9–May 4, 1991.

Abstract Sculpture in America: 1930–1970. Organized by the American Federation of Arts, New York. Traveled to: Lowe Art Museum, Coral Gables, Florida, February 7–March 31, 1991; Museum of Arts and Sciences, Macon, Georgia, April 19–June 30, 1991; Akron Art Museum, Ohio, August 24–October 20, 1991; Fort Wayne Museum of Art, Indiana, November 9, 1991–January 4, 1992; Musée du Québec, Quebec City, January 25–March 21, 1992; Terra Museum of American Art, Chicago, April 11–June 7, 1992. (Catalogue)

20th Century Collage, Margo Leavin Gallery, Los Angeles, January 12–February 16, 1991.

Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, January 10–February 9, 1991. (Catalogue)

1990

Kunstlerinnen des 20. Jahrhunderts, Museum Weisbaden, Germany, September 1–November 25, 1990. (Catalogue; text by Volker Rattemeyer)

Painting and Sculpture, The Pace Gallery, 32 East 57th Street, New York, July 16–August 24, 1990.

Large-Scale Works by Gallery Artists and Sculpture and Painting, The Pace Gallery, 142 Greene Street, New York, July 16–August 31, 1990.

Two Decades of American Art: The 60s and 70s, Nassau County Museum of Art, Roslyn Harbor, New York, May 20–September 3, 1990. (Curated by Leo Castelli)

Portrait of an American Gallery: The Pace Gallery, Galerie Isy Brachot, Brussels, April 19–June 23, 1990. (Catalogue; text by Arnold Glimcher)

GegenwartEwigkeit: Spuren des transzendentren in der Kunst unserer Zeit, Martin-Gropius-Bau, Berlin, April l7–May 24, 1990.

Art in Europe and America: The 1950s and 1960s, Wexner Center for the Visual Arts, Ohio State University, Columbus, February 17–April 22, 1990.

Contemporary Illustrated Books: Word and Image, 1967–1988, Organzied by Independent Curators Incorporated, New York. Traveled to: Franklin Furnace Archive, Inc., New York, January 12–February 28, 1990; Nelson Atkins Museum of Art, Kansas City, Missouri, April 5–June 3, 1990; The University of Iowa Museum of Art, Iowa City, February 8–April 7, 1991. (Catalogue; text by Donna Stein)

1989

Contemporary Modern Master: Selected Works, Ron Hall Gallery, Dallas, 1989–1990.

Recent Acquisitions, Manny Silverman Gallery, Los Angeles, 1989.

Sculptors Draw the Nude, Luise Ross Gallery, New York, 1989–1990.

The Experience of Landscape: Three Decades of Sculpture, Whitney Museum of American Art, Downtown, Federal Reserve Plaza, New York, December 13, 1989–March 2, 1990.

Unrealism, Paul Kasmin Gallery, New York, December 5, 1989–January 6, 1990.

The Development of Sculptural Form: Auguste Rodin, Alexander Archipenko, Louise Nevelson, David Smith, Associated American Artists, New York, December 5–30, 1989. (Catalogue)

American Women Artist: The 20th Century, Knoxville Museum of Art, Tennessee, October 17, 1989–February 4, 1990, in conjunction with the Bennett Galleries, Knoxville, Tennessee, October 27–November 26, 1989. Traveled to: Queensborough Community College Art Gallery, Bayside, New York, March 11–April 5, 1990.

Boite Alerte; 1989, Renée Fotouhi Fine Art, New York, October 17–December 3, 1989.

Selections from the Collection of Marc & Livia Straus, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 25–October 8, 1989. (Catalogue)

Selections from the Collection of Marc and Livia Straus, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 24–October 8, 1989. (Catalogue)

Abstract Expressions: Paintings and Sculpture of the 50’s and 60’s, Vanderwoude Tananbaum Gallery, New York, April 20–May 1989.

The “Junk” Aesthetic: Assemblage of the 1950s and Early 1960s, Whitney Museum of American Art, Fairfield County, Connecticut, April 7–June 14, 1989. Traveled to: Whitney Museum of American Art and Equitable Center, New York, June 30–August 23, 1989. (Catalogue; text by Roni Feinstein)

1987

Contemporary American Collage 1960–1986, Herter Art Gallery, University of Massachusetts, Amherst, November 9–December 11, 1987. William Benton Museum of Art, University of Connecticut, Storrs, January 24–March 7, 1988; Lehigh University Galleries, Bethlehem, Pennsylvania, March 27–May 8, 1988; Butler Institute of American Art, Youngstown, Ohio, September 11–October 28, 1988; Kansas City Art Institute, Missouri, November 14–December 24, 1988; University Art Gallery, State University of New York, Albany, January 24–March 6, 1989; Nevada Institute for Contemporary Art, March 27–May 8, 1989. (Catalogue)

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles, July 11–August 22, 1987.

American Mastery: Eight Artists in the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, New York, June 8, 1987–May 21, 1988. (Catalogue)

Art Against AIDS, The Pace Gallery, New York, June 4–30, 1987. (Catalogue; text by Robert Rosenblum)

Standing Ground: Works by Women in Sculpture, Contemporary Arts Center, Cincinnati, Ohio, March 27–May 10, 1987. (Catalogue)

Modern and Contemporary Masters, Richard Gray Gallery, Chicago, January 31–March 7, 1987. (Catalogue)

1986

Contemporary Work from The Pace Gallery, University of Alabama, Moody Gallery of Art, Tuscaloosa, October 5–November 7, 1986.

Hans Hofmann and His Legacy, Lever/Meyerson Galleries, Ltd., October 15–December 12, 1986. (Catalogue)

Relief Sculpture from the Hirshhorn Museum Collection, Hirshhorn Museum and Sculpture Garden, Washington, D.C., January 26–April 13, 1986.

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

1985

Transformations in Sculpture: Four Decades of American and European Art, Solomon R. Guggenheim Museum, New York, November 22, 1985–February 16, 1986. (Catalogue; text by Diane Waldman)

Eight Modern Masters, Amarillo Art Center, Texas, April 20–June 23, 1985. (Catalogue)

1984

The Third Dimension: Sculpture of the New York School, Whitney Museum of American Art, New York, December 6, 1984–March 3, 1985. (Catalogue)

Abstract Paintings and Sculpture, Il Punto Blu Gallery, Southhampton, New York, November–December 1984.

A City Wide Contemporary Sculpture Exhibition: In Downtown Toledo, Toledo Museum of Art, Ohio, July 15–October 14, 1984. (Catalogue)

The Skowhegan Celebration Exhibition, Hirschl & Adler Modern, New York, May 1–31, 1984. (Catalogue)

Modern Sculpture from the Guggenheim, Allentown Art Museum, Pennsylvania, April 15, 1984–January 27, 1985. (Catalogue)

The Tremaine Collection: 20th Century Masters, the Spirit of Modernism, Wadsworth Atheneum, Hartford, Connecticut, February 26–April 29, 1984. (Catalogue)

American Women Artists (Part I), Sidney Janis Gallery, New York, January 12–February 4, 1984. (Catalogue)

1983

Group exhibition, Galerie des Femmes, Paris, November 1983–January 1984.

Nuclear Weapons Freeze Benefit Exhibition, Margo Leavin Gallery, Los Angeles, October 18, 1983.

Sculpture: The Tradition in Steel, Nassau County Museum of Fine Art, Roslyn Harbor, New York, October 9, 1983–January 22, 1984. (Catalogue)

Group exhibition, Maine Coast Artist Gallery, Rockport, June 22–July 10, 1983.

Changes, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 22-September 11, 1983. (Catalogue)

Spoleto Festival U.S.A., Gibbes Art Gallery, Charleston, South Carolina, May 20–September 15, 1983.

Nevelson and O’Keeffe: Independents of the Twentieth Century, Nassau County Museum of Fine Art, Roslyn Harbor, New York, January 30–April 10, 1983. (Catalogue)

1982

Women of the Americas: Emerging Perspectives, Center for Inter-American Relations Art Gallery and Kouros Gallery, New York, September 15–October 17, 1982. (Catalogue)

XXV Festival of Two Worlds, Spoleto, Italy, June–July 1982.

Artists Choose Artists, CDS Gallery, New York, April 15–June 12, 1982.

1981

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Connecticut, September 4–October 14, 1981.

Large or Small, Bronze or Wood, Painted or Plain: Problems and Solutions in Sculpture, Chrysler Museum, Norfolk, Virginia, July 9–September 13, 1981. (Catalogue)

Sculpture and its Related Drawings, Marisa del Re Gallery, New York, March 3–31, 1981.

1980

Group Exhibition of Gallery Artists, The Pace Gallery, New York, December 17, 1980–January 24, 1981.

Ten American Artists from the Pace Gallery, Wildenstein Gallery, London, June 18–July 18, 1980. (Catalogue)

Eleventh International Sculpture Conference, Corcoran Gallery, Washington, D.C., June 3–September 15, 1980.

Sculptures on the Wall: Relief Sculpture of the Seventies: Lynda Benglis, John Chamberlain, Bryan Hunt, Donald Judd, Ellsworth Kelly, Robert Morris, Louise Nevelson, George Segal, Frank Stella, University Gallery, University of Massachusetts, Amherst, March 29–May 4, 1980. (Catalogue)

1979

Vanguard American Sculpture: 1913–1939, Rutgers University, New Brunswick, New Jersey, September 16–November 4, 1979. Traveled to: William Hayes Ackland Art Center, University of North Carolina, Chapel Hill, North Carolina, December 4, 1979–January 20, 1980. (Catalogue)

Sculpture in the Age of Painting, 1943–1957, Whitney Museum of American Art, Downtown, New York, September 12-October 17, 1979.

Summer 1979: An Exhibition of Selected Acquisitions, Margo Leavin Gallery, August 4–September 15, 1979.

The Artist at Work in America, (travelling exhibition to Romania organized by the International Communications Agency), May–August 1979.

Works on Paper U.S.A., Rockland County Center for the Arts, West Nyack, New York, April 8–May 20, 1979. (Catalogue)

Gloria F. Ross Tapestries, Mount Holyoke College Art Museum, South Hadley, Massachusetts, March 29–April 27, l979.

Collage: American Masters of the Medium, The Montclair Art Museum, New Jersey, March 25–June 24, 1979.

Women's Caucus for Art Honors Bishop, Burke, Neel, Nevelson, O’Keeffe, Middendorf/Lane Gallery, Washington, D.C., January 30–March 3, 1979. (Catalogue)

1978

Grids: Format and Image in 20th Century, The Pace Gallery, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Institute, Ohio, March 24–May 7, 1979. (Catalogue)

Sculpture: Modern Works, Philbrook Art Center, Tulsa, Oklahoma, October 15–November 23, 1978.

L’Espace en Demeure: Louise Nevelson, Marie-Hélène Vieira da Silva, Magdalena Abakanowicz, Galerie Jeanne Bucher, Paris, October 11–November 18, 1978. (Catalogue)

Perspective ’78: Works by Women, Freedman Gallery, Albright College, Reading, Pennsylvaniam October 8–November 15, 1978. (Catalogue)

Monuments and Monoliths: A Metamorphosis, The Nassau County Museum of Fine Arts, Roslyn, New York, September 24–December 3, 1978. (Catalogue)

Sculpture: A Study in Materials, Storm King Art Center, Mountainville, New York, May 17–October 30, 1978. (Catalogue)

The Fourteenth Annual Art Show: “Collage 1978”, Goddard-Riverside Community Center, New York, April 21–May 9, 1979.

Selected 20th Century American Nudes, Harold Reed Gallery, New York, Februray 16–March 4, 1978. (Catalogue)

1977

Recent Works on Paper by American Artists, Madison Art Center, Wisconsin, December 4, 1977–January 15, 1978. (Catalogue)

Two Decades 1957–1977, American Sculpture from Northwest Collections, Museum of Art, Washington State University, Pullman, October 7–November 18, 1977. (Catalogue)

Fall 1977: Contemporary Collectors, The Aldrich Museum of contemporary art, Ridgefield, Connecticut, September 25–December 18, 1977. (Catalogue)

Ferrara, Lichtenstein, Nevelson, Ryman, Sarah Lawrence Gallery, Bronxville, New York, September 15–October 9, 1977.

Drawing and Collage: Selections from the New York University Art Collection, Grey Art Gallery and Study Center, New York University, New York, June 1–July 1, 1977. (Catalogue)

By Women, The Culture Institute, East-West Center, Honolulu, February 28–March 5, 1977. (Catalogue)

3 Villes, 3 Collections : Grenoble, Marseille, Saint-Étienne ... l’Avant-Garde, 1960–1976, Musée Cantini, Marseille, February–March 1977. Traveled to: Musée de Peinture et de Sculpture, Grenoble, April–May 1977; Musée d’art et d’industrie, Saint-Étienne, 1977, Centre national d’art et de culture Georges Pompidou, Paris, Fall 1977. (Catalogue)

1976

Perspective 1976, Freedman Art Gallery of Albright College, Reading, Pennsylvania, November 1–December 15, 1976. (Catalogue)

Seven Decades of MacDowell Artists, John Yu Gallery, New York, October 24–28, 1976. (Catalogue)

The Modern Figure: Works on Paper, Maurice M. Pine Free Public Library, Fair Lawn, New Jersey, October 24–November 14, 1976. (Catalogue)

Art Students League of New York, 1876–1976, Druckgraphik, Walther-Rathenau-Saal des Rathauses Wedding, Berlin, September 31–October 2, 1976. (Catalogue)

Ambiente/Arte, La Biennale di Venezia, Padiglione centrale ai giardini di Castello, Venice, July 14–October 10, 1976 (Catalogue)

Critical Perspectives in American Art, United States Pavilion, 37th International Art Exhibition, Venice Biennale, July–October 1976. The exhibition was originated by the Art Department of the University of Massachusetts at Amherst before being sent to Venice, in somewhat revised form. (Catalogue, text by Sam Hunter, Rosalind Krauss and Marcia Tucker)

Autres Dimensions: Collages, Assemblages, Reliefs, Galerie Beyeler, Basel, June–September 1976. (Catalogue)

200 Years of American Sculpture, Whitney Museum of American Art, New York, March 16–September 26, 1976. (Catalogue; text by Tom Armstrong)

The Photographer and The Artist, Sidney Janis Gallery, New York, February 7–March 6, 1976. (Catalogue)

1975

Sculpture: American Directions, 1945–1975, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., October 23–November 30, 1975. (Catalogue)

The Jewish Experience in the Art of the Twentieth Century, The Jewish Museum, New York, October 16, 1975–January 25, 1976. (Catalogue)

Tapestries: Aubusson and Gobelin, Anuszkiewicz, Avery, Bearden, Gottlieb, Held, Jenkins, Marca-Relli, Motherwell, Nevelson, Youngerman. Edited by Gloria F. Ross, Pace Editions, New York, opened September 20, 1975.

Women in America: The Second Hundred Years, The Hudson River Museum, Yonkers, New York, September 13–November 16, 1975.

One Hundred Prints By 100 Artists of the Art Students League of New York, 1875–1975, Associated American Artists, New York, April 22–May 17, 1975. (Catalogue)

Third Triennale India, Lalit Kala Akademi, New Delhi, February 3–5, 1975. (Catalogue)

Five Americans: Alexander Calder, Joseph Cornell, Louise Nevelson, Isamu Noguchi, David Smith, The Pace Gallery, New York, January 11–February 22, 1975. (Catalogue)

1974

From Reliable Sources: An Exhibition of Letters, Photographs, and Other Documents from the Collections of the Archives of American Art, Gallery of the Archives of American Art, Washington, D.C., 1974–1975. (Catalogue)

Monumenta: A Biennial Exhibition of Outdoor Sculpture, Newport, Rhode Island, August 17–October 13, 1974. (Catalogue; text by Sam Hunter)

Sculpture in the Park, Van Saun Park, Paramus, New Jersey, June 15–October 20, 1974.

The Twentieth Century: 35 American Artists, Whitney Museum of American Art, New York, June–September 1974.

Berenice Abbott, Helen Frankenthaler, Tatyana Grossman, Louise Nevelson, Smith College Museum of Art, Northampton, Massachusetts, January 17–February 24, 1974. (Catalogue)

Fifteen American Artists, Galerie Denise René, Paris, January 1974.

1973

Segunda Bienal Americana de Artes Gráficas, Museo de Arte Moderno La Tertulia, Cali, Columbia, 1973. (Catalogue)

Three Sculptors: Calder, Nevelson, David Smith, Whitney Museum of American Art, Downtown, New York, December 5, 1973–January 3, 1974.

Jewelry As Sculpture As Jewelry, Institute of Contemporary, Boston, November 28–December 21, 1973. (Catalogue)

American Art Mid-Century, National Gallery of Art, Washington, D.C., October 28, 1973–January 6, 1974. (Catalogue)

Selections from the Collection, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 16–December 16, 1973. (Catalogue)

American Art: Third Quarter Century, Seattle Art Museum, Washington, August 22–October 14, 1973. (Catalogue; text by Jan Van der Marck)

Graphic Exhibition, Pace/Columbus, Ohio, February 10–March 10, 1973.

Biennial Exhibition: Contemporary American Painting and Sculpture, Whitney Museum of American Art, New York, January 10–March 18, 1973.

Group exhibition, The Pace Gallery, New York, January 7–February 10, 1973.

1972

Prints: Natioinal Invitational, Anchorage Historical and Fine Arts Museum, December 6–31, 1972. (Brochure)

The 8th International Biennial Exhibition of Prints, The National Museum of Modern Art, Tokyo, November 16–December 20, 1972. Traveled to: The National Museum of Modern Art, Kyoto, February 7–March 15, 1973. (Catalogue)

American Women: 20th Century, Lakeview Center for the Arts and Sciences, Peoria, Illinois, September 15–October 29, 1972. (Catalogue)

Tapestries by Gloria F. Ross and Noland, Motherwell, Frankenthaler, Davis, Youngerman, Stell, Gottlieb, Smith, Louis, Nevelson, Poons, Goodnough, Feeley, Trova, Pace Editions, New York, September 23–October 25, 1972

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 17–December 17, 1972. (Catalogue)

Immagine per la Citta’, Palazzo dell’Accademia, Palazzo Reale, Genova, Italy, April 8–June 11, 1972. (Catalogue)

1971

White on White: The White Monocrhome in the 20th Century, Museum of Contemporary Art, Chicago, December 18, 1971–January 30, 1972. (Catalogue; texts by Stephen S. Prokopoff and Robert Pincus-Witten).

ROSC ’71: The Poetry of Vision, Royal Dublin Society, October 24–December 29, 1971. (Catalogue)

Monumental Sculpture in Public Spaces, Institute of Contemporary Art (City Hall Plaza), Boston, October 2–November 14, 1971.

Alexander Calder, Louise Nevelson, David Smith, Society of the Four Arts, Palm Beach, Florida, March 6–April 5, 1971. (Catalogue)

Contemporary Selections 1971, Birmingham Museum of Art, Alabama, January 24–February 20, 1971. (Catalogue)

1970

Pace in Los Angeles, Margo Leavin Gallery, Los Angeles, December 4, 1970–January 31, 1971.

Pittsburgh International Exhibition of Contemporary Art, Carnegie Institute, Pittsburgh, October 30, 1970–January 10, 1971.

American Art Since 1960, Princeton University Art Museum, New Jersey, May 6–27,

1970.

Expo ‘70, United States Pavilion, Japan World Exhibition, Osaka, March 15–September 13, 1970.

1969

A Plastic Presence, The Jewish Museum, New York, November 19, 1969–January 4, 1970. Traveled to: Milwaukee Art Center, Wisconsin, January 30–March 8, 1970; San Francisco Museum of Art, California, April 24–May 24, 1970. (Catalogue)

Graphic and Sculpture Exhibition, The American Academy of Arts and Letters, New York, November 14–December 23, 1969.

Twentieth-Century Art from the Nelson Rockefeller Collection, The Museum of Modern Art, New York, May 26–September 1, 1969.

Tamarind: Homage to Lithography, The Museum of Modern Art, New York, April 29–June 30, 1969. (Catalogue; texts William Lieberman and Virginia Allen)

1968

Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 17, 1968–February 9, 1969.

Benefit Exhibition: Art for the Moratorium, Leo Castelli Gallery, New York, December 11–13, 1969.

Art of the 60s: Selections from the Collection of Hanford Yang, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 29–December 22, 1968. (Catalogue)

Documenta IV, Kassel, West Germany, June 27–October 6, 1968. (Catalogue)

Hightlights of the 1967–68 Art Season, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 16–September 15, 1968. (Catalogue)

Suites: Recent Prints, The Jewish Museum, New York, March 14–September 2, 1968. (Brochure)

Freedom and Order, Allen County Museum, Lima, Ohio, January 12–February 11, 1968.

1967

Guggenheim International Exhibition: Sculpture from Twenty Nations, Solomon R. Guggenheim Museum, New York, October 20, 1967–February 4, 1968. Traveled to: The Art Gallery of Ontario, Toronto, February–March 1968; The National Gallery of Canada, Ottawa, April–May 1968; Montreal Museum of Fine Arts, Canada, June–August 1968. (Catalogue)

180 Beacon Collection of Contemporary Art, 180 Beacon Street, Boston, opened October 1967. (Catalogue)

Sculpture in Environment, City of New York Arts Festival, New York, October 1–31, 1967. (Catalogue)

Contrasts, Hanover Gallery, London, July 26–August 26, 1967. (Catalogue)

Sculpture: A Generation of Innovation, The Art Institute of Chicago, June 23–August 27, 1967. (Catalogue)

The Helen W. & Robert M. Benjamin Collection, Yale University Art Gallery, New Haven, Connecticut, May 4–June 18, 1967. (Catalogue)

Dix ans d’art Vivant, 1955–1965, Fondation Maeght, Saint-Paul, France, May 3–July 23, 1967. (Catalogue)

American Sculpture of the ‘60s, Los Angeles County Museum of Art, April 28–June 25, 1967. Traveled to: Philadelphia Museum of Art, September 15–October 29, 1967.

1966

Annual Exhibition: Contemporary Sculpture and Prints, Whitney Museum of American Art, New York, December 6, 1966–February 5, 1967. (Catalogue)

The First Flint Invitational, Flint Institute of Arts, Michigan, November 4–December 1, 1966. (Catalogue)

Homage to Silence, or Metaphysika, Albert Loeb and Krugier Gallery, New York, October 18–November 19, 1966.

Contemporary Painters and Sculptors as Printmakers, The Museum of Modern Art, New York, September 15-October 28, 1964. (Catalogue)

68th American Exhibition, The Art Institute of Chicago, August 19–October 16, 1966. (Catalogue)

The Harry N. Abrams Family Collection, The Jewish Museum, New York, June 29–September 5, 1966. (Brochure)

The Poetic Image, Hanover Gallery, London, June 28–September 9, 1966.

Recent Works: Nevelson, Trova, Paolozzi, J. L. Hudson Gallery, Detroit, May 20–June 30, 1966. (Brochure)

1965

Box Show, Byron Gallery, New York, February 3–27, 1965.

Contemporary Art Acquisitions 1962–65, Albright-Knox Art Gallery, Buffalo, New York, 1965.

