Agnes Martin

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Details:

b. 1912, Macklin, Saskatchewan, Canada
d. 2004, Taos, New Mexico

Pace Publications:

Agnes Martin was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art.

Interested in the transcendent potential of painting, Martin was a contemporary of the Abstract Expressionists, and identified her work with the movement. Nonetheless, her oeuvre played a critical role in heralding the advent of Minimalism.

Martin spent her early childhood years in Saskatchewan, on the western plains of Canada, an experience that would influence her throughout her life. As a young adult, she moved to the United States, first to Bellingham, Washington (1931) and then to New York (1941), and finally to Albuquerque, where she studied painting at the University of New Mexico (1946–48). She returned to New York in 1951 where, while earning a master’s degree at the Teachers College at Columbia University, she became engaged with Buddhist thought through lectures by Jiddu Krishnamurti and Zen scholar D.T. Suzuki. Her interest in Eastern philosophy developed in parallel with her appreciation of Abstract Expressionism, resulting in paintings characterized by biomorphic forms and geometric abstraction, further distilled in an earthy palette of beiges, greens, grays, and creams.

In the autumn of 1954, Martin returned to New Mexico, settling in Taos. Shortly thereafter, she received a grant from the Helene Wurlitzer Foundation (1955), resulting in the production of one hundred paintings in the span of a single year. After a studio visit with art dealer Betty Parsons, Martin was convinced to return to New York in 1957. Shortly following her move to a loft in Coenties Slip in lower Manhattan, Martin met neighboring artists, among them Jasper Johns, Robert Indiana, Ellsworth Kelly, Barnett Newman, Robert Rauschenberg, and James Rosenquist. She also began her association with Betty Parsons Gallery, which hosted her first one-artist exhibition in 1958. The show presented a new development in Martin’s work, wherein atmospheric compositions comprised of simplified geometric shapes on square canvases, introducing a vocabulary that would become synonymous with her oeuvre.

The first part of the 1960s was marked by a surge in Martin’s career, with her participation in the Carnegie International (1961) and inclusions in group exhibitions at the Whitney Museum of American Art, New York (1962, 1965, 1966), Solomon R. Guggenheim Museum, New York (1964, 1966); The Museum of Modern Art, New York (1965), and in 10, the seminal exhibition of Minimalist art co-organized by Robert Smithson and Virginia Dwan at Dwan Gallery, New York (1966). Amid these successes, Martin sought solitude. She decided to stop painting and leave New York in 1967, traveling for eighteen months around the United States and Canada. After resettling in New Mexico, she focused intently on writing prose on art and life.

Martin’s first one-artist museum exhibition was organized by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, and traveled to the Pasadena Art Museum (1973). This exhibition coincided with On a Clear Day, her one-artist exhibition at The Museum of Modern Art, New York (1973), which presented thirty screen prints based on drawings produced in 1972. Two years later, Martin’s return to painting was asserted through 12-inch square and 72-inch square canvases, revealing a new emotional and perceptual exploration characterized by horizontal and vertical lines in a palette of pastel pinks, blues, and yellows. These new works were unveiled in Martin’s first exhibition with The Pace Gallery in 1975. The show heralded three decades of prolific expression, during which she continued to explore arrangements of horizontal and vertical bands in varying widths and in a range of muted colors using acrylic, watercolor, and graphite. Around the time Martin returned to painting, she also made her only completed film, Gabriel (1976), which follows a young boy as he aimlessly explores part of rural New Mexico; the film drifts between his course and contemplative studies of natural elements in the landscape.

In 1978, Martin moved to Galisteo, New Mexico, near Santa Fe, leaving behind the remote Portales mesa that had been her home for nearly a decade. Martin’s paintings, with their broad stripes, became increasingly luminous, a result of the artist applying the diluted acrylic color over a ground of multiple layers of white pigment. In 1991, the Stedelijk Museum, Amsterdam, hosted a retrospective of her work and, in 1992, the Whitney Museum of American Art hosted her first retrospective in the United States. Organized by Barbara Haskell, the show presented early paintings alongside those from the 1960s and 1970s, tracing her development in the nuanced range of her work. Following this exhibition, Martin moved from Galisteo to Taos, where she lived and worked for the remainder of her life and reduced her scale from six-foot square canvases to a slightly smaller five-foot format. In the last decade of her life, she introduced a new palette of color in her paintings, including a spectrum of greens and a saturated orange. In some of her very last paintings, she reintroduced the geometric elements last used in her paintings of the 1950s, placing dark black triangles and squares in space against washy gray grounds, never abandoning the graphite lines that were a constant component of her oeuvre.

Characterized by austere lines and grids superimposed upon grounds of muted color, Martin’s paintings elegantly negotiate the confines of structure, space, draftsmanship, and the metaphysical.

Agnes Martin, *Unbeckoning Grass*, 1958, oil on canvas, 40" x 40" (101.6 cm x 101.6 cm) © 2019 Estate of Agnes Martin / Artists Rights Society (ARS), New York

Agnes Martin, *Untitled*, 1955-1956, oil on canvas, 48" x 36" (121.9 cm x 91.4 cm) © 2019 Estate of Agnes Martin / Artists Rights Society (ARS), New York

Agnes Martin, *Untitled #10*, 2002, acrylic and graphite on canvas, 60" x 60" (152.4 cm x 152.4 cm) © 2019 Estate of Agnes Martin / Artists Rights Society (ARS), New York

Exhibitions

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Agnes Martin
One-Artist Exhibitions

Agnes Martin One-Artist Exhibitions

Dates

Born 1912, Maklin, Saskatchewan, Canada

Died 2004, Taos, New Mexico

Education

1942, Columbia University, New York, B.S.

1952, Columbia University, New York, M.A.

2024

Agnes Martin: Moments of Perfection, Sorol Art Museum, Gangneung, South Korea, May 4–August 25, 2024. (Catalogue)

2021

Agnes Martin: The Distillation of Color, Pace Gallery, 540 West 25th Street, New York, May 5–June 26, 2021. (Catalogue)

2019

FOCUS: Agnes Martin, Levy Gorvy, 22 Old Bond Street, London, February 22–April 13, 2019.

2018

Agnes Martin / Navajo Blankets, Pace Gallery, Palo Alto, California, September 28–October 28, 2018. Traveled to: Pace Gallery, 537 West 24th Street, New York, November 14–December 21, 2018.

Agnes Martin: The mind knows what the eye has not seen, Esker Foundation, Calgary, Alberta, Canada, September 22–December 21, 2018. Traveled to: MacKenzie Art Gallery, Regina, Saskatchewan, Canada, January 26–April 28, 2019.

Artist Rooms: Agnes Martin, The Gallery, Winchester Discovery Centre, United Kingdom, July 7–October 7, 2018.

Agnes Martin: The Untroubled Mind. Works from the Daniel W. Dietrich II Collection, Philadelphia Museum of Art, May 19–October 14, 2018.

FOCUS: Agnes Martin, Gabriel, Lévy Gorvy, London, May 4–June 16, 2018.

2015

Agnes Martin, Tate Modern, London, June 3–October 11, 2015. Traveled to: Kunstsammlung Nordrhein-Westfalen, Düsseldorf, November 7, 2015–March 6, 2016; Los Angeles County Museum of Art, April 24–September 11, 2016; Solomon R. Guggenheim Museum, New York, October 7, 2016–January 11, 2017. (Catalogue)

2014

Agnes Martin, Aspen Art Museum, November 26, 2014–March 1, 2015.

2013

Agnes Martin: The New York–Taos Connection (1947–1957). Organized by the Harwood Museum of Art, Taos. Traveled to: Albright-Knox Art Gallery, Buffalo, January 26–May 12, 2013; as Agnes Martin: The Early Years, 1947–1957, University of New Mexico Art Museum, Albuquerque, September 13–December 15, 2013; Tacoma Art Museum, Washington, January 25–April 20, 2014.

2012

In Honor of Agnes Martin’s Centenary, Inverleith House, Royal Botanic Garden, Edinburgh, May 12–July 8, 2012.

Agnes Martin: Before the Grid, Harwood Museum of Art, Taos, New Mexico, February 25–June 17, 2012. (Catalogue)

2011

Agnes Martin / The ‘80s: Grey Paintings, The Pace Gallery, 534 West 25th Street, New York, September 16–October 29, 2011.

2010

Agnes Martin: Work Ethic, Art Gallery of Ontario, Toronto, September 22, 2010—January 2, 2011.

The Paradise [34]; Three works on Paper, Agnes Martin, The Douglas Hyde Gallery, Trinity College, Dublin, May 28–July 3, 2010. (Brochure)

Agnes Martin, Timothy Taylor Gallery, London, April 21–May 21, 2010.

Agnes Martin, Dia:Beacon, New York, February 12, 2010-ongoing.

2009

Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, August 6, 2009–July 10, 2010. Traveled to: Kettle’s Yard, Cambridge, United Kingdom, May 15–July 10, 2010; Tate Modern, London, August 1, 2010–April 1, 2011.

2008

Agnes Martin, Thomas Ammann Fine Art, Zurich, June 2–September 30, 2008. (Catalogue)

Agnes Martin: Works on Paper, Peter Blum Gallery, New York, January 18–March 15, 2008.

2007

Agnes Martin: Trajectories, Dia:Beacon, New York, December 1, 2007–September 1, 2008 (extended through April 13, 2009).

Agnes Martin: On A Clear Day, Art Gallery of the South Okanagan, Penticton, Canada, September 21–November 10, 2007.

Agnes Martin: Homage to [a] Life, Paintings 1990–2004, Dia:Beacon, New York, April 6–November 26, 2007. (Brochure)

2006

A Field of Vision: Agnes Martin’s Paintings from the 1980s, Dia:Beacon, New York, August 3, 2006–March 5, 2007. (Brochure; essay by Lynne Cooke)

Agnes Martin: Closing the Circle: Early and Late, PaceWildenstein, 32 East 57th Street, New York, February 10–March 4, 2006. (Brochure)

2005

To the Islands: Agnes Martin’s Paintings 1974–79, Dia:Beacon, New York, December 2, 2005–June 26, 2006. (Brochure; essay by Lynne Cooke)

Agnes Martin: On A Clear Day, Craig F. Starr Associates, New York, November 18–December 21, 2005.

“…unknown territory…” Agnes Martin’s Paintings from the 1960s, Dia:Beacon, New York, April 14–November 7, 2005. (Brochure; essay by Lynne Cooke)

2004

Agnes Martin: The Islands, The University of Michigan Museum of Art, Ann Arbor, November 20, 2004–February 13, 2005. (Brochure: Agnes Martin: On and Off the Grid)

“…going forward into unknown territory…” Agnes Martin’s Early Painting 1957–1967, Dia:Beacon, New York, May 16, 2004–April 18, 2005. (Brochure; essay by Lynne Cooke)

Agnes Martin: Homage to Life, PaceWildenstein, New York, May 4–June 19 (extended through July 2), 2004.

Agnes Martin: The Islands, Josef Albers Quadrat Museum, Bottrop, Germany, March 14–May 16, 2004. (Catalogue; texts by Heinz Liesbrock and Agnes Martin)

2003

Agnes Martin: Five Decades, Zwirner and Wirth, New York, February 20–April 26, 2003.

Agnes Martin: Recent Paintings, PaceWildenstein, 32 East 57th Street, New York, January 10–February 24, 2003. (Brochure)

2002

Agnes Martin Paintings from 2001, The Harwood Museum of Art, The University of New Mexico, Taos, March 23–June 5, 2002.

Agnes Martin: The Nineties and Beyond, The Menil Collection, Houston, February 1–May 26, 2002. (Catalogue; essay by Ned Rifkin)

2001

Agnes Martin: Recent Works, Anthony d’Offay Gallery, London, March 2–April 6, 2001.

2000

Agnes Martin, Denver Art Museum, Colorado, November 18, 2000- March 11, 2001.

Lovely Life: The Recent Work of Agnes Martin, Whitney Museum of American Art, New York, October 1–29, 2000.

Agnes Martin: On a Clear Day, Gallery N. von Bartha, London, May 26–July 4, 2000.

Agnes Martin: Recent Paintings, PaceWildenstein, 32 East 57th Street, New York, April 27–June 3, 2000. (Catalogue)

1999

Agnes Martin: New Paintings, 1999 Edinburgh International Festival, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland, August 15–October 1, 1999.

1998

Agnes Martin: New Paintings, PaceWildenstein, 9540 Wilshire Boulevard, Los Angeles, October 8–31, 1998.

Agnes Martin: Works on Paper, Museum of Fine Arts, Santa Fe, New Mexico, May 15–August 17, 1998. (Catalogue; essays by Aline Brandauer, Ann Wilson and Harmony Hammond)

Agnes Martin: New Paintings, PaceWildenstein, 32 East 57th Street, New York, March 27–April 25, 1998.

1997

Agnes Martin Gallery, Harwood Museum of Art, University of New Mexico, Taos, October 31, 1997–Present.

Agnes Martin: Recent Paintings, PaceWildenstein, 32 East 57th Street, New York, January 16–February 15, 1997.

1996

Agnes Martin, Annemarie Verna Galerie, Zurich, May 21–July 20, 1996.

Agnes Martin: Paintings and Drawings, Galerie Daniel Blau, Munich, Spring 1996.

Agnes Martin: New Drawings and Watercolors, PaceWildenstein, 32 East 57th Street, New York, March 28–April 27, 1996.

Agnes Martin: New Paintings, PaceWildenstein, 9540 Wilshire Boulevard, Los Angeles, January 10–February 3, 1996.

1995

Agnes Martin, Mackenzie Art Gallery, Regina, Saskatchewan, April 15–June 18, 1995. Traveled to: University Art Museum and Pacific Film Archive, University of California, Berkeley, July 12–September 24, 1995. (Catalogue)

Agnes Martin: Recent Paintings, The Pace Gallery, 32 East 57th Street, New York, February 17–March 18, 1995.

1994

Agnes Martin: Paintings, Magasin 3 Stockholm Konsthall, Sweden, May 26–September 8, 1994.

Agnes Martin New Paintings, Harwood Museum of Art, University of New Mexico, Taos, March 26-May 21, 1994.

Restrospektiv I: Agnes Martin/Robert Mangold – Werke 1962-1994, Annemarie Verna Gallery, Zurich, February 16-March 11, 1994.

Agnes Martin: Seven Paintings from 1991 and 1992, Galerie Michael Werner, Cologne, January 22–March 5, 1994.

1993

Agnes Martin: Paintings and Drawings 1977–1991, Serpentine Gallery, London, September 8–October 24, 1993. (Catalogue; texts by Germano Celant and Agnes Martin, interview by Irving Sandler)

Agnes Martin, Wildenstein Gallery, Tokyo, Japan, May 17–June 30, 1993. (Catalogue)

1992

Agnes Martin, Whitney Museum of American Art, New York, November 6, 1992–January 31, 1993. Traveled to: Milwaukee Art Center, Wisconsin, February 12–April 4, 1993; Center for the Fine Arts, Miami, May 22–August 1, 1993; Contemporary Arts Museum, Houston, September 10–October 31, 1993; Museo Nacional Centro de Arte Reina Sofía, Madrid, November 23, 1993–February 21, 1994; Museum of Fine Arts, Santa Fe, March 26–May 15, 1994. (Catalogue; texts by Agnes Martin, Anna C. Chave and Rosalind Krauss)

Agnes Martin, Hochschule für angewandte Kunst, Vienna, February 6–March 7, 1992. (Catalogue)

Agnes Martin: Werke 1960–1989, Kunstmuseum Winterthur, Switzerland, January 19–March 15, 1992. (Catalogue)

1991

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, December 6, 1991–January 4, 1992.

Agnes Martin, On a Clear Day, A Portfolio of Prints from the Collection of Donald Judd, Chinati Foundation, Marfa, Texas, Winter 1991.

Agnes Martin: Paintings and Drawings 1974–1990, Stedelijk Museum, Amsterdam, March 22–May 12, 1991. Traveled to: Museum Wiesbaden, Germany, May 26–July 21, 1991; Westfälisches Landesmuseum, Münster, Germany, August 4–October 6, 1991; Musée d’Art Moderne de la Ville de Paris, France, October 24, 1991–January 6, 1992. (Catalogue; texts by Agnes Martin, Marja Bloem, Ann Wilson, Mark Stevens and Erich Franz)

Agnes Martin Paintings: 1959–1969, Mary Boone Gallery, New York, February 2–23, 1991.

1990

Agnes Martin: New Paintings, The Pace Gallery, 142 Greene Street, New York, December 7, 1990–January 12, 1991.

1989

Agnes Martin: Recent Paintings, Cleveland Museum of Art, Ohio, July 5–September 10, 1989. (Brochure)

Agnes Martin, Akira Ikeda Gallery, Tokyo, Japan, April 4–22, 1989. (Catalogue)

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, January 20–February 11, 1989.

1988

Agnes Martin, Barbara Krakow Gallery, Boston, March 5–30, 1988.

1987

Agnes Martin: Peintures 1975–1986, Galerie Yvon Lambert, Paris, April 25–May 20, 1987.

1986

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, September 19–October 25, 1986.

Agnes Martin: Works on Paper, Garry Anderson Gallery, Sydney, June 17–July 12, 1986.

Agnes Martin: Neue Bilder-Zeichnungen, Annemarie Verna Galerie, Zurich, April 23–May 24, 1986.

Agnes Martin: Recent Paintings, Waddington Galleries, London, February 5–March 1, 1986. (Catalogue)

1985

Agnes Martin: Recent Paintings, Margo Leavin Gallery, Los Angeles, October 18–November 16, 1985.

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, January 18–February 16, 1985.

1984

Agnes Martin: Recent Paintings, The Mayor Gallery, London, February 1–March 16, 1984.

Agnes Martin: Paintings, The Pace Gallery, New York, January 20–February 11, 1984.

1982

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, December 3, 1982–January 8, 1983.

Agnes Martin. Organized by Glenbow-Alberta Institute, Calgary, Alberta, and the Mendel Art Gallery, Saskatoon, Saskatchewan. Presented at: Centre Saidye Bronfman, Montreal, February 23–March 14, 1982.

1981

Agnes Martin: Paintings, The Pace Gallery, 32 East 57th Street, New York, September 25–October 31, 1981.

1980

Agnes Martin: 1980 Paintings, The Pace Gallery, 32 East 57th Street, New York, November 14–December 13, 1980.

Agnes Martin New Paintings, Watercolors, Richard Gray Gallery, Chicago, September 27–October 31, 1980.

Agnes Martin (exhibition of twelve paintings completed in 1979). Organized by The Pace Gallery, New York. Traveled to: Wichita State University, Kansas, March 18–April 6, 1980; Denver Art Museum, Colorado, May 24–June 29, 1980; La Jolla Museum of Contemporary Art, California, August 15–September 28, 1980; Seattle Art Museum, Washington, November 13–December 31, 1980; Portland Art Museum, Oregon, January–February 1981; Akron Art Institute, Ohio, March 14–May 10, 1981; Saint Louis Art Museum, Missouri, June 2–August 2, 1981; Glenbow Museum, Calgary, Alberta, August–October 11, 1981; Mendel Art Gallery, Saskatoon, Saskatchewan, November 13–December 20, 1981.

1979

Agnes Martin:1979 Paintings, The Pace Gallery, 32 East 57th Street, New York, September 21–October 13, 1979.

Agnes Martin: The Islands, Museum of Fine Arts, Santa Fe, July 1–2, 1979.

Agnes Martin: Recent Watercolors, Margo Leavin Gallery, Los Angeles, April 7–May 5, 1979.

1978

Agnes Martin: Recent Drawings, Harcus/Krakow Gallery, Boston, November 4–29, 1978.

Agnes Martin: Drawings of the Sixties, Robert Elkon Gallery, New York, October 7–November 8, 1978.

Agnes Martin: Six New Paintings, The Mayor Gallery, London, April 4–May 13, 1978.

Agnes Martin: Watercolors, The Pace Gallery, 32 East 57th Street, New York, March 25–April 22, 1978.

1977

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, September 17–October 15, 1977.

Agnes Martin: Paintings and Drawings 1957–1975. Organized by the Arts Council of Great Britain, London. Traveled to: Hayward Gallery, London, March 2–April 24, 1977; Stedelijk Museum, Amsterdam, May 13–June 19, 1977. (Catalogue; texts by Dore Ashton and Agnes Martin)

1976

Agnes Martin: Recent Paintings, The Pace Gallery, 32 East 57th Street, New York, May 1–June 5, 1976.

Agnes Martin: Paintings 1961–67, Robert Elkon Gallery, New York, May 1–June 2, 1976.

1975

Agnes Martin: New Paintings, The Pace Gallery, 32 East 57th Street, New York, March 1–April 1, 1975.

1974

Agnes Martin, Galleria Ala, Milan, November 1974.

Agnes Martin: On a Clear Day, Fine Arts Museum, Santa Fe, September 8–December 8, 1974.

Agnes Martin: Drawings 1960 to 1967, Robert Elkon Gallery, New York, March 9–April 3, 1974.

On a Clear Day: Screenprints and Drawings by Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, February 23–March 17, 1974. (Brochure)

1973

Agnes Martin, Kunstraum München, Munich, November 20–December 22, 1973. Traveled to: Kunsthalle Tübingen, Germany, January 12–February 24, 1974; Kaiser Wilhelm Museum, Krefeld, Germany, March 17–April 21, 1974. (Catalogue)

On a Clear Day, Wadsworth Atheneum, Hartford, Connecticut, September 5-November 21, 1973.

Agnes Martin: On a Clear Day, The Museum of Modern Art, New York, May 14–August 28, 1973.

Agnes Martin: On a Clear Day, Galerie Yvon Lambert, Paris, April 28–May 1973.

Agnes Martin, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 22–March 1, 1973. Traveled to: Pasadena Art Museum, April 3–May 27, 1973. (Catalogue; texts by Lawrence Alloway and Ann Wilson)

1972

Agnes Martin: Eight Paintings 1961–1967, Robert Elkon Gallery, New York, March 4–29, 1972.

1971

Agnes Martin, Visual Arts Gallery, School of Visual Arts, New York, April 20–May 25, 1971.

1970

Agnes Martin: Drawings 1961–1966, Robert Elkon Gallery, New York, May 2–20, 1970.

Agnes Martin: Paintings 1963–1968, Nicholas Wilder Gallery, Los Angeles, January 1970.

1967

October–Agnes Martin, Nicholas Wilder Gallery, Los Angeles, October 1967.

1966

Paintings: Agnes Martin, Robert Elkon Gallery, New York, October 22–November 12, 1966.

1965

Agnes Martin, Nicholas Wilder Gallery, Los Angeles, December 14, 1965–January 8, 1966.

Agnes Martin, Robert Elkon Gallery, New York, April 10–30, 1965.

1963

Agnes Martin, Robert Elkon Gallery, New York, November 12–30, 1963.

1962

Agnes Martin, Robert Elkon Gallery, New York, November 27–December 15, 1962.

1961

Agnes Martin: Paintings, Betty Parsons Gallery, New York, September 25–October 14, 1961.

1959

Paintings: Agnes Martin, Section Eleven, Betty Parsons Gallery, New York, December 29, 1959–January 16, 1960.

1958

Agnes Martin, Section Eleven, Betty Parsons Gallery, New York, December 2–20, 1958.

Agnes Martin
Group Exhibitions

Agnes Martin Group Exhibitions

2024

Alicja Kwade and Agnes Martin: Space Between the Lines, Pace Gallery, Los Angeles, May 18–June 29, 2024.

A Dark Hymn: Highlights from the Hill Collection, Hill Art Foundation, New York, March 1–April 13, 2024.

2023

Shadow and Light, New Mexico Museum of Art, Santa Fe, New Mexico, September 23, 2023–April 28, 2024.

Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, Los Angeles, California, September 17, 2023–January 21, 2024. Traveled to: the National Gallery of Art, Washington, D.C., March 17–July 28, 2024; National Gallery of Canada, Ottawa, Canada, October 25, 2024–March 2, 2025.

American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, Massachusetts, May 20–August 13, 2023. (Catalogue)

Icônes, Punta della Dogana, Venice, April 2–November 26, 2023. (Catalogue)

Salto nel vuoto: Arte al di là della materia, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy, February 3–May 28, 2023. (Catalogue)

2022

Put It This Way: (RE)Visions of the Hirshhorn Collection, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., August 2, 2022–September 4, 2023.

New York: 1962–1964, Jewish Museum, New York, July 22, 2022–January 8, 2023. (Catalogue)

Calor Universal, Pace Gallery, East Hampton, New York, July 2–17, 2022.

Uta Barth: Figure/Ground, Figure/Ground, Tanya Bonakdar Gallery, Los Angeles, June 3–July 16, 2022.

Ninth Street and Beyond: 70 Years of Women in Abstraction: Part II: Geometry, Hunter/Dunbar Projects, New York, April 14–May 25, 2022.

2021

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Women Artists: 1950 to Now, The Elkon Gallery, New York, November 5, 2021–January 14, 2022.

La Déconniatrie: Art, exile and psychiatry around François Tosquelles, Les Abattoirs, Musée - FRAC Occtanie Toulouse, October 14, 2021–March 6, 2022. (Catalogue)

Works on Paper, The Elkon Gallery, New York, May 24–August 13, 2021.

Ells font l’abstraction, Centre Pompidou, Musée National d’Art Moderne, Galerie 1, Paris, May 5−August 23, 2021. Traveled to: Guggenheim Museum Bilbao, October 22, 2021−February 27, 2022. (Catalogue)

2019

Lines of Thought: Kenturah Davis, Mary Kelly, Agnes Martin, Pippy Houldsworth Gallery, London, December 3, 2020–February 6, 2021.

Concerning Superfluities: Shaker Material Culture and Affinities, Essex Street Gallery, New York, November 3–December 22, 2019.

Lineup, Almine Rech, New York, October 30–December 14, 2019.

Visible Traces (Mountain Water Air), Lévy Gorvy, New York, June 25–August 10, 2019.

At the Edge of Things: Baer, Corse, Martin¸ Pace Gallery, 6 Burlington Gardens, London, June 7–August 14, 2019. Traveled to: Kayne Griffin Corcoran, Los Angeles, September 14–November 2, 2019.

Contemporary Artists of the Gallery: The 60’s to the Present, The Elkon Gallery, New York, February 22–March 29, 2019.

Piero Manzoni: Lines, Hauser & Wirth, New York, April 15–July 26, 2019. (catalogue)

From Gesture to Form: Postwar European and American Art from the Schulhof Collection, Peggy Guggenheim Collection, Venice, Italy, January 26–March 18, 2019.

Minimal Means: Concrete Inventions in the US, Brazil, and Spain, Zeit Contemporary Art, New York, January 17–March 30, 2019.

2018

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria, July 1–November 2018; Kunsthaus Zürich, September 20, 2019–January 5, 2020. (Catalogue)

Intimate Infinite: Imagine a Journey, Lévy Gorvy, New York, September 6–October 24, 2018. (Catalogue)

Play and Rewind: Ode to Summer on Film, Katonah Museum of Art, New York, August 12–October 7, 2018.

Between the Lines, Yumiko Chiba Associates, Tokyo, June 29–July 28, 2018.

Ornament and Crime, Eykyn MacLean, New York, May 2–June 15, 2018. (Catalogue)

An Eccentric View, Mignoni Gallery, New York, May 1–June 19, 2018. (Catalogue)

Taos: 1960’s–Present, Vivian Horan Fine Art, New York, April 27–June 22, 2018.

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

Unpacking the Vault, The Suzanne Lemberg Usdan Gallery, Bennington College, Vermont, February 27–April 15, 2018.

Small Format, The Elkon Gallery, New York, February 5–March 30, 2018.

2017

Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, 32 East 57th Street, New York, November 2, 2017–January 13 (extended through January 27), 2018.

Three Decades of Modern and Contemporary Masters: 50’s, 60’s, and 70’s, The Elkon Gallery, New York, November 1, 2017–January 26, 2018.

Seeking Stillness, Museum of Fine Arts, Boston, September 24, 2017–September 3, 2018.

Minimalism & Beyond, Mnuchin Gallery, New York, September 13–October 18, 2017. (Catalogue)

Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, April 15–August 13, 2017.

Between Land and Sea: Artists of the Coenties Slip, The Menil Collection, Houston, April 14–August 6, 2017.

Works on Paper, The Elkon Gallery, New York, March 3–May 26, 2017.

No Exit, Peter Blum Gallery, New York, February 11–April 15, 2017.

Drawings, Barbara Mathes Gallery, New York, January 11–February 10, 2017.

2016

Conversation, Book Launch, and Screening: Douglas Crimp with Karen Redrobe, International House, sponsored by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, November 18, 2016.

Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue)

Architecture of Color: The Legacy of Luis Barragán, Timothy Taylor 16x34, New York, September 23–November 19, 2016.

Aspects of Minimalism, Guild Hall, East Hampton, New York, August 13–October 10, 2016.

Big Picture: Art After 1945, Seattle Art Museum, Washington, July 23, 2016-Fall 2018.

Não te faltará a distância, Câmara Municipal de Lisboa, Lisbon, July 5–22, 2016.

Basquiat, Dubuffet, Soulages…Une collection privée, Fondation de l’Hermitage, Lausanne, Switzerland, June 24–October 30, 2016.

Approaching American Abstraction: The Fisher Collection, San Francisco Museum of Modern Art, May 14, 2016–2017.

The Campaign for Art: Modern and Contemporary, San Francisco Museum of Modern Art, May 14–September 18, 2016.

From the Collection: 1960–1969, The Museum of Modern Art, New York, Through March 12, 2017.

Daniel Buren: A Fresco, BOZAR, Center for Fine Arts, Brussels, February 19–May 22, 2016.

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, January 27–March 19, 2016. (Catalogue)

Dansaekhwa & Minimalism, Blum & Poe, Los Angeles, January 16–March 12, 2016. Traveled to: Blum & Poe, New York, April 14–May 21, 2016.

2015

Resistance and Persistence, Ingleby Gallery, Edinburgh, November 28, 2015–January 30, 2016.

Farideh Lashai, Tehran Museum of Contemporary Art, November 21, 2015–February 26, 2016.

Essential – The Line, Annemarie Verna Galerie, Zurich, October 24–December 5, 2015.

Opening the Box: Unpacking Minimalism, The George Economou Collection Space, Athens, Greece, October 22, 2015–April 2016.

Marks Made: Prints by American Women Artists from the 1960s to the Present, St. Petersburg: Museum of Fine Arts, St. Petersburg, October 17, 2015–January 24, 2016. (Catalogue)

Black Sun, Fondation Beyeler, Riehen / Basel, Switzerland, October 4, 2015–January 10, 2016.

Objects and Bodies at Rest and in Motion, Moderna Museet, Malmö, Sweden, September 26, 2015–February 7, 2016. Traveled to: Moderna Museet, Stockholm, March 12–June 12, 2016. (Catalogue)

Carl Andre in His Time, Mnuchin Gallery, New York, September 9–December 5, 2015. (Catalogue)

Space Between, Flag Art Foundation, New York, June 3–August 14, 2015.

Showing Off: Recent Modern and Contemporary Acquisitions, Denver Art Museum, Colorado, May 17, 2015–April 17, 2016.

Proportio, Palazzo Fortuny, Venice, May 9–November 22, 2015.

Selections from the Permanent Collection: 1940–1980, Museum of Contemporary Art, Los Angeles, May 5, 2015–May 28, 2016.

Selections from The Kramarsky Collection, David Zwirner, New York, May 5–June 20, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Revolution of the Eye: Modern Art and the Birth of American Television, Jewish Museum, New York, May 1–September 27, 2015. Traveled to: Nova Southeastern University, Ft. Lauderdale, Florida, October 25, 2015–January 10, 2016; Addison Gallery of American Art, Andover, Massachusetts, April 9–July 31, 2016.

Pathmakers: Women in Art, Craft, and Design, Midcentury and Today, Museum of Art and Design, New York, April 28–September 30, 2015.

American Icons: Master Works from the SFMoMA and the Fisher Collection, Galeries nationales du Grand Palais, Paris, April 8–June 22, 2015. Traveled to: Musee Granet, Aix-en-Provence, July 11–October 18, 2015. (Catalogue)

Attention, The Giant Contemporary Artist: Agnes Martin, Sol LeWitt, Joel Shapiro, Frank Stella, Robert Longo, Ellsworth Kelly, Robert Mangold, Sky Art Museum, Seoul, April 4–May 7, 2015.

Chaste Paper, S|2, Sotheby’s Gallery, New York, March 26–April 20, 2015.

With a Clear Mind, You Can Move with the Truth: Works from the Miller Meigs Collection, Lumber Room, Portland, Oregon, March 13–May 2, 2015.

The Untold Want, Royal Hibernian Academy, Dublin, March 12–April 26, 2015.

Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham, North Carolina, February 19–July 12, 2015. Traveled to: Ohio State University Urban Arts Space Columbus, Ohio, August 25–November 7, 2015; Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, January 20–March 12, 2016; Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College Portland, Oregon, September 8–December 11, 2016. (Catalogue)

Geometries on and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, February 2–November 30, 2015.

XL: Large-Scale Paintings from the Permanent Collection, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, January 30–March 29, 2015.

2014

Line: Making the Mark, Museum of Fine Arts, Houston, December 12, 2014–March 22, 2015.

Standing in the Shadows of Love: The Aldrich Collection 1964–74 (Part 2), The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, October 19, 2014–April 5, 2015

Reductive Minimalism: Women Artists in Dialogue, 1960–2014, University of Michigan Museum of Art, Ann Arbor, October 4, 2014–January 25, 2015.

David Hammons, White Cube Mason’s Yard, London, October 3, 2014–January 3, 2015.

Pictures, Before and After: An Exhibition for Douglas Crimp, Galerie Buchholz, Berlin, August 28–October 31, 2014.

Beyond and Between, Leeum, Samsung Museum of Modern Art, Seoul, August 19–December 21, 2014.

Yokohama Triennale 2014, Art Fahrenheit 451: Sailing into the Sea of Oblivion, Yokohama Museum of Art, Japan, August 1–November 3, 2014.

Summer Group Show, Pace Hong Kong, 15C Entertainment Building, 30 Queens Road Central, July 24–September 4, 2014.

Temporal Domain, Peters Projects, Santa Fe, opened July 18–August 23, 2014.

In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.

Shaping a Collection: Five Decades of Gifts, Whitney Museum of American Art, New York, July 17–October 19, 2014.

Abstraction: Modernist Masters from the Bennington Collection, Usdan Gallery, Bennington College, Vermont, July 2–September 3, 2014.

Textiles: Open Letter, Städtisches Museum Abteiberg, Germany, June 23–November 10, 2014.

Love Story: The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere Vienna, June 15, 2014–October 5, 2014. (Catalogue)

Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection, de Young Museum, San Francisco, June 7–October 12, 2014. (Catalogue)

Sleeping Beauty, Hiroshima City Museum of Contemporary Art, Japan, May 17–July 21, 2014. (Catalogue)

United States Embassy Madrid, Residence of Ambassador James Costos, May 2014–March 2017.

Double Negative: From Painting to Object, Museo Tamayo, Mexico City, March 27–July 20, 2014.

A Inusitada Coleção de Sylvio Perlstein, Museo de Arte Moderna, Rio de Janeiro, March 25–May 25, 2014. Traveled to: Museo de Arte de São Paulo, June 5–August 10, 2014.

Abstractly Speaking: Painting and Sculpture from the Parrish Permanent Collection, Parrish Art Museum, Water Mill, New York, March 8–April 13, 2014.

Modern Masters: 20th Century Icons from the Albright-Knox Art Gallery, Denver Art Museum, March 2–June 8, 2014. Traveled as Sincerely Yours: Treasures of the Queen City to: Albright-Knox Art Gallery, Buffalo, New York, July 5–September 14, 2014; Gauguin to Warhol: 20th Century Icons from the Albright-Knox Art Gallery, San Diego Museum of Art, California, October 4, 2014–January 28, 2015; Van Gogh to Rothko: Masterworks from the Albright -Knox Art Gallery, Crystal Bridges Museum of American Art, Bentonville, Arkansas, February 21–June 1, 2015; Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery, Milwaukee Art Museum, June 18–September 20, 2015.

Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.

Objects & Energies: Joyce Hinterding, Agnes Martin and Linda Matalon, National Art School Gallery, Sydney, January 31–March 29, 2014.

Fruits of Passion: Collection from the Musée national d’art modern, Centre Pompidou, Hyogo Prefectural Museum of Art, Kobe, Japan, January 18–March 23, 2014.

2013

Shadow and Line: Harmony in Black and White, Birnam Wood Galleries, New York, November 15–December 21, 2013.

Davant l'horitzó, Fundació Joan Miró, Barcelona, October 24, 2013–February 16, 2014. (Catalogue)

Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany, October 12, 2013–March 2, 2014. Traveled to: Staatsgalerie Stuttgart, Germany, March 21–June 22, 2014.

Line & Form, Marc Straus, New York, October 6–November 3, 2013.

Legacy: The Emily Fisher Landau Collection, Joslyn Art Museum, Omaha, September 28, 2013–January 5, 2014.

Word + Work, Galerie nächst St. Stephan Rosemarie Schwarzwalder, Vienna, September 7–October 3, 2013.

Paradise, Pace Gallery, 534 West 25th Street, New York, July 15–August 16, 2013.

In-between, Skarstedt Gallery, London, June 25–August 31, 2013.

The Nature of Women: Anne Appleby, Marischa Burckhardt, Lisa Corinne Davis, Sylvia Heider, Agnes Martin Aurelie Nemours, The Mayor Gallery, London, June 5–July 26, 2013. (Catalogue)

Form, Line, Contour, Dominique Lévy Gallery, 55 East 80th Street, New York, May 13–June 1, 2013.

Si proches disparus… élogue du dessin, Maison de la Culture d’Amiens, France, April 29–October 20, 2013.

Kansai Collections, National Museum of Art, Osaka, April 6–July 15, 2013. (Catalogue)

In Cloud Country, Harewood House, Leeds, United Kingdom, March 29–June 30, 2013.

The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, Seattle Art Museum, Washington, March 16–June 30, 2013.

En Grisaille, Nowadays, George Economou Collection, Athens, March 8–May 17, 2013.

Abenteuer Kunst: Highlights aus der Sammlung Kurt Fried, Ulmer Museum, Stadtgalerie Klagenfurt, Klagenfurt am Wörthersee, Austria, March 1–June 2, 2013.

American Idols. Von Basquiat bis Warhol, Kunsthalle Weishaupt, Ulm, Germany, February 24–October 13, 2013.

Legacy: The Emily Fisher Landau Collection, Norton Museum of Art, West Palm Beach, Florida, February 21–June 2, 2013.

On the Matter of Abstraction… (Figs. A & B), Rose Art Museum, Brandeis University, Waltham, Massachusetts, February 12–June 2, 2013.

Gli anni Sessanta nelle Collezioni Guggenheim. Oltre l’informale, verso la Pop Art, Arca, Chiesa San Marco, Vercelli, Italy, February 9–May 12, 2013.

Revivals and Rediscoveries, Mary and Laigh Block Museum of Art, Northwestern University, Evanston, Illinois, February 1–March 2, 2013.

Now Here is also Nowhere Part II, Henry Art Gallery, University of Washington, Seattle, January 26–May 5, 2013.

Une brève histoire des lignes, Centre Pompidou-Metz, France, January 11–April 1, 2013.

2012

American Legends: From Calder to O’Keeffe, Whitney Museum of American Art, New York, December 22, 2012–June 19, 2014.

Masterpieces from the Berardo Collection, Gary Nader Art Centre, Miami, December 5, 2012–March 30, 2013.

Into the Light: The Arts Council- 60 Years of Supporting the Arts, Dublin City Gallery The Hugh Lane, November 28, 2012–February 24, 2013.

Into the Mystic, Michael Kohn Gallery, Los Angeles, November 17, 2012–January 26, 2013.

Behold, America: Art of the United States from Three San Diego Museums, Museum of Contemporary Art San Diego, California; Timken Museum of Art, San Diego Museum of Art, November 10, 2012–February 10, 2013.

Contemporary Drawing as Idea and Process, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, October 26, 2012–January 7, 2013.

Elles: SAM: Singular Works by Seminal Women Artists, Seattle Art Museum, Washington, October 11, 2012–February 17, 2013.

Elles: Women Artists in the Collection of the Centre Pompidou, Seattle Art Museum, Washington, October 11, 2012–January 13, 2013.

The Artist’s Hand: American Works on Paper 1945–1975 from the Washington Art Consortium Collection, Museum of Art, Washington State University, Pullman, September 28–December 15, 2012.

Visual Conversations: Selections from the Collection, Fisher Landau Center for Art, Long Island City, New York, September 28–December 31, 2012.

Something Turned Into a Thing, Magazin 3, Stockholm, September 22–December 9, 2012.

Notations: Contemporary Drawing as Idea and Process. Drawings from the Sally and Wynn Kramarsky Collection, Mildred Lane Kemper Art Museum, Washington University, St. Louis, September 14, 2012–January 7, 2013.

Paper Band, Jason McCoy Gallery, New York, July 11–August 24, 2012.

Minimalism: Not Strictly Formal, Michael Kohn Gallery, Los Angeles, May 18–June 30, 2012.

Form, Line, Contour, Dominique Lévy Gallery, New York, May 13–June 1, 2013.

It’s About Time: 14,000 Years of New Mexico Art, New Mexico Museum of Art, Santa Fe, May 10, 2012–January 30, 2014.

Tracing the Grid: The Grid in Art after 1945, Kunstmuseum Stuttgart, Germany, May 5–October 7, 2012. (Catalogue)

Sammlung Hubert Looser/Hubert Looser Collection- My Private Passion, Bank Austria Kunstforum, Vienna, April 26–July 15, 2012.

The 35th Anniversary of the National Museum of Art, Osaka: the Allure of the Collection, National Museum of Art, Osaka, Japan, April 21–June 24, 2012.

The Expanding Grid, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 7–August 27, 2012.

Surface / Infinity: Vija Celmins, Brice Marden, Agnes Martin, Craig F. Starr Gallery, New York, April 4–May 25, 2012. (Catalogue)

1964, Georg Kargl Fine Arts, Vienna, March 23–April 28, 2012.

Iconic: Gifts from the Kondon-Geisberger Collection, Museum of Contemporary Art San Diego Downtown, California, March 22–June 30, 2012.

Ponctuation 8: Inventer le Dessin, Musée du Dessin et de l’Estampe Originale, Gravelines, France, March 17–May 27, 2012.

Guggenheim Collection: The American Avant-Garde 1945–80, Palazzo delle Esposizioni, Rome, February 7–May 6, 2012.

New Mexico: 100 Years of Art, Las Cruces Museum of Art, New Mexico, February 2–April 14, 2012. Traveled to: Carlsbad Museum & Art Center, New Mexico, May 5–August 11, 2012; Farmington Museum, New Mexico, August 25–November 17, 2012.