Art, an Environment for Faith: An Exhibition of Contemporary Art Presented by the Union of American Hebrew Congregations on the Occasion of Its 48th General Assembly, San Francisco Museum of Art, November 15–December 15, 1965. (Catalogue)

Black and White, Eleanor Rigelhaupt Gallery, Boston, October 9–November 11, 1965

Contemporary Wall Sculpture and Boxes, Museum of Art, Rhode Island School of Design, Providence, September 23–October 17, 1965. (Catalogue)

Highlights of the 1964–1965 Season, Larry Aldrich Museum, Ridgefield, Connecticut, July 11–September 19, 1965. (Catalogue)

États-Unis, sculptures du XXe siècle, Musée Rodin, Paris, June 22–October 10, 1965.

Sculpture: Twentieth Century, Dallas Museum of Fine Art, May 12–June 13, 1965. (Catalogue)

Collages and Constructions: International 4: Burri, Nevelson, Tápies, and Van Leyden, Martha Jackson Gallery, New York, April 6–May 3, 1965. (Brochure)

Women Artists of America 1707–1964, The Newark Museum, New Jersey, April 2–May 16, 1965. (Catalogue: text by William H. Gerdts)

Critic’s Choice: Art since World War II, 1965 Kane Memorial Exhibition, Providence Art Club, Brown University, Rhode Island, March 31–April 24, 1965. (Catalogue)

24th Annual Exhibition, Federation of Modern Painters and Sculptors, Lever House, New York, January 10–24, 1965.

1964

Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art, New York, December 9, 1964–January 31, 1965. (Catalogue)

Pittsburgh International Exhibition of Contemporary American Sculpture, Carnegie Institute, Pittsburgh, October 30, 1964–January 10, 1965.

The Artist’s Reality, New School Art Center, New York, October 14–November 14, 1964.

Documenta III, Kassel, West Germany, June 27–October 5, 1964. (Catalogue)

Between the Fairs: 25 Years of American Art, 1939–1964, The Whitney Museum of American Art, New York, June 24–September 23, 1964. (Catalogue; text by John I.H. Baur)

Boston Collects Modern Art, Rose Art Museum, Brandeis University, Waltham, Massachusetts, May 24–June 14, 1964.

Painting and Sculpture of a Decade 54–64, Tate Gallery (Goulbenkian Foundation), London, April 22–June 28, 1964. (Catalogue)

Nevelson, Galatea – Galleria d’Arte Contemporanea, Turin, April 8–May 3, 1964. (Catalogue)

Boxes, Dwan Gallery, Los Angeles, February 2–29, 1964. (Catalogue)

159th Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, January 25–March 1, 1964. (Catalogue)

Sculpture/Prints/Drawings by Sculptors, Martha Jackson Gallery, New York, January 4–25, 1968.

New York Painting, Ferus Gallery, Los Angeles, January 1964.

1963

Sculpture 1963, Sculptors Guild at Lever House, New York, October 22–November 21, 1963. (Catalogue)

32 Americans, i Gallery, La Jolla, June 30–July 28, 1963.

1er Salon International De Galeries-Pilotes, Musée Cantonal Des Beaux-Arts, Lausanne, June 20–September 22, 1963. (Catalogue)

Eleventh Exhibition of Contemporary American Painting and Sculpture 1963, Krannert Art Museum. College of Fine and Applied Arts, University of Illinois, Urbana, March 3–April 7, 1963. (Catalogue)

1962

Annual Exhibition: Contemporary Sculpture and Drawings, Whitney Museum of American Art, New York, December 12, 1962–February 3, 1963. (Catalogue).

Sculpture International, Martha Jackson Gallery, New York, November 23–December 29, 1962.

Six Sculptors: Peter Agostini, Lee Bontecou, César, John Chamberlain, Edward Higgins and Louise Nevelson, Dwan Gallery, Los Angeles, October 16–November 1961.

The Private Myth, Tanager Gallery, New York, October 6–26, 1961. (Brochure)

Modern Sculpture from the Joseph H. Hirshhorn Collection, Solomon R. Guggenheim Museum, New York, October 3, 1962–January 6, 1963.

First International Sculpture Exhibition, Centro de Artes Visuales del Instituto Torcuato di Tella, Buenos Aires, July 10–August 12, 192. Traveled.

2 Pittori, 2 Scultori, XXXI Biennale Internazionale d'Arte, The United States Pavilion, Venice, June 16–October 7, 1962. (Catalogue)

Artisti Americani, Notizie: Associazione Arti Figurative, Turin, opened June 8, 1962. (Catalogue)

The Closing Show: Tanager Gallery, 1952–1962, Tanager Gallery, New York, May 25–June 14, 1962.

Art Since 1950, Seattle’s World’s Fair, Washington, April 21–October 21, 1962. (Catalogue)

Spring Exhibition, Wadsworth Atheneum, Hartford, Connecticut, April 11–May 25, 1962.

Women Artists in America Today, Mount Holyoke College, South Hadley, Massachusetts, April 10–30, 1962.

65th American Exhibition: Some New Directions in Contemporary Paintings and Sculpture, The Art Institute of Chicago, January 5–February 18, 1962. (Catalogue)

1961

Twenty-First Annual Exhibition, Federation of Modern Painters and Sculptors, Riverside Museum, New York, November 12–December 10, 1961.

Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, October 27, 1961–January 7, 1962. (Catalogue)

The Private Myth, Tanager Gallery, New York, October 6–26, 1961. (Catalogue)

Mechanism and Organism: An International Sculpture Exhibition, The Courtyard, The New School Art Center, The New School for Social Research, New York, October 5–27, 1961. (Catalogue)

The Art of Assemblage, The Museum of Modern Art, New York, October 2–November 12, 1961. Traveled to: Dallas Museum of Contemporary Arts, Texas, January 9–February 11, 1962; San Francisco Museum of Art, California, March 5–April 16, 1962. (Catalogue; text by William Seitz)

Painting and Sculpture of Thirty Famous American Artists, Dord Fitz Gallery, Amarillo, Texas, June 17–July 16, 1961.

Paintings and Sculpture, Daniel Cordier and Michel Warren, Inc., New York, May 9–10, 1961.

New Directions, The Pace Gallery, Boston, January 3–23, 1961.

1960

The Enormous Room III, Martha Jackson Gallery, New York, opened December 7, 1960.

Annual Exhibition: Contemporary Sculpture and Drawings, Whitney Museum of American Art, New York, December 6, 1960–January 22, 1961. (Catalogue)

AEA, Artists Equity Association, New York Chapter Headquarters, New York, November 1–23, 1960.

Twentieth Annual Exhibition, Federation of Modern Painters and Sculptors, Riverside Museum, New York, October 30–November 27, 1960.

Sculpture 1960, Lever House, New York, October 18–November 6, 1960. (Catalogue)

Aspects de la Sculpture Américaine, Galerie Claude Bernard, Paris, September 30–October 31, 1960.

Sculptors of the Region, Guild Hall, East Hampton, New York, July 3–September 12, 1960.

New Forms - New Media I, Martha Jackson Gallery, New York, June 6–24, 1960. (Catalogue)

70th Anniversary Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 12–29, 1960.

Homage to Albert Camus, Stuttman Gallery, New York, May 4-May 28, 1960.

Sculptors’ Drawings, Stephen Radich Gallery, New York, April 26–May 21, 1960.

Modern Classicism, David Herbert Gallery, New York, February 8-27, 1960.

Fourteen New York Artists, Ferus Gallery, Los Angeles, January 18–February 13, 1960.

One Color, Camino Gallery, New York, January 16–February 20m, 1960.

1959

Sixteen Americans, The Museum of Modern Art, New York, December 16, 1959–February 15, 1960. (Catalogue)

63rd American Exhibition, The Art Institute of Chicago, December 2, 1959–January 31, 1960.

Work in Three Dimensions, Leo Castelli Gallery, New York, October 20–November 7, 1959.

Surrealism: Imagery to Reality, Gres Gallery, Washington, D.C., September 30–October 27, 1959.

Invitation Annual: Show of Painting and Sculpture, James Gallery, New York, May 8–28, 1957.

67th Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 7–24, 1959.

Art U.S.A., New York Coliseum, New York, April 3–19, 1959. (Catalogue; text by Lee Nordness)

Sixty-Ninth Annual: Nebraska Art Association on the occasion of the Lincoln Centennial, University Galleries, The University of Nebraska, Lincoln, March 1–31, 1959. (Catalogue)

1958

Miniatures ’58, Workshop Gallery, New York, December 9, 1958–January 10, 1959.

Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, December 5, 1958–February 8, 1959. (Catalogue)

Pierre Omcikous, Louise Nevelson, Batta Mihailovitch, Galerie Jeanne Bucher, Paris, October 14–November 8, 1958.

Contemporary Sculpture Show, Tamiment-in-the-Poconos, Tamiment, Pennsylvania, August 1958.

Sculpture: Outdoor Exhibition in a Garden, 48 West 10 Street, New York, May 19–June 8, 1958.

New Year in Review, Grand Central Moderns, New York, opened January 28, 1958.

Nature in Abstraction: The Relation of Abstract Painting and Sculpture to Nature in Twentieth Century–American Art, Whitney Museum of American Art, New York, January 14–March 16, 1958. Traveled to: Phillips Gallery, Washington, D.C., April 2–May 4, 1958; Fort Worth Art Center, Texas, June 2–June 29, 1958; Los Angeles County Museum, California, July 16–August 24, 1958; San Francisco Art Museum of Art, California, September 10–October 12, 1958; Walker Art Center, Minneapolis, October 29–December 14, 1958; City Art Museum of St. Louis, Missouri, January 7–February 8, 1959. (Catalogue; text by John I.H. Baur)

1957

Directions in Sculpture: Eighty Works in Fourteen Groups, Riverside Museum, New York, December 1–22, 1957.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, November 20, 1957–January 12, 1958.

Seventeenth Annual Exhibition, Federation of Modern Painters and Sculptors, The Silvermine Guild of Artists, New Canaan, Connecticut, September 29–October 25, 1957.

New Sculpture Group, Sixth Exhibition, Stable Gallery, New York, September 19–October 14, 1957.

Sculpture 1957: Outdoor Exhibition, Roosevelt Shopping Center, Garden City, New York, July–August 1957.

65th Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 9–May 26, 1957.

New York Artists Sixth Annual Exhibition, Stable Gallery, New York, May 7–June 21, 1957.

21st Annual Exhibition: American Abstract Artists, The Contemporaries, New York, April 22–May 11, 1957.

16th Annual National Exhibition: The Painters and Sculptors Society of New Jersey, Jersey City Museum, March 25–April 13, 1957.

The Old and the New, Grand Central Moderns, New York, March 9–27, 1957.

Sixty-Seventh Annual: Nebraska Art Association, University Galleries, The University of Nebraska, Lincoln, February 24–March 24, 1957. (Catalogue)

LXII American Exhibition, The Art Institute of Chicago, January 17–March 3, 1957. (Catalogue)

1956

Modern Sculpture (organized by Westport Community Art Association), Leonid Kippis Gallery, Westport, Connecticut, November 18–30, 1956.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, November 14, 1956–January 6, 1957. (Catalogue)

Sixteenth Annual Exhibition, Federation of Modern Painters and Sculptors, Riverside Museum, New York, November 4–25, 1956.

Tenth Anniversary Exhibition, Grand Central Moderns, New York, October 23–November 14, 1956. (Brochure)

American Sculpture Today, The Virginia Museum of Fine Arts, Richmond, September 28–October 21, 1956. (Catalogue)

June Salon: 120 Sculptors – Painters, Camino Gallery, New York, June 1–June 22, 1956.

Fifth Annual Exhibition of Paintings and Sculpture, Stable Gallery, New York, May 22–June 16, 1956.

Rosa Boris, Theodore Fried, Louis Harris, Mary Mintz Koffler, Louise Nevelson, Renée, Pietrantonio Galleries, New York, May 22–June 12, 1956.

Sculpture In a Garden, 48 West 10th Street, New York, May 14–June 3, 1956.

Outlook 1956: Gallery Group Show, Grand Central Moderns, New York, April 28–May 12, 1956.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, April 18–June 10, 1956. (Catalogue)

American Abstract Artists 20th Annual Exhibition with “Painters Eleven of Canada,” Riverside Museum, New York, April 8–May 20, 1956.

Downtown Community School, New York, March 15–17, 1956.

4 New York Artists: Ben-Shmuel, Nevelson, Simpson, Walinska, Bodley Gallery, New York, January 4–21, 1956.

1955

Graphic Gala: Seeing Art Through The Eye 1955, The Artist’s Gallery, New York, 1955.

Mid Season Group: Recent Work by Gallery Members, Grand Central Moderns, New York, November 17–December 9, 1955.

Fifteenth Annual Exhibition, Federation of Modern Painters and Sculptors, Riverside Museum, New York, November 13–December 4, 1955.

Sculpture 1955: Outdoor Exhibition, Sculptors Guild, Fifth Avenue at 89th Street, New York, June–September 1955.

63rd Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 12–29, 1955. (Brochure)

Fourth Annual Exhibition of Paintings and Sculpture, Stable Gallery, New York, April 26–May 21, 1955. (Brochure)

Group Show, Regina Art Gallery, New York, March 27–April 10, 1955.

40 Artists Equity Members, John Myers Gallery 21, New York, March 15–April 22, 1955.

Fourteenth Annual Exhibition, Federation of Modern Painters and Sculptors, New York, February 28–March 12, 1955. (Catalogue)

1954

Sculpture 1954: Sculptors Guild Annual, The American Museum of Natural History, New York, 1954.

Summer Exhibition of Painters and Sculptors, Gallery 29, New York, June 26–July 22, 1954.

“The 15,” Gallery 256, New York, July 2–21, 1954.

Fifth New England Exhibition: The Silvermine Guild for Artists, New Canaan, Connecticut, June 6–July 4, 1954. (Brochure)

62nd Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 13–30, 1954. (Brochure)

Eighth National Print Annual, The Brooklyn Museum, New York, April 28–June 27, 1924. (Brochure)

Ceramics Today, 60th Annual Exhibition, New York Society of Ceramic Arts, The American Museum of Natural History, New York, February 19–March 9, 1954.

Members of the League of Present Day Artists Group Show, Gallery 75, New York, February 1–28, 1954.

Audubon Artists 12th Annual, National Academy Galleries, New York, January 21–February 27, 1954. (Brochure)

1953

Thirteenth Annual Exhibition of Painters and Sculptors (organized by The League of Present Day Artists), Riverside Museum, New York, November 8–29, 1953.

29th Annual Exhibition, New York Society of Women Artists, Riverside Museum, New York, October 11–December 1, 1953. (Brochure)

Fourth New England Exhibition: The Silvermine Guild for Artists, New Canaan, Connecticut, June 14–July 6, 1953. (Brochure)

Fluid Space, Grace Borgenicht Gallery, New York, June 4–June 30, 1953.

Seventh Annual Exhibition, Creative Art Associates, Riverside Museum, New York, May 10–May 29, 1953. (Brochure)

Contemporary American Paintings, Downtown Community School, New York, May 1–3, 1953.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, April 9–May 29, 1953.

Second National Exhibition of Prints, Department of Fine Arts, The University of Southern California, Los Angeles, April 5–May 3, 1953.

61st Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, April 1953.

Sculpture: Cima, Geist, Nevelson, Stankiewicz, Wiener, Hacker Gallery, New York, March 16–April 11, 1953.

Sculpture: The Tumultuous Quarter-Century; From Clay Club to Sculpture Center, The Sculpture Center, New York, March 15–April 18, 1953. (Catalogue)

“Living with Ceramics:” 59th Annual Exhibition, New York Society of Ceramic Arts, The American Museum of Natural History, New York, February 4–February 29, 1954. (Brochure)

Sculpture by Members of the National Association of Women Artists, Argent Gallery, New York, February–March 20, 1953.

148th Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, January 25–March 1, 1953. (Catalogue)

“Living with Ceramics:” 58th Annual Exhibition, New York Society of Ceramic Art, The American Museum of Natural History, New York, January 23–February 10, 1953. (Brochure)

Guest Sculptors Group Show, Grand Central Moderns, New York, January 3–24, 1953.

Third Annual Exhibition of Painting and Sculpture, Stable Gallery, New York, January 27–February 20, 1953. (Brochure)

1952

Painting and Sculpture, Lynn Kottler Gallery, New York, December 20, 1952–January 9, 1953. (Brochure)

28th Annual Exhibition, New York Society of Women Artists, Riverside Museum, New York, December 9–December 23, 1952. (Brochure)

82 Sculptors, Artists Equity Association, New York, November 17–December 2, 1952.

60th Annual Exhibition, National Association of Women Artists, National Academy Galleries, New York, May 2–May 18, 1952.

Artists Equity Association New York Chapter, Kaufmann Gallery, YM & YWHA, New York, April 13–30, 1952.

Loan Exhibition of Seventy XXth Century American Paintings, Wildenstein, New York City, February 21–March 22, 1952. (Catalogue)

Louise Nevelson: Sculpture, Marv Horowitz: Drawings, Harry Mathes: Collages, Gallery 99, New York, January 6–26, 1952.

1951

Art Show, Downtown Community School, New York, December 7–9, 1951.

6th Annual Exhibition: Creative Arts Association, Riverside Museum, New York, December 2–23, 1951.

Fluid Space: Painting and Sculpture, Grace Borgenicht Gallery, New York, June 4–30, 1951.

Exhibition of Paintings and Sculpture by Members of the New York Chapter of Artists Equitity Association for the Building Fund, Whitney Museum of American Art, New York, May 28–June 10, 1951.

Nature Forms in Art, 57th Annual Exhibition, New York Society of Ceramic Arts, The American Museum of Natural History, New York, March 13–April 3, 1951. (Brochure)

Sixty-First Annual: Nebraska Art Association, University Galleries, The University of Nebraska, Lincoln, March 4–April 1, 1951.

1950

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, April 1–May 28, 1950. (Catalogue)

1949

Sculpture 1949, Clay Club Sculpture Center, New York, December 12, 1949–January 14, 1950.

Graphic Work: Avery, Constant, Lekakis, Nevelson, Greiss Gallery, New York, December 3–20, 1949. (Brochure)

1948

Art Students League, New York Sculpture Center, New York, 1948–1949.

1947

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, March 11–April 17, 1947. (Catalogue)

1946

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, February 5–March 13, 1946. (Catalogue)

1944

139th Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, January 23–February 27, 1944.

1943

Adventures in Perspective, Norlyst Gallery, New York, March 1943.

Exhibition by 31 Women, Art of This Century Gallery, New York, January 5–31, 1943. (Brochure)

1942

Unity and Diversity, An Exhibition and a Contest: Art as Exhibited from 1922 to 1942, Nierendorf Gallery, New York, November 1942. (Brochure)

The Modern Christs, Puma Gallery, New York, April 6–26, 1942. (Brochure)

1941

United American Artists: Membership Exhibition, ACA Galleries, New York, November 16–November 29, 1941.

The Arts in Therapy, The Museum of Modern Art, New York, February 2–March 7, 1941.

1939

United American Sculptors Exhibition, New School for Social Research, New York, February 1939.

1938

The Artists Union National Exhibition, Springfield Museum of Fine Arts, Massachusetts, October 4–30, 1938. (Brochure)

1937

First Annual Membership Exhibition, (organized by American Artists Congress), A.C.A. Gallery, New York, April 16–29, 1937.

1935

Sculpture: A Group Exhibition of Young Sculptors, The Brooklyn Museum, New York, May 1–7, 1935.

1934

Secession Gallery, New York, December 17, 1934–January 15, 1935.

Eighteen Annual Exhibition, Society of Independent Artists, Grand Central Palace, New York, April 13–May 6, 1934.

Salons of America, RCA Building, Rockefeller Center, New York, April 6–May 6, 1934.

Ackland Art Museum, The University of North Carolina at Chapel Hill

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Aichi Prefectural Museum of Art, Nagoya, Aichi, Japan

Albany Mall Project, New York

Buffalo AKG Art Museum, Buffalo, New York

The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Allen Memorial Art Museum, Oberlin College, Ohio

Allentown Art Museum, Pennsylvania

American University Museum, Katzen Arts Center, Washington D.C.

Anderson Collection Museum at Stanford University, California

Archer M. Huntington Art Gallery, University of Texas, Austin

Art Gallery of Ontario, Toronto

The Art Institute of Chicago, Illinois

The Art Museum at Florida International University, Miami

Arts Club of Chicago, Illinois

The Baker Museum of the Artis-Naples Campus, Florida

Chazen Museum of Art, University of Wisconsin-Madison, Madison, Wisconsin

City of Binghamton, New York

Birmingham Museum of Art, Alabama

Boca Raton Museum of Art, Florida

Eli and Edythe Broad Art Museum, Michigan State University, East Lansing

Brooklyn Academy of Music, New York

Brooklyn Museum, New York

The Butler Institute of American Art, Youngstown, Ohio

Carnegie Museum of Art, Pittsburgh

Castellani Art Museum, Niagara University, Lewiston, New York

The Chapel of the Good Shepherd, Saint Peter’s Church, New York

The Chrysler Museum, Norfolk, Virginia

City Art Museum, Saint Louis, Missouri

The Cleveland Museum of Art, Ohio

Colby College Museum of Art, Waterville, Maine

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Danforth Art Museum, Framingham State University, Massachusetts

Dallas Museum of Art, Texas

Davis Museum at Wellesley College, Massachusetts

DeCordova Museum and Sculpture Park, Lincoln, Massachusetts

Delaware Art Museum, Wilmington

Detroit Institute of Arts, Michigan

Des Moines Art Center, Iowa

Donald M. Kendall Sculpture Garden, PepsiCo World Headquarters, Purchase, New York

Fairmont Park, Philadelphia, Pennsylvania

Farnsworth Art Museum, Rockland, Maine

Fine Art Museums of San Francisco, California

Flint Institute of Arts, Michigan

Friends of Art and Preservation in Embassies, Washington, D.C.

Fukutake Collection, Okayama, Japan

Galleria Civica d’Arte Moderna e Contemporanea di Torino, Turin, Italy

Grand Rapids Art Museum, Michigan

The Grey Art Gallery and Study Center, New York University Art Collection, New York

Solomon R. Guggenheim Museum, New York

Hakone Open-Air Museum, Hakone-machi, Japan

Hara Museum of Contemporary Art, Tokyo

Harvard Art Museums, Cambridge, Massachusetts

High Museum of Art, Atlanta, Georgia

Hiroshima City Museum of Contemporary Art, Japan

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Museum of Art, Hawaii

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Hospital Corporation of America, Chicago

Hudson River Museum, Yonkers, New York

Hunter Museum of American Art, Chattanooga, Tennessee

The Hyde Collection, Glenn Falls, New York

Indiana University, Bloomington

Indianapolis Museum of Art, Newfields Campus, Indiana

The Israel Museum, Jerusalem

The Jewish Museum, New York

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

Joslyn Art Museum, Omaha, Nebraska

Juilliard School of Music, Lincoln Center, New York,

Kawamura Memorial Museum, Sakura, Japan

Kemper Museum of Contemporary Art, Kansas City, Missouri

Krannert Art Museum, University of Illinois, Champaign

Kröller-Müller Museum, Otterlo, The Netherlands

Kunstmuseum Bochum, Germany

Los Angeles County Museum of Art, California

Louisiana Museum of Modern Art, Humlebæk, Denmark

Lowe Art Museum, University of Miami, Coral Gables, Florida

MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge

McNay Art Museum, San Antonio, Texas

Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan

Memorial Art Gallery, University of Rochester, New York

The Metropolitan Museum of Art, New York

Middelheim Open Air Sculpture Museum, Antwerp, Belgium

Middlebury College Museum of Art, Vermont

Minnesota Museum of Art, Saint Paul, Minnesota

Moderna Museet, Stockholm

Munson-Williams-Proctor Arts Institute, Utica, New York

Museum of Art, Rhode Island School of Design, Providence

Museum of Fine Arts, Boston

Museum of Fine Arts, Houston

The Museum of Modern Art, New York

National Galleries of Scotland, Edinburgh

National Gallery of Art, Washington, D.C.

National Museum of Women in the Arts, Washington, D.C.

The Newark Museum of Art, New Jersey

The North Carolina Museum of Art, Raleigh

Norton Museum of Art, West Palm Beach, Florida

Norton Simon Museum, Pasadena, California

Noyes Museum of Art, Stockton University, Atlantic City, New Jersey

NSU Art Museum, Nova Southeastern University, Fort Lauderdale, Florida

Palmer Museum of Art, The Pennsylvania State University, University Park

Parrish Art Museum, Water Mill, New York

Pennsylvania Academy of the Fine Arts, Philadelphia

Pérez Art Museum Miami, Florida

Philadelphia Museum of Art, Pennsylvania

Phoenix Art Museum, Arizona

Portland Art Museum, Oregon

Princeton University Art Museum, New Jersey

Queensborough Community College Art Gallery, City University of New York

The Renee and Chaim Gross Foundation, New York

Reynolda House Museum of American Art, Winston-Salem, North Carolina

Rose Art Museum, Brandeis University, Waltham, Massachusetts

Royal Museums of Fine Arts of Belgium, Brussels

Saint Louis Art Museum, Missouri

The San Diego Museum of Art, California

San Francisco Museum of Modern Art, California

San José Museum of Art, California

City of Scottsdale, Arizona

Seattle Art Museum, Washington

Sezon Museum of Modern Art, Tokyo

The David and Alfred Smart Museum of Art, The University of Chicago, Illinois

Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.

Snite Museum of Art, University of Notre Dame, Indiana

The Sogetsu Art Museum, Tokyo

Sonje Museum of Contemporary Art, Kyungje, Korea

Speed Art Museum, Louisville, Kentucky

Spencer Museum of Art, The University of Kansas, Lawrence

Storm King Art Center, Mountainville, New York

The Studio Museum in Harlem, New York

Syracuse University Art Galleries,

Tate Gallery, London

Temple Israel of Boston

Toledo Museum of Art, Ohio

Ulrich Museum of Art, Wichita State University, Kansas

University of Iowa Stanley Museum of Art, Iowa City

The University of Kentucky Art Museum, Lexington

University of Nebraska Art Galleries - Sheldon Memorial Art Gallery, Lincoln

University of South Florida Contemporary Art Museum, Tampa

Vero Beach Museum of Art, Florida

Wakayama Prefectural Museum of Modern Art, Japan

Walker Art Center, Minneapolis, Minnesota

Weatherspoon Art Museum, University of North Carolina at Greensboro

Frederick R. Weisman Art Museum, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Wichita Art Museum, Kansas

Worcester Art Museum, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick

2024

“Art Basel Paris: October 18–20, 2024.” Arte & Lusso, 11 September 2024. https://arte8lusso.net/art/art-basel-paris-october-18-20-2024/

Carollo, Elisa. “Five Contemporary Art Spaces and Shows to Check Out in Maine This Summer” (Farnsworth Art Museum exhibition review). Observer, 30 July 2024. https://observer.com/2024/07/contemporary-art-scene-maine-travel-gallery-guide/

Teicholz, Tom. “Best of Visual Art 2023.” Forbes, 6 January 2024. https://www.forbes.com/sites/tomteicholz/2024/01/06/best-of-visual-art-2023/?sh=2167b487285d.

2023

Benzine, Vittoria. “5 Must-see Booths at Tefaf New York.” FAD Magazine, 12 May 2023. https://fadmagazine.com/2023/05/12/5-must-see-booths-at-tefaf-new-york/

Chiotakis, Steve. “Iconoclast Sculptor Louise Nevelson Lives on in New LA Exhibition” (Pace Gallery exhibition review). KCRW, 21 March 2023. https://www.kcrw.com/news/shows/greater-la/lausd-strike-pace-gallery/louise-nevelson

Kakar, Arun, Ayanna Dozier, and Casey Lesser. “The Best Booths of New York Art Week 2023.” Artsy, 12 May 2023. https://www.artsy.net/article/artsy-editorial-best-booths-new-york-art-week-2023

Lawson-Tancred, Jo. “Frieze Sculpture Opens, Unveiling 20 Stunning Artworks in London’s Art Oasis at the Regent’s Park.” Artnet News, 21 September 2023. https://news.artnet.com/art-world/frieze-sculpture-2023-2365467.

“Louise Nevelson at Pace Los Angeles” (exhibition review). Art Now LA, 23 March 2023. https://artnowla.com/2023/03/01/louise-nevelson-at-pace-los-angeles/

Park, Soyeon. “6 Galleries You Must Visit in Los Angeles” (Pace Gallery exhibition review). L’Officiel Korea, 23 May 2023. https://www.lofficielkorea.com/art-and-culture/yesulgyeeseoyi-roseuenjelreseuneun-jigeum

“Price Check! Here’s What Sold—and For How Much—at Frieze London & Frieze Masters 2023.” Artnet News, 17 October 2023. https://news.artnet.com/news-pro/price-check-frieze-london-2023-2376408

Raymond, Jon. "Visibility and Erasure: Julia Bryan-Wilson on the Artist Louise Nevelson." (Interview with Julia Bryan-Wilson). Literary Hub, 7 July 2023. https://lithub.com/visibility-and-erasure-julia-bryan-wilson-on-the-artist-louise-nevelson/

Sanderson, Ophelia. “Best of Frieze London and Frieze Masters 2023.” Whitewall, 16 October 2023. https://whitewall.art/art/best-of-frieze-london-and-frieze-masters-2023

Solomon, Tessa. “The Best Booths at TEFAF New York, from Meret Oppenheim to Long-Lost Art Deco Murals.” ARTnews, 12 May 2023. https://www.artnews.com/list/art-news/market/tefaf-new-york-best-booths-1234668007/martha-jungwirth-at-thaddaeus-ropac/

“Spotlight: A Show at Galerie Michael Haas in Berlin Pairs Louise Nevelson’s Organic Assemblages With George Rickey’s Graceful Steel Sculptures” (Galerie Michael Haas exhibition review). Artnet News, 28 April 2023. https://news.artnet.com/buyers-guide/louise-nevelson-george-rickey-galerie-michael-haas-2292061

Villa, Angelica. “At Frieze London, Heavyweights and Rising Names Compete for Top Sales.” ARTnews, 13 October 2023. https://www.artnews.com/list/art-news/news/frieze-london-sales-report-2023-1234682446/josh-smith-gerhard-richter-rose-wylie-at-david-zwirner/

2022

“Acquisition: Louise Nevelson.” National Gallery of Art, 18 March 2022. https://www.nga.gov/press/acquisitions/2022/louise-nevelson.html.

Cascone, Sarah. “22 Shows to See in Venice Beyond the Biennale, From Stanley Whitney’s Italian Paintings to a Major Survey of Marlene Dumas.” Artnet News, 20 April 2022. https://news.artnet.com/art-world/venice-shows-to-see-2022-2100460

Caslini, Elena. “Louise Nevelson, a milestone in American sculpture.” Harper’s Bazaar, 5 June 2022. https://www.harpersbazaar.com/it/lifestyle/arte/a40187388/louise-nevelson-artista-venezia/

“Chewing Gum V: Exchanges Between Artists Across Boundaries” (Pace Gallery exhibition preview). HKARTION, 19 July 2022. https://hkartion.com/2022/07/19/recommendation-chewing-gum-v-exchanges-between-artists-across-boundaries/

Chow, M aka Michael. “M aka Michael Chow's Favourite 5 Works on Frieze Viewing Room.” Frieze Magazine, 16 February 2022. https://www.frieze.com/article/m-aka-michael-chows-favourite-5-works-frieze-viewing-room.

Durrant, Nancy. "What to see at the Venice Biennale, from Sonia Boyce to the Sami Pavilion." Evening Standard, 25 April 2022. https://www.standard.co.uk/culture/exhibitions/what-to-see-at-the-venice-biennale-sonia-boyce-sami-pavilion-milk-of-dreams-b995868.html

Glimcher, Arne and Julia Bryan-Wilson. “Louise Nevelson Exhibition Alights in Venice, 60 Years After the Iconic Artist Represented the U.S. at the Biennale” (The Procurataie exhibition review). Interview with Artnews. ARTnews, 20 April 2022. https://www.artnews.com/art-news/artists/louise-nevelson-venice-biennale-2022-exhibition-1234625915/

Greenberger, Alex. “10 Shows to See in Venice During the Biennale, From a Surrealism Survey to an Anish Kapoor Retrospective.” ARTnews, 18 April 2022. https://www.artnews.com/list/art-news/artists/venice-biennale-2022-exhibitions-to-see-1234625073/

Fletcher, Olivia. "'Creating Abstraction' Connects Seven Artists Across Generations" (Pace Gallery exhibition review). Ocula Magazine, 23 February 2022. https://ocula.com/magazine/features/creating-abstraction-pace-gallery/.

Lesser, Casey. “20 Must-See Venice Shows to Visit during the Biennale.” Artsy, 14 April 2022. https://www.artsy.net/article/artsy-editorial-20-must-see-venice-visit-biennale

Nonnenberg, Sheryl. “Pace Gallery revisits the work of Louise Nevelson with rarely seen collages, sculptures” (Pace Gallery exhibition review). Palo Alto Online, 3 March 2022. https://www.paloaltoonline.com/arts/2022/03/03/pace-gallery-revisits-the-work-of-louise-nevelson-with-rarely-seen-collages-sculptures.

Pietroni, David Guido. “Inside The Milk Of Dreams At Venice Biennale.” Art Insider, 22 April 2022. https://www.art-insider.com/inside-the-milk-of-dreams-at-venice-biennale/3794

Pogrebin, Robin. “A Diverse Venice Biennale” (Venice Biennale exhibition preview). The New York Times, 2 February 2022: C2, illustrated. Web version: https://www.nytimes.com/2022/02/02/arts/design/venice-biennale-alemani-women-art.html.

Scanlan, Kathryn. “Review: Louise Nevelson” (Kayne Griffin exhibition review). Artforum, January 2022. https://www.artforum.com/print/reviews/202201/louise-nevelson-87562.

White, Murray. “From Ukraine to Maine: How Louise Nevelson’s roots shaped her into one of the most important artists of the 20th century.” The Boston Globe, 6 April 2022. https://www.bostonglobe.com/2022/04/06/arts/ukraine-maine-how-louise-nevelsons-roots-shaped-her-into-one-most-important-artists-20th-century/

Zorloni, Alessia. “The thermometer of the market: Louise Nevelson.” Il Giornale Dell’Arte, 8 December 2022. https://www.ilgiornaledellarte.com/articoli/il-termometro-del-mercato-louise-nevelson/140984.html

2020

Cascone, Sarah. “Louise Nevelson’s Chapel, a Little-Known New York Gem, Is Launching a $6 Million Fundraising Campaign to Refurbish Its Sculptural Interior” (Pace Gallery online exhibition review). Artnet News, 9 December 2020. https://news.artnet.com/art-world/nevelson-chapel-renovations-1929775

“Louise Nevelson's Chapel Launches $6 Million Refurbishment Fundraising Campaign." Artforum, 10 December 2020. https://www.artforum.com/news/louise-nevelson-s-chapel-launches-6-million-refurbishment-fundraising-campaign-84624

M.B. “3 millions de dollars pour la Chapelle Nevelson.” Le Quotidien de l’Art (17 December 2020): illustrated, 2–14.

Mulcahy, Joanne. “How Woman Helped Revolutionize the Art of Printmaking.” Hyperallergic, 1 May 2020. https://hyperallergic.com/560448/the-women-of-atelier-17-christina-weyl/

Pucci, Roberta. “Gallerie dopo l’emergenza: Pace Gallery.” Exibart, 11 May 2020. https://www.exibart.com/gallerist/gallerie-dopo-lemergenza-pace-gallery/

Takac, Balasz. "Renewing a Masterwork - The Story of Nevelson Chapel." Widewalls, 19 December 2020. https://www.widewalls.ch/magazine/nevelson-chapel-pace-restoration

2019

“’Kindred Spirits: Louise Nevelson & Dorothy Hood’ at Museum of Fine Arts, Houston” (exhibition review). Art News, 11 January 2019. http://www.artnews.com/2019/01/11/kindred-spirits-louise-nevelson-dorothy-hood-museum-fine-arts-houston/

Schjeldahl, Peter. “The Inflation of Abstraction” (The Met exhibition review). The New Yorker, 7 January 2019. https://www.newyorker.com/magazine/2019/01/07/the-inflation-of-abstraction

2018

Budick, Ariella. “Abstract Art at the MET: The Village Gang’s All Here” (exhibition review). Financial Times, 28 December 2018. https://www.ft.com/content/66029c48-fedd-11e8-b03f-bc62050f3c4e

Creahan, D. “New York – Louise Nevelson: ‘Black and White’ at Pace Gallery through March 3rd, 2018” (exhibition review). Art Observed, 11 February 2018. http://artobserved.com/2018/02/new-york-louise-nevelson-black-and-white-at-pace-gallery-through-march-3rd-2018/

Cole, Regina. “Can Louise Nevelson’s New York City Masterpiece Be Saved?” Forbes, 7 September 2018. https://www.forbes.com/sites/reginacole/2018/09/07/can-louise-nevelsons-masterpiece-be-saved/#3e6a04a65f0e

Edalatpour, Jeffrey. “Kohei Nawa Presents ‘Trans-figure’ at Pace Gallery” (Pace Palo Alto exhibition review). Metro Active, 31 January 2018. http://www.metroactive.com/arts/Trans-figure-Pace-Gallery-Exhibit.html

Fazzare, Elizabeth. “7 Chapels Designed by Artists Including James Turrell, Louise Nevelson, and Mark Rothko.” Architectural Digest, 3 April 2018. https://www.architecturaldigest.com/gallery/artist-chapels

Galván, Cristina Guadalupe. “Black and White Nevelson” (Pace Gallery exhibition review). DAMN Magazine (February 2018). http://www.damnmagazine.net/2018/02/03/black-white-nevelson/

Goukassian, Elena. “US Army Teams Up with Conservators to Preserve Outdoor Art.” Hyperallergic, 6 April 2018. https://hyperallergic.com/434513/us-army-teams-up-with-conservators-to-preserve-outdoor-art/

Keane, Tim. “Louise Nevelson’s Graphic Imagination” (Whitney Museum of American Art exhibition review). Hyperallergic, 6 October 2018. https://hyperallergic.com/463712/the-face-in-the-moon-drawings-and-prints-by-louise-nevelson-whitney-museum-of-american-art/

“’LeWitt, Nevelson, Pendleton Part II’ at Pace, Geneva” (Pace Gallery exhibition review). Artinfo, 22 May 2018. http://ca.blouinartinfo.com/news/story/3050228/lewitt-nevelson-pendleton-part-ii-at-pace-geneva

Michalarou, Efi. “Art Cities: N. York-Louise Nevelson.” Dream Idea Machine, 5 February 2018. http://www.dreamideamachine.com/en/?p=33389

Nevelson, Louise. “From the Archives: Louise Nevelson on the Mysteries of Her Work, in 1974.” Interview with Barbaralee Diamonstein. Art News, 17 August 2018. http://www.artnews.com/2018/08/17/archives-louise-nevelson-mysteries-work-1974/

“Pace Gallery to Open New Space in Geneva.” Artinfo, 28 February 2018. http://www.blouinartinfo.com/news/story/2885320/pace-gallery-to-open-new-space-in-geneva

Robinson, Megan D. “Louise Nevelson in Black and White” (Pace Gallery exhibition review). Art and Object, 31 January 2018. https://www.artandobject.com/shorts/louise-nevelson-black-and-white

Sansom, Anna. “Pavilion of Art + Design Joins Artgenève for Seventh Edition.” The Art Newspaper, 31 January 2018. https://www.theartnewspaper.com/news/pad-design-fair-joins-art-geneve

“Sculptures, Wall Reliefs & Installation: Louise Nevelson at Pace, New York” (exhibition preview). Artinfo, 22 January 2018. http://www.blouinartinfo.com/news/story/2795494/sculptures-wall-reliefs-installation-louise-nevelson-at-pace

2017

Bencks, Jarret. “Get a Behind-the-Scenes Look at the Rose Art Museum This Spring” (exhibition review). Brandeis Now, 10 February 2017. http://www.brandeis.edu/now/2017/February/rose-preview-spring.html

Bryan-Wilson, Julia. “Keeping House with Louise Nevelson.” Oxford Art Journal, 40, no. 1 (2017): 109–131, illustrated.

“Galleries—Downtown: Vaginal Davis and Louise Nevelson” (exhibition review). The New Yorker, 9 October 2017: 9.

Hannaham, James. “Vaginal Davis & Louise Nevelson” (Invisible-Exports Gallery exhibition review). 4Columns, 29 September 2017. http://4columns.org/hannaham-james/vaginal-davis-amp-louise-nevelson

Hudson, Suzanne. “Louise Nevelson, Moderna Museet” (exhibition preview). Artforum 56, no. 1 (September 2017): 176, illustrated.

Peterson, Ralph. “Oasis of White Silence in the Heart of Manhattan.” KOSMOS 17, no. 1 (Fall/Winter 2017): 34–35, illustrated.

Siegel, Harmon. “The Black Wallpaper: Louise Nevelson’s Gothic Modernism.” The Art Bulletin 99, no.4 (December 2017): 168–190, illustrated.

2016

“Arne Glimcher Talks Louise Nevelson at Pace” (Pace London exhibition preview). Phaidon, 10 June 2016. http://www.phaidon.com/agenda/art/articles/2016/june/10/arne-glimcher-talks-louise-nevelson-at-pace/

Carassai, Elisa. “Wood Work: Louise Nevelson’s Monochrome Sculptures Fill Pace London” (exhibition review). Wallpaper*, 14 June 2016. http://www.wallpaper.com/art/louise-nevelsons-monochrome-sculptures-take-over-pace-gallery-london?aff=nn

Gleadell, Colin. “Market News: One-of-a-Kind Wildlife Portraits Go on Display.” The Telegraph, 14 June 2016. http://www.telegraph.co.uk/luxury/art/market-news-one-of-a-kind-wildlife-portraits-go-on-display/

Hawkin, Thea. “Five Forgotten Female Artists of Abstract Expressionism” (Royal Academy of Arts exhibition review). AnOther, 23 September 2016. http://www.anothermag.com/art-photography/9101/the-forgotten-female-artists-of-abstract-expressionism

Kelly, John. “What’s the Story behind that Big, Black Sculpture at Vermont and L NW?” The Washington Post, 26 March 2016. https://www.washingtonpost.com/local/whats-the-story-behind-that-big-black-sculpture-at-vermont-and-l-nw/2016/03/26/2df78e5a-f1c8-11e5-85a6-2132cf446d0a_story.html

Larkin, Daniel. “What Abstraction Can Teach Us About Race and Color Black” (Pace Gallery exhibition review). Hyperallergic, 17 August 2016. http://hyperallergic.com/308388/what-abstraction-can-teach-us-about-race-and-the-color-black/

Le, Anh-Minh. “Now in Silicon Valley” (Pace Palo Alto exhibition preview). Silicon Valley, September 2016: 23, illustrated.

Lin, Amy. “Rooted in Light and Shadow, Work of Louise Nevelson Still Resonates at Pace London” (exhibition review). Widewalls, accessed on 20 June 2016. http://www.widewalls.ch/louise-nevelson-exhibition-pace-london/

“Louise Nevelson” (Pace London exhibition review). Le Mile, no.19 (July 2016): 24–29, illustrated.

Lucie-Smith, Edward. “Louise Nevelson: Recreating A Slightly Mournful Age In Black” (Pace London exhibition review). Artlyst, 14 June 2016. http://www.artlyst.com/articles/louise-nevelson-recreating-a-slightly-mournful-age-in-black

Pogrebin, Robin. “Inside Art: Into the Black” (Pace Gallery exhibition preview). New York Times, 8 April 2016: C20, illustrated.

2015

Fiske, Courtney. “Louise Nevelson” (Pace Gallery exhibition review). Artforum, 11 February 2015. http://www.artforum.com/picks/id=50124

Gopnick, Blake. “At Pace, Louise Nevelson’s Collages Give Depth to Flatness” (Pace Gallery exhibition review). Artnet, 18 February 2015. http://news.artnet.com/art-world/at-pace-louise-nevelsons-collages-give-depth-to-flatness-258455

Hamer, Katy Diamond. "Preview: Louise Nevelson, Pace Gallery" (exhibition preview). Eyes towards the Dove, 23 January 2015. http://eyes-towards-the-dove.com/2015/01/preview-louise-nevelson-pace-gallery/

Indrisek, Scott. “5 Must-See Gallery Shows: Nancy Graves, Steven Cox, and More” (Pace Gallery exhibition review). Artinfo, 19 February 2015. http://www.blouinartinfo.com/news/story/1104037/5-must-see-gallery-shows-nancy-graves-steven-cox-and-more

MacAdam, Barbara A. “Louise Nevelson: Pace” (exhibition review). Art News 114, no. 4 (April 2015): 78, illustrated.

Martin, Hannah. "New York's Pace Gallery Shows Early Louise Nevelson Collages" (exhibition preview). Architecture Digest, 22 January 2015. (opens in a new window) http://www.architecturaldigest.com/blogs/daily/2015/01/louise-nevelson-show-at-pace-article

Peiffer, Prudence. “New York: Louise Nevelson, Pace Gallery” (exhibition review). Artforum 53, no. 8 (April 2015): 248, illustrated.

Smith, Roberta. “Art in Review: Louise Nevelson, ‘Collage and Assemblage’” (Pace exhibition review). The New York Times, 27 February 2015: C23, illustrated.