2011

Not on Your List and Not Present, The Granary, Sharon, Connecticut, 2011.

MOCA Permanent Collection Masterworks 1945–1975, Museum of Contemporary Art, Los Angeles, November 27, 2011–July 30, 2012.

Surface, Support, Process: The 1960s Monochrome in the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, November 19, 2011–February 8, 2012.

Contemporary Drawings from the Irving Stenn Jr. Collection, Art Institute of Chicago, November 19, 2011–February 26, 2012.

Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.

Surface, Support, Process: The 1960s Monochrome in the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, November 19, 2011–February 8, 2012.

No Object Is an Island: New Dialogues with the Cranbrook Collection, Cranbrook Art Museum, Bloomfield Hills, Michigan, November 11, 2011–March 25, 2012.

Grisaille: Part II New York, Luxembourg & Dayan, New York, November 7, 2011–January 14, 2012.

The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery, Albright-Knox Art Gallery, Buffalo, New York, November 4, 2011–March 4, 2012. (Catalogue)

Kindred Spirits: Native American Influences on 20th Century Art, Peter Blum Gallery, New York, October 29, 2011–January 14, 2012.

80 @ 80, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, October 15–December 31, 2011.

To Save and Project: The Ninth MoMA International Festival of Film Preservation, Museum of Modern Art, New York, October 14–November 25, 2011.

Structure & Absence, White Cube, London, October 12–November 26, 2011. (Catalogue)

Ponctuation 2: Constellations, Fonds régional d’art contemporain de Picardie, Amiens, France, October 11, 2011–February 28, 2012.

Abstracción pictórica. Obras de Arts de la Colección de la Fundació la Caixa, Museo de Arta Contemporáneo de Alicante (MACA), Spain, October 5, 2011–January 8, 2012.

Dan Flavin: Three Works, L & M Arts, New York, October 4–December 10, 2011.

Museum of Desires, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, September 10, 2011–January 8, 2012.

Fluxus At NYU: Before and Beyond (in conjunction with “Fluxus and the Essential Questions of Life”), Grey Art Gallery, New York University, New York, September 9–December 3, 2011.

Threat and Degradation, Richard Gray Gallery, New York, September 2–30, 2011.

Der Raum Der Linie; Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatesammlung, Pinakothek der Moderne, Munich, July 28–September 25, 2011. Traveled to: Museum Wiesbaden, Germany, July 12–October 7, 2012.

If You Lived Here, You’d Be Home By Now, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, June 25–December 16, 2011.

Legacy: Selections from Emily Fisher Landau’s Gift to the Whitney Museum of American Art, Fisher Landau Center for Art, Long Island City, New York, June 12–September 12, 2011.

The Minimal Gesture, Timothy Taylor Gallery, London, June 4–August 20, 2011.

Painting and Sculpture Changes 2011, Museum of Modern Art, New York, June 3–December 31, 2011.

High Fidelity: Selections from the 1960s and 1970s, Museum of Contemporary Art San Diego, La Jolla, California, May 28–September 5, 2011.

Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, Massachusetts, May 3, 2011–June 1, 2013.

Présentation des collections permanentes (collections contemporaines), Centre Pompidou, Musée national d’art modern/Centre de creation industrielle, Paris, April 4, 2011–March 1, 2014.

Dan Van Severen: Ellsworth Kelly, Brice Marden, Agnes Martin, Barnett Newman, Ad Reinhardt, Foundation “De 11 Linjen,” Belgium, April 3–July 9, 2011.

Surface Truths: Abstract Painting in the Sixties, Norton Simon Museum, Pasadena, California, March 25–August 15, 2011.

Malevich and the American Legacy, Gagosian Gallery, New York, March 3–April 30, 2011. (Catalogue)

Selected Histories: Twentieth-Century Art from the SFMOMA Collection, San Francisco Museum of Modern Art, February 24, 2011–June 30, 2012.

Contemporary Collecting: The Judith Neisser Collection, The Art Institute of Chicago, February 13–May 22, 2011. (Catalogue)

Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, February 10–May 1, 2011. Traveled to: Norton Museum of Art, West Palm, Florida, February 21–June 2, 2013; Asheville Art Museum, North Carolina, June 15–September 8, 2013; Joslyn Art Museum, Omaha, Nebraska, September 28, 2013–January 5, 2014; Grand Rapids Art Museum, Michigan, February 2–April 27, 2014; San Jose Museum of Art, California, June 5–September 14, 2014. (Catalogue: texts by Donna de Salvo and Joseph Giovannini)

The Parallax View, Lehmann Maupin, New York, February 10–March 19, 2011. (Curated by Manuel Gonzalez)

Unforgettable: Selections from the Emily Fisher Landau Collection, Fisher Landau Center for Art, Long Island City, New York, February 10–April 9, 2011.

Arp, Beckmann, Munch, Kirchner, Warhol… Klassiker in Bonn. Die unbekannte Sammlung, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany, January 28–March 27, 2011.

2010

Singular Visions, Whitney Museum of American Art, New York, December 16, 2010–August 5, 2012.

On-Line: Drawing through the Twentieth Century, The Museum of Modern Art, New York, November 21, 2010–February 7, 2011. (Catalogue; texts by Catherine de Zegher and Cornelia H. Butler.)

Case Studies from the Bureau of Contemporary Art, New Mexico Museum of Art, Santa Fe, November 19, 2010–March 20, 2011.

Ganz Konkret (Complete Concrete), Haus Konstruktiv, Zurich, November 10, 2010–January 31, 2011.

Die Natur der Kunst: Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart, Kunstmuseum Winterhur, Switzerland, October 31, 2010–February 27, 2011.

Hide/Seek: Difference and Desire in American Portraiture, National Portrait Gallery, Smithsonian Institution, Washington, D.C., October 30, 2010–February 13, 2011. Traveled to: Brooklyn Museum, New York, November 18, 2011–February 12, 2012; Tacoma Art Museum, Washington, March 17–June 10, 2012. (Catalogue)

Houseguest: Frances Stark Selects from the Grunwald Collection, Armand Hammer Museum of Art, University of California, Los Angeles, October 16–January 26, 2011.

Regarding Painting, Rose Art Museum, Brandeis University, Waltham, Massachusetts, October 7, 2010–June 12, 2011.

50 Years at Pace, The Pace Gallery, 32 East 57th Street, 534 West 25th Street, and 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Streams of the New: Masterpieces from the National Museum of Art, Osaka, Miyagi Museum of Art, Sendai, Japan, August 5–October 3, 2010. Traveled to: Miyakonojo City Museum of Art, Japan, October 16–December 5, 2010.

Drawing Questions, Israel Museum, Jerusalem, July 26–October 30, 2010.

A Selection of Works from MOCA’s Permanent Collections, Museum of Contemporary Art, Los Angeles, July 13, 2010–November 13, 2011.

They Knew What They Wanted, Altman Siegel Gallery (in collaboration with Fraenkel Gallery, John Berggruen and Ratio 3), San Francisco, July–August 2010.

Contemporary Art from the Collection, Museum of Modern Art, New York, June 30, 2010–September 19, 2011

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco, June 25–September 19, 2010. (Catalogue)

40, Texas Gallery, Houston, June 15–July 31, 2010.

Ree Morton: Selected Works 1968–1972, Annemarie Verna Gallery, Zurich, May 26–July 10, 2010.

Im Dialog – Erich Hauser zum Achtzigsten, Kunsthalle Weishaupt, Ulm, Germany, May 9–September 26, 2010; Ulmer Museum, Ulm, Germany, May 9–July 4, 2010.

Show of hands: Northwest Women Artists 1880–2010, Whatcom Museum of History and Art, Bellingham, Washington, April 24–August 9, 2010.

Contemporary Collectors XXV, Museum of Contemporary Art San Diego, La Jolla, California, April 3–May 16, 2010.

Order and Border, Seattle Art Museum, Washington, February 26, 2010–August 28, 2011.

Here Comes the Sun: Warhol and Art After 1960 from the Norton Museum Collection, Norton Museum of Art, West Palm Beach, Florida, February 13–May 2, 2010.

Works on Paper, Wichita Art Museum, Kansas, January 24–February 21, 2010.

Collecting Biennials, Whitney Museum of American Art, New York, January 16–November 28, 2010.

Modern Times: Responding to Chaos, Kettle’s Yard, Cambridge, United Kingdom, January 16–March 14, 2010. Traveled to: De La Warr Pavilion, Bexhall, United Kingdom, April 3–June 13, 2010.

On the Square, PaceWildenstein, 32 East 57th Street, New York, January 8–February 13, 2010.

Painting and Sculpture Changes 2010, Museum of Modern Art, New York, January 1–December 31, 2010.

2009

The Anniversary Show, San Francisco Museum of Modern Art, December 19, 2009–January 16, 2011.

Just What Is It…, ZKM | Museum für Neue Kunst, Karlsruhe, Germany, December 5, 2009–April 11, 2010. (Catalogue)

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

Connecting Lines: Art in Embassies Exhibition Mexico City, Mexico, Residence of Ambassador, United States Embassy, Mexico City, November 2009–August 2011.

The Rose at Brandeis: Works from the Collection, Rose Art Museum, Brandeis University, Waltham, Massachusetts, October 28, 2009–June 20, 2010.

Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon, October 24, 2009–January 31, 2010.

Stripes/Solids, Paula Cooper Gallery, New York, October 7–31, 2009.

The Robert and Jane Meyerhoff Collection: Selected Works, National Gallery of Art, Washington, D.C., October 1, 2009–May 2, 2010. (Catalogue)

Beyond Black White and Gray, L & M Arts, New York, September 12–October 10, 2009.

ART in Embassies Program, Americans Abroad: Masterworks by Modern and Contemporary Artists, Winfield House, London, September 2009–April 2011.

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

Qui a Peur des Artistes?: Une Sélection D’Oeuvres de la François Pinault Foundation, Palais des Arts, Dinard, France, June 14–September 13, 2009.

La Pintura y sus Alrededores (En torno a la Galerie nächst St. Stephan Rosemarie Schwarzwälder de Viena), Palacio de Sástago, Zaragoza, Spain, May 29–July 19, 2009.

Elles@centrepompidou, Musée national d’art moderne, Centre Georges Pompidou, Paris, May 27, 2009–May 27, 2010. (Catalogue)

Illumination: The Paintings of Georgia O’Keeffe, Agnes Pelton, Agnes Martin, and Florence Pierce, Orange County Museum of Art, Newport Beach, California, May 3–September 6, 2009. Traveled to: Dayton Art Institute, Ohio, October 1, 2009–January 11, 2010; National Museum of Women in the Arts, Washington, D.C., February 6–May 25, 2010; The Marion Koogler McNay Art Museum, San Antonio, Texas, October 6, 2010–January 2, 2011. (Catalogue)

Gipfeltreffen der Moderne: Das Kunstmuseum Winterthur/Capolavori della modernità: Opere dalla collezione del Kunstmuseum Winterthur, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany, April 24–August 23, 2009. Traveled to: Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy, September 19, 2009–January 10, 2010; Museum der Moderne, Salzburg, Austria, February 27–May 30, 2010.

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, April 22–July 17, 2009. (Catalogue)

The Actuality of the Idea, Modern Art, London, April 18–May 16, 2009.

Highlights of the "la Caixa" Contemporary Art Collection; Highlights aus der Sammlung der Fundación "la Caixa", Kunsthalle Emden, Germany, March 14–June 21, 2009.

Abstract Terrains: Select paintings ca. 1924–1998, UNM Art Museum, Albuquerque, New Mexico, February 6–April 20, 2009.

The Third Mind: American Artists Contemplate Asia, 1860–1989, The Solomon R. Guggenheim Museum, New York, January 30–April 19, 2009. (Catalogue)

New York/New Drawing 1946–2007, El Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, January 27–May 24, 2009. (Catalogue)

New York: New Drawings, 1946-2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, January 27–May 24, 2009.

Sol LeWitt, Agnes Martin, Wes Mills: Drawings, Dickinson Agents and Dealers in Fine Art, New York, January 24–February 27, 2009.

The Thaw Collection of Master Drawings: Acquisitions Since 2002, The Morgan Library and Museum, New York, January 23–May 3, 2009.

Five Decades of Passion Part One: The Eye of the Collector, 1968-1988, Fisher Landau Center for Art, Long Island City, New York, January 4–March 31, 2009.

2008

Color into Light: Selections from the MFAH Collection, Museum of Fine Arts, Houston, December 13, 2008–March 22, 2009.

Frágil, Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, October 15, 2008–January 11, 2009.

Castle in Context, Fleisher/Ollman Gallery, Philadelphia, October 10–December 7, 2008.

From Giacometti to Grotjahn: A Selection of Works on Paper, Richard Gray Gallery, New York, September 25–October 25, 2008.

Circa 1958: Breaking Ground in American Art, Ackland Art Museum, University of North Carolina, Chapel Hill, September 21, 2008–January 4, 2009. (Catalogue)

Notation: Kalkül und Form in den Künsten, Akademie der Künste, Berlin, September 21–November 16, 2008. Traveled to: Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, February 14–July 26, 2009.

For What You Are about to Receive, Red October Chocolate Gallery, Moscow, September 18–October 25, 2008.

Matisse and Beyond: The Painting and Sculpture Collection, San Francisco Museum of Modern Art, September 18, 2008–January 7, 2009.

Modern and Contemporary Masters, Richard Gray Gallery, Chicago, August 2–September 1, 2008.

Modern and Contemporary Art, Allen Memorial Art Museum, Oberlin College, Ohio, July 22–September 13, 2008.

Summer in the City 2008, John Berggruen Gallery, San Francisco, July 10–August 31, 2008.

Síntesis, Galería Cayón, Madrid, July 1–September 6, 2008.

New York Cool: Painting and Sculpture from the NYU Art Collection, Grey Art Gallery, New York University, New York, April 22–July 19, 2008. Traveled to: Palmer Museum of Art, Pennsylvania State University, University Park, September 16–December 14, 2008; University of Iowa Museum of Art, Iowa City, January 17–March 15, 2009; Bowdoin College Museum of Art, Brunswick, Maine, April 17–July 19, 2009, and Hunter Museum of American Art, Chattanooga, Tennessee, August–October 2009. (Catalogue)

Contemporary Drawing from the Ackland Collection, Ackland Art Museum, University of North Carolina at Chapel Hill, April 19–August 17, 2008.

Painting, Drawings, Sculpture: Josef Albers, Donald Judd, Agnes Martin, Dunn & Brown Contemporary, Dallas, April 18–May 24, 2008.

Painting and Sculpture Changes 2008, Museum of Modern Art, New York, March 5–July 28, 2008.

Monet - Kandinsky - Rothko und die Folgen Wege der abstrakten Malerei, Bank Austria Kunstforum, Vienna, February 28–June 29, 2008.

How Artists Draw, Toward the Menil Drawing Institute and Study Center, Menil Collection, Houston, February 15–May 18, 2008.

Abstract Vision, Thomas Ammann Fine Art AG, Zurich, Switzerland, February 11–April 25, 2008. (Catalogue)

Collecting Collections: Highlights of the Permanent Collection of the Museum of Contemporary Art, Museum of Contemporary Art, Los Angeles, February 9–May 19, 2008. (Catalogue)

Eureka! Art as Traces and/or Lines, Osaka City Museum of Modern Art, Shinsaibashi Temporary Exhibition Space, Japan, April 26–June 8, 2008.

2007

The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka, National Museum of Art, Osaka, December 18, 2007–February 11, 2008. (Catalogue)

Modern and Contemporary Masterworks from the Museum of Fine Arts, Houston, Museum of Fine Arts, Houston, December 8, 2007–March 2, 2008.

The Complexity of the Simple, L & M Arts, New York, December 1, 2007–January 31, 2008.

Einfach sehen, Kunsthalle Weishaupt, Ulm, Germany, opened November 2007. (Catalogue)

Art in the U.S.A.: Three Hundred Years of Innovation, Guggenheim Bilbao, Spain, October 11, 2007–April 27, 2008.

Kukje Gallery 25th Anniversary Show, Kukje Gallery, Seoul, Korea, October 2–November 23, 2007.

Art for Yale: Collecting for a New Century, Yale University Art Gallery, New Haven, Connecticut, September 18, 2007–January 13, 2008.

Infinite Space Expands, Kolumba, Cologne, September 14, 2007–August 31, 2008.

Repeat Performances: Seriality and Systems Art Since 1960, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, September 4–December 23, 2007.

Blühendes: Ein Blick auf die Sammlung (Blooming: A Look at the Collection), Kunstmuseum Winterthur, Switzerland, August 28–November 18, 2007.

Camouflage, Portland Art Museum, Oregon, August 4–November 4, 2007.

What is Painting? Contemporary Art from the Collection, The Museum of Modern Art, New York, July 7–September 17, 2007.

Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, Australia, June 30–October 7, 2007.

"La Caixa" Contemporary Art Collection. Specific Places. Habitable Ideas, Zachęta – National Gallery of Art, Warsaw, June 29–August 26, 2007.

Free Summer Movie Festival, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Berardo Museum Opening, Berardo Collection Museum, Lisbon, June 25–September 9, 2007.

Contemporary Art from the Harvard University Art Museums Collections, Harvard University Art Museums/ Fogg Art Museum, Cambridge, Massachusetts, June 23, 2007–January 31, 2008.

Documenta 12, Kassel, June 16–September 23, 2007.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York, The Museum of Modern Art, New York, June 13–October 22, 2007. Traveled to: Museu de Arte Contemporânea de Serralves, May 9–June 22, 2008; Museum Wiesbaden, September 28, 2008–January 18, 2009. (Catalogue)

Paper, Fisher Landau Center for Art, Long Island City, New York, May 19, 2007–January 14, 2008.

Painting and Sculpture: Selections from the collection curated by Bill Katz, Fisher Landau Center for Art, Long Island City, New York, May 19, 2007–January 14, 2008.

American Abstraction: Works from the Washington Art Consortium Collection, Whatcom Museum of History and Art, Bellingham, Washington, May 13–November 11, 2007.

What Is a Line? Drawings from the Collection, Yale University Art Gallery, New Haven, May 1–July 22, 2007.

Art of New Mexico: How the West Is One, New Mexico Museum of Art, Santa Fe, April 20, 2007–February 19, 2012.

Sublime Convergence: Gothic to the Abstract, Richard L. Feigen & Co., New York, April 19–June 15, 2007. (Catalogue)

The Shapes of Space, The Solomon R. Guggenheim Museum, New York, April 14–September 5, 2007.

Présentation des collections permanentes (collections contemporaines), Centre Pompidou, Musée national d’art moderne/Centre de création industrielle, Paris, April 1, 2007–April 1, 2009.

Optic Nerve: Perceptual Art of the 1960s, Columbus Museum of Art, Ohio, February 16–June 17, 2007. (Catalogue)

Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, February 11–April 8, 2007.

Simplicity in American Art, United States Embassy, Canberra, February 2007–March 2009.

Hammer Contemporary Collection: Part I, Armand Hammer Museum of Art and Culture Center, University of California, Los Angeles, January 16–April 8, 2007.

Dream Museum: The Osaka Collections, National Museum of Art, Osaka, Japan, January 16–March 25, 2007.

2006

Minneapolis Institute of Arts, Minnesota, December 16, 2006–October 28, 2013.

Art Metropole: The Top 100, National Gallery of Canada, Ottawa, December 1, 2006–February 25, 2007. (Catalogue)

Trait, ligne, écrire l'espace, Galerie national de la Tapisserie, Beauvais, France, November 22, 2006–March 14, 2007.

Felix Gonzalez-Torres and Agnes Martin, Andrea Rosen Gallery, New York, November 10–December 20, 2006.

Busy Going Crazy: The Sylvio Perlstein Collection, Art and Photography from Dada to the Present Day, La Maison Rouge, Fondation Antoine de Galbert, Paris, October 29, 2006–January 14, 2007.

Grid<>Matrix, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, October 25–December 31, 2006.

Elemental Form, L & M Arts, New York, October 19–December 9, 2006. (Catalogue)

Twice Drawn: Modern and Contemporary Drawings in Context, Part 2, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, October 7–December 30, 2006.

Glenstone: The Inaugural Exhibition, Glenstone Foundation, Potomac, Maryland, September 30, 2006–January 14, 2009.

Minimalism: On and Off Paper, Vivian Horan Fine Art, New York, September 28–November 17, 2006.

Nothing and Everything, Peter Freeman, Inc., New York, September 7–October 28, 2006. Traveled to: Fraenkel Gallery, San Francisco, November 30, 2006–January 27, 2007. (Catalogue)

New Frontiers: American Art Since 1945, Oberlin College Allen Memorial Art Museum, Ohio, August 29–December 23, 2006.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Kunstmuseum Winterthur, Switzerland, August 26–November 19, 2006. (Catalogue)

The Skowhegan School of Painting and Sculpture: 60 Years, Colby College Museum of Art, Waterville, Maine, July 22–October 29, 2006. (Catalogue)

Postwar Directions: Abstract Expressionism to Minimalism, Museum of Contemporary Art, Los Angeles, July 22–October 9, 2006.

The Guggenheim Collection, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany; Kunstmuseum Bonn, July 21, 2006–January 7, 2007.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006. (Brochure)

Painting: Alive and Well! Eight Master Artists, The University of New Mexico Art Museum, Albuquerque, June 2–September 24, 2006.

Where Are We Going?: Selections from the François Pinault Collection, Palazzo Grassi, Venice, April 30–October 1, 2006. (Catalogue)

Vija Celmins, Ewan Gibbs, Agnes Martin, Timothy Taylor Gallery, London, March 31–April 29, 2006.

Webs, Loops, and Skeins in Modern and Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, February 24–April 23, 2006.

La Mirada del Artista: La Propuesta de Juan Uslé, CaixaForum Barcelona, January 27–May 7, 2006.

Line and Surface: Works on Paper, Peter Blum Gallery, New York, January 20–March 25, 2006.

Pop to Contemporary: Selected Works, Telfair Museum of Art, Savannah, Georgia, January 14–March 5, 2006.

2005

Drawings and Sculpture, Cook Fine Art, New York, September 20–October 21, 2005.

The Perception of the Horizontal, Museo d’arte moderna e contemporanea Bolanzo, Italy, September 17, 2005–January 8, 2006. (Catalogue)

Take Two, Worlds and Views: Contemporary Art from the Collection, The Museum of Modern Art, New York, September 14, 2005–March 21, 2006.

Salon d’Automne, Annemarie Verna Gallery, Zurich, September 7–October 15, 2005.

Expansion: The Grid as Concept and Structure, Whitney Museum of American Art, New York, September 1, 2005–January 8, 2006.

Building and Breaking the Grid: 1962-2002, Whitney Museum of American Art, New York, September 1, 2005–January 8, 2006.

50 Jahre/Years Documenta 1955-2005, Kunsthalle Fridericianum, Kassel, September 1–November 20, 2005.

A Kind of Magic: The Art of Transforming, Kunstmuseum Luzern, Switzerland, August 6–November 26, 2005. (Catalogue)

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue; text by Claire Schneider)

Repeat Performance, Anthony Grant Inc., New York, June 29–September 17, 2005.

Gego, Between Transparency and the Invisible, Museum of Fine Arts, Houston, June 26–September 25, 2005. (Catalogue)

The Experience of Art, 51st International Art Exhibition, Venice Biennale, June 12–November 6, 2005. (Catalogue)

The Unseen Hand: Minimalism & Anonymity, Archeus, London, June 1–July 9, 2005.

The Shape of Colour, Art Gallery of Ontario, Toronto, June 1–August 7, 2005.

Aurelie Nemours / Agnes Martin, Espace de l’Art Concert, Château de Mouans, France, May 14–June 19, 2005. (Catalogue)

Wilder: A Tribute to the Nicholas Wilder Gallery, Los Angeles 1965–1979, Franklyn Parrasch Gallery and Joan Washburn Gallery, New York, April 22–May 27, 2005.

Vanishing Point: Hidden Beauty in Contemporary Art, Israel Museum, Jerusalem, April 12–October 25, 2005.

Evergreen, Inverleith House, Royal Botanic Garden, Arbortum Place, Inverleith Row, Edinburgh, April 2–July 3, 2005.

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors From the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29–May 29, 2005. Traveled to: Grand Rapids Art Museum, Michigan, June 24–September 4, 2005; National Academy Museum, New York, October 20–December 31, 2005. (Catalogue)

The Beauty of Sanctity: Masterworks from Every Age, The Israel Museum, Jerusalem, March 29–Summer, 2005. (Catalogue)

Drawing from the Modern, 1945-1975, The Museum of Modern Art, New York, March 25–August 29, 2005.

3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin, The Drawing Center, New York, March 19–May 21, 2005. Traveled to: Santa Monica Museum of Art, California, June 10–August 13, 2005; Irish Museum of Modern Art, Dublin, January 24–March 26, 2006. (Catalogue)

Imageless Icons: Abstract Thoughts, Gagosian Gallery, London, February 3–March 26, 2005. (Catalogue)

2004

The Berardo Collection - A Voyage through the 20th Century, Sintra Museum of Modern Art - Berardo Collection, Portugal, December 4, 2004–April 30, 2005.

Painting and Sculpture: Inaugural Installation, The Museum of Modern Art, New York, November 20, 2004–July 28, 2009.

Présentation des collections permanentes (collections contemporaines), Centre Pompidou, Musée national d’art moderne/Centre de création industrielle, Paris, October 13, 2004–September 30, 2005.

In Pursuit of Perfection: The Art of Agnes Martin, Maria Martinez, and Florence Pierce, Museum of Fine Arts, Santa Fe, New Mexico, October 8, 2004–January 23, 2005. (Catalogue)

Intuition/(Im)Precision, Galerie Thaddaeus Ropac, Salzburg, October 2–November 10, 2004. (Catalogue)

American Modernism 1920–1950, Peyton Wright Gallery, Santa Fe, New Mexico, October 1–31, 2004.

Specific Objects: The Minimalist Influence, Museum of Contemporary Art, San Diego, September 26, 2004–January 30, 2005.

Jorge Pardo un proyecto para la Colección de Arte Contemporáneo Fundación "la Caixa", CaixaForum Barcelona, July 28–November 7, 2004.

Eclipse: Towards the Edge of the Visible, White Cube, London, July 16–August 21, 2004. (Catalogue)

Summer 2004, PaceWildenstein, 32 East 57th Street, New York, July 8–September 10, 2004.

Beyond Geometry: Experiment in Form, 1940s–70s, Los Angeles County Museum of Art, California, June 13–October 3, 2004. Traveled to: Miami Art Museum, Florida, November 18, 2004–May 1, 2005. (Catalogue)

Mondrian to Ryman, Solomon R. Guggenheim Museum, New York, June 11–September 19, 2004.

Off the Wall: Work from the JPMorgan Chase Collection, Bruce Museum of Arts and Science, Greenwich, Connecticut, May 16–September 4, 2004.

Modern Masters: 25 for the 25th, Geffen Contemporary at MOCA, Los Angeles, May 15, 2004.

Modern Means: Continuity and Change in Art, 1880 to Now. Highlights from the Museum of Modern Art, Mori Art Museum, Tokyo, April 27–August 1, 2004.

A Minimal Future?: Art As Object 1958–1968, Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004. (Catalogue; text by Ann Goldstein and Diedrich Diederichsen)

Pop Art and Minimalismus: The Serial Attitude, Albertina, Vienna, March 10–August 29, 2004. (Catalogue)

Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, March 5–May 19, 2004. (Catalogue)

Determined Pursuit: Highlights from the Longstaffe Collection, Vancouver Art Gallery, Canada, February 28–May 16, 2004.

Paper, Barbara Mathes Gallery, New York, January 23–March 13, 2004.

Encounters with Modernism: Highlights from the Stedelijk Museum Amsterdam/Encontros com o Modernismo: destaques do Stedelijk Museum Amsterdam, Shanghai Art Museum, January 14-February 20, 2004. Traveled to: Singapore Art Museum, March 18-June 6, 2004; Pinacoteca do Estado, São Paulo, June 30-October 3, 2004; Museu de Art Modern, Rio de Janeiro, October 20, 2004–January 9, 2005.

Selections of Works on Paper from the New York University Art Collection (in conjunction with "Diane Arbus: Family Albums"), Grey Art Gallery, New York University, New York, January 13–March 27, 2004.

3 Degrees of Cool, Museum of Art, Washington State University, Pullman, Washington, January 6–February 29, 2004.

2003

Tracing the Sublime, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, December 16, 2003–March 21, 2004.

100 Treasures of Cranbrook Art Museum, Bloomfield Hills, Michigan, December 13, 2003–March 28, 2004. (Catalogue; texts by Gregory Whittkop and Joe Houston)

Fine Lines from the Collection of Wynn Kramarsky, Santa Barbara Contemporary Arts Forum, November 16, 2003–January 11, 2004.

Learning to Look: Line, Norton Simon Museum, Pasadena, California, November 7, 2003–February 23, 2004.

The Spirit of White, Galerie Beyeler, Basel, November 1, 2003–March 1, 2004.

Drawing Modern: Works from the Agnes Gund Collection, Cleveland Museum of Art, Ohio, October 26, 2003–January 1, 2004.

Here and Now: On Minimal Art in The Berardo Collection, Sintra Museum of Modern Art - Berardo Collection, Portugal, October 18, 2003–February 22, 2004.

Happiness: A Survival Guide for Art + Life, Mori Art Museum, Tokyo, October 13, 2003–January 18, 2004.

Antonio Calderara Zum 100. Geburtstag, Annemarie Verna Gallery, Zurich, October 3–November 15, 2003.

The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, September 28, 2003–February 29, 2004. (Catalogue)

The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and Sculptures, Museum of Fine Arts, Houston, September 21, 2003-September 19, 2004. Traveled as MoMA in Berlin: Masterworks from The Museum of Modern Art to: Neue Nationalgalerie, Berlin, February 18–September 19, 2004.

In Pursuit of the Absolute, Menil Collection, Houston, September 17, 2003–February 29, 2004.

Going Modern at the Allen: American Painting and Sculpture, 1950-1980, Allen Memorial Art Museum, Oberlin College, Ohio, September 16, 2003–July 27, 2004.

3 Degrees of Cool, Wright Exhibition Space, Seattle, Washington, September 1-December 31, 2003. Traveled to: Museum of Art, Washington State University, Pullman, December 31, 2003–February 29, 2004.

Breathless, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, August 17, 2003–February 15, 2004.

Summer Travels, PaceWildenstein, 32 East 57th Street, New York, July 1–August 28, 2003.

Back to the Present: Minimalist Works from the Museum’s Collection, Rhode Island School of Design, Providence, June 27–August 31, 2003.

Pittura/Painting: From Rauschenberg to Murakmi, 1964–2003, 50th International Art Exhibition, Venice Biennale, Museo Correr, June 15–November 2, 2003.

Le cabinet d'Ann Philbin, Fonds régional d'art contemporain de Picardie, Amiens, France, June 13–July 26, 2003.

Trésors Publics, Palais des Papes, Avignon, France, May 21–October 10, 2003.

An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art, Oklahoma, May 16–August 10, 2003. Traveled to: Nevada Museum of Art, Reno, January 9–April 4, 2004; Mobile Museum of Art, Alabama, January 7–April 3, 2005.

International Abstraction: Making Painting Real, Seattle Art Museum, Washington, May 2, 2003–February 29, 2004.

Agnes Martin, Bridget Riley, Rosemarie Trockel. Karsten Schubert, London, May–July 2003.

Le cabinet de Joachim Blüher, Fonds régional d'art contemporain de Picardie, Amiens, France, April 29–May 28, 2003.

Elemental: Selections from the Permanent Collection, Walker Art Center, Minneapolis, Minnesota, March 9–June 15, 2003.

On Paper: Masterworks from the Addison Collection, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, February 1–April 6, 2003.

Colección de Arte Contemporáneo Fundación "la Caixa," Obras seleccionadas, Museo Patio Herreriano de Arte Contemporáneo Español, Valladolid, Spain, January 17–March 30, 2003.

2002

110 Years: The Permanent Collection of the Modern Art Museum of Fort Worth, Modern Art Museum of Fort Worth, Texas, December 1, 2002–March 1, 2003.

Retrospectacle: 25 Years of Collecting Modern and Contemporary Art, Denver Art Museum, Colorado, November 16, 2002–August 3, 2003.

Territórios Singulares na Colecção Berardo (Singular works in the Berardo Collection), Sintra Museum of Modern Art - Berardo Collection, Portugal, October 22, 2002–February 28, 2003.

Mirror of the Sky, Funen Art Museum, Odense, Denmark, October 5, 2002–January 5, 2003. Traveled to: Storstrøms Kunstmuseum, Maribo, Denmark, January 18–March 30, 2003.

Aspects of Color, Anthony Meier Fine Arts, San Francisco, September 18–November 15, 2002.

No Greater Love: Abstraction, Jack Tilton/Anna Kustera Gallery, New York, September 12–October 5, 2002.

Skin to Bones: Painting Since 1970, Rose Art Museum, Brandeis University, Waltham, Massachusetts, September 11–November 24, 2002.

Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana-Champaign, September 4–November 3, 2002. Traveled to: Arkansas Art Center, Little Rock, November 14, 2002–February 2, 2003; Georgia Museum of Art, Athens, February 7–March 23, 2003; Cincinnati Museum of Art, Ohio, August 22– November 16, 2003. (Catalogue)

Abstraction, Ingleby Gallery, Edinburgh, August 4–26, 2002.

Independent Visions: Paintings and Sculpture, John Berggruen Gallery, San Francisco, July 11–August 31, 2002.

Judd, LeWitt, Mangold, Martin and Shapiro, PaceWildenstein, 534 West 25th Street, New York, July 11–July 31, 2002.

Taos Modern: Postwar Abstract Paintings, Canfield Gallery, Santa Fe, New Mexico, July 11–August 3, 2002.

To Be Looked At: Painting and Sculpture from the Collection, Museum of Modern Art, Queens, New York, June 29–December 3, 2002; February 25-March 2, 2004.

Colección de Arte Contemporáneo Fundación “la Caixa”, CaixaForum Barcelona, June–September 2002.

Painting on the Move, Kunstmuseum Basel, May 26–September 8, 2002.

American Beauty, Annely Juda Fine Art, London, May 23–July 13, 2002. (Catalogue)

Abstract to Realism, Museum of Fine Arts, Santa Fe, New Mexico, May 10, 2002–March 17, 2003.

The Essential Image: Minimalist Works on Paper, Marion Koogler McNay Art Museum, San Antonio, Texas, May 1–July 7, 2002.

Spirit of the Planet, U.S. Mission to the International Organizations in Vienna, Ambassador Kenneth Brill, May 2002–July 2004.

New York Renaissance: Masterworks from the Whitney Museum of American Art, Palazzo Reale, Milan, March 20–September 15, 2002.

Exposición Inaugural, CaixaForum Barcelona, February 24–March 23, 2002.

Painting: A Passionate Response, The Painting Center, New York, February 5–March 2, 2002.

Looking Back: Interactions, Museum of Fine Arts, Santa Fe, New Mexico, January 25–June 2, 2002.

Happy New Year! PaceWildenstein, 32 East 57th Street, New York, January 19–February 9, 2002.

Oh Beautiful! American Paintings, Drawings, and Sculpture, John Berggruen Gallery, San Francisco, January 10–March 2, 2002.

Women Artists: Their Work and Influence, 1950s-70s, Gallery Paule Anglim, San Francisco, January 9–February 2, 2002.

2001

Three Decades of Contemporary Art: The Dr. John and Rose M. Shuey Collection, Cranbrook Art Museum, Bloomfield Hills, Michigan, December 7, 2001–April 7, 2002. (Catalogue)

Künsterlerräume / Sammlerräume, Kunstverein St Gallen im Kunstmuseum, St. Gallen, Switzerland November 30, 2001–February 10, 2002

A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., November 18, 2001–April 7, 2002.

Originals: New Mexico Women Artists, The Harwood Museum, Taos, New Mexico, September 23–November 4, 2001.

A Gallery of Poems, Yale University Art Gallery, New Haven, Connecticut, August 21–November 4, 2001.

Minimalism, Museo Nacional Centro de Arte Reina Sofia, Madrid, July 11–October 8, 2001.

Collection of Osaka City Museum of Modern Art, Asia and Pacific Trade Center Museum, Osaka, Japan, May 26–July 8, 2001.

As Painting: Division and Displacement, Wexner Center for the Arts, The Ohio State University, Columbus, May 11–August 12, 2001. (Catalogue)

Drawing is another kind of language: Recent Drawings from a New York Private Collection, Contemporary Museum, Honolulu, Hawaii, April 20–June 1, 2001.

Measure/Mass, Annemarie Verna Galerie, Zurich, April 5–May 26, 2001.

Gridlock, Singer Gallery, Mizel Arts and Culture Center, Denver, Colorado, April 2001.

20th Century Perspectives, John Berggruen Gallery, San Francisco, March 29–April 21, 2001.

Eye of Modernism, Georgia O'Keeffe Museum, Santa Fe, New Mexico, March 23–September 4, 2001.

The Whitechapel Centenary Exhibition, Whitechapel Gallery, London, March 21–May 20, 2001.

Présentation des collections permanentes (collections contemporaines), Centre Pompidou, Musée national d’art moderne/Centre de création industrielle, Paris, March 5, 2001–March 5, 2002.

A Family Album: Brooklyn Collects, Brooklyn Museum of Art, New York, March 2–July 1, 2001.

Prints and Multiples, Senior & Shopmaker Gallery, New York, February 20–March 31, 2001.

Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990, Florida State University Museum of Fine Arts, Tallahassee, February 16–April 1, 2001. Traveled to: Appleton Museum of Art, Ocala, Florida, May 1–June 25, 2001. (Catalogue)

A Room of Their Own: From Arbus to Gober, Geffen Contemporary at MOCA, Los Angeles, February 11, 2001–January 20, 2002.

The Global Guggenheim: Selections From the Extended Collection, Solomon R. Guggenheim Museum, New York, February 9–April 22, 2001.

2000

Highlights from the Permanent Collection: From Pollock to Today, Whitney Museum of American Art, New York, December 7, 2000–February 10, 2002.

Cross Section: Works from the Permanent Collection, 1960–2000, Museum of Contemporary Art San Diego, La Jolla, California, December 2, 2000–February 20, 2001.

The Photograph of the Artist: Portraits from the Permanent Collection, Albright-Knox Art Gallery, Buffalo, New York, November 18, 2000–January 28, 2001.

MOMA2000, Open Ends: White Spectrum, The Museum of Modern Art, New York, November 5, 2000–January 30, 2001.

Changing Visions of the North American Landscape, Allen Memorial Art Museum, Oberlin College, Ohio, October 24, 2000–January 28, 2001.

Durante o Fim (During the End) - Rui Chafes, Sintra Museum of Modern Art-Berardo Collection, Portugal, October 15, 2000–January 14, 2001.

Creating Perfection: Shaker Objects and Their Affinities, Seattle Art Museum, Washington, October 5, 2000–April 29, 2001.

Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, October 4, 2000–January 15, 2001.

Work on Paper Richmond Burton, Brice Marden and Agnes Martin, Dartmouth College, Hanover, New Hampshire, September 26–October 22, 2000.

The Sixties, 1960-1969: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, September 10–December 31, 2000.

Das Gedächtnis der Malerei: Ein Lesebuch zur Malerei im 20. Jahrhundert, Aargauer Kunsthaus, Aarau, Switzerland, August 27–November 19, 2000.

The Nature of Seeing: Works from the Collection, Parrish Art Museum, Southampton, New York, August 6–September 17, 2000.

State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis, Minnesota, July 22–October 22, 2000.

Harwood Museum of Art, University of New Mexico, Taos, July 13–November 30, 2000.

Ellsworth Kelly, Agnes Martin, James Rosenquist y Jack Youngerman: Works on Paper, Guggenheim Bilbao, Spain, June 24–September 9, 2000.

Bertrand Lavier présente La peinture des Martin 1900-2000, Musée d'Art Moderne de la Ville de Paris, June 15–October 29, 2000. [This was an exhibition within the exhibition Voilà: Le Monde dan la Tête.]

Icon & Grid & Void: Art of the Americas from the Chase Manhattan Bank Art Collection, Americas Society, New York, May 23–October 1, 2000.

Sinn und Sinnlichkeit, Weserburg Museum für moderne Kunst, Bremen, Germany, May 21–August 27, 2000.

19th and 20th Century Works on Paper, Dickinson Roundell, Inc., New York, May 4–31, 2000. (Catalogue)

The Collector as Patron in the Twentieth Century, Knoedler & Company, New York, May 2–July 31, 2000.

Making Choices: New York Salon, The Museum of Modern Art, New York, April 30–September 26, 2000.

Lost, Ikon Gallery, Birmingham, United Kingdom, February 16–April 2, 2000.

Modern and Contemporary Art: Spotlight on the Collection, Museum of Fine Arts, Houston, February 7–August 27, 2000.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, February 5–March 11, 2000.

Contemplative Exactitude, 1/4 Hora Project Space, Elgin, Texas, February 2000.

Le regard égoïste de Christian Boltanski, Musée national d’art moderne/Centre de création industrielle, Centre Pompidou, Paris, January 1–March 6, 2000.

1999

More Than This, Museum of Fine Arts, Boston, December 11, 1999–February 7, 2000.

American Works on Paper, 1945-1975, Hallie Ford Museum of Art, Williamette University, Salem, Oregon, November 11, 1999–February 19, 2000.

Nova Apresentação da Colecção Berardo (New Presentation of the Berardo Collection), Sintra Museum of Modern Art - Berardo Collection, Portugal, November 8, 1999–March 1, 2000.

Cantor Arts Center at Stanford University, California, October 12, 1999–February 28, 2000.

Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., October 7, 1999–January 17, 2000. Traveled to: Haus der Kunst, Munich, February 11–April 30, 2000. (Catalogue)

Art in Embassies Program: Ambassador Richard Holbrooke, United States Mission to the United Nations, New York, October 1999–January 2001.

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue; text by Lisa Phillips and Barbara Haskell)

Searchlight: Consciousness at the Millennium, CCA (California College of the Arts) Wattis Institute for Contemporary Arts, Oakland/San Francisco, California, September 25–December 11, 1999. (Catalogue)

The Great Drawing Show: 1590–1999; Kohn/Turner Gallery, Los Angeles, September 16–October 30, 1999.

As American As...100 Works from the Collection of The Parrish Art Museum, Parrish Art Museum, Southampton, New York, August 1–September 19, 1999.

Line, Color, Form, John Berggruen Gallery, San Francisco, July 8–September 3, 1999.

Recent Acquisitions, John Berggruen Gallery, San Francisco, May 20–June 26, 1999.

Art in Our Time: 1950 to the Present, Walker Art Center, Minneapolis, Minnesota, May 9, 1999–September 2, 2001.

Drawings from the 1960s: Jo Baer, Lee Bontecou, Eva Hesse and Agnes Martin, Curt Marcus Gallery, New York, April 30–May 29, 1999.