Spencer, Rachel. “Agnes Martin: The Quiet American” (Tate Modern exhibition review). Financial Times, 5 June 2015. http://www.ft.com/intl/cms/s/0/22341ab2-091f-11e5-b643-00144feabdc0.html#slide0

2014

Cheng, DeWitt. "Testing the Waters: Pace Gallery Courts Silicon Valley Collectors" (Pace Menlo Park exhibition review). Palo Alto Online, 5 December 2014. http://www.paloaltoonline.com/news/2014/12/05/testing-the-waters-pace-gallery-courts-silicon-valley-collectors

Forgrave, Will. “Leaders Requesting $320,000 in Grant Funding to Move and Restore ‘Summer Night Tree’ Sculpture.” M Live, 10 July 2014. http://www.mlive.com/news/jackson/index.ssf/2014/07/local_leaders_requesting_32000.html

Forgrave, Will. “Moving and Restoring ‘Summer Night Tree’ Sculpture Not a Priority for All Jackson Officials.” M Live, 14 July 2014.

http://www.mlive.com/news/jackson/index.ssf/2014/07/moving_and_restoring_summer_ni.html

Gellman, Lindsay. “Restored, a ‘Crown Jewel’ Returns.” The Wall Street Journal, 18 September 2014. http://online.wsj.com/articles/restored-a-crown-jewel-returns-1411093917

Holden, Courtney. “Loveland Museum/Gallery Welcomes Abstract Art” (exhibition review). Reporter-Herald, 22 January 2014. http://www.reporterherald.com/loveland-art/ci_24962406/loveland-museum-gallery-welcomes-abstract-art

Kedmey, Karen. “How Louise Nevelson Has Made Her Own Powerful Way in a Man’s Art World” (Cardi Gallery exhibition review). Artsy, 9 October 2014. https://artsy.net/post/editorial-how-louise-nevelson-has-made-her-own

“’Louise Nevelson 55–70’ at Cardi Gallery, Milan” (exhibition review). Mousse, 11 December 2014. http://moussemagazine.it/louisenevelson_55-70_cardigallery_milan2014/

2013

Cook, Greg. “Poet of Darkness: Recreating Louise Nevelson's ’50s Midnight Exhibits.” (Davis Museum exhibition review). The Artery, 19 March 2013. http://artery.wbur.org/2013/03/19/louise-nevelson-wellesley

Epstein, Johanna Ruth. “’Remnants: Louise Nevelson & Aaron Siskind,’ Bruce Silverstein” (exhibition review). Art News 112, no. 11 (December 2013): 95.

Forgrave, Will. “Leaders Requesting $320,000 in Grant Funding to Move and Restore ‘Summer Night Tree’ Sculpture.” M Live, 10 July 2014. http://www.mlive.com/news/jackson/index.ssf/2014/07/local_leaders_requesting_32000.html

Forgrave, Will. “Moving and Restoring ‘Summer Night Tree’ Sculpture Not a Priority for All Jackson Officials.” M Live, 14 July 2014. http://www.mlive.com/news/jackson/index.ssf/2014/07/moving_and_restoring_summer_ni.html

Gellman, Lindsay. “Restored, a ‘Crown Jewel’ Returns.” The Wall Street Journal, 18 September 2014. http://online.wsj.com/articles/restored-a-crown-jewel-returns-1411093917

Hudson, Suzanne. “Louise Nevelson, L & M Arts” (exhibition review). Artforum 51, no. 10 (Summer 2013): 367–368, illustrated.

Kedmey, Karen. “How Louise Nevelson Has Made Her Own Powerful Way in a Man’s Art World” (Cardi Gallery exhibition review). Artsy, 9 October 2014. https://artsy.net/post/editorial-how-louise-nevelson-has-made-her-own

“’Louise Nevelson 55–70’ at Cardi Gallery, Milan” (exhibition review). Mousse, 11 December 2014. http://moussemagazine.it/louisenevelson_55-70_cardigallery_milan2014/

“Louise Nevelson and Mai-Thu Perret ‘Queen of the Black Black’ at Galleria Vistamare, Pescara” (exhibition review). Mousse, 3 August 2014. http://moussemagazine.it/louise-nevelson-vistamare-2014/

Meyers, William. “Remnants: Louise Nevelson & Aaron Siskind” (Bruce Silverstein exhibition review). The Wall Street Journal, 5–6 October 2013, Arts & Entertainment: A20.

Mizota, Sharon. “Review: Louise Nevelson Breaks Free from the Grid at L&M Arts.” Los Angeles Times, 4 April 2013. http://www.latimes.com/entertainment/arts/culture/la-et-cm-review-louise-nevelson-at-lm-arts-20130401,0,7014015.story

“Museo Fondazione Roma opens exhibition of over seventy works by Louise Nevelson.” Artdaily.org, 15 April 2013. http://www.artdaily.com/section/news/index.asp?int_sec=2&int_new=61948#.UWwar7VORPM

White, Pam. “Art on Campus: Voyager.” University of Iowa, 6 December 2013. Online video, 0:58. https://www.youtube.com/watch?v=q3HSgVH4lH4&list=PLD43E6BDFF8DA1622&index=6

2012

Downey, Lindsay. “Legendary Louise” (Naples Museum of Art exhibition review). Coastal Life, 20 January 2012: 24–25, illustrated.

Franco, Ana M. “Geometric Abstraction: The New York—Bogota Nexus.” American Art 26, no. 2 (Summer 2012): 34–41, illustrated.

Watson, Dawn. Room To Grow (Parish Art Museum reopening review). The Southhampton Press, 15 November 2012: 1B, 4B, illustrated.

2011

Turner, Elisa. “News Spotlight: ‘Phil’ It Up.” Art News 110, no. 1 (January 2011): 48–49, illustrated.

2010

Devine, Leigh. “Artist’s Slice of the City Is Restored to Life.” The Wall Street Journal, 10 September 2010: A25, illustrated.

Miller, Donald. “Critic: Louise Nevelson Acquisition A coup for Naples Museum of Art” (exhibition review). Naplesnews.com, 3 May 2010: illustrated. http://www.naplesnews.com/news/2010/may/03/nevelson-coup-naples-museum-art/

Miller, Donald. “A Culminating Vision.” Gulfshore Life, November 2010: 74–75, illustrated.

2009

Panero, James. “Gallery Chronicle: Louise Nevelson: Dawns and Dusks” (PaceWildenstein exhibition review). The New Criterion (March 2009). http://www.newcriterion.com/

Pincus-Witten, Robert. “Louise Nevelson: PaceWildenstein” (exhibition review). Artforum (May 2009): 231, illustrated.

Shuster, Robert. “Louise Nevelson’s ‘Dawns and Dusks’” (PaceWildenstein exhibition review). The Village Voice, 25 February 2009, illustrated.

Smyth, Cherry. “Louise Nevelson: Dawns and Dusks” (Louise Blouin Foundation exhibition review). Art Monthly (June 2009): 30–31, illustrated.

Vogel, Carol. “A Bold and Modern White House.” The New York Times, 7 October 2009: A14.

2008

AD Den Haag Sculptuur. (Summer 2008): 13, illustrated no. 13.

Bishop, Philip E. “Art Review: Cornell Exhibit Reveals Nevelson’s Vision.” Orlando Sentinel, 23 March 2008: F10, illustrated.

Brantley, Ben. “Resurrecting an Artist’s Greatest Creation: Herself.” The New York Times, 6 June 2008: Weekend Arts, E1, E16, illustrated.

“Exhibition news: Nevelson by Night.” The Cornell Fine Arts Museum Bulletin (2008): 4, cover, illustrated.

Diehl, Carol. “The World of Mrs. N.” (Jewish Museum exhibition review). Art in America (January 2008): 106–111, illustrated.

Lawrence, James. “Exhibition Reviews: Louise Nevelson at the Farnsworth Art Museum, Rockland, Maine.” Burlington Magazine 150, no. 1264 (July 2008): 502, illustrated.

Levin, Kim. “Reviews: New York––Up Now: ‘New York Cool’ (Grey Art Gallery exhibition review). Art News 107, no. 7 (Summer 2008): 162.

Rafsky, Sara. “‘La Nevelson’ Speaks from the Beyond.” Artnews 107, no. 5 (May 2008): 54.

2007

Bishop, Philip E. “Modern Art in Park Challenges: Winter Park’s Central Park Showcases the Thought–Provoking and Daring Work of 7 World–Class Contemporary Artists” (Art on the Green exhibition review). Orlando Sentinel, 26 December 2006. http://www.orlandosentinel.com/entertainment/.

Camhi, Leslie. “Designed for Living.” The New York Times Style Magazine, 15 April 2007: 74–75, 94, illustrated.

Camhi, Leslie. “The Secret Gardener” (Jewish Museum exhibition review). Village Voice, 16–22 May 2007: 56, illustrated.

Esplund, Lance. “Museums: Beyond the Box” (Jewish Museum exhibition review). The New York Sun, 3 May 2007: Section 2, illustrated.

Graves, Jen. “Statues with Limitations” (Seattle Art Museum/Olympic Sculpture Park). The Stranger, 16 January 2007. http://www.thestranger.com/.

Hudson, Suzanne. “Previews: Louise Nevelson” (Jewish Museum exhibition preview). Artforum (May 2007): 148.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Maine, Stephen. “Arts & Letters: Welcome to the Junkyard” (PaceWildenstein exhibition review). The New York Sun, 19 July 2007: 1, 19.

Meara, Emmet. “Former Rockland Artist Ignited ‘Quite a Furor.’” Bangor Daily News, 6 January 2007.

Naves, Mario. “The Critics: Louise Nevelson’s Black–Box Theatrics” (Jewish Museum exhibition review). New York Observer, 14 May 2007: C16, illustrated.

“Provision: A Star is Born” (The Jewish Museum exhibition review). Modern Painters (June 2007): illustrated.

Scott, Andrea K. “A Life Made Out of Wood, Metal and Determination” (Jewish Museum exhibition review). The New York Times, 9 May 2007: E2, illustrated.

Sheets, Hilaire. “Market File: Renowned for Her wood Sculptures, Louise Nevelson Didn’t Achieve Art World Fame Until She Was Nearly 60.” Art + Auction (March 2007): 125–126, illustrated.

Sorkin, Jenni. “Reviews—North America, New York: Louise Nevelson, Jewish Museum” (exhibition review). Modern Painter (September 2007): 92–93, illustrated.

Speaks, Elyse Deeb. “Experiencing Louise Nevelson’s Moon Garden” (exhibition review). American Art 21, no.2 (Summer 2007): 96–108, illustrated.

Stanley, Andrea. “Art on the Green: Central Florida’s Exhibit Without Walls” (exhibition review). Orlando Leisure (February 2007): 136, mentioned.

Strauss, Elissa. “Arts & Culture—Louise Nevelson: Constructing a Legend” (exhibition review). Forward, 3 August 2007: B3, illustrated.

Vogel, Carol. “Inside Art: All White and All Nevelson.” The New York Times, 20 April 2007: E26.

Wilson, Eric. “Tolerable Wearable Artwork” (Salon 94 exhibition review). The New York Times, 13 December 2007: G4.

2006

“Art Handlers: Art Foundations.” V Magazine 43 (Fall 2006): illustrated.

Bishop, Philip E. “Modern Art in Park Challenges: Winter Park’s Central Park Showcases the Thought–Provoking and Daring Work of 7 World–Class Contemporary Artists” (exhibition review). The Orlando Sentinel, 26 December 2006.

Casadio, Mariuccia. “Creation Is Living: Louise Nevelson.” Casa Vogue (Milan) (October 2006).

“Celebrating Louise Nevelson: An American Master.” Art Museum: The Farnsworth Wyeth Center (Fall 2006): [2], illustrated.

Giovannini, Joseph. “Revision on Park Avenue: Refining the Familiar for Author Barbara Goldsmith.” Architectural Digest (December 2006): 150–157, (Moon Garden II) illustrated.

Iovine, Julie V. “Animal Instincts.” Art + Auction (December 2006): 49, illustrated.

Keyes, Bob. “Towering Presence” (Farnsworth exhibition review). Maine Sunday Telegram, 17 September 2006: Audience: E1, E2, illustrated.

“Nevelson Collection Returns to Farnsworth. ‘Celebrating Louise Nevelson: An American Master” Opens Sunday” (exhibition review). The Free Press, 14 September 2006: 1, 30, illustrated.

Saltz, Jerry. “Where the Girls Aren’t: Art and Apartheid: The Prime Real Estate is Still a Men’s Club.” Village Voice, 27 September–3 October 2006: 56, illustrated.

“Selected Works by James Wyeth at the Farnsworth.” artdaily.com, 21 November 2006, http://www.artdaily.com/section/news/.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89.

2005

Gladstone, Valerie. “Spring Sculpture, Woodward” (exhibition review). Art News (Summer 2005): 199, discussed.

2004

Dawson, Jessica. “Louise Nevelson, Finding Her Way.” Washington Post, 7 October 2004: C5, illustrated.

2003

Gardner, Paul. “Nevelson—Vari: A Dialogue” (Nohra Haime exhibition review). Art News (September 2003): 134.

2002

Dannatt, Adrian. “Louise Nevelson: Sculpture, the 50s and 60s PaceWildenstein” (exhibition review). Art Newspaper 124 (April 2002): 3.

“Devoted to an Idealist Mission.” Art On Paper 7, no. 2 (November/December 2002): 25.

Imperatore, Catherine. “From the Collection: Louise Nevelson’s ‘White Column.’” Women In The Arts 20, no. 4 (Holiday 2002): 6–7.

“Galleries–Uptown: Louise Nevelson” (PaceWildenstein exhibition review). The New Yorker, 22–29 April 2002: 35.

Pigman, Alexander. “Arttalk: Albee Nevelson, Sez Bancroft.” Art News (February 2002): 35.

Tully, Judd. “Tax Shelter Fallout.” Art + Auction 24, no. 9 (October 2002): 34–36.

2001

Marks, Peter and Carol Vogel. “Arts Groups at a Tragedy’s Center Try to Assess Where to Begin.” The New York Times, 17 September 2001: E1, E5.

Mason, Brooke S. “New York: Il signor Pace.” Il Giornale Dell’Arte (Turin) 205 (2001): 4–7.

2000

Rowlands, Penelope. “Double Feature.” Art News (November 2000): 178–179.

1999

Foster, Ann T. “Louise Nevelson’s Worship Environment for St. Peter’s Church: A Transformative Space.” Arts: The Arts In Religious and Theological Studies, Eleven: Two (1999): 24–27.

Klein, Michael. “Louise Nevelson: Sculpture and Drawing from the 1940s.” Sculpture (March 1999): 72.

1998

Cohen, Mark Daniel. “Louise Nevelson: Structures Evolving.” Review, 15 May 1998: 27–28.

Donohue, Marlena. “Intimate Intent.” Daily Breeze (Los Angeles), 2 January 1998: K30.

Rimanelli, David. “Preview/Summer ‘98: Louise Nevelson, Structures Evolving.” Artforum (May 1998): 46.

1997

Diehl, Carol. “Louise Nevelson at PaceWildenstein and Washburn” (exhibition review). Art News (June 1997): 123, illustrated.

Glueck, Grace. “The Raw Materials for Creating a Sculptor” (Washburn Gallery and Pace Wildenstein exhibition review). The New York Times, 4 April 1997: C27.

Nugent, Jeanne. “Louise Nevelson.” Art News (December 1997): 170.

Smith, Roberta. “Hudson Valley Conversations.” The New York Times, 18 July 1997: C26.

1996

Tully, Judd. “Nevelson Estate Moves Out of PaceWildenstein.” Art Newsletter 21, no. 21, 11 June 1996: 2.

1995

Drohojowska–Philp, Hunter. “Still Making Things Happen.” The Los Angeles Times, 17 September 1995: calendar section: 4, 36–37.

Gache, Sherry. “Reviews: Rome.” Sculpture (March/April 1995): 49–50.

Goldberger, Paul. “Atrium Renewal, Adding Art Chases Away Most of the Zen.” The New York Times, 17 December 1995: 49, 55.

Landi, Ann. “Grace Borgenicht: ‘24 Children Is a Little Much.’.” Art News (September 1995): 46.

“Louise Nevelson: Working with Found Objects.” Scholastic Art 25, no. 5 (March 1995): 1–9.

“Notes from Around the Block: New York.” Art + Auction (November 1995): 52.

Tully, Judd. “Nevelson Negotiated.” Art News (November 1995): 45.

1994

Little, Carl. “Louise Nevelson at the Farnsworth Museum.” Art in America (December 1994): 109–110.

McAvoy, Suzette Lane. “Louise Nevelson: Farnsworth Collection.” American Art Review 6, no. 5 (October–November 1994): 144–149 and 170.

Padon, Thomas. “Reviews: New York” (Pace Gallery exhibition review). Sculpture (May–June 1994): 66.

1993

Slivka, Rose C.S. “From The Studio.” The East Hampton Star, 15 July 1993: II–9.

Smith, Roberta. “Classics from the Whitney Permanent Collection.” The New York Times, 19 November 1993.

1992

“Miami Art Mending.” Art in America (December 1992): 27.

“Nevelson on Nevelson.” Art News (November 1992). (Reprint from November 1972 issue)

“What Price Guggenheim?” The Village Voice, 23 June 1992: 39–42.

1991

“Abstract Sculpture.” Sun Post, 14 February 1991.

Glueck, Grace. “Sculptor's Ordeal With Steel: It's Pretty but Temperamental.” The New York Times, 22 August 1991: C13, 17.

Gouveia, Georgette. “Art and Life commingle at Pepsi's sculpture garden.” Daily Argus, 20 January 1991.

Jackson, Paul. “Traveler's Update: Tours by MoMA.” The New York Post, 2 April 1991.

Kuspit, Donald. “On Being Boxed In.” Sculpture (November–December 1991): 30–37.

Lipman, Jean. “Recalled Encounters.” Archives of American Art Journal 31, no. 1 (1991).

Tarchinski, Pamela. “Masterworks.” Crosswinds (July 1991).

Van Raay, Jean. “Trash or Treasure.” Scholastic News, 27 September 1991: 2.

Wilson, William. “Famous Figures Relax With Cut, Paste.” Los Angeles Times, 25 January 1991: F17.

“Women Artists Are At The Museums.” Long Island Business News, 25 March 1991.

1990

Abeel, Erica. “Books.” New Woman (April 1990).

“An Evening with Louise Nevelson.” Star–Free Press, 20 April 1990.

“Artgenda.” l'Événement (June 1990).

“Book offers tour of Loop art.” Chicago Sun–Times, 14 December 1990.

Brenson, Michael. “She Belonged to Sculpture and the Night.” The New York Times Book Review, 25 March 1990.

Burnham, Sophy. “Portrait of the Artist as a Woman.” New Woman (June 1990).

Carlsen, Peter. “Restrained Glamour for the City.” Architectural Digest (November 1990).

Damon, Gladys. “Synagogue Architecture: Changing Times, Changing Needs.” Jewish Advocate, 15 March 1990.

Fecher, Louise. “Buffalo's Albright–Knox Art Gallery.” New York Alive (September/October 1990): 18–19.

Gaehtgens, Barbara. “Beredte Unsicherheit.” Die Zeit, 4 May 1990.

Gardner, Paul. “'Diana Was Always There'.” Art News (December 1990): 57–58.

Gill, Brendan. “Remembering Cousin Louise.” Architectural Digest (May 1990).

“Goings On About Town” (The Pace Gallery exhibition review). The New Yorker, 20 August 1990.

Green, Judith. “Twenty–eight characters in search of a Generation.” Mercury-News Morning Edition, 8 May 1990.

Hanson, Henry. “Living With Art.” Art News (February 1990).

Hurlburt, Roger. “Sculpture exhibit demonstrates best of America's own.” Sun–Sentinel, 27 February 1991.

Kimmelman, Michael. “A New Arts Complex That's Hard on Art.” The New York Times, 8 March 1990.

Kohen, Helen L. “Hofmann: Teacher of geniuses.” The Miami Herald, 18 November 1990.

Liebmann, Lisa. “Books.” Interview (February 1990).

“Louise Nevelson: A Passionate Life.” Publishers Weekly, 12 January 1990.

Norman, Geraldine. “Kings of the art jungle.” The Independent, 19 May 1990.

Pincus, Robert L. “Sculptor faces up to 'Vital Signs'.” San Diego Union, 5 May 1990.

“Portrait of an American Gallery.” Expose (June 1990).

“Richard Gray.” Quotidien De Paris, 24 October 1990.

Smith, Roberta. “Long Island Art, a Refuge From the Whirl.” The New York Times, 24 August 1990.

“The Talk of the Town.” The New Yorker, 8 October 1990.

Tully, Judd. “Taking Care of Diana.” Art News (February 1990).

“UJ showcases Depression artists.” Heritage, 27 April 1990.

Wiest, Powell von. “Art and Antiques.” Where/New York (April 1990).

Wolf, Alissa. “Art Investments–The Profits and Perils.” The Rob Report (September 1990).

Zwez, Annelise. “One–Man–Shows sind selten.” Schaffhauser Nachrichten, 16 June 1990.

1989

“1988 in Review: Public Art.” Art in America (August 1989).

Brenson, Michael. “Sculpture Shows at 2 Branches of the Whitney.” The New York Times, 22 December 1989.

Freeman. Patricia. “A Battle over a Legacy Pits Sculptor Louise Nevelson's Son Against her Loyal Aide.” People Magazine, 17 July 1989.

Harris, Ann Sutherland. “Entering the Mainstream: Women Sculptors of the 20th Century.” Galeries Magazine (Fall 1989).

Jones, Alan. “At home with the Improbable.” Arts Magazine (November 1989).

Kingsley, April. “New York: The `primitive' and some recent sculpture.” The Burlington Magazine (July 1989): 508–9.

Lurie, James. “Every Scrap of Wood.” Art and Antiques (April 1989).

McCracken, David. “Nevelson's Legacy.” Chicago Tribune, 13 October 1989.

Neisser, Judith. “Chicago Clout.” Art + Auction (November 1989).

Nevelson, Corinne J. “Letters: Family Feud.” New York, 16 October 1989.

“Obituaries.” Art in America (August 1989).

Rabinowitz, Dorothy. “The Art of the Feud.” New York, 25 September 1989.

Rubin, Edward. “The Seduction of 57th Street.” Manhattan Arts (May 1989).

Russell, John. “Lean, Muscular Energies in Late Nevelson Sculptures.” The New York Times, 7 April 1989.

Tully, Judd. “Sons & Mothers.” Art + Auction (September 1989).

Wolf. Toni Lesser. “The intimate art.” Art News (November 1989).

Yarrow, Andrew L. “Nevelson Estate is Focus of Battle.” The New York Times, 10 June 1989.

Yarrow, Andrew L. “The Battle over Louise Nevelson's Art.” International Herald Tribune, 13 June 1989.

1988

Diehl, Carol. “Breaking the Rules.” Art and Antiques (April 1988).

Duffy, Robert W. “Louise Nevelson Lived in a Realm She Created Herself.” St. Louis Post Dispatch, 24 April 1988.

Folkart, Burt A. “Louise Nevelson, Known for Wood Sculptures, Dies.” Los Angeles Times, 19 April 1988.

Glueck, Grace. “Friends of Louise Nevelson Gather in a Memorial for the Late Artist.” The New York Times, 18 October 1988.

Jacks, Shirley. “Louise Nevelson: The Art World Royal from Rockland.” Maine Sunday Telegram, 24 April 1988.

“Louise Nevelson.” New York Woman (March 1988).