Drawn From the Artists’ Collections, The Drawing Center, New York, April 24–June 12, 1999. Traveled to: UCLA Hammer Museum of Art, Los Angeles, July 13–September 26, 1999.

Art at Work: Forty Years of The Chase Manhattan Collection, The Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston, March 3–May 2, 1999. Traveled to: Queens Museum of Art, New York, May 21–September 15, 2000. (Catalogue)

Primary Structural: Minimalist and Post-Minimalist Works on Paper, MoMA PS1, Long Island City, New York, February 7–April 3, 1999.

Influences: Selections from the Contemporary Collection of the Norton Simon Museum, Alyce de Roulet Williamson Gallery, Art Center College & Design, Pasadena, February 7–April 11, 1999. (Catalogue)

Side by Side, Knoedler & Company, New York, February 4–27, 1999.

Colecção Berardo Collection 1917–1999, Centro Cultural de Belém, Lisbon, Portugal, January 28–April 30, 1999. (Catalogue)

1998

Works by contemporary American artists, Residence of the American Ambassador of the United States of America to Austria, Vienna, 1998. (Catalogue)

Next to Nothing: Minimalist Works from the Albright-Knox Art Gallery, Anderson Gallery, University of Buffalo, New York, November 21, 1998–February 7, 1999.

Càlida geometria: col·lecció Stedelijk Museum, Amsterdam, Centre Cultural de la Fundació "la Caixa", Granollers, Spain, October 1998–January 1999. Traveled to: Centre Cultural de la Fundació "la Caixa", Lleida, Spain, February–March 1999; Sala de Exposiciones Banco Herrero, Oviedo, Spain, March–April 1999; Centre Cultural de la Fundació "la Caixa", Vic, Spain, April–May 1999.

From Warhol to Mapplethorpe, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 12–November 1, 1998.

Dreaming I: Contemporary American Art and Ancient China, Akira Ikeda Gallery, New York, September 1–November 30, 1998.

Artists in Residence, United States Embassy Seoul, Residence of Ambassador Stephen Bosworth, September 1998–February 2001.

Art in New Mexico, Part I: Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle, James Kelly Contemporary, Santa Fe, New Mexico, July 31–October 2, 1998.

The Museum of Modern Art, New York, July 29–August 10, 1998.

More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, July 21–September 8, 1998.

Group exhibition of gallery artists, PaceWildenstein, 32 East 57th Street, New York, July 6–September 3, 1998.

Au fil du trait: de Matisse à Basquiat. Collection du Centre Georges Pompidou, Musée national d’art moderne, Cabinet d’art graphique, Carré d’Art–Musée d’art contemporain, Nîmes, France, June 26–September 28, 1998.

New to Houston, Recent Additions to Houston Collections, Museum of Fine Arts, Houston, June 21–August 30, 1998.

Art of Four Decades: 1958–1998, San Francisco Museum of Modern Art, June 5–July 19, 1998.

Aspects of Line, National Museum of Art, Osaka, Japan, June 4–July 28, 1998.

Agnes Martin and Kamilla Szij, Galéria 56, Budapest, June 2–July 4, 1998.

Selections from The Marcia Simon Weisman Collection, Museum of Contemporary Art, Los Angeles, May 24–August 30, 1998.

Elements of the Natural: 1950-1992: Selections from the Drawings Collection, Museum of Modern Art, New York, May 7–August 25, 1998.

Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, April 26–August 2, 1998. Traveled to: SITE Santa Fe, New Mexico, August 15–October 20, 1998. (Catalogue; texts by Richard Tuttle and Agnes Martin)

Beyond Belief: Modern Art and the Religious Imagination, National Gallery of Victoria, Melbourne, Australia, April 24–July 26, 1998.

Arterias, Malmö Konsthall, Sweden, April 24–June 15, 1998.

American Drawings from the Permanent Collection, Cleveland Museum of Art, Ohio, April 19–July 12, 1998.

La Collection Yvon Lambert: Dialogue avec des Artistes Contemporains, Yokohama Museum of Art, Japan, April 11–June 21, 1998.

Hiroshi Sugimoto: Recent Seascapes and Agnes Martin: Works on Paper, Fraenkel Gallery, San Francisco, March 5–April 25, 1998.

Sheldon Memorial Art Gallery, Lincoln, Nebraska, March–July 1998.

Elegant Austerity, Waddington Galleries, London, February 18–March 14, 1998.

Material Perfection: Minimal Art and Its Aftermath Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia, February 13–April 12, 1998.

Then and Now: Art since 1945 at Yale, Yale University Art Gallery, New Haven, February 10–July 31, 1998. (Catalogue)

Commitment, Community and Controversy: The Des Moines Art Center Collections, Des Moines Art Center, Iowa, January 24–May 10, 1998.

The Last Five Decades, Western Gallery, Western Washington University, Bellingham, January 5–February 10, 1998.

1997

Voies et Vertus du Dessin - oeuvres du Fond régional d'art contemporain de Picaradie, Museum of Contemporary Art, Taipei, December 20, 1997–May 6, 1998.

“Drawing Is Another Kind of Language”: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, December 12, 1997–February 22, 1998. Traveled to: Graphische Sammlung Albertina, Vienna, March 18–May 17, 1998; Kunstmuseum, Winterthur, Switzerland, September 4–November 15, 1998; Kunst–Museum, Ahlen, Germany, November 28, 1998–January 24, 1999; Akademie der Kunste, Berlin, February 19–May 2, 1999; Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France, May 21–August 15, 1999; Parrish Art Museum, Southampton, New York, September 26–November 14, 1999; Lyman Allyn Art Museum, New London, Connecticut, January 7–March 12, 2000; Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, September 23–December 10, 2000; Contemporary Museum, Honolulu, April 20–June 10, 2001. (Catalogue)

Crossing the Threshold, Steinbaum Krauss, New York, December 6, 1997–January 3, 1998. Traveled to: Tyler Art Gallery, State University of New York, Oswego, January 25–February 22, 1998; College of New Jersey, College Art Gallery, Holman Hall, Ewing, March 8–April 15, 1998; Brevard Museum of Art and Science, Melbourne, Florida, May 16–September 9, 1998; Spencer Museum of Art, University of Kansas, Lawrence, August 22–October 18, 1998; Guilford College Art Gallery, Greensboro, North Carolina, November 1–December 12, 1998; University Art Museum, University at Albany, State University of New York, Albany, January 19–March 7, 1999; St. Paul Companies, Minnesota, March 21–June 12, 1999. (Catalogue)

Heart, Mind, Body, Soul: American Art in the 1990's, Whitney Museum of American Art, New York, November 26, 1997–January 4, 1998.

Arte Americana 1975–1995 dal Whitney Museum: Identità Multiple/American Art from the Whitney Museum: 1975–1995, Castello di Rivoli, Museo d’Arte Contemporanea, Turin, October 20, 1997–January 18, 1998. (Catalogue)

Contemporary Art in Transition—From the Collection of the Ho-Am Art Museum, Ho-Am Art Gallery, Seoul, Korea, October 17–December 28, 1997.

Thresholds: Limits of Perception, Eighth Floor Gallery, New York, October 14–25, 1997.

Timepieces: Selected Highlights from the Permanent Collection, 1945–1975, Museum of Contemporary Art, Los Angeles, October 5, 1997–November 12, 1999.

Da Van Gogh alla modernità: disegni dello Stedelijk Museum Amsterdam, Scala Art Center, Milan, October 1–November 30, 1997.

The Serial Attitude, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 20, 1997–January 4, 1998.

About Context, Annemarie Verna Gallery, Zurich, September 16–November 23, 1997.

Geometric Abstraction, Ackland Art Museum, University of North Carolina at Chapel Hill, September 16–October 26, 1997.

Project Painting, Basilico Fine Arts, New York, September 11–October 11, 1997.

Inaugural Exhibition, Ace Gallery Mexico, Mexico City, September 9–November 15, 1997.

Rabb Gallery Installation, Museum of Fine Arts, Boston, July 16, 1997–April 4, 1998.

The View From Denver: Contemporary American Art from the Denver Museum, Museum Moderner Kunst Stiftung Ludwig, Vienna, July 5–August 31, 1997. (Catalogue)

Vienna Exchange Exhibition: Highlights of the Exhibition, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, July 4, 1997–January 9, 1998.

The Twentieth Anniversary Exhibition from the Permanent Collection, National Museum of Art, Osaka, Japan, July 3–October 19, 1997.

Group exhibition of gallery artists, PaceWildenstein, 32 East 57th Street, New York, June 30–August 22, 1997.

Affinities with the East, Robert Miller Gallery, New York, June 24–August 1, 1997.

La Biennale di Venezia, Future, Present, Past, 47th International Arts Exhibition, Venice, June 15–November 9, 1997. (Catalogue)

General Consensus, Barbara Krakow Gallery, Boston, June 7–September 17, 1997.

The Hirshhorn Collects: Recent Acquisitions 1992–1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 4–September 7, 1997. (Catalogue)

Les Péchés Capitaux, 4: l’avarice, Centre Pompidou, Musée national d’art moderne, galerie du Musée, Paris, May 27–June 30, 1997.

The Berardo Collection, Sintra Museum of Modern Art - Berardo Collection, Portugal, May 17–August 31, 1997.

More Than One: Twentieth-Century Print Portfolios, The Museum of Modern Art, New York, May 16–September 2, 1997.

Finders/Keepers, Contemporary Arts Museum Houston, May 10–August 3, 1997.

Going the Distance: A Generational Survey of Women Artists, Lawrence Gallery, Rosemont College, Rosemont, Pennsylvania, April 24–May 26, 1997.

Rethinking Geometry, Lobby Gallery, Merrill Lynch Financial Center, New York, April 11–September 30, 1997.

Color and Paper, Galerie nächst St. Stephan Rosemarie Schwarzwalder, Vienna, April 8–May 10, 1997.

Multiple Choices: Themes and Variations in Our Collection, High Museum of Art, Atlanta, March 29, 1997–August 8, 1999.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University, The Art Museum, Princeton University, Princeton, New Jersey, February 22–June 8, 1997. (Catalogue)

Masterworks: New York on Paper, Baumgartner Galleries, Washington, D.C., February 7–March 22, 1997.

The Persistence of Vision: Part 2, Barbara Krakow Gallery, Boston, February 1–March 12, 1997.

Original Visions: Shifting the Paradigm, Women’s Art 1970–1996, Charles S. and Isabella V. McMullen Museum of Art, Boston College, Massachusetts, January 26–May 18, 1997. (Catalogue)

Die Sammlung Anne-Marie und Ernst Vischer-Wadler, Öffentliche Kunstsammlung Basel/Kunstmuseum Switzerland, January 11–March 9, 1997.

Drawing the Line and Crossing It, Peter Blum SoHo, New York, January 4–March 4, 1997.

From Matisse to Diebenkorn: Works from the Permanent Collection of Painting and Sculpture, San Francisco Museum of Modern Art, January 1–August 11, 1997.

1996

Selections from the Permanent Collection, Walker Art Center, Minneapolis, Minnesota, December 8, 1996–August 1, 1999.

Contemporary New Mexico Artists: Sketches and Schemas, SITE Santa Fe, November 22, 1996–January 11, 1997. Traveled to: Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, February 14–April 13, 1997.

The Museum of Modern Art, New York, November 20, 1996–May 8, 1998.

Open Secrets: Seventy Pictures on Paper 1815 to the Present, Matthew Marks Gallery, New York, November 19–December 28, 1996. Traveled to: Fraenkel Gallery, San Francisco, January 16–March 1, 1997. (Catalogue)

Da Van Gogh a Fontana: opere su carta dello Stedelijk Museum Amsterdam, Istituto universitario olandese di storia dell'arte, Florence, October 12–December 15, 1996.

Minimal Drawings, PaceWildenstein, 9540 Wilshire Boulevard, Los Angeles, October 4–November 11, 1996.

Summer group exhibition, paintings and sculpture, PaceWildenstein, 9540 Wilshire Boulevard, Los Angeles, July 24–September 28, 1996.

Black, Grey & White, Part II, Galerie Bugdahn und Kaimer, Düsseldorf, July 3–August 23, 1996.

Summer group exhibition, works on paper, PaceWildenstein, 9540 Wilshire Boulevard, Los Angeles, June 27–July 20, 1996.

Coenties Slip Artists: Now and Then, Elise Goodheart Fine Arts, Sag Harbor, New York, June 22–July 14, 1996.

Negotiating Rapture: The Power of Art to Transform Lives, The Museum of Contemporary Art, Chicago, June 21–October 20, 1996. (Catalogue)

Summer Academy III, PaceWildenstein, 32 East 57th Street, New York, June 14–September 14, 1996.

Multiple Identity: Selections from the Whitney Museum of American Art, Alexandros Soutzos Museum, Athens, June 10–August 18, 1996. Traveled to: Museu d'Art Contemporani, Barcelona, December 18, 1996–April 6, 1997; Kunstmuseum, Bonn, Germany, June 1–September 1, 1997; Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy, October 1, 1997–January 18, 1998.

Art at the End of the 20th Century: Selections From the Whitney Museum of American Art. Organized by the Whitney Museum of American Art, New York. Traveled to: Alexandros Soutzos Museum, Athens, June 10–August 18, 1996. Museu d’Art Contemporani, Barcelona, December 8, 1996–April 6, 1997; Kunstmuseum, Bonn, June 1–September 1, 1997. (Catalogue)

From Bauhaus to Pop: Masterworks Given by Philip Johnson, Museum of Modern Art, New York, June 6–September 3, 1996.

Agnes Martin, Alice Trumbell Mason and Ann Ryan: Paintings and Collages from the 50s, Joan Washburn Gallery, New York, May 29–July 12, 1996.

Black, Grey & White, Part I, Galerie Bugdahn und Kaimer, Düsseldorf, May 11–June 29, 1996.

Material + Spirit, Barbara Davis Gallery, Houston, April 25–May 4, 1996.

Milwaukee Art Museum, Wisconsin, April 19–July 17, 1996.

Addison Gallery of American Art: 65 years, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, April 13–July 31, 1996.

Hand and Mind: Contemporary Approaches to Drawing, Tacoma Art Museum, Washington, April 12–June 23, 1996.

In Quest of the Absolute, Peter Blum Gallery, New York, April 6–June 8, 1996. (Catalogue)

The Robert and Jane Meyerhoff Collection: 1945 to 1995, National Gallery of Art, Washington, D.C., March 31–July 31, 1996. (Catalogue)

Minimalism: Aftermath and Affinities, Seattle Art Museum, Washington, March 27–August 25, 1996.

The Innocence of Trees: Agnes Martin and Emily Carr, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada, March 14–May 27, 1996.

Continuity and Contradiction: A New Look at the Permanent Collection, Museum of Contemporary Art San Diego, La Jolla, California, March 10–August 31, 1996. Traveled to: Miami Art Museum, Florida, December 19, 1996–February 23, 1997.

Abstraction in the 20th Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, February 9–May 12, 1996.

Inside the Visible: An Elliptical Traverse of 20th Century Art, Institute of Contemporary Art, Boston, January 30–May 12, 1996. Traveled to: National Museum of Women in the Arts, Washington, D.C., June 15–September 15, 1996; Whitechapel Gallery, London, October 11–December 8, 1996; Art Gallery of Western Australia, Perth, February 13–April 6, 1997. (Catalogue)

Group exhibition of gallery artists, PaceWildenstein, 142 Greene Street, New York, January 20–February 10, 1996.

Minimalism: Works by John Chamberlain, Dan Flavin, Ellsworth Kelly, Donald Judd, Sol LeWitt and Robert Mangold, Margaret Lipworth International Fine Arts, Boca Raton, January 11–February 5, 1996.

1995

Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, December 15, 1995–October 1, 1996.

Diary of a Human Hand, Galerie Du Centre Des Arts Saidye Bronfman, Montréal, Québec, December 7, 1995–January 19, 1996. Traveled to: Center for Curatorial Studies at Bard College, Annandale-on-Hudson, New York, March 16–31, 1996. (Catalogue)

American Art 1940-1965: Traditions Reconsidered, Selections from the Permanent Collection of the Whitney Museum of American Art, San Jose Museum of Art, California, December 2, 1995–March 30, 1997.

Carnegie International 1995, Carnegie Museum of Art, Pittsburgh, November 5, 1995–February 18, 1996. (Catalogue)

The Passion for the New: New Art from Tel Aviv Collections, Tel Aviv Museum of Art, October 30, 1995–January 27, 1996.

From the Collection: Abstraction, Pure and Impure, The Museum of Modern Art, New York, October 20, 1995–May 21, 1996.

Chain Reaction: An Abbreviated Survey of Idea-Based Art, Track 16 Gallery, Santa Monica, October 6–December 23, 1995.

25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, September 23–October 28, 1995.

Donald Judd and Artist Friends, Galerie nächst St. Stephan Rosemarie Schwarzwalder, Vienna, September 21–November 18, 1995.

The Museum of Modern Art, New York, September 19, 1995–January 2, 1996.

Images of an Era: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, August 15, 1995–September 7, 1996.

Invitation to Abstract Art, National Museum of Art, Osaka, Japan, August 14–September 24, 1995.

Recent Acquisitions in Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, July 7–September 2, 1995.

Art Works: The PaineWebber Collection of Contemporary Masters, Museum of Fine Arts, Houston, July 2–September 24, 1995. Traveled to: Detroit Institute of Arts, Michigan, October 28–December 31, 1995; Museum of Fine Arts, Boston, March 12–June 16, 1996; Minneapolis Institute of Arts, Minnesota, July 7–September 14, 1996; San Diego Museum of Art, California, October 13, 1996–January 5, 1997; Center for the Fine Arts, Miami, Florida, March 15–May 25, 1997; Carnegie Museum of Art, Pittsburgh, Pennsylvania, June 18–September 1, 1997.

Dessins américains du Frac Picardie, Musée Franco-Américain du Château de Blérancourt, France, June 24–September 18, 1995.

Artist’s Choice: Elizabeth Murray, The Museum of Modern Art, New York, June 19–August 22, 1995.

Modern Art for Harvard: Prints and Drawings Acquired through the Generosity of Frederick B. and Virginia H. Deknatel, Harvard University Art Museums, Cambridge, Massachusetts, May 31–August 6, 1995.

Karo Dame: Konstruktive, Kondrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunsthaus, Aarau, Switzerland, May 28–July 30, 1995.

Stars and Stripes: American Prints and Drawings, Western Gallery, Western Washington University, Bellingham, May 1–June 10, 1995.

Du trait à la ligne, Musée national d’art moderne/Centre de création industrielle, Centre Pompidou, Paris, April 26–June 29, 1995.

A Geometric Progression, Rachel Adler Gallery, New York, April 1–May 31, 1995.

Essence and Persuasion: The Power of Black &White, Anderson Gallery, Buffalo, New York, April 1–May 13, 1995. (Catalogue)

Works from the Permanent Collection, Museum of Contemporary Art, Los Angeles, March 26–May 28, 1995.

1995 Biennial Exhibition, Whitney Museum of American Art, New York, March 23–June 25, 1995. Traveled to: Veletržní palác, Museum of Modern Art, Prague, September 21–December 3, 1995; Statens Museum for Kunst, Copenhagen, May 31–August 11, 1996. (Catalogue)

Drawings, Pastels and Watercolors: An exhibition of Nineteenth and Twentieth Century Works On Paper, Wildenstein & Co., New York, March 1–April 29, 1995

Seven from the Seventies, Knoedler & Co., New York, February 8–March 4, 1995.

The Compulsion to Repeat: Repetition and Difference in Works from the Permanent Collection, Museum of Contemporary Art, Los Angeles, January 22–March 19, 1995.

From Matisse to Diebenkorn: Selections from the Collection of Painting and Sculpture, San Francisco Museum of Modern Art, January 18–August 10, 1995.

Drawing the Line: A Reappraisal of Drawing Past and Present Selected by Michael Craig-Martin, Southampton City Art Gallery, January 13–March 5, 1995. Traveled to: Manchester City Art Gallery, March 18–April 30, 1995; Frens Art Gallery, Hull, May 13–June 30, 1995; Whitechapel Art Gallery, London, July 7–September 10, 1995.

XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery, John Berggruen Gallery, San Francisco, January 10–February 20, 1995. (Catalogue)

Drawings from the Collection of Agnes Gund, Century Association, New York, 1995.

1994

Voicing Today’s Visions, Mary Delahoyd Gallery, New York, December 8, 1994–January 28, 1995.

Drawings of the 60s, PaceWildenstein, 32 East 57th Street, New York, December 2, 1994–January 7 (extended through January 21), 1995.

The Joy of 20th Century Art, Asia and Pacific Trade Center Museum, Osaka, Japan, November 19–December 18, 1994.

Poetic Heroic: Twelve American Artists, Art Initiatives at Tribeca 148 Gallery, New York, October 18–November 19, 1994 (Curated by Michael Walls)

Opening of the New Wing for Modern Art, Baltimore Museum of Art, Maryland, October 16, 1994–June 1997.

Geometric Form and Abstract Images: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, October 9–November 27, 1994.

Significant Artists Work on Paper, Haines Gallery, San Francisco, October 4–November 12, 1994.

Abstraction-Geometry-Painting, Akron Art Museum, Ohio, September 10–November 6, 1994.

Some American Drawings, Menil Collection, Houston, July 22–October 16, 1994.

Abstract Painting and Sculpture: Selections from the Permanent Collection, Whitney Museum of American Art, New York, July 14, 1994–February 2, 1995.

From the Collection: Photography, Sculpture and Painting, Whitney Museum of American Art, New York, July 14, 1994–February 26, 1995.

White Works, PaceWildenstein, 32 East 57th Street, New York, July 8–September 9, 1994.

On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany, July 7–September 11, 1994. (Catalogue)

30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, July 1–September 30, 1994. (Catalogue)

From the Reserve II: Twentieth Century Painting, Museum of Art, Rhode Island School of Design, Providence, June 24–August 27, 1994.

Traum vom Absoluten/Dream of the Absolute, Galerie Beyeler, Basel, June–September 1994.

The Tradition of the New: Postwar Masterpieces from the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, May 20–September 11, 1994.

Dessiner: Une collection d'art contemporain, Musée du Luxembourg, Paris, May 6–July 3, 1994.

Not Knowing: Affinities in Eastern and Western Art, Gallery Schlesinger, New York, April 1–May 14, 1994.

What is Real? American Art 1960–75, Tacoma Art Museum, Washington, March 19–June 4, 1994.

Alternative Visions: French Wallpapers of the XIX Century, Minimal Art Forms of the XX Century, Barbara Mathes Gallery, New York, February 19–June 9, 1994.

Le Musée et les Modernes, Musée de Picardie, Amiens, France, February 12–April 4, 1994.

Reencounter with the Unknown, Part 2-4, Diözesanmuseum Cologne, February 1994–May 1995.

Residence of Ambassador Nicholas Andrew Ray, United States Embassy Warsaw, Poland, January 1994–December 1997.

1993

The Art of Giving/The Giving of Art, John Berggruen Gallery, San Francisco, December 3, 1993–January 3, 1994.

On Paper: Vija Celmins, Judy Fishkin, Agnes Martin, Ellen Phelan, AsherFaure, Los Angeles, November 6–December 21, 1993.

Abstraction: Which Way From Here?, Canada Trust Tower, Calgary, Alberta, September 18–October 10, 1993.

Early Minimal Art Masterworks, John Weber Gallery, New York, September 11–October 9, 1993.

Minimalism and Post-Minimalism: A Dialogue, Detroit Institute of Arts, August 1, 1993–August 1, 1994.

Selections from the Permanent Collection of Painting and Sculpture, Museum of Modern Art, New York, July 6, 1993–June 1, 1995; August 30, 1995–May 15, 1996.

Fragen an vier Bilder: Edward Hopper, Ad Reinhardt, Giorgio Morandi, Agnes Martin, Westfälischer Kunstverein, Münster, June 4–July 11, 1993. (Catalogue)

Singular Dimensions in Painting, Guggenheim Museum SoHo, New York, May 27–August 22, 1993. (Catalogue)

Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquartier Messepalast und Kunsthalle Vienna, May 26–July 25, 1993. Traveled to: Deichtohallen, Hamburg, October 14, 1993–January 2, 1994. (Catalogue)

American Art in the Twentieth Century: Painting and Sculpture 1913–1993, Martin-Gropius-Bau, Berlin, May 8–July 25, 1993. Traveled to: Royal Academy of Arts, London, September 16–December 12, 1993.

American Abstraction From the Addison Gallery of American Art, Newport Harbor Art Museum, Newport Beach, California, February 27–May 2, 1993. Traveled to: Terra Museum of American Art, Chicago, May 15–July 30, 1993; Huntington Museum of Art, West Virginia, August 22–October 31, 1993; Huntsville Museum of Art, Alabama, December 5, 1993–February 13, 1994; C.A.J. Memorial Gallery, Middlebury College Museum of Art, Vermont, March 14–May 8, 1994; Cheekwood Botanical Gardens and Museum of Art, Nashville, Tennessee, June 12–August 28, 1994; Wichita Art Museum, Kansas, September 23–December 4, 1994.

The Shaman as Artist: The Artist as Shaman, Aspen Art Museum, Colorado, February 10–April 10, 1993.

Darkness and Light: Twentieth Century Works from Texas Collections, Blaffer Art Museum, University of Houston, January 23–March 28, 1993.

Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip, The Pace Gallery, 142 Greene Street, New York, January 16–February 13, 1993. (Catalogue)

1992

The Geometric Tradition in American Art: 1930–1990, Whitney Museum of American Art, New York, December 9, 1992–February 14, 1993.

Selections from the Collection, Museum of Modern Art, New York, October 15, 1992–February 21, 1993.

Dessins du Fonds régional d'art contemporain de Picardie, Fonds régional d'art contemporain, Champagne-Ardenne, France, October 12–November 28, 1992.

Repetición/Transformación, Museo Nacional Centro de Arte Reina Sofía, Madrid, October 6–December 6, 1992. (Catalogue)

Five American Drawings: Drawing Exhibit in Classical Gallery, Ackland Art Museum, University of North Carolina at Chapel Hill, October 1992.

The Harvard Society of Contemporary Art, 1929–1936, Harvard University Art Museums/Fogg Art Museum, Cambridge, Massachusetts, August 29, 1992–March 27, 1993.

"Una giornata al mare"/ Een Dagje Aan Zee: Een Keuze Uit de Verzameling van Geertjan Visser, Kröller-Müller Museum, Otterlo, Netherlands, June 27–November 1, 1992.

Manifeste, Centre Pompidou, Musée National d’Art Moderne/Centre de création industrielle, June 18–September 28, 1992.

Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, June 7–August 23, 1992.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 5–September 11, 1992.

Gifts and Acquisitions in Context, Whitney Museum of American Art, New York, May 22–September 20, 1992.

Agnes Martin/Richard Tuttle, Galerie Yvon Lambert, Paris, May 16–June 17, 1992.

Passions & Cultures: Selected Works from the Rivendell Collection, 1967–1991, Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, New York, April 4–December 1992.

The Structured Surface: The Impact of Minimalism in the Graphic Arts, Worcester Art Museum, Massachusetts, March 31–June 21, 1992.

Behind Bars, Thread Waxing Space, New York, March 17–April 25, 1992. (Catalogue)

Contemporary Works from the Collection, Museum of Modern Art, New York, March 14–May 25, 1992.

William S. Paley Collection, Museum of Modern Art, New York, February 2–May 7, 1992. Traveled to: Indianapolis Museum of Art, Indiana, September 11–November 15, 1992; Seattle Art Museum, Washington, December 17, 1992–February 7, 1993; Los Angeles County Museum of Art, February 28–May 16, 1993; San Diego Museum of Art, California, June 9–September 26, 1993; Baltimore Museum of Art, Maryland, October 31, 1993–January 9, 1994; New Orleans Museum of Art, Louisiana, February 6–April 17, 1994.

Regard multiple: acquisitions de la Société des Amis du Musée national d’art moderne, Musée national d’art moderne/Centre de création industrielle, Centre Pompidou, Paris, January 29–April 12, 1992.

Shades of Difference (The Feminine in Abstract Painting), Sandra Gering Gallery, New York, January 18–February 15, 1992.

Yvonne Lambert collectionne, Musée d’Arte Moderne de la Communauté Urbaine de Lille, Villeneuve D’Ascq, France; Musée des Beaux-Arts de Tourcoing, France, January 18–April 20, 1992.

Group Exhibition, Rubin Spangle Gallery, New York, January 11–February 8, 1992.

Arte Americana 1930–1970, Lingotto, Turin, Italy, January 8–March 31, 1992.

Portraits, Plots, and Places: The Permanent Collection Revisited, Walker Art Center, Minneapolis, Minnesota, January 7, 1992–March 6, 1994.

Dessins d'Amériques, Fonds régional d'art contemporain de Picardie, Amiens, France, January 2–February 8, 1992.

1991

Princeton University Art Museum, New Jersey, December 12, 1991–June 9, 1992.

Highlights of the Permanent Collection 1940-1975, Museum of Contemporary Art, Los Angeles, November 17, 1991–March 1, 1992.

Reprise: The Vera G. List Collection, A Twentieth Anniversary Exhibition, David Winton Bell Gallery, Brown University, Providence, Rhode Island, October 12–November 24, 1991. (Catalogue)

Open Mind: The LeWitt Collection, Wadsworth Atheneum, Hartford, Connecticut, August 4, 1991–February 23, 1992.

Early/Later: Selected Works from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, June 14–August 24, 1991.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, May 29–September 6, 1991.

Bildlicht: Malerei Zwischen Material Und Immaterialitat, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, May 3–July 7, 1991.

Smith Collects Contemporary, Smith College Museum of Art, Northampton, Massachusetts, May 3–September 15, 1991.

American Abstraction at the Addison, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, April 18–July 31, 1991.

Selections from the Permanent Collection: Pop Art and Minimalism 1960-1975, Museum of Contemporary Art, Los Angeles, April 7–May 26, 1991.

Compulsion, Jamison Thomas Gallery, New York, March 28–April 27, 1991.

Post-War Geometric Concepts, Marilyn Pearl Gallery, New York, March 6–April 6, 1991.

Not on Canvas, Asher-Faure, Los Angeles, February 16–March 23, 1991.

The Art of this Century: Painting, Sculpture, and Decorative Arts from the Permanent Collection, Museum of Art, Rhode Island School of Design, Providence, February 1–June 2, 1991.

Geometries of Color: American Post–Painterly Abstraction, Stux Modern, New York, January 30–March 9, 1991. (Catalogue)

Masterpieces from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, January 19–February 17, 1991.

Art of New Mexico: The Early Years and Beyond, El Paso Museum of Art, Texas, January 13–February 24, 1991.

1990

Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor, Holly Solomon Gallery, New York, December 20, 1990–January 19, 1991. (Catalogue)

Highlights from the Drawing Collection, Ackland Art Museum, University of North Carolina at Chapel Hill, December 2, 1990–January 27, 1991.

New Acquisitions 1982-1990, University of New Mexico, Jonson Gallery of the University Art Museum, Albuquerque, November 27, 1990–January 18, 1991.

Object and Content: Meaning in Minimal Art, Australian National Gallery at the Australian National University Drill Hall, Canberra, November 24, 1990–January 2, 1991.

Contemporary Works from the Collection, Museum of Modern Art, New York, November 1, 1990–September 16, 1991.

Selections from The Permanent Collection, Painting and Sculpture, Museum of Modern Art, New York, October 31–November 12, 1990.

Minimalism and Post-Minimalism: Drawing Distinctions, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 27–December 16, 1990. Traveled to: Parrish Art Museum, Southhampton, New York, September 22–November 17, 1991. (Catalogue)

Dessin d'une collection: Extrait 3, Fonds régional d'art contemporain de Picardie, Amiens, France, October 26–November 16, 1990.

Language in Art, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, October 20, 1990–January 6, 1991.

Project Room, John Weber Gallery, New York, October 6–27, 1990.

Minimal Art, The National Museum of Art, Osaka, October 6–November 25, 1990. (Catalogue)

Albuquerque '50s, University of New Mexico Art Museum, Albuquerque, September 24, 1990–January 21, 1991.

Five Artists from Coenties Slip: 1956–1965, Richard Green Gallery, Santa Monica, September 20–October 27, 1990.

Selected Minimalist Works, Barbara Mathes Gallery, New York, September 12–October 20, 1990.

1990 Phoenix Triennial, Phoenix Art Museum, Arizona, September 8–October 7, 1990.

Kunstlerinnen des 20. Jahrhunderts, Museum Wiesbaden, September 1–November 25, 1990. (Catalogue)

Four Centuries of Women's Art. Traveled to: Bunkamura Museum of Art, Shibuya, August 15–September 16, 1990; The Museum of Modern Art, Kamakura, September 29–October 28, 1990; Sapporo Tokyu, Sapporo, November 1–November 13, 1990; Tenjin Iwataya, Fukuoka, January 15–January 28, 1991; Daimaru

Pharmakon '90, Nippon Convention Center, Makuhari Messe International Exhibition Hall, July 28–August 20, 1990.

Contemporary American Artists, Residence of Ambassador, United States Embassy, Mexico City, June 1990–June 1993. (Catalogue)

The Future of the Object! A Selection of American Art; Minimalism and After, Galerie Ronny Van de Welde, Antwerp, May 22–July 28, 1990.

Painting and Sculpture, The Pace Gallery, 32 East 57th Street, New York, May 11–August 24, 1990.

American Masters of the 60’s: Early & Late Works, Tony Shafrazi Gallery, New York, May 9–June 23, 1990.

Minimalist Prints, Susan Sheehan Gallery, New York, May 1–June 29, 1990.

Portrait of an American Gallery: The Pace Gallery, Galerie Isy Brachot, Brussels, April 19–June 23, 1990. (Catalogue; text by Arnold Glimcher)

Contemporary Work from the Collection, Museum of Modern Art, New York, April 19–September 30, 1990.

Gegenwart-Ewigkeit: Spuren des Transzendenten in der Kunst unserer Zeit, Martin-Gropius-Bau, Berlin, April 7–June 24, 1990. (Catalogue)

Kulturen-Verwandtschaften in Geist und Form, Galerie Nachte St. Stephan, Vienna, March 31–May 26, 1990.

The Grid: Organization and Idea, Ben Shahn Galleries, William Paterson College, New Jersey, March 26–April 27, 1990.

The Louise Noun Collection: Art by Women, University of Iowa Museum of Art, March 24–May 13, 1990. Traveled to: Des Moines Art Center, Iowa, May 25–August 5, 1990. (Catalogue)

The Image of Abstract Painting in the 80s, Rose Art Museum, Brandeis University, Waltham, Massachusetts, March 18–April 29, 1990. (Catalogue; essay by Susan L. Stoops)

Stripes, Barbara Krakow Gallery, Boston, March 10–April 4, 1990. Traveled to: John C. Stoller & Co., Minneapolis, Minnesota, April 27–July 15, 1990.

Quotations: Annemarie Verna Gallery 1969–1989 (Part I), Annemarie Verna Galerie, Zurich, March–April 1990.

Seven American Artists, Vivian Horan Fine Art, New York, February 21–March 31, 1990.

Paper Trail, Stephen Rosenberg Gallery, New York, February 5–March 2, 1990.

1989

Geometric Abstraction and Minimalism in America, Solomon R. Guggenheim Museum, New York, December 15, 1989–February 28, 1990.

American Masters, Fabian Carlsson Gallery, London, December 15, 1989–February 6, 1990.

Constructing a History, The Museum of Contemporary Art, Los Angeles, November 19, 1989–March 4, 1990.

Agnes Martin/Donald Judd, Museum of Fine Arts, Boston, October 25, 1989–February 25, 1990.

Barnard Collects: The Educated Eye, Salander O'Reilly Galleries, New York, September 28–October 31, 1989.

Abstraction, Geometry, Painting: Selected Geometric Abstract Painting in America Since 1945, Albright-Knox Art Gallery, Buffalo, New York, September 17–August 30, 1989; Traveled to: Center for the Fine Arts, Miami, December 15–February 25, 1990; Milwaukee Art Museum, Milwaukee, April 1–June 1, 1990; Yale University Art Gallery, New Haven, Connecticut, July–September 30, 1990. (Catalogue)

Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, New York, July 28–October 15, 1989.

The Private Eye: Selected Works from Collection of Friends of the Museum of Fine Arts, Houston, June 11–August 13, 1989. (Catalogue)

Breakthroughs: Avant-Garde Artists in Europe and America, 1950–1990, Wexner Center for the Arts, Ohio State University, Columbus, May 19, 1989–August 5, 1990.

Exhibition of Works by Newly Elected Members and Recipients of Awards, American Academy and Institute of Arts and Letters, New York, May 17–June 11, 1989.

Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960, Museum Ludwig, Cologne, April 8–June 28, 1989. (Catalogue)

American Art Since 1950 from the Permanent Collection of the Whitney Museum of American Art, Tokyo Station Gallery, April 1–June 18, 1989.

Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, March 19–May 28, 1989.

Making Their Mark; Women Artists Move into the Mainstream, 1970–85, Cincinnati Art Museum, Ohio, February 22–April 2, 1989. Traveled to: New Orleans Museum of Art, Louisiana, May 6–June 18, 1989; Denver Art Museum, Colorado, July 22–September 10, 1989; Pennsylvania Academy of the Fine Arts, Philadelphia, October 21–December 31, 1989. (Catalogue)

Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 4–February 26, 1989.

Selection from the Contemporary Collection, Art Gallery of Ontario, Toronto, February 1–March 1, 1989.

Monochrome, Barbara Krakow Gallery, Boston, January 14–February 8, 1989.

1988

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989.

Selections from the Permanent Collection, MOCA Temporary Contemporary, Los Angeles, December 13, 1988–August 13, 1989.

Viewpoints: Postwar Painting and Sculpture, Solomon R. Guggenheim Museum, New York, December 9, 1988–January 22, 1989.

Group Show, Wolff Gallery, New York, November 19–December 19, 1988.

1988 Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, November 5, 1988–January 22, 1989. (Catalogue)

Behind the Line: An Inquiry into Drawing, Organized by Grey Art Gallery and circulated by Gallery Association of New York State (GANYS), Haverford College Art Gallery, Pennsylvania, October 8–November 6, 1988. Traveled to: Metropolitan Life Gallery, New York, November 21, 1988–January 6, 1989; Adirondack Community College, Glen Falls, New York, March 6–April 12, 1989; Michael C. Rockefeller Arts Gallery, SUNY at Fredonia, New York, September 7–October 1, 1989; Tower Fine Arts Gallery, SUNY at Brockport, New York, October 10–November 5, 1989; University Gallery, Towson State, Baltimore, Maryland, November 17–December 13, 1989; Ruth Dowd Art Gallery, SUNY at Cortland, New York, January 23–February 16, 1990; Roberson Center for Arts and Sciences, Binghamton, New York, July 7–August 26, 1990; Arnot Art Museum, Elmira, New York, September 15–October 27, 1990; Rowland Gibson Gallery, SUNY at Potsdam, New York, November 12–December 16, 1990; Alfred University, Alfred, New York, January 23–February 10, 1991; Myers Fine Art Gallery, SUNY at Plattsburgh, New York, March–April 1991.

Contemporary Works from the Collection, Museum of Modern Art, New York, September 29, 1988–June 6, 1989.

Abstract Painting Since 1960, MOCA Temporary Contemporary, Los Angeles, July 10–October 9, 1988.

Art Since 1970 from the Milwaukee Art Museum, Madison Art Center, Wisconsin, May 29–August 21, 1988.

American Works on Paper, Whatcom Museum of History and Art, Bellingham, Washington, April 9–May 22, 1988.

Twentieth Century American Art, Robert Hull Fleming Museum, Burlington, Vermont, March 25–May 22, 1988. Traveled to: Hunter Museum of Art, Chattanooga, Tennessee, June 12–August 7, 1988; Phoenix Art Museum, Arizona, August 26–October 2, 1988.

Group Show, Annemarie Verna Galerie, Zurich, March 8–April 19, 1988.

Eight Pictures: An Exhibition Guest-Curated by Architect David Robinson, Fraenkel Gallery, San Francisco, February 24–March 26, 1988.

Twentieth Century Master Works on Paper, Elkon Gallery, New York, February 23–April 9, 1988.

Fifty Years of Collecting: Painting since WWII in North America, Solomon R. Guggenheim Museum, New York, February 4–March 13, 1988.

Notations on the Virtual, Loughelton Gallery, New York, January 16–February 7, 1988.

Dessin-naissance d'une collection, Direction Régionale des Affaires Culturelles, Amiens, France, January 14–March 27, 1988.

1987

Painting and Sculpture, New Reinstallation, Museum of Modern Art, New York, December 24, 1987–September 27, 1988.

Selections From the Permanent Collection I, La Jolla Museum of Contemporary Art, California, December 6, 1987–February 7, 1988.

The Tenth Anniversary Exhibition/Painting 1977–1987, The National Museum of Art, Osaka, October 3–December 6, 1987. (Catalogue)

Recent Modern Acquisitions, Seattle Art Museum, Washington, August 27–October 18, 1987.

Art of Our Time, Royal Scottish Academy, Edinburgh, August 9–31, 1987.

Drawing after 1940, Museum of Modern Art, New York, June 25–October 13, 1987.

Generations of Geometry: Abstract Painting in American Since 1930, Whitney Museum of American Art at the Equitable Center, New York, June 17–August 26, 1987.

Reinstallation of the Painting and Sculpture Collection, Museum of Modern Art, New York, April 25–October 13, 1987.

Acquisitions: Painting and Sculpture, Margo Leavin Gallery, Los Angeles, April 18–May 9, 1987.

1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 13–April 26, 1987.

Abstraction, Non-Objectivity, Realism: Twentieth-Century Painting, Picker Art Gallery, Colgate University, Hamilton, New York, March 1–May 31, 1987.

Daniel Weinberg Gallery, Los Angeles, February–March 12, 1987.

The Idea of North, 49th Parallel, Centre for Contemporary Canadian Art, New York, January 31–February 28, 1987. (Catalogue; curated by France Morin)

Permanent Collection: New Installations, Walker Art Center, Minneapolis, Minnesota, January 24, 1987–January 3, 1988.

New Acquisitions, Museum of Fine Arts, Santa Fe, New Mexico, January 23–June 14, 1987.

1986

America: Art and the West, Art Gallery of Western Australia, Perth, December 11, 1986–January 21, 1987. Traveled to: Art Gallery of New South Wales, Sydney, February 6–April 5, 1987. (Catalogue)

Individuals: A Selected History of Contemporary Art, Museum of Contemporary Art, Los Angeles, December 10, 1986–January 10, 1988. (Catalogue)

Elders of the Tribe, Bernice Steinbaum Gallery, New York, December 2, 1986–January 3, 1987. (Catalogue)

38th Annual Purchase Exhibition Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, November 17–December 14, 1986.

Vital Signs: A Look at How Art Communicates, Art Gallery of Ontario, Toronto, October 26–December 14, 1986.