Marvel, Bill. “Sculptor Louise Nevelson dies at 88.” The Dallas Morning News, 19 April 1988.

“Mine is a Total Life.” Art News (Summer 1988): 38.

“Obituary for Romare Bearden and Louise Nevelson.” Art Students League of New York News (August 1988).

Raynor, Vivien. “Whitney Traces the Path That Led From Surrealism.” The New York Times, 3 July 1988.

Robinson, Walter; Sarah McFadden; and Cathy Lebowitz. “Obituaries.” Art in America (June 1988).

Russell, John. “Louise Nevelson, Artist Renowned For Wall Sculptures, Is Dead at 88.” The New York Times, 18 April 1988.

Russell, John. “Provocative Exhibitions at Museums and Galleries That are Near New York City.” The New York Times, 5 August 1988.

Schwartz, Constance. “Louise Nevelson, 1899–1988: A Legend In Her Own Time.” Sunstorm Art (1988).

Soutif, Daniel. “The Four-Corner Game.” Artforum (September 1988).

Smith, Roberta. “It May Be Good, But Is It Art?” The New York Times, 4 September 1988.

Tallmer, Jerry. “Sculpting Images Into Our Dreams.” New York Post, 19 April 1988.

Wallach, Amei. “I Wanted The Whole Show: An Appreciation of Sculptor Louise Nevelson.” New York Newsday, 19 April 1988.

Yarrow, Andrew. “The Whitney Returns to Downtown.” The New York Times, 16 April 1988.

1987

Cottingham, Laura. “Women Artists: A Question of Difference.” Art + Auction (March 1987).

Haenlein, Joy. “No Longer is Fame Fleeting for Louise Nevelson.” The Advocate and Greenwich Time, 11 January 1987.

Mullarkey, Maureen. “A Medicine Show and Some Others.” The Hudson Review (1987): 103–111.

“Review.” Artforum (January 1987).

1986

Bass, Ruth. “Louise Nevelson, Claude Bernard” (exhibition review). Art News (December 1986): 139.

Blume, Mary. “Louise Nevelson in Paris: At 86, Finally Ready for Satin.” The International Herald Tribune, 31 January 1986: 7, illustrated.

Brenson, Michael. “Is Neo-Expressionism an Idea Whose Time Has Passed.” The New York Times, 5 January 1986.

Haenlein, Joy L. “No Longer is Fame Fleeting for Louise Nevelson.” The Advocate and Greenwich Times, 11 January 1987: D3–D4.

Krasnow, Iris. “Close Up: Louise Nevelson.” New Jersey Daily News, 23 March 1986.

“Louise Nevelson.” Celebrity World News, 3 March 1986.

“Louise Nevelson Luminous Zag.” Friends of Art Newsletter: Wellesley College Museum, (1986): illustrated.

“Louise Nevelson—Pace Gallery; Claude Bernard Gallery” (exhibition review). Artforum (1986): 114, 115, illustrated.

McGill, Douglas. “The Sculptor Louise Nevelson's Life is Told in 3-D Biography.” The New York Times, 11 January 1987: 40.

“Park Avenue Elegance.” The New York Times Magazine, 13 April 1986.

Robertson, Nan. “Artists in Old Age: The Fires of Creativity Burn Undiminished.” The New York Times, 22 January 1986: C10, illustrated.

Wallach, Amei. “One Art: Sculpting A Word to Her Vision.” Newsday, 1 August 1986: illustrated.

Zimmer, William, “Agnes Martin/Louise Nevelson.” The New York Times, 26 September 1986.

1985

Conroy, Sarah. “President’s Medalists: Arts Twinkling Stars.” The Washington Post, 23 April 1985: C1.

Drohojowska, Hunter. “At 85, Louise Nevelson Gets Her Day in the L.A. Sun.” Los Angeles Herald Examiner, 24 June 1985.

“Louise Nevelson” (Pace Gallery exhibition review). Artforum (Summer 1985): 114.

Martin, Mary Abbe. “In The Wings–Visual Arts.” Minneapolis Star and Tribune, 24 March 1985: 2G.

Molotsky, Irvin. “Reagan, Bestowing Medals, Hails the Free Artist.” The New York Times, 24 April 1985: illustrated.

Molotsky, Irvin. “12 Named Winners of New U.S. Arts Medal.” The New York Times, 18 April 1985.

McGill, Douglas. “Louise Nevelson Giving 25 Works to Museums.” The New York Times, 18 March 1985: illustrated.

McGill, Douglas. “Storm King Art Center Given 2 Parcels of Land.” The New York Times, 9 December 1985: C16.

Muchnic, Suzanne. “More Space for Sailing the Nevelson Legend.” Los Angeles Times, 21 June 1985: illustrated.

Russell, John. “Profusion of Good Art by Women” (Pace Gallery exhibition review). The New York Times, 22 February 1985.

“The Gifts: 1985, The Art of Louise Nevelson at the Farnsworth.” William A. Farnsworth Library and Art Museum, Annual Report (1985): 10, illustrated.

1984

Adams, Cindy. “Nevelson’s Nine Floors of Trash and Treasures.” The New York Post, 3 May 1984: illustrated.

Brenson, Michael. “Art: 100 Modern Sculptures at Storm King Center.” The New York Times, 3 August 1983.

Harrison, Helen A. “Great Neck Hails Louise Nevelson.” The New York Times, 8 April 1984: illustrated.

Heilenman, Diane. “Kentucky Center's Miro sculpture is eminently touchable.” The Courier-Journal, 5 February 1984: I10, illustrated.

Kramer, Hilton. “The Sculpture of Louise Nevelson.” Dialogue (April 1984): 42-49, illustrated.

Levi, Paolo. “Manager In Prima Linea.” Arte (February 1984): 64–67.

“Nevelson’s Set Pieces.” St. Louis Post-Dispatch, 9 June 1984: 4–5, illustrated.

Rockwell, John. “Opera: Gluck’s ‘Orfeo’ in St. Louis.” The New York Times, 8 June 1984.

Rodriguez, Isabel Carlota. “High Above Caracas.” Interior Design (January 1984): 206–208.

1983

Allen, Jane E. “Sculpture’s Grande Dame: Nevelson Brings Unique Persona to Charleston.” Spoleto, 2 June 1983: 4A–5A, illustrated.

Artner, Alan G. “Nevelson's Engaging Shadows–Intimacy in Monumental Sculpture.” Chicago Tribune, 21 May 1983, illustrated.

Braun, Barbara. “PW Interviews: Louise Nevelson.” Publisher’s Weekly, 16 December 1983: 76–77, illustrated.

Brenson, Michael. “Nevelson Sculpture In Capital Dedicated.” The New York Times, 18 March 1983.

“’Changes’ Exhibit to Open” (The Aldrich Museum of Contemporary Art exhibition review). Westport News, 20 May 1983, illustrated.

“Contemporary Art: Twenty-Five Years.” Art + Auction (February 1983).

Glueck, Grace. “Louise Nevelson” (Pace Gallery exhibition review). The New York Times, 21 January 1983.

Harrison, Helen A. “O’Keeffe and Nevelson Works in Rae Juxtaposition” (Nassau County Museum of Fine Art exhibition review). The New York Times, 20 February 1983: illustrated.

Kramer, Hilton. “Nevelson: Her Sculpture Changed the Way We Look at Things.” The New York Times Magazine, 30 October 1983: illustrated.

Lanctot, Barbara. “Chicago's Largest Art Museum–The Loop.” Art and Architecture (June 1983): 18–19, illustrated.

Means, Steve. “Artists exhibit work to support freeze.” Esprit (December 1983): 61.

Radcliffe, Donnie. “The AMA Honors Sculptor Louise Nevelson: Lobbying with and for Art.” Washington Post, 11 March 1983.

Roniger, Pat. “Museum of Fine Arts Presents O’Keeffe & Nevelson” (Nassau County Museum of Fine Art exhibition review). The Long Island Heritage (January 1983): 4, illustrated.

Russell, John. “Today’s Artists Are in Love with the Stage.” The New York Times, 20 October 1983: illustrated.

Smith, Nancy. “Nevelson Sculpture Exhibit Demanding” (Gibbes Art Gallery exhibition review). The News and Courier, 30 May 1983.

Tomlinson, Janis A. “Order: Integral to Nevelson’s Work.” Festival Times Daily, 23 May 1983: 6.

Tomlinson, Janis A. “Nevelson Reigns Supreme.” Festival Times Daily, 24 May 1983: 2, illustrated.

Velez, Carlos. “O’Keeffe, Nevelson Art Exhibited” (Nassau County Museum of Fine Art exhibition review). Daily News, 2 January 1983.

Wallach, Amei. “An Unmatched Pair of Great Artists” (Nassau County Museum of Fine Art exhibition review). The Newsday Magazine, 30 January 1983: 20–23, illustrated.

Wolff, Theodore F. “The Many Masks of Modern Art.” Christian Science Monitor, 24 March 1983: 20, illustrated.

Wolff, Theodore F. “America is doing well–although no big new ideas are in sight.” Christian Science Monitor, 31 May 1983.

1982

Carlsen, Peter. “Vibran Context For All.” Architecturial Digest (August 1982).

Daly, Michael. “The Collector.” New York, 31 May 1982: 28–36.

“La Pace Gallery et l'Art Vivante.” L'Oeil (September 1982).

Morgan, Ann Lee. “Louise Nevelson” (Richard Gray Gallery exhibition review). Art International (November/December 1982).

“Shadows & Flags: Louise Nevelson Plaza.” Downtown 5, no. 8 (November 1982).

Temin, Christine. “Nevelson's Mysteries.” The Boston Globe, 27 February 1982: 8.

1981

Broad, Harry A. “Louise Nevelson: Grande Dame of American Sculpture.” Art and Activities (April 1981): 36–38, 44, illustrated.

Conrad III, Barnaby. “A Stroll Down Fifty Seventh Street.” Horizon (April 1981).

Crossley, Mimi. “Art Reviews” (Kauffman Galleries exhibition review). The Houston Post, 19 September 1981: 6F.

Garcia, Esther. “Nevelson, the Old Master at 80.” The Herald Tribune (October 1981).

Hughes, Robert. “Sculpture's Queen Bee.” Time, 12 January 1981: 66–72.

Johnson, Patricia C. “Two Important Sculptors in Exhibits Here” (Kauffman Galleries exhibition review). Houston Chronicle, 20 September 1981: 17, illustated.

Saschon, Gail. “Ask me about ART.” Plano Daily Star-Courier, 13 May 1981: 7.

Shaw–Eagle, Joanna. “American Women in Sculpture.” Harper's Bazaar (August 1981): 163, 190, illustrated.

Spalding, Frances. “Louise Nevelson” (Wildenstein exhibition review). London Arts Review, 8 May 1981: illustrated.

Taylor, John Russell. “Works That Live Dangerously” (Wildenstein exhibition review). The Times (London), 5 May 1981.

1980

Cimaise, Jean. “Une Galerie Americaine.” Le Drapeau Rouge, 10 June 1980.

Glueck, Grace. “Art: Whitney Turns Into Nevelson Land” (Whitney Museum of American Art exhibition review). The New York Times, 6 June 1980.

Hughes, Robert. “Tsarina of Total Immersion” (Whitney Museum of American Art exhibition review). Time, 16 June 1980: 76, installation view.

Hunter, Sam. “Public Sculpture.” National Arts Guide 2, no. 3 (May/June 1980): 8–13.

Kramer, Hilton. “Art view: Nevelson’s Dazzling Feats” (The Pace Gallery exhibition review). The New York Times, 11 May 1980: 1, 31.

Larson, Kay. “Louise Nevelson’s Time and Emotion Studies” (Whitney Museum of American Art exhibition review). The Village Voice, 9–15 July 1980: 63.

“Merge, no. Collaborate, yes.” The New York Times, 25 January 1980.

Morris, Diana. “Nevelson: Giving Shape to the Collective Unconscious” (Whitney Museum of American Art exhibition review). Women Artists News (Summer 1980): 2–3.

Mullaly, Terence. “Out of date abstracts.” Daily Telegraph, 20 June 1980.

Shepherd, Michael. “Corkers and Pace–setters.” In London, 27 June 1980: 48.

Shepherd, Michael. “I've Got a Little List.” Sunday Telegraph, 29 June 1980.

Spalding, Frances. “Ten American Artists.” Arts Review, 7 April 1980.

Vaizey, Marina. “The name of the game.” Sunday Times, 29 June 1980.

1979

Cavaliere, Barbara. “Sculpture in the Age of Painting, 1943–57.” Arts (October 1979): 21.

Glueck, Grace. “New Sculpture Under the Sun, From Staten I. To the Bronx.” The New York Times, 3 August 1979.

“Sculpture in Public Places.” Horizon (October 1979): 50–55.

1978

Alpert, Bill. “Artpages: The ‘Great Lady of Sculpture’ Charms Seattle” (Linda Farris Gallery exhibition review). Argus (Seattle), 30 June 1978: 7, illustrated.

Campbell, R. M. “Louise Nevelson’s Extraordinary Work” (Linda Farris Gallery exhibition review). Seattle Post-Intelligencer, 30 June 1978.

Glowan, Ron. “Louise Neveslon: A View from the Pinnacle” (Linda Farris Gallery exhibition review). Artweek, 29 July 1978: 4.

Winn, Steven. “Wood Sculptures by Louise Nevelson” (Linda Farris Gallery exhibition review). The (Seattle) Weekly, 28 June–4 July 1978.

1977

Cavaliere, Barbra. Arts Magazine (October 1977).

Colby, Joy Hakanson. “Bravo for handpicked exhibit at OU.” The Sunday News, 23 Janurary 1977.

Glueck, Grace. “The 20th-Century Artists Most Admired By Other Artists.” Art News (November 1977).

Harnett, Lila. “A Chapel for St. Peter’s and a ‘Palace’ for Mrs. N: A Great Artist Creates Rooms for Posterity” (Pace Wildenstein exhibition review). Cue, 10–23 December 1977.

Hughes, Robert. “Night and Silence, Who is There?” (Pace Wildenstein exhibition review). Time, 12 December 1977: 59–60.

Kramer, Hilton. “Art: A Nevelson Made to Last” (PaceWildenstein exhibition review). The New York Times, 9 December 1977.

Lewis, Joanne. “Who is the Biggest Single Public Arts Patron of Them All?.” The Washington Post, 27 February 1977.

“Maurice Weir.” Interior Design (March 1977): 163–165.

“Nevelson Exhibit the Summer at Purchase” (Neuberger Museum exhibition review). Progressive Architecture, (June 1977): 24, illustrated.

Shirey, David L. “The Museum Director's Dilemma.” The New York Times, 27 November 1977.

White, David F. “Blaming State, Head of Neuberger Quits.” The New York Times, 20 November 1977.

1976

Genauer, Emily. “Review.” The New York Post, 21 February 1976.

Glueck, Grace. “How Do You Price Art Works? Let the Dealers Count the Ways.” The New York Times, 20 January 1976: 33, 62.

Kramer, Hilton. “Review” (Pace Gallery exhibition review). The New York Times, 18 February 1976.

Postiglione, Corey. “Laumeier Park, Landmark of the Future.” The New Art Examiner (December 1976): supplement, 2.

Russell, John. “Review.” The New York Times, 29 February 1976.

Smith, Roberta. “Review: Louise Nevelson, Pace.” Artforum, February 1976: 68, illustrated.

1975

Friedman, Martin. “The Fort Worth Art Museum, Larry Bell:Recent Work.” Fort Worth Star-Telegram, 19 October 1975: 10E.

Kramer, Hilton. “Art: Sampling of Asian Delights.” The New York Times, 18 January 1975.

1974

“Art: Monumenta.” Vogue (August 1974).

Gibson, Michael. “Paris: Fifteen American Artists.” Herald Tribune, 5 January 1974.

Nevelson, Louise. “I’ve Never Yet Stopped Digging Daily for What Life is All About.” Interview with B. Diamonstein. Art News 73, no.8 (October 1974): 48–49.

Winokur, James L. “Building Puts City on 'Art Map'.” Tribune–Review, 27 October 1974: D4.

1973

Kinglsey, April. “Pace Gallery, New York” (exhibition review). Artforum 11 (February 1973): 87–88.

Warnod, Jeanine. “Les peintres abstraits américains évoluent dans le néant.” Le Figaro, 19 December 1973.

1972

Canaday, John. “Art: Ingenuity of Louise Nevelson” (The Pace Gallery exhibition review). The New York Times, 4 November 1972: illustrated.

Mellow, James R. “Nevelson’s Night Music Plays On” (The Pace Gallery exhibition review). The New York Times, 19 November 1972: illustrated.

Perreault, John. “Houses of Cheerful Necromancy” (The Pace Gallery exhibition review). Village Voice, 9 November 1972: 34–35.

1971

Bongartz, Roy. “’I Don’t Want to Waste Time,’ Say Louise Nevelson at 70.” The New York Times Magazine, 24 January 1971: Section 6, 12–13, illustrated, cover.

Canaday, John. “Art: Nevelson’s ‘7th Decade Garden’” (exhibition review). The New York Times, 8 May 1971.

Canaday, John. “How to Miss a Boat and Catch a Toboggan” (The Pace Gallery exhibition review). The New York Times, 16 May 1971: illustrated.

Genauer, Emily. “Art and the Artist” (The Pace Gallery exhibition review). New York Post, 15 May 1971.

Nevelson, Louise. “Eight Artists Reply: Why Have There Been No Great Women Artists?–`Do Your Work.'“ Art News (January 1971): 41–43.

Pollock, Robert. “Springtime Things in New York Galleries” (The Pace Gallery exhibition review). Patriot Ledger, 1 June 1971: illustrated.

1970

Canaday, John. “Stimulating Show of Nevelson Art.” The New York Times, 11 November 1970: 36.

Engels, Mary. “Architect of Reflection.” News, New York, 9 January 1970: 56–61.

Kramer, Hilton. “Episodes from the Sixties.” Art in America (January/February 1970): 56–61.

Lanes, Jerrold. “New York: Louise Nevelson.” Artforum (February 1970): 74–74.

Lipman, Jean. “Period Rooms—The Sixties and Seventies.” Art in America (November/December 1970): 126–129, illustrated.

Progressive Architecture (October 1970): cover.

1969

Ashton, Dore. “New York Commentary.” Studio (June 1969): 287–289.

Block, C. “Letter from Holland.” Art International (November 1969): 52.

Canaday, John. “Louise Nevelson and the Rule Book.” The New York Times, 6 April 1969: 25.

“Exposicion Louise Nevelson.” Goya (May 1969): 413.

Gallego, J. “Esculturas inquietantes.” Goya (July 1969): 33–34, 66.

Glueck, Grace. “Hanging Henry's Show.” The New York Times, 3 August 1969.

Glueck, Grace. “Julliard Unveils a Wall Sculptured by Nevelson.” The New York Times, 19 December 1969: 60, illustrated.

“Images: Louise Nevelson at Pace.” Arts (March 1969): 24.

“In the Galleries: Louise Nevelson.” Arts (December 1969): 65.

Krebs, Betty Dietz. “New Logic for Nevelson.” News, (Dayton, Ohio) 25 May 1969: 6.

Mellow, James R. “New York Letter.” Art International (Summer 1969): 48.

Muller, Gregoire. “A Plastice Presence.” Arts (November 1969): 36–37.

Peppiat, Michael. “Paris.” Art International (Summer 1969): 55–56.

Ragon, Michel. “Constructions oniriques.” XXe Siecle (December 1969): 113–116.

“Reviews and Previews: Louise Nevelson.” Art News (May 1969): 70.

“Reviews and Previews: Louise Nevelson.” Art News (December 1969): 18.

1968

Dault, Gary Michael, “Toronto: Preliminaries–A Critical Notebook #2.” Artscanada (December 1968): 87.

“Facade: Homage to Edith Sitwell.” Arts (September 1968): 51.

Gassiot–Talabot, Gerald. “Les Caissons du Diable.” Opus, International (June 1968): 68–70.

Genauer, Emily. “On the Arts: What's Doing In the Galleries.” Newsday, 20 January 1968.

“In the Galleries: Louise Nevelson.” Arts (February 1968): 58.

Justice, Cornelia. “Nevelson Works Arresting.” Norfolk Ledger Star, 6 August 1968.

Kramer, Hilton. “A Triumph of Constructivism” (The Pace Gallery exhibition review). The New York Times, 28 January 1968: 31, illustrated.

Lebel, R. “L'irruption des femmes dans la sculpture.” XXe Siecle (June 1968): 137.

“Louise Nevelson: Skulpturer.” Louisiana Revy (November 1968): 31–32, illustrated.

Nevelson, Louise, “Moden for Atmosphere and Environment: `Ice Palace I'.” Arts (February 1968): 21.

Plumb, Barbara. “Life Style with Art.” The New York Times Magazine, 3 November 1968: SM94, illustrated.

“Reviews and Previews: Louise Nevelson.” Arts (March 1968): 22.

“Shadow and Reflection.” Studio (September 1968): 77.

“Untitled (silkscreen and collage).” Art in America (July 1968): 50.

1967

“Alabama is Help to Nevelson.” Birmingham Alabama News, 19 March 1967.

Alvard, J. “Paris: Exhibition at Galerie Daniel Gervis.” Art News (September 1967): 63.

“Art of Louise Nevelson.” Connoisseur (July 1967): 214–215.

Boustedt, B. “Vivre avec la sculpture.” XXe Siecle (December 1967): 134.

Coates, Robert. “The Art Galleries: Sculpture at the Whitney.” The New Yorker, 7 January 1967: 84–86.

Cuccio, Angela, “The Rebel Sculptor.” Women's Wear Daily, 21 December 1967: 4–5.

Danieli, Fidel A. “Los Angeles: Louise Nevelson, Ferus/Pace Gallery.” Artforum (February 1967): 63–64, illustrated.

Genauer, Emily. “A Scavenger's Black Magic.” World Journal Tribune, 12 March 1967: 33.

Glueck, Grace. “No Little Flowers, Please” (Whitney Museum of Art exhibition review). The New York Times, 12 March 1967: 139, illustrated.

Gratz, Roberta Brandes. “Building Empires.” The New York Post, 8 March 1967: 47.

Hammel, Lisa. “Louise Nevelson Has Plan for Living: A House That is One Large Sculpture. The New York Times, 28 April 1967: 45, illustrated.

“In the Museums: Louise Nevelson.” Arts (April 1967): 55.

“Is Fashion an Art?” The Metropolitan Museum of Art Bulletin (November 1967): 132–133.

“Journal of Art: Louise Nevelson's Sculpture Exhibition Has Opening at The Whitney Museum.” World Journal Tribune, 8 March 1967.

Kozloff, Max. “Art.” The Nation, 10 April 1967: 477–488.

“Louise Nevelson Exhibit Opens at Rose May 24.” Brandeis University Gazette, 11 May 1967: 1.

Langsner, Jules. “Art News from Los Angeles.” Art News (Summer 1967): 45.

“Mansions of Mystere.” Time, 31 March 1967: 86.

Mcdonald, Gregory. “She Takes the Commonplace And Exalts It.” Boston Globe, 10 September 1967: illustrated.