Contemporary Work from The Pace Gallery, University of Alabama, Moody Gallery of Art, Tuscaloosa, October 5–November 7, 1986.

Philadephia Collects: Art Since 1940, Philadelphia Museum of Art, Pennsylvania, September 28–November 30, 1986.

Konstruktivisme - i Louisianas samling efter gaven fra The Riklis-McCrory Collection, Louisiana Museum, Humlebæk, Denmark, August 23–October 5, 1986.

50th Annual National Midyear Show, Butler Institute of American Art, June 29–August 24, 1986. (Catalogue)

The Museum of Contemporary Art: Barry Lowen Collection, Museum of Contemporary Art, Los Angeles, June 16–August 10, 1986.

Systems and Objects: A Selection of Minimal and Conceptual Art from the Permanent Collection, Art Gallery of Ontario, Toronto, June 1–August 31, 1986.

The Heroic Sublime, Charles Cowles Gallery, New York, May 31–July 11, 1986.

The Sixth Biennale of Sydney: Origins, Originality and Beyond, Art Gallery of New South Wales, Sydney, May 16–July 16, 1986 (Catalogue; texts by Rosalind Krauss and Robert Smith).

Contrasts of Form: Geometric Abstract Art 1910–1980 from the Collections of The Museum of Modern Art and Solomon R. Guggenheim Museum, New York, Biblioteca Nacional, Madrid, April 17–June 15, 1986. Traveled to: Museo Nacional de Bellas Artes, Buenos Aires, July 15–August 25, 1986; Museo de Arte de Sao Paulo, September 15–October 20, 1986; Museo de Arte Contemporaneo de Caracas, November 11–December 31, 1986.

Contemporary Works in the Collection, Museum of Modern Art, New York, April 11–October 15, 1986.

Definitive Statements, American Art: 1964–66, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island, March 1–30, 1986. Traveled to: Parrish Art Museum, Southampton, New York, May 3–June 21, 1986.

California Collections, University Art Museum, Berkeley, California, March–June 1986.

The Art of Collecting Modern Art: An Exhibition of Works from the Collections of Clevelanders, Cleveland Museum of Art, Ohio, February 12–March 30, 1986.

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

Acquisitions, Margo Leavin Gallery, Los Angeles, January 4–February 8, 1986.

1985

Amerikanische Zeichnungen 1930–1980, Organized by Menil Collection. Städtische Galerie im Städelschen Kunstinstitute, Frankfurt, Germany, November 28, 1985–January 26, 1986.

Reinstallation of the Painting and Sculpture Collection, Museum of Modern Art, New York, November 21, 1985–April 1, 1986.

Museum of Modern Art, New York, November 21, 1985–April 1, 1986.

Vom Zeichnen: Aspekte der Zeichnung 1960–1985, Frankfurter Kunstverein, Frankfurt, Germany, November 19, 1985–February 23, 1986. Traveled to: Kasseler Kunstverein, Kassel, January 15–February 23, 1986; Museum Moderner Kunst, Vienna, March 13–April 27, 1986.

37th Annual Purchase Exhibition: Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, November 18–December 15, 1985.

Art on Paper, 1985, Weatherspoon Art Gallery, University of North Carolina, Greensboro, November 17–December 15, 1985.

Visiting Painters and Printmakers, Kemper Gallery, Kansas City Art Institute, Missouri, November 1–24, 1985.

Contrasts of Form: Geometric Abstract Art, 1910–1980, The Museum of Modern Art, New York, October 2, 1985–January 7, 1986. (Catalogue)

A Salute to the National Endowment for the Arts' 20th Anniversary, La Jolla Museum of Contemporary Art, California, August 16–October 6, 1985.

Painterly Visions, 1940–1984: The Guggenheim, Solomon R. Guggenheim Museum, New York, June 28–September 2, 1985.

American Abstract Painting: 1960–1980, Margo Leavin Gallery, Los Angeles, June 19–August 24, 1985.

An Invitational, Condeso/Lawler Gallery, New York, June 18, 1985–January 26, 1986.

Drawing Acquisitions 1981-1985, Whitney Museum of American Art, New York, June 11–September 22, 1985.

New and Then: A Selection of Recent and Earlier Paintings, Daniel Weinberg Gallery, Los Angeles, June 1–June 13, 1985.

Cinquante Ans de Dessins Américains 1930–1980, Organized by Menil Collection, Houston. École nationale supérieure des Beaux-Arts, Paris, May 3–July 13, 1985.

Philip Johnson: Selected Gifts, Museum of Modern Art, New York, April 10–October 27, 1985.

Selections from the William J. Hokin Collection, Museum of Contemporary Art Chicago, April 1–June 30, 1985.

Minimal Art: A Survey of Early and Recent Work, John Weber Gallery, New York, March 9–30, 1985.

Fortissimo! Thirty Years From the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, March 1–April 28, 1985. Traveled to: San Diego Museum of Art, June 29–August 11, 1985; Portland Museum of Art, Oregon, October 1–November 10, 1985.

Reinstallation of the Contemporary Galleries, Museum of Modern Art, New York, February 15–March 17, 1985.

Private Treasure, Public View, San Antonio Museum of Art, Texas, February 2–March 14, 1985.

1984

From the Collection of Sol LeWitt. Organized by Independent Curators Incorporated. Traveled to: University Art Museum, California State University, Long Beach, October 16–November 11, 1984; Ackland Art Museum, University of North Carolina, Chapel Hill, January 26–March 3, 1985; Everhart Museum, Scranton, Pennsylvania, April 27–June 8, 1985; Grey Art Gallery and Study Center, New York University, July 9–August 26, 1985; Museum of Art, Fort Lauderdale, Florida, March 5–April 16, 1986. (Catalogue).

Group Show, Elkon Gallery, New York, September 19–November 23, 1984.

Painting and Sculpture Since 1945, Walker Art Center, Minneapolis, Minnesota, July 14–September 9, 1984.

American Post War Purism, Marilyn Pearl Gallery, New York, May 31–September 8, 1984.

Selections from the Permanent Collection: Painting and Sculpture, Museum of Modern Art, New York, May 17, 1984–February 15, 1985.

The Skowhegan Celebration Exhibition, Hirschl & Adler Modern, New York, May 1–31, 1984. (Catalogue)

American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York, La Jolla Museum of Contemporary Art, California, March 10–April 22, 1984. Traveled to: North Carolina Museum of Art, Raleigh, September 29–November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska Art Galleries, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, March 30–June 2, 1985.

Group exhibition of gallery artists, Pace Gallery, 32 East 57th Street, New York, March 7–April 21, 1984.

The Tremaine Collection: 20th Century Masters, the Spirit of Modernism, Wadsworth, Atheneum, Hartford, February 26–April 29, 1984. (Catalogue)

Postwar American Art from the Collection, Solomon R. Guggenheim Museum, New York, February 17–March 8, 1984.

American Women Artists. Part I: 20th Century Pioneers. Sidney Janis Gallery, New York, January 12–February 4, 1984. (Catalogue)

1983

Subtleties, Sutton Gallery, New York, November 23, 1983–January 14, 1984.

The Permanent Collection: Highlights and Recent Acquisitions, Grey Art Gallery, New York University, New York, November 8–December 10, 1983.

Art: The Textile Reference, Artifacts Gallery, American Contemporary Crafts, Indianapolis, Indiana, October 21–November 26, 1983.

ARS 83, Art Museum of the Ateneum, Helsinki, October 14,1983–January 15, 1984. (Catalogue)

Recent Acquisitions in Contemporary Art, Part Two, Carnegie Museum of Art, Pittsburgh, Pennsylvania, October 1–December 4, 1983.

25th Anniversary Exhibition, Ackland Art Museum, University of North Carolina at Chapel Hill, September 20–November 6, 1983.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 27–August 31, 1983.

Black and White, Margo Leavin Gallery, Los Angeles, June 25–August 13, 1983.

Minimalism to Expressionism: Painting and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, June 2–September 18, 1983.

Some Recent Acquisitions: Painting and Sculpture, Part I, Museum of Modern Art, New York, May 27–October 11, 1983.

Changes, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 22–September 11, 1983. (Catalogue)

Drawing Conclusions: A Survey of American Drawings, 1958–1983, Daniel Weinberg Gallery, Los Angeles, January 29–February 26, 1983. Traveled to: Daniel Weinberg Gallery, San Francisco, March 9–April 9, 1983.

Abstract Painting: 1960–69, P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, January 16–March 13, 1983. (Catalogue)

1982

Recent Acquisitions, Museum of Fine Arts, Santa Fe, New Mexico, December 17, 1982–May 1983.

34th Annual Hassam and Speicher Fund Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 15–December 19, 1982.

Geometric Art at Vassar, Vassar College Art Gallery, Poughkeepsie, New York, November 1, 1982–February 6, 1983.

Twentieth Century Masters, Robert Elkon Gallery, New York, October 2–November 11, 1982.

Solitude: Inner Visions in American Art, Terra Museum of American Art, Evanston, Illinois, September 24–December 30, 1982. (Catalogue; text by David M. Sokol)

1982 Invitational, Roswell Museum and Art Center, New Mexico, September 1–October 10, 1982.

Drawings, Selections from the A. Saalfield Collection, Contemporary Arts Center, Cincinnati, Ohio, July 9–August 28, 1982.

Heydt-Bair Gallery, Santa Fe, New Mexico, July 2–25, 1982.

The New York School: Four Decades, Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York, July 1–August 29, 1982.

100 Master Drawings from the Permanent Collection of the Ackland Art Museum, Ackland Art Museum, University of North Carolina at Chapel Hill, June 20–August 22, 1982.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 1–September 30, 1982.

Modern Masters, Robert Elkon Gallery, New York, May 8–June 3, 1982.

Abstract Drawings 1911–1981, Selections from the Permanent Collection, Whitney Museum of American Art, New York, May 5–July 11, 1982.

Drawings, Watercolors and Prints by Contemporary Masters, Root Art Center, Hamilton College, Clinton, New York, April 15–May 23,1982. (Brochure)

’60 ’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, April 9–July 11, 1982. (Catalogue)

The Pace Gallery at Asher/Faure. Asher/Faure Gallery, Los Angeles, California, March 13–April 10, 1982.

How formal should I go? Australian National Gallery, Melville Hall, Australian National University, Canberra, March 13–April 4, 1982.

In Celebration of Age: Twentieth Century Artists in their Seventies and Eighties, Frances Wolfson Art Gallery, Miami-Dade Community College, Florida, March 8–April 16, 1982.

A Century of Modern Drawing: 1881-1981, Museum of Modern Art, New York, March 1–16, 1982.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, January 15–February 13, 1982.

1981

California Collects: Important Works from the Permanent Collection of San Francisco Museum of Modern Art, Newport Harbor Art Museum, Newport Beach, California, December 18, 1981–February 14, 1982.

Postwar American Painting from the Permanent Collection, Solomon R. Guggenheim Museum, New York, October 6–November 8, 1981.

Robert Elkon - Two Decades, Robert Elkon Gallery, New York, September 26–November 4, 1981.

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Stamford, Connecticut, September 4–October 14, 1981. (Catalogue)

Facets of the Collection: Masterpieces and Recent Acquisitions, San Francisco Museum of Modern Art, August 14–November 15, 1981.

Classic Americans: XX Century Painters and Sculptors, Stamford Museum and Nature Center, Connecticut, June 14–September 7, 1981.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 12–September 18, 1981.

Westkunst: Zeitgenössische Kunst seit 1939, Rheinhallen der Kölner Messe, Cologne, May 30–August 16, 1981. (Catalogue)

Reinstallation of the Collection, Museum of Modern Art, New York, May 14, 1981–May 1983.

19th and 20th Century American Paintings from the New York University Art Collection, Jamaica Arts Center, Queens, New York, May 12–June 11, 1981.

Blanchette Hooker Rockefeller: Gifts to the Gallery 1952-1980, Vassar College Art Gallery, Poughkeepsie, New York, April 23–June 7, 1981.

The Americans: The Landscape, Contemporary Arts Museum Houston, April 4–May 31, 1981.

Treasures for the Ackland: Recent Acquisitions II, Ackland Art Museum, University of North Carolina at Chapel Hill, March 1–April 5, 1981.

Alive at the Parrish, Parrish Art Museum, Southampton, New York, February 28–May 17, 1981.

37th Biennial Exhibition of Contemporary Painting, Corcoran Gallery of Art, Washington D.C., February 19–April 5, 1981. (Catalogue)

Contemporary Americans: Museum Collection and Recent Acquisitions, Solomon R. Guggenheim Museum, New York, January 29–April 12, 1981.

1980

In Small Scale, Robert Elkon Gallery, New York, December 20, 1980–January 21, 1981.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, December 17, 1980–January 24, 1981.

Amerikanische Malerei 1930-1980, Haus der Kunst, Munich, November 14, 1980–January 31, 1982.

An American Art Collection, McIntosh/Drysdale Gallery, Washington, D.C., September 23–October 15, 1980. Traveled to: University of Virginia Art Museum, Charlottesville, October 19–November 19, 1980.

An Exhibition of Important Contemporary Paintings, Drawings, and Sculpture, Margo Leavin Gallery, Los Angeles, August 9–September 6, 1980.

20 American Artists, San Francisco Museum of Modern Art, California, July 24–September 7, 1980. (Catalogue)

Rosc' 80, The Poetry of Vision: An International Exhibition of Modern Art and Chinese Painting, National Gallery of Ireland, Dublin, July 6–September 30, 1980; School of Architecture, University College, Dublin, July 27–September 30, 1980. (Catalogue)

Wildenstein Presents Ten American Artists From Pace, Wildenstein & Co., London, June 18–July 18, 1980.

50th Anniversary and Promised Gifts to the Whitney, Whitney Museum of American Art, New York, June 3–August 31, 1980.

Modern Day Explorations: The American Vision, Ackland Art Museum, University of North Carolina at Chapel Hill, June 3–September 7, 1980.

La Biennale di Venezia, 39th International Arts Exhibition, Section of Visual Arts, American Pavilion, Venice, June 1–September 30, 1980. (Catalogue)

1900–1980 from the Guggenheim Museum Collection, Solomon R. Guggenheim Museum, New York, May 23–November 2, 1980.

The Fifties: Aspects of Painting in New York, Hirshhorn Museum and Sculpture Garden, Washington, D.C., May 22–September 21, 1980. (Catalogue)

Art of this Century from The Betty Parsons Collection, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, May 20–June 29, 1980.

MoMA at Brooklyn, Brooklyn Museum of Art, New York, May 14–September 25, 1980.

The Geometric Tradition in American Painting, 1920–80, Rosa Esman Gallery, New York; Marilyn Pearl Gallery, New York, through May 17, 1980.

American Painting of the Sixties & Seventies: The Real, the Ideal, the Fantastic: Selections from the Whitney Museum of American Art, Montgomery Museum of Fine Arts, Alabama, April 4–May 25, 1980. Traveled to: Joslyn Art Museum, Omaha, Nebraska, July 25–September 14, 1980; Museum of Fine Arts of St. Petersburg, Florida, September 28–November 9, 1980; Columbus Museum of Art, Ohio, December 8, 1980–January 15, 1981; Colorado Springs Fine Arts Center, Colorado, February 1–March 21, 1981; Sierra Nevada Museum of Art, Reno, Nevada, April 11–May 23, 1981.

Stedelijk besøger Louisiana, Louisiana Museum, Humlebæk, Denmark, March 8–May 4, 1980.

1979

40 Years-The Permanent Collection, La Jolla Museum of Contemporary Art, California, November 16, 1979–January 30, 1980.

Constructivism and the Geometric Tradition: Selections from the McCrory Corporation Collection, Albright-Knox Art Gallery, Buffalo, New York, October 13–November 25, 1979. Traveled to: Dallas Museum of Art, Texas, January 16–February 24, 1980; San Francisco Museum of Modern Art, March 14–April 27, 1980; La Jolla Museum of Contemporary Art, California, May 23–July 8, 1980; Seattle Art Museum, Washington, July 30–September 14, 1980; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, October 30, 1980–January 4, 1981; William Rockhill Nelson Gallery and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, January 23–March 15, 1981; Detroit Institute of Arts, Michigan, April 22–June 1, 1980; Milwaukee Art Center, Wisconsin, July 14–August 26, 1981.

25 Años Despues: Robert Indiana, Ellsworth Kelly, Agnes Martin, Edgar Negret, Louise Nevelson, Jack Youngerman, Museo de Arte Moderno, Bogotá, September 1979. (Catalogue)

Summer 1979: An Exhibition of Selected Acquisitions, Margo Leavin Gallery, Los Angeles, August 4–September 15, 1979.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 14–September 14, 1979.

73rd American Exhibition, Art Institute of Chicago, June 9–August 5, 1979. (Catalogue)

Tate '79, Tate Gallery, London, May 24–December 2, 1979.

The Minimal Tradition, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, April 29–September 2, 1979. (Catalogue)

The Reductive Object: A Survey of the Minimalist Aesthetic in the 1960's, Institute of Contemporary Art, Boston, March 7–April 29, 1979. (Catalogue)

The Sixties Revisited, Robert Elkon gallery, February 10–March 8, 1979.

Drawings About Drawings Today, Ackland Art Museum, University of North Carolina at Chapel Hill, North Carolina, January 28–March 11, 1979. (Catalogue; text by Innis H. Shoemaker)

Collection: Art in America after World War II, Solomon R. Guggenheim Museum, New York, January 18–February 25, 1979.

1978

Grids: Format and Image in 20th Century Art, The Pace Gallery, 32 East 57th Street, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Institute, Ohio, March 24–May 6, 1979. (Catalogue)

American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York, December 9, 1978–January 14, 1979. Traveled to: Newport Harbor Art Museum, California, February 3–March 18 1979; The Oakland Museum, California, April 10–May 20, 1979; Cincinnati Art Museum, Ohio, July 6–August 26, 1979; Art Museum of South Texas, Corpus Christi, Texas, September 9–October 21, 1979; Krannert Museum, University of Illinois, Champaign, November 11, 1979–January 22, 1980. (Catalogue; text by Linda L. Cathcart)

The Painting and Sculpture Collection: A New Perspective, Museum of Modern Art, New York, November 13, 1978–January 2, 1979.

Introduction to 20th Century American Art: Selections form the Permanent Collection, Whitney Museum of American Art, New York, October 10, 1978–September 16, 1979.

Perspective ’78: Works by Women, Freedman Art Gallery of Albright College, Reading, Pennsylvania October 8–November 15, 1978. (Catalogue)

Yarlow-Salzman Gallery, Toronto, October 1978.

Four Contemporary Painters: Arakawa, Bruce Boice, Ronald Davis, Agnes Martin, Cleveland Museum of Art, Ohio, September 20–October 29, 1978. (Catalogue)

Selected Acquisitions, Solomon R. Guggenheim Museum, New York, September 8–October 15, 1978.

Works on Paper: American Art 1945–1975, Toured by the American Federation of Arts, New York, Munson-Williams-Proctor Institute, Utica, New York, September 3–October 15, 1978. Traveled to: Center for Music, Drama and Art, Lake Placid, New York, November 12–December 17, 1978; Arts Club of Chicago, January 10–February 14, 1979; Louisiana State Union, Louisiana State University, Baton Rouge, March 11–April 22, 1979; Ivan Wilson Fine Arts Center, Western Kentucky University, Bowling Green, May 20–July 1, 1979; Columbus Museum of Art, Ohio, July 29–September 9, 1979; University Gallery, University of Florida, Gainesville, October 7–November 18, 1979; Tyler Museum of Art, Texas, December 22, 1979–February 3, 1980; Kimball Art Center, Park City, Utah, June 1–July 13, 1980.

La Biennale di Venezia, Venice, July 2–October 15, 1978.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 27–September 16, 1978.

American Art: 1950 to the Present, Whitney Museum of American Art, New York, June 1978.

Works on Paper, Margo Leavin Gallery, Los Angeles, May 25–June 24, 1978.

Twentieth Century Group Exhibition, Robert Elkon Gallery, New York, May 6–June 7, 1978.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, March 25–April 22, 1978.

Contemporary Drawing/New York, Art Museum, UCSB Art Museum, University of California, Santa Barbara, February 22–March 26, 1978. (Catalogue; text by Phyllis Plous)

Selections from the Robert and Jane Meyerhoff Collection, Baltimore Museum of Art, Maryland, February 14–April 9, 1978.

Atypical Works, Aspects of Minimal Arts, and Four Paintings by Farrell Brickhouse, Julian Pretto Gallery, New York, through February 4, 1978.

Numerals: 1924–1977, Leo Castelli Gallery, New York, January 7–28, 1978. Traveled to: Yale University Art Gallery, New Haven, Connecticut, February 14–March 26, 1978; University Art Gallery, University of North Dakota, Grand Forks, August 29–September 26, 1978; Minneapolis College of Art and Design, Minnesota, October 4–November 1, 1978; Fine Arts Gallery, University of California, Irvine, November 10–December 10, 1978; Art Museum of South Texas, Corpus Christi, January 5–February 4, 1979; Center for the Visual Arts Gallery, Illinois State University, Normal, February 17–March 16, 1979; Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, March 30–April 28, 1979; New Gallery of Contemporary Art, Cleveland, Ohio, May 15–June 15, 1979. (Catalogue; text by Rainer Crone)

1977

Holiday Selection: From Avedisian to Witkin, Robert Elkon Gallery, New York, December 10, 1977–January 4, 1978.

From the American Collection: New Additions, Solomon R. Guggenheim Museum, New York, November 22, 1977–January 8, 1978.

Drawing on a Grid: Eva Hesse, Agnes Martin, Katherine Porter, Joan Snyder, Susan Caldwell Gallery, New York, October 5–29, 1977.

30 Years of American Art: 1945–1975; Selected from the Permanent Collection, Whitney Museum of American Art, New York, August 5–October 23, 1977.

20th Century American Art from Friends’ Collections, Whitney Museum of American Art, New York, July 27–September 27, 1977.

Documenta 6, Kassel, Germany, June 24–October 2, 1977.

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, June 13–September 16, 1977.

Recent Acquisitions: Paintings, Drawings and Sculpture, Margo Leavin Gallery, Los Angeles, May 18–June 30, 1977.

Less is More: An Exhibition of Minimal Painting, Sidney Janis Gallery, New York, April 7–May 7, 1977. (Catalogue)

Minimal Art: A Print Collection, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, April 7–May 8, 1977.

Drawings of the 70s: Society for Contemporary Art 35th Exhibition, Art Institute of Chicago, March 9–May 1, 1977.

Gifts to Mark a Century: An Exhibition Celebrating the Centennial of the Philadelphia Museum of Art, Philadelphia Museum of Art, Pennsylvania, February 18–March 20, 1977.

1977 Biennial Exhibition, Whitney Museum of American Art, New York, February 15–April 3, 1977. (Catalogue)

Group exhibition of gallery artists, The Pace Gallery, 32 East 57th Street, New York, February 1977.

Elkon: The Sixties, Robert Elkon Gallery, New York, January 8–February 2, 1977.

Works on Paper: American Art 1945–1975, Tacoma Art Museum, Washington, January 7–February 14, 1977. Traveled to: Museum of Art, Washington State University, Pullman, February 28–March 1, 1977; Charles H. Scott Gallery, Emily Carr College of Art, Vancouver, British Columbia, January 1–February 1, 1982; California State University Fine Arts Gallery, Los Angeles, September 26–October 20, 1983; Tacoma Art Museum, Washington, June 1–July 1984; Washington State University, Pullman, September 2–27, 1986; Western Gallery, Western Washington University, Bellingham, June 9–August 12, 1989; Tacoma Art Museum, Washington, July–September 1992; Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon, November 1–December 31, 2002.

1976

Minimal Art: Druckgraphik, Kestner-Gesellschaft, Hanover, Germany, December 10, 1976–January 23, 1977. (Catalogue)

Surface, Edge, and Color, Whitney Museum of American Art, Downtown Branch, New York, December 8, 1976–January 12, 1977. (Catalogue)

Five Artists, Sunne Savage Gallery, Boston, December 1976.

Acquisition Priorities: Aspects of Postwar Painting in America, Solomon R. Guggenheim Museum, New York, October 15, 1976–January 16, 1977.

Inaugural Exhibition, Part II: Selections from the New York University Art Collection, Grey Art Gallery, New York University, New York, September 22–October 16, 1976.

Mixed Exhibition, Felicity Samuel Gallery, London, August 2–September 30, 1976.

American Artists: A New Decade, Detroit Institute of Arts, Michigan, July 31–September 19, 1976. Traveled to: Fort Worth Art Museum, Texas, November 14, 1976–January 2, 1977; Grand Rapids Art Museum, Michigan, March 12–April 17, 1977. (Catalogue)

La Biennale di Venezia; Environment, Participation, Cultural Structures, La Biennale di Venezia, Venice, July 18–October 10, 1976.

Three Decades of American Art, Selected by the Whitney Museum of American Art, Seibu Museum of Art, Tokyo, June 18–July 20, 1976.

Summer Group Show, Robert Elkon Gallery, New York, June 15–September 30, 1976.

The Golden Door: Artist-Immigrants of America, 1876–1976, Hirshhorn Museum and Sculpture Garden, Washington, D.C., May 20–October 20, 1976.

Critical Perspectives in American Art, Fine Arts Center Gallery, University of Massachusetts, Amherst, April 10–May 9, 1976. (Catalogue, text by Sam Hunter, Rosalind Krauss and Marcia Tucker)

Mono + Bichromie, Galerie Denise René, Paris, February 19–March 9, 1976.

Line. Visual Arts Museum, School of Visual Arts, New York. January 26–February 18, 1976. Traveled to: Philadelphia College of Art, March 5–April 9, 1976. (Catalogue)

Drawing Now, The Museum of Modern Art, New York, January 21–March 7, 1976. Traveled to: Kunsthaus Zürich, October 10–November 14, 1976; Staatliche Kunsthalle Baden-Baden, November 25, 1976–January 16, 1977; Graphische Sammlung Albertina, Vienna, January 28–March 6, 1977; Sonja Henie-Niels Onstad Museum, Oslo, March 17–April 24, 1977; Tel Aviv Museum, Israel, May 12–July 2, 1977 (Catalogue).

Aspects of Post-War Painting in America: In the Observance of the Bicentennial Year, 1976, Columbus Gallery of Fine Arts, Ohio, January 17–February 29, 1976. (Catalogue)

1975

Order and Experience: American Minimal Art, Serpentine Gallery, London, December 20, 1975–January 18, 1976.

Prints: Bochner, LeWitt, Mangold, Marden, Martin, Renouf, Rockburne, Ryman, Art Gallery of Ontario, Toronto, December 18, 1975–January 18, 1976. (Catalogue)

How Does Subject Matter?, Drew University, Madison, New Jersey, December 7–31, 1975.

Art in Boxes, Knowlton Gallery, New York, November–December 1975.

American Abstract Art, A Survey from the Permanent Collection, Whitney Museum of American Art, New York, July 24, 1975–October 26, 1976.

Tendances actuelles de la nouvelle peinture américaine, Musée d’Art Moderne de la Ville de Paris, June 24–August 31, 1975. (Catalogue; text by Marcelin Pleynet)

Funkties van Tekenen/Functions of Drawing, Rijksmuseum Kröller-Müller, Otterlo, Netherlands, May 25–August 4, 1975. (Catalogue)

Drawings, Margo Leavin Gallery, Los Angeles, May 12–June 21, 1975.

Museum Collection: Recent American Art, Solomon R. Guggenheim Museum, New York, May 11–September 7, 1975.

Less/More: Paintings by Contemporary American Artists, Douglas Drake Gallery, Kansas City, Missouri, May 2–August 1, 1975.

Fundamentele schilderkunst/Fundamental Painting, Stedelijk Museum, Amsterdam, April 25–June 22, 1975. (Catalogue)

Richard Brown Baker Collects!: A Selection of Contemporary Art from the Richard Brown Baker Collection, Yale University Art Gallery, New Haven, Connecticut, April 24–June 22, 1975.

De Pictura: J. Bishop, A. Martin, R. Ryman, W. Nestler, Galerie Rencontres, Paris, April 24–May 16, 1975. (Catalogue)

New Acquisitions: Prints and Drawings, John Berggruen Gallery, San Francisco, April 22–May 17, 1975.

1974

National Print Exhibition, 19th Biennial, Brooklyn Museum of Art, New York, November 20, 1974–January 5, 1975. Traveled to: Fine Arts Gallery of San Diego, California, February 15–March 30, 1975.

Twentieth-Century Masters, Robert Elkon Gallery, New York, October–November 7, 1974.

Inaugural Exhibition, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 1974–September 1975.

Selected Works from the Collection of Carter Burden, Marlborough Gallery, New York, May 9–June 1, 1974.

Drawings, Margo Leavin Gallery, Los Angeles, April 11–May 9, 1974.

Alumni Exhibition, Teachers College, Columbia University, New York, April 5–May 3, 1974.

Modern Painting in Taos: The 40s and 50s, Taos Art Association, New Mexico, Spring 1974.

Some Recent American Art. Organized by the International Program of the Museum of Modern Art, New York, under the auspices of the International Council. Traveled to: National Gallery of Victoria, Melbourne, February 12–March 10, 1974; Art Gallery of New South Wales, Sydney, April 5–May 5, 1974; Art Gallery of South Australia, Adelaide, May 31–June 30, 1974; Western Australian Art Gallery, Perth, July 26–August 21, 1974; City of Auckland Art Gallery, October 14–November 17, 1974. (Catalogue)

Within the Decade: Selections from the Guggenheim Museum Permanent Collection, Solomon R. Guggenheim Museum, New York, February 12–March 24, 1974.

Les Is More: The Influence of the Bauhaus on American Art, Lowe Art Museum, University of Miami, Coral Gables, Florida, February 7–March 10, 1974. (Catalogue)

An Exhibition called Strata with Paintings, Drawings and Prints by Marden, Martin, Ryman, Twombly and Kelly, Royal College Art Galleries, London, January 14–February 1, 1974. (Catalogue)

Nine Artists/Coenties Slip, Whitney Museum of American Art, Downtown Branch, New York, January 10–February 21, 1974. (Catalogue)

1973

15 artistes américains, Galerie Denise René, Paris, December 13, 1973–January 1974.

Selections from the Permanent Collection, Whitney Museum of American Art, New York, November 28, 1973–February 4, 1975.

Contemporanea, Parcheggio di Villa Borghese, Rome, November 1973–February 28, 1974.

The Albert Pilavin Collection: Twentieth-Century American Art II, Museum of Art, Rhode Island School of Design, Providence, October 23–November 25, 1973.

Ken Price and Agnes Martin, Nicholas Wilder Gallery, Los Angeles, through November 4, 1973.

Agnes Martin—Ad Dekkers, Galerie Swart, Amsterdam, Fall 1973.

A Selection of American and European Paintings from the Richard Brown Baker Collection, San Francisco Museum of Art, September 14–November 11, 1973. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, December 7, 1973–January 27, 1974. (Catalgoue)

American Art 1948–1973, Seattle Art Museum, Washington, August 23–October 14, 1973.

A Look at New York, Pasadena Museum of Modern Art, California, June 12–July 22, 1973.

American Drawings 1963–1973, Whitney Museum of American Art, New York, May 25–July 22, 1973. (Catalogue; text by Elke M. Solomon)

Daniel Buren, Alan Charlton, Girorgio Griffa, Bernd Lohaus, Brice Marden, Agnes Martin, Robert Ryman, Palermo, Niele Toroni : une expoistion de peinture reunissant certains peintres qui mettraient la peinture en question, 16 Place Vendome, Paris, May–June 1973. Traveled to: Städtisches Museum, Mönchengladbach, Germany, November 15–December 23, 1973; Internationaal Culturaal Centrum, Antwerp, March 9–April 7, 1974. (Catalogue)

Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, April 5–May 6, 1973. (Catalogue)

Options and Alternatives: Some Directions in Recent Art, University Art Gallery, New Haven, Connecticut, April 4–May 16, 1973. (Catalogue)

Arte come Arte, Centro Comunitario di Brera, Milan, April–May 1973. (Catalogue)

Works on Paper, Museum of Modern Art, New York, March 7–May 28, 1973.

American Painters through Two Decades from the Museum Collection, Solomon R. Guggenheim Museum, New York, February 23–April 1, 1973.

1972

Drawing, Museum of Modern Art, Oxford, United Kingdom, November 18–December 23, 1972.

Works on Paper: Drawings and Watercolors, John Berggruen Gallery, San Francisco, September 27–October 31, 1972.

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 17–December 17, 1972. (Catalogue)

Betty Parsons' Private Collection, Parrish Art Museum, Southampton, New York, August 22–September 10, 1972.

Documenta 5, Neue Galerie Schöne Aussicht, Kassel; Museum Fridericianum Friedrichsplatz, Kassel, June 30–October 8, 1972. (Catalogue; texts by Douglas Crimp and Germano Celant)

Permanent Collection, Museum of Modern Art, New York, March 29, 1972–September 19, 1973; March 14–September 19, 1973; February 7–June 17, 1974; November 23, 1974–June 16, 1975; December 30, 1975–May 10, 1976; September 3–November 9, 1976; April 20, 1977–January 17, 1978; May 2–September 1978.

Paintings by Some Contemporary American Women, Randolph-Macon Women’s College, Lynchburg, Virginia, February 8–28, 1972.

Group Show, Robert Elkon Gallery, New York, February 5–March 2, 1972.

Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 27–March 1, 1972. (Catalogue by Lucy R. Lippard)

1971

White on White: The White Monochrome in the Twentieth Century, Museum of Contemporary Art, Chicago, December 18, 1971–January 30, 1972. (Catalogue; essay by Robert Pincus-Witten)

Recent Acquisitions: American II, Museum of Modern Art, New York, October 27, 1971–January 2, 1972.

Recent Painting and Sculpture from the Albert A. List Family Collection, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island, October 8–November 21, 1971.

Selections from the Museum Collection and Recent Acquisitions (1971), Solomon R. Guggenheim Museum, New York, June 11–September 12, 1971.

The Drawn Line in Painting: Line as Form, Parker Street 470, Boston, April 6–May 1, 1971.

Intimate Selections of the American Spirit I, Willard Gallery, New York, March 16–April 17, 1971.

Recent Acquisitions: Americans, The Museum of Modern Art, New York, February 11–March 11, 1971.

Group Drawing Show, Bykert Gallery, New York, January 1971.

1970

Women in the Permanent Collection, Whitney Museum of American Art, New York, December 16, 1970–January 19, 1971.

Works on Paper, Robert Elkon Gallery, New York, December 5, 1970–January 6, 1971.

Works (Mostly) on Paper—Drawing Reconsidered, Institute of Contemporary Art, Boston, October 20–November 14, 1970. (Catalogue; text by John Noel Chandler)

Aldrich Fund Acquisitions for The Museum of Modern Art 1959 through 1969, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 27, 1970–January 3, 1971.

Selections from the Mr. and Mrs. Robert A. Rowan Collection, Pasadena Art Museum, California, September 21–November 15, 1970.

American Drawings, Galerie Yvon Lambert, Paris, September 1970.

Group Show, Nicholas Wilder Gallery, Los Angeles, August 1970.

Summer Group Show, Robert Elkon Gallery, New York, Summer 1970.

Works from the Pasadena Art Museum, Vancouver Art Gallery, British Columbia, April 14–May 10, 1970.

A Decade of Accomplishment: American Prints and Drawings of the 1960s, Illinois Bell Telephone Company Lobby Gallery, Chicago, January 12–February 27, 1970. (Catalogue)

Selections from the Permanent Collection, Whitney Museum of American Art, New York, January 2–March 19, 1970.

Museum Purchase Fund Collection, Traveling exhibition organized and circulated by American Federation of Arts, New York, 1970–1972.

1969

1970 National Drawing Exhibition, San Francisco Museum of Art, December 17, 1969–January 25, 1970. (Catalogue)

From Betty Parsons' Private Collection, Emily Lowe Gallery, Hofstra University, Hempstead, New York, October 1969.

Four Works by John McCracken/Four Works by Agnes Martin, Robert Elkon Gallery, New York, May 3–June 4, 1969.

Recent Acquisitions 1969, Pasadena Art Museum, California, 1969.

American Painting: The 1960's, Co-sponsored by Georgia Museum of Art, University of Georgia, Athens, and American Federation of Arts, New York. Traveling exhibition organized and circulated by the American Federation of the Arts, New York, 1969–1970.

1968

Selections from the Permanent Collection, Whitney Museum of American Art, New York, December 1968–February 1969.

The Pure and Clear: American Innovations, Philadelphia Museum of Art, November 13, 1968–January 21, 1969. (Catalogue)

Untitled 1968, San Francisco Museum of Art, November 9–December 29, 1968. (Catalogue)

Betty Parsons' Private Collection, Cranbrook Academy of Art, Bloomfield, Michigan, September 22–October 20, 1968. Traveled to: Brooks Memorial Art Gallery, Memphis, Tennessee, November 1–December 1, 1968.

Art of the Real: USA 1948–1968. Museum of Modern Art, New York, July 3–September 8, 1968. Traveled to: Grand Palais, Paris, November 14–December 23, 1968; Kunsthaus Zürich, January 18–February 16, 1969; Tate Gallery, London, April 24–June 1, 1969. (Catalogue)

Betty Parsons’ Private Collection, Finch Museum, New York, March 13–April 24, 1968. (Catalogue, text by Eugene Goossen)

The Square in Painting, Selected by Richard Anuszkiewicz, Traveling exhibition organized and circulated by the American Federation of the Arts, New York, 1968–1969.

1967

1967 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York, December 13, 1967–February 4, 1968. (Catalogue)

Selected Works from the Collection of Mr. and Mrs. H. Gates Lloyd, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 18–November 19, 1967.

Rejective Art, Traveling exhibition organized and circulated by the American Federation of the Arts, New York, October 1967–October 1968.

Art for Embassies: Selected from the Woodward Foundation Collection, Washington Gallery of Modern Art, Washington, D.C., September 30–November 5, 1967.

A Romantic Minimalism, Institute of Contemporary Art, Philadelphia, September 13–October 11, 1967. (Catalogue)

The 1960s: Painting and Sculpture from the Museum Collection, Museum of Modern Art, New York, June 28–September 24, 1967.

Young Artists of the Sixties: The Charles Cowles Collection, Pasadena Art Museum, California, June 20–July 16, 1967. Traveled to: Stanford Museum, Palo Alto, California, November 11, 1967–January 7, 1968; Henry Art Gallery, University of Washington, Seattle, March 16–April 14, 1968; Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 28–December 14, 1969.

Carl Andre, Robert Mangold, Brice Marden, Agnes Martin, Paul Mogenson and David Novros, Bykert Gallery, New York, June 1967.

Serielle Formationen, Stuido Galerie, Studentenschaft der Johann Wolfgang Goether Universität, Stiftung Studentenhaus, Frankfurt, May 22–June 30, 1967. (Catalogue)

The Helen W. and Robert M. Benjamin Collection: A Loan Exhibition, Yale University Art Gallery, New Haven, May 4–June 18, 1967. (Catalogue)

Selections from the Mr. and Mrs. Robert Rowan Collection, University of California, Irvine, May 2–21, 1967. Traveled to: San Francisco Museum of Art, June 2–July 2, 1967.

Form, Color, Image, Detroit Institute of Art, Michigan, April 11–May 21, 1967. (Catalogue)

Selected N.Y.C. Artists 1967, Ithaca College Museum of Art, April 4–May 27, 1967. (Catalogue; text by Harris Rosenstein)

Mid-Twentieth Century Drawings and Collages: a Selection from the Collection of Richard Brown Baker, University of South Florida Galleries, Tampa, March 7–April 6, 1967. (Catalogue)

30th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., February 24–April 19, 1967. (Catalogue)

Canadian Art, Union Carbide Exhibition Center, New York, 1967.

1966

Art on Paper, 1966, Weatherspoon Art Gallery, University of North Carolina, Greensboro, November 6–December 16, 1966.

10, Dwan Gallery, New York, October 4–29, 1966. Traveled to: Dwan Gallery, Los Angeles, May 2–29, 1967. (Catalogue)

Systematic Painting, Solomon R. Guggenheim Museum, New York, September 21–November 27, 1966. (Catalogue, text by Lawrence Alloway)

The Harry N. Abrams Family Collection, Jewish Museum, New York, June 29–September 5, 1966. (Catalogue)

Multiplicity, Institute of Contemporary Art, Boston, April 16–June 5, 1966.

Recent Acquisitions, Museum of Modern Art, New York, April 5–June 12, 1966.

Geometric Abstract Paintings and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York, February 1–April 17, 1966.

1965

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 8, 1965–January 30, 1966.

Art: An Environment for Faith, San Francisco Museum of Art, November 15–December 15, 1965. (Catalogue)

The San Francisco Collector, M. H. de Young Memorial Museum, San Francisco, September 21–October 17, 1965.

Some Recent Gifts II (1965), Solomon R. Guggenheim Museum, New York, July 20–August 29, 1965.

Northeastern Regional Exhibition of Art Across America, Sponsored by the Mead Corporation, Institute of Contemporary Art Boston, May 1–June 6, 1965.

A Decade of American Drawings: 1955–1965, Whitney Museum of American Art, April 28–June 6, 1965. (Catalogue)

The Responsive Eye, Museum of Modern Art, New York, February 25–April 25, 1965. Traveled to: St. Louis City Art Museum, Missouri, May 20–June 20, 1965; Seattle Art Museum, Washington, July 15–August 23, 1965; Pasadena Art Museum, California, September 25–November 7, 1965; Baltimore Museum of Art, Maryland, December 14, 1965–January 23, 1966. (Catalogue; text by William C. Seitz)

A New York Collector Selects…, San Francisco Museum of Art, January 22-February 14, 1965.

Art Across America, sponsored by Mead Corporation, Dayton, Ohio, 1965–1967. Traveled to: M. Knoedler & Co., New York; Toledo Museum of Art, Ohio; Cleveland Institute of Art, Ohio; Memorial Art Gallery of the University of Rochester, New York; Wadsworth Atheneum, Hartford, Connecticut; Contemporary Arts Center, Cincinnati, Ohio; Flint Institute of Arts, Michigan; Brooks Memorial Art Gallery, Memphis, Tennessee; Pepsi-Cola Exhibition Gallery, New York; J.B. Speed Art Museum, Louisville, Kentucky; Joslyn Art Museum, Omaha, Nebraska; Philbrook Art Center, Tulsa, Oklahoma; Isaac Delgado Museum of Art, New Orleans, Louisiana; Commercial Museum, Philadelphia, Pennsylvania; Henry Gallery, University of Washington, Seattle; Portland State College, Oregon; La Jolla Museum of Art, California. (Catalogue)

1964

American Drawings, Solomon R. Guggenheim Museum, New York, September 17–October 27, 1964. (Catalogue)

An International Selection 1964–1965, Dayton Art Institute, Ohio, September 11–October 11, 1964.

Recent American Drawings. The Rose Art Museum, Brandeis University, Waltham, Massachusetts, April 19–May 17, 1964. (Catalogue; text by Sam Hunter and Lawrence Alloway)

Black, White and Grey, Wadsworth Atheneum, Hartford, Connecticut, January 9–February 9, 1964.

Cross Section of Contemporary Art, Traveling exhibition organized and circulated by American Federation of the Arts, New York, 1964–1966.

1963

Toys by Artists, Betty Parsons Gallery, New York, December 16, 1963–January 4, 1964.

Annual Exhibition 1963: Contemporary American Painting, Whitney Museum of American Art, New York, December 11, 1963–February 2, 1964.

46 Works from New York, Dilexi Gallery, San Francisco, November 12–December 7, 1963. (Brochure)

Directions: American Painting, San Francisco Museum of Art, September 20–October 20, 1963.

Formalists, Gallery of Modern Art, Washington D.C., June 6–July 7, 1963. (Catalogue)

1962

Geometric Abstraction in America, Whitney Museum of American Art, New York, March 20–May 13, 1962. (Catalogue; text by John Gordon)

1961

1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, Pennsylvania, October 27, 1961–January 7, 1962. (Catalogue)

6 American Abstract Painters, Arthur Tooth & Sons, Ltd., London, January 24–February 18, 1961. (Catalogue; text by Lawrence Alloway)

1960

Christmas Show, Betty Parsons Gallery, New York, December 1960

Purist Painting, Organized by American Federation of Arts. Traveled to: J.B. Speed Art Museum, Louisville, Kentucky, October 1–22, 1960; Columbus Gallery of Fine Art, Ohio, November 5–25; Layton School of Art, Milwaukee, Wisconsin, December 9–24; Walker Art Center, Minneapolis, Minnesota, January 12–February 19, 1961; Carleton College, Northfield, Minnesota, March 1–22; Everson Museum of Art, Syracuse, New York, April 21–May 28; North Carolina Museum of Art, Raleigh, September 6–26; White Art Museum, Cornell University, Ithaca, New York, October 10–31, 1961.

Konkrete Kunst: 50 Jahre Entwicklung, Helmhaus, Zurich, June 8–August 14, 1960. (Catalogue)

Painters Who Search for New Art Forms: An Exhibition in Honor of Founders’ Day, The Morse Gallery of Art, Rollins College, Winter Park, Florida, February 14–March 16, 1960. (Pamphlet)

1959

Drawings, Gouaches, and Watercolors, Section Eleven, Betty Parsons Gallery, New York, February 24–March 17, 1959.

1958

David Budd, Judith Godwin, Agnes Martin, Sidney Wolfson, Section Eleven, Betty Parsons Gallery, New York, September 29–October 18, 1958.

1957

Christmas Show, Betty Parsons Gallery, New York, December 16, 1957–January 4, 1958.

Spring show, Harwood Museum of Art, University of New Mexico, Taos, May 1957.

1956

Summer show, Harwood Museum of Art, University of New Mexico, Taos, July 1956.

Group exhibition, Ruins Gallery, Albuquerque, New Mexico, May 1956.

Taos Moderns, Jonson Gallery, Albuquerque, New Mexico, February 26–April 7, 1956.

1955

Emma Lou Davis and Agnes Martin, Art Gallery of the Museum of New Mexico, Santa Fe, November 1955.

Louis Ribak, Beatrice Mandelman, Agnes Martin, Ribak Gallery, Taos, New Mexico, Summer 1955.

Annual Exhibition for New Mexico Artists, Art Gallery of the Museum of New Mexico, Santa Fe, opened June 12, 1955.

Group exhibition, La Galeria de los Artesanos, Las Vegas, New Mexico, 1955.

Group exhibition, Albuquerque Museum of Modern Art, New Mexico, 1955.

1948

Seventh Annual Exhibition by Members of the Art Faculty, Fine Art Gallery, University of New Mexico, Albuquerque, 1948.

Agnes Martin
Public Collections

Agnes Martin Public Collections

Ackland Art Museum, The University of North Carolina at Chapel Hill

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Allen Memorial Art Museum, Oberlin College, Ohio

American Academy of Arts and Letters, New York

Anderson Collection Museum at Stanford University, California

Art Gallery of Ontario, Toronto

The Art Institute of Chicago

Austrian Ludwig Foundation for Arts and Science, Vienna

Buffalo AKG Art Museum, New York

Centre Georges Pompidou, Paris

The Chase Manhattan Collection, New York

The Chinati Foundation, Marfa, Texas

The Cleveland Museum of Art, Ohio

Colby College Museum of Art, Waterville, Maine

Cranbrook Art Museum, Bloomfield Hills, Michigan

Davis Museum at Wellesley College, Massachusetts

Denver Art Museum, Colorado

Des Moines Art Center, Iowa

Dia Art Foundation, New York

Dublin City Gallery The Hugh Lane, Ireland

Fine Arts Museums of San Francisco

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Fundació La Caixa, Barcelona, Spain

Grey Art Museum, New York University

Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin

Harwood Museum of Art, Taos, New Mexico

Marieluise Hessel Collection, Bard College, Annandale-on-Hudson, New York

High Museum of Art, Atlanta, Georgia

Hiroshima City Museum of Contemporary Art

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Ho-Am Art Museum, Seoul

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Indianapolis Museum of Art at Newfields, Indiana

The Israel Museum, Jerusalem

Kunstmuseum Winterthur, Switzerland

Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany

Los Angeles County Museum of Art

Magasin 3 Kunsthall, Stockholm

The Maxine and Stuart Frankel Foundation for Art, Bloomfield Hills, Michigan

The Menil Collection, Houston, Texas

The Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

Modern Art Museum of Fort Worth, Texas

Musée Barbier Mueller, Geneva

Museu Colecção Berardo, Lisbon

Museum of Art, Rhode Island School of Design, Providence

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art San Diego, California

The Museum of Fine Arts, Boston

The Museum of Fine Arts, Houston, Texas

The Museum of Modern Art, New York

National Galleries of Scotland, Edinburgh

National Gallery of Art, Washington, D.C.

National Gallery of Australia, Canberra

The National Museum of Art, Osaka

The National Museum of Women in the Arts, Washington, D.C.

Nelson-Atkins Museum of Art, Kansas City, Missouri

Neuberger Museum of Art, Purchase College, State University of New York

New Mexico Museum of Art, Santa Fe

Norton Simon Museum, Pasadena, California

Osaka City Museum of Modern Art, Japan

Peggy Guggenheim Collection, Venice

Philadelphia Museum of Art, Pennsylvania

Rose Art Museum, Brandeis University, Waltham, Massachusetts

San Francisco Museum of Modern Art

Seattle Art Museum, Washington

Smithsonian American Art Museum, Washington, D.C.

Solomon R. Guggenheim Museum, New York

Stedelijk Museum, Amsterdam

Tate, London

Ueshima Museum, Tokyo

Wadsworth Atheneum Museum of Art, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Wichita Art Museum, Kansas

Worcester Museum of Art, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

Agnes Martin
Periodicals

Agnes Martin Periodicals

2024

“Alicja Kwade and Agnes Martin: Space Between the Lines” (Pace Gallery exhibition review). Arte Realizzata, 5 June 2024. https://www.arterealizzata.com/exhibition-showcase/alicja-kwade-and-agnes-martin-space-between-the-lines

Boyed, Natasha. “Alicja Kwade and Agnes Martin” (Pace Gallery exhibition review). Artillery, 9 July 2024. https://artillerymag.com/alicja-kwade-and-agnes-martin/

DiDonna, Bennett. “Alija Kwade and Agnes Martin | Space Between the Lines” (Pace Gallery exhibition review). Flaunt, 25 May 2024. https://www.flaunt.com/post/alicja-kwade-and-agnes-martin-space-between-the-lines

Goyanes, Rob. “Gallerists reveal must-see 20th-century masterpieces they are bringing to Basel” (Art fair review). Art Basel, 7 June 2024. https://www.artbasel.com/stories/gallerists-reveal-must-see-20th-century-masterpieces-they-are-bringing-to-basel

Griffin, Jonathan. “In Los Angeles, Abstraction Takes Centre Stage” (Pace Gallery exhibition review). Ocula, 30 May 2024. https://ocula.com/magazine/features/in-los-angeles-abstraction-takes-centre-stage/

Jacobs, Harrison. “A First Look at the Big Ticket Artworks that Galleries Are Bringing to Art Basel” (Art fair review). ARTnews, 6 June 2024. https://www.artnews.com/art-news/market/art-basel-2024-top-price-secondary-market-artworks-1234708939/

Kakar, Arun. “What Sold at Art Basel 2024.” Artsy, 17 June 2024. https://www.artsy.net/article/artsy-editorial-sold-art-basel-2024

Kaufman, Brandon. “The AGO’s stunning summer show features work from the world’s greatest modern artists. Here are stories behind 5 of its most important works” (Art Gallery of Ontario exhibition review). The Toronto Star, 14 June 2024. https://www.thestar.com/entertainment/visual-arts/the-agos-stunning-summer-show-features-work-from-the-worlds-greatest-modern-artists-here-are/article_42f4e392-277b-11ef-ba6e-57ee373aa495.html

“Los Angeles Spring Gallery Shows: A Season of Innovation and Reflection” (Pace Gallery exhibition review). Whitewall, 30 May 2024. https://whitewall.art/art/los-angeles-spring-gallery-shows-a-season-of-innovation-and-reflection/

McDermott, Emily. “Alicja Kwade and Agnes Martin in Los Angeles: time, temporality and perception” (Pace Gallery exhibition Review). Wallpaper*, 28 May 2024. https://www.wallpaper.com/design-interiors/fmg-takes-technical-ceramics-out-of-this-world-in-a-new-campaign

“Pace Gallery at Art Basel 2024.” Arte Realizzata, 4 June 2024. https://www.arterealizzata.com/fair-and-festival-feature/pace-gallery-at-art-basel-2024

“Sorol Art Museum Presents Agnes Martin’s First Solo Exhibition in Korea” (exhibition review). Art Asia Pacific, 8 July 2024. https://artasiapacific.com/shows/sorol-art-museum-presents-agnes-martin-s-first-solo-exhibition-in-korea

Waga, Nel-Olivia. “The Must-Sees Of Art Basel 2024.” Forbes, 14 June 2024. https://www.forbes.com/sites/neloliviawaga/2024/06/14/the-must-sees-of-art-basel-2024/

Zastudil, Nancy. “The Queer Artists Who Helped Shape the Southwest.” Hyperallergic, 18 August 2024. https://hyperallergic.com/938981/new-mexico-museum-of-art-out-west/

2023

Cassady, Daniel. “Behind the Agnes Martin Market and Sotheby’s Record-Making Sale.” ARTnews, 22 November 2023. https://www.artnews.com/art-news/market/agnes-martin-art-market-sothebys-pace-grey-stone-ii-1234687349/.

“The Defining Artworks of 2023.” ARTnews, 18 December 2023. https://www.artnews.com/list/art-news/artists/most-important-artworks-2023.

Han-sol, Park. “Agnes Martin’s sublime abstractions light up Gangneung in her first solo exhibition in Korea” (Sorol Art Museum exhibition review). The Korea Times, 9 May 2024. https://www.koreatimes.co.kr/www/art/2024/05/398_374300.html

“The Most Anticipated Art Shows and Exhibitions of 2024” (Pace Gallery exhibition review). W Magazine, 22 May 2024. https://www.wmagazine.com/culture/art-shows-exhibits-museums-galleries-2024

Nooitgedagt, Sanne. “Agnes Martin – COS Celebrates Art.” Metal Magazine, 18 December 2023. https://metalmagazine.eu/post/agnes-martin-cos-celebrates-art.

Short, Aaron. “Agnes Martin Gold-Leaf Painting fetches $19M, Setting Record.” Hyperallergic, 9 November 2023. https://hyperallergic.com/855744/agnes-martin-gold-leaf-painting-fetches-19m-setting-record/.

Villa, Angelica and Daniel Cassady. “Sotheby’s White Glove $406 M. Fisher Landau Sale Sets New Benchmarks for Agnes Martin, Mark Tansey.” ARTnews, 8 November 2023. https://www.artnews.com/art-news/news/sothebys-406-m-fisher-landau-sale-sets-records-agnes-martin-mark-tansey-1234686208/.

2022

"Agnes Martin." In Great Women Painters, Phaidon: London, 2022: 136, illustrated.

Kinsella, Eileen. “Even With Seven-Figure Sales, Sanity Prevailed During an Un-Frenzied VIP Preview at Art Basel Miami Beach.” Artnet News, 29 November 2022. https://news.artnet.com/market/even-with-seven-figure-sales-sanity-prevailed-during-an-un-frenzied-vip-preview-at-art-basel-miami-beach-2213642

Moore, Jane. “Collections on exhibit at Norton span works from 15th century to modern era.” Palm Beach Daily News, 17 March 2022. https://www.palmbeachdailynews.com/story/lifestyle/2022/03/17/exhibits/7062781001/.

Mu, Marietta. “A Beautiful Mind.” The Sun Daily, 23 March 2022. https://www.thesundaily.my/style-life/a-beautiful-mind-FC8985896.

“Paris+ par Art Basel 2023: Fair Showstoppers.” Ocula, 13 October 2023. https://ocula.com/advisory/perspectives/paris-basel-2023-selections/.

Villa, Angelica. “$7M. Paintings by Agnes Martin and Phillip Guston Lead Art Basel Miami Beach Sales.” ARTnews, 30 November 2022. https://www.artnews.com/list/art-news/news/art-basel-miami-beach-2022-sales-1234648470/agnes-martin-at-pace/

Watzich, Lauren. “The New Mexico Life of Artist Agnes Martin.” DuJour Magazine, 25 January 2022. https://dujour.com/culture/the-new-mexico-life-of-artist-agnes-martin/.

2021

Angeleti, Gabriella, Wallace Ludel and Nancy Kenney. “Top shows to see in New York during Frieze week” (Pace Gallery exhibition review). The Art Newspaper, 5 May 2021. https://www.theartnewspaper.com/review/top-shows-to-see-in-new-york-during-frieze-week

Bell, Tiffany. "Finding Inspiration from Agnes Martin: An Interview with Tiffany Bell." Interview with David Grosz. Cahiers D'Art Institute, 24 February 2021. https://cahiersdartinstitute.org/posts/finding-inspiration-from-agnes-martin-an-interview-with-tiffany-bell

Rhodes, David. “Agnes Martin: The Distillation of Color” (Pace Gallery exhibition review). The Brooklyn Rail (June 2021). https://brooklynrail.org/2021/06/artseen/Agnes-Martin-The-Distillation-of-Color

Wong Davies, Ava. “How Agnes Martin’s Desert Flower Gave Me the Peace and Reconciliation I Needed” (Pace Gallery exhibition review). Elephant, 1 June 2021. https://elephant.art/how-agnes-martins-desert-flower-brought-me-calmness-and-reconciliation-01062021/

2020

Jaworski, Adam. "Multimodal writing: the avant-garde assemblage and other minimal texts." International Journal of Multilingualism 17, no.3 (July 2020): 336–360.

2019

Jones, Jonathan. “What to See This Week in the UK: At the Edge of Things” (Pace Gallery exhibition review). The Guardian, 12 July 2019. https://www.theguardian.com/culture/2019/jul/12/what-to-see-this-week-in-the-uk

Michalarou, Efi. “Art Cities: London – At the Edge of Things” (Pace Gallery exhibition review). Dream Idea Machine, accessed 17 June 2019. http://www.dreamideamachine.com/en/?p=48268

Angeleti, Gabriella, Wallace Ludel and Nancy Kenney. “Top shows to see in New York during Frieze week: Agnes Martin: the Distillation of Color” (Pace Gallery exhibition review). The Art Newspaper, 5 May 2021. https://www.theartnewspaper.com/review/top-shows-to-see-in-new-york-during-frieze-week

Muenzer, David. “At the Edge of Things” (exhibition review). Artforum, 2 November 2019. https://www.artforum.com/picks/at-the-edge-of-things-81130

Sheets, Hilarie. “Dealer’s Choice – Arne Glimcher, Agnes Martin, Blue Flower, 1962.” Art News (Fall 2019): 44–46, illustrated.

Selvin, Claire. “In Boon for Art Authentication Committees, Judge Rules in Favor of Glimchers in Long-Running Agnes Martin Dispute.” Art News, 11 July 2019. http://www.artnews.com/2019/07/11/agnes-martin-catalogue-raisonne-lawsuit-marc-glimcher/

Wullschläger, Jackie. “At the Edge of Things: Baer, Corse, Martin: Pace Gallery, London” (exhibition review). Financial Times, 15–16 June 2019: 18.

2018

Abrams, Matthew Jeffrey. “Meeting Gabriel.” Affidavit, 9 April 2018. https://www.affidavit.art/articles/meeting-gabriel

Bashein, Rachel. “3 New York Design Happenings to Check Out This Week” (Pace Gallery exhibition review). The Cut, 15 November 2018. https://www.thecut.com/article/new-york-design-news.html

Block, Annie. “They Have New Mexico in Common…” (Pace Gallery exhibition review). Interior Design, Fall Homes 2018: 36, illustrated.

Camhi, Leslie. “From the American Southwest, Art that Transcends Time” (Pace Gallery exhibition review). Rosewood Conversations, 16 October 2018. https://www.rosewoodhotels.com/conversations/agnes-martin-navajo-blankets/

Chandler, Elizabeth Khuri. “State of the Art” (Pace Gallery exhibition review). C Magazine, 17 October 2018. https://magazinec.com/culture/state-of-the-art

Cohen, Alina. “Agnes Martin and Navajo Craftswomen Made Spiritual Works Inspired by the Desert” (Pace Gallery exhibition review). Artsy, 27 September 2018. https://www.artsy.net/article/artsy-editorial-agnes-martin-navajo-craftswomen-made-spiritual-works-inspired-desert

Edalatpour, Jeffrey. “Agnes Martin’s Native Inspiration” (Pace Gallery exhibition review). Metro Active, 3 October 2018. http://www.metroactive.com/arts/Agnes-Martin-Pace-Gallery-Navajo-Blankets-Exhibit.html

Fateman, Johanna. “Agnes Martin / Navajo Blankets” (Pace Gallery exhibition review). The New Yorker, 17 December 2018: 9.

Forsythe, Pamela J. “Blank Canvas” (Philadelphia Museum of Art exhibition review). Broad Street Review, 4 June 2018. http://www.broadstreetreview.com/museums/philadelphia-museum-of-art-presents-agnes-martin-the-untroubled-mind#

Heinrich, Will. “The Week in Arts: Paintings Paired with Textiles” (Pace Gallery exhibition review). The New York Times, 14 December 2018. https://www.nytimes.com/2018/12/14/arts/hard-nut-bruce-springsteen-aria-code.html

Kinsella, Eileen. “Judge Throws Out Closely Watched Lawsuit Against the Agnes Martin Authentication Committee.” Artnet, 5 April 2018. https://news.artnet.com/art-world/judge-dismisses-lawsuit-agnes-martin-committee-1260539

Lempesis, Dimitris. “Art-Presentation: Agnes Martin/Navajo Blankets” (Pace Gallery exhibition review). Dream Idea Machine, 27 September 2018. http://www.dreamideamachine.com/en/?p=40492

Loos, Ted. “Inside a New Agnes Martin Exhibition in Palo Alto, California” (exhibition preview). The Wall Street Journal, 15 August 2018. https://www.wsj.com/articles/inside-a-new-agnes-martin-exhibition-in-palo-alto-california-1534338832

Martin, Henry. “A New Book on Agnes Martin Reveals Her Previously Unknown Philanthropy.” Hyperallergic, 19 October 2018. https://hyperallergic.com/459742/agnes-martin-anonymous-philanthropy/

Nonnenberg, Sheryl. “Desert Meditations” (Pace Gallery exhibition review). Palo Alto Online, 3 October 2018. https://www.paloaltoonline.com/news/2018/10/03/desert-meditations

O’Donnell, Nicholas. “New Authentication Lawsuit Filed Against Agnes Martin Catalogue Raisonné.” Authentication in Art, accessed 12 April 2018. http://authenticationinart.org/pdf/artmarket/new-catalogue-lawsuit.pdf

“Galleries—Uptown: ‘Agnes Martin, Richard Tuttle: Crossing Lines’” (exhibition review). The New Yorker, 15 January 2018: 10.

Selvin, Claire. “Dismissing Suit Against Agnes Martin Catalogue Raisonné Committee, Judge Bolsters Embattled Art-Authentication Field.” Art News, 6 April 2018. http://www.artnews.com/2018/04/06/dismissing-suit-agnes-martin-catalogue-raisonne-committee-judge-bolsters-embattled-art-authentication-field/

2017

“Artist Dossier – Agnes Martin.” Artinfo, 28 July 2017. http://sea.blouinartinfo.com/news/story/2396951/artist-dossier-agnes-martin

DuFournier, Celeste. “Here We Ago Again: The Agnes Martin Catalogue Raisonné Committee Defends Itself in Authenticity Dispute.” IFAR Journal 18, nos. 2 & 3 (2017): 14–16, illustrated.

Guyet, Stephanie. “Agnes Martin: Night Sea” (book review). The Brooklyn Rail, 1 June 2017. http://brooklynrail.org/2017/06/art_books/Agnes-Martin-Night-Sea

Kennedy, Randy. “Native Art Gets Its Due at the MET.” The New York Times, 7 April 2017: C13, illustrated.

McCarthy, Bridget. “What Kind of Art is Being Spawned in the Place that Spawned Trump?” (Guggenheim Museum exhibition review). Art Review (March 2017): 126–131, illustrated.

Peiffer, Prudence. “Agnes Martin, Richard Tuttle, and the Line Between” (Pace Gallery exhibition review). The New York Review of Books, 20 December 2017. http://www.nybooks.com/daily/2017/12/20/agnes-martin-richard-tuttle-and-the-line-between/

Peiffer, Predence. “Houston: ‘Between Land and Sea: Artists of the Coenties Slip,’ Menil Collection” (exhibition preview). Artforum 55, no. 5 (January 2017): 99, illustrated.

Shapton, Leanne, et al. “Letters of Recommendation: ‘Twin Peaks.’ Screaming Karaoke and More” (exhibition review). The New York Times Magazine, 5 October 2017. https://www.nytimes.com/2017/10/05/magazine/culture-issue-letters-of-recommendation-twin-peaks-get-out-screaming-karaoke.html

Tracey, Caroline. “Agnes Martin’s World-Facing Grid.” SFMoMA Open Space, 21 February 2017. https://openspace.sfmoma.org/2017/02/agnes-martins-world-facing-grid/

Youngerman, Jack. “Snow Day.” Art in America (April 2017): 55, illustrated.

2016

“Agnes Martin: Nuance and Variation” (Guggenheim Museum exhibition review). Aesthetica, 17 October 2016. http://www.aestheticamagazine.com/agnes-martin-guggenheim-new-york/

Battaglia, Andy. “’Mystery Is Everything’: John Zorn Makes Music for Agnes Martin.” Art News, 29 November 2016. http://www.artnews.com/2016/11/29/mystery-is-everything-john-zorn-makes-music-for-agnes-martin/

“COS Brings Its Agnes Martin Line to the High Street.” Phaidon, 11 October 2016. http://www.phaidon.com/agenda/design/articles/2016/october/11/cos-brings-its-agnes-martin-line-to-the-high-street/

Cotter, Holland. “The Joy of Reading Between Her Lines” (Guggenheim Museum exhibition review). The New York Times, 7 October 2016: C21, illustrated.

Doran, Anne. “Review: Agnes Martin at the Guggenheim” (exhibition review). Time Out, 1 November 2016. https://www.timeout.com/newyork/blog/review-agnes-martin-at-the-guggenheim-110116

Drohojowska-Philp, Hunter. “Agnes Martin at LACMA” (exhibition review). KCRW, 21 April 2016. http://www.kcrw.com/news-culture/shows/art-talk/agnes-martin-at-lacma

Eckardt, Stephanie. “The Sublime is Hard to See on Your Phone: Agnes Martin and Seven Other Artists Whose Work Must Be Experienced IRL.” W Magazine, 7 November 2016. http://www.wmagazine.com/story/the-sublime-is-hard-to-see-on-your-phone-agnes-martin-and-seven-other-artists-whose-work-must-be-experienced-irl

“Evoking Beauty” (Guggenheim Museum exhibition review). Times of Malta, 18 December 2016. http://www.timesofmalta.com/articles/view/20161218/travel/Evoking-beauty.634253

Feitelberg, Rosemary. “COS, Agnes Martin Foundation Collaborate on Artist-inspired Collection.” Los Angeles Times, 26 September 2016. http://www.latimes.com/fashion/la-ig-fashion-cos-agnes-martin-foundation-20160922-snap-story.html

Gilbert, Laura. “London’s Mayor Gallery Files Lawsuit against Agnes Martin Catalogue Raisonné.” Artintern, 25 October 2016. http://en.artintern.net/index.php/news/main/html/1/5162

Goldman, Edward. “Empty and Disgusting? Doubly Wrong” (Los Angeles County Museum of Art exhibition review). Huffington Post, 24 May 2016. http://www.huffingtonpost.com/edward-goldman/empty-and-disgusting-doub_b_10122636.html

Helmore, Edward. “Agnes Martin Paintings at Center of Wave of Disputes Over Provenance” (Guggenheim Museum exhibition review). The Guardian, 31 October 2016. https://www.theguardian.com/artanddesign/2016/oct/31/agnes-martin-painting-provenance-art-world-market

Horton, Allan. “Survey of Agnes Martin’s Moving, Minimalist Paintings is On View at the Guggenheim” (exhibition review). The Architects Newspaper, 5 January 2017. https://archpaper.com/2017/01/agnes-martin-guggenheim-exhibition/#gallery-0-slide-0

Kaye, Stephen. "Agnes Martin at the Guggenheim" (exhibition review). The Millbrook Independent, 17 November 2016. http://www.themillbrookindependent.com/content/agnes-martin-guggenheim

Keller, Hadley. “Cos Celebrates the Guggenheim’s Latest Show with an Agnes Martin-Inspired Collection.” Architectural Digest, 10 October 2016. http://www.architecturaldigest.com/story/cos-agnes-martin-guggenheim-collection

Kennedy, Patrick. “BWW Review: Agnes Martin, Subtlety on a Grand Scale at the Guggenheim” (exhibition review). Broadway World, 28 November 2016. http://www.broadwayworld.com/article/BWW-Review-AGNES-MARTIN-Subtlety-on-a-Grand-Scale-at-the-Guggenheim-20161128

Knight, Christopher. “Review: Survey of Agnes Martin’s Powerful Yet Meditative Work Draws a Straight, Vibrant Line to Zen” (Los Angeles County Museum of Art exhibition review). Los Angeles Times, 6 May 2016. http://www.latimes.com/entertainment/arts/museums/la-et-cm-agnes-martin-lacma-review-20160430-column.html

Lopate, Phillip. “The Agnes Martin Retrospective” (Guggenheim Museum exhibition review). The American Scholar, 16 December 2016. https://theamericanscholar.org/the-agnes-martin-retrospective/#

Lv, Siqiao. “Chong Xin Fa Xian Agnes Martin” (Tate Modern, LACMA and Guggenheim Museum exhibition review). The Art Newspaper China, no. 42 (October 2016): 20–21, illustrated.

MacAdam, Alfred. “Holding onto Form and Passion: Agnes Martin’s Guggenheim Retrospective Reveals How Her Self-Incarceration Produced a Visual Utopia” (exhibition review). Art News, 25 October 2016. http://www.artnews.com/2016/10/25/holding-onto-form-and-passion-agnes-martins-guggenheim-retrospective-reveals-how-her-self-incarceration-produced-a-visual-utopia/

Maneker, Marion. “Agnes Martin Authentication Lawsuit Shows Systemic Problem.” Art Market Monitor, 25 October 2016. https://www.artmarketmonitor.com/2016/10/25/agnes-martin-authentication-lawsuit-systemic-problem/

Mason, Isabella. "Agnes Martin at Guggenheim Museum, New York" (exhibition review). Artinfo, 14 November 2016. http://www.blouinartinfo.com/news/story/1696148/agnes-martin-at-guggenheim-museum-new-york

Osterweil, Ara. “Fuck You! A Feminist Guide to Surviving the Art World.” Artforum 54, no. 10 (Summer 2016): 320–329, illustrated.

Plagens, Peter. “’Agnes Martin’ Review: The Essentials of a Minimalist Master” (Guggenheim Museum exhibition review). The Wall Street Journal, 19 October 2016. http://www.wsj.com/articles/agnes-martin-review-the-essentials-of-a-minimalist-master-1476912709

Pogrebin, Robin. “Inside Art: All Things Agnes at the Guggenheim.” The New York Times, 14 October 2016: C18, installation view.

Popova, Maria. “35 Odd Jobs Celebrated Painter Agnes Martin Held Before She Became an Artist.” Brain Pickings, 31 October 2016. https://www.brainpickings.org/2016/10/31/agnes-martin-jobs/

Ratcliff, Carter. “The Artificial Infinite: Carter Ratcliff on Agnes Martin, in 1973.” Art News, 11 November 2016. http://www.artnews.com/2016/11/11/the-artificial-infinite-carter-ratcliff-on-agnes-martin-in-1973/

Roberts, John. “Best of 2016: Music—3. Agnes Martin.” Artforum 55, no. 4 (December 2016): 76, illustrated.

Romancito, Rick. “’Agnes Martin Before the Grid’ Set to Premier” (film preview). The Taos News, 16 September 2016. http://www.taosnews.com/entertainment/agnes-martin-before-the-grid-set-to-premier/article_5f0e9568-7a7d-11e6-bb2f-cb3c957230cd.html

Schjeldahl, Peter. “Drawing Lines” (Guggenheim Museum exhibition review). The New Yorker, 17 October 2016. http://www.newyorker.com/magazine/2016/10/17/agnes-martin-a-matter-of-fact-mystic

Schwabsky, Barry. “The Brilliance of Lines” (Guggenheim Museum exhibition review). The Nation, 14 November 2016. https://www.thenation.com/article/lovers-of-line-agnes-martin-and-carmen-herrera/

Teicholz, Tom. “Agnes Martin: Perfection” (Guggenheim Museum exhibition review). Forbes, 22 December 2016. http://www.forbes.com/sites/tomteicholz/2016/12/22/agnes-martin-perfection/#704a13e21dac

Woodman, Donald. “Living with Agnes Martin.” Interview with Emily Mcdermott. Interview, 13 June 2016. http://www.interviewmagazine.com/art/donald-woodman-agenes-martin-and-me/

Woolfe, Zachary. “John Zorn’s Music in the Key of Art.” The New York Times, 30 November 2016: C1, illustrated.

Young, Sarah. “Agnes Martin at the Solomon R. Guggenheim Museum” (exhibition review). The Marymount Manhattan College Monitor, 26 October 2016. http://www.mmcthemonitor.com/2016/10/agnes-martin-at-the-solomon-r-guggenheim-museum/

2015

A. C. “Agnes Martin at Tate Modern: Sublime Simplicity” (exhibition review). Economist, 3 June 2015. http://www.economist.com/blogs/prospero/2015/06/agnes-martin-tate-modern

“Agnes Martin” (Tate Modern exhibition preview). Art in America (August 2015): 23, illustrated.

“Also Worth Seeing: Agnes Martin” (Tate Modern exhibition review). The Mail on Sunday, 21 June 2015.

Atwood, Roger. “Agnes Martin, Tate Modern” (exhibition review). Art News (November 2015): 110, illustrated.

Bengal, Rebecca. “Where in the World of Art Do Agnes Martin’s Visionary Paintings Belong?” (Tate Modern exhibition review). Vogue, 28 July 2015. http://www.vogue.com/13289294/agnes-martin-artist-paintings/

Birnbaum, Daniel. “Best of 2015: 3. Agnes Martin (Tate Modern, London; curated by Frances Morris and Tiffany Bell with Lena Fritsch.)” Artforum 54, no. 4 (December 2015): 228, illustrated.

Campbell-Johnston, Rachel. “American Mistress of the Wide Open Space” (Tate Modern exhibition review). The Times, 10 June 2015: 9, illustrated.

Chodha, Dal. “Agnes Martin: The Art of Joy” (Tate Modern exhibition review). Another Magazine, 26 May 2015. http://www.anothermag.com/art-photography/7443/agnes-martin-the-art-of-joy

Clark, Robert and Skye Sherwin. “Agnes Martin, Albert Adams, Roni Horn: This Week’s New Exhibitions” (Tate Modern exhibition review). The Guardian, 29 May 2015. http://www.theguardian.com/artanddesign/2015/may/29/this-weeks-new-exhibitions

Collings, Matthew. “Great Critics and Their Ideas No. 40: Friedrich Engels on great women artists.” Art Review 67, no. 6 (September 2015): 66–68, illustrated.

Cooke, Rachel. “Agnes Martin Review – Beauty and Steeliness” (Tate Modern exhibition review). The Guardian, 7 June 2015. http://www.theguardian.com/artanddesign/2015/jun/07/agnes-martin-retrospective-review-tate-modern

Coomer, Martin. “Off Grid” (Tate Modern exhibition review). Time Out London, 27 May 2015. http://www.timeout.com/london/art/agnes-martin-a-guide-to-tate-moderns-retrospective

Coutts, Marion. “Agnes Martin and the Great Indoors” (Tate Modern exhibition review). 1843 Magazine, 18 June 2015. https://www.1843magazine.com/blog/marion-coutts/agnes-martin

Darwent, Charles. “Minimal Means Maximum Effect” (Tate Modern exhibition review). Art Quarterly (Summer 2015): 43–7, illustrated.

Dymoke, Alex. “Peach and Quiet in the Tate” (exhibition review). Cityam.com, 5 June 2015: 28, illustrated.

“Exhibition of the Week: Agnes Martin” (Tate Modern exhibition review). The Week, 13 June 2015: 34, illustrated.

Gavin, Holly. “Agnes Martin” (Tate Modern exhibition review). The Brooklyn Rail, 5 October 2015. http://www.brooklynrail.org/2015/10/artseen/agnes-martin-tate

Gibbs, Rose. “2015 Tate Modern Year of the Woman: Agnes Martin” (exhibition review). Huffington Post, 5 June 2015. http://www.huffingtonpost.co.uk/rose-gibbs/2015-tate-modern-agnes-martin_b_7511556.html

Glimcher, Arne. “Arne Glimcher Talks Agnes Martin at the Tate” (exhibition preview). Phaidon, 2 June 2015. http://www.phaidon.com/agenda/art/articles/2015/june/02/arne-glimcher-talks-agnes-martin-at-the-tate/

Glimcher, Arne. “Philosopher, Artist, Pioneer, Recluse” (exhibition preview). Interview with Jack Castle. Christie’s, 2 June 2015. http://www.christies.com/features/Agnes-Martin-Philosopher-artist-pioneer-recluse-6176-1.aspx?PID=newsviews_landing_morefeatures2

Guyatt, Ashton Chandler. “Review of Agnes Martin at Tate Modern, London.” Aesthetica, 4 August 2015. http://www.aestheticamagazine.com/review-of-agnes-martin-at-tate-modern-london/

Herbert, Martin. “Breathing Space” (Tate Modern exhibition review). Apollo (September 2015): 110, illustrated.

Keats, Jonathon. “If You Want to See Agnes Martin’s Sublime Paintings – Now at the Tate – Please Don’t Read This Story” (exhibition review). Forbes, 10 July 2015. http://www.forbes.com/sites/jonathonkeats/2015/07/10/if-you-want-to-see-agnes-martins-sublime-paintings-now-at-the-tate-please-dont-read-this-story/

Kent, Sarah. “Agnes Martin, Tate Modern” (exhibition review). The Arts Desk, 5 June 2015.

Laing, Olivia. “A World Without Objects” (Tate Modern exhibition review). The Guardian, 22 May 2015. https://www.theguardian.com/artanddesign/2015/may/22/agnes-martin-the-artist-mystic-who-disappeared-into-the-desert

Landi, Ann. “Living On and Off the Grid.” Wall Street Journal, 25–26 July 2015: C8.

Lee-Potter, Charlie. “Agnes Martin: A Retrospective” (Tate Modern exhibition review). Cereal (Winter 2015): 122–128.

Luke, Ben. “A Perfect Mix of Power and Poise” (Tate Modern exhibition review). Evening Standard, 3 June 2015.

Marcus, J. S. “Abstract Painter Agnes Martin, on View on Two Continents” (Tate Modern exhibition review). The Wall Street Journal, 29 May 2015. http://www.wsj.com/articles/abstract-painter-agnes-martin-on-view-on-two-continents-1432929081

Martin, Agnes. “Agnes Martin Reflects on Her Work.” The Art Newspaper, 5 June 2015. MP4 audio, 8:33. http://www.theartnewspaper.com/multimedia/video/1/156622/

McCrory, Sarah. “Best of 2015: 4. Agnes Martin (Tate Modern, London; curated by Frances Morris and Tiffany Bell with Lena Fritsch.)” Artforum 54, no. 4 (December 2015): 220, illustrated.

“Minimalism: A Relatively Empty Vessel for Lifestyle Obsessed Non-Art Lovers” (Tate Modern exhibition review). Artlyst, 5, June 2015. http://www.artlyst.com/articles/minimalism-a-relatively-empty-vessel-for-lifestyle-obsessed-nonart-lovers

Muhlfeld, Liza M.E. “Agnes Martin.” Art + Auction (January 2016): 67–69, illustrated.

O’Neill, Desmond. “Exhibition: Agnes Martin: The Fragility of Innocence” (Tate Modern exhibition review) The Lancet 386, 29 August 2015: 846, illustrated.

Pi, Li. “Best of 2015: 6. Agnes Martin (Tate Modern, London; curated by Frances Morris and Tiffany Bell with Lena Fritsch.)” Artforum 54, no. 4 (December 2015): 223, illustrated.

Pilger, Zoe. “The Right Lines” (Tate Modern exhibition review). The Independent, 2 June 2015: 38, illustrated.

Piger, Zoe. “Agnes Martin at Tate Modern: A Zen-like Quest for Beauty” (exhibition review). Independent, 1 June 2015. http://www.independent.co.uk/arts-entertainment/art/features/agnes-martin-at-tate-modern-a-zenlike-quest-for-beauty-10290161.html

Price, Francesca. “A Minimalist in style, but an Expressionist in substance” (Tate Modern exhibition preview). Art Newspaper 24, no. 269 (June 2015): 48, illustrated.

Prince, Mark. “Agnes Martin, Tate Gallery” (exhibition review). Art Monthly, no. 390 (October 2015): 27–28, illustrated.

Princenthal, Nancy. “The Creativity, and Crisis, of the Minimalist Artist Agnes Martin.” WNYC.org, 8 July 2015. Online audio, 14:00. http://www.wnyc.org/story/creativity-and-crisis-minimalist-artist-agnes-martin/?utm_source=/story/the-leonard-lopate-show-2015-07-08/&utm_medium=treatment&utm_campaign=morelikethis

Princenthal, Nancy. “Lines of Thought” (Tate Modern exhibition review). Art in America (November 2015): 126–135, illustrated.

Prodger, Michael. “Review: Agnes Martin’s Paintings Speak of Sadness at Tate Modern” (exhibition review). Artinfo, 4 June 2015. http://www.blouinartinfo.com/news/story/1173472/review-agnes-martins-paintings-speak-of-sadness-at-tate

Sadler, Victoria. “Review: Agnes Martin, Tate Modern ‘Serene and Surprising’” (exhibition review). Huffington Post, 3 June 2015.

Saunders, Matt. “London: Agnes Martin, Tate Modern” (exhibition preview). Artforum 53, no. 9 (May 2015): 194, illustrated.

Searle, Adrian. “Review: Paintings Coloured by a Troubled Life” (Tate Modern exhibition review). The Guardian, 2 June 2015: 5, illustrated.

Schiff, Karen and Rosemarie Castoro. “Square Dance of Joy: Karen Schiff and Rosemarie Castoro on Agnes Martin.” Tate Etc., 34 (Summer 2015): 50–59, illustrated.

Sooke, Alastair. “Beautifully Serene Memories of Troubled States of Mind” (Tate Modern exhibition review). Telegraphy, 1 June 2015.

Sooke, Alastair. “Agnes Martin, Tate Modern, Review: ‘Immaculate.’” Telegraph, 1 June 2015. http://www.telegraph.co.uk/culture/art/art-reviews/11643368/Agnes-Martin-Tate-Modern-review-immaculate.html

Spence, Rachel. “The Quiet American” (Tate Modern exhibition review). Financial Times, 5 June 2015. http://www.ft.com/cms/s/0/22341ab2-091f-11e5-b643-00144feabdc0.html#slide0

Spice, Nicholas. “At Tate Modern” (exhibition review). London Review of Books, 10 September 2015: 18, illustrated.

Wagner, Anne M., Glenn Ligon, Molly Warnock, Matt Saunders, Prudence Peiffer, Jo Baer, Christina Rosenberger, Robert Indiana, Catherine De Zegher, and Dorothea Rockburne. “The Rest is Silence.” Artforum 53, no. 10 (Summer 2015): 274–289, illustrated.

Ward, Ossian. “Clean Lines: Tate Modern Hosts Agnes Martin’s Skillful Art of Essentiality” (exhibition review). Wallpaper*, 3 June 2015. http://www.wallpaper.com/art/clean-lines-tate-modern-hosts-agnes-martins-skilful-art-of-essentiality/8950

Witt, Andrew. “Agnes Martin: Tate Modern” (exhibition review). Artforum, accessed 14 September 2015. http://artforum.com/picks/id=54742

2014

Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere del Ticino, 13 March 2014: 34, illustrated.

Cavna, Michael. “Agnes Martin: To Celebrate the Great Painter, Google Doodle Offers Meditative Muted Beauty.” The Washington Post, 22 March 2014. http://www.washingtonpost.com/news/comic-riffs/wp/2014/03/22/agnes-martin-to-celebrate-the-great-painter-google-doodle-offers-meditative-muted-beauty/?tid=pm_entertainment_pop

Fairley, Gina. “Joyce Hinterding, Agnes Martin and Linda Matalon at NAS” (exhibition review). Visual Arts Hub, 4 March 2014. http://visual.artshub.com.au/news-article/review/visual-arts/joyce-hinterding-agnes-martin-and-linda-matalon-at-nas-198325

Pope, Nessia. “How the Grid Conquered Contemporary Art.” Artspace Magazine, 12 September 2014. http://www.artspace.com/magazine/art_101/how_the_grid_conquered_contemporary_art

Scott, David Clark. “Agnes Martin: She Painted with Her Back to the World.” The Christian Science Monitor, 22 March 2014. http://www.csmonitor.com/The-Culture/Arts/2014/0322/Agnes-Martin-She-painted-with-her-back-to-the-world

Tibbits, Randy. "'Line: Making the Mark' at the MFAH Gives You Something to Figure Out" (exhibition review). Houston Press, 16 December 2014. http://blogs.houstonpress.com/artattack/2014/12/line_making_the_mark_mfah.php

Travers, Andrew. “Agnes Martin Exhibition Leads Three Openings at Aspen Art Museum” (exhibition review). Aspen Times, 28 November 2014. http://www.aspentimes.com/entertainment/13968333-113/museum-art-martin-aspen

2013

Bryan-Wilson, Julia. “Agnes Martin: Paintings, Writings, Remembrances by Arne Glimcher.” Bookforum, April/May 2013, illustrated.