Mellow, James R. “Sculpture Swings to A New Industrial Look.” Industrial Design (March 1967): 60–64, illustrated..

Meyner, Helen. “` I want people to see that art is everywhere.'“ Newark Star–Ledger, 30 March 1967.

Nevelson, Louise. “Earrings.” Art in America (November 1967): 80.

“Night Music.” Das Kunstwerk (April 1967): 42.

Pincus–Witten, Robert. “Louise Nevelson, Whitney Museum.” Artforum (May 1967): 58.

Roberts, Collette, “Retrospective au Whitney Museum.” Aujourd'hui (October 1967): 204.

Sekler, Dorothy Gees. “The Artist Speaks: Louise Nevelson.” Art in America (January 1967): 32–43.

“She and Her Shadows: The Whitney Museum Display.” Newsweek, 20 March 1967: 110–111.

Smith, D. “Louise Nevelson.” Craft Horizons (May 1967): 44–49.

Smith, Miles A. “Environmental at the Pace Gallery.” Apollo (July 1967): 66.

“St. Louis: Among Recent Acquisitions: New Continent, 1962.” City Art Museum of St. Louis Bulletin (November/December 1967): 2–3.

1966

Ashton, Dore. “Show at Pace Gallery.” Studio (July 1965): 45.

Canaday, John. “Louise Nevelson Puts Green Thumb to Good Use” (The Pace Gallery exhibition review). The New York Times, 14 May 1966: 20, installation view.

“Detroit Gallery Shows Nevelson Sculpture.” Blade, 15 May 1966.

Driver, Morley. “A Strange Wall, One You Can't Get Over Easily.” Free Press, (Detroit), 29 May 1966.

Francouer, George. “Detroit.” Art News (October 1966): 58, 61.

Giusti, Hedy A. “Gli Artisti della ‘Pace Gallery’.” D’Ars Agency. Periodico d’arte contemporanea, anno 7, no. 3–4 (1966): 100–103, illustrated.

Hakanson, Joy. “$55,000 Gift `Wall' Heralds Exhibit of Ferry Collection.” News (Detroit), 11 October 1966.

“In the Art Galleries.” The New York Post, 14 May 1966.

“In the Galleries: Louise Nevelson.” Arts (September/October 1966): 54.

Morrison, Harriet. “From An Abstract Environment.” The New York Herald Tribune, 16 April 1966.

“Portrait.” Das Kunstwerk (April 1966): 65.

“Reviews and Previews: Louise Nevelson.” Art News (Summer 1966): 13–14.

Roberts, Collette. “Lettre de New York.” Aujord'hui (September 1966): 102.

1965

“Architectonic Assemblages” (The Pace Gallery exhibition review). Progressive Architecture (May 1965): illustrated.

“Brilliant Evenings.” Vogue (March 1965): 134–149, illustrated.

Clinton, Audrey. “Sculpturing Success Carved from Scrapes.” Newsday, 13 July 1965.

Grossberg, J. “In the Galleries: Louise Nevelson.” Arts (January 1965): 14.

Kozloff, Max. “The Further Adventures of American Sculpture.” Arts (February 1965): 24–31.

Lafean, Richard. “Ceramics by Twelve Artists.” Craft Horizons (January/February 1965): 30–33.

McCoy, Garnett. “Poverty, Politics and Artists.” Art in America (August/ September 1965): 88–107.

K. L. “Reviews and Previews: Louise Nevelson.” Art News (January 1965): 14, illustrated.

1964

Althaus, P.F. “Ausstellung: Bern.” Werk (July 1964): 157.

“Austellungen: Louise Nevelson.” Werk (March 1964): 59.

Canaday, John. “Display at Pace Gallery Called Her Best Yet” (exhibition review). The New York Times, 21 November 1964: illustrated.

Coates, Robert M. “The Art Galleries: Louise Nevelson” (The Pace Gallery review). The New Yorker, 5 December 1964: 160–162.

Coates, Robert M. “The Art World (The Art Galleries): Whither, Whither?” (Whitney Annual review). The New Yorker, 19 December 1964: 152.

“The Constructions of Louise Nevelson.” The New York Post, 29 November 1964: 14.

Genauer, Emily. “Roualt as Mirror and Prophet” (The Pace Gallery exhibition review). New York Herald Tribune, 22 November 1964: 37, illustrated.

Gray, Cleve. “Ceramics by Twelve Artists.” Art in America (December 1964): 27–41.

Hodin, J.P. “Quand les artists parlent du sacre.” XXe Siecle (December 1964): 24.

Moholy, Lucia. “Current and Forthcoming Exhibitions.” Burlington Magazine (March 1964): 142–143.

“Review” (The Pace Gallery exhibition review). Women’s Wear Daily, 27 November 1964: illustrated.

Roud, Richard. “I mercanti d'arte.” Domus (February 1964): 25–26.

Taylor, Robert. “Events in Arts: Wood Sculpture Exhibited” (The Pace Gallery exhibition review). The Boston Herald, 5 April 1964.

Whittett, G.S. “London Commentary: No Stranger to No Paradise.” Studio (January 1964): 32.

1963

Ashton, Dore. “New York Letter.” Kunstwerk (April 1963): 31.

Castile, Rand. “Louise Nevelson.” Art News (December 1963): 14.

Coutts–Smith, Kenneth. “Nevelson: Hanover Gallery.” Arts Review, 16–30 November 1963: 16.

Fried, Michael. “New York Letter.” Art International (February 1963): 60–64.

Gray, Cleve. “Tamarind Workshop.” Art in America (October 1963): 98.

Kramer, Hilton. “Art.” The Nation, 26 January 1963.

“Louise Nevelson.” Art International, 25 October 1963: 72–73.

“Reviews and Previews: Louise Nevelson.” Art News (February 1963): 15.

“Reviews and Previews: Louise Nevelson.” Art News (September 1963): 12.

Tillim, Sidney. “Month in Review.” Arts (February 1963): 40–42.

1962

“All That Glitters.” Time, 31 August 1962: 40.

Ashton, Dore. “Art USA 1962.” Studio (1962).

“Editorial: The Venice Biennale.” Apollo (August 1962): 430.

Gendel, Milton. “Art News from Rome.” Art News (January 1962): 55.

Habasque, Guy. “La XXXIe Biennale de Venise.” L'oeil (September 1962): 32.

Hutchinson Peter. “New York: Totemic Abstraction.” Art and Artists (May 1962): 30–31.

Jouffroy, Alain. “Sulla Biennale.” Domus (August 1962): 28.

Jurgen–Fischer, “XXXI Biennale Venedig.” Kunstwerk (September 1962): 3–4.

“La XXXI Biennale.” Architectura (October 1962): 40.

Lonzi, Carla. “Artisti Americani.” Notizie: Associazione Arti Figurative (June 1962): 1, illus.

“Louise Nevelson with `Cathedral One'.” Vogue, 1 August 1962.

Marchiori, G. “La XXXIe Biennale de Venise.” XXe Siecle (December 1962): 10.

Melville, Robert. “Exhibitions: The Venice Biennale.” Architectural Review (October 1962): 285–286.

Michelson, Annette. “The Venice Biennale.” Arts (October 1962): 26.

“Reviews and Previews: Louise Nevelson.” Art News (March 1962): 15.

“Venice: The Biennale.” Arts (May/June 1962): 72–73.

1961

Ashton, Dore. “New Compositions.” Arts & Architecture (June 1961): 4–5.

Brackert, Gisela. “Louise Nevelson.” Kunstwerk (February 1961): 81.

Choay, Françoise. “Paris.” Arts (January 1961): 16–17.

Craig, Martin. “Notes on Sculpture in Mad Society.” Art News (January 1961): 27–60.

Dorfles, Gillo. “L'oggetto nella pittura: mostra alla galleria Schwarz a Milano.” Domus (April 1961): 40.

Lonzi, Carla. “Opere scelte di Artisti Americani: Bluhm, Calder, Francis, Gorky Gottlieb, Kline, Mitchell, Motherwell, Nevelson, Riopelle, Rothko, Tobey, Twombly.” Notizie: Associazione Arti Figurative (March 1961): 4, illus.

“Louise Nevelson.” Art International (June/August 1961).

Melville, Robert. “Exhibitions.” Architectural Review (October 1961): 279.

Nordland, Gerald. West Coast Review.” Arts (December 1961): 64.

O'Doherty, Brian. “Art: Four Sculptors Manipulate Third Dimension” (Martha Jackson Gallery exhibition review). The New York Times, 24 April 1961.

Picard, Lil. “Tausend und Einige Holzer: Bezuch bei Louise Nevelson.” Kunstwerk (September 1961): 15–24.

Raynor, Vivien. “In the Galleries: Louise Nevelson.” Arts (September 1961): 40.

“Reviews and Preview: Louise Nevelson.” Art News (May 1961): 10–11.

Schneider, Pierre. “Paris.” Art News (January 1961): 46–54.

Sekler, Dorothy Gees. “American Art International.” Art in America (1961): 89–93.

Von Holten, Ragnar. “Den mirakulosa fru Nevelson.” Konstrevy (1961): 176–187.

Wescher, Hertz. “Austellungen: Pariser Kunstbrief.” Kunstwerk (April 1961): 77.

1960

Arp, Jean. “Louise Nevelson.” XXe Siecle (June 1960): 19.

Ashton, Dore. “La sculpture americaine.” XXe Siecle (December 1960): 87.

Burke, Stanley. “A New Discipline.” Art in America (Summer 1960): 45–47.

Hess, Thomas B. “U.S. Art, Notes form 1960.” Art News (January 1960): 25–29.

“In the Galleries: Louise Nevelson.” Arts (February 1960): 61.

“Louise Nevelson.” Cimaise (April/May/June 1960): 26–37.

Mock, J.Y. “Louise Nevelson.” Apollo (December 1960): 207.

Nevelson, Louise. “Atmosphere and Environment I.” Detroit Institute of the Arts Quarterly (1960): 314.

“Reviews and Previews: Louise Nevelson.” Art News (January 1960): 13.

Roberts, Collette. “L'Ailleurs de Louise Nevelson.” Cahiers de Musée de poche (May 1960): 77–84.

Schwartz, M.D. “Sixteen Americans at the Museum of Modern Art.” Apollo (February 1960): 49–50.

1959

Arneill, Anne. “Searcher for New Image ‘Arrives’ in Art World.” Denver Post, 20 December 1959: 33.

Ashton, Dore. “Art: Worlds of Fantasy” (Martha Jackson Gallery exhibition review). The New York Times, 29 October 1959.

Ashton, Dore. “Art.” Arts & Architecture (December 1959).

“In the Galleries: Louise Nevelson.” Arts (December 1959): 57.

“Reviews and Previews: Louise Nevelson.” Art News (December 1959): 19.

Rosenblum, Robert. “Louise Nevelson.” Artist's Yearbook, Paris/New York (1959): 136–139.

1958

Ashton, Dore. “Art.” Arts & Architecture (March 1958): 10, 33.

Hess, Thomas B. “Inside Nature.” Art News (February 1958): 40.

“In the Galleries: Louise Nevelson.” Arts (January 1958): 54.

Kramer, Hilton. “The Sculpture of Louise Nevelson.” Arts Magazine 32, no.9 (June 1958): 26–29.

“One Woman's World.” Time, 3 February 1958: 58.

Peterson, Stuart. “The Rising Tide of Exhibitions for 1958.” The New York Times, 12 January 1958.

“Reviews and Previews: Louise Nevelson.” Art News (March 1958): 13.

“Reviews and Previews: Louise Nevelson Etchings.” Arts (March 1958): 54.

“Weird Woodwork of Lunar World.” Life, 24 March 1958: 70–80, illustrated.

1957

Ashton, Dore. “Art: Forest Sculptures; Pieces Hewn in Wood by Louise Nevelson Evoke Arboreal Metaphors” (Grand Central Moderns Gallery exhibition review). The New York Times, 8 January 1957: 34.

Kramer, Hilton. “Month in Review.” Arts (January 1957): 47.

“Reviews and Previews: Louise Nevelson.” Art News (January 1957): 23.

1956

Ashton, Dore. “About Art; Louise Nevelson Shows Wood Sculptures” (Grand Central Moderns Gallery exhibition review). The New York Times, 21 February 1956: 31.

“In the Galleries: Personages at See.” Arts (February 1956): 52.

Munro, Eleanor. “Explorations in Form.” Perspective USA (Summer 1956): 167.

“Reviews and Previews: Louise Nevelson.” Art News (February 1956): 48.

“Reviews and Previews: Opening Show.” Art News (October 1956): 10.

1955

“Fortnight in Review: Nevelson.” Art Digest, 1 January 1955: 21.

Gage, Otis. “Art.” Arts & Architecture (February 1955): 4, 10.

“Month in Review: Sculptor's Guild.” Art Digest, 1 August 1955: 28–29.

O'Hara, Frank. “Reviews and Previews: Sculpture 1955.” Art News (September 1955): 51.

“Reviews and Previews: Louise Nevelson.” Art News (January 1955): 46–47.

1954

“Fifty–Seventh: Women Sculptors.” Art Digest, 1 January 1954: 16.

“Fortnight in Review: Louise Nevelson.” Art Digest, 15 April 1954: 24.

“Reviews and Previews: Louise Nevelson.” Art News (January 1954): 69.

Smith, Dido. “Sculpture Works with Clay––Louise Nevelson.” Ceramic Age (August 1954).

1953

“Fifty–Seventh Street: Women Sculptors.” Art Digest, 1 March 1953: 18.

“Reviews and Previews: American Sculptors.” Art News (January 1953): 50.

1952

“Fifty–Seventh Street in Review: Nevelson, Mathes, Horowitz.” Art Digest, 15 January 1952: 29.

1950

Dido, Smith. “A Sculptor Works with Clay: A Visit with Louise Nevelson.” Ceramic Age (August 1954): 50.

1946

“Reviews and Preview: Louise Nevelson.” Art News (May 1946): 58.

1944

“Louise Nevelson.” Art News, 1 November 1944: 27.

Stroup, John. “Tunnard and Nevelson.” Art Digest, 15 November 1944: 14.

1943

“Irrepressible Nevelson.” Art Digest, 15 April 1943: 19.

Riley, Maude. “Fifty–Seventh Street in Review: A Sculptor's Portraits.” Art Digest, 15 November 1943: 19.

1942

“Louise Nevelson, Sculptor.” Art Digest, 16 October 1942: 18.

“The Passing Shows.” Art News, 1 November 1942: 24.

1941

“Art Notes” (Nierendorf Gallery exhibition review). Cue, 4 October 1941: 16.

“Louise Nevelson's Debut” (Nierendorf Gallery exhibition review). Art Digest, 1 October 1941: 7.

2024

Cateforis, David. Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present. New York: Oxford University Press, 2024: 306, illustrated.

2023

Bryan-Wilson, Julia. Louise Nevelson’s Sculpture: DRAG, COLOR, JOIN, FACE. New Haven and London: Yale University Press, 2023.

Gillham, Will, ed. Carter Handbook. Fort Worth, Texas: Amon Carter Museum of American Art, 2023: 233, illustrated.

Scale: Sculpture 1945–2000 (exhibition catalogue). Edited by Jordi Sanguino. Madrid: Fundación Juan March, 2023: 136, illustrated.

The World Outside: Louise Nevelson at Midcentury (exhibition catalogue). Texts by Shirley Reece-Hughes, Jane Dini, Ellen Graff, Maria Nevelson, et al. Fort Worth, Texas: Amon Carter Museum of American Art, 2023.

2022

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 144–145, illustrated.

Creating Abstraction (exhibition catalogue). Texts by Saskia Flower and Tamara Corm. New York: Pace Publishing, 2022.

Hansen, Manuela. The Milk of Dreams (Il Latte Dei Sogni). First ed. Venezia: La Biennale Di Venezia, 2022: 210, 211, 499, 517, 525, 735, illustrated.

Lapa, Pedro, ed. Coleção Berardo 1909–2019. Lisbon: Museum Coleção Berardo, 2022: 357, Illustrated.

Louise Nevelson. Persistence (exhibition brochure). Text by Julia Bryan-Wilson. New York: The Louise Nevelson Foundation, 2022.

Louise Nevelson. Milan: GióMarconi, 2022.

New York: 1962–1964 (exhibition catalogue). Edited by Germano Celant. New York: Jewish Museum; Milan: Skira editore, Milan: 2022: 219, 319, illustrated.

Von Lintel, Amy and Bonnie Roos. Three Women Artists: Expanding Abstract Expressionism in the American West. College Station, Texas: Texas A&M University Press, 2022: 118–153, illustrated.

2021

Fogle, Douglas, and Hanneke Skerath, eds. Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, 2021: 156, illustrated.

Gipson, Ferren. The Ultimate Art Museum. New York: Phaidon Press, 2021: 200, illustrated.

Jones, John, and Nicolette Jones. The American Art Tapes: Voices of the Twentieth-Century Art. London: Tate Publishing, 2021.

Women in Abstraction (exhibition catalogue). Edited by Christine Macel and Karolina Ziebinska-Lewandowska. New York: Thames & Hudson, 2021: 211, illustrated.

2021 MoMA Appointment Calendar: Women Artist’s from the Collection. New York: The Museum of Modern Art, 2021: May 17–23, illustrated.

2020

Louise Nevelson: Sculptor of Shadows / Skyggernes Skulptør (exhibition catalogue). Edited by Majbritt Løland and Stinna Toft. Aalborg, Denmark: Kunsten Museum of Modern Art, 2020.

2019

Hollein, Max. Modern and Contemporary Art in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2019: 120, illustrated.

Weyl, Christina. Women of Atelier 17: Modernist Printmaking in Midcentury New York. New Haven: Yale University Press, 2019: illustrated.

2018

A Dark Place of Dreams: Louise Nevelson with Chakaia Booker, Lauren Fensterstock and Kate Gilmore (exhibition catalogue). Jacksonville, Florida: Museum of Contemporary Art Jacksonville, A Cultural Institute of University of North Florida, 2018: illustrated.

Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 371, 354, 469, illustrated.

Louise Nevelson: Black & White (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2018.

The Masters: Art Students League Teachers and Their Students (exhibition catalogue). New York: Hirschl & Adler, 2018: 41, illustrated.

2017

Farrell, Jennifer. The History and Legacy of Samuel M. Kootz and the Kootz Gallery (exhibition catalogue). Charlottesville, Virginia: The Fralin Museum of Art at the University of Virginia, 2017.

No Boundaries: Sculptures by Thirteen Women (exhibition catalogue). New York: Marlborough Gallery, 2017: 14–15, illustrated.

Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 52, illustrated.

2016

Anfam, David. Abstract Expressionism (exhibition catalogue). London: Royal Academy of Arts, 2016: 236–237, illustrated.

Agee, William C. Modern Art in America. London and New York: Phaidon Press Limited, 2016: 270, illustrated.

Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 286, illustrated.

Blackness in Abstraction (exhibition catalogue). Texts by Adrienne Edwards. New York: Pace Gallery, 2016: 53–57, illustrated.

Burri: Lo Spazio di Materia: Tra Europa e USA (exhibition catalogue). Edited by Bruno Corà. Città di Castello, Italy: Fondazione Palazzo Albizzini Collezione Burri, 2016.

Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 104–7, illustrated.

Louise Nevelson I Collages: I Volume. Text by Bruno Corà. Milan: Skira Editore and Fondazione Marconi, 2016.

Louise Nevelson: Symphony of Ambient Forms (exhibition catalogue). Philadelphia: Locks Art Publications, 2016.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 72, 73, illustrated.

Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016: 287, illustrated.

Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 250, illustrated.

Wilson, Laurie. Louise Nevelson: Light and Shadow. New York: Thames & Hudson, 2016.

2015

Fletcher, Valerie J. Marvelous Objects: Surrealist Sculpture from Paris to New York (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2015: 77.

Louise Nevelson: Collage and Assemblage (exhibition catalogue). Text by Germano Celant. New York: Pace Gallery, 2015.

Marks Made: Prints by American Women Artists from the 1960s to the Present (exhibition catalogue). Texts by Susan Tallman and Erika Greenberg-Schneider. St. Petersburg: Museum of Fine Arts, 2015: 98–99, illustrated.

Picasso and the 20th Century Art: Masterpieces from the Museum of Modern Art, Toyama (exhibition catalogue). Tokyo: Tokyo Station Gallery, 2015: 106–7, illustrated.

Sotto Voce (exhibition catalogue). Text by Dr James Fox. London: Dominique Lévy, 2015: 84–85, illustrated.

2014

Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 50, illustrated.

The Distaff Side (exhibition catalogue). Texts by Ryan Frank, Caitlin Smith, Joan Simon, et al. Sharon, Connecticut: The Granary, 2014: 80, 81, 222, illustrated.

A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Texts by Gwen Allen, David Cateforis and Evelyn C. Hankins, etc. Stanford, California; New York: The Anderson Collection at Stanford University, 2014: 122, illustrated.

Louise Nevelson: Creativity Shaped My Life (exhibition catalogue). Text by Bruno Corà, Damiano Femfert, Christoph, Grunenberg, Louise Nevelson, and Andrea Stoll. Frankfurt am Main: Die Galerie, 2014.

Stokstad, Marilyn and Michael W. Cothren. Art History (Fifth Edition). New York: Pearson, 2014: 1085, illustrated.

When Modern Was Contemporary: The Roy R. Neuberger Collection. Purchase, New York: Neuberger Museum of Art of Purchase College, 2014: 158–60, illustrated.

2013

Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 319, 320, 324, illustrated.

Louise Nevelson (exhibition catalogue). Texts by Bruno Corà, Thierry Dufrêne, Thomas Deecke et al. Milan: Skira Editore, 2013.

Remnants: Louise Nevelson & Aaron Siskind (exhibition catalogue). New York: Bruce Silverstein Gallery, 2013.

Your Museum Transformed. Saint Louis, Missouri: Saint Louis Art Museum, 2013: 36, illustrated.

2012

Celant, Germano. Louise Nevelson. Milan: Skira editore, 2012.

Cozzolino, Robert, ed. The Female Gaze: Women Artists Making Their World (exhibition catalogue). Philadelphia: Pennsylvania Academy of the Fine Arts, Philadelphia, 2012: 60, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 177, illustrated.

Louise Nevelson: The Way I Think is Collage. Texts by Robert Indiana, Bill Katz, and Anthony Haden-Guest. Zurich, St. Moritz, and Zug: Galerie Gmurzynska, 2012.

Nevelson, Louise “Dawns and Ducks (1976).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 603–605.

2011

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 164, 195, illustrated.

Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: 17, illustrated.

Chikako, Takaoka. The Complete Catalogue of Ohara Museum of Art (I): Foreign Artists. Okayama, Japan: Ohara Museum of Art, 2011: 66, illustrated.

Farrell, Jennifer, ed. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Texts by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr and Judith Tannenbaum. New Haven, Connecticut: Yale University Art Gallery, 2011:208–209, illustrated.

From Picasso to Jeff Koons: The Artist as Jeweler (exhibition catalogue). Texts by Diane Venet, Barbara Rose and Adrien Goetz. Milan: Skira, 2011: 134–135, illustrated.

Hunters and Gatherers: The Art of Assemblage (exhibition catalogue). Text by Adam Gopnik. New York: Sotheby’s, 2011: 38–39, illustrated.

Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California (exhibition catalogue). California: Getty Publications in association with Norton Simon Museum, 2011: cover, 27, illustrated.

O’Keeffe, Linda. Brilliant: White In Design. New York: The Monacelli Press, 2011: 173, illustrated.

The Passionate Collector: Robert B. Mayer’s Adventures in Art. Chicago: Beatrice Cummings Mayer, 2011: 120, illustrated.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists (exhibition catalogue). Text by Nancy E. Green. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2011: 35, illustrated.

Vervoordt, Axel, ed. TRA-The Edge of Becoming (exhibition catalogue). Ghent: Vervoordt Foundation in association with MER. Paper Kunsthalle, 2011: illustrated.

2010

Abstract Expressionism at the Museum of Modern Art. Text by Ann Temkin. New York: Museum of Modern Art, New York, 2010: 101, illustrated.

Butler, Cornelia and Alexandra Schwartz, eds. Modern Women. New York: Museum of Modern Art, 2010: 32, illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 278–279, illustrated.

Lippincott, Jonathan. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010: illustrated.

Masterworks from the Butler Institute of American Art. Youngstown, Ohio: The Butler Institute of American Art, 2010: 267, illustrated.

North Carolina Museum of Art: Handbook of the Collections. Raleigh: North Carolina Museum of Art, 2010: 513–514, illustrated.

O’Hare, Mary Kate. Constructive Spirit: Constructive Spirit: Abstract Art in South and North America, 1920s–50s (exhibition catalogue). Newwark: Newark Museum, 2010: illustrated.

Reflection (exhibition catalogue). Text by Nicole Berry. New York: Nathan A. Bernstein & Co., Ltd., 2010: illustrated.

Re: Collection. Selected Works from The Studio Museum in Harlem. New York: The Studio Museum in Harlem, 2010: 112-113, illustrated.

Sculpture (exhibition catalogue). London: Waddington Galleries, 2010.

2009

Abstract Expressionism: Further Evidence (exhibition catalogue). New York: Michael Rosenfeld Gallery, 2009: 110–111, illustrated.

Adventures in Modern Art: The Charles K. Williams II Collection (exhibition catalogue). Pennsylvania: Philadelphia Museum of Art, 2009: 221–223, 329, illustrated.

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 236–7, illustrated.

The Collection of Francie Bishop Good + David Horvitz (exhibition catalogue). Fort Lauderdale: Museum of Art, 2009.

The Collection of Gordon Locksley + George T. Shea (exhibition catalogue). Fort Lauderdale: Museum of Art, 2009: 8, 77, illustrated.

Elles@centrepompidou (exhibition catalogue). Texts by Camille Morineau, Cécile Debray, Quentin Bajac, et al. Paris: Musée national d’art moderne, Centre Georges Pompidou, 2009: 158–160, illustrated.

Fischel, Jack. Encyclopedia of Jewish American Popular Culture. Westport, Connecticut: Greenwood Press, 2009, illustrated.

Innovations in the Third Dimension: Sculpture of Our Time (exhibition catalogue). Texts by Nancy Hall-Duncan and Joan Pachner. Greenwich: Bruce Museum, 2009: 45, 60, 80–81, illustrated.

Kennedy, Brian P. and Emily Schubert Burke, eds. Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2009: 180, illustrated.

Louise Nevelson: Collages (exhibition catalogue). Texts by Mauro Panzera and Maddalena Tibertelli de Pisis. Florence: Galleria il Ponte, 2009.

Louise Nevelson: Dawns and Dusks (exhibition brochure). New York: PaceWildenstein: 2009.

A Parallel Presence: National Association of Women Artists, 1889–2009 (exhibition catalogue). Text by Donna Gustafson. New York: UBS Art Gallery, 2009: illustrated.

Phifer, Jean Parker. Public Art New York. New York: W.W. Norton & Company, Inc, 2009: 63, 182, illustrated.

Reflections/Refractions: Self-Portraiture in the Twentieth Century (exhibition catalogue). Texts by Wendy Wick Reaves and Anne Collins Goodyear. Washington, D.C.: Smithsonian Institution Scholarly Press, 2009: 82–83, illustrated.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009: illustrated.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 13, 14, 118, illustrated.

2008

American Artists from the Russian Empire (exhibition catalogue). Russia: State Russian Museum, 2008: 66, 252, illustrated.

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 69–79, illustrated.

Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 58–58, illustrated and discussed.

Collecting Collections: Highlights of the Permanent Collection (exhibition catalogue). Los Angeles: Museum of Contemporary Art, Los Angeles, 2008.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 394, illustrated.

Feinstein, Roni. Circa 1958: Breaking Ground in America (exhibition catalogue). North Carolina: Ackland Art Museum, University of North Carolina, 2008.

The History Book: On Moderna Museet 1958–2008. Germany: Steidl, 2008: 25, illustrated.

The Hague Sculpture 2008: Freedom–American Sculpture (exhibition catalogue). The Hague, The Netherlands: Foundation the Hague Sculpture, 2008: 62, illustrated.

Holt, Steven and Mara Holt Skov. Manufractured: The Conspicuous Transformation of Everyday Objects. San Francisco: Chronicle Books, 2008: 17, illustrated.

Kawamura Memorial Museum of Art: Volume I. Tokyo: DIC Corporation, 2008: 134–35, illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. New York and New Haven: The Jewish Museum and Yale University Press, 2008: 15, 17, 33, 263.

Macnair, Jennifer, Thomas Frick and Nola Butler, ed. The Broad Contemporary Art Museum at the Los Angeles County Museum of Art: BCAM/LACMA 2008. Los Angeles: Los Angeles County Museum of Art, 2008: 141.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 214, illustrated.

New York Cool: Painting and Sculpture from the NYU Art Collection (exhibition catalogue). Text by Pepe Karmel. New York: Grey Art Gallery, New York University, 2008: 155, illustrated.

Nevelson by Night (exhibition brochure). Winter Park, Florida: Cornell Fine Arts Museum, Rollins College, 2008.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 223, illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

Whitney Museum of American Art at Altria. Foreword by Adam D. Weinberg. Introduction by Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

Godfrey, Mark. Abstraction and the Holocaust. New Haven and London: Yale University Press, 2007: 205.

Louise Nevelson: The Architecture of the Light (exhibition catalogue). Text by Mark Daniel Cohen. New York: Nohra Haime Gallery, 2007.

Louise Nevelson: Assemblages 1973–1986 (exhibition catalogue). Vancouver: Buschlen Mowatt Gallery, 2007.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 142–143, 369, illustrated.

Sculpture. London: Waddington Galleries, 2007: 56–57, illustrated.

The Sculpture of Louise Nevelson: Constructing a Legend (exhibition catalogue). Texts by Arthur C. Danto, Brooke Kamin Rapaport, Harriet F. Senie, and Michael Stanislawski. New Haven and New York: Yale University Press; Jewish Museum, 2007.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 315, plate 300, illustrated.

2006

The City of Winter Park: Art on the Green. Text by Joyce Pomeroy Schwartz. Winter Park: The City of Winter Park, 2006: illustrated.

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 160–163, illustrated.

New York, New York: Fifty Years of Art, Architecture, Cinema, Perfromance, Photography, Film and Video (exhibition catalogue). Text by Germano Celant. Monaco: Grimaldi Forum, 2006: 160, 161, illustrated.

Le Noir est une couleur: Hommage vivant à Aimé Maeght (exhibition catalogue). Saint-Paul, France: Fondation Marguerite et Aimé Maeght, 2006: 188, illustrated.

Process & Promise: 75 Years of Art, Education and Community at the 92nd Street Y (exhibition catalogue). New York: 92nd Street Y, 2006: 95, illustrated

Van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture. Munich: Prestel Verlag, 2006: 134–135, illustrated.

2005

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Perl, Jed. New Art City. New York: Alfred A. Knopf, 2005: 331, illustrated.

2004

An American Odyssey 1945/1980 (exhibition catalogue). Texts by Stephen C. Foster, Daniel A. Siedell, Estera Milman and John Yau. Chronology by Janis Mink. Madrid: Circulo de Bellas Artes, 2004.

Autobiografia di una galleria. Lo Studio Marconi 1965/1992. Milan: Fondazione Marconi, 2004: 92–97, 305.

Foster, Alicia. Tate Women Artists. Millbank, London: Tate Publishing, 2004:144–145, discussed, illus.

Louise Nevelson: Wall Reliefs and Collages (exhibition catalogue). Text by Jeffrey Hoffeld. San Francisco: Hackett-Freedman Gallery, 2004.

Louise Nevelson (exhibition catalogue). Text by Gabriel Schmid. München: Galerie Thomas, 2004.

2003

Four Originals: Cassatt, O’Keeffe, Nevelson, Frankenthaler. Roslyn Harbor, New York: Nassau County Museum of Art, 2003: 65, illustrated.

Grosenick, Uta, ed. Women Artists: In the 20th and 21st Century. Cologne: Taschen, 2003: 141–42, illustrated.

Nevelson – Vari: A Dialogue (exhibition catalogue). New York: Nohra Haime Gallery, 2003.

2002

Abstraction: The Amerindian Paradigm (exhibition catalogue). Brussels: Palais des Beaux–Arts, 2001.

Becherer, Joseph Antenucci. Gardens of Art: The Sculpture Part at the Frederik Meijer Gardens. Grand Rapids, Michigan: Frederik Meijer Gardens and Sculpture Park, 2002: 88–91, illustrated.

Louise Nevelson: Sculpture of the ‘50s and ‘60s (exhibition catalogue). Text by Robert C. Morgan. New York: PaceWildenstein, 2002.

2001

Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Text by Arne Glimcher. Milan: Leaonardo International, 2001.

Sylvester, David. Interviews with American Artists. London: Random House, 2001.

2000

Art at Work: Forty Years of the Chase Manhattan Collection (exhibition catalogue). New York: Chase Manhattan Corp., 2000.

Artists in the Residence: U.S. Embassy Tokyo. Carolyn Glassman, ed. Tokyo: U.S. Embassy, [2000]: illustrated.

Berardo Collection 1917–1999 (exhibition catalogue). Texts by Donald Kuspit, Delfim Sardo and Margarida Veiga. Lisbon: Centro Cultural de Bélem, 2000: 139, illustrated.

Glassman, Carolyn, ed. Ambassador and Mrs. Thomas S. Foley: Artist In The Residence. Tokyo: U.S. Embassy, c. 2000: illustrated.

Raven, Arlene. True Grit: Lee Bontecou, Louise Bourgeois, Jay DeFeo, Clair Falkenstein, Nancy Grossman, Louise Nevelson, Nancy Spero (exhibition catalogue). New York: Michael Rosenfeld Gallery, 2000.

Squire, Larry R. and Eric R. Kandel. Memory: From Mind to Molescules. New York: W.H.Freeman, 2000: illustrated.

de Torres, Cecília and José Sommer Ribeiro. Louise Nevelson (exhibition catalogue). Lisbon: Fundação Arpad Szenes; Vieira da Silva, 2000.

Welded Sculpture of the Twentieth Century (exhibition catalogue). Purchase, New York: Neuberger Museum of Art, Purchase College, State University of New York, 2000.

1999

Elliott, Patrick. A Companion Guide to the Scottish National Gallery of Modern Art. Edinburgh: National Galleries of Scotland, 1999: 165, illustrated.

Louise Nevelson: Sculpture and Collages (exhibition catalogue). Text by Michael Klein. Philadelphia: Locks Gallery, 1999.

Phillips, Lisa. The American Century: Art & Culture 1950–2000. New York: Whitney Museum of American Art; W. W. Norton & Company, 1999

Radical Past: Contemporary Art & Music in Pasadena, 1960 (exhibition catalogue). Pasadena and Santa Monica, California: Armory Center for the Arts, Art Center College; RAM Publication & Distribution, 1999: 83, illustrated.

Scott, Deborah Emont and Martin Friedman, et. al. Modern Sculpture at The Nelson-Atkins Museum of Art: An Anniversary Celebration. Kansas City: Nelson Gallery Foundation, 1999.

Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery, rev. enl. ed. New York: Hudson Hills Press in association with Albright-Knox Art Gallery, 1999: 200–201, illustrated. First published 1987 by Rizzoli

1998

Louise Nevelson: Skulpturen, Collagen, Zeichnungen (exhibition catalogue). Text by Jeffrey Hoffeld. Zurich: Galerie Lutz & Thalmann, 1998.

Louise Nevelson: Sculpture and Drawings from the 1940s (exhibition catalogue). Text by the artist. New York: Joan T. Washburn Gallery, 1998.

1997

American Art: A Selection from Waddington Galleries. London: Waddington Galleries, 1997.

Hyman, Paula E. and Deborah Dash Moore, ed. Jewish Women in America: An Historical Encyclopedia, Volume II, M-Z. New York and London: Routledge, 1997.

Louise Nevelson: Sculpture and Drawings from the 1930s (exhibition catalogue). Texts by the artist and Arnold B. Glimcher. New York: Joan T. Washburn Gallery, 1997.

Louise Nevelson: Sculpture 1957–87 (exhibition catalogue). New York: PaceWildenstein, 1997.

Louise Nevelson, Tropical Garden II (exhibition catalogue). Texts by Catherine Prats-Okuyama and Kimihito Okuyama. Paris: Centre Pompidu, 1997.

1996

Louise Nevelson: Sculpture et œuvres sur papier (exhibition catalogue). Text by Jeffrey Hoffeld. Paris: Galerie Marwan Hoss, 1996.

1995

Black & White & Read All Over (exhibition catalogue). Charlotte, North Carolina: Lasalle Partners at NationsBank Plaza, 1995.

Environmental Sculptures (exhibition catalogue). Seoul, Korea: Kukje Gallery, 1995.

Louise Nevelson: Silent Music (exhibition catalogue). Text by Germano Celant. Cologne: Galerie Gmurzynska, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Matsumoto, Michiko. Portraits: Women Artists. Tokyo: Kawade Shobo Shinsha, 1995.

Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, Massachusetts and London, England: The MIT Press, 1995: 296, 334.

Selected Works from Kawamura Memorial Museum of Art. Sakura, Japan: Kawamura Memorial Museum of Art, 1995: 108–109, illustrated.

Wood, James N, T J. Edelstein, and Sally R. May. The Art Institute of Chicago: The Essential Guide. Illinois: The Art Institute of Chicago, 1994: 123, illustrated.

1994

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–94 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994.

American Art in Italian Private Collections (exhibition catalogue). Italy: American Academy in Rome, 1994.

Louise Nevelson (exhibition catalogue). Text by Germano Celant. Milan: Edizioni Charta, 1994.

Louise Nevelson: The Farnsworth Collection (exhibition catalogue). Text by Suzette Lane McAvoy. Rockland, Maine: Farnworth Art Museum, 1994.

Worlds in a Box (exhibition catalogue). London : South Bank Centre, 1994.

1993

Louise Nevelson: Large Outdoor Metal Sculptures (exhibition catalogue). New York: The Pace Gallery, 1993.

1992

Louise Nevelson (exhibition catalogue). Japan: Wildenstein Tokyo, 1992.

Louise Nevelson: Black, White & Gold (exhibition catalogue). New York: The Pace Gallery, 1992.

Ten Sculptors of the New York School (exhibition catalogue). Los Angeles: Manny Silverman Gallery, 1992.

1991

A Friend Remembers Louise Nevelson: A Concentration of Works from the Collection of Diana MacKown (exhibition catalogue). Texts by the artist and Dan R. Talley. Jamestown, New York: The Forum Gallery, 1991.

Abstract Sculpture in America: 1930–70 (exhibition catalogue). New York: American Federation of Arts, 1991: nos. 25 and 28, illustrated.

Breakthroughs: Avant-Garde Artists in Europe & America: 1950–1990 (exhibition catalogue). Columbus: Wexner Center for the Visual Arts, Ohio State University, 1991.

Painting a Place in America: Jewish Artists in New York, 1900–1945 (exhibition catalogue). New York: The Jewish Museum, 1991.

Who Framed Modern Art or the Quantitative Life of Roger Rabbit (exhibition catalogue). New York: Sidney Janis Gallery, 1991.

1990

Contemporary Illustrated Books: Word and Image, 1967–1988 (exhibition catalogue). Text by Donna Stein. New York: Independent Curators Incorporated, 1990.

Kunstlerinnen des 20. Jahrhunderts (exhibition catalogue). Text by Volker Rattemeyer. Germany: Museum Weisbaden, 1990.

Lisle, Laurie. Louise Nevelson: A Passionate Life. New York: Summit Books, 1990.

Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). Text by Arnold Glimcher. Brussels: Galerie Isy Brachot, 1990.

Walker Art Center: Paintings and Sculpture from the Collection. New York: Rizzoli International Publications Inc.; Walker Art Center, Minneapolis, 1990

1989

American Abstract Drawings 1930–1987. Text by Townsend Wolfe. Little Rock: The Arkansas Arts Center, 1988: 8, illustrated.

Cain, Michael. Louise Nevelson: American Women of Achievement. New York and Philadelphia: Chelsea House Publishers, 1988.

The Development of Sculptural Form: Auguste Rodin, Alexander Archipenko, Louise Nevelson, David Smith (exhibition catalogue). New York: Associated American Artists, 1989: illustrated.

Louise Nevelson: In Retrospect (exhibition catalogue). Chicago: Richard Gray Gallery, 1989.

Louise Nevelson Remembered: Sculpture and Collages (exhibition catalogue). Interview by Arnold B. Glimcher. New York: The Pace Gallery, 1989.

The “Junk” Aesthetic: Assemblage of the 1950s and Early 1960s (exhibition catalogue). Text by Roni Feinstein. New York: Whitney Museum of American Art, 1989.

Selections from the Collection of Marc and Livia Straus. Text by Dan Cameron. Ridgefield, Conn.: The Aldrich Museum of Contemporary Art, 1989: 10, illustrated.

1987

Art Against Aids (exhibition catalogue). Text by Robert Rosenblum. New York: American Foundation for AIDS Research, 1987: 183, illustrated.

American Mastery: Eight Artists in the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1987.

Contemporary American Collage 1960–1986 (exhibition catalogue). Text by Trevor Richardson. Amherst, Mass.: Herter Art Gallery, University of Massachusetts, 1987: 28, illustrated.

Louise Nevelson: A Concentration of Works from the Permanent Collection of The Whitney Museum of American Art (exhibition catalogue). Text by Roni Feinstein. New York: Whitney Museum of American Art, 1987.

Modern and Contemporary Masters (exhibition catalogue). Chicago: Richard Gray Gallery, 1987.

Spaulding, Karen Lee. 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987.

1986

Eisenhart, Willy. “Louise Nevelson: Special Skowhegan Presentation.” In Skowhegan School of Painting & Sculpture 40th Anniversary Awards Dinner. New York and Skowhegan, Maine: Skowhegan School of Painting & Sculpture, 1986: 10, illustrated.

Gohr, Siegfried. Museum Ludwig Cologne: Paintings, Sculptures, Environments from Expressionism to the Present day. Munich: Prestel-Verlag, 1986.

Hans Hofmann and His Legacy (exhibition catalogue). Text by Cynthia Goodman. New York: Lever/Meyerson Galleries, Ltd., 1986: no. 1, illustrated.

Homage to Louise Nevelson: A Selection of Sculpture and Collages (exhibition catalogue). New York: Solomon R. Guggenheim, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Louise Nevelson (exhibition catalogue). Poem by the artist and Diana Mackown. Paris: Galerie Claude Bernard, 1986.

Louise Nevelson: Sculptures and Reliefs (exhibition brochure). Text by David L. Shirey. Switzerland: Galerie Alice Pauli, 1986.

Louise Nevelson: Works in Wood (exhibition brochure). Text by Ceil Friedman. Cambridge: Bakalar Sculpture Gallery, List Visual Art Center, Massachusetts Institute of Technology, 1986.

1985

The Art of Louise Nevelson at the Farnsworth (exhibition catalogue). Rockland, Maine: William A. Farnsworth Library and Art Museum, 1985.

Eight Modern Masters (exhibition catalogue). Amarillo, Texas: Amarillo Art Center, 1985: 22–23, illustrated.

Rand, Harry. The Martha Jackson Memorial Collection (exhibition catalogue). Washington, D.C.: Smithsonian Institution Press, 1985: illustrated.

Transformations in Sculpture: Four Decades of American and European Art (exhibition catalogue). Text by Diane Waldman. New York: Solomon R. Guggenheim Museum, 1985.

1984

American Women Artists (Part I) (exhibition catalogue). New York: Sidney Janis Gallery, 1984.

A City Wide Contemporary Sculpture Exhibition: In Downtown Toledo (exhibition catalogue). Ohio: Toledo Museum of Art, 1984.

Bober, Natalie S. Breaking Tradition: The Story of Louise Nevelson. New York: Atheneum, 1984.

Great American Artists: The Skowhegan Medal Recipients. New York and Skowhegan, Maine: Alpine Fine Arts Collection; Skowhegan School of Painting & Sculpture, 1984: 20–21, illustrated.

Modern Sculpture from the Guggenheim (exhibition catalogue). Allentown, Pennsylvania: Allentown Art Museum, 1984: no. 15, illustrated.

The Third Dimension: Sculpture of the New York School (exhibition catalogue). New York: Whitney Museum of American Art, 1984.

The Tremaine Collection: 20th Century Masters, the Spirit of Modernism (exhibition catalogue). Hartford, Connecticut: Wadsworth Atheneum, 1984: 76, illustrated.

1983

Changes (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1983: illustrated.

Lipman, Jean. Nevelson’s World. Text by Hilton Kramer. New York: Hudson Hills Press in association with Whitney Museum of American Art, 1983.

Louise Nevelson: Cascades, Perpendiculars, Silence, Music (exhibition catalogue). New York: The Pace Gallery, 1983.

Nevelson and O’Keeffe: Independents of the Twentieth Century (exhibition catalogue). Text by Constance Schwartz. Roslyn Harbor, New York: Nassau County Museum of Fine Art, 1983.

Sculpture: The Tradition in Steel (exhibition catalogue). Rosalyn Harbor: Nassau County Museum of Fine Art, 1983.

1982

Louise Nevelson (exhibition catalogue). Text by the artist. Tokyo: Wildenstein Tokyo, 1982.

Women of the Americas: Emerging Perspectives (exhibition catalogue). New York: Kouros Gallery; Center for Inter-American Relations Art Gallery, 1982.

1981

Gilbert, Lynn and Gaylen Moore. Particular Passions: Talks with Women Who Have Shaped Our Times. New York: Clarkson N. Potter, 1981.

Large or Small, Bronze or Wood, Painted or Plain: Problems and Solutions in Sculpture (exhibition catalogue). Norfolk, Virginia: Chrysler Museum, 1981: 19, no. 20, illustrated.

Louise Nevelson: Œuvres 1953–1980 (exhibition catalogue). Interview by Barbaralee Diamonstein. Paris: Galerie de France, 1981.

Louise Nevelson: Sculptures and Collages (exhibition catalogue). Text by Carter Ratcliff. New York: Wildenstein & Co., 1981.