Fiske, Courtney. “Off the Grid” (film review). Artforum, 9 August 2013. http://artforum.com/film/id=42362

Kazakina, Katya. “Top 20 Female Artists Fetch $1.8 Billion; Mitchell Leads.” Bloomberg, 6 August 2013. http://www.bloomberg.com/news/2013-08-06/top-20-female-artists-fetch-1-8-billion-mitchell-leads.html

Marcum, Anna. “Dia Acquires Lannan Foundation Works.” Art in America, 7 May 2013. http://www.artinamericamagazine.com/news-opinion/news/2013-05-07/dia-acquires-lannan-foundation-works-/

Princenthal, Nancy. “With Her Back to the World and Her Face to the Camera.” The Brooklyn Rail, 5 November 2013. http://www.brooklynrail.org/2013/11/criticspage/with-her-back-to-the-world-and-her-face-to-the-camera

Shiff, Karen L. “Slow Reveal,” review of Agnes Martin: Paintings, Writings, Remembrances by Arne Glimcher. Art in America, 101, no. 6 (June/July 2013): 49–52, illustrated.

“Visiting Artists: A Retrospective of Creative Encounters Culled from Our Pages.” W Magazine 48, no. 8 (September 2013): 231, 236, illustrated.

2012

Landi, Ann. “Saved From the Artist’s Fire” (Harwood Museum of Art exhibition review). Wall Street Journal, 14 March 2012: D6, illustrated.

“Taos, New Mexico: Agnes Martin (1912–2004)” (Harwood Museum of Art exhibition review). American Art Review 24, no. 2 (April 2012): 106–107, illustrated.

2011

Bohnacker, Siobhan. “Grey’s Anatomy” (The Pace Gallery exhibition review). Dossier, 19 October 2011. http://dossierjournal.com/blog/events/greys-anatomy/

Heinrich, Will. “’Parallax’ at Lehman Maupin” (exhibition review). The New York Observer, 28 February 2011: 48.

Martin, Agnes. “What is Not Seen: An Interview with Artist Agnes Martin.” Dangerous Minds, 18 September 2011. http://www.dangerousminds.net/comments/an_interview_with_agnes_martin/

Rosenberg, Karen. “Art Review: ‘Grisaille’” (Luxembourg & Dayan exhibition review). New York Times, 22 December 2011. http://www.nytimes.com/2011/12/23/arts/design/grisaille-review.html

Smith, Roberta. “Art Review: A Native Culture’s Reach, Both Visual and Emotional” (Peter Blum Gallery exhibition review). New York Times, 22 December 2011. http://www.nytimes.com/2011/12/23/arts/design/kindred-spirits-at-peter-blum-gallery-in-soho.html

2010

Blake, Robin. “Pencil Lines That Do Not Blur” (Kettle’s Yard review). Financial Times, 1 June 2000, Arts: 13, illustrated.

Wullschlager, Jackie. “Driven to Abstraction (Timothy Taylor Gallery exhibition review). Financial Times, 1–2 May 2010, Life & Arts: Collecting: 14, illustrated.

2009

Knight, Christopher. “Culture Monster: ‘Illumination’ at the Orange County Museum of Art” (exhibition review). latimes.com, 22 June 2009.

Vogel, Carol. “Inside Art: Find Work Online.” New York Times, 2 January 2009: C30.

2008

Cherubini, Nicole. “Top Ten: 2, Agnes Martin” (Harwood Museum of Art exhibition review). Artforum 47, no. 3 (November 2008): 181, illustrated.

Craig, Susanne and Kelly Crow. “Fallen Tycoon to Auction Prized Works.” The Wall Street Journal, 26 September 2008: W1, illustrated.

de la Torre, Mónica. “Agnes Martin: Works on Paper at Peter Blum Gallery, New York” (exhibition review). Art on Paper 12, no. 5 (May/June 2008): 86, illustrated.

Droitcour, Brian. “New York: Agnes Martin, Peter Blum Soho” (exhibition review). Artforum.com, http://www.artforum.com/ (accessed 12 February 2008).

Druckman, Charlotte. “Uncommon Threads.” Art and Auction 31, no. 5 (February 2008): 101–104, illustrated.

“Front Page: Art Camp at the Presidio?” Art in America, no. 2 (February 2008): 29.

“Galleries: Downtown––Agnes Martin at Peter Blum Gallery” (Peter Blum exhibition review). The New Yorker, 3 March 2008: 13.

Klein, Jennie. “Repeat Performances: Seriality and Systems Art Since 1960” (exhibition review). Art Papers, March/April 2008: 65.

Krienke, Mary. “Reviews: International—Agnes Martin” (Thomas Ammann Fine Art exhibition review). Art News 107, no. 11 (December 2008): 132, illustrated.

La Rocca, Ben. “Agnes Martin” (Peter Blum exhibition review). The Brooklyn Rail, March 2008: 40, illustrated.

Sigler, Jeremy. “Agnes Martin’s Homework” (Peter Blum exhibition review). The Brooklyn Rail, March 2008, illustrated.

Velthuis, Olav. “Accounting for Taste.” Artforum (April 2008): 305–309, illustrated.

Wilk, Deborah. Art: Reviews—Agnes Martin” (Peter Blum exhibition review). Time Out New York, 28 February–5 March 2008: 66, illustrated.

2007

“Artistic Opposites Attract At Forum.” Review of Kiki Smith: Squatting the Palace (film) and Agnes Martin: With My Back to the World (film). New York Post, 10 January 2006. http://nypost.com/.

Baas, Jacquelynn and Mary Jane Jacob, eds. Buddha Mind in Contemporary. Berkeley and Los Angeles: University of California Press, 2007: 68, 71, 73.

Beer, Tom. “‘Agnes Martin: With My Back to the World + 'Kiki Smith: Squatting the Palace'” (film review). Time Out New York, 11–17 January 2007: 101.

Budick, Ariella. “Austere, One Chaotic, Their Works Come Together.” Review of Kiki Smith: Squatting the Palace (film) and Agnes Martin: With My Back to the World (film). Newsday, 12 January 2006. http://ww.newsday.com/.

Ebony, David. “Spring Auctions Shatter Records.” Art in America 95, no. 8 (September 2007): 39.

Genzliniger, Neil. “Two Views of Artists, Two Visions of the World.” Review of Kiki Smith: Squatting the Palace (film) and Agnes Martin: With My Back to the World (film). The New York Times, 10 January 2007: E3, illustrated.

Govan, Michael. “Famous in 2112?” Art News 106 (November 2007): 203, discussed.

Keegan, Matt. “Erratic Systems and Irregular Cycles.” Modern Painters (February 2007): 84–89, illustrated.

Kunitz, Daniel. “With Her Back to the Turmoil” (Dia Beacon exhibition review). The New York Sun, 19 April 2007: 24, illustrated.

MacAdam, Barbara A. “Felix Gonzalez–Torres and Agnes Martin” (Andrea Rosen exhibition review). Art News (March 2007): 139–140, illustrated.

McQuaid, Cate. “Delightful Contrast in Artistic Styles.” Boston Globe, 9 May 2007.

Miyasaki, Holly. “Gallery Brings Attention to ‘Famous Unknown’ Artist” (The Art Gallery of the South Okanagan exhibition review). Penticton Western News, 19 September 2007.

Murray, Kathleen. “Film Offers Rare Glimpse into Life of Agnes Martin” Preview of Agnes Martin: With My Back to the World (film). The Poughkeepsie Journal, 5 January 2007.

Musetto, V. A. “Artistic Opposites Attract at Forum.” Review of Kiki Smith: Squatting the Palace (film) and Agnes Martin: With My Back to the World (film). New York Post, 10 January 2007.

Yee, Lydia. “Famous in 2112?” Art News 106 (November 2007): 209.

2006

Avgikos, Jan. “Agnes Martin, PaceWildenstein Gallery” (exhibition review). Artforum (May 2006): 286–287, illustrated.

Cotter, Holland. “A Series of Lines in Pencil, Leading to a Realm of Joy” (Dia:Beacon exhibition review). The New York Times, 25 August 2006: E32, illustrated.

Donovan, Molly. “Interview: Richard Tuttle and the Comfort of the Unknown.” American Art: Smithsonian American Art Museum 20, no. 2 (June 2006): 103–125, illustrated.

Finch, Charlie. “The Carnival Stops for a Gray Day” (Dia Beacon exhibition review). Artnet.com, http://www.artnet.com/ [accessed 21 November 2006].

“Galleries-Uptown” (PaceWildenstein exhibition review). New Yorker, 6 March 2006.

Horse Fly (Taos, New Mexico), 15 August 2006: 1, portrait.

Kunitz, Daniel. “Gallery–Going: Looking Back Without Nostalgia. Agnes Martin: Closing The Circle, Early and Late, PaceWildenstein” (exhibition review). New York Sun, 16 February 2006, Arts and Leisure section: 18, illustrated.

Landi, Ann. “Reviews: New York–Agnes Martin, PaceWildenstein” (exhibition review). Art News 105 (June 2006): 140, illustrated.

“Notes on Agnes Martin.” Bomb Magazine, no. 97 (Fall 2006): 100, illustrated.

Ribas, João. “Arts: Another Record Week?” The New York Sun, 13 November 2006.

Smith, Roberta. “Agnes Martin: Closing the Circle, Early and Late, PaceWildenstein” (exhibition review). The New York Times, 17 February 2006: E40.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89.

Tuttle, Richard. “Interview: Richard Tuttle and the Comfort of the Unknown.” Conversation with Molly Donovan. American Art, (Summer 2006): 103–125, illustrated.

Vogel, Carol. “Art/Architecture” (Dia: Beacon exhibition review). The New York Times, 30 July 2006: AR4, illustrated.

2005

“Agnes Martin: Beginning No. 5.” Drawing Papers 51 (2005).

Amy, Michael. “’3 x Abstraction: New Methods of Drawing–Hilma af Klint, Emma Kunz, Agnes Martin’ at the Drawing Center” (exhibition review). Art On Paper (July/August 2005): 64.

“Art, Galleries Downtown: 3X Abstraction: New Methods of Drawing by Hilma Af Klint, Emma Kunz, and Agnes Martin.” New Yorker, 18 April 2005: 37

“Art: Straight Lines” (exhibition review). New York Sun, 20 April 2005.

Carp, Benjamin. “Footloose: Searching for the Meaning of Art, and Life, with Agnes Martin.” Naples Daily News, 2 November 2005.

Cohen, Rachel. “Beyond the Grid.” Art Review, December 2004/January 2005: 74–77, illustrated.

Corwin, Sharon. “Recent Acquisition: Agnes Martin,Untitled #6, 1994.” Colby College Museum of Art, Spring/Summer 2005: illustrated.

Darwent, Charles. “Slight of Hand. Agnes Martin’s Hermetic Paintings” (Dia:Beacon and Drawing center exhibition review). Modern Painters (July/August 2005): 90–93, illustrated.

Esplund, Lance. “Museums: Minimal Gifts” (Dia: Beacon exhibition review). New York Sun, 21 April 2005: 15, illustrated.

Fyfe, Joe. “Remembering Agnes Martin [1912–2004].” Art on Paper 9, no. 4 (March/April 2005): 18, illustrated.

Goodbody, Bridget L. “Reviews: 3 x Abstraction: New Methods of Drawing” (exhibition review). Time Out New York, 5–11 May 2005: 73.

Harvey, Doug. “Witches of Abstraction” (exhibition review). LA Weekly, 1–7 July 2005.

Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.

Johnson, Ken. “The Modernist Vs. the Mystics” Drawing Center exhibition review. The New York Times, 12 April 2005, The Arts Section: E1, E7, illustrated.

Johnston, Jill. “Agnes Martin: 1912-2004.” Art in America 93, no. 3 (March 2005): 41.

Johnson, Ken. “In Drawing, A Modernist and Mystics.” International Herald Tribune, 16 April 2005.

Mays, John Bentley. “Remembering: Agnes Martin 1912–2004.” Canadian Art 2 (Summer 2005): 104–106, illustrated.

Princenthal, Nancy. “Off the Grid: Louise Bourgeois’s Recent Drawings.” Art US 7 (March/April 2005): 18–21, illustrated.

Saltz, Jerry. “Art: Mystic Rivers” (Drawing Center exhibition review). New York Village Voice, 18–24 May 2005: 83.

Sheets, Hilarie M. “A Sublime Minimalist.” Art News (February 2005): 62, portrait.

Stenskar, Eva. “Abstractions by Hilma af Klint at The Drawing Center.” Nordstjernan (Stockholm) 133, no. 14 (April 7, 2005): 11.

Tabatabai, Hadi. “Winter of 1995: In Memory of Agnes Martin.” Works + Conversations 10 (May 2005): 36–37, illustrated.

“Understanding Agnes Martin.” Art-Talk (February 2005): 24, illustrated.

Vogel, Carol. “Subdued Biennale Forgoes Shock Factor” (exhibition review). The New York Times, 13 June 2005: E1, E7.

Wei, Lilly. “The Eternal Joy of an Attentive.” Art in America, March 2005: 102–107, illustrated.

2004

“Agnes Martin, 92, Leading Abstract Artist Who Lived in N.M. Artists’ Haven.” New York Sun, 17–19 December 2004, Obituaries: 12, illustrated.

“Agnes Martin: Last of the Abstract Expressionists, Whose Pictures Anticipated Many Other Modernist Movements.” Daily Telegraph (London), 18 December 2004: illustrated.

Collins, Tom. “Agnes Martin: 1912–2004, Responding to Beauty and Happiness.” Journal Santa Fe, 18 December 2004, illustrated.

Cotter, Holland. “Agnes Martin, Abstract Painter, Is Dead at 92.” The New York Times, 17 December 2004: Obituaries: C9, illustrated.

“Died. Agnes Martin.” Time, 27 December 2004–January 3, 2005, portrait.

“Galleries-Uptown: Agnes Martin” (PaceWildenstein exhibition review). New Yorker, 31 May 2004: 13.

Garwood, Deborah. “Dia: Beacon Riggio Galleries and PaceWildenstein” (exhibition reviews). artcritical.com (June 2004): http://www.artcritical.com/garwood/DGMartin.htm

Kino, Carol. “Power Grids.” Art and Auction, November 2004: 158, 160, illustrated.

“Postwar Drawings For the Modern.” The New York Times, 14 May 2004.

Rodgers, Timothy Robert. “In Pursuit of Perfection: The Art of Agnes Martin, Maria Martinez and Florence Pierce.” El Palacio 109, no. 4 (Winter 2004): 23–24, illustrated.

Rosenberg, Karen, ed. “Retrospective Return To Form, For Agnes Martin, Past Is Present In Two Shows” (Dia: Beacon and PaceWildenstein exhibition review). New York, 24 May 2004, Art: 138, illustrated.

Schjeldahl, Peter. “Bare Minimal. Views from New York and Los Angeles.” New Yorker, 3 May 2004: 108–109.

Schjeldahl, Peter. “Life Work: Two Shows From Agnes Martin” (PaceWildenstein and Dia: Beacon exhibition review). New York, 7 June 2004: 94–95, illustrated.

Smith, Craig. “Art World Mourns the Death of ‘America’s Most Famous Unknown Artist’.” The New Mexican, 17 December 2004. illustrated.

Smith, Roberta. “Dia’s Wide-Open Spaces Show an Artist as She Found Her Voice.” Dia: Beacon and PaceWildenstein exhibition review. The New York Times, 14 May 2004, Weekend Fine Arts Leisure section: E28, illustrated.

Vogel, Carol. “Inside Art: New Dia Temptations.” The New York Times, 17 May 2004: E34.

Waltemath, Joan. “Agnes Martin ‘…Going forward into Unknown Territory’” (PaceWildenstein and Dia: Beacon exhibition review). The Brooklyn Rail (July 2004), illustrated.

2003

“Back to the Present: Minimalist Works from the Museum’s Collection.” The RISD Museum Member’s Calendar, May/June 2003: [4].

Belcove, Julie. “View Finder: The Age of Agnes.” W, July 2003: 95–103: illustrated.

Cotter, Holland. “Agnes Martin, ‘Five Decades’” (Zwirner and Worth exhibition review). The New York Times, 4 April 2003: E39.

Douglas, Sarah. “Wider Commercial Scene. John Chamberlain: Recent Sculpture, PaceWildenstein (Chelsea); Agnes Martin: Recent Paintings, PaceWildenstein (57th Street).” Art Newspaper (London), February 2003: 4.

Hunter, Linda Mason. “Simple Beauty: Agnes Martin’s Subtle Visions Touch Many.” New Mexico Magazine, November 2003: 32–39, illustrated.

“Galleries–Uptown: Agnes Martin” (Pace Wildenstein exhibition review). The New Yorker, 3 February 2003: 19.

Goff, Robert. “Agnes Martin: In Taos, New Mexico.” Western Interiors and Design Magazine, July/August 2003: 82–87, illustrated.

Kramer, Hilton. “The Dia in Beacon: Vast Ascetic Folly.” New York Observer, 15 September 2003: 1, 20, illustrated.

Loos, Ted. “Top Ten Living Artists.” Town&Country, January 2003: 81.

Morgan, Robert C. “New York Reviews: Agnes Martin PaceWildenstein” (exhibition review). Art News, May 2003: 153, illustrated.

Naves, Mario. “Beauty Made Slender Means Shows Life Distilled, in Focus” (PaceWildenstein exhibition review). The New York Observer, 27 January 2003: 16.

O’Rourke, Meg. “Agnes Martin” (PaceWildenstein and Musée d'Art Moderne exhibition review). Arts Magazine (2003): 70, illustrated.

Patterson, Jody. “Agnes Martin, PaceWildenstein, New York” (exhibition review). Canadian Art (Summer 2003): 86–87, illustrated.

Pollock, Lindsay. “Koons’s ‘Poples’ Topples, But Postwar Sales Remain Strong.” New York Sun, 13 November 2003, Arts & Letters: 15.

Rembert, Virginia Pitts. “Agnes Martin/Paintings and Writings: Essays by Arne Glimcher and Agnes Martin.” Woman’s Art Journal (Spring/Summer 2003): 53.

Rosen, Aliza. “Weekender: Taos, New Mexico. Where World-Class Ski Slopes Vie with a Flourishing Arts Scene for Center Stage.” Travel and Leisure, February 2003: E6.

Ross, Lillian. “Taos Postcard: Lunch with Agnes.” New Yorker, 14 & 21 July 2003: 32–34.

Vogel, Carol. “An Art Collection Grows On a Maryland Farm.” The New York Times, 18 August 2003: E1, E5.

Vogel, Carol. “Contemporary Art Stays Strong for a Second Night.” The New York Times, 13 November 2003, Metro section: B8.

2002

“The Age of Expression. Agnes Martin Proves That Age Is Beauty.” Elle, February 2002: 50.

Alhadeff, Gini. “Una vita messa in riga.” Elle (Italy), October 2002: 263–266: illustrated.

Attiyeh, Jenny. “Leaving Them Speechless.” Art News, June 2002: 33.

Attiyeh, Jenny. “Turning Ninety” (Harwood Museum of Art exhibition review). Horse Fly, 15 April 2002: 20, illustrated.

Collins, Tom. “Both Less and More” (Harwood Museum of Art exhibition review). Albuquerque Journal North, 5 April 2002: 4, 6, illustrated.

Douglas, Sarah. “The Rest of the USA: Agnes Martin: the Nineties and beyond The Menil Collection, Houston.” Art Newspaper (London), What’s On Section, February 2002: 7.

“Preview. Agnes Martin: The Nineties and Beyond. Menil Collection.” Artforum, January 2002: 46.

Prose, Francine. “How Our Critics Spoke. The good, the bad, the splendid, the beautiful, and ‘a negation of everything under the sun and the sun itself.’ ‘The Sound of Silence’: Agnes Martin.” Art News, November 2002: 257.

Randall, Teri Thomson. “Tribute to a Painter’s Painter” (Harwood Museum exhibition review). Pasatiempo, March 22–28, 2002: 18–19, illustrated.

Rothkopf, Scott. “Agnes Martin: The Nineties and Beyond” (Menil Collection exhibition preview). Artforum (January 2002): 46, illustrated.

Shiff, Richard. “‘Agnes Martin: The Nineties and Beyond,’ Menil Collection, Houston” (exhibition review). Art in America (April 2002): 131.

Spranger, Denise M. “Center of Attention” (Harwood Museum exhibition review). Tempo Magazine, 21–27 March 2002: 20–24, illustrated, cover.

Tuttle, Richard. “What Does One Look at in an Agnes Martin Painting? Nine Musings on the Occasion of her Ninetieth Birthday.” American Art 16, no. 3 (2002): 92–95.

Walker, Hollis. “The Mysteries of Lines and Letters. Two Artist, One a Painter And One a Sculptor, Share More Than a Main Street” (Harwood Museum exhibition review). Wall Street Journal, 23 April 2002: Leisure & Arts: D7: illustrated.

2001

“A Shimmering Beauty From Modern Masters (No Oddballs, Please).” The New York Times, 9 February 2001.

“What’s On: Agnes Martin: the Nineties and Beyond. The Menil collection, Houston” (exhibition review). The Art Newspaper (February 2002): 7,

Buck, Louisa. “Louisa Buck’s choice of London contemporary galleries.” Anthony d’Offay Gallery exhibition review. Art Newspaper (London), March 2001.

Cork, Richard. “Richard Cork’s five best London exhibitions.” Times: Play (London), 17 March 2001.

“Creating Perfection: Shaker Objects and Their Affinities.” Sculpture, May 2001: 74.

Eastman, Dale. “The Age of Expression: Agnes Martin Proves That Age Is Beauty.” (Menil Collection exhibition preview). Elle (USA), February 2002: 50.

“Gagosian Gallery, London.” exhibition review. Independent on Sunday (London), 25 March 2001.

Jones, Jonathan. “Agnes Martin” (Anthony d’Offay Gallery exhibition review). Guardian (Manchester), 14 March 2001.

Mason, Brooke S. “New York: Il signor Pace.” Il Giornale Dell’Arte (Turin), 205 (2001): 4–7.

2000

“Agnes Martin.” review Anthony d’Offay Gallery, Guardian (Manchester), 14 March 2000.

Breuvart, Valérie. “Voilà.” Musée D’Art Moderne De La Ville [Paris] review. Artforum, Novermber 2000: 162.

Dannah, Adrian. “Our Choice of New York Contemporary Galleries.” The Art Newspaper 103 (May 2000).

“Galleries-Uptown” (PaceWildenstein exhibition review). The New Yorker, 22 May 2000: 16.

Gardner, James. “‘Love’ Is All Around” (PaceWildenstein exhibition review). New York Post, 29 May 2000: 25.

Johnson, Ken. “Agnes Martin/PaceWildenstein” (exhibition review). The New York Times, 19 May 2000: E34.

Kent, Sarah. “Agnes Martin: Anthony D’Offay West End” (exhibition review). Time Out (London), 21–28 March 2000.

Mason, Brook. “Fair Report: the ADAA Art Show, New York.” Art Newspaper (London), no. 102 (April 2000).

Naves, Mario. “Agnes Martin’s 10 Striped Canvases: Nuanced or Just Not Boring?” New York Observer, 22 May 2000: 14.

Scott, Andrea K. “At the Galleries” (PaceWildenstein exhibition review). Edificerex.com, 17 May 2000.

Shaw, Leslie Ava. “Agnes Martin: PaceWildenstein Gallery.” New York Art World, June/July/August 2000: 17.

van Rhyn, Jacqueline. “A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums.” Harvard University Art Museums Bulletin 7, no. 2 (2000): 93.

Vogel, Carol. “Phillips Tries Again and Now Succeeds.” The New York Times, 19 May 2000: B4. (Martin record at auction)

1999

“Arts Edinburgh: Best of the Fest.” Guardian (London), 4 August 1999: 14.

Beaumont, Susanna. “Agnes Martin and John Mclaughlin.” List (Edinburgh), 2 August 1999: 64.

Benhamou-Hart, Judith. “Werner Kramarsky, le minimalisme en 2000 leçons.” L’Oeil (May 1999): 74, illustrated.

Clark, Robert. “Getting Horizontal.” Guardian/Guide (London), 21 August 1999: 34.

Collins, Tom. “Agnes Martin Reflects on Art & Life.” Taos Geronimo, January 1999: 11, 13–15.

Cumming, Laura. “No Ideas, No Details. He Must Be A Genius.” Observer Review (Edinburgh), 22 August 1999: 7.

Darwent, Charles. “Abstract Paintings that Talk To themselves.” Independent on Sunday (London), August 1999.

Henry, Clare. “United in the Quest for Perfection.” Herald (Edinburgh), 27 August 1999: 22.

“High Five: Agnes Martin and John McLaughlin.” List (Edinburgh), 22 July 1999: 24.

Jeffrey, Moira. “Agnes Martin: New Paintings.” Sunday Herald/Festival Reviews (Edinburgh), 15 August 1999: 13.

Jones, Jonathan. “Best of the Fest” (Inverleith House exhibition review). The Guardian, 4 August 1999: 14.

Mahoney, Elisabeth. “Fine Line Between Them.” Scotland On Sunday (Edinburgh), 22 August 1999: 30.

Midgette, Anne. “Who Are The 10 Best Living Artists? Neuroses and Nostalgia.” Art News (December 1999): 141, illustrated.

“Observer Critics choose the Best Shows of Edinburgh 1999: Art, Classical, Books.” Observer Review/Arts Edinburgh, 1 August 1999: 7.

Prose, Francine. “The Sound of Silence.” Art News, December 1999: 142.

Sutherland, Giles. “Around The Galleries: Agnes Martin and John McLaughlin.” Times (Edinburgh), 8 September 1999: 37.

1998

Cotter, Holland. “Profiles: Agnes Martin.” Art Journal, Fall 1998: 77–80.

Goff, Robert. “Agnes Martin’s Chapel.” Out, December 1998: 42.

Knight, Christopher. “Worth a Pilgrimage.” Los Angeles Times, 12 April 1998: 61–62.

Mitchell, Charles Dee. “A Metaphysics of Simplicity.” Art in America, November 1998: 122–123.

Murdock, Robert M. “Agnes Martin: New Paintings” (exhibition review). Review, 15 April 1998: 27–28.

Naves, Mario. “An Ongoing Viability.” New Criterion, May 1998: 40–42.

Pagel, David. “Enticed Into the Worlds of Robert Irwin, Agnes Martin” (PaceWildenstein exhibition review). Los Angeles Times, 30 October 1998.

1997

Alden, Bill. “85–Year–Old Artist’s Suit Over Works Is Reinstated.” New York Law Journal, 30 October 1997: 1, 7.

“Appellate Division, First Department, Property Law, Artist’s Suit Over Works Is Reinstated.” New York Law Journal, 31 October 1997: 25, 29.

Auping, Michael. “Interview with Agnes Martin.” Transcript 3, no. 2 (1997): 83–86.

Bell, J. Bowyer. “Agnes Martin at PaceWildenstein” (exhibition review). Review Art, 1 February 1997.

Bickers, Patricia. “Last Exit to Venice.” Art Monthly, July–August 1997: 1–5.

Cotter, Holland. “Legendary Painter’s Painter.” International Herald Tribune, 25–26 January 1997: 7.

Cotter, Holland. “Like Her Paintings, Quiet, Unchanging, Revered.” The New York Times, 19 January 1997.

Hayes, David. “Lines in the Desert.” Saturday Night, December 1997: 79–80, 82–84.

Horton, Sarah. “A Taos Triumph: Taoseños Ready the Harwood for Agnes Martin.” Local Flavor, August/September 1997: 44–45.

MacNeil, William. “Museum Reborn.” Wall Street Sunday Journal, 26 October 1997: 1, 6.

“New Agnes Martin Gallery to Highlight Reopening of Harwood Museum.” Taos News/Tempo, 11 September 1997.

“New Agnes Martin Gallery.” Art News, October 1997: 55.

Romancito, Rick. “‘Fabulous’ The Harwood Museum Opens to Thunderous Applause.” Taos News/Tempo, 6 November 1997: C14–16.

Vetrocq, Marcia E. “The 1997 Venice Biennale: A Space Odyssey” (exhibition review). Art in America 85, no. 9, September 1997: 72, illustrated.

1996

Cohen, Joyce. “Inside the Visible.” New Art Examiner, May 1996: 50–51.

Cotter, Holland. “Agnes Martin, ‘New Drawings and Watercolors,’” The New York Times, 19 April 1996: C21.

Giuliano, Charles. “View Finder.” Improper Bostonian, 28 February–12 March 1996: 28.

Hill, Shawn. “Art by Women ‘Visible’ at ICA.” Weekly Tab, 19–25 March 1996.

Hill, Shawn. “Moved Aside by Men.” Bay Windows, 29 February 1996: 26, 30.

Hughes, Robert. “Golden Oldies.” Time, 4 March 1996: 60–62.

Miller, Francine Koslow. “Inside the Visible.” Artforum, May 1996.

Perrott, Jeffrey. “Writing on the Wall.” Stuff Magazine, April 1996: 293, 295.

Simon, Joan. “Perfection is in the Mind: An Interview with Agnes Martin.” Art in America, May 1996: 82–89, 124.

Stapen, Nancy. “ICA exhibit raises profile of women artists.” Boston Globe, 6 February 1996: 51, 56.

Stevens, Mark. “Energy Made Visible.” New York, 19 February 1996: 62–63.

Tomkins, Calvin. “Total Abstraction.” New Yorker, 25 March 1996: 92–95.

1995

Auer, James. “Art museum exhibit embraces pluralism.” Milwaukee Journal Sentinel, 10 September 1995: 1, 12.

Cameron, Dan. “Critical Edge: Kertess’s List.” Art and Auction, February 1995: 58, 60.

Cotter, Holland. "Art in Review: Agnes Martin” (PaceWildenstein exhibition review). The New York Times, 3 March 1995: C21.

"Front Page: Whitney Biennial Preview." Art in America, January 1995.

Gardner, Paul. "Agnes Martin's New Work: Small and Light." Art Newspaper, March 1995: 35.

Gimelson, Deborah. “A Carnegie Blast.” New York Observer, 28 August–4 September 1995: 23.

Johnson, Ken, “Report from New York, Big Top Whitney.” Art in America, June 1995: 39–55

Kaufman, Jason Edward. “‘Furniture’ and architecture invade the art.” Art Newspaper, November 1995: 12.

Kimmelman, Michael. "A Quirky Whitney Biennial." The New York Times, 24 March 1995: C1, C32.

Knight, Christopher. “A Blue–Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53,56.

Kramer, Hilton. “Abolish the Carnegie, That Warhol Hellhole.” NewYork Observer, 20 November 1995: 1, 25.

Landi, Ann. “Lannan Hangs It Up.” Art News, September 1995: 44.

Larson, Kay. "1995 Whitney Biennial." Atelier, July 1995: 8–17.

McFadden, Sarah. “Report from Cologne: Changing of the Guard.” Art in America, February 1995: 51–57.

Napack, Jonathan, “Talk of the trade: SoHo’s New Presence.” Art & Auction, May 1995: 60–64.

Newhall, Edith. “Talent Purely Martin.” New York Magazine, 20 February 1995: 90.

Polsky, Richard. “Ahead of the curve: Buy? Sell? Hold?” Art & Auction, December 1995: 60–64.

Rosenquist, James. “Return to Sender, Remembering Ray Johnson, R.S.V.P.” Artforum, April 1995: 75, 113.

Schwartzman, Allan. “All–Star Casts.” Artforum, November 1995: 23–24.

Slonim, Jeffrey. "In With the Out Crowd." Artforum, March 1995: 12–14.

Stevens, Mark. "A Polite Biennial." New York Magazine, 3 April 1995: 56–57.

“Whitney Museum of Art.” New Yorker, 20–27 February 1995: 37.

1994

Cotter, Holland. "Masterpieces of the Postwar Era." The New York Times, 12 August 1994: C3.

"Les Grandes Dames." RheinArt, no. 85 (2 February 1994).

"Mass MoCA Lives Anew." Art in America, February 1994: 120.

Vogel, Carol. "Inside Art." The New York Times, 23 September 1994.

1993

"1992 In Review: The Museums." Art in America, Annual Guide 93/94, August 1993: 31.

Bogardi, Georges. "Permanent Installations of Contemporary Art: Art Gallery of Ontario." Canadian Art (Toronto), Summer 1993: 68–71.

Bernard, Jonathan. "The Minimalist Aesthetic in the Plastic Arts and in Music." Perspectives of New Music 31, no. 1 (Winter) 1993: 86–133.

Cotter, Holland. "Agnes Martin: All the Way to Heaven." Art in America (April 1993): 88–97, 149.

Cotter, Holland. "Geometry and the Painterly Tradition." The New York Times, 8 January 1993: C22.

Cotter, Holland. "Where City History Was Made, A 50's Group Made Art History." The New York Times, 5 January 1993: C11, C16.

Czöppan, Gabi. "Aufsteiger des Jahres." Focus, no. 27 (5 July 1993): 63–67.

Drolet, Owen. "NY Reviews: Singular Dimensions in Painting." Flash Art (Milan), October 1993: 78–79.

Eisler, Benita. "Life Lines." New Yorker, 25 January 1993: 70–83.

"Goings On About Town." New Yorker, 28 June 1993: 17.

Heartney, Eleanor. "Geometry of the Spirit." Art News, February 1993: 105.

Heartney, Eleanor. "Report from Germany: Berlin Summer." Art in America, October 1993: 43–49.

Hughes, Robert. "The Vew from Piccadilly." Time, 4 October 1993: 78–79.

Kohen, Helen L. "Exhibition is Martin's Masterpiece." Miami Herald, 23 May 1993: 1I.

Kuspit, Donald. " Agnes Martin, Whitney Museum of American Art" (exhibition review). Artforum (March 1993): illustrated.

McFarlin, Patrick. "THE Interview: Laura Carpenter." THE Magazine, March 1993: 9–11.

Muller, Robert–Jan. "Collections: Marlies & Jo Eyck." Galeries (Boulogne), October/November 1993.

Saltz, Jerry. "Let Us Now Praise Artist's Artists." Art & Auction, April 1993: 74–79, 115.

Sandler, Irving. "Agnes Martin Interview." Art Monthly 169 (September 1993): 3–11.

Smith, Roberta. "Art in Review: Coenties Slip." The New York Times, 12 February 1993: C30.

Smith, Roberta. "More to It Than Meets the Eye: A Show of Minimalist Paintings." The New York Times, 3 September 1993: C14.

Tennant, Donna. "In Search of Perfection: The Art and Life of Agnes Martin." Museum and Arts Magazine, September 1993: 28–31.

Wilson, MaLin. "Agnes Martin." THE Magazine (December 1993): 47.

"Ze News." Galeries (Boulogne), February/March 1993: 13.

1992

"Aktuell." Kleine Zeitung, 9 January 1992: 59.

Art Newspaper (London), no. 18 (May 1992): 7.

Bernier, Rosamond. "Drawing the Line." Vogue, November 1992: 304–307, 360.

Cotter, Holland. "Art in Review: Agnes Martin." The New York Times, 3 January 1992.

DeLap, Tony. "An Artists' Forum on Ad Reinhardt." Artspace, January–April 1992: 52–55.

"Die Lehren der Leere." Kleine Zeitung, 7 February 1992: 14.

Eauclaire, Sally. "Who Cares." Art & Antiques, November 1992: 95.

Esterly, Freda. "Agnes Martin Retrospective at the Whitney Museum.” Staten Island Advance, 24 December 1992.

"Goings On About Town: Art." New Yorker, 23 November 1992.

Gutterman, Scott. "Hans Namuth." Atelier, July 1992: 52–58.

Kertess, Klaus. "A Sense of Wonder.” Elle Decor, December 1992/January 1993: 20–24.

Kimmelman, Michael. "Nature's Mystical Poetry, Written in Paint." The New York Times, 15 November 1992: 35.

Kimmelman, Michael. "The Whitney Continues Its Search For Itself." The New York Times, 19 April 1992: Section 2: 1, 33.

Larson, Kay. "Solitary Refinement." New York, 23 November 1992.

Levin, Kim. "Voice Choices: Art." Village Voice, 29 December 1992: 74.

Liebmann, Lisa. "Pure Abstraction." Harper's Bazaar, October 1992: 166–168, 218.

Mays, John Bentley. "Martin Demystified." Canadian Art (Toronto), Fall 1992: 44–49.

Moser, Ulli. "Der Weg zum Glück." Kurier, 9 February 1992: 12.

"Museen." Die Presse Schaufenster, 30 January 1992.

"Museum Preview 1992–93." Art in America, Annual 1992 (August): 24

Peterson, William. "New Mexico: Growing Internationalism." Art News, April 1992: 124.

Rose, Barbara. "French Dealers as Donors." Art & Auction, March 1992: 50–52.

Rose, Barbara. "The Abstract Art Renaissance." Art & Auction, April 1992: 36–40.

Sacharow, Anya, “Spectrum.” Art News, May 1992: 27.

Schjeldahl, Peter. "Agnes Martin Attention!" Interview, November 1992: 58, illustrated.

Schjeldahl, Peter. "Martin Eyes" (Whitney Museum exhibition review). Village Voice, 24 November 1992: 100.

Sotriffer, Kristian. "Die Suche nach Schönheit." Die Press, 16 February 1992.

W. Th. "Bedeutende Ehrung im Namen des Malers Oskar Kokoschka." Salzburger Nachrichten, 9 January 1992.

"'Walden' und die Linie Agnes Martin erhält den Kokoschka–Preis." Der Standard, 9 January 1992.

"Ze News." Galeries (Boulogne), April/May 1992: 15.

1991

“Agnes Martin." Art Position, 18 April 1991.

"Agnes Martin." Kunstmarkt, June 1991.

"Agnes Martin, Schilder–De schilder had ook schrijver kunnen zijn, of filosoof." Vitrine (Amsterdam), no. 2 (1991): 38–39.

"Agnes Martin in het Stedelijk Museum." Uitkrant (Amsterdam), April 1991.

"Ausstellungen im Museum." Wiesbadener Wochenblatt, 23 May 1991.

"Auszeichnung mit langer Vorgeschichte." Wiesbadener Tagblatt, 23 May 1991.

Bloem, Marja. "Agnes Martin: schilderijen en tekeningen 1974–1990." Stedelijk Museum Bulletin, March 1991: 14–19.

Crüwell, Konstanze. "Im Dialog mit dem Namensgeber." Frankfurter Allgemeine Zeitung, 23 May 1991.

"Die Preisträgerin–vom Namensgeber umrahmt." Wiesbadener Kurier, 25–26 May 1991.

Faust, Gretchen. "Reviews: Agnes Martin." Arts Magazine, March 1991: 101.

"Flash Art News: The Netherlands/Amsterdam: Agnes Martin at the Stedelijk." Flash Art (Milan), May/June 1991: 158.

"Freude über das geglückte ‘Doppel.’" Wiesbadener Tagblatt, 25–26 May 1991.

"Goings On About Town: Art." New Yorker, 23 January 1991.

Hierholzer, Michael. "Serien von Linien, Landschaften, Köpfen." Frankfurter Allgemeine Zeitung Sonntagszeitung, 26 May 1991.

Jones, Barbara. "The Uncluttered Eye." New York Woman, February 1991.

Kaneda, Shirley. "Painting and Its Others: In the Realm of the Feminine." Arts Magazine, Summer 1991: 58–64.

Klaster, Jan Bart. "Abstracte variaties op menselijke maat." Kunst (Mainz), 22 April1991: 6.

"Kunst des Innehaltens, des Sichversenkens." Wiesbadener Kurier, 23 May 1991.

Lamoree, Jhim. "Grootse stilte." HP/DE Tijd (Amsterdam), 5 April 1991.

Martin, Agnes. "The Current of the River of Life Moves." Kunst & Museumjournaal (Amsterdam) 2, no. 5 (1991): 23–28.

Melten, Birgitta. "Meditative Versenkung als Gemeinsamkeit." Wiesbadener Tagblatt, 31 May 1991.

"Museum News." Kunst & Museumjournaal (Amsterdam) 2, no. 5 (1991): 59–60.

Pieters, Din. "Haar schoenpunten wijzen naar binnen." NRL Handelsblad (Amsterdam), 29 March 1991.

Princenthal, Nancy. "Agnes Martin L'Oeil Intérieur." Art Press, October 1991: 28–33.

Renner, Claudia. "Schönheit gesucht." Rhein–Zeitung, 29–30 May 1991.

Rubenstein, Meyer Raphael. "Reviews: Agnes Martin–Pace." Art News, March 1991: 134 & 136.

Stephan-Chlustin, Anne. "Die Weite und die Stille subtiler Nuancen in Weiß.” Wiesbadener Kurier, 1–2 June 1991.

Taylor, Paul. "Love Story." Connoisseur (London), August 1991: 46–51, 94–97.

Tegenbosch, Pietje. "Het rastor als venster op een andere wereld." de Volleskrant (Amsterdam), 12 April 1991.

"Traditionelle Häuser an veränderte Aufgaben anpassen." Wiesbadener Kurier, 27 May 1991.

van Eekelen, Yvonne. " Stilte en Storm." Elsevier (Amsterdam), 6 April 1991: 90–91.

Welling, Dolf. "'Schoonheid brengt een boodschap.’" Trouw (Amsterdam), 2 April 1991.

Westfall, Stephen. "Agnes Martin at Pace Downtown." Art in America, May 1991: 169–170.

1990

"Ennis, Michael. "Artistic Revival in Deep Ellum." Architectural Digest, May 1990.

Gleadall, Colin. "First on the Casualty List: Contemporary Art."Journal of Art, December 1990: 66.

Richter, Horst. "Art Cologne '90." Weltkunst, 21 November 1990: 3545–3555.

Smith, Roberta. "The Annotated Calendar." The New York Times, 9 September 1990: H51.

Tully, Judd. "Passed!" Journal of Art, December 1990: 1–2.

Witt, David L. "The Toas Moderns: Agnes Martin." Toas Magazine, July 1990: 8–9.

Zwez, Annelise. "One–Man–Shows sind selten." Schaffhauser Nachrichten, 16 June 1990.

1989

"Abstract artist's works on display." Hudson [Ohio] Hub–Times, 2 August 1989.

"Abstracts at CMA." Baltimore Jewish News, 21 July 1989.

"Agnes Martin: The Current of the River of Life Moves Us." Artspace, November/December 1989.