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

Wilson, Laurie J. Louise Nevelson: Iconography and Sources. New York: Garland, 1981.

1980

Louise Nevelson: Atmospheres and Environments (exhibition catalogue). Texts by Edward Albee and Laurie J. Wilson. New York: C. N. Potter and Whitney Museum of American Art, 1980.

Louise Nevelson: The Fourth Dimension (exhibition catalogue). Text by Laurie Wilson. Phoenix: Phoenix Art Museum, 1980.

Nevelson: Maquettes for Monumental Sculpture (exhibition catalogue). Interview by Barbaralee Diamonstein and text by David Shirey. New York: The Pace Gallery, 1980.

Nevelson: Wood Sculptures and Collages (exhibition catalogue). Text by David L. Shirey. New York: Wildenstein & Co., 1980.

Sculptures on the Wall: Relief Sculpture of the Seventies (exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts, 1980: illustrated.

Ten American Artists From The Pace Gallery (exhibition catalogue). London: Wildenstein & Co., 1980.

1979

Gloria F. Ross Tapestries (exhibition catalogue). South Hadley, Massachusetts: Mount Holyoke College Art Museum, l979: 15–16, illustrated.

Louise Nevelson: A Loan Exhibition (exhibition catalogue). Texts by Jan Ernst Adlmann, Marius B. Péladeau and Dorothy B. Miller. Rockland, Maine: William A. Farnsworth Library and Art Museum, 1979.

Munro, Eleanor. Originals: American Women Artists. New York: Simon and Schuster, 1979.

Women's Caucus for Art Honors Bishop, Burke, Neel, Nevelson, O’Keeffe (exhibition catalogue). Washington, D.C.: Middendorf/Lane Gallery, 1979.

Works on Paper U.S.A. (exhibition catalogue). West Nyack, New York: Rockland County Center for the Arts, 1979.

Vanguard American Sculpture: 1913–1939 (exhibition catalogue). New Brunswick, New Jersey: Rutgers University, 1979.

1978

Grids: Format and Image in 20th Century (exhibition catalogue). New York: The Pace Gallery, 1978.

L’Espace en Demeure: Louise Nevelson, Marie-Hélène Vieira da Silva, Magdalena Abakanowicz (exhibition catalogue). Paris: Galerie Jeanne Bucher, 1978: illustrated.

Louise Nevelson (exhibition catalogue). Italy: Galleria Corsini, 1978.

Louise Nevelson: Recent Works (exhibition catalogue). Text by the artist. Chicago: Richard Gray Gallery, 1978.

Monuments and Monoliths: A Metamorphosis (exhibition catalogue). Roslyn, New York: The Nassau County Museum of Fine Arts, 1978: 9, illustrated.

Perspective ’78: Works by Women (exhibition catalogue). Text by Therese Schwartz. Reading, Pennsylvania: Freedman Gallery, Albright College, 1978: 39, illustrated.

Sculpture: A Study in Materials: Baizerman, Calder, Dehner, Hague, Hesse, Huntington, Lassaw, Nevelson, Smith, Stankiewicz, Vallila (exhibition catalogue). Mountainville, New York: Storm King Art Center, 1978.

Selected 20th Century American Nudes (exhibition catalogue). New York: Harold Reed Gallery, 1978: illustrated.

1977

Ambiente/Arte: Dal Futurismo Alla Body Art (exhibition catalogue). Venice: La Biennale di Venezia, 1977: 82–83, illustrated.

By Women (exhibition brochure). Honolulu: 1977.

Drawing and Collage: Selections from the New York University Art Collection (exhibition catalogue). New York: Grey Art Gallery and Study Center, New York University, 1977.

Fall 1977: Contemporary Collectors (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of contemporary art, 1977: illustrated.

Louise Nevelson: Twelve Collage Drawings (exhibition catalogue). New York: Truman Gallery, 1977.

Louise Nevelson: Recent Wood Sculpture (exhibition catalogue). New York: The Pace Gallery, 1977.

Nevelson at Purchase: The Metal Sculptures (exhibition catalogue). Purchase, New York: Neuberger Museum, 1977.

Recent Works on Paper by American Artists (exhibition catalogue). Wisconsin: University of Wisconsin, 1977.

3 Villes, 3 Collections : Grenoble, Marseille, Saint-Étienne ... l’Avant-Garde, 1960–1976 (exhibition catalogue). Marseille: Musée Cantini, 1977: illustrated.

Two Decades 1957–1977, American Sculpture from Northwest Collections (exhibition catalogue). Pullman: Museum of Art, Washington State University, Pullman, 1977: illustrated.

1976

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen. Edited by Dieter Honisch and Jens Christian Jensen. Koln: DuMont Buchverlag Köln, 1976: illustrated.

Art Students League of New York, 1876–1976, Druckgraphik (exhibition catalogue).Berlin: Walther-Rathenau-Saal des Rathauses, 1976: illustrated.

Autres Dimensions: Collages, Assemblages, Reliefs (exhibition catalogue). Basel: Galerie Beyeler, 1976: illustrated.

Glimcher, Arnold B. Louise Nevelson. New York: E.P. Dutton & Co., Inc., 1976.

Louise Nevelson: Dawn's Presence-Two; Moon Garden + Two: 1969–1975 (exhibition catalogue). New York: The Pace Gallery, 1976.

Louise Nevelson: Grafica (exhibition catalogue). Naples: Villa Pignatelli, 1976.

The Modern Figure: Works on Paper (exhibition catalogue). Fair Lawn, New Jersey: Maurice M. Pine Free Public Library, 1976.

Nevelson, Louise and Diana MacKown. Dawns + Dusks. New York: Charles Scribner's Sons, 1976.

Perspective 1976 (exhibition catalogue). Reading, Pennsylvania: Freedman Art Gallery of Albright College, 1976: illustrated.

The Photographer and The Artist (exhibition catalogue). New York: Sidney Janis Gallery, 1976.

Seven Decades of MacDowell Artists (exhibition catalogue). New York: John Yu Gallery, 1976:

200 Years of American Sculpture (exhibition catalogue). Text by Tom Armstrong. New York: Whitney Museum of American Art, 1976.

1975

Five Americans: Alexander Calder, Joseph Cornell, Louise Nevelson, Isamu Noguchi, David Smith (exhibition catalogue). New York: The Pace Gallery, 1975.

The Jewish Experience in the Art of the Twentieth Century (exhibition catalogue). New York: The Jewish Museum, 1975: 29, illustrated.

Lousie Nevelson (exhibition catalogue). Text by the artist. Florence: Galleria d'Arte Spagnoli, 1975.

Louise Nevelson (exhibition catalogue). Tokyo: Minami Gallery, 1975.

Louise Nevelson (exhibition brochure). Bombay: Jehangir Art Gallery, 1975.

Nemser, Cindy. Art Talk: Conversations with Twelve Women Artists. New York: Charles Scribner’s Sons, 1975.

One Hundred Prints By 100 Artists of the Art Students League of New York, 1875–1975 (exhibition catalogue). New York: Associated American Artists, 1975: 101, illustrated.

Roosevelt, Felicia. Doers and Dowagers. New York: Doubleday, 1975.

Sculpture: American Directions, 1945–1975 (exhibition catalogue). Washington, D.C.: Smithsonian, 1975.

Third Triennale India (exhibition catalogue). New Delhi: Lalit Kala Akademi, New 1975: illustrated.

1974

Baro, Gene. Nevelson: The Prints. New York: Pace Editions, 1974.

Berenice Abbott, Helen Frankenthaler, Tatyana Grosman, Louise Nevelson (exhibition catalogue). Northampton, Massachusetts: Smith College Museum of Art, 1974: illustrated.

From Reliable Sources: An Exhibition of Letters, Photographs, and Other Documents from the Collections of the Archives of American Art (exhibition catalogue). Washington, D.C.: Gallery of the Archives of American Art, 1974: illustrated.

Louise Nevelson (exhibition catalogue). Text by Maurice Eschapasse and Alfred Pacquement. Paris: Centre National d'Arte Contemporain, 1974.

Louise Nevelson: Sky Gates and Collages (exhibition catalogue). Text by the artist. New York: The Pace Gallery, 1974.

Louise Nevelson (exhibition catalogue). Berlin: Neue Nationalgalerie, 1974

Louise Nevelson (exhibition catalogue). France: Musée de la Ville de Paris, 1974.

Monumenta: A Biennial Exhibition of Outdoor Sculpture (exhibition catalogue). Text by Sam Hunter. Newport, Rhode Island: Monumenta Newport Inc.,1974.

Nevelson (exhibition catalogue). Text by Joan Vita Miller. Greenvale, New York: C.W. Post Center Art Gallery, Long Island University, 1974.

1973

American Art Mid-Century (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1973: illustrated.

American Art: Third Quarter Century (exhibition catalogue). Text by Jan Van der Marck. Washington: Seattle Art Museum, Washington, 1973.

Jewelry As Sculpture As Jewelry (exhibition catalogue). Boston: Institute of Contemporary, 1973: illustrated.

Louise Nevelson. Text by Germano Celant. Milan: Fratelli Fabbri Editori, 1973.

Louise Nevelson: Works from 1955–1972 (exhibition catalogue). Milan: Studio Marconi, 1973.

Louise Nevelson (exhibition catalogue). Stockholm: Moderna Museet, 1973.

Nevelson: Wood Sculptures (exhibition catalogue). Text by Martin Friedman. New York: Dutton Publishing Co., 1973.

Segunda Bienal Americana de Artes Gráficas: Dibujo, Grabado, Diseño, Gráfico (exhibition catalogue). Cali: Museo de Arte Moderno La Tertulia, 1973: illustrated.

Selections from the Collection (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1973: illustrated.

1972

American Women: 20th Century (exhibition catalogue). Peoria, Ill.: Lakeview Center for the Arts and Sciences, 1972: 56–57, illustrated.

The 8th International Biennial Exhibition of Prints (exhibition catalogue). Tokyo and Kyoto: The National Museum of Modern Art; Japan Foundation, 1972.

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1972.

Glimcher, Arnold B. Louise Nevelson. New York: Praeger Publishers, 1972.

Immagine per la Citta’ (exhibition catalogue). Genova, Italy: Ente Manifestazioni Genovesi, 1972.

Prints: Natioinal Invitational (exhibition brochure). Anchorage: Anchorage Historical and Fine Arts Museum, 1972.

1971

Alexander Calder / Louise Nevelson / David Smith (exhibition catalogue). Text by John Gordon. Palm Beach, Florida: The Society of the Four Arts, 1971.

Body Objects (exhibition catalogue). New York: Pace Editions, Inc., 1971: illustrated.

Contemporary Selections 1971 (exhibition catalogue). Alabama: Birmingham Museum of Art, 1971.

Louise Nevelson (exhibition catalogue). Philadelphia: Makler Gallery, 1971.

ROSC ’71: The Poetry of Vision, Dublin: Trinity College, 1971: 79, illustrated.

1971. (Catalogue)

White on White: The White Monocrhome in the 20th Century (exhibition catalogue). Texts by Stephen S. Prokopoff and Robert Pincus-Witten. Chicago: Museum of Contemporary Art, 1971.

1969

Fath, Manfred. Louise Nevelson: Werke von 1959 bis 196 (exhibition catalogue). Ludwigshafen-am-Rhein, Germany: Burgemeister Ludwig Reichert Haus, 1969.

Hammacher, A.M. The Evolution of Modern Sculpture. New York: Harry N. Abrams, Inc., 1969.

Louise Nevelson (exhibition catalogue). Text by Mary Hancock Buxton. Houston: Houston Museum of Fine Arts, 1969.

Louise Nevelson (exhibition catalogue). Paris: Jeanne Bucher Galerie, 1969.

Louise Nevelson: Recent Wood Sculpture (exhibition catalogue). Text by Ana Unal. Ohio: Akron Art Institute, 1969.

Mallé, Luigi. Louise Nevelson: Sculture–Litografie (exhibition catalogue). Turin, Italy: Galleria Civica d'Arte Moderna, 1969.

Nevelson: Recent Wood Sculpture (exhibition catalogue). Text by Ceil Friedman. New York: The Pace Gallery, 1969.

Oxenaar, R.W.D. Louise Nevelson: Sculptures 1959–1969. Otterlo, The Netherlands: Rijksmuseum Kröller-Müller, 1969.

A Plastic Presence (exhibition catalogue). Milwaukee: Milwaukee Art Center, 1969.

Tamarind: Homage to Lithography (exhibition catalogue). Texts William Lieberman and Virginia Allen. New York: The Museum of Modern Art, 1969.

1968

Arnason, H. Harvard. History of Modern Art: Painting, Sculpture, Architecture. New York: Harry N. Abrams, Inc., 1968.

Art of the 60s: Selections from the Collection of Hanford Yang (exhibition catalogue). Text by Hanford Yang. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1968: no. 64, illustrated.

Bazin, Germain. The History of World Sculpture. Greenwich, Connecticut: The New York Graphic Society, Ltd., 1968.

Documenta IV (exhibition catalogue). Kassel, West Germany: 1968.

Hightlights of the 1967–68 Art Season (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1968: illustrated.

Louise Nevelson (exhibition catalogue). Chicago: The Arts Club of Chicago, 1968.

Suites: Recent Prints (exhibition brochure). New York: The Jewish Museum, 1968.

1967

180 Beacon Collection of Contemporary Art (exhibition catalogue). Boston: 180 Beacon Street, 1967.

Ashton, Dore. Modern American Sculpture. New York: Harry N. Abrams, Inc., 1967.

Contrasts (exhibition catalogue). London: Hanover Gallery, 1967.

Dix Ans d’Art Vivant, 1955–1965 (exhibition catalogue). Saint-Paul, France: Fondation Maeght, 1967: no174, illustrated.

Guggenheim International Exhibition: Sculpture from Twenty Nations (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 1967.

Johnson, Una E. Louise Nevelson: Prints and Drawings 1953–1966. American Graphic Artists of the Twentieth Century 5. New York: Brooklyn Museum; distributed by Shorewood Publishers, Inc., 1967.

Louise Nevelson (exhibition catalogue). Paris: Galerie Daniel Gervis, 1967.

Louise Nevelson (exhibition catalogue). Text by John Gordon. New York: Whitney Museum of American Art, 1967.

The Helen W. & Robert M. Benjamin Collection (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1967.

Sculpture: A Generation of Innovation (exhibition catalogue). Illinois: The Art Institute of Chicago, 1967.

Sculpture in Environment (exhibition catalogue). New York: Seybert-Nicholas Print Corp., 1967.

1966

Annual Exhibition: Contemporary Sculpture and Prints (exhibition catalogue). New York: Whitney Museum of American Art, 1966.

Contemporary Painters and Sculptors as Printmakers (exhibition catalogue). New York: The Museum of Modern Art, 1966.

The First Flint Invitational (exhibition catalogue). Flint, Michigan: Flint Institute of Arts, 1966.

The Harry N. Abrams Family Collection (exhibition brochure). New York: The Jewish Museum, 1966.

Nevelson, Louise and Edith Sitwell. Nevelson (exhibition catalogue). Los Angeles: Ferus-Pace Gallery, 1966.

Recent Works: Nevelson, Trova, Paolozzi (exhibition brochure). Detroit: J.L. Hudson Gallery, 1966.

Sculpture: Twentieth Century (exhibition catalogue). Texas: Dallas Museum of Fine Art, 1965.

68th American Exhibition (exhibition catalogue). Chicago: The Art Institute of Chicago, 1966.

1965

Art, an Environment for Faith: An Exhibition of Contemporary Art Presented by the Union of American Hebrew Congregations on the Occasion of Its 48th General Assembly (exhibition catalogue). California: San Francisco Museum of Art, California, 1965.

Collages and Constructions: International 4: Burri, Nevelson, Tápies, and Van Leyden (exhibition brochure). New York: Martha Jackson Gallery, 1965.

Contemporary Art: Acquisitions 1962–1965. Buffalo, New York: The Buffalo Fine Arts Academy, Albright Knox Art Gallery, 1965.

Contemporary Wall Sculpture and Boxes (exhibition catalogue). Text by Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1965: no. 17, illustrated.

Critic’s Choice: Art since World War II, 1965 Kane Memorial Exhibition in Honor of the Bicentennial of Brown University (exhibition catalogue). Providence, Rhode Island: Providence Art Club, 1965.

Highlights of the 1964–1965 Season (exhibition catalogue). Ridgefield, Connecticut: Larry Aldrich Museum Foundation, 1965.

Louise Nevelson (exhibition catalogue). Text by the artist. Düsseldorf: Galerie Schmela, 1965.

Louise Nevelson: Homage to Six Million (exhibition catalogue). New York: The Jewish Museum, 1965.

Sculpture: Twentieth Century (exhibition history). Dallas: Dallas Museum of Fine Art, 1965.

Women Artists of America 1707–1964 (exhibition catalogue). Text by William H. Gerdts. New Jersey: The Newark Museum, 1965.

1964

Annual Exhibition of Contemporary American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1964.

Between the Fairs: 25 Years of American Art, 1939–1964 (exhibition catalogue). Text by John I.H. Baur. New York: The Whitney Museum of American Art, 1964.

Carluccio, Luigi. Nevelson: 76 (exhibition catalogue). Turin, Italy: Galatea-Galleria d'Arte Comtemporanea, 1964.

Documenta III (exhibition catalogue). Cologne: M. DuMont Schauberg, 1964.

54–64: Painting and Sculpture of a Decade (exhibition catalogue). London: Calouste Gulbenkian Foundation, 1964: illustrated.

Louise Nevelson (exhibition catalogue). Zurich: Gimpel Hanover Galerie, 1964.

Louise Nevelson (exhibition catalogue). Text by William C. Seitz. New York: The Pace Gallery, 1964.

Nevelson (exhibition catalogue). Turin: Galatea – Galleria d’Arte Contemporanea, 1964.

159th Annual Exhibition (exhibition catalogue). Philadelphia: Pennsylvania Academy of Fine Arts, 1964.

Read, Herbert. A Concise History of Modern Sculpture. New York: Frederick A. Praeger, 1964.

Roberts, Collette. Nevelson. Paris: Editions Georges Falle; The Pocket Museum, 1964.

1963

Contemporary American Painting and Sculpture 1963: Eleventh Exhibition (exhibition catalogue). Urbana, Ill.: Urbana, Ill.: University of Illinois Press, 1963: 173, illustrated.

Louise Nevelson: First London Exhibition (exhibition catalogue). London: Hanover Gallery, 1963.

1er Salon International De Galeries-Pilotes (exhibition catalogue). Lausanne: Musée Cantonal Des Beaux-Arts, 1963: 90, illustrated; 95.

Sculpture 1963 (exhibition catalogue). New York: Sculptors Guild, Inc., 1963. (Catalogue)

1962

Annual Exhibition: Contemporary Sculpture and Drawings (exhibition catalogue). New York: Whitney Museum of American Art, 1962.

Art Since 1950 (exhibition catalogue). Washington: Seattle’s World’s Fair, 1962.

Artisti Americani (exhibition catalogue). Text by Carla Lonzi. Turin, Italy: Notizie, 1962.

Janis, Harriet and Blesh, Rudi. Collage: Personalities, Concepts, Techniques. Philadelphia: Chilton Co., 1962.

65th American Exhibition: Some New Directions in Contemporary Paintings and Sculpture (exhibition catalogue). Chicago: Art Institute of Chicago, 1962: no.52, illustrated.

2 Pittori, 2 Scultori: Louise Nevelson, Loren MacIver, Jan Müller, Dimitri Hadzi (exhibition catalogue). Text by William C. Seitz. New York: International Council of the Museum of Modern Art, 1962: illustrated.

1961

Goodrich, Lloyd and John I.H. Baur. American Art of Our Century. New York: Frederick A. Praeger Publishing; Whitney Museum of American Art, 1961.

Mahlow, Dietrich. Louise Nevelson (exhibition catalogue). Baden-Baden: Staatliche Kunsthalle, 1961.

Mechanism and Organism: An International Sculpture Exhibition (exhibition catalogue). New York: The Courtyard, The New School Art Center, The New School for Social Research, 1961.

1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalogue). Pittsburgh: Carnegie Institute, 1961.

The Private Myth: An Exhibition and Statements (exhibition brochure). New York: Tanager Gallery, 1961.

Nevelson (exhibition catalogue). Texts by Kenneth Sawyer, Georges Nathieu, and Jean Arp. New York: Martha Jackson Gallery, 1961.

Seitz, William. The Art of Assemblage (exhibition catalogue). New York: The Museum of Modern Art, 1961.

1960

Annual Exhibition: Contemporary Sculpture and Drawings (exhibition catalogue). New York: Whitney Museum of American Art, 1960.

Exposition de Louise Nevelson, Sculpteur (exhibition catalogue). Text by Georges Mathieu. Paris: Galerie Daniel Cordier, 1960.

Louise Nevelson (exhibition catalogue). New York: David Herbert Gallery, 1960.

Sculpture 1960 (exhibition catalogue). New York: Lever House, 1960: illustrated.

Sculpture of Louise Nevelson (exhibition catalogue). Text by Hilton Kramer. Chicago: Devorah Sherman Gallery, 1960.

1959

Art U.S.A., (exhibition catalogue). Text by Lee Nordness. New York: Art Expositions Inc., 1959.

Miller, Dorothy C., ed. Sixteen Americans. New York: The Museum of Modern Art, 1959.

Sixteen Americans (exhibition catalogue). New York: The Museum of Modern Art, 1959.

Sixty-Ninth Annual: Nebraska Art Association on the occasion of the Lincoln Centennial, (exhibition catalogue). Lincoln: University Galleries, The University of Nebraska, 1959.

1958

Baur, John, I.H. Nature in Abstraction. New York: The Macmillan Company, 1958.

Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalogue). Pittsburgh: Carnegie Institute, 1959.

1957

LXII American Exhibition (exhibition catalogue). Chicago: Art Institute of Chicago, 1957.

1956

American Sculpture Today (exhibition catalogue). Richmond: The Virginia Museum of Fine Arts, Richmond, 1956.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, (exhibition catalogue). New York: Whitney Museum of American Art, 1956.

1955

Federation of Modern Painters and Sculptors 1955–1956 (exhibition catalogue). New York: Federation of Mondern Painters and Sculptors, Inc., 1955.

1953

148th Annual Exhibition, (exhibition catalogue). Philadelphia: Pennsylvania Academy of Fine Arts, 1953.

Sculpture: The Tumultuous Quarter-Century (exhibition catalogue). New York: The Sculpture Center, 1953.

Twenty-Fifth Anniversary. Sculpture: The Tumultuous Quarter-Century. Story: From Clay Club to Sculpture Center (exhibition catalogue). New York: [The Sculpture Center], 1953.

1952

XX Century American Paintings (exhibition catalogue). New York: Wildenstein & Co., 1952.

1950

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings (exhibition catalogue). New York: Whitney Museum of American Art, 1950.

1947

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings (exhibition catalogue). New York: Whitney Museum of American Art, 1947.

1946

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings (exhibition catalogue). New York: Whitney Museum of American Art, New York, 1946.