Brenson, Michael. "Beuys and Warhol still set the tone—even after death." The New York Times, 15 January 1989.

Cotter, Holland. "Agnes Martin at Pace." Art in America, April 1989.

Cullinan, Helen. "Reticent artist expresses herself clearly on canvas." Cleveland Plain Dealer, 30 July 1989: 8H.

Decker, Andrew. "Saatchi Sells." Art and Auction, May 1989.

Giuliano, Charles. "Contemporary art revisits MFA." Boston Patriot Ledger, 18 November 1989.

Kimmelman, Michael. "Agnes Martin." The New York Times, 10 February 1989.

Kuspit, Donald. "Agnes Martin." Artforum, April 1989.

Martin, Agnes. “Agnes Martin: The Current of the River of Life Moves Us.” Artspace (November/December 1989): 36–39, illustrated.

Martin, Agnes. "Beauty is the Mystery of Life." El Palacio, Fall/Winter 1989: 6–23.

Neisser, Judith. "Chicago Clout." Art & Auction, November 1989.

Plagens, Peter. "Under Western Eyes." Art in America, January 1989.

"Samaras, Martin, Judd at MFA." Flash Art News, November/December 1989.

Schjeldahl, Peter. "Agnes Martin." 7 Days Magazine, 8 February 1989.

Sischy, Ingrid. "A Biennial of Our Own; What you won't see at the Whitney." 7 Days Magazine, 3 May 1989.

Smith, Roberta. "Learning to See by Minimalism's Slow Fire." The New York Times, 10 December 1989.

Stapen, Nancy. "MFA curators exhibit their differences, similarities." Boston Herald, 10 November 1989.

Stecker, Raimund. "Bilderstreit; Art since 1960." Journal of Art, June/July 1989.

Taylor, Paul. "Carnegie International." Flash Art (Milan), January/February 1989.

Taylor, Robert. "Judd and Martin yield more than meets the eye." Boston Sunday Globe, 26 November 1989.

Westfall, Stephen. "Agnes Martin." Flash Art (Milan), May/June 1989.

1988

Miller, Donald. "The Carnegie International: best in years." Pittsburgh Post–Gazette, 8 November 1988.

Smith, Roberta. "39 Artists in Carnegie International in Pittsburgh." The New York Times, 7 November 1988.

1987

Grimes, Nancy. "Agnes Martin: Pace." Art News, January 1987: 140.

McEvilley, Thomas. "Grey Geese Descending: The Art of Agnes Martin." Artforum, Summer 1987: 94–99, illustrated.

Zimmer, William. "Review of Agnes Martin/Louise Nevelson: Pace." The New York Times, 26 September 1987.

1986

Brenson, Michael. "Is Neo–Expressionism an Idea Whose Time Has Passed?" The New York Times, 5 January 1986: Section 2: 1 & 12.

Kirk, Mildred. "Different Means to Similar Ends: Rosalie Gascoigne and Agnes Martin." Arts and Australia 23, no. 4 (Winter 1986): pp. 512ff.

Maloon, Terence. "Presence and Absence of Self." Sydney Morning Herald, 21 June 1986.

McDonald, John. "The Star of Stripes." National Times (Sydney), 13 June 1986.

1985

Birmelin, Blair T. "Agnes Martin at Pace." Art in America, May 1985: 177.

"Light." Artforum, January 1985: 42–7.

1984

Lyotard, Jean-Francois. "The Sublime and the Avant-Garde." Artforum 22, 8 (April 1984): 43, illustrated.

"Review." Art in America, Summer 1984.

"Review." The New York Times, 27 January 1984.

1983

Henry, Gerrit. "Agnes Martin." Art News, March 1983: 159.

Poirier, Maurice and Jane Necol. “The ‘60s in Abstract: 13 Statements and an Essay.” Art in America 71 (October 1983): 132, illustrated.

"Who's Who.” Art in America, October 1983: 132.

1982

"Agnes Martin: Peinture et Perfection." La Presse (Montreal), 6 March 1982.

Kuspit, Donald B. "Agnes Martin at Pace." Art in America, January 1982: 139.

Lawrence Sabbath. "Martin." Gazette (Montreal), 13 March 1982: D11.

Lyotard, Jean-Francois. "Presenting the Unpresentable: The Sublime." Artforum 20, 8 (April 1982): 65, illustrated.

Viau, Rene. "Agnes Martin: Leffet Avalance." Le Devoir, 13 March 1982.

1981

Herr, Marcianne. "Agnes Martin: Paintings." Dialogue 3, no. 4 (March/April 1981): 34.

1980

“Agnes Martin: Pace exhibition review,” Art in America, Summer 1980.

Artner, Alan G. "Legendary Agnes Martin Strikes a First for Chicago" (Richard Gray Gallery exhibition review). Chicago Tribune, 5 October 1980: 26–8.

Burckhardt, Marischa. "Begegnung mit Agnes Martin." Du (Zurich), January 1980.

Decker, Andrew. “Saatchi Sells.” Art & Auction, May 1980: 60.

Levin, Kim. "Agnes Martin's Gridlock." Village Voice, 10 December 1980.

Sheperd, Michael. “Art: I’ve Got A Little List” (Wildenstein exhibition review). Sunday Telegraph (London), 29 June 1980.

Spalding, Frances. "Ten American Artists." Arts Review (London), 4 July 1980.

1979

Perreault, John. "Martin–ized; the Zen of Drawing Blanks." Soho Weekly News, 11 October 1979: 42.

Peterson, William. "Agnes Martin: ‘The Islands’." Artspace 3, no. 4 (Summer 1979): 36–41, illustrated.

Rosenthal, Adrienne. "Whispers from Nature." Artweek 10, no. 17 (28 April 1979): .5

1978

Ashbery, John. “Art review: Agnes Martin” (Pace Gallery exhibition review). New York, 17 April 1978: 88.

Bannon, Anthony. "A Slice of American Paintings From the 1970s." Baltimore Evening News, 20 November 1978.

Kramer, Hilton. "A Brave Attempt to Encapsulate a Decade." The New York Times, 17 December 1978: D39 & 55.

Welish, Marjorie. “Agnes Martin at Pace.” Art in America 66, no. 5 (September 1978): 121.

1977

Cavaliere, Barbara. "Group Exhibition." Arts Magazine, October 1977.

Feaver, William. "Review: In Contrast" (Hayward Gallery exhibition review). Observer (London), 6 March 1977.

Frank, Peter. “Agnes Martin” (Pace Gallery exhibition review). Art News, November 1977.

Glueck, Grace. "The 20th-Century Artists Most Admired By Other Artists." Art News, November 1977: 78–103.

Kingsley, April. "Review." Village Voice, 28 September 1977.

McEwen, John. "Review: Just folks" (Hayward Gallery exhibition review). Spectator (London), 12 March 1977.

Mekas, Jonas. “Movie Journal: [review] Gabriel.” Soho Weekly News, 2 June 1977.

Packer William. "Review: Hayward Gallery, New shows." Financial Times (London), 8 March 1977.

Raynor, Vivien. "Review: Pace." The New York Times, 7 October 1977.

Shepherd, Michael. "Review: Eye, aye, I!" (Hayward Gallery exhibition review). Telegraph (London), 6 March 1977.

Vaizey, Marina. “Bright Light In The Desert” (Hayward Gallery exhibition review). Sunday Times London, 6 May 1977.

1976

Brach, Paul. "Pace Gallery and Robert Elkon Gallery; Exhibitions." Artforum, October 1976: 61.

Martin, Agnes. "Everything, everything is about feeling...feeling and recognition." Interview with John Gruen. Art News, September 1976: 91–94.

Hess, Thomas B. "Fresh Air Fiends." New York, 31 May 1976.

Kramer, Hilton. "An Art That's Almost Prayer” (Pace Gallery and Elkon Gallery reviews). The New York Times, May 1976.

"Review." Village Voice, 17 May 1976.

Wiessmann, Julian. "Pace Gallery and Robert Elkon Gallery; Exhibitions." Art News, September 1976: 119.

1975

Gula, Kasha. "New York: Agnes Martin at Pace" Art in America (May/June 1975): 85–86, illustrated.

"Pace Gallery, New York; Exhibition." Art International (Lugano), May 1975: 57.

"Review." Aufbau (Vienna), 14 March 1975.

Russell, John. "Review." The New York Times, 8 March 1975.

Smith, Roberta. "Pace Gallery, New York; Exhibition." Artforum, Summer 1975: 72–3.

Zimmer, William. "Pace Gallery, New York; Exhibition." Arts 49 (May 1975): 18.

1974

Barron, S. "Giving Art History the Slip." Art in America, March 1974: 80–84.

Coke, Van Deren. "Moderns in the Mountains (Modern Painting in Taos: the 40s and 50s)." Art News, May 1974: 51.

"Expositions: Quinze Americains." L'Express (Paris), 7 January 1974.

"Fine Arts Museum, Santa Fe; Exhibition–Perfections of Line." Art News, November 1974: 42.

Gibson, Michael. "Paris." Herald Tribune, 5 January 1974.

Hillerman, Anne. “A Visit With Agnes Martin.” Santa Fe New Mexican, 26 July 1974: 4.

"Kunstraum, München; Kunsthalle, Tubingen Austellungen." Pantheon (Munich) 32 (April 1974): 180.

"La nouvelle tendance de la peinture americaine.” L'Humanite (France), 15 January 1974.

Morris, L. "Strata Paintings, Drawings and Prints at the Royal College of Art Galleries, London." Studio (London) 187 (February 1974): 92.

"Robert Elkon Gallery, New York; Exhibition." Arts, May 1974: 60.

Wilson, Ann. "Agnes Martin; The Essential Form: The Committed Life." Art International (Lugano), December 1974: 50–52.

1973

"Agnes Martin." Artforum, April 1973: 32–37.

Alloway, Lawrence. “Agnes Martin.” Artforum, April 1973: 32–37.

Alloway, Lawrence. "Formlessness Breaking Down Form: The Paintings of Agnes Martin." Studio, February 1973: 61–63.

Borden, Lizzie. "Early Work." Artforum, April 1973: 39–44.

Celant, Germano. "Agnes Martin." Flash Art (Milan), June 1973: 3–5.

Crimp, Douglas. "Agnes Martin: Numero, misura, rapporto." Data 3, no. 10 (Winter 1973): 83.

Crimp, Douglas. “New York Letter” (Institute of Contemporary Art exhibition review). Art International 17, no. 4 (April 1973): 57, illustrated.

Galy-Carles, Henry. "Regard Sur Une Certaine Peinture Americaine." Nouvelles Litteraires, 31 December 1973.

Hillerman, Anne. "A Visit with Agnes Martin." Santa Fe New Mexican, 26 July 1973.

Michel, Jacques. "Les 'abstracteurs' americains." Le Monde (Paris), 14 December 1973.

"Museum of Modern Art, New York; Exhibition." Art News, October 1973: 92.

"Nicolas Wilder Gallery, Los Angeles; Exhibition." Art News, October 1973: 72.

"Nicolas Wilder Gallery, Los Angeles; Exhibition." Studio (London), December 1973: 224.

"Quatorze artistes americains." Nouvel Observateur (Paris), 10 December 1973.

Ratcliff, Carter. "Agnes Martin and the Artificial Infinite." Art News, May 1973: 26–27.

"Reflections." Artforum, April 1973: 38.

Rose, Barbara. "Pioneer Spirit." Vogue, June 1973: 114–115, 157.

Rosenbloom: A. "Group Show at 16 Place Vendome, Paris." Studio (London), September 1973: 64–67.

Schjeldahl, Peter. "Institute of Contemporary Art, Philadelphia; Exhibition." Art in America, May 1973: 110.

"Untroubled Mind...." Flash Art, June 1973: 6–8.

Wilson, Ann. "Untroubled Mind (Oral and Written Statements by Agnes Martin given to and recounted by Ann Wilson)." Studio (London), February 1973: 103–4.

1972

Bishop, James. "Exhibition at Robert Elkon.” Art News, April 1972: 55.

Borden, Lizzie. "Group Drawing Show at Bykert." Artforum, February 1972: 88.

Canaday, John. "Art; Ryman's White on White Oeuvre." The New York Times, 4 March 1972: 23.

"Cosmologies." Artforum, October 1972: 47–50.

Elderfield, John. "Grids." Artforum 10, no.9 (May 1972): 52–59, illustrated.

Kramer, Hilton. "Documenta V; The Bayreuth of the Neo–Dadaists." The New York Times, 9 July 1972, Section 2: 15.

Ratcliff, Carter. "Adversary Spaces." Artforum, October 1972: 40–44.

Twaites, John Anthony. "Kassel–In the Air?" Art and Artists, September 1972: 29.

van der Marck, Jan. "Venice and Kassel: The Old and the New Solicitors." Art in America, November/December 1972: 133.

1971

Linville, Kasha. "Agnes Martin; An Appreciation." Artforum, June 1971: 72–73.

Nochlin, Linda. "Why Have There Been No Great Women Artists." Art News, January 1971: 37.

Ratcliff, Carter. "Exhibition at the School of Visual Arts." Art News, September 1971: 16.

1970

Chandler, John Noel. "Drawing Reconsidered." Artscanada, October 1970: 40.

Henry, Gerrit. "Exhibition at Robert Elkon." Art News, Summer 1970: 64.

Hobhouse, Janet. "Exhibition at Robert Elkon." Arts Magazine, May 1970: 63.

Muller, Gregoire. "After the Ultimate.” Arts Magazine, March 1970: 31.

Plagens, Peter. "Exhibition at Nicolas Wilder." Artforum, April 1970.

Terbell, M. "Exhibition at Nicolas Wilder." Arts Magazine, September 1970: 85.

Young, Joseph E. "Exhibition at Nicolas Wilder." Art International, March 1970: 54.

1969

Canaday, John. "Art; Drawings Touched with Mystery." The New York Times, 10 May 1969: 27.

Mellow, James R. "New York Letter." Art International (Lugano), Summer 1969: 51.

Ratcliff, Carter. "Exhibition at Robert Elkon." Art News, Summer 1969: 18.

1968

Burton, Scott. "A Different Stripe." Art News, February 1968: 55, 36 ff.

Mendelbaum, Elaine. "Insoluble Units, Unity and Difficulty." Art Journal, Spring 1968: 259–260.

Seldis, Henry J. "A Broad but Rare Contemporary View." Los Angeles Times, 17 November 1968: 56.

1967

Dienst, R.G. "Austellungen im New York–Ten (Dwan Galerie)." Kunstwerk (Germany), February 1967: 27–28, 36.

"Homage to the Square." Art in America, July/August 1967: 55.

Lippard, Lucy. "The Silent Art." Art in America, January/February 1967: 61.

Livingston, Jane. "Exhibition at Nicholas Wilder Gallery." Artforum, December 1967: 62.

Michelson, Annette. "Agnes Martin: Recent Paintings" (Robert Elkon Gallery exhibition review). Artforum, January 1967: 46–7.

Perreault, John. "Union Made: Report on a Phenomenon." Arts Magazine, March 1967: 28.

1966

"Agnes Martin." Quadrum 20, 1966: 148–9.

Alloway, Lawrence. "Background to the Systemic." Art News, October 1966: 30–3.

Ashton, Dore. "Systemic Painting at Guggenheim." Arts and Architecture, November 1966: 7.

Benedikt, Michael. "New York Letter." Art International (Lugano), December 1966: 65.

Kozloff, Max. "Art." The Nation, 14 November 1966: 524–5.

Mellow, James R. "New York Letter." Art International (Lugano), November 1966: 60.

Perreault, John. "Exhibition at Robert Elkon." Art News, December 1966: 14.

Pincus-Witten, Robert. "Systemic Painting." Artforum, November 1966: 42–45.

Wilson, Ann. "Linear Webs." Art and Artists (October 1966): 46–49, illustrated.

1965

Berkson, W. "Exhibition at Robert Elkon." Arts Magazine, June 1965: 66.

Frankenstein, Alfred. "Religious Mood in Abstract Art." San Francisco Chronicle, 19 November 1965: 52.

Hess, Thomas B. "You Can Hang It in the Hall." Art News, April 1965: 52.

Johnston, Jill. "Exhibition at Robert Elkon." Art News, April 1965: 10.

Lippard, Lucy. "New York Letter." Art International (Lugano), September 1965: 60.

1964

Judd, Donald. "Exhibition at Robert Elkon." Arts Magazine, January 1964: 33–4.

Rose, Barbara. "New York Letter." Art International (Lugano), January 1964: 53.

1963

Beck, James H. "Exhibition at Robert Elkon." Art News, January 1963: 13.

Judd, Donald. "Exhibition at Robert Elkon." Arts Magazine, February 1963: 48.

Lonngren, Lillian. "Exhibition at Robert Elkon." Art News, December 1963: 52.

Melville Robert. "Three Sorts of Blot." Architectural Review, March 1963: 215.

1962

Jacobs, Rachel. "L'ideologie de la peinture americaine." Aujourd'hui (Paris), June 1962: 18.

1961

Coates, Robert M. "The Art Galleries: Variations on Themes" (Betty Parsons review). New Yorker, 14 October 1961: 202–04, 07.

Edgar, Natalie. "Exhibition at Betty Parsons." Art News, October 1961: 11–12.

1960

Butler, Barbara. “In the Galleries: Agnes Martin” (Section 11 exhibition review). Arts Magazine 34 (January 1960): 50–51.

Burrows, Carlyle. “Diverse Styles in Solo and Group Shows” (exhibition review). New York Herald Tribune, 3 January 1960: 6.

Campbell, Lawrence. "Exhibition at Section 11." Art News, January 1960: 16.

"Exhibition at Section 11." Arts Magazine, January 1960: 50–51.

1959

Ashton, Dore. "Art Drawn from Nature." The New York Times, 29 December 1959: 23

Ventura, Anita. "Exhibition at Section 11." Arts Magazine, January 1959: 59.

1958

Ashton, Dore. "Premiere Exhibition for Agnes Martin." The New York Times, 6 December 1958: 26.

Burckhardt, Edith. "Exhibition at Section 11." Art News, December 1958: 17.

1957

"Institute of Contemporary Art, Philadelphia; Exhibition." Art International (Lugano), April 1957: 57.

Agnes Martin
Books and Catalogues

Agnes Martin Books

2024

Agnes Martin: Moments of Perfection (exhibition catalogue). Texts by Juhee Han, Kimsooja, Kwon Youngjin, Agnes Martin, and Frances Morris. Gangneung, South Korea: Sorol Art Museum, 2024.

Cateforis, David. Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present. New York: Oxford University Press, 2024: 353, illustrated.

2023

American Watercolors, 1880–1990: Into the Light (exhibition catalogue). Texts by Horace D. Ballard, Elisa Germán, Joachim Homann, Penley Knipe, Miriam Stewart, and Richard Tuttle. Cambridge, Massachusetts: Harvard Art Museums, 2023: 140, illustrated.

Delorme, Jean-Baptiste, and Stéphanie Ibars, eds. A Story of Art, Yvon Lambert, a Collection, a Donation, a Venue. Paris: Centre national des arts plastiques; Avignon: Collection Lambert; Paris: Éditions Dilecta, 2023, 145–147: illustrated.

Dziedzic, Erin, ed. Virginia Jaramillo: Principle of Equivalence. Kansas City, Missouri: Kemper Museum of Contemporary Art, 2023: 36, illustrated.

Gheysens, Hélène, and Nicholas-Liucci-Goutnikov, eds. Amis: 120 Years with the Musée National d’Art Moderne. Paris: Éditions du Centre Pompidou, 2023: 131, illustrated.

Icônes (exhibition catalogue). Texts by François Pinault, Bruno Racine, Marie-José Mondzain, Bice Curiger, and Emma Lavigne. Venice: Marsilio Editori: cover, 121, 123, 125–129, 131, illustrated.

Kramer, Sarah, ed. The Art Museum. New York: Phaidon, 2023: 391, illustrated.

Lynch, Elizabeth, Alicia Gregory, and Elisabeth Rochau-Shalem, eds. National Museum of Women in the Arts: Collection Highlights. Munich, Germany: Hirmer Publishers. 2023: 180, illustrated.

Morley, Simon. World of Art: Modern Painting. New York: Thames & Hudson, 2023: 205, illustrated.

Packard, Cassie. Art Rules: How Great Artists Think, Crate, and Work. London: Frances Lincoln, an imprint of The Quatro Group, 2023: 230, illustrated.

Salto nel vuoto: Arte a di là della materia (exhibition catalogue). Edited by Lorenzo Giusti and Domenico Quaranta. Rome: Officina Libraria, 2023: 217, illustrated.

2022

Agnes Martin: Independence of Mind. Text by Steinke Darcey, Martha Tuttle, Jennie C. jones, Jenn Shapland, James Sterling Pitt, Teju Cole, and Bethany Hindmarsh. Santa Fe: Radius Books, 2022, illustrated.

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 191, illustrated.

Lapa, Pedro, ed. Coleção Berardo 1909–2019. Lisbon: Museum Coleção Berardo, 2022: 480, Illustrated.

Morrill, Rebecca, ed. Great Women Painters. London: Phaidon, 2022: 191, illustrated.

Visionary: The Paul G. Allen collection. Part I.. Edited by Annabel Matterson. Text by William Feaver. New York: Christie's, 2022: 164–167, illustrated.

2021

Agnes Martin: The Distillation of Color (exhibition catalogue). Texts by Agnes Martin, Marc Glimcher, Durga Chew-Bose, Olivia Laing and Bruce Hainley. New York: Pace Gallery, 2021.

La Déconniatrie – Art, exil et psychiatrie autour de François Tosquelles (exhibition catalogue). Toulouse: Les Abattoirs, Musée - Frac Occitanie; Barcelone : Arcàdia, 2021, illustrated.

2021 MoMA Appointment Calendar: Women Artist’s from the Collection. New York: The Museum of Modern Art, 2021: July 12–18, illustrated.

Robbins, Christa Noel. Artist as Author: Action and Intent in Late-Modernist American Painting. Chicago: The University Press, 2021.

Women in Abstraction (exhibition catalogue). Edited by Christine Macel and Karolina Ziebinska-Lewandowska. New York: Thames & Hudson, 2021: 257, illustrated.

2020

Berggruen Gallery: 50 Years 1970–2020. San Francisco: Berggruen Gallery, 2020: 202–205, illustrated.

2019

At the Edge of Things: Baer / Corse / Martin (exhibition brochure). Texts by Andria Hickey and Anthony Huberman. London: Pace Gallery, 2019.

Kopp, Edouard, John Elderfield, Richard Shiff, and Terry Winters. Drawing Is Everything: Founding Gifts of the Menil Drawing Institute. New Haven and London: Yale University Press, 2019: 141, illustrated.

Hannelore B. and Rudolph R. Schulhof Collection (exhibition catalogue). Text by Gražina Subelytė. Venice, Italy: Peggy Guggenheim Collection, 2019.

Hollein, Max. Modern and Contemporary Art in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2019: 143, illustrated.

2018

Agnes Martin / Navajo Blankets (exhibition catalogue). Interview with Ann Lane Hedlund and Nancy Princenthal. New York: Pace Gallery, 2018.

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 162–163, illustrated.

An Eccentric View (exhibition catalogue). New York: Mignoni Gallery, 2018: illustrated.

“Agnes Martin: Aus ihren Aufzeichnungen über Kunst.” In Küstlerinnen schreiben: Ausgewählte Beiträge zur Kunsttheorie aus drei Jahrhunderten. Edited by Renate Kroll and Susanne Gramatzki. Berlin: Dietrich Reimer Verlag GmbH, 2018: 183–187, illustrated.

Ashton, Dore. “Dore Ashton on Agnes Martin.” In Fifty Years of Great Art Writing. London: Hayward Gallery Publishing, 2018: 53–61, illustrated.

Fritsch, Lena. “’Wenn ich an Kunst denke, denke ich an Schönheit’ – Agnes Martins Schriften.” In Küstlerinnen schreiben: Ausgewählte Beiträge zur Kunsttheorie aus drei Jahrhunderten. Edited by Renate Kroll and Susanne Gramatzki. Berlin: Dietrich Reimer Verlag GmbH, 2018: 188–197.

Guerin, Frances. The Truth is Always Grey: A History of Modernist Painting. Minneapolis and London: University of Minnesota Press, 2018: plate 8, 9, illustrated.

Intimate Infinite: Imagine a Journey (exhibition catalogue). New York: Lévy Gorvy, 2018: 100–101, illustrated.

Martin, Henry. Agnes Martin: Pioneer, Painter, Icon. Tucson, Arizona: Schaffner Press, 2018.

Martin, Agnes. “Agnes Martin: Old School.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico Books·Prestel, 2018: 44–45, illustrated.

Martin, Agnes. “Agnes Martin: One Nice Wall.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico Books·Prestel, 2018: 234–235, illustrated.

Morris, Frances. “In Conversation with Frances Morris, Director Tate Modern, London on the painting Untitled, 2004 by Agnes Martin.” In Let’s Talk Abstract. Edited by Carolin Scharpff-Striebich. Berlin: Distanz Verglag GmbH, 2018: 166–175, illustrated.

Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 103, illustrated.

2017

The Art Museum. London: Phaidon, 2017: 391, illustrated.

Agnes Martin: Paintings. Edited by Tiffany Bell. [New York]: Artifex Press, 2017. https://www.cahiersdartinstitute.org/catalogues/agnes-martin

Barrett, Terry. Why Is That Art? Aesthetics and Criticism of Contemporary Art. Third edition. New York and Oxford, United Kingdom: Oxford University Press, 2017: no.15, 131–136, illustrated.

“To Colour Well”: Viewing the Caplan Collection. Edited by Virginia M. G. Anderson. Baltimore, Maryland: Constance R. Caplan, 2017: 74, illustrated.

De Chassey, Éric. L’abstraction avec ou sans raisons. Éditions Gallimard, 2017: 45, illustrated.

Martin, Agnes. “Beauty Is the Mystery of Life.” In Permanent Collection. Summer 2017: Your Happiness. Aspen, Colorado: Aspen Art Museum, 2017: 22–27, illustrated.

Minimalism & Beyond (exhibition catalogue). New York: Mnuchin Gallery, 2017: 66–67, illustrated.

2016

Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 102, illustrated.

Crimp, Douglas. Before Pictures. New York and Chicago: Dancing Foxes Press; The University of Chicago Press, 2016: 50, 54, 61, 64, 70, 71, illustrated.

Drawing Then: Innovation and Influence in American Drawings of the Sixties (exhibition catalogue). New York: Dominique Lévy, 2016: 95, 105, illustrated.

The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 43–7, illustrated.

Hudson, Suzanne. Agnes Martin: Night Sea. Cambridge, Massachusetts and London: Afterall Books, 2016.

Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 61, pp. 167, illustrated.

Müller-Schareck, Maria and Mona Schieren ed. Response to Agnes Martin. Documentation. Hamburg: bei den Autorinnen und Autoren und Textem-Verlag, 2016.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli, 2016: 141, 149, 157, 209, illustrated.

Rosenberger, Christina Bryan. Drawing the Line: The Early Work of Agnes Martin. Oakland, California: University of California Press, 2016.

Schieren, Mona. Agnes Martin: Transcultural Translation: On the Construction of Asianistic Aesthetics in Post-war American Art. München: Silke Schreiber Verlag, 2016.

Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 250, illustrated.

Works on Paper from the Collection of the Sheldon Museum of Art. Edited by Brandon K. Ruud and Gregory Nosan. Lincoln and London: University of Nebraska Press, 2016: 244–245, illustrated.

2015

Agnes Martin (exhibition catalogue). Texts by Frances Morris, Tiffany Bell, Marion Ackermann, et al. London: Tate Publishing, 2015.

Agnes Martin & Richard Tuttle: Religion of Love. New York; New Mexico; Köln: Estate of Agnes Martin; Richard Tuttle; Walther König, 2015.

American Icons: Master Works from the SFMoMA and the Fisher Collection (exhibition catalogue). Text by Sarah Roberts. Paris: Galeries nationales du Grand Palais, 2015: 122–129, illustrated.

Artist Rooms: The First Five Years. London: Tate, 2015: 60–61, illustrated.

Carl Andre In His Time (exhibition catalogue). New York: Mnuchin Gallery, 2015: illustrated.

Falconer, Morgan. Painting Beyond Pollock. London: Phaidon Press Limited, 2015: 130, 189–90; 188, illustrated.

Marks Made: Prints by American Women Artists from the 1960s to the Present (exhibition catalogue). Texts by Susan Tallman and Erika Greenberg-Schneider. St. Petersburg: Museum of Fine Arts, 2015: 88–89, illustrated.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 255, illustrated.

Objects and Bodies at Rest and in Motion (exhibition catalogue). Stockholm and Malmö: Moderna Museet, 2015: 20, fig. 12.

Princenthal, Nancy. Agnes Martin: Her Life and Art. New York: Thames & Hudson, 2015.

Wolin, Joseph R., ed. Open This End: Contemporary Art from the Collection of Blake Byrne (exhibition catalogue). Los Angeles: The Skylark Foundation, 2015: 51, plate 32.

Woodman, Donald. Agnes Martin and Me. New York: Lyon Artbooks, 2015.

2014

A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Texts by Gwen Allen, David Cateforis and Evelyn C. Hankins, etc. Stanford, California; New York: The Anderson Collection at Stanford University, 2014: 198, illustrated.

Bucksbaum, Melva. The Distaff Side. Sharon, Connecticut: The Granary, 2014.

Cooper, Harry. Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection (exhibition catalogue). Washington, D.C. and San Francisco: National Gallery of Art; Fine Arts Museums of San Francisco, 2014: 92–3, illustrated.

The Distaff Side (exhibition catalogue). Texts by Ryan Frank, Caitlin Smith, Joan Simon, et al. Sharon, Connecticut: The Granary, 2014: 14, illustrated.

25 Years of Andrea Rosen Gallery Volume 9: Felix Gonzales-Torres and Joseph Kosuth, and Roni Horn, and Agnes Martin, and Robert Gober (exhibition catalogue). New York: Andrea Rosen Gallery, 2014: 74–91, illustrated.

Love Story – The Anne & Wolfgang Titze Collection (exhibition catalogue). Vienna: Verlag für modern Kunst Nürnberg, 2014: 192–3, illustrated.

Sleeping Beauty (exhibition catalogue). Texts by Kaori Fujino and Naoko Sumi. Hiroshima, Japan: Hiroshima City Museum of Contemporary Art, 2014: 40, illustrated.

Stout, Katharine. Contemporary Drawing: From the 1960s to Now. London: Tate Publishing, 2014: 21, illustrated.

Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press, 2014: 183, illustrated.

2013

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 154, illustrated.

Davant l'horitzó (exhibition catalogue). Barcelona: Fundació Joan Miró, 2013: 82, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 240, 241, illustrated.

De Zegher, Catherine. Women’s Work. Is Never Done. New York: Asamer, 2013.

Haskell, Barbara, ed. Robert Indiana: Beyond Love (exhibition catalogue). New York: The Whitney Museum of American Art, 2003: 23, illustrated.

Kansai Collections (exhibition catalogue). Osaka: The Asahi Shimbun, 2013: 128–9, illustrated.

The Nature of Women: Anne Appleby, Marischa Burckhardt, Lisa Corinne Davis, Sylvia Heider, Agnes Martin Aurelie Nemours (exhibition catalogue). London: Mayor Gallery, 2013: 21, 28, illustrated.

2012

Agnes Martin: Before the Grid (exhibition catalogue). Text by Richard Tobin. Taos, New Mexico: Harwood Museum of Art, 2012.

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 355, illustrated.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 382, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 20, 173 illustrated.

Glimcher, Arne. Agnes Martin: Paintings, Writings, Remembrances. London and New York: Phaidon Press Inc., 2012.

Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). Köln: Wienand Verlag, 2012: illustrated.

McLean-Ferris, Laura. “Monograph: Agnes Martin.” Review of Agnes Martin, edited by Lynne Cooke, Karen Kelly and Barbara Schröder. Art Review, 57 (March 2012): 143.

Robert Indiana: New Perspectives. Texts by Thomas Crow, Jonathan D. Katz, Kalliopi Minioudaki and Allison Unruh. Ostfildern, Germany: Hatje Cantz, 2012: 258–259, illustrated.

Soppelsa, Walter, ed. A Selection from the Daros Collection. Text by Jean-Christophe Ammann. Zurich: Daros Services AG, 2012: plates 71–75, illustrated.

Surface/Infinity: Vija Celmins, Brice Marden, Agnes Martin (exhibition catalogue). Text by Deanna Petherbridge. New York: Craig F. Starr Gallery, 2012: illustrated.

2011

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 176, illustrated.

Anne Truitt (exhibition catalogue). London: Stephen Friedman Gallery, 2011:12 (fig. 5), illustrated.

Cooke, Lynne, Karen Kelley, and Barbara Schröder, eds. Agnes Martin. New York and New Haven: Dia Art Foundation; Yale University Press, 2011.

Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery. Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, 2011: illustrated.

Farrell, Jennifer, ed. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Texts by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr and Judith Tannenbaum. New Haven, Connecticut: Yale University Art Gallery, 2011: 274–277, illustrated.

Highlights on Paper 2011. Munich: Galerie Thomas Modern, 2011: 52, illustrated.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Köln: Taschen, 2011: 516, illustrated.

Kertess, Klaus. Seen, Written: Selected Essays. New York: Gregory R. Miller and Co., 2011: 8, 37, illustrated.

Kindred Spirits: Native American Influences on 20th Century Art (exhibition catalogue). Text by Carter Ratcliff and Paul Chaat Smith. New York: Peter Blum Edition, 2011: illustrated.

Legacy: The Emily Fisher Landau Collection (exhibition catalogue). Texts by Donna de Salvo and Joseph Giovannini. New York: Whitney Museum of American Art, 2011: illustrated.

Malevich and the American Legacy (exhibition catalogue). Text by Magdalena Dabrowkski, Yve-Alain Bois, and Aleksandra Shatskikh. New York: Gagosian Gallery, 2011.

Rondeau, James. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: The Art Institute of Chicago, 2011: 98–101, illustrated.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber; interview by Lisa Jacobs. New York: the Solomon R. Guggenheim Foundation, 2011: 115, 148, illustrated.

Staff, Craig G. Modernist Painting and Materiality. London: McFarland & Company Inc., Publishers, 2011: 127, illustrated.

Structure & Absence (exhibition catalogue). Texts by Craig Burnett, Dario Gamboni and Jerry Saltz. London: White Cube, 2011.

Theis, Pia M. Die Sammlung der Österreichhischen Ludwig-Stuftung 1981–2011. Petersberg: Michael Imhof Verlag, 2011: 260, 261, illustrated.

2010

Butler, Cornelia and Alexandra Schwartz, eds. Modern Women. New York: Museum of Modern Art, 2010: 242–245, illustrated.

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Text by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 72, illustrated.

Katz, Jonathan D. and David C. Ward. Hide/Seek: Difference and Desire in American Portraiture (exhibition catalogue). Washington, D.C.: Smithsonian Institution, 2010: 145, plate 36, illustrated.

Kertess, Klaus. “Agnes Martin: Geometry of Joy.” In Seen, Written: Selected Essays. New York: Gregory R. Miller & Co., 2010: 35–38.

Meyer, James, ed. Minimalism. London: Phaidon Press Ltd., 2010: illustrated.

Morineau, Camille. Artistes Femmes de 1905 à nos jours. Paris: Centre Pompidou, 2010: 73, illustrated.

On-Line: Drawing through the Twentieth Century (exhibition catalogue). Texts by Catherine de Zegher and Cornelia H. Butler. New York: Museum of Modern Art, 2010: 82, 84, illustrated.

United States Embassy London: Art in Embassies Exhibition. Washington, D.C.: Art in Embassies Program, 2010: 4, installation view; 22, illustrated.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 328–9, illustrated.

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection (exhibition catalogue). Text by Christian Rattemeyer and Cornelia Butler New York: The Museum of Modern Art, 2009: 76, illustrated.

Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2009: 55, no. 29, and 101, no. 86, illustrated.

Elles@centrepompidou (exhibition catalogue). Texts by Camille Morineau, Cécile Debray, Quentin Bajac, et al. Paris: Musée national d’art moderne, Centre Georges Pompidou, 2009: 140, 226, illustrated.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

Illumination: The Paintings of Georgia O’Keeffe, Agnes Pelton, Agnes Martin, and Florence Pierce (exhibition catalogue). Text by Karen Moss, Sharyn Udall, Michael Zakin, and Timothy Rodgers. Newport Beach, California and London: Orange County Museum of Art and Merrell, 2009: illustrated.

Just What Is It…(exhibition catalogue). Germany: ZKM | Museum für Neue Kunst, 2009.

Kennedy, Brian P. and Emily Schubert Burke, eds. Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2009: 172, illustrated.

Marzio, Peter C. Director’s Choice: Masterpieces from the Museum of Fine of Arts, Houston. Texas: The Museum of Fine Arts, Houston, 2009: 182–183, illustrated.

Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009: 356–357, illustrated.

New York, New Drawings 1946–2007 (exhibition catalogue). Texts by Elizabeth Finch and William Corbett. Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2009: 181, 184, illustrated.

Qui a peur des Artistes? Une Sélection d’Oeuvres de la François Pinault Foundation (exhibition catalogue). Paris: Skira Flammarion, 2009: illustrated.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 186, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009.

The Robert and Jane Meyerhoff Collection: Selected Works (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2009.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 14, 249, illustrated.

The Third Mind: American Artists Contemplate Asia, 1860–1989 (exhibition catalogue). New York: Guggenheim Museum Publications, 2009:310–11, 413, illustrated.

2008

Agnes Martin (exhibition catalogue). Text by Olivier Berggruen. Zurich: Thomas Ammann Fine Art AG, 2008.

Barrett, Terry. Why Is That Art? Aesthetics and Criticism of Contemporary Art. New York: Oxford University Press, 2008: 119–124.

Brice Marden: Jawlensky-Awardee—A Retrospective of Prints (exhibition catalogue). Texts by Roland Koch, Dr. Helmut Muller, Stephan Ziegler et al. Wiesbaden: Museum Wiesbaden, 2008: 22, 28, illustrated.

Celant, Germano. “Agnes Martin’s Secret.” In The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 149–153, illustrated.

Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 13, 116–117, illustrated and discussed.

Elkins, James. Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980–2000. Stanford, California: Stanford University Press, 2008

Frei, Georg, ed. Abstract Vision (exhibition catalogue). Zurich, Switzerland: Thomas Ammann Fine Art, 2008: nos. 3 and 5, illustrated.

Glenstone: The Inaugural Exhibition (exhibition catalogue). Texts by Stephanie Rachum and Yve-Alain Bois. Potomac, Maryland: Glenstone Foundation, 2008.

Heartney, Elanor. Art and Today. London: Phaidon, 2008: 84, 88; pl. 87.

Hogan, Erin. Spiral Jetta: A Road Trip through the Land Art of the American West. Chicago: University of Chicago Press, 2008: 4–5.

The History Book: On Moderna Museet 1958–2008. Germany: Steidl, 2008.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York (exhibition catalogue). Texts by Glenn D. Lowry, João Fernandes, Volker Rattemeyer and Christian Rattemeyer. Wiesbaden and Porto: Museum Wiesbaden; Museu de Arte Contemporânea de Serralves, 2008: 147, illustrated.

New York Cool: Painting and Sculpture from the NYU Art Collection (exhibition catalogue). Text by Pepe Karmel. New York: Grey Art Gallery, New York University, 2008: 179, illustrated.

Notation: Kalkül und Form in den Künsten (exhibition catalogue). Berlin: Akademie der Künste, 2008.

Schjeldahl, Peter. Ábstract Meridian: Agnes Martin.” In Let’s See: Writing on Art from the New Yorker. New York: Thames & Hudson, 2008: 178–180.

Schryen, Annette. Das Schweigen der Bilder. Zur Rezeption von Agnes Martin. Masters thesis, Technische Univeristät Berlin, Fachgebiet Kunstgeschichte, 2008.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 233, illustrated.

Selections from the Frances and John Bowes Collection. San Francisco: California College of the Arts MA Program in Curatorial Practice, 2008: 64–67, illustrated.

Speaking of Art: Selections from the Archives of American Art Oral History Collection, 1958–2008. Washington, D.C. and Falls Village, Connecticut: Archives of American Art, Smithsonian Institution; Winterhouse Editions, 2008: 106–111, illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

2007

Auping, Michael. 30 Years: Interviews and Outtakes. Fort Worth, Texas: Modern Art Museum of Fort Worth, 2007: 219–244.

Bonshek, Anna J., Corrina Bonshek and Lee C Fergusson. The Big Fish: Consciousness as Structure, Body and Space. Text by Agnes Martin. Amsterdam; New York: Rodopi, 2007.

Chadwick, Whitney. Women, Art, and Society. Thames and Hudson World of Art. London: Thames & Hudson, 2007: 331, 332; no. 200, illustrated.

einfach sehen, Kunsthalle Weishaupt, Ulm: Germany, 2007.

Homage to [a] Life: Agnes Martin’s Paintings, 1990–2004 (exhibition brochure). Text by Lynne Cooke. New York: Dia Art Foundation, 2007.

Milwaukee Art Museum: Friends of Art Celebrating 50 Years. Milwaukee: Petullo Publishing, 2007: 69, illustrated.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 90–101, 365–366, illustrated.

Optic Nerve: Perceptual Art of the 1960s (exhibition catalogue). Text by Joe Houston. Columbus, Ohio: Columbus Museum of Art, 2007: 102–103, illustrated.

Sandler, Irving. Interview with Agnes Martin. In Talking Art: Interviews with Artists since 1976. Patricia Bickers and Andrew Wilson, ed. London: Ridinghouse, 2007: 422–429.

Schmidt, Petra, ed. Patterns in Design, Art, and Architecture. Basel: Birkhäuser, 2007: 190–191, illustrated; 329–330.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 290, plate 276, illustrated.

Sublime Convergence: Gothic to the Abstract (exhibition catalogue). New York: Richard L. Feigen & Co., 2007: illustrated.

The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka (exhibition catalogue). Osaka: National Museum of Art, 2007: 108–109, illustrated.

Weishaupt, Siegfried, ed. Kunsthalle Weishaupt: einfach sehen (exhibition catalogue). Germany: Ulm, 2007.

2006

A. Martin: Closing the Circle: Early and Late (exhibition brochure) New York: PaceWildenstein, 2006.

Art Metropole: The Top 100 (exhibition catalogue). Ottawa: National Gallery of Canada, 2006.

Bell, Robert and James Mann. Mildred Tolbert (exhibition catalogue). Santa Fe: Bell Tower Editions, 2006: 103, (portrait) illustrated.

Celant, Germano, ed. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 316–317, illustrated.

Crimp, Douglas. “Back to the Trumoil.” In Das achte Feld: Geschlechter, Leben und Begehren in der Kunst seit 1960/The Eighth Square: Gender, Life and Desire in the Arts since 1960. Julia Friedrich, Kasper König, and Frank Wagner, ed. Ostfildern-Ruit, Germany: Hatje Cantz, 2006: 141–148.

Dublin City Gallery The Hugh Lane. Edited by Margarita Cappock. London: Merrell; Dublin City Council, 2006: 13; 76, illustrated.

Elemental Form (exhibition catalogue). Text by Robert Storr. New York: L & M Arts, 2006: 24–27, 68–71, illustrated.

Fer, Briony. “Drawing Drawing” Agnes Martin’s Infinity.” In Women Artistsat the Millennium. Carol Armstrong and Catherine de Zegher, ed. Cambridge, Massachusetts: MIT Press, 2006: 169–187.

A Field of Vision: Agnes Martin’s Paintings from the 1980s (exhibition brochure). Text by Lynne Cooke. Beacon, New York: Dia Art Foundation, 2006.

Gego, Between Transparency and the Invisible (exhibition catalogue). Texts by Mari Carmen Ramírez, Catherine de Zegher, Robert Storr and Josefina Manrique. Houston and Buenos Aires: The Museum of Fine Arts; Fundación Deuardo F. Costantini, 2006: 68–70.

Johnson, Scott. The Big Idea. Criticality and Practice in Contemporary Architecture. Glendale, California: Balcony Media, 2006: 114, illustrated.

Morris, Frances, ed. Tate Modern: The Handbook. London: Tate Publishing, 2006: 167, illustrated.

Nothing and Everything (exhibition catalogue). San Francisco: Fraenkel Gallery, 2006: no. 33, illustrated.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur (exhibition catalogue). Düsseldorf: Richter Verlag, 2006: 45, 46, illustrated.

The Skowhegan School of Painting and Sculpture: 60 Years (exhibition catalogue). Texts by David C. Driskell and Willard W. Cummings. Waterville, Maine: Colby College Museum of Art, 2006: 53, illustrated.

Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock. Washington, D.C.: Board of Trustees, National Gallery of Art, 2006: 241–242, 267.

Where Are We Going? Selections from the François Pinault Collection (exhibition catalogue). Milan: Skira editore S.p.A., 2006: 152–159, illustrated; 154–155, discussed.

2005

Baas, Jacquelynn. Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today. Berkeley: University of California Press, 2005: 213–219.

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 376–377.

Fischer, Peter. “Agnes Martin–Memory of Perfection.” In A Kind of Magic: The Art of Transforming (exhibition catalogue). Lucerne, Switzerland: Kunstmuseum Luzern, 2005: 120–129.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Green, Denise. Metonymy in Contemporary Art: A New Paradigm. Minneapolis University Press, 2005: 23, illustrated; 90.

50 Jahre / Years of Documenta 1955–2005 (exhibition catalogue). Vol. 1, Descreet Energies. Göttingen, Germany: Steidl, 2005: 104–105, illustrated.

High Museum of Art: Selected Works from the Collection. Atlanta: High Museum of Art, 2005: 144, illustrated.

Huitorel, Jean-Marc. “Agnes Martin. 1912–2004.” In Universalia. Paris: Encyclopaedia Univrsalis France, 2005: 459, portrait.

Imageless Icons: Abstract Thoughts (exhibition catalogue). London: Gagosian Gallery, 2005.

MacAdam, Barbara J. Mark of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art (exhibition catalogue). Hanover: Hood Museum of Art, Dartmouth College; New York: Hudson Hills Press, 2005.

Newmann, Dana. New Mexico Artists at Work. Santa Fe, New Mexico: Museum of New Mexico Press, 2005: 93–95.

The Perception of the Horizontal (exhibition catalogue). Cologne: Walter König, 2005: 54–55, illustrated.

Perl, Jed. New Art City. New York: Knopf, 2005: 36, 50, 329.

Prettejohn, Elizabeth. Beauty and Art, 1750–2000. Oxford: Oxford University Press, 2005: 302–203: 204, illustrated.

Ṣalmônā, Yig'āl, ed. The Beauty of Sanctity: Masterworks from Every Age (exhibition catalogue). Jerusalem: The Israel Museum, 2005.

3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin (exhibition catalogue). New York: The Drawing Center, 2005.

To the Islands: Agnes Martin’s Paintings, 1974–79 (exhibition brochure). Text by Lynne Cooke. New York: Dia Art Foundation, 2005.

“…unknown territory…”: Agnes Martin’s Paintings from the 1960s (exhibition brochure). Text by Lynne Cooke. New York: Dia Art Foundation, 2005.

Women’s Caucus for Art: 2005 National Lifetime Achievement Awards. N.p.: Women’s Caucus for Art, 2005.

2004

Agnes Martin: On and Off the Grid (exhibition brochure). Text by Anna Chave. Ann Arbor, Michigan: The University of Michigan Museum of Art, 2003.

Agnes Martin: The Islands (exhibition catalogue). Düsseldorf: Richter Verlag, 2004.

Art in Embassies Program: 40th Anniversary. Text by Andrew Solomon. Washington, D.C.: Art in Embassies Program, U.S. Department of State, 2004: 43, illustrated.

Baas, Jacquelynn and Mary Jane Jacob, eds. Buddha Mind in Contemporary. Berkeley and Los Angeles: University of California Press, 2004: 68, 71, 73.

Beyond Geometry: Experiments in Form, 1940s–70s. Cambridge, Massachusetts: MIT Press, 2004: 43, illustrated; 220.

Binkiewicz, Donna. Federalizing the Muse: United States Arts Policy and the National Endowment for the Arts, 1965–1980. Chapel Hill, North Carolina: University of North Carolina Press, 2004: 124.

Cooke, Lynne and Michael Govan. Dia: Beacon. New York: Dia Art Foundation, 2004: 206, 208–215.

Cranbrook Art Museum: 100 Treasures (exhibition catalogue). Texts by Gregory Whittkop and Joe Houston. Bloomfield Hills, Michigan: Cranbrook Art Museum, 2004.

Drathen, Doris von. “Chords of Silence: Agnes Martin.” In Vortex of Silence: Proposition for an Art Criticism beyond Aethetic Categories. Milan: Charta, 2004: 209–218

Eclipse: Towards the Edge of the Visible. London: White Cube, 2004: 26, 27, illustrated.

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 222–3, illustrated.

Fer, Briony. The Infinite Line: Re-making Art After Modernism. New Haven and London: Yale University Press, 2004: 46–63, illustrated.

Foster, Alicia. Tate Women Artists. Millbank, London: Tate Publishing, 2004: 224, illustrated.

“…going forward into unknown territory…”: Agnes Martin’s Paintings from the 1960s (exhibition brochure). Text by Lynne Cooke. New York: Dia Art Foundation, 2004.

In Pursuit of Perfection: The Art of Agnes Martin, Maria Martinez and Florence Piece (exhibition catalogue).Text by Timothy Robert Rodgers. Santa Fe, New Mexico: Department of Cultural Affairs, 2004: 70–71.

Intuition/(Im)Precision (exhibition catalogue). Salzburg: Galerie Thaddaeus Ropac, Salzburg, 2004: illustrated, 64, 91.

The Invisible Thread: Buddhist Spirit in Contemporary Art (exhibition catalogue). Texts by Robyn Brentano, Roger Lipsey and Lilly Wei. Staten Island, New York: Snug Harbor Cultural Center, 2004: 70–71, discussed, illustrated.

A Minimal Future?: Art As Object 1958–1968 (exhibition catalogue). Texts by Ann Goldstein and Diedrich Diederichsen. Los Angeles: Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004.

Schröder, Klaus Albrecht, ed. Pop Art and Minimalismus: The Serial Attitude (exhibition catalogue). Vienna: Albertina, 2004: 282–287, 427–428.

La sculpture américaine au Donjon. 2004. Text by Thierry Dufrêne. Vez, France. Donjon De Vez, 2004, illustrated.

Singular Forms (Sometimes Repeated): Art 1951 to the Present (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2004: 88, illustrated.

2003

Agnes Martin: With My Back to the World. Documentary by Mary Lance. DVD. New Deal Films, 2003.

An International Legacy: Selections from Carnegie Museum of Art (exhibition catalogue). New York: American Federation of Arts, 2003.

The Invisible Thread: Buddhist Spirit in Contemporary Art (exhibition catalogue). Staten Island, New York: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, 2003.

Fiero, Annette. The Glass State: The Technology of the Spectacle, Paris, 1981–1998. Cambridge, Massachusetts: MIT Press, 2003: 273.

Graw, Isabelle. Die bessere Hälfte: Künstlerinnen des 20. und 21. Jahrhunderts. Cologne: Dumont, 2003.

Humblet, Claudine. La nouvelle abstraction américaine, 1950–1970. Vol. 2. Milan: Skira, 2003: 1233–1273.

Lance, Mary. Agnes Martin: With My Back to the World. Corrales, New Mexico: New Deal Films, 2003. DVD, 57 minutes.

2002

Agnes Martin: The Nineties and Beyond (exhibition catalogue). Text by Ned Rifkin. Houston: Menil Collection, 2002.

American Beauty (exhibition catalogue). London: Annely Juda Fine Art, 2002.

Art City: Simplicity. Los Angeles: Twelve Films, 2002. DVD, 174 minutes.

Fabozzi, Paul F. Artists, Critics, Context: Readings in and Around American Art Since 1945. Upper Saddle River, New Jersey: Prentice Hall, 2002.

Helfenstein, Josef and Jonathan Fineberg, ed. Drawings of Choice from a New York Collection (exhibition catalogue). Champaign, Illinois: Krannert Art Museum, 2002: 106–111, illustrated.

Swearingen, James and Joanne Cutting-Gray, ed. Williams, Peter. “When Less Is More, More or Less: Subtraction and Addition in (Post)Modern Poetics.” Extreme Beauty: Aesthetics, Politics, Death. London: Continuum, 2002: 40–49.

2001

Adventures in Art: 40 Years at Pace. Texts by Arne Glimcher. Milan: Leonardo International, 2001.

As Painting: Division and Displacement (exhibition catalogue). Texts by Stephen Melville, Phillip Armstrong, and Laura Lisbon. Columbus, Ohio: Wexner Center for the Arts, 2001: 134–136.

Gift To The Nation. Washington, D.C.: Friends of Art and Preservation in Embassies in Embassies, 2001.

Juhasz, Alexandra, ed. Women of Vision: Histories in Feminist Film and Video. Minneapolis: University of Minnesota Press, 2001: 101–102.

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven and London: Yale University Press, 2001.

Nasgaard, Roald. Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990 (exhibition catalogue). Tallahassee: Museum Press, 2001.

Scheegass, Christian. Minimal-Concept: Zeichenhafte Sprachen im Raum. Amsterdam and Dresden: Verlag der Kunst, 2001.

Three Decades of Contemporary Art: The Dr. John and Rose M. Shuey Collection (exhibition catalogue). Bloomfield Hills, Michigan: Cranbrook Art Museum, 2002.

2000

Agnes Martin, Paintings and Writings. Text by Arne Glimcher. New York: PaceWildenstein, 2000.

Agnes Martin, Recent Paintings (exhibition catalogue). New York: PaceWildenstein, 2000.

Berardo Collection 1917–1999 (exhibition catalogue). Texts by Donald Kuspit, Delfim Sardo and Margarida Veiga. Lisbon: Centro Cultural de Bélem, 2000: 147, illustrated.

Catálogo de la Colección de Arte Contemporáneo Fundación “la Caixa.” Barcelona: Fundación “la Caixa,” 2000.

Meyer, James, ed. Minimalism. London: Phaidon Press Ltd., 2000.

19th and 20th Century Works on Paper (exhibition catalogue). New York: Dickinson Roundell, Inc., 2000: 70–71, illustrated.

1999

Afterimage: Drawing Through Process (exhibition catalogue). Texts by Pamela M. Lee and Cornelia H. Butler. Los Angeles: The Museum of Contemporary Art, 1999: illustrated.

The American Century: Art & Culture 1950–2000 (exhibition catalogue). New York: Whitney Museum of American Art, 1999: 55, 145, 166167.

Art at Work: Forty Years of The Chase Manhattan Collection (exhibition catalogue). Houston, Texas: Museum of Fine Arts; Contemporary Arts Museum; Chase Manhattan Bank, 1999.

Contemporary American Artists (exhibition catalogue). Mexico City: United States Embassy, 1992: 52, illustrated.

Krauss, Rosalind. “Agnes Martin: The/Cloud/.” In Bachelors. Cambridge, Massachusetts: MIT Press, 1999: 75–89.

Radical Past: Contemporary Art & Music in Pasadena, 1960 (exhibition catalogue). Pasadena and Santa Monica, California: Armory Center for the Arts, Art Center College; RAM Publication & Distribution, 1999: 93, illustrated.

Regarding Beauty: A View of the Late Twentieth Century (exhibition catalogue). Text by Arthur C. Danto. Washington, D.C.: Hirshorn Museum and Sculpture Garden, Smithsonian Institution, 1999: 116–117, 214.

Torres, Ana Maria and Denis Pelli. Thresholds: Limits of Perception. New York: New York Arts Magazine, 1999.

1998

Agnes Martin, Richard Tuttle (exhibition catalogue). Text by Michael Auping. Fort Worth: Modern Art Museum, Texas, 1998.

Agnes Martin: Works on Paper (exhibition catalogue). Texts by Aline C. Brandauer, Harmony Hammond, and Ann Wilson. Santa Fe, New Mexico: Museum of Fine Arts, Museum of New Mexico, 1998.

Johnston, Jill. “Agnes Martin: Surrender & Solitude.” In Admission Accomplished: The Lesbian Nation Years 1970–75. London: Serpent’s Tail, 1998. 291–306.

Martin, Agnes. “Beauty Is the Mystery of Life.” In Uncontrollable Beauty; Toward a New Aesthetics. Bill Beckley and David Shapiro, ed. New York: Allworth Press; School of the Visual Arts, 1998: 399–402.

Perfection: Minimal Art & Its Aftermath Selected from the Kerry Stokes Collection (exhibition catalogue). Lawrence, Perth: Wilson Art Gallery, University of Western Australia, 1998.

Riley, Charles. “The Priestess of Perfection: Agnes Martin.” In The Saints of Modern Art: The ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy. Hanover, New Hampshire: University Press of New England, 1998: 72–77.

Then and Now: Art since 1945 at Yale (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1998.

Works by Contemporary American Artists: Residence of the Ambassador of the United States of America to Austria (exhibition catalogue). Text by Virginia Shore. Vienna: USIA Regional Office, 1998: 42–43, illustrated.

1997

American Art from the Whitney Museum: 1975–1995 (exhibition catalogue). Milan: Charta, 1997.

Archer, Michael. Art Since 1960. London: Thames and Hudson, 1997.

Celant, Germano. XLVII Esposizione Internazionale d'Arte: Futuro, Presente, Passato (exhibition catalogue). Milan: Electa, 1997.

Crossing the Threshold (exhibition catalogue). New York: Steinbaum Krauss, 1997.

The Hirshhorn Collects: Recent Acquisitions 1992–1996 (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1997.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University (exhibition catalogue). Princeton, New Jersey: The Art Museum, Princeton University, 1997.

Lee, Pamela and Christine Mehring, eds. “Drawing Is Another Kind of Language:” Recent American Drawings from a New York Private Collection (exhibition catalogue). Cambridge, Massachusetts: Arthur M. Sackler Museum, Harvard University, 1997.

Original Visions: Shifting the Paradigm, Women’s Art, 1970–1996 (exhibition catalogue). Texts by Alston Conley, Katherine Nahum et al. Chestnut Hill, Massachusetts: McMullen Museum of Art, Boston College, 1997.

The View From Denver: Contemporary American Art from the Denver Museum (exhibition catalogue). Vienna: Museum Moderner Kunst Stiftung Ludwig, 1997: 296, illustrated; 297–298, discussed.

1996

Adlmann, Jan E., and Barbara McIntyre. Contemporary Art in New Mexico. East Roseville, Australia: Craftsman House, 1996.

Art at the End of the 20th Century: Selections From the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1996.

In Quest of the Absolute (exhibition catalogue). Text by Erich Franz. New York: Peter Blum, 1996.

Krauss, Rosalind. “Agnes Martin: The/Cloud/.” In Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine. Cambridge, Massachusetts: MIT Press, 1996: 331–338.

Martin, Agnes. “Beauty Is the Mystery of Life.” In Voices in New Mexico Art. Susan Benforado Bakewell and David Turner, ed. Santa Fe, New Mexico: Museum of Fine Arts, Museum of New Mexico, 1996: 50, illus.; 51.

Negotiating Rapture: The Power of Art to Transform Lives (exhibition catalogue). Chicago: Museum of Contemporary Art, 1996: illustrated.

Open Secrets: Seventy Pictures on Paper 1815 to the Present (exhibition catalogue). New York and San Francisco: Mathew Marks Gallery; Frankel Gallery, 1996.

The Robert and Jane Meyerhoff Collection, 1945–1995 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1996: 47–51, pls. 56, 50.

1995

Agnes Martin (exhibition catalogue). Text by Lawrence Rinder and Cindy Richmond. Regina, Saskatchewan, Canada and Berkeley, California: Mackenzie Art Gallery; The University Art Museum and Pacific Film Archive of the University of California at Berkeley, 1995.

Carnegie International 1995 (exhibition catalogue). Pittsburgh: Carnegie Museum of Art, 1995: 122–125.

Diary of a Human Hand (exhibition catalogue). Montreal: Gallery of the Saidye Bronfman Centre for the Arts, 1995.

Essence and Persuasion: The Power of Black &White (exhibition catalogue). Buffalo, New York: Anderson Gallery, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

1995 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1995.

Wood, James N, T J. Edelstein, and Sally R. May. The Art Institute of Chicago: The Essential Guide. Illinois: The Art Institute of Chicago, 1994: 131, illustrated.

XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery and Saluting the Opening of the New San Francisco Museum of Modern Art (exhibition catalogue). San Francisco, California: John Berggruen Gallery, 1995.

1994

Art in the Present Tense: The Aldrich's Curatorial History 1964–1994 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994: illustrated.

Krauss, Rosalind. “The Grid, the/Cloud/, and the Detail.” In The Presence of Mies. Detlef Mertins. New York: Princeton Architectural Press, 1994: 110–19.

On a Clear Day (exhibition catalogue). Text by Carmen Schliebe and Markus Stegmann. Baden-Baden, Germany: Staatliche Kunsthalle, 1994: 23, illustrated.

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994: illustrated.

Witzling, Mara, ed. Voicing Today’s Visions: Writings by Contemporary Women Artists. New York: Universe, St. Martin’s Press, 1994: 42–63.

1993

Agnes Martin (exhibition catalogue). Texts by Carmen Alborch, María de Corral, and Barbara Haskell. Madrid: Museo nacional Centro de Arte Reina Sofía, 1993.

Agnes Martin (exhibition catalogue). Tokyo: Wildenstein, 1993.

Agnes Martin: Paintings and Drawings 1977–1991 (exhibition catalogue) Texts by Germano Celant the artist. Interview by Irving Sandler. London: Serpentine Gallery, 1993.

Der zerbrochene Spiegel: Positionen zur Malerei (exhibition catalogue). Text by Kasper König and Hans Ulrich Obrist. Vienna: Kunsthalle, 1993: 22–27, illustrated.

Fragen an vier Bilder: Edward Hopper, Ad Reinhardt, Giorgio Morandi, Agnes Martin (exhibition catalogue). Text by Michael Brötje, conversation between Gottfried Boehm and Liesbrock. Münster: Westfälischer Kunstverein, 1993.

Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip (exhibition catalogue). Text by Mildred Glimcher. New York: The Pace Gallery, 1993.

Martin, Agnes. La perfection inhérente à la vie. Dieter Schwarz, ed. Paris: École nationale supérieure des beaux-arts, 1993.

1992

Agnes Martin (exhibition catalogue). Texts by Barbara Haskell, Anna C. Chave and Rosalind Krauss. New York: Whitney Museum of American Art, 1992.

Agnes Martin (exhibition catalogue). Vienna: Hochschule für angewandte Kunst, 1992.

Agnes Martin: Werke 1960–1989 (exhibition catalogue). Winterthur: Kunstmuseum Winterhur, 1992.

Behind Bars (exhibition catalolgue). Text by Meg O’Rourke. New York: Thread Waxing Space, 1992.

Repetición/Transformación (exhibition catalogue). Madrid: Consorcio para la Organización de Madrid, Capital Europea de la Cultura, 1992.

1991

Agnes Martin: Paintings and Drawings 1974–1990 (exhibition catalogue). Texts by Ann Wilson, Marja Bloem, Erich Franz, Mark Stevens, and the artist. Amsterdam: Stedelijk Museum, 1991.

Elderfield, John, ed. American Art of the 1960s. New York: The Museum of Modern Art; distributed by H. N. Abrams, 1991.

The Artist Observed: 28 Interviews with Artists. Chicago: A Cappella Books, 1991: 77–86.

Geometries of Color: American Post-Painterly Abstraction (exhibition catalogue). Text by Beth Wilson. New York: Stux Modern, 1991.

Schwarz, Dieter, ed. Agnes Martin: Writings/Schriften. Ostfildern-Ruit, Germany: Cantz; Kunstmuseum Winterthur, 1991.

1990

Agnes Martin—Hiljaisuus Taloni Lattialla. Edited by Tor Arne, Carolus Enckell, Juhani Pallasmaa. Finland: Vapaa Taidekoulu, 1990.

Art Gallery of Ontario: Selected Works. Toronto: Art Gallery of Ontario, 1990: 366.

Biographical Dictionary of Saskatchewan Artists: Women Artists. Text by Marketa Newman. Saskatoon, Saskatchewan: Fifth House Publishers, 1990: 151–155.

Breakthroughs: Avant-Garde Artists in Europe and America, 1950–1990. Texts by Kenneth Baker, et al. Columbus: Wexner Center for the Arts, Ohio State University, 1990.

Four Centuries of Women's Art (exhibition catalogue). Tokyo: Asahi Shimbun, 1990.

Gegenwart-Ewigkeit: Spuren des Transzendenten in der Kunst unserer Zeit (exhibition catalogue). Berlin: Guardini-Stiftung, 1990.

Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor (exhibition catalogue). New York: Holly Solomon Gallery, 1990: illustrated.

The Image of Abstract Painting in the 80s (exhibition catalogue). Text by Susan L. Stoops. Waltham, Massachusetts: Rose Art Museum, Brandeis University, 1990.

Künstlerinnen des 20. Jahrhunderts (exhibition catalogue). Texts by Maranne Stockebrand, et al. Wiesbaden: Museum Wiesbaden, 1990.

The Louise Noun Collection: Art by Women (exhibition catalogue). [Iowa City]: University of Iowa Museum of Art, 1990: illustrated.

Minimal Art (exhibition catalogue). Osaka: The National Museum of Art, 1990.

Minimalism and Post-Minimalism: Drawing Distinctions (exhibition catalogue). Texts by James Cuno and Cindy Johnson discuss Agnes Martin. Hanover, New Hampshire: Hood Museum of Art Dartmouth College, 1990.

Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). Text by Arnold Glimcher. Brussels: Galerie Isy Brachot, 1990.

The Refco Collection. Edited by Sue Taylor. Chicago: Refco Group, Ltd., 1990: 116–117.

San Diego Museum of Contemporary Art: Selections from the Permanent Collection (exhibition catalogue). Text by Ronald J. Onorato. La Jolla, California: San Diego Museum of Contemporary Art, 1990: 16, illustrated.

1989

Abstraction, Geometry, Painting: Selected Geometric Abstract Painting in America Since 1945 (exhibition catalogue). Text by Michael Auping. New York: H.N. Abrams in association with Albright-Knox Art Gallery, 1989.

Agnes Martin (exhibition catalogue). Tokyo: Akira Ikeda Gallery, 1989.

Agnes Martin: Recent Paintings (exhibition brochure). Cleveland, Ohio: Cleveland Museum of Art, 1989.

Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960 (exhibition catalogue). Texts by Emile Cioran, et al. Cologne: Museum Ludwig, 1989.

Making Their Mark; Women Artists Move into the Mainstream, 1970–85 (exhibition catalogue). Cincinnati, Ohio: Cincinnati Art Museum, 1989.

The Private Eye: Selected Works from the Collections of Friends of the Museum of Fine Arts, Houston (exhibition catalogue). Houston: The Museum of Fine Arts, 1989.

1988

Agnes Martin. Text by Ulrike Ritter. Bielefeld, Germany: Kunsthalle Bielefeld, 1988.

1988 Carnegie International (exhibition catalogue). Texts by John Caldwell, Vicky A. Clark, Thomas McEvilley, Lynne Cooke, and Milena Kalinovska. Pittsburgh: The Carnegie Museum of Art, 1988.

Three Decades: The Oliver-Hoffmann Collection. Texts by Camille Oliver-Hoffmann, I. Michael Danoff, Phyllis Tuchman. Chicago: Museum of Contemporary Art, 1988.

1987

The Idea of North (exhibition brochure). New York: 49th Parallel, Centre for Contemporary Canadian Art, 1987.

The Tenth Anniversary Exhibition: Painting 1977–1987 (exhibition catalogue). Osaka: The National Museum of Art, 1987: illustrated.

1986

Agnes Martin: Recent Paintings (exhibition catalogue). London: Waddington Galleries, 1986.

America: Art and the West (exhibition catalogue). New York: American-Australian Foundation for the Art; International Cultural Corporation of Australia; distributed by H.N. Abrams, 1986: 35, 48, illustrated.

Elders of the Tribe. New York: Bernice Steinbaum Gallery, 1986.

50th Annual National Midyear Show (exhibition catalogue). Youngstown, Ohio: The Butler Institute of American Art, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Individuals: A Selected History of Contemporary Art 1945–1986 (exhibition catalogue). Texts by Kate Linker, et al. Los Angeles: Museum of Contemporary Art, 1986: 55, 382.

The Sixth Biennale of Sydney: Origins, Originality and Beyond (exhibition catalogue). Texts by Rosalind Krauss and Robert Smith discuss Agnes Martin. Sydney: Art Gallery of New South Wales, 1986.

1985

Beyond the Canvas: Artists of the Seventies and Eighties. New York: Rizzoli International Publications, Inc., 1985: 174–183.

Cinquante and de dessins américains. Text by Walter Hopps. Houston: The Menil Collection, 1985.

Contrasts of Form: Geometric Abstract Art 1910–1980 (exhibition catalogue). Texts by Magdalena Dabrowski and John Elderfield. New York: The Museum of Modern Art, 1985.

Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art (exhibition catalogue). Providence: Museum of Art, Rode Island School of Design, 1985.

1984

American Women Artists. Part I: 20th Century Pioneers (exhibition catalogue). New York: Sidney Janis Gallery, 1984.

From the Collection of Sol LeWitt (exhibition catalogue). New York: Independent Curators Incorporated, 1984: illustrated.

Great American Artists: The Skowhegan Medal Recipients (exhibition catalogue). Text by Calvin Tompkins. New York and Skowhegan, Maine: Alpine Fine Arts Collection; Skowhegan School of Painting and Sculpture, 1984: 64–65, illustrated.

The Tremaine Collection: 20th Century Masters, the Spirit of Modernism (exhibition catalogue). Texts by Robert Rosenblum, Gregory Hedberg, and Emily Tremaine. Hartford, Connecticut: Wadsworth Atheneum, 1983.

1983

Abstract Painting: 1960–69 (exhibition catalogue). Texts by 26 authors. Long Island City, New York: P.S. 1, The Institute for Art and Urban Resources, 1983.

Arc: 1973–1983 (exhibition catalogue). Paris: Amis du Musée d’art modern de la ville de Paris, 1983: 63, no. 3, illustrated.

ARS 83 (exhibition catalogue). Helsinki: Ateneumin Taidemuseo, 1983: 37, 150–51, illustrated.

Changes (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1983: illustrated.

Willem de Kooning: Nordatlantens Ljus / The North Atlantic Light, 1960–1983 (exhibition catalogue). Stockholm: Moderna Museet, 1983.

1982

’60 ’80: Attitudes/Concepts/Images. Texts by Ad Petersen, Edy de Wilde, Gijs van Tuyl, Wim Beeren, Antje von Graevenitz, and Cor Blok. Amsterdam: Stedelijk Museum, 1982: 166, 240.

Drawings, Watercolors and Prints by Contemporary Masters (exhibition brochure). Clinton, New York: Root Art Center, Hamilton College, 1982.

Solitude: Inner Visions in American Art (exhibition catalogue). Text by David M. Sokol. Evanston, Illinois: Terra Museum of American Art, 1982: 41, illustrated 39.

1981

The 37th biennial Exhibition of Contemporary Painting (exhibition catalogue). Text by Jane Livingston. Washington, D.C.: The Corcoran Gallery of Art, 1981.

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1981.

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

Westkunst: Zeitgenössische Kunst seit 1939 (exhibition catalogue). Text by Lazlo Glozer. Cologne, West Germany: Museen der Stadt Köln, Rheinhallen der Kölner Messe, 1981: 464.

1980

La Biennale di Venezia: Section of Visual Arts (exhibition catalogue). Venice: La Biennale, 1980: 13, 36.

Rosenzweig, Phyllis. The Fifties Aspects of Painting in New York (exhibition catalogue). Washington, D. C.: Hirshhorn Museum and Sculpture Garden; Smithsonian Institution, 1980: 60, 107, illustrated.

Rosc ’80: The Poetry of Vision: An International Art Exhibition of Modern Art and Chinese Painting (exhibition catalogue). Dublin: School of Architecture, University College, 1980: 72.

Twenty American Artists (exhibition catalogue). San Francisco: San Francisco Museum of Modern Art, 1980.

1979

The Minimal Tradition. Text by Dorothy Mayhall. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1979.

The Reductive Object: A Survey of the Minimalist Aesthetic in the 1960's (exhibition catalogue). Boston: Institute of Contemporary Art, 1979.

73rd American Exhibition. Texts by A. James Speyer and Anne Rorimer. Chicago: The Art Institute of Chicago, 1979.

Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Chapel Hill, North Carolina: The Ackland Art Museum, 1979: illustrated.

25 Años Despues: Robert Indiana, Ellsworth Kelly, Agnes Martin, Edgar Negret, Louise Nevelson, Jack Youngerman (exhibition catalogue). Bogotá: Museo de Arte Moderno, 1979.

1978

American Painting of the 1970s (exhibition catalogue). Text by Linda Cathcart. Buffalo, New York: Albright-Knox Art Gallery, 1978: 41, illustrated.

La Biennale de Venezia 1978: From Nature to Art, From Art to Nature: General Catalogue (exhibition catalogue). Venice: La Biennale de Venezia, 1978: no. 10, illustrated.

Contemporary Drawing/New York. Text by Phyllis Plous. Santa Barbara: Art Museum, University of California, 1978.

Four Contemporary Painters (exhibition catalogue). Introduction by Tom E. Hinson. Cleveland: The Cleveland Museum of Art, 1978.

Grids: Format and Image in 20th Century Art (exhibition catalogue). Text by Rosalind Krauss. New York: The Pace Gallery, 1978.

Crone, Rainer F. Numerals: 1924–1977 (exhibition catalogue). New Haven: Yale University Art Gallery, 1978: illustrated.

Perspective ’78: Works by Women (exhibition catalogue). Text by Therese Schwartz. Reading, Pennsylvania: Freedman Gallery, Albright College, 1978: 31, illustrated.

1977

Agnes Martin: Paintings and Drawing 1957–1975 (exhibition catalogue). Text by Dore Ashton. London: Arts Council of Great Britain, 1977.

Less is More: An Exhibition of Minimal Painting (exhibition catalogue). New York: Sidney Janis Gallery, 1977.

1977 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1977.

1976

American Artists: A New Decade (exhibition brochure). Text by Barbara Haskell, John H. Neff, and Jay Belloli. Fort Worth: Fort Worth Art Museum, 1976.

Aspects of Post-war Painting in America (exhibition catalogue). Columbus, Ohio: Columbus Gallery of Fine Arts, 1976.

La Biennale di Venezia, 1976: Environment, Participation, Cultural Structures, vol. 1 (exhibition catalogue). Venice: Alfieri edizioni d’arte, 1976: 162, 166.

Critical Perspectives in American Art (exhibition catalogue). Texts by Sam Hunter, Rosalind Krauss, and Marcia Tucker. Amherst, Massachusetts: Fine Arts Center Gallery, University of Massachusetts, 1976.

Drawing Now (exhibition catalogue). Text by Bernice Rose. New York: The Museum of Modern Art, 1976.

Line (exhibition catalogue). Text by Janet Kardon. [s.l]: Visual Arts Museum, 1976.

Gabriel. 35 mm film. Directed by Agnes Martin. Performed by Peter Mayne. 1976. N.p. Film.

Minimal Art: Druckgraphik (exhibition catalogue). Text by Norbert Lynton, Kathan Brown, and Nancy Tousley. Hanover, West Germany: Kestner-Gesellschaft, 1976.

Surface, Edge and Color (exhibition catalogue). New York: Whitney Museum of American Art, Downtown Branch, 1976.

1975

Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co., 1975: 79, 97, 100–110.

Functions of Drawing (exhibition catalogue). Texts by Rudolf W.D. Oxenaar and Rudi H. Fuchs. Otterlo, The Netherlands: Rijksmuseum Kröller-Müller, 1975: 83.

Fundamental Painting (exhibition catalogue). Amsterdam: Stedelijk Museum, 1975: 43–47.

J. Bishop, A. Martin, R. Ryman, W. Nestler (exhibition catalogue). Paris: Galerie Rencontres, 1975.

Prints: Bochner, LeWitt, Mangold, Marden, Martin, Renouf, Rockburne, Ryman. (exhibition catalogue). Toronto: Art Gallery of Ontario, 1975.

Tendances actuelles de la nouvelle peinture américaine (exhibition catalogue). Texts by Marcelin Pleynet. Paris: Musée d’Art Moderne de la Ville de Paris, 1975.

1974

Agnes Martin 1974: An Interview. Video recording. Chicago: Video Data Bank, 1974.

An Exhibition Called Strata With Paintings, Drawings and Prints by Marden, Martin, Ryman, Twombly and Kelly (exhibition catalogue). London: Royal College Art Galleries, 1974.

Les Is More: The Influence of the Bauhaus on American Art (exhibition catalogue). Coral Gables, Florida: Lowe Art Museum, University of Miami, 1974: 29.

Nine Artists/Coenties Slip (exhibition brochure). New York Whitney Museum of American Art, 1974.

On a Clear Day: Screenprints and Drawings by Agnes Martin (exhibition brochure). Edinburgh: Scottish National Gallery of Modern Art, 1974.

1973

Agnes Martin (exhibition brochure). Pasadena, California: Pasadena Museum of Modern Art, 1973.

Agnes Martin (exhibition catalogue). Texts by Lawrence Alloway, Ann Wilson, and the artist. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1973.

Agnes Martin (exhibition catalogue). Text by Hermann Kern. Munich: Kunstraum München, 1973.

Agnes Martin: Paintings and Drawing 1957–1975. London: Arts Council of Great Britain, 1973.

American Drawings 1963–1973. Text by Elke M. Solomon. New York: Whitney Museum of American Art, 1973: 59.

Arte come Arte (exhibition catalogue). Texts by Douglas Crimp and Germano Celant. Milan: Centro Comunitario di Brera, 1973.

Options and Alternatives: Some Directions in Recent Art (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1973.

A Selection of American and European Paintings from the Richard Brown Baker Collection. Text by Suzanne Foley. San Francisco: San Francisco Museum of Art, 1973.

Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Text by Jennifer Licht. Providence: Museum of Art, Rhode Island School of Design, 1973.

Some Recent American Art (exhibition catalogue). New York: The International Council of The Museum of Modern Art, 1973.

1972

Documenta 5: Befragung der Realität–Bildwelten heute. Kassel, West Germany, 1972: 43.

Grids, grids, grids, grids, grids, grids, grids, grids. Text by Lucy R. Lippard. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1972.

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1972: no. 60, illustrated.

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972: 350–351.

1971

Calas, Nicholas and Elena Calas. Icons and Images. New York: EP Dutton & Co., 1971: 216–17.

Gene Swenson: Retrospective for a Critic. Lawrence, Kansas: The Register for the Museum of Art, University of Kansas, 1971: 91.

Lippard, Lucy R. "Diversity in Unity: Recent Geometricizing Styles in America." In Art Since Mid-Century, vol. 1. Greenwich, Connecticut: New York Graphics Society, 1971: 231–233, pl. 238.

White on White: The White Monochrome in the Twentieth Century (exhibition catalogue). Text by Robert Pincus-Witten. Chicago: Museum of Contemporary Art, Chicago, 1971.

1970

A Decade of Accomplishment: American Drawings and Prints of the 1960’s (exhibition brochure). Chicago: Lobby Gallery, Illinois Bell, 1970.

Works Mostly on Paper—Drawing Reconsidered (exhibition catalogue). Text by John Noel Chandler. Boston: Institute of Contemporary Art, 1970.

1969

1970 National Drawing Exhibition (exhibition brochure). San Francisco: San Francisco Museum of Art, 1969.

Young Artists of the Sixties: The Charles Cowles Collection (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1969: illustrated.

1968

The Art of the Real: USA 1948–1968 (exhibition catalogue). Text by Eugene C. Goossen. New York: The Museum of Modern Art, 1968: illustrated.

Battcock, Gregory. Minimal Art. New York: EP Dutton & Co., 1968: 42, 45, 74.

Betty Parsons’ Private Collection (exhibition brochure). Text by E. C. Goossen. New York: Finch College Museum of Art, 1968.

The Pure and Clear: American Innovations (exhibition brochure). Philadelphia: Philadelphia Museum of Art, 1968.

Untitled 1968 (exhibition catalogue). San Francisco: San Francisco Museum of Art, 1968.

1967

Austellung: Serielle Formationen (exhibition catalogue). Frankfurt: Universität, Studentenschaft, Stiftung Studentenhaus, 1967.

Color, Image, Form: An Exhibition of Painting and Sculpture Presented by the Friends of Modern Art of the Founders Society (exhibition catalogue). Detroit, Michigan: Detroit Institute of Art, 1967.

The Helen W. and Robert M. Benjamin Collection: A Loan Exhibition (exhibition catalogue). New Haven, Connecticut: Yale University Art Gallery, 1967.

Mid-Twentieth Century Drawings and Collages: A Selection from the Collection of Richard Brown Baker (exhibition brochure). Tampa: the Gallery, University of South Florida, 1967.

1967 Annual Exhibition of Contemporary Painting. New York: Whitney Museum of American Art, 1967: pl. 10.

A Romantic Minimalism. Text by Stephen S. Prokopoff. Philadelphia: Institute of Contemporary Art, University Pennsylvania, 1967.

Selected N.Y.C. Artists 1967 (exhibition brochure). Text by Harris Rosenstein. Ithaca, New York: Ithaca College Museum of Art, 1967.

30th Biennial Exhibition of Contemporary American Painting. Washington, D.C.: The Corcoran Gallery of Art, 1967.

1966

The Harry N. Abrams Family Collection (exhibition brochure). New York: The Jewish Museum, 1966: pl. 85.

Systemic Painting. Text by Lawrence Alloway. New York: The Solomon R. Guggenheim, 1966: pl. 28.

10 (exhibition catalogue). New York: Dwan Gallery, 1966: pl. 6.

1965

Art Across America (exhibition catalogue). Dayton, Ohio: The Mead Corporation, 1965.

Art: An Environment for Faith (exhibition brochure). Text by Mildred Constantine. San Francisco: San Francisco Museum of Art, 1965.

A Decade of American Drawings: 1955–1965 (exhibition catalogue). New York: Whitney Museum of American Art, 1965: pl. 26.

The Responsive Eye (exhibition catalogue). Text by William C. Seitz. New York: The Museum of Modern Art, 1965: pl. 74.

1964

American Drawings (exhibition catalogue). New York: Text by Lawrence Alloway. The Solomon R. Guggenheim Museum, 1964.

Recent American Drawings (exhibition catalogue). Text by Sam Hunter and Lawrence Alloway. Waltham, Massachusetts: The Rose Art Museum, Brandeis University, 1964.

1962

Formalists (exhibition brochure). Washington, D.C.: The Washington Gallery of Modern Art, 1962.

46 Works From New York (exhibition brochure). San Francisco: Dilexi Gallery, 1962.

Geometric Abstractin in America (exhibition catalogue). Text by John Gordon. New York: Whitney Museum of American Art, 1962, pl. 59.

1961

Martin, Agnes. Lenore Tawney. Additional text by James Coggin. New York: Staten Island Museum, 1961.

Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalogue). Pittsburgh: Carnegie Institute, 1961.

6 American Abstract Painters (exhibition catalogue). Text by Lawrence Alloway. London: Arthur Tooth and Sons, 1960.

1960

Konkrete Kunst: 50 Jahre Entwicklung (exhibition catalogue). Zurich: Helmhaus, 1960: 130, illustrated.

Agnes Martin

Details:

Pace Publications:

Agnes Martin was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art.

Exhibitions

Alicja Kwade & Agnes Martin

Space Between the Lines

Little Things

Parts I & II

Agnes Martin

The Distillation of Color

At the Edge of Things

Baer, Corse, Martin

Journal

Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time

Agnes Martin: The Distillation of Color

In a Troubled World, Laraaji Makes Space for Healing

The Enduring Musicality of Agnes Martin’s Paintings

Agnes Martin
One-Artist Exhibitions

Agnes Martin
One-Artist Exhibitions

Agnes Martin
Group Exhibitions

Agnes Martin
Group Exhibitions

Agnes Martin
Public Collections

Agnes Martin
Public Collections

Agnes Martin
Periodicals

Agnes Martin
Periodicals

Agnes Martin
Books and Catalogues

Agnes Martin
Books and Catalogues

Agnes Martin

Details:

Pace Publications:

Agnes Martin was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art.

Exhibitions

Alicja Kwade & Agnes Martin

Space Between the Lines

Little Things

Parts I & II

Agnes Martin

The Distillation of Color

At the Edge of Things

Baer, Corse, Martin

Journal

Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time

Agnes Martin: The Distillation of Color

In a Troubled World, Laraaji Makes Space for Healing

The Enduring Musicality of Agnes Martin’s Paintings

Agnes MartinOne-Artist Exhibitions

Agnes MartinOne-Artist Exhibitions

Agnes MartinGroup Exhibitions

Agnes MartinGroup Exhibitions

Agnes MartinPublic Collections

Agnes MartinPublic Collections

Agnes MartinPeriodicals

Agnes MartinPeriodicals

Agnes MartinBooks and Catalogues

Agnes MartinBooks and Catalogues

Agnes Martin
One-Artist Exhibitions

Agnes Martin
One-Artist Exhibitions

Agnes Martin
Group Exhibitions

Agnes Martin
Group Exhibitions

Agnes Martin
Public Collections

Agnes Martin
Public Collections

Agnes Martin
Periodicals

Agnes Martin
Periodicals

Agnes Martin
Books and Catalogues

Agnes Martin
Books and Catalogues